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Take the Bakerloo Line two stops from Paddington | 0:00:02 | 0:00:04 | |
and you arrive here at Maida Vale. | 0:00:04 | 0:00:06 | |
It's one of London's poshest suburbs. | 0:00:08 | 0:00:10 | |
Round here, a three-bed flat costs more than £1 million, | 0:00:10 | 0:00:13 | |
but it's also home to one of the BBC's hidden gems | 0:00:13 | 0:00:17 | |
and it's going to be our home for three days of live music-making. | 0:00:17 | 0:00:22 | |
So welcome to the BBC Maida Vale Studios | 0:00:22 | 0:00:25 | |
and welcome to Wales Unsigned. | 0:00:25 | 0:00:28 | |
I'm Heledd Watkins - that's me right there - | 0:00:32 | 0:00:34 | |
and I played here last year with my band HMS Morris | 0:00:34 | 0:00:37 | |
as part of the Horizons project, | 0:00:37 | 0:00:40 | |
which supports up-and-coming Welsh bands. | 0:00:40 | 0:00:42 | |
This year, there are 12 new acts and so, for our first band on day one, | 0:00:42 | 0:00:47 | |
with musicians from across South Wales led by MC Skunkadelic, | 0:00:47 | 0:00:52 | |
this is Afro Cluster. | 0:00:52 | 0:00:54 | |
# Double trouble | 0:00:55 | 0:00:57 | |
# Say she don't come again | 0:01:01 | 0:01:05 | |
# Double trouble | 0:01:08 | 0:01:09 | |
# Say she don't come again | 0:01:14 | 0:01:17 | |
# Yeah | 0:01:43 | 0:01:44 | |
# Where we met, it's a story for another day | 0:01:44 | 0:01:46 | |
# The friend request came quick there on the page | 0:01:46 | 0:01:49 | |
# These kind of things ain't new to us nowadays | 0:01:49 | 0:01:52 | |
# So I accepted, as she expected | 0:01:52 | 0:01:55 | |
# Hourglass figure, rude if you neglect it | 0:01:55 | 0:01:58 | |
# Seemed to be worth every sly move, time and effort invested | 0:01:58 | 0:02:03 | |
# First name Olivia, half-Nigerian | 0:02:03 | 0:02:06 | |
# With a Greek heritage, hell of a look | 0:02:06 | 0:02:09 | |
# Vision turned sepia | 0:02:09 | 0:02:10 | |
# Hotel for a beverage, this wasn't easier | 0:02:10 | 0:02:13 | |
# Pupils haemorrhage at the glimpse of her | 0:02:13 | 0:02:15 | |
# Like Pepe Le Pew, think I just clocked my Penelope | 0:02:15 | 0:02:20 | |
# Elegantly step in the room | 0:02:20 | 0:02:22 | |
# Coming like a weather balloon | 0:02:22 | 0:02:25 | |
# Filled with laughing gas, her arse bent | 0:02:25 | 0:02:27 | |
# Love muscle nodding like an iguana | 0:02:27 | 0:02:30 | |
# Oh, what a view | 0:02:30 | 0:02:32 | |
# Yeah! | 0:02:55 | 0:02:57 | |
# When I plan my attack, ah-ha | 0:03:00 | 0:03:03 | |
# Wahala, one-two | 0:03:04 | 0:03:07 | |
# Double trouble | 0:03:07 | 0:03:09 | |
# When I plan my attack now | 0:03:11 | 0:03:17 | |
# When I plan my attack. # | 0:03:18 | 0:03:20 | |
That was amazing. I really, really wanted to clap, | 0:03:26 | 0:03:28 | |
but I'm not allowed to, I'm not allowed to make any noise. | 0:03:28 | 0:03:31 | |
Next up in Maida Vale Studio Three, | 0:03:33 | 0:03:35 | |
and now with the addition of a string section, | 0:03:35 | 0:03:38 | |
here's Cardiff R&B artist Reuel Elijah. | 0:03:38 | 0:03:41 | |
