Browse content similar to Who's Afraid of Machiavelli?. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Niccolo Machiavelli - 16th-century Italian diplomat, | 0:00:09 | 0:00:13 | |
political thinker, arch-baddie. | 0:00:13 | 0:00:17 | |
His name conjures up everything that's sly about human behaviour. | 0:00:17 | 0:00:22 | |
Well, we have an image of what the Machiavellian is - | 0:00:22 | 0:00:24 | |
I mean, the word is in our dictionaries, he is an adjective. | 0:00:24 | 0:00:27 | |
"Machiavellian - astute, cunning, intriguing." | 0:00:27 | 0:00:31 | |
Controlling, powerful. | 0:00:31 | 0:00:33 | |
Sinister, underhand. Devious, scheming. | 0:00:33 | 0:00:37 | |
Cunning, subtle. | 0:00:37 | 0:00:40 | |
Nefarious, manipulative and to a degree, cruel. | 0:00:40 | 0:00:45 | |
Peter Mandelson regularly gets described as Machiavellian, | 0:00:46 | 0:00:49 | |
I was regularly described as Machiavellian. | 0:00:49 | 0:00:52 | |
And it's all because of this - The Prince, written 500 years ago. | 0:00:52 | 0:00:58 | |
It's about power - how to get it and how to keep it. | 0:00:58 | 0:01:02 | |
"It can be said of men that they are ungrateful, | 0:01:02 | 0:01:04 | |
"fickle liars and deceivers. | 0:01:04 | 0:01:06 | |
"They shun danger and are greedy for profit. | 0:01:06 | 0:01:10 | |
"Therefore, it is necessary for a ruler | 0:01:10 | 0:01:12 | |
"who wishes to maintain his position | 0:01:12 | 0:01:14 | |
"to learn how to be able not to be good." | 0:01:14 | 0:01:17 | |
Machiavelli wrote The Prince in 1513. | 0:01:18 | 0:01:22 | |
It was shocking then and it's shocking now. | 0:01:22 | 0:01:25 | |
It's almost as if his name, itself, machi-evil - | 0:01:25 | 0:01:28 | |
it just lends itself to a form of demonisation. | 0:01:28 | 0:01:31 | |
"Chapter 17. Of cruelty and mercy, | 0:01:31 | 0:01:34 | |
"and whether it is better to be loved than feared... | 0:01:34 | 0:01:37 | |
"Or the contrary." | 0:01:37 | 0:01:39 | |
There is absolutely nobody in history | 0:01:39 | 0:01:42 | |
who's had more influence on modern affairs, on politics, | 0:01:42 | 0:01:45 | |
than Niccolo Machiavelli. | 0:01:45 | 0:01:47 | |
So what are we to make of The Prince on this, its 500th anniversary? | 0:01:47 | 0:01:52 | |
How useful and relevant is it today? | 0:01:52 | 0:01:55 | |
One of the most important books ever written | 0:01:55 | 0:01:57 | |
and a really useful how-to guide for contemporary reality. | 0:01:57 | 0:02:01 | |
Was Machiavelli right? Should we all learn how not to be good? | 0:02:02 | 0:02:06 | |
Is it better to be feared than loved? | 0:02:06 | 0:02:09 | |
And who are the 21st-century Machiavellians? | 0:02:09 | 0:02:13 | |
Actually, we're not in Florence - | 0:02:34 | 0:02:35 | |
we're ten miles south of Florence in San Casciano. | 0:02:35 | 0:02:39 | |
This was Machiavelli's country house in the 1500s | 0:02:39 | 0:02:43 | |
and I'm here for a guided tour. | 0:02:43 | 0:02:45 | |
Questo e lo studio dove Machiavelli scritto Il Principe. | 0:02:49 | 0:02:54 | |
Where he wrote The Prince? Exactly. And what is this? | 0:02:54 | 0:02:58 | |
That is his coat of arms. | 0:02:58 | 0:03:00 | |
His family's coat of arms - the cross and the nails. | 0:03:00 | 0:03:03 | |
The cross and the nails. Mm-hm. | 0:03:03 | 0:03:05 | |
Machiavelli. What does that mean? | 0:03:05 | 0:03:06 | |
It refers back to his name, Machiavelli - | 0:03:06 | 0:03:11 | |
so related with the cross and the nails of Christ. | 0:03:11 | 0:03:16 | |
Not a bad coat of arms for a man who, for centuries, | 0:03:19 | 0:03:22 | |
was known as the Antichrist. | 0:03:22 | 0:03:25 | |
But the cross and nails might just as well stand | 0:03:25 | 0:03:27 | |
for the violent times Machiavelli lived through. | 0:03:27 | 0:03:29 | |
Florence was a city state, | 0:03:32 | 0:03:34 | |
occupying and controlling only a very small portion | 0:03:34 | 0:03:38 | |
of a very chaotic Italy, | 0:03:38 | 0:03:40 | |
surrounded by other city states that were allies on Tuesday, | 0:03:40 | 0:03:43 | |
enemies on Wednesday and then allies again on Thursday. | 0:03:43 | 0:03:47 | |
The situation was constantly changing. | 0:03:47 | 0:03:49 | |
It was very treacherous, you didn't know who your friends were | 0:03:49 | 0:03:52 | |
and you couldn't trust anyone, so they had to be clever. | 0:03:52 | 0:03:57 | |
Before he wrote The Prince, Machiavelli worked here | 0:03:59 | 0:04:02 | |
at the Palazzio Vecchio in Florence. | 0:04:02 | 0:04:04 | |
The old regime, run by the Medici, had just been deposed. | 0:04:04 | 0:04:08 | |
A new regime was in charge and Machiavelli served them | 0:04:08 | 0:04:12 | |
as a high-flying diplomat. | 0:04:12 | 0:04:14 | |
Machiavelli found himself at the centre of all the diplomatic | 0:04:14 | 0:04:18 | |
and political negotiations within that period. | 0:04:18 | 0:04:22 | |
And it was his ability as a political analyst that enabled him to advance. | 0:04:22 | 0:04:28 | |
But just when things were going so well for Machiavelli, | 0:04:28 | 0:04:31 | |
the Medici returned to power | 0:04:31 | 0:04:34 | |
and events took a dramatic turn, | 0:04:34 | 0:04:36 | |
events that would ultimately lead to the writing of The Prince. | 0:04:36 | 0:04:40 | |
He was falsely accused in February of 1513 | 0:04:41 | 0:04:45 | |
of taking part in an anti-Medician conspiracy. | 0:04:45 | 0:04:48 | |
And he's horribly tortured. And then he's thrown into prison. | 0:04:48 | 0:04:51 | |
There aren't many documents relating to Machiavelli at this time. | 0:04:56 | 0:04:59 | |
But this year British historian Stephen Milner | 0:04:59 | 0:05:02 | |
discovered one of the most important of all. | 0:05:02 | 0:05:05 | |
He was researching Florentine town criers | 0:05:05 | 0:05:08 | |
when he stumbled across Machiavelli's arrest warrant. | 0:05:08 | 0:05:13 | |
Florence was an incredible place for collecting documents, | 0:05:13 | 0:05:16 | |
partly because they didn't trust each other. They were... | 0:05:16 | 0:05:19 | |
Where are we? There we go. Oh, there we go. | 0:05:19 | 0:05:23 | |
So, this is it? You just happened to... | 0:05:23 | 0:05:26 | |
I ordered this particular volume, | 0:05:26 | 0:05:28 | |
and this was the one that contained the original proclamation. | 0:05:28 | 0:05:33 | |
It was carried through the city by the town crier, | 0:05:33 | 0:05:36 | |
and that, they actually would have read and held | 0:05:36 | 0:05:39 | |
whilst on horseback through the various places | 0:05:39 | 0:05:42 | |
where these proclamations were made. | 0:05:42 | 0:05:46 | |
You can see there's a little hole in the middle | 0:05:46 | 0:05:48 | |
where they put them on a spike for record-keeping. | 0:05:48 | 0:05:50 | |
And here we see Niccolo Bernardo Machiavelli. | 0:05:50 | 0:05:53 | |
So, what is the arrest for? | 0:05:53 | 0:05:55 | |
The proclamation is asking... | 0:05:55 | 0:05:57 | |
It's a notice asking for the whereabouts of Machiavelli | 0:05:57 | 0:05:59 | |
and for people to come forward with information. | 0:05:59 | 0:06:02 | |
It actually says within the hour, "intra una ora da ora", | 0:06:02 | 0:06:06 | |
which gives you some idea of the urgency that lay behind his arrest. | 0:06:06 | 0:06:10 | |
And it says "If they are not informed, they will not be excused." | 0:06:10 | 0:06:15 | |
So there were no excuses for not notifying. Tough stuff. | 0:06:15 | 0:06:18 | |
It is a kind of most-wanted proclamation, if you like. | 0:06:18 | 0:06:22 | |
I think working in the archives in Florence, it's kind of a drug, | 0:06:22 | 0:06:25 | |
in a sense, of archive fever. | 0:06:25 | 0:06:26 | |
You never know when you turn a page what you're going to bump into. | 0:06:26 | 0:06:30 | |
There's a lovely proverb from the Renaissance period that says, | 0:06:30 | 0:06:34 | |
"Carte si face, perche uomo e fallace" - | 0:06:34 | 0:06:37 | |
"Get it in writing, you can't trust anybody." | 0:06:37 | 0:06:40 | |
It's almost a kind of mantra for Machiavelli's own writing, I think. | 0:06:40 | 0:06:44 | |
Well, here we are in the Bargello, | 0:06:49 | 0:06:50 | |
which is the Florentine police headquarters, | 0:06:50 | 0:06:53 | |
and this is where Machiavelli was brought | 0:06:53 | 0:06:55 | |
shortly after he was arrested. | 0:06:55 | 0:06:57 | |
He claimed that he was tortured - | 0:06:59 | 0:07:01 | |
that he was actually put on a form of rack, | 0:07:01 | 0:07:03 | |
that he went three notches on the rack without cracking. | 0:07:03 | 0:07:06 | |
But there's absolutely no evidence | 0:07:08 | 0:07:10 | |
that he was involved in this conspiracy. | 0:07:10 | 0:07:12 | |
But he has a stroke of good fortune as well, | 0:07:16 | 0:07:19 | |
which is, the next month, Pope Julius dies | 0:07:19 | 0:07:24 | |
and the Medici acquire the papacy - Leo X. | 0:07:24 | 0:07:29 | |
And he declares great rejoicings in the city and an amnesty, | 0:07:29 | 0:07:33 | |
and so Machiavelli is freed. | 0:07:33 | 0:07:34 | |
But he was in effect banned from the city, | 0:07:36 | 0:07:39 | |
he was sent out to his farmhouse and kept under house arrest. | 0:07:39 | 0:07:43 | |
Rather like being on probation, | 0:07:43 | 0:07:44 | |
he had to remain within a certain distance of the city | 0:07:44 | 0:07:47 | |
and that's where, in his study, he began to write | 0:07:47 | 0:07:49 | |
what we now know as The Prince. | 0:07:49 | 0:07:52 | |
And here he is. | 0:07:53 | 0:07:54 | |
