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These are the leafy suburbs of Chiswick, west London. | 0:00:04 | 0:00:07 | |
I'm here to meet an old pal of mine. | 0:00:07 | 0:00:10 | |
We're both from South Wales, | 0:00:10 | 0:00:12 | |
and I'd like to think I helped her on her way to TV stardom. | 0:00:12 | 0:00:15 | |
Only joking. She's a wonderful talent, | 0:00:15 | 0:00:18 | |
and ideally suited for The One Show. | 0:00:18 | 0:00:20 | |
Charlotte Alexandra Jones was born in Ammanford in 1977, | 0:00:32 | 0:00:37 | |
the daughter of bank manager Mary, and sales executive Alun. | 0:00:37 | 0:00:41 | |
She was educated locally, through the Welsh language, | 0:00:41 | 0:00:43 | |
and was a keen dancer. | 0:00:43 | 0:00:44 | |
After studying Film, Theatre and TV at Aberystwyth University, | 0:00:45 | 0:00:49 | |
she joined the TV industry as a researcher. | 0:00:49 | 0:00:52 | |
However, it was as a presenter that she shone, | 0:00:52 | 0:00:54 | |
with early appearances on S4C children's shows and other programmes, | 0:00:54 | 0:00:59 | |
including the Jonathan Chat Show. | 0:00:59 | 0:01:01 | |
Alex Jones. | 0:01:01 | 0:01:03 | |
In 2010, she got her big break as the new face on The One Show, | 0:01:03 | 0:01:07 | |
and she's been there ever since. | 0:01:07 | 0:01:09 | |
She's currently expecting her first child with husband Charlie Thompson, | 0:01:09 | 0:01:12 | |
who she married last year. | 0:01:12 | 0:01:14 | |
Alex has got the builders in renovating her house, | 0:01:18 | 0:01:21 | |
builders from Swansea, | 0:01:21 | 0:01:22 | |
so we've arranged to meet outside the Bull's Head Pub, | 0:01:22 | 0:01:26 | |
on the bank of the River Thames, one of her favourite spots. | 0:01:26 | 0:01:29 | |
So you can't get more English than that. | 0:01:29 | 0:01:31 | |
And here she is! | 0:01:37 | 0:01:38 | |
Alex Jones. Hello! | 0:01:39 | 0:01:41 | |
Hi, darling, you all right? Very well, how are you? | 0:01:41 | 0:01:43 | |
Good to see you. Looking gorgeous! Thank you. Look at this! | 0:01:43 | 0:01:46 | |
I know, starting to show now. | 0:01:46 | 0:01:48 | |
Starting to show now. So, hey, lovely spot, lovely spot. | 0:01:48 | 0:01:51 | |
Shall we go for a little walk? | 0:01:51 | 0:01:52 | |
Come on, let's go, let's walk and talk. Come on. | 0:01:52 | 0:01:55 | |
Chiswick's a lovely area. Did you specifically pick it? | 0:01:56 | 0:01:59 | |
Well, I think lots of Welsh people gravitate naturally towards Chiswick, | 0:01:59 | 0:02:03 | |
because it's one of the most western points in London, | 0:02:03 | 0:02:06 | |
so it's quick access to the M4. | 0:02:06 | 0:02:08 | |
When I arrived here, I didn't know anybody at all. | 0:02:08 | 0:02:11 | |
It does feel like home now, yeah. | 0:02:11 | 0:02:14 | |
Everything seems to be going absolutely fantastic for you. | 0:02:14 | 0:02:17 | |
Your little one on the way, recently married, job going great, | 0:02:17 | 0:02:22 | |
renovating your new house. | 0:02:22 | 0:02:24 | |
Do you actually sit there and go... | 0:02:24 | 0:02:26 | |
God, and pinch yourself? | 0:02:26 | 0:02:27 | |
I do. I mean, it's been a long journey, but everything has, | 0:02:27 | 0:02:32 | |
as you said, come together. | 0:02:32 | 0:02:33 | |
And it's really difficult to have it all, but, I think, | 0:02:33 | 0:02:37 | |
at this point in my life, I do pinch myself, | 0:02:37 | 0:02:40 | |
because I think we've just got the balance right. | 0:02:40 | 0:02:42 | |
Just got married, very happy. | 0:02:42 | 0:02:44 | |
As you say, baby on the way, | 0:02:44 | 0:02:45 | |
that we didn't know we'd be lucky enough to have. | 0:02:45 | 0:02:48 | |
And the job going good, my dream job. | 0:02:48 | 0:02:51 | |
Every day I feel incredibly lucky, really. | 0:02:53 | 0:02:57 | |
There we are. Go on, where you going to take me now for brekkie? | 0:02:57 | 0:03:00 | |
Well, there's a lovely little spot just up the road here. | 0:03:00 | 0:03:03 | |
They do a lovely brunch and a good coffee, | 0:03:03 | 0:03:05 | |
so we'll try there, shall we? Let's go. | 0:03:05 | 0:03:08 | |
You're a very proud Carmarthenshire girl, Ammanford girl... | 0:03:12 | 0:03:14 | |
Yeah. Why did you get married in Cardiff Castle and not back home? | 0:03:14 | 0:03:18 | |
It took us ages to find the right place. | 0:03:18 | 0:03:20 | |
Then my sister said, "Try the castle." | 0:03:20 | 0:03:23 | |
Went to the castle, perfect. | 0:03:23 | 0:03:25 | |
You put your own vows into your wedding vows. | 0:03:25 | 0:03:28 | |
What kind of vows? Is that allowed? | 0:03:28 | 0:03:31 | |
I don't know. | 0:03:31 | 0:03:33 | |
But it's your last chance, isn't it? | 0:03:33 | 0:03:34 | |
Yeah. So what were the specific vows? | 0:03:34 | 0:03:37 | |
So I thought, right, Charlie's main failing, was that he's very late. | 0:03:37 | 0:03:42 | |
All the time, he cannot be on time. | 0:03:43 | 0:03:45 | |