# Stressing out | 0:03:54 | 0:03:55 | |
# It's got me tripping out | 0:03:56 | 0:03:58 | |
# That's what it feels like | 0:03:58 | 0:04:01 | |
# I know you know what it feels like | 0:04:01 | 0:04:04 | |
# Feel like I'm chatting to a brick wall | 0:04:04 | 0:04:07 | |
# Hollering for a miracle | 0:04:07 | 0:04:10 | |
# But ain't nobody answering | 0:04:10 | 0:04:12 | |
# They're going to hear me singing | 0:04:12 | 0:04:15 | |
# It's never too late | 0:04:15 | 0:04:18 | |
# One day you'll be free | 0:04:18 | 0:04:20 | |
# Got to make the move before it's gone too soon | 0:04:20 | 0:04:23 | |
# Could you be the one they remember | 0:04:23 | 0:04:26 | |
# They remember | 0:04:26 | 0:04:28 | |
# Forever, forever be the one | 0:04:28 | 0:04:32 | |
# You'll be the one | 0:04:32 | 0:04:34 | |
# Oh | 0:04:34 | 0:04:35 | |
# Make it through | 0:04:35 | 0:04:38 | |
# That's all I want to do | 0:04:38 | 0:04:40 | |
# Make it through | 0:04:40 | 0:04:43 | |
# That's all I want to do | 0:04:43 | 0:04:46 | |
# Be the one they remember, one they remember, one they remember | 0:04:46 | 0:04:50 | |
# Forever, forever be the one | 0:04:50 | 0:04:53 | |
# Be the one | 0:04:53 | 0:04:55 | |
# Hey | 0:04:55 | 0:04:57 | |
# I'm out here dreaming | 0:04:57 | 0:04:59 | |
# I'm out here dreaming | 0:04:59 | 0:05:02 | |
# You're out here dreaming | 0:05:02 | 0:05:05 | |
# You're out here dreaming | 0:05:05 | 0:05:07 | |
# We're out here dreaming | 0:05:07 | 0:05:10 | |
# We're up here dreaming | 0:05:10 | 0:05:13 | |
# Just out here dreaming | 0:05:13 | 0:05:16 | |
# Just out here dreaming | 0:05:16 | 0:05:17 | |
# When they see you running and you're running | 0:05:17 | 0:05:19 | |
# And there ain't no turning round | 0:05:19 | 0:05:23 | |
# You ain't about to stop right now till you have found | 0:05:23 | 0:05:27 | |
# What you've been searching for | 0:05:27 | 0:05:29 | |
# What you've been looking for | 0:05:29 | 0:05:32 | |
# What you've been searching for | 0:05:32 | 0:05:36 | |
# Be the one, hey | 0:05:36 | 0:05:39 | |
# Oh, oh-oh | 0:05:39 | 0:05:47 | |
-# Yeah -Dreaming | 0:05:47 | 0:05:50 | |
# I'm out here dreaming | 0:05:50 | 0:05:54 | |
# Yeah, yeah, yeah | 0:05:54 | 0:05:57 | |
# Yeah, yeah, yeah, yeah. # | 0:05:57 | 0:06:01 | |
Like all of our acts, Reuel gets to listen back to the recording | 0:06:04 | 0:06:07 | |
and works with the engineers to get the best mix possible. | 0:06:07 | 0:06:11 | |
But today... | 0:06:11 | 0:06:13 | |
'Attention, please. Attention, please. | 0:06:13 | 0:06:16 | |
'Fire in the building.' | 0:06:16 | 0:06:18 | |
This is pretty exciting. | 0:06:19 | 0:06:21 | |
It's only day one of having the Horizons bands here at Maida Vale. | 0:06:21 | 0:06:24 | |
They're already causing trouble. There's been a fire alarm | 0:06:24 | 0:06:26 | |
and they're all gathered here on the pavement. | 0:06:26 | 0:06:29 | |
Hopefully we'll go back in soon. | 0:06:29 | 0:06:31 | |
You are free to go in. | 0:06:33 | 0:06:35 | |
OK, back we go for more live music and the next act | 0:06:35 | 0:06:38 | |
in the smaller Studio Four this time, accompanied by his band, | 0:06:38 | 0:06:42 | |
is Anglesey's Connah Evans. | 0:06:42 | 0:06:45 | |