"Those who wish to win the favour of a prince will generally approach him | 0:07:59 | 0:08:02 | |
"with gifts they believe will most delight him. | 0:08:02 | 0:08:05 | |
"Hence we see princes being offered horses, arms, | 0:08:05 | 0:08:09 | |
"vestments of gold and similar accoutrements. | 0:08:09 | 0:08:11 | |
"I have found among my possessions nothing I value higher | 0:08:12 | 0:08:16 | |
"than my knowledge of the deeds of great men." | 0:08:16 | 0:08:19 | |
This is how Machiavelli begins The Prince in 1513, | 0:08:21 | 0:08:25 | |
with a dedication to Lorenzo the Magnificent, the young Medici ruler. | 0:08:25 | 0:08:30 | |
It was a blatant attempt to suck up to the new regime. | 0:08:30 | 0:08:34 | |
"You need me," he's saying, | 0:08:34 | 0:08:36 | |
"because I know the secrets of power." | 0:08:36 | 0:08:38 | |
The book is in essence a job application. | 0:08:39 | 0:08:43 | |
We have here The Prince manuscript. | 0:08:43 | 0:08:47 | |
As you can see, it is beautifully illuminated | 0:08:47 | 0:08:51 | |
and it's datable about 1520s | 0:08:51 | 0:08:54 | |
and it's in the hand of the closest friend of Machiavelli, | 0:08:54 | 0:08:59 | |
Biagio Buonaccorsi. | 0:08:59 | 0:09:00 | |
It's one of the most eldest copies absolutely ever. | 0:09:00 | 0:09:05 | |
And, as you see here, Niccolo Machiavelli addresses the book | 0:09:05 | 0:09:11 | |
to Lorenzo The Magnificent and here you have no title. | 0:09:11 | 0:09:16 | |
So, the book is without title. | 0:09:16 | 0:09:20 | |
The Prince is the title the editors gave the book | 0:09:20 | 0:09:24 | |
when the book was actually published, | 0:09:24 | 0:09:27 | |
five years after the death of Machiavelli. | 0:09:27 | 0:09:30 | |
This is another fascinating detail about this book. | 0:09:30 | 0:09:33 | |
So, The Prince wasn't actually called The Prince | 0:09:35 | 0:09:38 | |
and there are more surprises, too. | 0:09:38 | 0:09:41 | |
Well, the first thing you notice if you pick up The Prince | 0:09:41 | 0:09:43 | |
is that it's an extremely short book, it runs to only 90 pages. | 0:09:43 | 0:09:48 | |
It's a book really about two things. One is how to gain power, | 0:09:48 | 0:09:51 | |
and that's what the first half of the book is about, | 0:09:51 | 0:09:53 | |
but the rest of the book | 0:09:53 | 0:09:55 | |
and the real interest for Machiavelli and why he wrote it is, | 0:09:55 | 0:09:59 | |
how do you hold on to power once you've got it? | 0:09:59 | 0:10:02 | |
"I find it more fitting to seek the truth of the matter, | 0:10:02 | 0:10:04 | |
"rather than imaginary conceptions, | 0:10:04 | 0:10:07 | |
"because how one lives | 0:10:07 | 0:10:08 | |
"and how one ought to live are so far apart | 0:10:08 | 0:10:11 | |
"that a ruler who persists in doing what ought to be done | 0:10:11 | 0:10:15 | |
"will undermine his power." | 0:10:15 | 0:10:17 | |
He says, "I'm trying to write something useful - utile, | 0:10:17 | 0:10:22 | |
"and so what I say in this book departs massively," | 0:10:22 | 0:10:26 | |
the Italian says massima, | 0:10:26 | 0:10:28 | |
"it departs massively from what anyone has ever written | 0:10:28 | 0:10:30 | |
"on this subject." | 0:10:30 | 0:10:32 | |
So he knows that it's a revolutionary book. | 0:10:32 | 0:10:34 | |
The intent of the book was to be a guide, a kind of handbook, | 0:10:34 | 0:10:40 | |
for politically ambitious leaders. | 0:10:40 | 0:10:43 | |
You can play the game for good or you can play it for ill. | 0:10:43 | 0:10:46 | |
For Machiavelli, it's more important to play the game well | 0:10:46 | 0:10:52 | |
than to be morally good. | 0:10:52 | 0:10:54 | |
Chapter 18, Of The Need For Princes To Keep Their Word. | 0:10:55 | 0:10:58 | |
"Everybody knows how commendable it is for a ruler to keep his word | 0:10:58 | 0:11:02 | |
"and live by integrity rather than by cunning, | 0:11:02 | 0:11:05 | |
"and yet experience shows us | 0:11:05 | 0:11:07 | |
"that rulers with little regard for their word | 0:11:07 | 0:11:10 | |
"have achieved great things, being expert at beguiling men's minds." | 0:11:10 | 0:11:17 | |
The first generation who opened this book, if they came to chapter 18 | 0:11:17 | 0:11:21 | |
and read it, they would have been astounded by this. | 0:11:21 | 0:11:24 | |
In Roman law, there is a maxim which says | 0:11:24 | 0:11:27 | |
good faith must always be kept. | 0:11:27 | 0:11:29 | |
You must always keep your promises, fides sit servanda. | 0:11:29 | 0:11:33 | |
And that chapter was, I think, | 0:11:33 | 0:11:35 | |
the one that gave it its most sinister reputation. | 0:11:35 | 0:11:39 | |
"A prince must be a fox to spot the snares | 0:11:39 | 0:11:42 | |
"and a lion to overwhelm the wolves. | 0:11:42 | 0:11:44 | |
"Those who rely merely upon the lion's strength | 0:11:44 | 0:11:47 | |
"do not understand this. | 0:11:47 | 0:11:49 | |
"Therefore, a prudent ruler cannot keep his word, nor should he, | 0:11:49 | 0:11:53 | |
"when it would be to his disadvantage to do so. | 0:11:53 | 0:11:56 | |
"If all men were good, this rule would not stand. | 0:11:56 | 0:11:59 | |
"But as men are wicked | 0:11:59 | 0:12:00 | |
"and not prepared to keep their word to you, | 0:12:00 | 0:12:04 | |
"you have no need to keep your word to them." | 0:12:04 | 0:12:07 | |
He knew very well the nature of human beings | 0:12:07 | 0:12:10 | |
and how they behave or not behave. | 0:12:10 | 0:12:13 | |
So he is a man who is used to being in the world. | 0:12:13 | 0:12:19 | |
"Those best able to imitate the fox have succeeded best. | 0:12:19 | 0:12:22 | |
"But foxiness should be well concealed - | 0:12:22 | 0:12:25 | |
"one must be a great feigner and dissembler. | 0:12:25 | 0:12:28 | |
"A deceiver will always find someone willing to be deceived." | 0:12:29 | 0:12:33 | |
What's interesting about the book, it's a bit like it says, | 0:12:34 | 0:12:38 | |
"We've inherited an idea about human nature | 0:12:38 | 0:12:42 | |
"from Christianity and classical humanism." | 0:12:42 | 0:12:46 | |
And this idea of human nature is encouraging us to be good. | 0:12:46 | 0:12:49 | |
And what Machiavelli is saying is, | 0:12:49 | 0:12:51 | |
"What about if we thought differently about this? | 0:12:51 | 0:12:54 | |
"What about if we thought | 0:12:54 | 0:12:55 | |
"that vices and virtues were things you could use to survive?" | 0:12:55 | 0:13:00 | |
"If a ruler who wants always to act honourably is surrounded | 0:13:00 | 0:13:03 | |
"by many unscrupulous men, his downfall is inevitable. | 0:13:03 | 0:13:07 | |
"Therefore, it is necessary | 0:13:07 | 0:13:09 | |
"for a ruler who wishes to maintain his position | 0:13:09 | 0:13:12 | |
"to learn how to be able not to be good." | 0:13:12 | 0:13:15 | |
To any Christian reader of Machiavelli at the time, | 0:13:16 | 0:13:19 | |
they're going to say, "But you're forgetting the Day of Judgment. | 0:13:19 | 0:13:22 | |
"On the Day of Judgment, all your sins will be revealed | 0:13:22 | 0:13:25 | |
"and you will very much wish that you hadn't behaved like that." | 0:13:25 | 0:13:28 | |
Now, Machiavelli pays no attention to that. | 0:13:28 | 0:13:32 | |
That's a huge silence in the book. | 0:13:32 | 0:13:34 | |
It's just not there as a consideration. | 0:13:34 | 0:13:37 | |
The book is predicated on the assumption | 0:13:37 | 0:13:40 | |
that the idea that your sins will find you out | 0:13:40 | 0:13:42 | |
is a childish superstition, they will not find you out. | 0:13:42 | 0:13:45 | |
Machiavelli is saying something very simply, which is, | 0:13:48 | 0:13:50 | |
"These are wonderful pictures, | 0:13:50 | 0:13:52 | |
"but they've got nothing to do with reality." | 0:13:52 | 0:13:54 | |
It's not as though if you're good, you'll be rewarded, it's not a deal. | 0:13:54 | 0:13:57 | |
Actually, it doesn't matter whether you're good or bad | 0:13:57 | 0:13:59 | |
in terms of, it doesn't predict anything. | 0:13:59 | 0:14:01 | |
So what Machiavelli is saying in contemporary language is, | 0:14:01 | 0:14:04 | |
"We need to get real." | 0:14:04 | 0:14:06 | |
This is Jonathan Powell. He used to be Tony Blair's Chief Of Staff. | 0:14:14 | 0:14:19 | |
Now, he's written a memoir | 0:14:19 | 0:14:21 | |
called The New Machiavelli: How To Wield Power In The Modern World. | 0:14:21 | 0:14:25 | |
"The choice of advisers is very important for a prince. | 0:14:27 | 0:14:30 | |
"One can assess their prince's intelligence | 0:14:30 | 0:14:32 | |
"by looking at the men with whom he surrounds himself." | 0:14:32 | 0:14:34 | |
So I'm kind of asking myself | 0:14:35 | 0:14:37 | |
why you called your book The New Machiavelli? | 0:14:37 | 0:14:41 | |
I mean, what made you do that? | 0:14:41 | 0:14:42 | |
Because a lot of people might have thought that was a term of abuse. | 0:14:42 | 0:14:45 | |
Well, I wanted to write a book that was actually useful to people | 0:14:45 | 0:14:48 | |
who were in government. | 0:14:48 | 0:14:49 | |
There are an awful lot of books of theory, constitutional books, | 0:14:49 | 0:14:53 | |
most of which are completely useless | 0:14:53 | 0:14:55 | |
because they describe the way things should be, | 0:14:55 | 0:14:57 | |
rather than the way things are. | 0:14:57 | 0:14:58 | |
What's great about Machiavelli is, he writes about reality. | 0:14:58 | 0:15:01 | |
He busts myths, he cuts through all of that. | 0:15:01 | 0:15:04 | |
The word "Machiavellian" was used 358 times by the newspapers | 0:15:04 | 0:15:10 | |