Good match, then. Hey, I'm not as bad as he is. | 0:03:45 | 0:03:48 | |
If you think I'm bad, you should try living with him! | 0:03:48 | 0:03:51 | |
We can't go anywhere until an hour after we're supposed to be there! | 0:03:51 | 0:03:53 | |
So I thought, right, this is my last chance to make a difference, | 0:03:55 | 0:03:58 | |
so, in our vows, | 0:03:58 | 0:04:01 | |
he had to vow to stop being so late and to work on it. | 0:04:01 | 0:04:06 | |
And take less time in shower. | 0:04:06 | 0:04:08 | |
Any other specific vows? | 0:04:08 | 0:04:11 | |
Well, obviously, it wasn't a one-way street. | 0:04:11 | 0:04:12 | |
No, I thought, if you can do it, what could he put in? | 0:04:12 | 0:04:17 | |
He likes the outdoors, so my vow was, I will try and embrace the outdoors, | 0:04:17 | 0:04:22 | |
and, this is the big one for me, develop patience. | 0:04:22 | 0:04:27 | |
OK. Now, you're the same, impatient! | 0:04:27 | 0:04:31 | |
Yes, you are! You're so impatient! | 0:04:31 | 0:04:33 | |
No, I'm not. | 0:04:33 | 0:04:35 | |
I've got better as well. | 0:04:35 | 0:04:37 | |
So, I had to get better, because between him being late, | 0:04:37 | 0:04:40 | |
and me being impatient, that leads to arguments. | 0:04:40 | 0:04:42 | |
Oh, it does, yeah. So we've had to make a pledge. | 0:04:42 | 0:04:46 | |
But, having worked with you, I know you're not the outdoor, | 0:04:46 | 0:04:51 | |
brave type who wants to do things. | 0:04:51 | 0:04:53 | |
All of a sudden, I see you getting involved in Sport Relief and charities. | 0:04:53 | 0:04:58 | |
I know! Tell me about hanging off a rock in Utah. | 0:04:58 | 0:05:02 | |
As part of the job, The One Show is very involved in Children in Need | 0:05:02 | 0:05:07 | |
and in Comic Relief and Sport Relief. | 0:05:07 | 0:05:09 | |
And I sort of knew, starting that job, my time was going to come. | 0:05:09 | 0:05:15 | |
They were going to ask me to do something ridiculous. | 0:05:15 | 0:05:17 | |
And, sure enough, the suggestion came, | 0:05:17 | 0:05:20 | |
would Alex like to climb a 1,000-foot rock in America, | 0:05:20 | 0:05:25 | |
which meant two nights sleeping out on the side of the rock, suspended. | 0:05:26 | 0:05:32 | |
I had no training in climbing whatsoever. | 0:05:32 | 0:05:35 | |
No. But like I do really often, I just said, "Yes." | 0:05:35 | 0:05:38 | |
Right, so where is it? | 0:05:42 | 0:05:43 | |
That's it there, this big pillar going up there, can you see? Oh, no. | 0:05:44 | 0:05:47 | |
No, I can't! | 0:05:51 | 0:05:53 | |
I don't know what to do, I'm not standing on anything! | 0:05:53 | 0:05:56 | |
All I genuinely want to do now is get off this wall. | 0:05:56 | 0:06:00 | |
But I will not be defeated! | 0:06:00 | 0:06:04 | |
It sounded really epic. | 0:06:04 | 0:06:05 | |
I know. And I think, you know, if you're going to do it... | 0:06:05 | 0:06:08 | |
And it was epic. It was epic. And if you're going to do it, | 0:06:08 | 0:06:11 | |
you've got to go for it. | 0:06:11 | 0:06:13 | |
And it took three full days. | 0:06:13 | 0:06:15 | |
It was the hardest thing I've ever done. | 0:06:15 | 0:06:17 | |
I've never been so glad to touch solid ground. | 0:06:17 | 0:06:20 | |
Because, of course, you're just suspended, for three days... | 0:06:20 | 0:06:23 | |
And the thing is, you could die. | 0:06:23 | 0:06:25 | |
Well, you could. That's another worry, I suppose. | 0:06:25 | 0:06:27 | |
Thanks for that, but... Yeah, you could easily die. | 0:06:27 | 0:06:29 | |
Yeah, you could easily die. | 0:06:29 | 0:06:30 | |
Then, from that, then, the next challenge which I think was | 0:06:30 | 0:06:35 | |
horrific, was the sailing one. | 0:06:35 | 0:06:37 | |
Exactly. So, two years later, they came back. | 0:06:37 | 0:06:39 | |
And I thought, oh, I could see them coming through the office, | 0:06:39 | 0:06:42 | |
and I sort of hid behind my desk! | 0:06:42 | 0:06:44 | |
And they said, "We've got a new one for you." | 0:06:44 | 0:06:46 | |
Great(!) And they said, this time, | 0:06:47 | 0:06:50 | |
we're thinking of getting you on a racing yacht. | 0:06:50 | 0:06:55 | |
Which meant nothing to me. I thought, that sounds nice. | 0:06:55 | 0:06:58 | |
Down the Towy? Well, I was thinking somewhere hot. | 0:06:59 | 0:07:01 | |
You have to literally brace yourself against everything. | 0:07:05 | 0:07:08 | |
It's pretty impossible to put anything away, or even get to bed. | 0:07:08 | 0:07:12 | |
This challenge was truly dangerous. | 0:07:12 | 0:07:15 | |
It had a lot of jeopardy. | 0:07:15 | 0:07:17 | |
At times, I have never felt fear like it. | 0:07:17 | 0:07:21 | |
Can you imagine, the Irish Sea in March? | 0:07:22 | 0:07:24 | |
I mean, I'm cold at the best of times, I couldn't speak, | 0:07:24 | 0:07:28 | |
I couldn't feel anything. | 0:07:28 | 0:07:31 | |
And the waves just washed... | 0:07:31 | 0:07:32 | |