# Feeling so tired | 0:07:01 | 0:07:05 | |
# I just can't sleep | 0:07:05 | 0:07:08 | |
# Thoughts running through my head | 0:07:09 | 0:07:13 | |
# I drop to my knees | 0:07:13 | 0:07:16 | |
# I'm just so scared of saying something | 0:07:16 | 0:07:20 | |
# I don't know what they think | 0:07:20 | 0:07:24 | |
# It's easy to just hide and then forget everything | 0:07:24 | 0:07:32 | |
# So I run to the ocean | 0:07:32 | 0:07:35 | |
# Cos that's where I'll be, yeah | 0:07:36 | 0:07:41 | |
# Won't you just save me? | 0:07:41 | 0:07:45 | |
# I beg you, please | 0:07:45 | 0:07:48 | |
# So I run to the ocean | 0:07:48 | 0:07:53 | |
# Cos that's where I'll be, yeah | 0:07:53 | 0:07:57 | |
# Won't you just save me? | 0:07:57 | 0:08:00 | |
# I'm begging, please | 0:08:00 | 0:08:04 | |
# So I run to the ocean | 0:08:21 | 0:08:25 | |
# Cos that's where I'll be, yeah | 0:08:25 | 0:08:29 | |
# Oh, won't you just save me? | 0:08:29 | 0:08:33 | |
# I'm begging, please | 0:08:33 | 0:08:37 | |
# So I run to the ocean | 0:08:37 | 0:08:41 | |
# Cos that's where I'll be, yeah | 0:08:41 | 0:08:46 | |
# Won't you just save me? | 0:08:46 | 0:08:49 | |
# I'm begging, please. # | 0:08:49 | 0:08:53 | |
And so the first day comes to an end. | 0:08:54 | 0:08:57 | |
Now, if you want to get to Maida Vale Studios, | 0:09:00 | 0:09:02 | |
the nearest Tube stop is actually a station made famous | 0:09:02 | 0:09:06 | |
by Welsh songstress Duffy. | 0:09:06 | 0:09:08 | |
# When I get to Warwick Avenue | 0:09:08 | 0:09:14 | |
# Meet me by the entrance of the Tube... # | 0:09:14 | 0:09:20 | |
On a beautifully sunny November day, | 0:09:20 | 0:09:22 | |
I got here a little early to have a nose around the building, | 0:09:22 | 0:09:25 | |
where literally hundreds of famous artists have recorded, | 0:09:25 | 0:09:28 | |
including the aforementioned Duffy. | 0:09:28 | 0:09:31 | |
# I'm leaving you for the last time, baby | 0:09:32 | 0:09:38 | |
# You think you're loving... # | 0:09:38 | 0:09:41 | |
As well as the two studios we're in, | 0:09:41 | 0:09:43 | |
there is this massive studio, home to the BBC Symphony Orchestra. | 0:09:43 | 0:09:48 | |
And from this very studio came the first broadcast performance | 0:09:52 | 0:09:56 | |
of Carl Orff's Carmina Burana. | 0:09:56 | 0:09:58 | |
MUSIC: Carmina Burana | 0:09:58 | 0:10:00 | |
So Simon Cowell has this place | 0:10:00 | 0:10:02 | |
to thank for that very annoying entrance music on The X Factor. | 0:10:02 | 0:10:08 | |
I always imagined that the world-renowned Maida Vale studios | 0:10:14 | 0:10:18 | |
would be posher than it actually is. | 0:10:18 | 0:10:21 | |
Despite it being a little bit rough around the edges, | 0:10:21 | 0:10:23 | |
you really get the sense that many a musician, radio presenter, conductor | 0:10:23 | 0:10:29 | |
have trodden down these corridors and you really feel the amount | 0:10:29 | 0:10:33 | |
of history within the building. | 0:10:33 | 0:10:35 | |
Well, I've given you a massive build-up now, boys. | 0:10:43 | 0:10:46 | |
This is Fleur De Lys and Paent, which is Welsh for paint, | 0:10:46 | 0:10:51 | |
so put lots of "emulsion" into it! | 0:10:51 | 0:10:53 | |
Sorry. | 0:10:53 | 0:10:56 | |
