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top of the hour. Now it is time for On The Road With... Jackie Mann's - | :00:03. | :00:13. | |
:00:13. | :00:14. | ||
- On The Road With... Jackie Mason. Jackie Mason is an American stand- | :00:14. | :00:19. | |
up comedian. 75 years old, he has performed on Broadway, and in front | :00:19. | :00:24. | |
of the Queen. Ordinarily the more you pay, the more you get, except | :00:24. | :00:29. | |
in restaurants. But the time it is the most expensive, there is | :00:29. | :00:39. | |
:00:39. | :00:42. | ||
nothing there. The best restaurants, there is no food. I wanted to get a | :00:42. | :00:47. | |
sense of him and his comedy. It is something they cannot explain. I | :00:47. | :00:56. | |
have no idea why something is funny. I spent time with him on the day a | :00:56. | :00:59. | |
performance at Wyndham's Theatre in the West End. He is doing a | :00:59. | :01:09. | |
:01:09. | :01:10. | ||
farewell tour of the UK. I meet up with Jackie and a London | :01:10. | :01:15. | |
apartment. Jackie Mason, a good to see it. Nice to see. Tell me, on | :01:15. | :01:25. | |
:01:25. | :01:27. | ||
the day of a performance, do you have a routine? Not particularly,, | :01:27. | :01:34. | |
I am accustomed to doing shows, a dentist does not get panicky when | :01:34. | :01:38. | |
he picks up a drill. He does not get exactly nervous, he does not | :01:38. | :01:45. | |
have to have a drink first. No matter what business -- how long | :01:45. | :01:49. | |
you have been in the business, comedians still have to have and | :01:49. | :01:52. | |
drink and another drink and talking into the mirror and adjusting the | :01:52. | :01:58. | |
tide. Be sure it is never perfect enough and the jacket is never | :01:58. | :02:02. | |
exactly... They are playing with themselves like they never saw | :02:02. | :02:07. | |
themselves before. Moving their hair back and forward and in and | :02:07. | :02:10. | |
out, they never look great enough for themselves. You would think if | :02:10. | :02:13. | |
you were a comedian you would realise that people do not care | :02:13. | :02:22. | |
what you look like. That is what people do if they had any decency. | :02:22. | :02:29. | |
You come to a wedding NEC the pride, she has a fancy paraphernalia, she | :02:29. | :02:33. | |
is walking around like this is the biggest moment in her life. She | :02:33. | :02:43. | |
:02:43. | :02:47. | ||
says, how do I look? What will you say? I don't know. You look good. | :02:47. | :02:53. | |
You do look OK. I wouldn't say good, but you look very nice for a person | :02:54. | :02:59. | |
that looks like you. Only a schmuck would say that. A decent person | :02:59. | :03:02. | |
would say, you are the most beautiful by they ever saw in my | :03:02. | :03:11. | |
life. -- beautiful bride. So you don't really get nervous, but do | :03:11. | :03:19. | |
you get excited? I feel some sense of anticipation and determination | :03:19. | :03:25. | |
to be a hit. I am thrilled and delighted that I am attracting a | :03:25. | :03:29. | |
crowd, people want to come and see me and I feel an obligation to be | :03:29. | :03:36. | |
as good as they can. Let us be honest, I am and entertainer | :03:36. | :03:42. | |
because of egomania. A need the attention. If I was not an ego | :03:42. | :03:46. | |
maniac, I would be a plumber working in a toilet. Am I right | :03:46. | :03:55. | |
that you started life as a rabbi? What happened? I became a rabbi, | :03:55. | :04:00. | |
and I would tell lot of jokes in my sermons. It could be relevant to | :04:00. | :04:04. | |
making a serious point. The highlight the. Sometimes with | :04:04. | :04:14. | |
:04:14. | :04:18. | ||
comedy. -- de claimant the point. - - to highlight. They are trying to | :04:18. | :04:21. | |
deliberate message, sometimes with comedy you can do it more | :04:21. | :04:27. | |
effectively. So, I used to use a lot of comedy in my servants. | :04:27. | :04:33. | |
Alight the significant of the message. -- sermons. A lot of | :04:33. | :04:38. | |
people set to become a rabbi, you should have been a comedian. People | :04:38. | :04:43. | |