They had to tie us to the side of the boat, because it was that dangerous. | 0:07:32 | 0:07:36 | |
I'd rather do the rock. | 0:07:36 | 0:07:38 | |
Yeah, the rock. Looking back, the rock was more | 0:07:38 | 0:07:41 | |
pleasant than the boat. | 0:07:41 | 0:07:43 | |
So, this year, supposedly, you've got an excuse not to do anything. | 0:07:43 | 0:07:46 | |
This is why I got pregnant. That's the reason. | 0:07:46 | 0:07:48 | |
So I don't have to go sailing and I don't have to go rock climbing! | 0:07:48 | 0:07:51 | |
I'll get pregnant! | 0:07:51 | 0:07:53 | |
Time now to see just how much money your amazing challenge has raised. | 0:07:53 | 0:07:57 | |
Are you ready? I think so. | 0:07:57 | 0:07:59 | |
OK. We can now reveal that you raised an incredible... | 0:07:59 | 0:08:03 | |
?1,281,476! | 0:08:07 | 0:08:13 | |
You know, both challengers, I've raised nearly 4 million. | 0:08:16 | 0:08:19 | |
And that is a life-changing amount of money for so many families. | 0:08:19 | 0:08:23 | |
And then they send you over there, | 0:08:23 | 0:08:24 | |
and suddenly you're in the middle of it, | 0:08:24 | 0:08:26 | |
and you're meeting families and children. | 0:08:26 | 0:08:28 | |
And you can be with... I was with a set of twins on the first day of filming. | 0:08:28 | 0:08:33 | |
Beautiful twins. | 0:08:34 | 0:08:35 | |
And the parents, they had nothing. | 0:08:35 | 0:08:38 | |
They were trying to make us a cup of tea, but actually they didn't have | 0:08:38 | 0:08:41 | |
water, and you couldn't drink it, because it was infested with all sorts. | 0:08:41 | 0:08:45 | |
The next day, we went back to finish filming, | 0:08:45 | 0:08:47 | |
and the twins had died of HIV. | 0:08:47 | 0:08:49 | |
It's just the most horrific thing. | 0:08:49 | 0:08:53 | |
And it doesn't get any easier. | 0:08:53 | 0:08:55 | |
After you come home, it stays with you for months. | 0:08:55 | 0:08:59 | |
In three... | 0:09:01 | 0:09:03 | |
Three trips to Africa, | 0:09:03 | 0:09:04 | |
I don't think I've ever seen a little boy look so sick. | 0:09:04 | 0:09:09 | |
I mean, it seems so unfair, at two and a half years old. | 0:09:09 | 0:09:12 | |
If only he had maybe that net, just to prevent the malaria, | 0:09:12 | 0:09:15 | |
it would be a start. | 0:09:15 | 0:09:16 | |
There's no way, then, you can say no to doing these challenges when | 0:09:17 | 0:09:22 | |
you've seen first-hand the people affected. | 0:09:22 | 0:09:26 | |
Thank you. Thank you! | 0:09:26 | 0:09:28 | |
You're on telly five nights a week, right? | 0:09:34 | 0:09:36 | |
Are you conscious of your fashion? | 0:09:36 | 0:09:38 | |
You have a quirky look about you, haven't you? A quirky look! | 0:09:38 | 0:09:42 | |
What does that mean now, Jonathan Davies? | 0:09:42 | 0:09:44 | |
A quirky look! It's just your own style. | 0:09:44 | 0:09:45 | |
Well, I think you've got to be aware of it. | 0:09:45 | 0:09:48 | |
But I never wear anything on television that is really expensive, | 0:09:48 | 0:09:54 | |
that people couldn't find on the high street. | 0:09:54 | 0:09:56 | |
Because I think the joy of watching television, for me as well, is, | 0:09:56 | 0:10:00 | |
you know, seeing a presenter wearing something, | 0:10:00 | 0:10:02 | |
and knowing I can go and get it on the weekend. | 0:10:02 | 0:10:04 | |
So it's all very much high street stuff, | 0:10:04 | 0:10:06 | |
but of course you put a bit of thought into it. | 0:10:06 | 0:10:08 | |
Because it's part of the job, I suppose. | 0:10:08 | 0:10:11 | |
Are you also a shopaholic, are you? I'm not a shopaholic. | 0:10:11 | 0:10:14 | |
In fact, I've gone off shopping a bit, since doing the job. | 0:10:14 | 0:10:19 | |
Because it becomes kind of part of your everyday life, | 0:10:19 | 0:10:21 | |
thinking about what to wear. You must feel the same? | 0:10:21 | 0:10:24 | |
Yeah, because if you wear one thing on television | 0:10:24 | 0:10:26 | |
and people remember it, you can't wear it again. Exactly. | 0:10:26 | 0:10:29 | |
So you have a big team behind you? | 0:10:29 | 0:10:32 | |
Yeah, we do have... I do have a stylist, which is lovely. I haven't. | 0:10:32 | 0:10:37 | |
Haven't you? As you can see. Well, you've done such a good job, see? | 0:10:37 | 0:10:40 | |
I've made an effort today, I've made an effort today. | 0:10:40 | 0:10:42 | |
And when I talk about fashion, what was Strictly like? | 0:10:42 | 0:10:47 | |
Well, Strictly was amazing. I mean, it's a very unique experience. | 0:10:47 | 0:10:51 | |
Four months of really hard graft. | 0:10:51 | 0:10:53 | |
Right. I mean, it might not look it on the television, but, actually, | 0:10:53 | 0:10:57 | |
doing eight hours of dancing a day is pretty hard when you're doing a | 0:10:57 | 0:11:01 | |
full-time job. You know, it's... | 0:11:01 | 0:11:03 | |
I knew I was never going to be a professional dancer. | 0:11:04 | 0:11:07 | |