HE SINGS IN WELSH | 0:10:56 | 0:10:58 | |
Whoo! | 0:12:20 | 0:12:22 | |
HE SINGS IN WELSH | 0:12:51 | 0:12:53 | |
Our next unsigned Welsh act is Castles, | 0:13:37 | 0:13:40 | |
who come from Rhosgadfan near Caernarfon | 0:13:40 | 0:13:42 | |
and on the day that Wales played Serbia in a World Cup qualifier, | 0:13:42 | 0:13:46 | |
bass player Calvin was wearing that unlucky away shirt | 0:13:46 | 0:13:50 | |
and it was a draw. | 0:13:50 | 0:13:51 | |
Just saying. | 0:13:51 | 0:13:53 | |
# Hear the wind through the trees | 0:14:06 | 0:14:13 | |
# You've been away too long | 0:14:13 | 0:14:19 | |
# Hear the wind through the trees | 0:14:19 | 0:14:26 | |
# You've been away too long | 0:14:26 | 0:14:32 | |
# Fading away out of time | 0:14:40 | 0:14:44 | |
# You make away from all the things that hold you down | 0:14:44 | 0:14:49 | |
# You don't hang around | 0:14:49 | 0:14:54 | |
# Picking up the broken pieces | 0:14:54 | 0:14:58 | |
# Letting go of all I know | 0:14:58 | 0:15:01 | |
# I find them | 0:15:01 | 0:15:03 | |
# Nothing really goes | 0:15:03 | 0:15:07 | |
# Nothing really goes without you | 0:15:10 | 0:15:16 | |
# Nothing really goes without you. # | 0:15:31 | 0:15:37 | |
Maida Vale was also home to the BBC's radiophonic workshop - | 0:15:55 | 0:16:00 | |
most famous for recording the theme to Doctor Who and I've been told | 0:16:00 | 0:16:06 | |
that it was recorded in room 13. | 0:16:06 | 0:16:09 | |
I've found room 15 and I found room 12... | 0:16:09 | 0:16:14 | |
(..but I can't seem to find room 13.) | 0:16:15 | 0:16:19 | |
I think it might be in here. | 0:16:19 | 0:16:22 | |
DOCTOR WHO THEME PLAYS DISTANTLY | 0:16:22 | 0:16:26 | |
Oh! Can you hear me? | 0:16:26 | 0:16:29 | |
OK. | 0:16:29 | 0:16:30 | |
Back now to the big space that is Maida Vale Studio 3. | 0:16:30 | 0:16:36 | |
With one of their more gentle tracks, this is Newport band Casey. | 0:16:36 | 0:16:41 | |
# Sleep seems to evade me | 0:17:00 | 0:17:05 | |
# I just spend the whole night pacing | 0:17:05 | 0:17:09 | |
# In the hallway where I used to hear your footsteps on the floor | 0:17:09 | 0:17:16 | |
# I've been so low and maybe I've been thinking about us lately | 0:17:19 | 0:17:26 | |
# But I guess that doesn't matter any more | 0:17:26 | 0:17:32 | |
# I just called to say | 0:17:32 | 0:17:37 | |
# I'm sorry darling, but I've been wasting my time | 0:17:37 | 0:17:43 | |
# Running teeth out of my head | 0:17:43 | 0:17:47 | |
# Trying hard to swallow | 0:17:47 | 0:17:51 | |
# The sweetest sentiments that I can't express | 0:17:51 | 0:17:57 | |
# I know that you told me to leave you alone | 0:17:57 | 0:18:04 | |
# But you're just still the only one I've ever | 0:18:07 | 0:18:12 | |
# Sorry darling, but I've been wasting my time | 0:18:12 | 0:18:18 | |
# Running teeth out of my head | 0:18:18 | 0:18:23 | |
# Trying hard to swallow | 0:18:23 | 0:18:27 | |
# The sweetest sentiments that I can't express | 0:18:27 | 0:18:33 | |
# I know that you told me to leave you alone | 0:18:33 | 0:18:40 | |
# But you're just still the only love I've ever known. # | 0:18:44 | 0:18:51 | |
It's our third and final day at Maida Vale | 0:19:35 | 0:19:38 | |