in the first year of Tony Blair's reign. | 0:15:10 | 0:15:13 | |
Somewhere in there, there's a connection. | 0:15:13 | 0:15:15 | |
There are quite a lot of factors about Machiavelli | 0:15:15 | 0:15:18 | |
which are ones that many politicians would not want to own up to. | 0:15:18 | 0:15:22 | |
For instance, chapter 15, | 0:15:22 | 0:15:24 | |
"It is necessary for a prince who wishes to maintain his position | 0:15:24 | 0:15:29 | |
"to learn how to be able not to be good." | 0:15:29 | 0:15:32 | |
Machiavelli was saying not that princes should go around being evil, | 0:15:32 | 0:15:36 | |
what he was saying is, | 0:15:36 | 0:15:37 | |
you have to check your personal morality at the door | 0:15:37 | 0:15:40 | |
when you become a leader. | 0:15:40 | 0:15:42 | |
Personal morality is all very well as an individual, | 0:15:42 | 0:15:44 | |
but if you are thinking about the greater good of the community, | 0:15:44 | 0:15:47 | |
sometimes you'll have to do things | 0:15:47 | 0:15:49 | |
that are not good as an individual, | 0:15:49 | 0:15:50 | |
but are good for society as a whole. | 0:15:50 | 0:15:52 | |
"A prince must therefore be a fox to spot the snares | 0:15:52 | 0:15:56 | |
"and a lion to overwhelm the wolves." | 0:15:56 | 0:15:58 | |
This is one of Machiavelli's most interesting lessons. | 0:15:58 | 0:16:01 | |
You must be a lion, a courageous person, | 0:16:01 | 0:16:03 | |
but you also had to be a fox | 0:16:03 | 0:16:04 | |
and have the intelligence and the guile to avoid traps. | 0:16:04 | 0:16:07 | |
There was an example for Tony Blair | 0:16:07 | 0:16:09 | |
when he was running in the 2005 election. | 0:16:09 | 0:16:11 | |
Tony Blair decided he had to make a speech on immigration. | 0:16:11 | 0:16:14 | |
NEWSREADER: Tony Blair said controls on immigration had had a positive effect. | 0:16:14 | 0:16:17 | |
When he finished, I said to him, | 0:16:17 | 0:16:19 | |
"I noticed the teleprompter had gone wrong, | 0:16:19 | 0:16:21 | |
"because large parts of the speech, you were looking down at your notes | 0:16:21 | 0:16:24 | |
"rather than looking at the camera." | 0:16:24 | 0:16:25 | |
He said, "There was nothing wrong with the teleprompter, | 0:16:25 | 0:16:28 | |
"but certain bits of the speech, I didn't want shown on television, | 0:16:28 | 0:16:31 | |
"so I made sure I was looking at my notes, so those bits wouldn't be used by the news." | 0:16:31 | 0:16:35 | |
That was the fox bit. | 0:16:35 | 0:16:36 | |
Did Tony Blair ever talk about The Prince? | 0:16:36 | 0:16:38 | |
Did he ever read it, do you think? | 0:16:38 | 0:16:39 | |
I've no idea if he read it. He certainly never talked about it. | 0:16:39 | 0:16:42 | |
I think he might be slightly horrified to be thought of | 0:16:42 | 0:16:45 | |
as a Machiavellian leader, but I mean it as a compliment. | 0:16:45 | 0:16:47 | |
Robert Greene has also been bringing The Prince into the modern world. | 0:16:50 | 0:16:55 | |
He used to work in Hollywood. | 0:16:55 | 0:16:56 | |
Now, he writes bestsellers like The 48 Laws Of Power. | 0:16:56 | 0:17:00 | |
The traditional way of looking at politics | 0:17:02 | 0:17:05 | |
is veiled with all of these concepts | 0:17:05 | 0:17:07 | |
of what's good for the public, of politicians' intentions, | 0:17:07 | 0:17:11 | |
of being altruistic and generous. | 0:17:11 | 0:17:14 | |
And what Machiavelli did is take all of that away. | 0:17:14 | 0:17:18 | |
Look at power as it is. | 0:17:18 | 0:17:20 | |
Watch the moves of the various people on the chessboard. | 0:17:20 | 0:17:23 | |
So, it's pure strategy and it was absolutely brilliant, | 0:17:23 | 0:17:26 | |
he's the first person to ever come up with that concept. | 0:17:26 | 0:17:29 | |
There are different types of political leaders. | 0:17:30 | 0:17:33 | |
There are the types who come into office with high ideals. | 0:17:33 | 0:17:37 | |
They want to change things, they want to reform. | 0:17:37 | 0:17:40 | |
They believe that they're doing something for the good of the public | 0:17:40 | 0:17:43 | |
and then they realise very quickly that politics is warfare. | 0:17:43 | 0:17:48 | |
And they have to adapt to this environment | 0:17:48 | 0:17:50 | |
and leaders like that, perhaps Obama would fit into that category, | 0:17:50 | 0:17:54 | |
can do very well if they're adaptable. | 0:17:54 | 0:17:56 | |
Then you have other types like Bill Clinton, perhaps Tony Blair, | 0:17:56 | 0:18:00 | |
or if you're Angela Merkel - | 0:18:00 | 0:18:02 | |
these are more political animals by nature. | 0:18:02 | 0:18:05 | |
They are very Machiavellian, it's in their DNA. | 0:18:05 | 0:18:08 | |
They don't need to read The Prince, | 0:18:08 | 0:18:10 | |
they understand how the laws of power operate. | 0:18:10 | 0:18:13 | |
So, if you are in a position of power, you have to play a game - | 0:18:13 | 0:18:17 | |
the dynamic doesn't matter, whether it's a dictatorship or a democracy. | 0:18:17 | 0:18:21 | |
What The Prince is, in a sense, | 0:18:24 | 0:18:27 | |
is a portrayal of the attributes and qualities | 0:18:27 | 0:18:29 | |
that you need to take the power that you have | 0:18:29 | 0:18:32 | |
and develop that power in a way that is most useful to you | 0:18:32 | 0:18:34 | |
and what you are trying to do. Well... | 0:18:34 | 0:18:37 | |
..that is the case today for Barack Obama, | 0:18:38 | 0:18:42 | |
today for Angela Merkel, David Cameron | 0:18:42 | 0:18:45 | |
and all the rest of them. That's partly what they're about, | 0:18:45 | 0:18:48 | |
because we can be very squeamish about this, if we want, | 0:18:48 | 0:18:52 | |
but the truth is, power is...it is a force. | 0:18:52 | 0:18:57 | |
Money is the Mcmansion in Sarasota | 0:18:59 | 0:19:01 | |
that starts falling apart after ten years. | 0:19:01 | 0:19:04 | |
Power is the old stone building that stands for centuries. | 0:19:04 | 0:19:09 | |
I cannot respect someone who doesn't see the difference. | 0:19:09 | 0:19:13 | |
The allure of power is a big theme in drama at the moment. | 0:19:13 | 0:19:17 | |
In the hit series House Of Cards, | 0:19:17 | 0:19:19 | |
Kevin Spacey plays the Machiavellian senator, Frank Underwood. | 0:19:19 | 0:19:23 | |
It's a remake of the earlier series | 0:19:25 | 0:19:28 | |
starring Ian Richardson as Francis Urquhart, | 0:19:28 | 0:19:30 | |
written by Margaret Thatcher's Chief Of Staff, Michael Dobbs. | 0:19:30 | 0:19:35 | |
There's a dramatic thread that runs all the way from Machiavelli | 0:19:35 | 0:19:39 | |
through Richard III through Francis Urquhart and Frank Underwood | 0:19:39 | 0:19:43 | |
just talking to you, letting you in on the secrets of power. | 0:19:43 | 0:19:46 | |
I think you could achieve anything you wanted. | 0:19:46 | 0:19:50 | |
You might think that, Mattie, | 0:19:50 | 0:19:53 | |
I'm afraid I couldn't possibly comment. | 0:19:53 | 0:19:56 | |
And you think that this is wonderful, you're being trusted, | 0:19:57 | 0:20:01 | |
you're being made a co-conspirator. | 0:20:01 | 0:20:03 | |
I'm terribly sorry. | 0:20:05 | 0:20:06 | |
Thank you, Francis, you are a good man. | 0:20:09 | 0:20:12 | |
The Tory Party in the 1977/78 period | 0:20:19 | 0:20:22 | |
just before Margaret Thatcher was pushed out - | 0:20:22 | 0:20:25 | |
which was when I wrote House of Cards - | 0:20:25 | 0:20:27 | |
it was like Florence under the Borgias. | 0:20:27 | 0:20:29 | |
I mean, it was full of conspiracy in dark corners | 0:20:29 | 0:20:31 | |
and people whispering wicked things. | 0:20:31 | 0:20:33 | |
So it wasn't so much that "I must write something which is Machiavellian." | 0:20:33 | 0:20:38 | |
I had, I think, lived though a time and was living though a time | 0:20:38 | 0:20:43 | |
which I think Machiavelli would have recognised. | 0:20:43 | 0:20:46 | |
I think that this particular book of mine | 0:20:46 | 0:20:49 | |
goes back to my university days, and it's stayed with me ever since. | 0:20:49 | 0:20:53 | |
It's a wonderful book for dipping into. | 0:20:53 | 0:20:55 | |
He's actually saying, "This is the way you do it." | 0:20:55 | 0:20:58 | |
And you could be the most principled politician on the earth, | 0:20:58 | 0:21:01 | |
but unless you get your fingers on power | 0:21:01 | 0:21:04 | |
and know how to pull the levers, you are wasting your time. | 0:21:04 | 0:21:08 | |
For centuries, The Prince has been inspiring | 0:21:10 | 0:21:12 | |
the powerful and the tyrannical. | 0:21:12 | 0:21:15 | |
Napoleon read it. So did Stalin - he made notes in the margins. | 0:21:15 | 0:21:19 | |
Mussolini even did his dissertation on it. | 0:21:19 | 0:21:23 | |
It's always been the book of choice for political operators. | 0:21:23 | 0:21:26 | |
It's true that The Prince was the favourite bedside reading | 0:21:27 | 0:21:31 | |
of Henry Kissinger and Nixon. And for a good reason, | 0:21:31 | 0:21:37 | |
because they were hard-nosed political realists. | 0:21:37 | 0:21:41 | |
And part of the fascination of The Prince is that it shows us | 0:21:41 | 0:21:44 | |
what the world looks like | 0:21:44 | 0:21:46 | |
when the ethical dimensions have been removed from the picture. | 0:21:46 | 0:21:51 | |
And I think for someone like Henry Kissinger or Nixon, | 0:21:51 | 0:21:55 | |
there was a certain pleasure in reading a book | 0:21:55 | 0:21:58 | |
that looked at the world the same way they did | 0:21:58 | 0:22:01 | |