Some people go on it, and they get really obsessed, they think, | 0:11:07 | 0:11:10 | |
this is it, I'm going to become Darcey Bussell. | 0:11:10 | 0:11:12 | |
Well, you're not. So you might as well just enjoy it. | 0:11:12 | 0:11:14 | |
So I went in thinking, I'll give it a good crack. | 0:11:14 | 0:11:19 | |
Enjoyed it, got to the semifinals, | 0:11:19 | 0:11:21 | |
even though I was the most uncoordinated person. | 0:11:21 | 0:11:24 | |
I remember, the first time my dad said, | 0:11:24 | 0:11:27 | |
"How long is this going to go on for, Alex? | 0:11:27 | 0:11:29 | |
"You're spoiling it for me now, I'm nervous!" | 0:11:29 | 0:11:31 | |
But it was a brilliant... | 0:11:31 | 0:11:34 | |
It was a brilliant experience. | 0:11:34 | 0:11:36 | |
But, erm... | 0:11:36 | 0:11:38 | |
I was glad when it was done as well, just to get back to normal. | 0:11:38 | 0:11:41 | |
I know. Right, OK, we've got a... | 0:11:41 | 0:11:43 | |
This is brilliant, this place. A vintage shop here, | 0:11:44 | 0:11:46 | |
so let's go and see if we can pick something up for your house. | 0:11:46 | 0:11:49 | |
Yeah, OK. This is a great place, this is. | 0:11:49 | 0:11:53 | |
MUSIC PLAYS | 0:11:53 | 0:11:54 | |
Anything that catches your eye here or not? | 0:12:02 | 0:12:04 | |
I love this sort of stuff, do you? | 0:12:04 | 0:12:06 | |
You're bit confused by this style, aren't you? | 0:12:06 | 0:12:08 | |
No, no, I've been dragged around plenty of these places, | 0:12:08 | 0:12:10 | |
I just don't get excited about it, you know? Why? | 0:12:10 | 0:12:13 | |
It's amazing, you can find loads of different bits and pieces. | 0:12:13 | 0:12:17 | |
Yeah, lovely. You think it's overpriced, don't you? | 0:12:17 | 0:12:20 | |
Good chair, good, red chair. You know? | 0:12:20 | 0:12:22 | |
?45. ?45 for a red chair. | 0:12:22 | 0:12:24 | |
I don't get it. We'll go down here, I'll show you some nice lights. | 0:12:24 | 0:12:29 | |
Try and interest me, try and interest me. OK. | 0:12:29 | 0:12:33 | |
What are we looking for now? | 0:12:36 | 0:12:37 | |
Right, we need lights to go over the island in the kitchen. | 0:12:37 | 0:12:41 | |
What do you reckon, these are quite nice, aren't they? | 0:12:41 | 0:12:43 | |
We need three, you see? | 0:12:43 | 0:12:45 | |
That's three there. So... | 0:12:45 | 0:12:47 | |
225... Copper's very in. | 0:12:47 | 0:12:49 | |
Is that for all of them, or for each? | 0:12:49 | 0:12:51 | |
No, each. The bulbs are ?35! | 0:12:51 | 0:12:54 | |
They are quirky, quirky... | 0:12:54 | 0:12:56 | |
Is it a yes from Jonathan? | 0:12:56 | 0:12:58 | |
I'll have to see, what colour's your island...? | 0:12:58 | 0:13:02 | |
It's a French blue. | 0:13:02 | 0:13:03 | |
I'll tell you what, I mean, there's loads of options here. | 0:13:03 | 0:13:06 | |
I'll show you another three options now. | 0:13:06 | 0:13:08 | |
Don't think that's French blue. Three options? | 0:13:08 | 0:13:10 | |
No, that's copper. | 0:13:10 | 0:13:11 | |
You always wanted to be a presenter, ever since you were a little girl. | 0:13:18 | 0:13:21 | |
Why is that? I think it's because, | 0:13:21 | 0:13:24 | |
ever since my mother used to put me in front of the television, | 0:13:24 | 0:13:28 | |
when she was making lunch or something for us, | 0:13:28 | 0:13:30 | |
and I'd been watching children's television, and I just thought, | 0:13:30 | 0:13:33 | |
well, they look like they're playing all the time. | 0:13:33 | 0:13:36 | |
So that looks like a brilliant job to me. | 0:13:36 | 0:13:39 | |
Because you went to Aberystwyth. Yes. Studied drama. | 0:13:39 | 0:13:42 | |
I did. Theatre, Film and Television. | 0:13:42 | 0:13:45 | |
With a view of working behind the camera, really. | 0:13:45 | 0:13:48 | |
Right. Maybe producing or directing. | 0:13:48 | 0:13:51 | |
But, I think, secretly, I always harboured a little want to present, | 0:13:51 | 0:13:55 | |
but I just didn't think it was going to happen. | 0:13:55 | 0:13:57 | |
You did your finals in Magaluf, of all places? | 0:13:57 | 0:14:01 | |
Yes, in Magaluf. | 0:14:01 | 0:14:02 | |
Not my parents' proudest moment. | 0:14:02 | 0:14:06 | |
They were looking for a team of Welsh people to take part in sort of | 0:14:06 | 0:14:10 | |
a dating game show on the beach. | 0:14:10 | 0:14:13 | |
And it was happening in Majorca. | 0:14:13 | 0:14:16 | |
So they said, it's happening in May. | 0:14:16 | 0:14:18 | |
I thought, "Oh, that's the same time as my finals." | 0:14:18 | 0:14:22 | |
Mam and dad were beside themselves. | 0:14:22 | 0:14:24 | |
So I did four of my final exams out in Magaluf. | 0:14:24 | 0:14:28 | |
So, the day before the exam, I'd be on a catamaran, over there, filming, | 0:14:29 | 0:14:33 | |
trying to look at Shakespeare. | 0:14:33 | 0:14:35 | |
And then all the rest, who'd had few cocktails, | 0:14:35 | 0:14:37 | |