and the first act in Studio MV4 with a song inspired by time spent living | 0:19:38 | 0:19:43 | |
in Australia and west Wales - this is Danielle Lewis. | 0:19:43 | 0:19:47 | |
# I'll always remember | 0:19:52 | 0:19:57 | |
# The summer in December | 0:19:57 | 0:20:01 | |
# We drove to Burley Head in a car in silver-grey | 0:20:01 | 0:20:08 | |
# Walked out to the water | 0:20:10 | 0:20:14 | |
# Hello, early riser | 0:20:14 | 0:20:19 | |
# Kids take boats to school as the waves begin to break | 0:20:19 | 0:20:25 | |
# Will you keep me warm when I'm back at home? | 0:20:27 | 0:20:34 | |
# South Wales | 0:20:34 | 0:20:38 | |
# The west coast sun where we came from | 0:20:38 | 0:20:42 | |
# The west coast sun where we belong | 0:20:42 | 0:20:48 | |
# The west coast sun where we came from | 0:20:48 | 0:20:51 | |
# The west coast sun That's where we came from | 0:20:51 | 0:20:56 | |
# When I think of Australia | 0:20:56 | 0:21:01 | |
# It's you I remember put colour in my heart | 0:21:01 | 0:21:07 | |
# And sunshine in the dark | 0:21:07 | 0:21:12 | |
# Looking over Newquay from the window I grew in | 0:21:14 | 0:21:21 | |
# Tracing out a path down to Cardigan Bay | 0:21:22 | 0:21:29 | |
# Will you keep me warm when I'm back at home? | 0:21:31 | 0:21:38 | |
# South Wales | 0:21:38 | 0:21:41 | |
# West coast sun Where we came from | 0:21:41 | 0:21:44 | |
# The west coast sun Where we belong | 0:21:44 | 0:21:48 | |
# The west coast sun Where we came from | 0:21:48 | 0:21:53 | |
# The west coast sun That's where we came from | 0:21:53 | 0:21:58 | |
# Will you keep me warm when I'm back at home? | 0:22:01 | 0:22:08 | |
# Now I'm back in old South Wales | 0:22:08 | 0:22:15 | |
# The west coast sun Where we came from | 0:22:15 | 0:22:19 | |
# The west coast sun Where we belong | 0:22:19 | 0:22:23 | |
# The west coast sun Where we came from | 0:22:23 | 0:22:28 | |
# The west coast sun That's where we came from | 0:22:28 | 0:22:32 | |
# West coast sun Where we came from | 0:22:32 | 0:22:36 | |
# The west coast sun Where we belong | 0:22:36 | 0:22:40 | |
# The west coast sun Where we came from | 0:22:40 | 0:22:45 | |
# The west coast sun That's where we came from. # | 0:22:45 | 0:22:50 | |
Next, an act who have surely got the most inspired name | 0:22:53 | 0:22:56 | |
for a Welsh band with a retro electronic sound. | 0:22:56 | 0:23:00 | |
They're called Anelog - | 0:23:00 | 0:23:02 | |
named after a little village right at the end of the Llyn Peninsula. | 0:23:02 | 0:23:06 | |
They themselves come from Denbigh, but it's a clever name all the same. | 0:23:06 | 0:23:10 | |
# Are you scared, are you scared, are you scared | 0:23:27 | 0:23:30 | |
# Are you scared of the future? | 0:23:30 | 0:23:34 | |
# Because it's all up ahead and I think I can make it with you | 0:23:34 | 0:23:38 | |
# Hands on my hips and we're heading out into the stars | 0:23:45 | 0:23:52 | |
# Elevating, creating a world all of ours | 0:23:52 | 0:23:55 | |
# And are you scared, are you scared, are you scared | 0:23:57 | 0:24:00 | |
# Are you scared of the future? | 0:24:00 | 0:24:04 | |
# But I don't care, I don't