and the same way many other people do. | 0:22:01 | 0:22:04 | |
Machiavelli is perhaps most famous for the phrase | 0:22:06 | 0:22:09 | |
"the end justifies the means." | 0:22:09 | 0:22:11 | |
Actually, he never said it. | 0:22:11 | 0:22:14 | |
But he may as well have done. | 0:22:14 | 0:22:16 | |
The exact thought that's there in The Prince is, | 0:22:16 | 0:22:18 | |
"the action is accused and the outcome excuses it." | 0:22:18 | 0:22:22 | |
So in the Italian, it's very beautiful. | 0:22:22 | 0:22:24 | |
It's accusata and scusata - it accuses you, but it excuses you. | 0:22:24 | 0:22:29 | |
So you are excused if the motivation for the action | 0:22:29 | 0:22:33 | |
was the good of the state. | 0:22:33 | 0:22:35 | |
We have to do justice to Machiavelli | 0:22:35 | 0:22:37 | |
because it's not a matter of personal career | 0:22:37 | 0:22:40 | |
or for just his own sake, | 0:22:40 | 0:22:41 | |
it's also for a political purpose. | 0:22:41 | 0:22:44 | |
He was really convinced that the stability of government in Florence | 0:22:44 | 0:22:50 | |
was the most important thing to do. | 0:22:50 | 0:22:53 | |
For the sake of the common good, | 0:22:53 | 0:22:57 | |
you have to act in a bad manner. | 0:22:57 | 0:23:00 | |
Just sometimes. | 0:23:00 | 0:23:02 | |
But if you have to do something that's really terrible, | 0:23:05 | 0:23:08 | |
then you have to recognise that it's really terrible. | 0:23:08 | 0:23:11 | |
But you still have to do it. | 0:23:11 | 0:23:13 | |
I want them dead - mother and child both. | 0:23:13 | 0:23:16 | |
And that fool Viserys as well. Is that plain enough for you? | 0:23:16 | 0:23:20 | |
I want them both dead. | 0:23:20 | 0:23:22 | |
You will dishonour yourself for ever if you do this. Honour! | 0:23:22 | 0:23:25 | |
I've got seven kingdoms to rule! | 0:23:25 | 0:23:27 | |
It's tough to be a ruler, whether in Machiavelli's time or today. | 0:23:27 | 0:23:34 | |
'George RR Martin understands the burden of command.' | 0:23:35 | 0:23:39 | |
This is your chair. This is your throne. | 0:23:39 | 0:23:42 | |
My throne? | 0:23:42 | 0:23:43 | |
'He's the best-selling author behind the TV series Game of Thrones - | 0:23:43 | 0:23:47 | |
'set in an imaginary world of warring kingdoms.' | 0:23:47 | 0:23:51 | |
Game of Thrones is a fantasy, of course. | 0:23:52 | 0:23:56 | |
I think a lot of the fantasy that had gone before me | 0:23:56 | 0:24:01 | |
has this unspoken assumption | 0:24:01 | 0:24:04 | |
that if you are a good man, | 0:24:04 | 0:24:06 | |
you will be a good king or a good prince. | 0:24:06 | 0:24:09 | |
But if you look at the real world, if you look at real history, | 0:24:09 | 0:24:13 | |
or if you look at contemporary times, | 0:24:13 | 0:24:15 | |
it's not enough just to be a good guy, you know. | 0:24:15 | 0:24:17 | |
I read The Prince back in college, which was, of course, many years ago. | 0:24:19 | 0:24:24 | |
And obviously, I absorbed quite a few of its lessons. | 0:24:24 | 0:24:28 | |
It is a terrible thing we must consider - a vile thing - | 0:24:28 | 0:24:31 | |
yet we who presume to rule must sometimes do vile things | 0:24:31 | 0:24:36 | |
for the good of the realm. | 0:24:36 | 0:24:38 | |
It's not enough just to say, | 0:24:38 | 0:24:40 | |
"I will be good and wise and do the right thing." | 0:24:40 | 0:24:44 | |
What is the right thing? That's the question. | 0:24:44 | 0:24:46 | |
Don't Be Evil - that's what Google say is the right thing. | 0:24:48 | 0:24:52 | |
But isn't it precisely these user-friendly global corporations | 0:24:52 | 0:24:57 | |
that are the modern day Machiavellians? | 0:24:57 | 0:25:00 | |
Corporatism presents a much more pleasant face to the world, | 0:25:00 | 0:25:05 | |
but in that sense it may be even more Machiavellian, | 0:25:05 | 0:25:08 | |
because it's smiling at us. | 0:25:08 | 0:25:11 | |
Is it benign? I don't know. Is it benign? But it's certainly subtle. | 0:25:11 | 0:25:15 | |
The motto for Google is "Don't be evil." | 0:25:16 | 0:25:19 | |
But don't look at the words, look at their actions - | 0:25:19 | 0:25:22 | |
the data they are gathering on individuals, | 0:25:22 | 0:25:25 | |
the global presence they have. | 0:25:25 | 0:25:27 | |
But in order to exercise power in the world, | 0:25:27 | 0:25:30 | |
you have to give the appearance of being nice and good. | 0:25:30 | 0:25:34 | |
If you look to be too ambitious for power, | 0:25:34 | 0:25:37 | |
people are going to see that and are not going to like it. | 0:25:37 | 0:25:41 | |
The public wants to feel | 0:25:41 | 0:25:42 | |
that you are motivated by some higher aspiration. | 0:25:42 | 0:25:46 | |
So you have to manage appearances. | 0:25:46 | 0:25:48 | |
And all of these companies play the game like that. | 0:25:48 | 0:25:51 | |
The mission of the company is to make the world more open and connected. | 0:25:51 | 0:25:54 | |
Everyone's going to have a better experience when doing different things with their friends. | 0:25:54 | 0:25:59 | |
"When ones sees him, | 0:26:00 | 0:26:02 | |
"a ruler must be a paragon of mercy, | 0:26:02 | 0:26:04 | |
"loyalty, humanness, integrity and scrupulousness. | 0:26:04 | 0:26:08 | |
"Indeed, there is nothing more important | 0:26:08 | 0:26:11 | |
"than appearing to have this last quality. | 0:26:11 | 0:26:13 | |
"For the common people are impressed by appearances and results." | 0:26:13 | 0:26:18 | |
Machiavelli is the first person ever to analyse that phenomenon. | 0:26:20 | 0:26:24 | |
I think we are living in a period | 0:26:24 | 0:26:26 | |
that's remarkably similar to what Machiavelli was living through. | 0:26:26 | 0:26:30 | |
And it's not just with global tech companies | 0:26:32 | 0:26:34 | |
that appearances matter. | 0:26:34 | 0:26:36 | |
Machiavelli's rule applies everywhere, | 0:26:36 | 0:26:39 | |
not least - as Robert Greene found out - in Hollywood. | 0:26:39 | 0:26:43 | |
If you go into a meeting and you give off confidence, | 0:26:43 | 0:26:47 | |
like you could pull this off, like you can see it to the end | 0:26:47 | 0:26:52 | |
and you know what you're doing, you're going to go a lot further | 0:26:52 | 0:26:55 | |
than somebody who might have a brilliant idea, | 0:26:55 | 0:26:57 | |
but doesn't know how to pitch it as well. | 0:26:57 | 0:27:00 | |
I know, for example, that I made that mistake recently in a meeting, | 0:27:00 | 0:27:04 | |
that we didn't exude that insane sense of confidence | 0:27:04 | 0:27:07 | |
that we were going to get this project done. | 0:27:07 | 0:27:10 | |
So it's a realm of appearances, basically. | 0:27:10 | 0:27:14 | |
But for Machiavelli, | 0:27:16 | 0:27:18 | |
no-one who wants to succeed in the game of power | 0:27:18 | 0:27:21 | |
can escape one key factor - luck. | 0:27:21 | 0:27:25 | |
Fortuna, he calls it - that capricious turn of the wheel | 0:27:25 | 0:27:29 | |
by which the ambitious rise and fall - | 0:27:29 | 0:27:32 | |
and never more so than in politics. | 0:27:32 | 0:27:35 | |
What does it mean to be able to make your fortune? | 0:27:35 | 0:27:38 | |
It is to have the qualities that enable you to dominate luck. | 0:27:38 | 0:27:43 | |
How can you hope to dominate luck? | 0:27:43 | 0:27:46 | |
In the end, you can't. Fortune is always more powerful than reason. | 0:27:46 | 0:27:50 | |
But there are qualities that enable you, | 0:27:50 | 0:27:53 | |
as the excellent American phrase puts it, to get lucky. | 0:27:53 | 0:27:56 | |
But, of course, you could, as a politician, | 0:27:57 | 0:27:59 | |
simply have an amazing stroke of luck from which everything follows. | 0:27:59 | 0:28:03 | |
Tony Blair would certainly be an example of that. | 0:28:03 | 0:28:06 | |
'The body of John Smith was carried into the parish... ' | 0:28:06 | 0:28:09 | |
John Smith, who was Leader of the Opposition, | 0:28:09 | 0:28:12 | |
dies very suddenly in his mid-fifties. | 0:28:12 | 0:28:16 | |
So Blair becomes Leader of the Opposition at the age of 41, | 0:28:16 | 0:28:21 | |
when he had no expectation of the leader dying in the mid-fifties. | 0:28:21 | 0:28:25 | |
People don't die in their mid-fifties. But John Smith did. | 0:28:25 | 0:28:28 | |
This morning, I'm announcing my candidature for the position | 0:28:28 | 0:28:32 | |
of Leader of the Labour Party. | 0:28:32 | 0:28:34 | |
There's no successful politician who hasn't, at some point, | 0:28:35 | 0:28:39 | |
had pure good luck. | 0:28:39 | 0:28:40 | |
And Tony Blair's pure good luck, terrible thing to say, | 0:28:40 | 0:28:43 | |
was the death of John Smith. | 0:28:43 | 0:28:45 | |
Surely he would have won that election, | 0:28:45 | 0:28:47 | |
so he would have been Prime Minister. But instead, it was Blair. | 0:28:47 | 0:28:50 | |
A new dawn has broken, has it not? | 0:28:50 | 0:28:52 | |
CHEERING | 0:28:52 | 0:28:52 | |
He had the Fortuna, he had the luck. And he grabbed it. | 0:28:53 | 0:28:56 | |
He had the opportunity to become Leader of the Labour Party | 0:28:56 | 0:28:59 | |
when John Smith died, and he grabbed it. | 0:28:59 | 0:29:01 | |
And he made something of it. | 0:29:01 | 0:29:02 | |
I think he was a classically Machiavellian leader, | 0:29:02 | 0:29:05 | |
from that point of view. | 0:29:05 | 0:29:07 | |
For Machiavelli, the flip side of Fortuna is Virtu. | 0:29:10 | 0:29:15 | |
He doesn't mean virtue, of course, he means a kind of virtuosity. | 0:29:15 | 0:29:19 | |