would chuck all my notes in the sea, | 0:14:37 | 0:14:39 | |
and that would be the end of that, and I thought, | 0:14:39 | 0:14:41 | |
"Oh, no, my degree is up the spout." | 0:14:41 | 0:14:44 | |
Please be careful with Alex's bikini, please! | 0:14:44 | 0:14:47 | |
But we did the exams, and it was really bizarre, | 0:14:47 | 0:14:49 | |
because I was in a gymnasium, as you would be, in Wales, on my own, | 0:14:49 | 0:14:53 | |
just a little desk, with Davina McCall timing me | 0:14:53 | 0:14:56 | |
and doing little links, as she does, on the side. | 0:14:56 | 0:14:59 | |
So it was a bit bizarre, really. | 0:14:59 | 0:15:01 | |
That was the first time I met her, | 0:15:01 | 0:15:02 | |
and we still can't believe now that that actually happened. | 0:15:02 | 0:15:05 | |
That kind of was synonymous with your early career. | 0:15:05 | 0:15:09 | |
Because you've done some crap shows, haven't you? | 0:15:09 | 0:15:11 | |
Oh, Jonathan...! Crap jobs. | 0:15:11 | 0:15:13 | |
You said it! | 0:15:13 | 0:15:17 | |
So, started as a researcher, but, yeah, dogsbody, basically. | 0:15:17 | 0:15:20 | |
And there were a few... | 0:15:20 | 0:15:22 | |
Yeah, there were a few mishaps. | 0:15:22 | 0:15:24 | |
So the first company I started working for suggested, they went, | 0:15:24 | 0:15:27 | |
"Look, you might be better off on camera. So let's give that a go." | 0:15:27 | 0:15:31 | |
I mean, they were very patient, to be fair. | 0:15:31 | 0:15:33 | |
And instantly I thought, well, this is a way better laugh. | 0:15:34 | 0:15:38 | |
Less responsibility. | 0:15:39 | 0:15:41 | |
But actually, I wasn't very good at it at the beginning. | 0:15:41 | 0:15:44 | |
I wasn't very good at all. | 0:15:44 | 0:15:46 | |
But, you know, beneath the exterior of quite ditzy and very laid-back, | 0:15:46 | 0:15:53 | |
I'm quite conscientious, really, always have been. | 0:15:53 | 0:15:57 | |
So I would watch everything back and think, how can I improve on that? | 0:15:57 | 0:16:03 | |
And it took a long time, but I worked really hard at it, | 0:16:03 | 0:16:06 | |
because once I was in it, I knew that that's what I wanted to do. | 0:16:06 | 0:16:10 | |
So those ten years of plotting, really, up until The One Show, you know... | 0:16:10 | 0:16:15 | |
I had a real focus in mind. | 0:16:16 | 0:16:19 | |
I wanted to be on network television. | 0:16:19 | 0:16:21 | |
It's been an interesting path, your career path. | 0:16:21 | 0:16:23 | |
It has. So, obviously, we start on a show together, a chat show. | 0:16:23 | 0:16:29 | |
You, me and Nigel Owen, the international referee. | 0:16:29 | 0:16:33 | |
A dangerous combination that they gave us. | 0:16:33 | 0:16:35 | |
Yeah. Did you enjoy that experience? | 0:16:35 | 0:16:37 | |
I loved it. Because I think, for me, that was a real turning point. | 0:16:37 | 0:16:41 | |
It was the first time that I was doing something that was, sort of... | 0:16:41 | 0:16:46 | |
A bit more adult and entertaining. | 0:16:46 | 0:16:50 | |
I was into adult entertainment, but that's all a different thing. | 0:16:50 | 0:16:53 | |
But I loved it. Nobody was more excited then Dad. | 0:16:53 | 0:16:57 | |
I think that was his proudest moment. | 0:16:57 | 0:16:58 | |
I mean, forget The One Show. | 0:16:58 | 0:17:00 | |
Go on, Dad! You know, Jonathan! | 0:17:01 | 0:17:03 | |
That's amazing! | 0:17:03 | 0:17:05 | |
But it was great, we enjoyed having you there. | 0:17:05 | 0:17:07 | |
It was very short lived, because... | 0:17:07 | 0:17:09 | |
It was! All of a sudden, right, The One Show, | 0:17:09 | 0:17:12 | |
Christine Bleakley was leaving and there was rumours in the backroom... | 0:17:12 | 0:17:17 | |
Yeah, well, what happened, I got this phone call, out of the blue, | 0:17:17 | 0:17:21 | |
from somebody called Gareth. | 0:17:21 | 0:17:22 | |
And he said, "Hiya, Alex, my name's Gareth Collet. | 0:17:22 | 0:17:25 | |
"I'm ringing from the BBC in London and we were wondering whether | 0:17:25 | 0:17:29 | |
"you could come up and see us about The One Show." | 0:17:29 | 0:17:33 | |
I thought, there's somebody winding me up here. | 0:17:33 | 0:17:36 | |
So I put the phone down. | 0:17:36 | 0:17:38 | |
Anyway, he rang back, and said, | 0:17:38 | 0:17:39 | |
"Why are you putting the phone down on me for? | 0:17:39 | 0:17:41 | |
I said, "I think you're making it up." | 0:17:41 | 0:17:43 | |
He said, "No, no, no, we are actually looking for a female presenter." | 0:17:43 | 0:17:48 | |
And before I knew it, it was like a whirlwind. | 0:17:48 | 0:17:50 | |
I was in the middle of this thing that I didn't realise | 0:17:50 | 0:17:52 | |
I was going to be part of. But, funnily... | 0:17:52 | 0:17:56 | |
Some part of me knew it felt right. | 0:17:57 | 0:17:59 | |
Hello, and welcome to The One Show with Alex Jones... | 0:18:02 | 0:18:04 | |
And Jason Manford, and it's our first day. | 0:18:04 | 0:18:07 | |