care, I don't care | 0:24:04 | 0:24:07 | |
# I don't care, I don't care, I don't care, I don't care | 0:24:07 | 0:24:11 | |
# Dance, dance, dance Dance if you want to | 0:24:16 | 0:24:20 | |
# Dance, dance, dance, dance | 0:24:20 | 0:24:23 | |
# And take a chance, chance, chance if you want to | 0:24:23 | 0:24:26 | |
# Dance, dance, dance if you want to | 0:24:26 | 0:24:29 | |
# Dance, dance, dance, dance | 0:24:29 | 0:24:32 | |
# Dance, dance, dance, dance | 0:24:32 | 0:24:34 | |
# Dance, dance, dance, dance | 0:24:34 | 0:24:38 | |
# Oh-h-h | 0:24:44 | 0:24:51 | |
# O-h-h | 0:24:51 | 0:24:57 | |
# Doo-doo-doo, doo-doo-doo, doo-doo-doo-doo-doo | 0:25:00 | 0:25:04 | |
# Dance, dance, dance, dance | 0:25:04 | 0:25:07 | |
# Dance, dance, dance, dance if you want to | 0:25:07 | 0:25:11 | |
# And take a chance, chance, chance if you want to | 0:25:11 | 0:25:15 | |
# Dance, dance, dance, dance if you want to | 0:25:15 | 0:25:19 | |
# Dance, dance, dance, dance. # | 0:25:19 | 0:25:24 | |
So, my three days here at Maida Vale has nearly come to an end. | 0:25:42 | 0:25:46 | |
I'm sure that being in this iconic building | 0:25:46 | 0:25:50 | |
has inspired our bands to perform at their very best. | 0:25:50 | 0:25:53 | |
So, let's have one last performance. | 0:25:53 | 0:25:56 | |
# Hey, tell the world that I'm ready to go | 0:26:02 | 0:26:08 | |
# I'm ready to leave this old town | 0:26:08 | 0:26:12 | |
# Because this day won't end | 0:26:12 | 0:26:17 | |
# You know I've lost it all | 0:26:17 | 0:26:20 | |
# But I'll be fine without you | 0:26:20 | 0:26:23 | |
# Because I'm try-try-try-trying | 0:26:23 | 0:26:27 | |
# To be whatever I was before | 0:26:27 | 0:26:29 | |
# But it's oh-oh so silly before I was yours | 0:26:29 | 0:26:33 | |
# And I'm try-try-try-trying | 0:26:33 | 0:26:36 | |
# To be whatever I was before | 0:26:36 | 0:26:39 | |
# But it's oh-oh so silly cos before I was yours | 0:26:39 | 0:26:43 | |
# I thought I was yours | 0:26:43 | 0:26:46 | |
# I thought I was yours | 0:26:46 | 0:26:50 | |
# Hey, hey, hey | 0:26:59 | 0:27:04 | |
# Don't let me go | 0:27:04 | 0:27:07 | |
# I'm ready to find my own way | 0:27:07 | 0:27:10 | |
# Because when you said to me | 0:27:10 | 0:27:15 | |
# Well, I said goodbye so many times | 0:27:15 | 0:27:19 | |
# I'm caught up in try-try-try-trying | 0:27:19 | 0:27:23 | |
# To be whatever I was before | 0:27:23 | 0:27:25 | |
# But it's oh-oh so silly cos before I was yours | 0:27:25 | 0:27:30 | |
# And I'm try-try-try-trying to be whatever I was before | 0:27:30 | 0:27:35 | |
# But it's oh-oh so silly before I was yours | 0:27:35 | 0:27:40 | |
# I thought I was yours I thought I was yours | 0:27:40 | 0:27:44 | |
# Can't find me anywhere Now you can't find me anywhere | 0:27:48 | 0:27:53 | |
# After all it's more comfortable to sit with a bottle and forget it all | 0:27:53 | 0:27:58 | |
# But I'm a man | 0:27:58 | 0:28:02 | |
# Or am I mine? | 0:28:02 | 0:28:07 | |
# Hey, tell the world that I'm ready to go | 0:28:10 | 0:28:17 | |
# I'm ready to leave this old town. # | 0:28:17 | 0:28:21 | |
HE SIGHS | 0:28:30 | 0:28:32 | |
HE WHIMPERS | 0:28:32 | 0:28:35 |