In Latin, the word for a man is vir - the source of our word virile. | 0:29:20 | 0:29:26 | |
It's this principle of manliness, of courage, of prudence, | 0:29:26 | 0:29:31 | |
of knowing how to master fortune. | 0:29:31 | 0:29:33 | |
So that's what virtue is, because if you can master fortune, | 0:29:33 | 0:29:36 | |
you can maintain your state and thereby gain glory. | 0:29:36 | 0:29:40 | |
"This raises the question of whether it is better to be loved than feared. | 0:29:42 | 0:29:46 | |
"My reply is that one would like to be both, but as it is difficult | 0:29:46 | 0:29:51 | |
"to combine love and fear, | 0:29:51 | 0:29:53 | |
"it is far safer to be feared, because it can be said of men | 0:29:53 | 0:29:58 | |
"that they're ungrateful, fickle, liars and deceivers. | 0:29:58 | 0:30:03 | |
"They shun danger and are greedy for profit." | 0:30:03 | 0:30:07 | |
He recommends fear over love. | 0:30:07 | 0:30:09 | |
Of course, he says it's better to be both, | 0:30:09 | 0:30:12 | |
but if you have to choose between the two, it's better to be feared. | 0:30:12 | 0:30:16 | |
"The bond of love is one that men break | 0:30:16 | 0:30:18 | |
"when it is to their advantage to do so, | 0:30:18 | 0:30:20 | |
"but fear is strengthened by dread of punishment, | 0:30:20 | 0:30:25 | |
"which is always effective." | 0:30:25 | 0:30:27 | |
Fear is something you can rely on | 0:30:27 | 0:30:30 | |
as a very stable sort of emotional foundation to build your power on. | 0:30:30 | 0:30:34 | |
Machiavelli was all about power - of the Prince or of the state. | 0:30:34 | 0:30:39 | |
This is a remarkable moment in The Prince | 0:30:46 | 0:30:48 | |
because it's the only moment | 0:30:48 | 0:30:50 | |
when he really generalises about human nature. | 0:30:50 | 0:30:52 | |
He says that most people are fickle, you can't trust them. | 0:30:52 | 0:30:56 | |
They are going to do everything that is in their own interest | 0:30:56 | 0:31:00 | |
and not in your interest. | 0:31:00 | 0:31:02 | |
So what would be the point of trying to bind them to you by affection? | 0:31:02 | 0:31:06 | |
They'll simply sell you down the river. | 0:31:06 | 0:31:08 | |
You've got to make them frightened. | 0:31:08 | 0:31:10 | |
"If one has to choose between them, | 0:31:13 | 0:31:15 | |
"it is far safer to be feared than loved." | 0:31:15 | 0:31:18 | |
Very true of politicians now. If you think about politicians, | 0:31:18 | 0:31:21 | |
you can be absolutely beloved of your party. | 0:31:21 | 0:31:23 | |
Neil Kinnock was beloved of the Labour Party. | 0:31:23 | 0:31:25 | |
Every time he went through a Prime Minister's Questions | 0:31:25 | 0:31:28 | |
or was bashed to pieces by Mrs Thatcher, | 0:31:28 | 0:31:30 | |
the whole Labour Party suffered with him. | 0:31:30 | 0:31:32 | |
But he could never be elected because he didn't have that aspect of fear. | 0:31:32 | 0:31:35 | |
Mrs Thatcher was never much liked by her troops, | 0:31:35 | 0:31:38 | |
she was feared and respected. | 0:31:38 | 0:31:39 | |
So she was someone who was feared rather than loved. | 0:31:39 | 0:31:41 | |
Machiavelli says the point is | 0:31:41 | 0:31:43 | |
that being loved is a reciprocal relationship. | 0:31:43 | 0:31:46 | |
The person can stop loving you, whereas fear is a one-way thing. | 0:31:46 | 0:31:49 | |
They can't stop fearing you | 0:31:49 | 0:31:50 | |
as long as you have the means to make them fear. | 0:31:50 | 0:31:53 | |
Through it all, the fear point is really important. | 0:31:53 | 0:31:57 | |
When the leader goes into a gathering, | 0:31:57 | 0:32:00 | |
there has to be a sense that that person is the main event | 0:32:00 | 0:32:05 | |
in that room at that time. | 0:32:05 | 0:32:07 | |
They can emanate all sorts of charm and niceness and all the rest of it, | 0:32:07 | 0:32:12 | |
but, you know, look at what happens within our political system | 0:32:12 | 0:32:16 | |
in the run-up to a re-shuffle. | 0:32:16 | 0:32:18 | |
I can remember the very first time he did a re-shuffle. | 0:32:19 | 0:32:23 | |
I mean, he wasn't quite physically sick, but he wasn't far off it. | 0:32:23 | 0:32:26 | |
He absolutely hated it. | 0:32:26 | 0:32:27 | |
And he definitely got tougher as time went on. | 0:32:29 | 0:32:31 | |
Out went Charles Clarke, after so many bad headlines... | 0:32:31 | 0:32:35 | |
Come the last re-shuffle that I was, as it were, directly involved in, | 0:32:35 | 0:32:39 | |
once he'd done the big beasts, and done them all face to face, | 0:32:39 | 0:32:43 | |
he kind of had a list of people that he did by phone. | 0:32:43 | 0:32:46 | |
And was pretty swift about it as well. | 0:32:46 | 0:32:51 | |
"Look, you've probably heard I'm doing a re-shuffle | 0:32:51 | 0:32:54 | |
"and I'm afraid I'm going to have to ask for your job | 0:32:54 | 0:32:56 | |
"because we need to make some changes." Well, there we are. | 0:32:56 | 0:33:00 | |
Is it useful that they feel slightly fearful? | 0:33:01 | 0:33:04 | |
I think if leaders are being really, really honest about it, | 0:33:04 | 0:33:07 | |
I think that is quite useful at times. | 0:33:07 | 0:33:09 | |
The ruler needs to be able to intimidate people - | 0:33:09 | 0:33:14 | |
for lack of a better word - needs to be able, in extreme cases | 0:33:14 | 0:33:18 | |
like renaissance Italy, to execute his enemies. | 0:33:18 | 0:33:21 | |
In modern times, it would be more to fire people. | 0:33:21 | 0:33:24 | |
For Machiavelli, not even the most loyal servant should be spared. | 0:33:25 | 0:33:30 | |
If you have to get rid of them to maintain power, | 0:33:30 | 0:33:33 | |
then they must go. | 0:33:33 | 0:33:34 | |
Better to be feared than loved. | 0:33:35 | 0:33:37 | |
I would say that to be feared is far better than to be loved. | 0:33:38 | 0:33:43 | |
There has to be, between an employer and employee, | 0:33:43 | 0:33:47 | |
a tiny little bit of fear. | 0:33:47 | 0:33:49 | |
But I certainly don't need to be loved by anybody in business. | 0:33:49 | 0:33:53 | |
'These are the Dragons. | 0:33:55 | 0:33:56 | |
'Five of Britain's wealthiest and most enterprising business leaders.' | 0:33:56 | 0:34:01 | |
Multimillionaire businesswoman and former Dragon Hilary Devey | 0:34:01 | 0:34:05 | |
first read The Prince when she was at school. | 0:34:05 | 0:34:08 | |
16th century political analysis may have felt like a chore | 0:34:08 | 0:34:12 | |
but it's certainly left its mark. | 0:34:12 | 0:34:14 | |
Let's face it, for a 15-year-old, even for a 50-year-old, | 0:34:14 | 0:34:18 | |
it's heavy going, it's a hard read. | 0:34:18 | 0:34:21 | |
Because it's very thought-provoking, which is what it's meant to be. | 0:34:21 | 0:34:25 | |
'I think I can bring a lot to the party. | 0:34:25 | 0:34:28 | |
'I've a lot of access to major retailers. | 0:34:28 | 0:34:32 | |
'I'll offer you the full 70,000. | 0:34:32 | 0:34:34 | |
'But I'd like 20%.' | 0:34:36 | 0:34:39 | |
If you actually watch Dragons' Den, | 0:34:40 | 0:34:42 | |
it couldn't be more Machiavellian if it tried. | 0:34:42 | 0:34:46 | |
And if you look at each one of the Dragons, | 0:34:46 | 0:34:49 | |
every single one of them has something Machiavellian about them. | 0:34:49 | 0:34:53 | |
'I'll offer you ?70,000 for 10% of the company.' | 0:34:54 | 0:34:57 | |
I simply couldn't believe how Machiavellian they were. | 0:34:59 | 0:35:02 | |
And it took me a little while, perhaps a month, six weeks, | 0:35:02 | 0:35:07 | |
to finally understand what the strategy, what the game plan was. | 0:35:07 | 0:35:11 | |
And once I did, of course, I joined in and became one of them. | 0:35:11 | 0:35:16 | |
'Only Hilary Devey remains, will she see an opportunity | 0:35:16 | 0:35:20 | |
'where her rivals have not?' | 0:35:20 | 0:35:22 | |
HILARY: 'If I was to offer you the ?50,000 for 95% of your company, | 0:35:23 | 0:35:30 | |
'what would you say?' | 0:35:30 | 0:35:32 | |
I think it is an important book. | 0:35:32 | 0:35:34 | |
And I think his principles are the same as mine, in a way, | 0:35:34 | 0:35:39 | |
where I say the only difference between me and Machiavelli | 0:35:39 | 0:35:43 | |
is that I make a commercial decision. | 0:35:43 | 0:35:45 | |
And I will take whatever amount of compassion that's required | 0:35:45 | 0:35:49 | |
out of that commercial decision. | 0:35:49 | 0:35:50 | |
But what I will then do is put compassion back in. | 0:35:50 | 0:35:53 | |
So I'm having to do this because XYZ, | 0:35:53 | 0:35:57 | |
now how can I help you? | 0:35:57 | 0:35:59 | |
Chapter 19. How to avoid contempt and hatred. | 0:36:01 | 0:36:06 | |
Princes must delegate difficult tasks to others | 0:36:06 | 0:36:09 | |
and keep popular ones for themselves. | 0:36:09 | 0:36:12 | |
The Prince must never be hated. If you're hated | 0:36:12 | 0:36:16 | |
then you'll lose your state because there will be | 0:36:16 | 0:36:18 | |
some good reason why the people hate you and they wont tolerate it. | 0:36:18 | 0:36:22 | |
Now how can you avoid being hated if terrible things have to be done? | 0:36:22 | 0:36:26 | |
Well one of Machiavelli's pieces of advice is to say - | 0:36:26 | 0:36:30 | |
you must appoint a deputy and you must get him to do the dirty work. | 0:36:30 | 0:36:34 | |
To make his point, Machiavelli tells a story about Cesare Borgia. | 0:36:36 | 0:36:41 | |
We think of Borgia of a blood-thirsty monster. | 0:36:41 | 0:36:44 | |
To Machiavelli, he was a hero. | 0:36:44 | 0:36:46 | |