It's exciting. | 0:18:07 | 0:18:07 | |
They were a bit shocked, at first, by the accent. | 0:18:10 | 0:18:13 | |
And I've never been able to hide my accent. | 0:18:13 | 0:18:15 | |
You know, and I don't want to, it's who I am. | 0:18:15 | 0:18:17 | |
But, by now, people have got used to it. But it takes a while. | 0:18:19 | 0:18:23 | |
You know, you've got superstar guests on. | 0:18:23 | 0:18:25 | |
How do you cope with them? Do you get starstruck? | 0:18:26 | 0:18:30 | |
No, I don't really get starstruck, never have. | 0:18:30 | 0:18:34 | |
I think that's what enables me to do the job. | 0:18:34 | 0:18:38 | |
I think people get confused with our show, you see, | 0:18:38 | 0:18:41 | |
especially the Americans. | 0:18:41 | 0:18:42 | |
Because they come on, and you ask them a bit about their album or | 0:18:42 | 0:18:45 | |
their film, and then you ask them about bird feed. | 0:18:45 | 0:18:47 | |
And they look at you like you've got three heads. | 0:18:47 | 0:18:49 | |
Exactly, yeah. You know, Bon Jovi, the other day, | 0:18:49 | 0:18:52 | |
he was looking at me as if to say, I mean... | 0:18:52 | 0:18:55 | |
I've got a garden, but I've never seen it. | 0:18:55 | 0:18:57 | |
But our viewers are brilliant. | 0:18:57 | 0:19:00 | |
That's what keeps the show going. | 0:19:00 | 0:19:02 | |
And it's what keeps us as presenters going, knowing that... | 0:19:02 | 0:19:05 | |
There's a loyal viewership, and they feel like family. | 0:19:05 | 0:19:10 | |
I mean, now that we've announced the baby, | 0:19:10 | 0:19:12 | |
there's been so many lovely viewers that have knitted blankets and | 0:19:12 | 0:19:15 | |
booties, and that's lovely. | 0:19:15 | 0:19:17 | |
You haven't changed at all, have you, really? | 0:19:17 | 0:19:19 | |
No. My parents would be the first to slap me down. I know, I know. | 0:19:19 | 0:19:23 | |
SHE SPEAKS WELSH | 0:19:23 | 0:19:24 | |
That's what I'd have! | 0:19:24 | 0:19:26 | |
So, on your drive in, you do your reading, and...? | 0:19:34 | 0:19:38 | |
Yeah, normally | 0:19:38 | 0:19:39 | |
I'd read my brief on the way in, so that, by the time I got there then, | 0:19:40 | 0:19:46 | |
into the meeting, we all knew who the guests are, | 0:19:46 | 0:19:50 | |
what we need to talk about. | 0:19:50 | 0:19:52 | |
Do you get nervous at all? Or adrenaline when you come in? | 0:19:52 | 0:19:55 | |
Not really. I mean, I used to, at the beginning, | 0:19:55 | 0:19:58 | |
but I think it's more of an excitement than a nervousness now. | 0:19:58 | 0:20:03 | |
How do you cope with pressure then? Do you feel any pressure or not? | 0:20:03 | 0:20:06 | |
I do feel pressure, because it's the flagship show on the BBC, | 0:20:06 | 0:20:11 | |
and there's always a big audience, there's millions watching you. | 0:20:11 | 0:20:14 | |
And, because they see you every day, | 0:20:14 | 0:20:16 | |
and they're inviting you into their lounge, | 0:20:16 | 0:20:19 | |
it's like being a guest in anybody's house, isn't it? | 0:20:19 | 0:20:22 | |
You've got to behave yourself, you've got to watch what you say. | 0:20:22 | 0:20:26 | |
Do you like the London life? I do, actually, yes. | 0:20:26 | 0:20:29 | |
I always wanted to live in London at some point, so I think, | 0:20:29 | 0:20:32 | |
in the back of my mind, it was part of the plan. | 0:20:32 | 0:20:37 | |
I've never been to this BBC building. Haven't you? | 0:20:37 | 0:20:41 | |
I've worked for them for nearly 20 years, but never to this one. | 0:20:41 | 0:20:46 | |
This is the green room. Oh, look at these stars! Look at these stars! | 0:20:49 | 0:20:53 | |
Yeah. So, this is a me with a variety of... | 0:20:53 | 0:20:57 | |
It's amazing, isn't it? ..of people. | 0:20:57 | 0:20:59 | |
Hillary Clinton's there. | 0:21:01 | 0:21:03 | |
Keith Richards, isn't it? Keith Richards, who, by rights, | 0:21:03 | 0:21:06 | |
should be dead, but is very much functioning. | 0:21:06 | 0:21:08 | |
He looks dead there, to be honest. He was actually a really nice bloke, though. | 0:21:08 | 0:21:12 | |
I know, he's mad, isn't he? Elton John. | 0:21:12 | 0:21:14 | |
Looking a bit worse for wear there, to be fair. | 0:21:15 | 0:21:18 | |
Kate Winslet and me and Grimmy. | 0:21:18 | 0:21:20 | |
Neil Diamond. We sang with Neil Diamond, that was a shambles. | 0:21:20 | 0:21:24 | |
# Sweet Caroline... | 0:21:24 | 0:21:26 | |
# Oh, oh, oh... | 0:21:26 | 0:21:27 | |
We also sang with Stevie Wonder, and he said to me, | 0:21:27 | 0:21:31 | |
"I sure hope you're pretty." | 0:21:31 | 0:21:33 | |
That was nice of him, wasn't it? Lovely. | 0:21:33 | 0:21:37 | |
And then, down here, we've got the star room, | 0:21:38 | 0:21:41 | |
where we sometimes put our guests. | 0:21:41 | 0:21:42 | |
And Matt's dressing room, and then my dressing room. | 0:21:42 | 0:21:45 | |
Alex Jones! My... | 0:21:45 | 0:21:47 | |