were talking about how funny that Rabbi was. It is unbelievable how | :04:43. | :04:48. | |
many Gentiles started to come and hear my sermons? I do not nullify | :04:48. | :04:58. | |
converted them. I potter had become the only rabbi with the gentile | :04:58. | :05:08. | |
:05:08. | :05:08. | ||
congregation! I see gentiles and the front -- in the front. I never | :05:08. | :05:13. | |
saw gentiles in the front. I have been on board a for 40 years and I | :05:13. | :05:21. | |
never seen gentiles in the front row. They do not care where it is. | :05:21. | :05:31. | |
:05:31. | :05:34. | ||
We have got money now! Do you eat kosher food? Yes, but I am not a | :05:34. | :05:40. | |
strictly observant Jew. I do not feel comfortable being a rabbi | :05:40. | :05:47. | |
because I am not 100% purely perfect in my devotion to Judaism. | :05:47. | :05:52. | |
I am very proud Jew and editor cake active Jewish traditions and values | :05:52. | :05:58. | |
and the culture, which I think is beautiful, it teaches you love and | :05:58. | :06:03. | |
honesty and decency and compassion and highlights all the basic | :06:03. | :06:08. | |
decencies most essential, moralistic qualities that everyone | :06:08. | :06:15. | |
should have. Listen to this, I went to the Vatican. When you go to the | :06:15. | :06:23. | |
Vatican, have you ever been there? People wait hours to be able to get | :06:23. | :06:31. | |
into the Vatican. What do you see? Nothing that Jews. The gentles are | :06:31. | :06:36. | |
in line, that Jews are always in front of the line, giving a few | :06:36. | :06:40. | |
dollars to him, a few dollars to him. The Gentiles are standing and | :06:40. | :06:48. | |
waiting. Give him too, I will give Hinton, I will give him 20. Making | :06:48. | :06:56. | |
deals. They always get in there first. Jews never stand in line. | :06:56. | :07:00. | |
Gentiles were all outside, standing and Stanic. I thought the Vatican | :07:00. | :07:05. | |
was a Jewish neighbourhood. All I saw were Jews, all over the place. | :07:05. | :07:12. | |
It looked like a Jewish restaurant. Where does your accent come from? | :07:12. | :07:15. | |
From the Lower East Side of New York. I was the first of my family | :07:15. | :07:19. | |
born in America. I was talking Yiddish before I was talking | :07:19. | :07:26. | |
English. My family came from Poland and Russia, they came to America | :07:26. | :07:30. | |
and the first three children were born in Russia. I was the first one | :07:30. | :07:35. | |
born in America, so everyone was talking Yiddish and my family and | :07:35. | :07:40. | |
in school everybody was talking Yiddish. When I went to secular | :07:40. | :07:44. | |
schools and spoke English, I still had the accent and I still have it | :07:44. | :07:49. | |
to this day. Why did you family come to America? To escape | :07:49. | :07:54. | |
persecution from Russia and Poland. At that time, almost all the Jews | :07:54. | :07:57. | |
game here has an escape from persecution. What years of we | :07:57. | :08:05. | |
talking about? 1930, 1933, 1935. Did you ever experience any anti- | :08:05. | :08:10. | |
Semitism as a boy growing up in America? Yes, I did. There was a | :08:10. | :08:17. | |
tendency in those days of Christians, disliked Jews. In those | :08:18. | :08:25. | |
days, they actively hated the Jews. Not all, but a great percentage of | :08:25. | :08:30. | |
them. Almost everybody was an antique so might at that time. They | :08:30. | :08:36. | |
looked it chooses people who did not belong, people were low-lifes, | :08:36. | :08:42. | |
they had an image of Jews as someone who does not belong there. | :08:42. | :08:46. | |
Even the most cultivated and educated Christians at that time | :08:46. | :08:53. | |
were anti-Semitic. It was just the way people in those days were anti- | :08:53. | :09:00. | |
black. A black person could not get a job in any decent Corporation, | :09:00. | :09:04. | |
neither could be due. Jews were always persecuted. I don't know if | :09:04. | :09:10. | |
you ever heard about it. But they always manipulate their way around | :09:10. | :09:14. | |