The story begins in Cesena in the Romagna district of Italy. | 0:36:48 | 0:36:53 | |
Borgia wants to take over the area so he sends in his minister | 0:36:53 | 0:36:57 | |
Romero d'Orco - a man with a ruthless reputation. | 0:36:57 | 0:37:01 | |
Borgia sends him in to Romagna to pacify it. | 0:37:03 | 0:37:05 | |
He does so by means of unspeakable cruelty | 0:37:05 | 0:37:08 | |
and there is a threat of a rising. | 0:37:08 | 0:37:10 | |
Borgia was aware that d'Orco had created hatred among the people | 0:37:13 | 0:37:16 | |
and, in order to win them over, he decided to make it clear that | 0:37:16 | 0:37:20 | |
if there had been any cruelty | 0:37:20 | 0:37:21 | |
it had been triggered by d'Orco and not him. | 0:37:21 | 0:37:24 | |
And so what happens is, | 0:37:24 | 0:37:26 | |
Machiavelli says, in wonderfully level piece of prose, | 0:37:26 | 0:37:30 | |
he says that one morning Romero d'Orco was found | 0:37:30 | 0:37:34 | |
in the square of Cesena...in two pieces. | 0:37:34 | 0:37:38 | |
He had d'Orco placed in two pieces | 0:37:42 | 0:37:44 | |
with a block of wood and blood-stained knife by his side. | 0:37:44 | 0:37:47 | |
This terrible spectacle left the people both satisfied and stupefied. | 0:37:49 | 0:37:54 | |
I mean, they thought, wow, he can do anything. | 0:37:56 | 0:38:00 | |
The hated figure was gone, Borgia was in no way to blame. | 0:38:00 | 0:38:04 | |
So always put a second in command to do your dirty work. | 0:38:04 | 0:38:08 | |
Putting that dismembered body on a block, what is that? | 0:38:12 | 0:38:16 | |
It's not only saying that I executed that man, | 0:38:16 | 0:38:18 | |
but it's almost like a ritual murder, almost mafia-like. | 0:38:18 | 0:38:22 | |
And it's there to inspire awe and respect and admiration | 0:38:22 | 0:38:27 | |
for the man who did it. | 0:38:27 | 0:38:29 | |
To see a leader who's not only killed him, | 0:38:29 | 0:38:31 | |
but put him there so everyone could see as a lesson... | 0:38:31 | 0:38:34 | |
My God, it has a triple effect on public opinion. | 0:38:34 | 0:38:37 | |
Political leaders have been using this strategy for centuries... | 0:38:41 | 0:38:46 | |
Without the blood. FDR had his henchmen, Clinton had his henchmen. | 0:38:46 | 0:38:52 | |
Tony Blair had it, Cameron has Osborne. On and on and on. | 0:38:52 | 0:38:58 | |
You've got somebody there to do the dirty work, | 0:38:58 | 0:39:00 | |
and then you can distance yourself from it. | 0:39:00 | 0:39:02 | |
So the sort of violent example is actually something that goes on | 0:39:02 | 0:39:06 | |
every day around us. | 0:39:06 | 0:39:08 | |
Maybe that's why The Prince feels so contemporary. | 0:39:10 | 0:39:14 | |
The rules of power, it seems, | 0:39:14 | 0:39:16 | |
are just as applicable today as they were 500 years ago. | 0:39:16 | 0:39:20 | |
Originally a manual for the Medici, The Prince could just as easily | 0:39:20 | 0:39:24 | |
be a modern self-help book. | 0:39:24 | 0:39:26 | |
We tend to think of power only in terms of politics or business, | 0:39:27 | 0:39:31 | |
but really there's the power to control your destiny, your life, | 0:39:31 | 0:39:35 | |
how you are in your office. | 0:39:35 | 0:39:37 | |
If you have no control over your career, | 0:39:37 | 0:39:40 | |
if you have no influence over your colleagues, peers or your boss, | 0:39:40 | 0:39:44 | |
it's the most miserable feeling in the world. | 0:39:44 | 0:39:47 | |
And nobody wants that kind of position in life. | 0:39:47 | 0:39:50 | |
So everybody is scrambling to get more power, more control, | 0:39:50 | 0:39:55 | |
over their individual destiny. | 0:39:55 | 0:39:57 | |
You know, I taught college once at a tiny little Catholic girls' college | 0:39:59 | 0:40:06 | |
in Dubuque, Iowa. And... | 0:40:06 | 0:40:09 | |
The power struggles on an academic level at this little thing | 0:40:10 | 0:40:15 | |
were as vicious as anything in medieval Florence. | 0:40:15 | 0:40:18 | |
Over who will get to be department chairman and wield that vast power. | 0:40:18 | 0:40:22 | |
It's all in the context of what you're in. | 0:40:22 | 0:40:25 | |
It's sort of like...once you enter the boxing ring, | 0:40:26 | 0:40:30 | |
you have to fight, you can't sit there and just lie down. | 0:40:30 | 0:40:32 | |
You're going to get beaten up. | 0:40:32 | 0:40:34 | |
So once you're there, you have to figure out a strategy. | 0:40:34 | 0:40:36 | |
If you don't want to get hit, | 0:40:36 | 0:40:38 | |
you have to at least figure out how to avoid getting hit. | 0:40:38 | 0:40:40 | |
There's no way to opt out. | 0:40:40 | 0:40:42 | |
But a lot of people are uncomfortable with it | 0:40:44 | 0:40:46 | |
and they play a kind of negative game of power - | 0:40:46 | 0:40:50 | |
they say that they find power ugly and disgusting | 0:40:50 | 0:40:53 | |
and power people are antisocial etc. | 0:40:53 | 0:40:57 | |
The ones that say they are not interested in power | 0:40:57 | 0:41:00 | |
are often the most dangerous types. | 0:41:00 | 0:41:04 | |
I would say that The Prince is more relevant now | 0:41:04 | 0:41:06 | |
than it almost ever has been. | 0:41:06 | 0:41:08 | |
And that he was ahead of his time, he was 500 years ahead of his time. | 0:41:08 | 0:41:12 | |
And that this book is absolutely the perfect template for how to survive | 0:41:12 | 0:41:17 | |
and thrive in the world that's coming up. | 0:41:17 | 0:41:19 | |
LOUD EXPLOSION | 0:41:23 | 0:41:23 | |
Using The Prince as a guide to warfare may sound a bit extreme | 0:41:26 | 0:41:31 | |
but that's exactly what Colonel Tim Collins did when he was in Iraq. | 0:41:31 | 0:41:35 | |
Collins is famous for the rousing speech he made on the eve of battle, | 0:41:35 | 0:41:40 | |
later recreated in a short film starring Kenneth Branagh. | 0:41:40 | 0:41:45 | |
Now there are some who are alive at this moment | 0:41:45 | 0:41:47 | |
who will not be alive shortly. | 0:41:47 | 0:41:49 | |
Those of them who do not wish to go on that journey, | 0:41:49 | 0:41:52 | |
we will not send them. As for the others... | 0:41:52 | 0:41:55 | |
What is less known is that, while he was in Iraq, | 0:41:55 | 0:41:58 | |
Collins kept a copy of The Prince with him at all times. | 0:41:58 | 0:42:02 | |
In Iraq, I kept dipping into it. I carried it around with me | 0:42:02 | 0:42:05 | |
in my map pocket and I would take it out and read it. | 0:42:05 | 0:42:08 | |
I would study to find out what it was he was specifically saying about | 0:42:08 | 0:42:13 | |
what will cause populations to hate you. | 0:42:13 | 0:42:15 | |
Because here's the headline news - | 0:42:15 | 0:42:17 | |
what would have got you hated 500 years ago | 0:42:17 | 0:42:19 | |
is what's gonna get you hated today. | 0:42:19 | 0:42:21 | |
So it's worth studying it to what it is he's saying. | 0:42:21 | 0:42:25 | |
This is the book I had with me in Iraq. | 0:42:25 | 0:42:27 | |
And it's pretty fragile now because it's literally been thought the wars. | 0:42:27 | 0:42:32 | |
Sand still falls out of it. | 0:42:32 | 0:42:33 | |
If you read Machiavelli, you realise at the end of the day | 0:42:33 | 0:42:37 | |
what you've got to do is the right thing. | 0:42:37 | 0:42:39 | |
So, if you are in an occupied village, | 0:42:39 | 0:42:41 | |
we could organise a football match and give out bars of soap. | 0:42:41 | 0:42:44 | |
Or we could have a curfew and tell you, | 0:42:44 | 0:42:45 | |
the first person I catch with a weapon is a dead man, | 0:42:45 | 0:42:49 | |
and I want all weapons handed in tomorrow. | 0:42:49 | 0:42:51 | |
And after that, anybody caught with one is a dead man. | 0:42:51 | 0:42:53 | |
And then get all the weapons handed in. | 0:42:53 | 0:42:55 | |
And once all the weapons are out of the way | 0:42:55 | 0:42:57 | |
and they fear your very shadow, then we can have a football match. | 0:42:57 | 0:43:01 | |
And do you think, as a manual, that this had lessons for you? | 0:43:01 | 0:43:05 | |
Absolutely. I mean, he's spot on throughout. | 0:43:05 | 0:43:07 | |
I think that all he's saying ultimately is, | 0:43:07 | 0:43:10 | |
for good or for ill, this is what works. | 0:43:10 | 0:43:12 | |
So, on that basis, I think he's the good guy. | 0:43:12 | 0:43:15 | |
What he described was what he saw. And he did it so accurately | 0:43:16 | 0:43:20 | |
that here we are centuries later still reading it | 0:43:20 | 0:43:24 | |
and still observing it in our everyday lives. | 0:43:24 | 0:43:26 | |
Chapter Three. | 0:43:28 | 0:43:30 | |
It should be observed here that men should either be caressed or crushed | 0:43:30 | 0:43:35 | |
because they can avenge slight injuries | 0:43:35 | 0:43:38 | |
but not those that are very severe. | 0:43:38 | 0:43:40 | |
COL COLLINS: What Machiavelli would say is that, | 0:43:41 | 0:43:43 | |
if you decide to do something, you go through with it to the end. | 0:43:43 | 0:43:47 | |
And that means not to spatter your enemy, to crush your enemy. | 0:43:47 | 0:43:51 | |
Cause him to cease to exist. That way you're certain there can be no | 0:43:51 | 0:43:54 | |
comeback on you or your people. | 0:43:54 | 0:43:56 | |
The crush-your-enemy dynamic is something that Machiavelli | 0:43:58 | 0:44:02 | |
discovered as a law of power. And it's timeless. | 0:44:02 | 0:44:04 | |
And it exists in warfare and it totally exists in business. | 0:44:04 | 0:44:08 | |
The classic example was the war between Microsoft and Netscape | 0:44:08 | 0:44:13 | |