Alex Jones, oh, look at the shoes. | 0:21:47 | 0:21:50 | |
There's a mess in here, now, though. | 0:21:50 | 0:21:52 | |
Mess! But there seems to be a cake here. | 0:21:52 | 0:21:55 | |
See, it's funny, you never know what might get delivered | 0:21:55 | 0:21:58 | |
on a day-to-day basis. Look at that. | 0:21:58 | 0:22:01 | |
To be fair, I'd have tidied up, if I'd knew we were coming. | 0:22:01 | 0:22:04 | |
Yeah, of course. I've known you too long now. | 0:22:04 | 0:22:07 | |
Right, well, I need to go to the meeting now. | 0:22:07 | 0:22:10 | |
You can have that, look. | 0:22:10 | 0:22:11 | |
Take it, have a cuppa in the canteen, down that way. | 0:22:11 | 0:22:13 | |
Look at that, thank you very much. See you in a bit. | 0:22:13 | 0:22:16 | |
Cheers, Al! | 0:22:16 | 0:22:17 | |
Al, do me a favour, don't put the "now" on the front of it. | 0:22:20 | 0:22:23 | |
No, OK. Chatty. Yep. Yep. | 0:22:23 | 0:22:25 | |
You see Matt and Alex behind, they're just doing their last | 0:22:27 | 0:22:31 | |
rehearsal, half hour before the show. | 0:22:31 | 0:22:34 | |
And kind of emotional day for the BBC, with the memorial for | 0:22:34 | 0:22:37 | |
Terry Wogan and Ken Bruce coming on, so it's going | 0:22:37 | 0:22:42 | |
to be an interesting programme. | 0:22:42 | 0:22:43 | |
Hello, and welcome to The One Show, with Matt Baker... | 0:22:51 | 0:22:53 | |
And Alex Jones. Now, promising sun, sea and a whole load of secrets, | 0:22:53 | 0:22:57 | |
our guests in the studio are the crime-fighting double act from | 0:22:57 | 0:23:01 | |
ITV's new police drama, The Level. | 0:23:01 | 0:23:03 | |
Noel Clarke and Lindsey Coulson are here. | 0:23:03 | 0:23:05 | |
Evening! | 0:23:07 | 0:23:09 | |
First though, in the words of the late, great Sir Terry Wogan, | 0:23:09 | 0:23:13 | |
let's just pause for thought... | 0:23:13 | 0:23:15 | |
It's really hard, isn't it, | 0:23:18 | 0:23:20 | |
to get your head round the fact that he's been gone eight months? | 0:23:20 | 0:23:22 | |
I know! He still feels very present, doesn't he? | 0:23:22 | 0:23:25 | |
Especially coming up to Children in Need. | 0:23:25 | 0:23:27 | |
Children in Need especially, Proms In The Park was another thing, | 0:23:27 | 0:23:30 | |
because I got there, and I was just... Terry's not here! | 0:23:30 | 0:23:33 | |
As you can see, it's all started, everything going well. | 0:23:33 | 0:23:37 | |
Other guests are coming on. Snuck on the audience, I've been thrown off. | 0:23:37 | 0:23:41 | |
So this is the only way I get on The One Show, I think. | 0:23:41 | 0:23:46 | |
Well, that's it for today. It is. | 0:23:46 | 0:23:47 | |
Thank you very much to our guests, to Ken Bruce, | 0:23:47 | 0:23:49 | |
to Noel and to Lindsey. | 0:23:49 | 0:23:51 | |
The Level, there you are, on ITV, Friday night, nine o'clock. | 0:23:51 | 0:23:53 | |
On tomorrow's show, brace yourselves, | 0:23:53 | 0:23:55 | |
because we are heading back to the boardroom, | 0:23:55 | 0:23:57 | |
Lord Alan Sugar will be right here. | 0:23:57 | 0:23:59 | |
He's a softie, really. But to play us out, one of Sir Terry Wogan's | 0:23:59 | 0:24:01 | |
favourites, this is Ward Thomas with Cartwheels. | 0:24:01 | 0:24:04 | |
Thanks, girls. | 0:24:04 | 0:24:05 | |
# I'm beside you at the mirror... # | 0:24:06 | 0:24:11 | |
Oh, thank you! | 0:24:11 | 0:24:14 | |
What a reception! | 0:24:14 | 0:24:14 | |
Hello. So, how do you think...? | 0:24:17 | 0:24:18 | |
Smooth show tonight? Yeah, I think the show was fine, you know. | 0:24:18 | 0:24:23 | |
The guests were really nice. | 0:24:23 | 0:24:26 | |
It always helps, doesn't it? When they're talkative, you know. | 0:24:26 | 0:24:29 | |
Yes. Bit emotional, wasn't it...? | 0:24:29 | 0:24:30 | |
Really emotional, with Sir Terry. | 0:24:30 | 0:24:33 | |
I thought it was fitting to have Ken Bruce on, | 0:24:33 | 0:24:37 | |
and he spoke brilliantly about the memorial. | 0:24:37 | 0:24:40 | |
Do you still get a buzz out of it? Yeah, definitely. | 0:24:40 | 0:24:42 | |
You still feel that adrenaline after you've finished the show. | 0:24:43 | 0:24:49 | |
I don't think it'll ever go away, actually, with a live show. | 0:24:49 | 0:24:52 | |
I snuck on, as well, snuck in the audience. | 0:24:52 | 0:24:55 | |
Yeah! Did people see you at home? | 0:24:55 | 0:24:57 | |
I think my daughter text me, going, "Just seen you on The One Show." | 0:24:57 | 0:25:00 | |
I've made it now, yeah. So, how do you unwind now? | 0:25:00 | 0:25:04 | |
Where are you taking me? Well, I am taking you now to a little | 0:25:04 | 0:25:08 | |
place I know, Jonathan...! | 0:25:08 | 0:25:09 | |
On Greek Street, it's not too far, still in central London, | 0:25:10 | 0:25:14 | |
it's called L'Escargot. | 0:25:14 | 0:25:15 | |
Right, have a look at the menu. | 0:25:17 | 0:25:18 | |
Come on, then. Have a look at the menu, like we're abroad, on holiday. | 0:25:18 | 0:25:21 | |