to see if they could somehow come to something, because Jews were | :09:14. | :09:19. | |
never allowed in a major economies of the world. Did you know that? | :09:19. | :09:29. | |
:09:29. | :09:29. | ||
The major corporations in America never hired choose. -- hired Jews. | :09:29. | :09:33. | |
Nowadays, we own the company. That is one reason why they became | :09:33. | :09:40. | |
businessmen. They were brilliant at organising and creating their own | :09:40. | :09:45. | |
businesses, despite everything against them. The whole economy, | :09:45. | :09:50. | |
the system did not allow the Jews to participate in any way, but they | :09:50. | :09:56. | |
managed by manipulating and developing their own businesses, | :09:56. | :10:00. | |
developing their own systems and pots and ideas and inventions and | :10:00. | :10:08. | |
professions. They managed to -- almost nobody allowed due to become | :10:08. | :10:13. | |
a doctor, but somehow they got their way in. How did they become | :10:13. | :10:18. | |
doctors? They couldn't get a medical school. That is what Jews | :10:18. | :10:22. | |
did, that is why they became doctors. The main reason they | :10:22. | :10:26. | |
became doctors was to protect themselves from persecution. They | :10:26. | :10:33. | |
knew they were safe if they became doctors. Who were persecuted Dr? | :10:33. | :10:43. | |
:10:43. | :10:45. | ||
Coup will walk-in and say, my foot hurts... | :10:45. | :10:51. | |
Jackie, this machine is for keeping fit? Can't you see by how I am | :10:51. | :10:55. | |
build? I have to do a lot of exercises. So you really work out? | :10:55. | :11:00. | |
Off course, that is why I have such a perfect body. How long would you | :11:00. | :11:05. | |
spend on the Sun and average day? Between 40 minutes and an hour. I | :11:05. | :11:09. | |
start of slower than I go further and further and harder and harder. | :11:09. | :11:17. | |
If I get tired I slowed down. I keep challenging myself, because I | :11:17. | :11:21. | |
think that is the only way to stay fit. Otherwise you have to walk in | :11:21. | :11:28. | |
the streets. If it is a nice day, I walk in the streets. After the | :11:28. | :11:32. | |
theatre, we Jackie is going to show me around. -- off to the theatre, | :11:32. | :11:42. | |
:11:42. | :11:51. | ||
where Jackie is going to show me Nice meeting you. Thank you. Take | :11:51. | :12:01. | |
:12:01. | :12:08. | ||
care. You are very funny man. you. First stop is Jackie's | :12:08. | :12:16. | |
dressing room. And this... This is very comfortable and lovely. It | :12:17. | :12:21. | |
doesn't look like a very beautiful Room, but compared to dressing | :12:21. | :12:25. | |
rooms in New York, on Broadway, this is a palace. The dressing | :12:25. | :12:30. | |
rooms on the proper shows, about a third of this size, you have room | :12:30. | :12:34. | |
for a chair and that is about it. If you turn around, you are outside | :12:34. | :12:39. | |
the room. Difficult question. Do you think that when you make jokes | :12:39. | :12:44. | |
about a Jewish husband, to use that as an example, do you think there | :12:44. | :12:49. | |
is a danger that you are encouraging stereotyping of the | :12:49. | :12:54. | |
Jews by non-Jews? A I do not think there is any danger of that because | :12:54. | :12:58. | |
I do not think there is any threat to Jews in this country. In America | :12:58. | :13:05. | |
or the UK? I do not think there are any threats. Nobody is persecuting | :13:05. | :13:11. | |
Jews, nobody is threatening Jews. I do not think there is anything | :13:11. | :13:14. | |
wrong with stereotyping people, comedy is always about stereotyping | :13:14. | :13:21. | |
people. The characteristics of a people, you make fun of it. That is | :13:21. | :13:31. | |
:13:31. | :13:34. | ||
what people identify with. Almost all comedy is basically stereotyped. | :13:35. | :13:41. | |
You could say I am and forcing a stereotype. I am here to tell jokes | :13:41. | :13:47. | |
that people can't identify with. If I use a stereotype it is funnier. I | :13:47. | :13:50. | |
