The Handmade Films of William Kentridge - Part 1 imagine...
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Transcript
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|---|---|---|---|
This programme contains some scenes of a sexual nature. | 0:00:04 | 0:00:09 | |
William Kentridge is an artist of global stature, | 0:00:12 | 0:00:15 | |
whose work is shown in museums and opera houses around the world. | 0:00:15 | 0:00:19 | |
He was born in South Africa | 0:00:21 | 0:00:23 | |
shortly after the imposition of apartheid and his career has | 0:00:23 | 0:00:27 | |
coincided with the most turbulent period in his country's history. | 0:00:27 | 0:00:31 | |
In 1989, William made the first in a series of hand-drawn, | 0:00:34 | 0:00:39 | |
animated films that he calls Drawings For Projection. | 0:00:39 | 0:00:43 | |
Johannesburg, The 2nd Greatest City After Paris is the first film, | 0:00:45 | 0:00:49 | |
and when it was made in 1989, | 0:00:49 | 0:00:52 | |
there was no understanding at all that it would become part of | 0:00:52 | 0:00:56 | |
a series that would be going on for 26 years - and ongoing. | 0:00:56 | 0:01:01 | |
The title came from this absurd dream phrase. | 0:01:03 | 0:01:06 | |
At that stage, I was keeping a dream diary and I woke up with | 0:01:06 | 0:01:09 | |
an image of a group photograph and the caption said, | 0:01:09 | 0:01:13 | |
"Soho Eckstein" - don't know where the name came from - "with 120 artists and photographers | 0:01:13 | 0:01:19 | |
"who spent eight hours recording Johannesburg, | 0:01:19 | 0:01:22 | |
"the second greatest city after Paris." | 0:01:22 | 0:01:26 | |
MUSIC: Harlem Flat Blues by The Jungle Band | 0:01:26 | 0:01:28 | |
BIRDSONG | 0:01:37 | 0:01:39 | |
URBAN NOISE | 0:01:42 | 0:01:45 | |
RHYTHMIC CLANGING | 0:02:10 | 0:02:11 | |
RUNNING WATER | 0:02:13 | 0:02:14 | |
SPLASHING | 0:02:18 | 0:02:20 | |
WATER SLOSHES | 0:02:23 | 0:02:25 | |
RHYTHMIC CLANGING | 0:02:29 | 0:02:31 | |
TYPEWRITER CLACKS | 0:02:51 | 0:02:53 | |
BOTTLE SMASHES | 0:03:13 | 0:03:14 | |
THUMP OF IMPACTS | 0:03:15 | 0:03:17 | |
CAT MEOWS | 0:03:19 | 0:03:20 | |
WATER LAPS | 0:03:21 | 0:03:23 | |
CHORAL MUSIC | 0:04:23 | 0:04:25 | |
TELEPHONE RINGS | 0:04:56 | 0:04:58 | |
DISTORTED VOICE | 0:05:02 | 0:05:03 | |
TELEPHONE RINGS | 0:05:06 | 0:05:07 | |
NEW DISTORTED VOICE | 0:05:10 | 0:05:11 | |
CHORAL MUSIC | 0:05:23 | 0:05:24 | |
SPLASHING | 0:05:27 | 0:05:28 | |
MULTIPLE DISTORTED VOICES | 0:05:32 | 0:05:34 | |
TELEPHONE RINGS | 0:05:34 | 0:05:35 | |
CHORAL MUSIC | 0:05:57 | 0:05:58 | |
CHIME | 0:06:17 | 0:06:18 | |
TRAIN-LIKE CHUGGING | 0:06:22 | 0:06:24 | |
SLURPING | 0:06:32 | 0:06:34 | |
TRAIN-LIKE CHUGGING | 0:06:36 | 0:06:37 | |
SLURPING | 0:06:40 | 0:06:42 | |
TRAIN-LIKE CHUGGING | 0:06:43 | 0:06:44 | |
CHOMPING | 0:07:12 | 0:07:13 | |
SPLASHING | 0:07:39 | 0:07:41 | |
HOLLOW THUD | 0:07:45 | 0:07:46 | |
STRUGGLING | 0:08:02 | 0:08:03 | |
GRUNTS AND BLOWS LANDING | 0:08:25 | 0:08:27 | |
DISTANT TRAIN-LIKE CHUGGING | 0:08:49 | 0:08:52 |