Coq au vin? Scallop and prawn tempura. | 0:25:21 | 0:25:24 | |
Chicken schnitzel. | 0:25:24 | 0:25:25 | |
Is it to your liking? Any food's to my liking. And me. | 0:25:25 | 0:25:28 | |
We've had lots of memorable nights here. | 0:25:38 | 0:25:40 | |
But here, in particular, was one of the first places I came, actually, | 0:25:40 | 0:25:45 | |
when I started on the show. | 0:25:45 | 0:25:46 | |
Very posh, though, isn't it? Very posh. Well, it's not that posh. | 0:25:46 | 0:25:49 | |
Isn't it? Well, it's fish fingers and chips, ultimately. | 0:25:49 | 0:25:52 | |
Yeah, posh fish fingers and chips. | 0:25:52 | 0:25:54 | |
You won't get them in chip shop, let me tell you now. | 0:25:54 | 0:25:56 | |
So, six years now on The One Show, right? | 0:25:56 | 0:25:58 | |
Mmm-hmm. Seems to be going a very, very well. | 0:25:58 | 0:26:01 | |
But I've noticed you've done the fertility documentary. Yeah. | 0:26:01 | 0:26:06 | |
Shop Well For Less and Tumble and Sport Relief. | 0:26:06 | 0:26:10 | |
Is that where the next move for Alex Jones is? | 0:26:10 | 0:26:13 | |
Well, I think it's hard to know. | 0:26:13 | 0:26:16 | |
I'm really happy doing my day-to-day job. | 0:26:16 | 0:26:19 | |
And I think the toughest thing in this industry is actually sustaining longevity. | 0:26:19 | 0:26:25 | |
People say to me, a lot, are you looking at entertainment, | 0:26:25 | 0:26:29 | |
and other big Saturday night shows? | 0:26:29 | 0:26:31 | |
It's not about that... You've done a few. I've done a couple. | 0:26:32 | 0:26:35 | |
Did you like it? I absolutely loved it. | 0:26:35 | 0:26:38 | |
But, you know, it's stressful, a Saturday night, | 0:26:38 | 0:26:41 | |
live show on BBC One, comes with a lot of stress. | 0:26:41 | 0:26:44 | |
I really enjoyed the challenge of it. | 0:26:44 | 0:26:46 | |
But, I have to say, | 0:26:46 | 0:26:48 | |
it's harder to keep the standard on something that's daily and in | 0:26:48 | 0:26:53 | |
somebody's lounge every day, in a sense. | 0:26:53 | 0:26:56 | |
Yeah, yeah. For me, the biggest challenge is to | 0:26:56 | 0:27:00 | |
make what we do on a daily basis relevant, enjoyable, | 0:27:00 | 0:27:04 | |
and to stay there for as long as possible. | 0:27:04 | 0:27:06 | |
They'll have to wheel me off with my zimmer frame. | 0:27:06 | 0:27:09 | |
So what about, now, you've got the important little matter of a little | 0:27:09 | 0:27:14 | |
baby coming. | 0:27:14 | 0:27:15 | |
Yep. Will you have to think then of the life balance, with work and...? | 0:27:15 | 0:27:20 | |
I think so. Especially the early years. | 0:27:20 | 0:27:23 | |
Ultimately, family is first. | 0:27:23 | 0:27:26 | |
So this, to me, is the biggest challenge and the most important one. | 0:27:26 | 0:27:30 | |
So, you've got a Kiwi husband, father. | 0:27:30 | 0:27:35 | |
A Welsh wife, mother. | 0:27:35 | 0:27:37 | |
Yeah. Where do you see yourself in a few years? | 0:27:37 | 0:27:40 | |
Is it New Zealand, Wales or London? | 0:27:40 | 0:27:44 | |
It's hard. I think Charlie and I are both | 0:27:45 | 0:27:48 | |
quite alarmed that our baby is going to be born in England. | 0:27:48 | 0:27:53 | |
Because he's thinking, I want an All Black. | 0:27:53 | 0:27:56 | |
He would still very much like to go back to New Zealand, but, I think, | 0:27:56 | 0:28:00 | |
you know, quietly, we both know that's not going to happen. | 0:28:00 | 0:28:04 | |
I see us going back to Wales at some point. | 0:28:04 | 0:28:07 | |
But you've just got to enjoy and embrace the life you've got. | 0:28:08 | 0:28:11 | |
This is where we met, this is where our son or daughter will be born. | 0:28:11 | 0:28:15 | |
And, for now, it suits. | 0:28:15 | 0:28:17 | |
Whether it suits in five years, maybe not. | 0:28:17 | 0:28:20 | |
You never know what's round the corner. | 0:28:20 | 0:28:22 | |
You've just got to live day by day. | 0:28:22 | 0:28:26 | |
There we are, thanks, Jonathan. Nice to speak to you. | 0:28:26 | 0:28:30 | |
Yeah, nice to see you. | 0:28:30 | 0:28:32 | |
All the best, lovely. Thanks so much, it's been lovely. | 0:28:32 | 0:28:34 | |
Yeah, it's been a great day, thanks very much. Ta-ra! Cheers. Ta-da! | 0:28:34 | 0:28:39 | |
It was lovely to spend the day with Alex today, | 0:28:42 | 0:28:45 | |
and it's great to see her so happy in work and in life. | 0:28:45 | 0:28:48 | |
She's genuinely one of the nicest people you could ever wish to meet, | 0:28:48 | 0:28:51 | |
and one of the most naturally talented. | 0:28:51 | 0:28:53 | |
A Welsh gem. I'm so happy that the nation have taken her to their hearts. | 0:28:53 | 0:28:58 | |
It's interview week. | 0:29:27 | 0:29:28 | |
When I look in your eyes, I think, "Where's the energy?" | 0:29:28 | 0:29:30 | |
You're not exactly a forceful character. | 0:29:30 | 0:29:32 | |
I don't know what you're doing here. | 0:29:32 | 0:29:33 |