do not see anything wrong with stereotypes, there is nothing | :13:50. | :13:55. | |
offensive about it. If someone uses stereotyping outside of comedy or | :13:55. | :13:59. | |
sometimes even in comedy, if it is intended to be negative, that could | :13:59. | :14:04. | |
be dangerous. It could be dangerous, but that kind person does not | :14:04. | :14:08. | |
become negative because he had the stereotype for me, that can a | :14:08. | :14:13. | |
person starts with discrimination in his heart in the first place. -- | :14:13. | :14:21. | |
that kind of person. They become prejudiced. It comes from his heart | :14:21. | :14:27. | |
because he is a prejudiced person who dislikes people, and what I say | :14:27. | :14:37. | |
:14:37. | :14:46. | ||
we don't say will not make any Once you see say an accountant even | :14:46. | :14:50. | |
knows you are talking about a Jew. You could tell if it a Jew or | :14:50. | :14:55. | |
Gentile by profession. It is amazing how people from different | :14:55. | :14:59. | |
denop nation choose different professions. A guy tells you he is | :14:59. | :15:03. | |
a coal miner, could he be Jewish? I never heard of it. Once you say | :15:03. | :15:12. | |
coal miner you know he is a Gentile. A Jew sees a coal mine, he is urgh. | :15:12. | :15:19. | |
You ever see a sign Irving's coal mine. A coal miner can't be Jewish. | :15:19. | :15:28. | |
You ever seen a yamulke with a light attached to it? A guy is a | :15:28. | :15:33. | |
hockey player, could he be Jewish. When sticks are flying round no Jew | :15:33. | :15:38. | |
gets about. Gentiles love to hit people in the mouth with sticks. | :15:38. | :15:46. | |
"Hey Clive, ping." Why do you think Jews become dentists? Because | :15:46. | :15:49. | |
Gentiles play hockey. Every time you see a Gentile with a stick, you | :15:49. | :15:57. | |
see a Jew with a card. "Here's my card." What creates more | :15:57. | :16:00. | |
satisfaction than anybody if they go into this business because they | :16:00. | :16:04. | |
are craving attention in the first place, there is no greater | :16:04. | :16:07. | |
affirmation than the fact you are a sensation, that you are loved, | :16:07. | :16:12. | |
appreciated, and that you are the most important guy in the place at | :16:12. | :16:17. | |
that time. In is, brings back everything you ever wanted in life | :16:17. | :16:22. | |
in one evening. To be the boss and the star. To be the one so loved | :16:22. | :16:28. | |
and appreciated that you can't top it. It as if everybody in here in | :16:28. | :16:32. | |
the place says to themselves "There's nothing greater than this | :16:32. | :16:36. | |
man," how else could you accomplish this, there is no other form of | :16:36. | :16:40. | |
appreciation that is come froobl it. How much of the Jackie Mason we see | :16:40. | :16:47. | |
in the press, on television, in up in articles, how much of that is | :16:47. | :16:52. | |
really you? And how much is an act? Is any of it is an act. It is all | :16:52. | :16:56. | |
exactly me. I am blunt, frank and honest about myself and about my | :16:56. | :16:59. | |
reason for being here and the pleasure I get out of it, it is all | :16:59. | :17:03. | |
exactly what I feel. I have no pretensions about anything when I | :17:03. | :17:08. | |
talk about myself. When you are addressing the audience, are you | :17:08. | :17:12. | |
addressing one person, everyone, how do you do snit. I don't think | :17:12. | :17:18. | |
of it one person, I can't think of it as one person. I would have to | :17:18. | :17:22. | |
be blindfolded to think I am talking to one person. I am talking | :17:22. | :17:26. | |
to everybody, but I talk to them no differently than I would be talking | :17:26. | :17:31. | |
to them if they there was only one person. I would be talking no | :17:31. | :17:35. | |
differently if it was one person, I am very personal in the way I | :17:35. | :17:38. | |
perform. People get insulted when I say that, nobody is happily married. | :17:39. | :17:42. | |
The truth of the matter when you ask anyone if they are happily | :17:42. | :17:45. | |