in the 1990s, in which Netscape was one of the hottest things around | 0:44:13 | 0:44:16 | |
and Microsoft completely crushed Netscape. It doesn't exist any more. | 0:44:16 | 0:44:21 | |
Internet wars - Microsoft vs Netscape - Goliath takes on David. | 0:44:21 | 0:44:28 | |
You find the same thing with Google. | 0:44:29 | 0:44:30 | |
Every time there is a possible competitor, | 0:44:30 | 0:44:33 | |
they go out and buy them out. Like YouTube, etc. | 0:44:33 | 0:44:36 | |
Google buys YouTube. | 0:44:36 | 0:44:38 | |
You look at it with Amazon. On and on down the line, | 0:44:38 | 0:44:41 | |
it's the dynamic in business where you need to consume | 0:44:41 | 0:44:44 | |
the various rivals in your path. | 0:44:44 | 0:44:46 | |
It can be said of men that they are ungrateful, fickle liars and deceivers. | 0:44:47 | 0:44:52 | |
They shun danger and are greedy for profit. | 0:44:52 | 0:44:54 | |
I keep coming back to these lines from The Prince. | 0:44:56 | 0:44:59 | |
Is this what people are really like? | 0:44:59 | 0:45:02 | |
Are we all ungrateful, fickle liars and deceivers? | 0:45:02 | 0:45:05 | |
The Machiavelli Test is an attempt to answer that. | 0:45:07 | 0:45:10 | |
It was developed by psychologists in the 1960s. | 0:45:10 | 0:45:13 | |
20 questions tap into our Machiavellian instincts. | 0:45:13 | 0:45:17 | |
You end up with a score that tells you whether | 0:45:17 | 0:45:20 | |
you're a high Mac or a low Mac. | 0:45:20 | 0:45:23 | |
Now this is something I can't resist. | 0:45:23 | 0:45:25 | |
Alan, in this test there are 20 statements. | 0:45:26 | 0:45:30 | |
I want you to indicate the extent to which you agree or disagree | 0:45:30 | 0:45:33 | |
with each statement. I want you to answer as truthfully as you can. | 0:45:33 | 0:45:36 | |
Answer one if you strongly disagree with the statement, | 0:45:36 | 0:45:40 | |
two if you disagree, | 0:45:40 | 0:45:41 | |
three if you are neutral, | 0:45:41 | 0:45:43 | |
four if you agree, | 0:45:43 | 0:45:45 | |
and five if you strongly agree. OK? | 0:45:45 | 0:45:48 | |
Number one. Never tell anyone the real reason you did something | 0:45:48 | 0:45:53 | |
unless it is useful to do so. | 0:45:53 | 0:45:54 | |
Two. | 0:45:56 | 0:45:57 | |
The best way to handle people is to tell them what they want to hear. | 0:45:57 | 0:46:02 | |
Three. | 0:46:04 | 0:46:07 | |
It is hard to get ahead without cutting corners. | 0:46:07 | 0:46:09 | |
Four. | 0:46:11 | 0:46:13 | |
It is wise to flatter important people. | 0:46:13 | 0:46:15 | |
Four. | 0:46:17 | 0:46:18 | |
Since its conception, there've been around 1,400 studies | 0:46:19 | 0:46:23 | |
that have used the Machiavelli Test. | 0:46:23 | 0:46:26 | |
So what do the results tell us? | 0:46:26 | 0:46:28 | |
One of the most consistent findings to come out of our studies | 0:46:28 | 0:46:31 | |
is that men are more Machiavellian than women. | 0:46:31 | 0:46:33 | |
Not by a great deal, | 0:46:33 | 0:46:35 | |
but they come out consistently more Machiavellian than women. | 0:46:35 | 0:46:38 | |
Machiavellianism tends to peak in adolescence. | 0:46:38 | 0:46:40 | |
And another interesting finding to come from the studies | 0:46:40 | 0:46:43 | |
is that it doesn't matter what your political orientation is. | 0:46:43 | 0:46:46 | |
That is, right wingers | 0:46:46 | 0:46:47 | |
and left wingers don't differ in Machiavellianism. | 0:46:47 | 0:46:50 | |
You might tend to think that perhaps right wingers are perhaps | 0:46:50 | 0:46:53 | |
a little bit more Machiavellian. They're not. | 0:46:53 | 0:46:55 | |
So how did I do? | 0:46:56 | 0:46:57 | |
Well, Alan, I suppose it's good news. | 0:46:57 | 0:47:00 | |
You came out with a mean score of 2.95 on these questions. | 0:47:00 | 0:47:04 | |
Which means that you're neutral. | 0:47:04 | 0:47:06 | |
Or just tending to disagree with the Machiavellian questions. | 0:47:06 | 0:47:09 | |
That makes you somewhat less Machiavellian | 0:47:09 | 0:47:12 | |
than the average person. | 0:47:12 | 0:47:14 | |
But if I were truly Machiavellian, I would probably be lying, wouldn't I? | 0:47:14 | 0:47:20 | |
You probably would in this setting because you're filming | 0:47:20 | 0:47:23 | |
a documentary and your responses are going out to the nation. | 0:47:23 | 0:47:26 | |
But if you were an anonymous research... | 0:47:26 | 0:47:28 | |
I'm still not sure what to make of Machiavelli. | 0:47:28 | 0:47:32 | |
Is The Prince a manual for tyrants, devoid of all morality, | 0:47:32 | 0:47:36 | |
or is it a realistic guide to life? | 0:47:36 | 0:47:39 | |
Is Machiavelli a goodie or a baddie? | 0:47:39 | 0:47:41 | |
It seems to me that he holds a place as a cultural icon. | 0:47:43 | 0:47:45 | |
He's a baddie. | 0:47:45 | 0:47:47 | |
Whereas actually the book is about the exposure of the nature | 0:47:47 | 0:47:50 | |
of badness and goodness. | 0:47:50 | 0:47:52 | |
It says, we need to think of morality as a toolkit. | 0:47:52 | 0:47:56 | |
Vices and virtues are artefacts we've invented to survive. | 0:47:56 | 0:47:59 | |
Is it a realistic view of human nature, and not just of human nature | 0:48:01 | 0:48:05 | |
but the journey that we all have to make? | 0:48:05 | 0:48:08 | |
Well, yes, it could be. But it could be a realistic view of human nature | 0:48:08 | 0:48:12 | |
after you've lost belief in love and kindness. | 0:48:12 | 0:48:15 | |
But you could put it the other way round and think | 0:48:16 | 0:48:19 | |
that what's being said is - | 0:48:19 | 0:48:20 | |
if virtue isn't necessarily rewarded, why be virtuous? | 0:48:20 | 0:48:24 | |
Which is a good question. | 0:48:24 | 0:48:25 | |
And the answer would be something like - | 0:48:25 | 0:48:27 | |
well, virtue is good in and of itself. | 0:48:27 | 0:48:30 | |
It's better to be kind than to be cruel. | 0:48:30 | 0:48:31 | |
Not because you'll do better in life, | 0:48:31 | 0:48:33 | |
but because it's better to be kind than to be cruel. | 0:48:33 | 0:48:36 | |
I'm keen on the thought that Machiavelli is a moralist, | 0:48:36 | 0:48:39 | |
he's just not a kind of moralist whom I admire. | 0:48:39 | 0:48:41 | |
He is someone who thinks that the quality of your actions | 0:48:41 | 0:48:43 | |
is to be judged in terms of their consequences. | 0:48:43 | 0:48:46 | |
That allows him this great leeway for saying, well, | 0:48:46 | 0:48:50 | |
it's necessary for the goal, which is a good one, for you to do evil. | 0:48:50 | 0:48:54 | |
And don't worry about the fact that you have done something | 0:48:54 | 0:48:57 | |
which is unjust if you are certain that if you didn't do it | 0:48:57 | 0:49:01 | |
it would have affected the security and the wellbeing of the state. | 0:49:01 | 0:49:04 | |
Because your job is to maintain that. | 0:49:04 | 0:49:07 | |
And the point is, you've got to maintain that whatever happens. | 0:49:07 | 0:49:10 | |
That's the horrible thing about Machiavelli. | 0:49:10 | 0:49:13 | |
I mean, let's be clear - this is, I think, a horrible book. | 0:49:13 | 0:49:16 | |
I mean it's a horrible book because it says, you know, | 0:49:16 | 0:49:18 | |
don't worry about the virtues, just worry about the consequences. | 0:49:18 | 0:49:21 | |
Your job is to keep people secure. Do whatever is necessary. | 0:49:21 | 0:49:24 | |
Well, if you think about the implications of that, | 0:49:24 | 0:49:27 | |
they're pretty appalling. | 0:49:27 | 0:49:28 | |
I also think there's a despair in this. | 0:49:28 | 0:49:30 | |
Because the fundamental despair in it is the assumption that | 0:49:30 | 0:49:33 | |
people don't want to collaborate with each other. | 0:49:33 | 0:49:35 | |
That people don't want to look after each other. | 0:49:35 | 0:49:38 | |
You can imagine it also as a book written in the aftermath of a trauma. | 0:49:38 | 0:49:42 | |
And in a way, of course, he was in prison. So there was a trauma. | 0:49:42 | 0:49:46 | |
You could think Machiavelli is very disillusioned about a lot of things. | 0:49:46 | 0:49:51 | |
So it's a bit like he's saying, once you lose heart, | 0:49:51 | 0:49:54 | |
once you lose belief in human goodness and collaboration | 0:49:54 | 0:49:57 | |
and kindness and love, this is what the world is going to look like. | 0:49:57 | 0:50:01 | |
And more and more of us are going to have experiences | 0:50:01 | 0:50:03 | |
in which we feel disillusioned, so we need to wise up to this. | 0:50:03 | 0:50:06 | |
MUSIC: "Made Niggaz" by Tupac Shakur | 0:50:06 | 0:50:06 | |
This is Tupac Shakur. | 0:50:08 | 0:50:10 | |
He'd been huge fan of Machiavelli before he was gunned down 1996. | 0:50:10 | 0:50:16 | |
When was in prison, he studied The Prince and when he got out | 0:50:16 | 0:50:20 | |
he changed his name to Makaveli. And made videos like this. | 0:50:20 | 0:50:25 | |
# Makaveli the Don till I'm gone... # | 0:50:25 | 0:50:25 | |
More recently, the rapper 50 Cent wrote a book with Robert Greene | 0:50:27 | 0:50:31 | |
called The 50th Law - a Machiavellian bible for success | 0:50:31 | 0:50:36 | |
based on the single principal - fear nothing. | 0:50:36 | 0:50:39 | |
There is not a single more Machiavellian environment | 0:50:40 | 0:50:45 | |
than the music industry on this planet. | 0:50:45 | 0:50:47 | |
It makes Hollywood look like kindergarten. | 0:50:47 | 0:50:50 | |
It is ruthless. It's Game of Thrones times five. | 0:50:50 | 0:50:54 | |
And so someone like 50, he said it helped him. | 0:50:54 | 0:50:57 | |