married they can't answer you. It is a fascinating thing. I have | :17:45. | :17:48. | |
noticed when you ask people the they are happily married they can't | :17:48. | :17:52. | |
answer you. Isn't that amazing. Say to anybody, you happily married, | :17:52. | :18:02. | |
:18:02. | :18:02. | ||
you get the same answer. Who knows? All of a sudden every smubg becomes | :18:02. | :18:11. | |
a flotion fer. What is happiness? Does anybody know? You might think | :18:12. | :18:17. | |
you are, I could b I might be. It is hard total. I'm not sure, some | :18:17. | :18:21. | |
people say I can. Is your wife happy, I don't know, I haven't | :18:21. | :18:26. | |
spoken to her in nine years. When you ask people if they are happily | :18:27. | :18:30. | |
married most of the I'm they don't answer you. They don't answer you, | :18:30. | :18:34. | |
they give you a number. They don't realise they are doing it. They do | :18:34. | :18:38. | |
not answer that question. Because I ask people these questions all the | :18:38. | :18:42. | |
time. And I get the same answer. They give you a number. They do not | :18:42. | :18:46. | |
answer the question. Everybody says the same thing. Say are you | :18:46. | :18:56. | |
happenry married. 29 years. -- happily mar -- married. Only a | :18:56. | :19:02. | |
marriage and a prison sentence gets a number. Why do they give you a | :19:02. | :19:07. | |
number? What does it have do with the question. If I said are you | :19:07. | :19:13. | |
happy with your refrigerator? 12 years. Jackie, what is the meaning | :19:13. | :19:18. | |
of life? I have no idea what the mean of life s I'm not that | :19:18. | :19:24. | |
brilliant a floser fer. When I hear people trying to give you the | :19:24. | :19:28. | |
meaning of life I consider they are wasting their time. It is nonsense | :19:28. | :19:32. | |
to pretend you have some kind of an answer to that question. Nobody has | :19:32. | :19:36. | |
an answer, the answer is that you are here, and while you're here | :19:36. | :19:41. | |
your not thinking of the meaning of life, you're thinking of trying to | :19:41. | :19:46. | |
enjoy it as much as possible. So whatever the meaning is irrelevant | :19:46. | :19:50. | |
to me. What do you think happens after death? I don't care. I | :19:50. | :19:54. | |
doesn't interest me. I feel when I'm not here I won't be here to | :19:54. | :19:58. | |
notice it, and it won't make any difference because I'm not here and | :19:58. | :20:02. | |
I won't be feeling anything. If you are feeling nothing and | :20:02. | :20:05. | |
experiencing nothing, who caring about something you will never feel | :20:05. | :20:10. | |
or see. What makes something funny Jackie? What makes something funny | :20:10. | :20:14. | |
is something I can't explain. I have no idea why something is funny. | :20:14. | :20:20. | |
I never give it a thought why it is funny. I only think of does this | :20:20. | :20:23. | |
sound funny, or will something of this be fun tkwroi people | :20:23. | :20:27. | |
listening? Does this situation sound funny to me? If it sounds | :20:27. | :20:31. | |
funny to me I say to myself it will probably sound funny, so then I try | :20:31. | :20:36. | |
to write it out in a way that is, that sounds funny to me, that's all | :20:36. | :20:45. | |
I know. What makes you laugh, Jackie? I don't know. I never | :20:45. | :20:51. | |
figured that." Never interested me to figure out why something makes | :20:51. | :20:55. | |
it funny. I don't think, I am not different from anybody else. When | :20:56. | :21:00. | |
people find it funny they don't try to analyse it. They just find it | :21:00. | :21:05. | |
funny. Do you think people by and large enjoy having fun made of them, | :21:05. | :21:10. | |
if it is in a certain context, a certain.... It is in a certain | :21:10. | :21:14. | |
context, that is not a reflection about some kind of a handicap or | :21:14. | :21:20. | |
something embarrassing, that is going to embarrass the person, and | :21:20. | :21:24. | |
create some kind of a personal humiliation, then of course that is | :21:24. | :21:28. | |