It helped him negotiate this shark-infested environment. | 0:50:57 | 0:51:01 | |
Power is a neutral term. | 0:51:02 | 0:51:04 | |
It can be used for bad and it can be used for good. | 0:51:04 | 0:51:08 | |
It's like a tool. | 0:51:08 | 0:51:09 | |
MUSIC: "Ambition" by 50 Cent | 0:51:09 | 0:51:09 | |
Apart from Tupac and 50 Cent, | 0:51:20 | 0:51:23 | |
who else these days measures up to Machiavelli? | 0:51:23 | 0:51:26 | |
Who would Machiavelli approve of? | 0:51:26 | 0:51:28 | |
Well, a lot of what Machiavelli was about was being strategic, | 0:51:29 | 0:51:33 | |
about trying to think in a longer term frame. | 0:51:33 | 0:51:35 | |
If so if you think of someone like Alex Ferguson at Manchester United, | 0:51:35 | 0:51:38 | |
he was clearly as strategic manager. | 0:51:38 | 0:51:40 | |
He wasn't thinking about the next match, | 0:51:40 | 0:51:42 | |
he was thinking on a much longer time frame. | 0:51:42 | 0:51:44 | |
I think someone like that would be an unconscious Machiavellian. | 0:51:44 | 0:51:47 | |
I would say that the most...person certainly in my lifetime | 0:51:47 | 0:51:52 | |
that I would resemble to Machiavelli would be Margaret Thatcher. | 0:51:52 | 0:51:58 | |
She certainly wasn't loved by her Cabinet. | 0:51:58 | 0:52:01 | |
But she was certainly feared. | 0:52:01 | 0:52:03 | |
I think if you're looking for a very good example of an institution | 0:52:03 | 0:52:07 | |
that has applied well some of the lessons and principles in The Prince, | 0:52:07 | 0:52:13 | |
you'll find them in the Royal Family. | 0:52:13 | 0:52:16 | |
I mean, there was a period when the sense of the royal brand, | 0:52:16 | 0:52:20 | |
if you like, was becoming quite negative. | 0:52:20 | 0:52:22 | |
Well, they've seen that off. Big time. | 0:52:22 | 0:52:24 | |
I think they've seen it off, in part, by operating some of these | 0:52:24 | 0:52:29 | |
timeless principles that are set out in The Prince. | 0:52:29 | 0:52:32 | |
But in very a modern context. | 0:52:32 | 0:52:34 | |
The Prince may anticipate a world five centuries into the future | 0:52:36 | 0:52:41 | |
but what happened to the book itself? | 0:52:41 | 0:52:44 | |
It was published in 1532 and not surprisingly the Pope banned it. | 0:52:44 | 0:52:50 | |
The Papal Index is set up in 1559. | 0:52:50 | 0:52:53 | |
It's simply an alphabetical list of books which you mustn't read. | 0:52:53 | 0:52:56 | |
They are mostly Lutheran and Calvinist books, | 0:52:56 | 0:52:59 | |
works of deep heresy according to the Catholic Church. | 0:52:59 | 0:53:02 | |
But some secular writers are in there, | 0:53:02 | 0:53:04 | |
and Niccolo Machiavelli is in there under the heading | 0:53:04 | 0:53:08 | |
"all his works are totally banned." | 0:53:08 | 0:53:11 | |
But that didn't stop The Prince from reaching England | 0:53:14 | 0:53:17 | |
and cementing Niccolo Machiavelli's reputation as Old Nick - the devil. | 0:53:17 | 0:53:22 | |
England was the country that really played the biggest role | 0:53:23 | 0:53:27 | |
in spreading this idea that this man was satanic. | 0:53:27 | 0:53:30 | |
Shakespeare doesn't exactly help, | 0:53:32 | 0:53:35 | |
as Machiavelli's name is evoked by the scheming Duke of Gloucester - | 0:53:35 | 0:53:39 | |
the future Richard III. | 0:53:39 | 0:53:41 | |
I can add colours to the Chameleon | 0:53:41 | 0:53:44 | |
Change shapes with Proteus for advantages | 0:53:44 | 0:53:46 | |
And set the murderous Machiavel to school. | 0:53:46 | 0:53:49 | |
We may have inherited this idea of Machiavelli as the devil | 0:53:50 | 0:53:54 | |
but that's not what the Italians think. | 0:53:54 | 0:53:56 | |
In Florence, his statue stands outside the Uffizi | 0:53:56 | 0:54:00 | |
alongside the Italian greats. | 0:54:00 | 0:54:04 | |
The Prince is even a set text in schools. | 0:54:04 | 0:54:06 | |
If you think for instance that it's one of the three Italian books | 0:54:15 | 0:54:19 | |
translated all over the world, in almost all languages in the world. | 0:54:19 | 0:54:24 | |
The other ones are Dante's, of course, The Divine Comedy of Dante. | 0:54:24 | 0:54:28 | |
And Pinocchio by Collodi. | 0:54:28 | 0:54:30 | |
The Prince, Pinocchio and Dante - the three most translated books. | 0:54:30 | 0:54:37 | |
This is something, don't you know. | 0:54:37 | 0:54:39 | |
And there's another reason why Machiavelli is admired. | 0:54:41 | 0:54:44 | |
Ultimately, he was in favour of republics | 0:54:44 | 0:54:47 | |
rather than inherited rule. | 0:54:47 | 0:54:49 | |
He distinguishes between an old prince and a new prince. | 0:54:49 | 0:54:52 | |
Old princes are people who have inherited their position. | 0:54:52 | 0:54:55 | |
But then there's the new prince who rises from the bottom - | 0:54:55 | 0:54:58 | |
he's completely on the side of the new prince | 0:54:58 | 0:55:01 | |
because he believes that the new prince can only rise to the top | 0:55:01 | 0:55:04 | |
with their own energy. | 0:55:04 | 0:55:06 | |
Now one of the interesting things about The Prince is | 0:55:06 | 0:55:09 | |
it's got an irony attached to it. | 0:55:09 | 0:55:11 | |
It's saying, if you want to hold to power, this is how to behave. | 0:55:11 | 0:55:15 | |
But we can all read it. | 0:55:15 | 0:55:17 | |
So it's a book about trickery which exposes the tricks. | 0:55:17 | 0:55:20 | |
Here are some different translations of The Prince. | 0:55:22 | 0:55:25 | |
We received them from the many visitors coming here. | 0:55:25 | 0:55:29 | |
We have French, from the Czech Republic, in Norwegian, | 0:55:29 | 0:55:34 | |
from Oslo, in German, Korean... | 0:55:34 | 0:55:38 | |
Russian. | 0:55:38 | 0:55:40 | |
A doctor from Israel sent us this. | 0:55:40 | 0:55:43 | |
Chinese. | 0:55:43 | 0:55:45 | |
This we received from Belgrade. | 0:55:45 | 0:55:47 | |
Polish, Japanese, Finnish, Turkish... | 0:55:47 | 0:55:52 | |
Argentina, Norwegian and English of course. | 0:55:52 | 0:55:56 | |
And this is his land - his vineyards, his olive trees, | 0:56:01 | 0:56:06 | |
his property. | 0:56:06 | 0:56:07 | |
Today Machiavelli's house is owned by a wine company. | 0:56:09 | 0:56:13 | |
Across the road, you can order a Chianti from Machiavelli's vineyard. | 0:56:13 | 0:56:19 | |
Here's to The Prince. OK. | 0:56:19 | 0:56:22 | |
Now tell me, | 0:56:23 | 0:56:25 | |
do many people come here to visit the home of Machiavelli? | 0:56:25 | 0:56:28 | |
Yes, from all over the world. | 0:56:28 | 0:56:31 | |
Many years ago, came Tony Blair. | 0:56:31 | 0:56:34 | |
Really? Really. When did he come here? | 0:56:34 | 0:56:38 | |
He came in 1998. So just a year after he came to power. Yeah. | 0:56:38 | 0:56:44 | |
Did you take him round the house? | 0:56:46 | 0:56:48 | |
Si, we went around, and we gave him a copy of The Prince. | 0:56:48 | 0:56:53 | |
Did you really? Yeah. | 0:56:53 | 0:56:55 | |
In Italian or English? | 0:56:55 | 0:56:56 | |
In Italian. | 0:56:56 | 0:56:58 | |
But what happened to Machiavelli himself? | 0:56:58 | 0:57:02 | |
The whole of the point of writing The Prince was to get | 0:57:02 | 0:57:05 | |
noticed by the most powerful man in Florence. | 0:57:05 | 0:57:08 | |
But Machiavelli totally failed. | 0:57:08 | 0:57:11 | |
As far as we know, Lorenzo the Magnificent never even read it | 0:57:11 | 0:57:15 | |
and Machiavelli never got his job back. | 0:57:15 | 0:57:19 | |
He ended up here on his estate - | 0:57:19 | 0:57:21 | |
drinking wine and writing books and plays. | 0:57:21 | 0:57:25 | |
In many ways, Machiavelli was failure. | 0:57:26 | 0:57:28 | |
Because he gave advice that other people could never be seen | 0:57:28 | 0:57:31 | |
to be taking. | 0:57:31 | 0:57:33 | |
It may well have been very useful to other people, | 0:57:33 | 0:57:35 | |
but the last thing they could do, according to his own | 0:57:35 | 0:57:38 | |
tenets in the book, is show that they were taking his advice. | 0:57:38 | 0:57:41 | |
The biggest irony in this whole story is that Machiavelli himself | 0:57:42 | 0:57:47 | |
didn't appear to be in the least bit Machiavellian. | 0:57:47 | 0:57:50 | |
In a letter to a friend, Machiavelli once wrote: | 0:57:52 | 0:57:56 | |
"When evening comes I go back home. | 0:57:56 | 0:57:58 | |
"I take off my work clothes and put on the clothes of an ambassador. | 0:57:58 | 0:58:03 | |
"I enter the ancient courts of rulers. I forget every worry. | 0:58:03 | 0:58:09 | |
"I'm no longer afraid of poverty or frightened of death. | 0:58:09 | 0:58:12 | |
"I live entirely through them." | 0:58:14 | 0:58:16 | |
Machiavelli died in 1527 at the age of 58, | 0:58:18 | 0:58:23 | |
five years before The Prince was published. | 0:58:23 | 0:58:27 | |
Little did he know that 500 years later | 0:58:27 | 0:58:30 | |
what he called his "little pamphlet" would remain | 0:58:30 | 0:58:34 | |
one of the most influential books ever written. | 0:58:34 | 0:58:37 | |
# Makaveli the Don, till I'm gone | 0:58:41 | 0:58:43 | |
# I maintain my army | 0:58:43 | 0:58:45 | |
# Of lunatics that stay armed | 0:58:45 | 0:58:47 | |
# Till the day I die... # | 0:58:47 | 0:58:48 | |
Alan! Alan. | 0:58:48 | 0:58:51 | |
What about the BBC? Surely that's a Machiavellian institution? | 0:58:51 | 0:58:55 | |
You may think that but I couldn't possibly comment. | 0:58:57 | 0:59:01 | |
# My life in exchange for yours... # | 0:59:01 | 0:59:04 | |
Subtitles by Red Bee Media Ltd | 0:59:04 | 0:59:07 |