ugly and stupid. I would never do that. My comedy is strictly an | :21:28. | :21:32. | |
innocent type of come difficult I make fun collectively of people's | :21:32. | :21:37. | |
behaviour, but not in a way that any one person could start to sit | :21:37. | :21:44. | |
wondering if I mean him and am I offending him. If you are a normal | :21:44. | :21:52. | |
person, I could never offend you. I can't account for people who might | :21:52. | :22:02. | |
:22:02. | :22:39. | ||
It is early evening in the West End Back stage, Jackie is ready to go. | :22:39. | :22:42. | |
You make anything expensive and fancy and people will imagine they | :22:42. | :22:45. | |
bought something, they would have bought nothing, they made | :22:45. | :22:49. | |
themselves uncomfortable. Why do people go to an opera, is there | :22:49. | :22:53. | |
anybody in this world that enjoys an opera? There is no such human | :22:53. | :22:59. | |
being. An opera is a fantastic art form, I am not making fun of it but | :22:59. | :23:03. | |
to claim you enjoy it makes you a lying (BLEEP) because nobody enjoys | :23:03. | :23:06. | |
it. Nobody enjoys the opera, the kids in the top balcony who are | :23:06. | :23:10. | |
going to music school, they join it but everybody watching it has no | :23:10. | :23:15. | |
idea what the (BLEEP) is going on. No yeb what they are watching. Go | :23:15. | :23:22. | |
to the opera, what do you see, two Gentiles are screaming and 3,000 | :23:22. | :23:28. | |
Jews lost. It is nothing but a bedroom for rich Jew, that is all | :23:28. | :23:34. | |
it is. They only go to the opera for one reason to come back from | :23:34. | :23:38. | |
the opera to say I just came back from the opera. I feel culture, | :23:38. | :23:42. | |
they want you to know how cultured and classy they r they go from | :23:42. | :23:48. | |
house to house "I just came from the opera." If you asked them what | :23:48. | :23:57. | |
it was about, they are,'s "I would say it was about two hours." Nobody | :23:58. | :24:02. | |
joins an opera. If they were honest they would take out the chairs, put | :24:02. | :24:06. | |
in beds, people are there to sleep. People round us they wouldn't come | :24:06. | :24:10. | |
with suit, they would come with pyjamas, they came the sleep. I | :24:10. | :24:15. | |
don't blame them from sleeping. Every opera is the same story. | :24:15. | :24:19. | |
Sooner or later the same things happens, he stabbed mer the heart | :24:19. | :24:26. | |
and she starts singing. The more he stabs her the better she sings. | :24:26. | :24:31. | |
# He stabbed me in the heart, # In the heart he stabbed me | :24:31. | :24:35. | |
# In the heart, in the heart # Nen he sings too. | :24:35. | :24:40. | |
# I stabbed her, I stabbed her # In the heart I stabbed her | :24:40. | :24:44. | |
# In the heart # And the whole chorus joins in | :24:44. | :24:49. | |
# He stab herd # In the heart, in the heart | :24:50. | :24:59. | |
:25:00. | :25:01. | ||
# He stab nerd the heart... # APPLAUSE -- stabbed her. | :25:01. | :25:05. | |
Olympics are coming here. I want to ask a question, do you think it | :25:05. | :25:08. | |
makes sense do you you should spend hundreds of millions of dollars for | :25:09. | :25:13. | |
people to go swimming here? If I want to go swimming in your place, | :25:13. | :25:18. | |
if you have a gym or swimming pool I would pay you for the chance, I | :25:18. | :25:22. | |
would ask how much would you charge me to swim there? You do it the | :25:22. | :25:26. | |
opposite way, you entertain them, you rebuild your whole city, new | :25:26. | :25:29. | |
bridges and tunnels and roads and you spend hundreds of millions of | :25:29. | :25:39. | |
dollars then you don't get to see the games. Because it is a fact, I | :25:39. | :25:43. | |
spoke to a lot of people, it's a fact that the dignitys -- | :25:43. | :25:46. | |
dignitarys are getting all the tickets, and you, you are the | :25:46. | :25:49. | |
taxpayers who made this possible and it is costing you hundreds of | :25:49. | :25:55. | |
millions of dollars to have them here, who the (BLEEP) needs them | :25:55. | :25:59. |