Browse content similar to Hearts in the Highlands. Check below for episodes and series from the same categories and more!
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We first got television in Scotland in 1952. 1952! | 0:00:02 | 0:00:05 | |
That's year the Queen became, well, Queen, | 0:00:05 | 0:00:07 | |
Prime Minister Winston Churchill scrapped identity cards, | 0:00:07 | 0:00:10 | |
the first-ever passenger jet flew across the Atlantic, | 0:00:10 | 0:00:14 | |
the Americans set off the first H-bomb | 0:00:14 | 0:00:16 | |
and Vladimir Putin, Roseanne Barr and Joe Strummer were all born. | 0:00:16 | 0:00:20 | |
To different mothers, obviously. | 0:00:24 | 0:00:26 | |
# Step we gaily on we go | 0:00:40 | 0:00:41 | |
# Heel for a heel and toe for a toe | 0:00:41 | 0:00:44 | |
# Arm in arm and row and row | 0:00:44 | 0:00:47 | |
# All for Mhairi's wedding | 0:00:47 | 0:00:48 | |
# Plenty herring, plenty meal | 0:00:48 | 0:00:51 | |
# Plenty people to fill her creel | 0:00:51 | 0:00:53 | |
# Plenty bonny bairns as weel | 0:00:53 | 0:00:56 | |
# That's our toast for Mhairi... # | 0:00:56 | 0:00:59 | |
Sorry. | 0:00:59 | 0:01:01 | |
There's something about this Scottish landscape | 0:01:01 | 0:01:04 | |
that always brings a tune out in me. | 0:01:04 | 0:01:06 | |
It's a landscape of extreme behaviour and extreme rugged beauty. | 0:01:06 | 0:01:11 | |
Since the dawn of televisual time, | 0:01:11 | 0:01:13 | |
programme makers have been drawn here | 0:01:13 | 0:01:16 | |
to conduct crazy social experiments, | 0:01:16 | 0:01:19 | |
to test the limits of human endurance. | 0:01:19 | 0:01:21 | |
And to film the crazy, beautiful, mysterious, blue-skinned natives. | 0:01:21 | 0:01:27 | |
And, thanks to telly, us Scots have been able to enjoy all of this | 0:01:27 | 0:01:31 | |
from the very comfort of our own armchairs. | 0:01:31 | 0:01:34 | |
In the 1960s, a BBC film crew travelled to the | 0:01:40 | 0:01:42 | |
remote and beautiful Scottish island of Harris | 0:01:42 | 0:01:45 | |
and followed the only remaining child in his village, | 0:01:45 | 0:01:48 | |
Donnie MacSween. | 0:01:48 | 0:01:50 | |
Watch how they present the idyllic rural culture | 0:01:50 | 0:01:54 | |
under threat from some strange new forces. | 0:01:54 | 0:01:57 | |
'Top Of The Pops is a programme I watch. | 0:01:57 | 0:02:00 | |
'The disc-jockey is the man introducing them. | 0:02:00 | 0:02:03 | |
'Sometimes it's Alan Freeman or Peter Murray, | 0:02:03 | 0:02:05 | |
'Jimmy Savile or David Jacobs'. | 0:02:05 | 0:02:07 | |
This touching portrait of an innocent island child of the '60s | 0:02:09 | 0:02:13 | |
asks many questions about the future for the Islanders. | 0:02:13 | 0:02:16 | |
And even the influence television itself | 0:02:16 | 0:02:19 | |
was having on rural depopulation. | 0:02:19 | 0:02:21 | |
The question was, would Donnie's heart stay in the islands? | 0:02:23 | 0:02:26 | |
'When I grow up, I think I would like to be an artist | 0:02:29 | 0:02:32 | |
'because I'm very fond of drawing pictures in school. | 0:02:32 | 0:02:35 | |
'It is mostly scenery I like to paint. | 0:02:35 | 0:02:38 | |
'If I was going to be an artist, I would have to go to Tarbert School. | 0:02:38 | 0:02:42 | |
'And if I'd pass all my exams I'd go to Inverness Academy'. | 0:02:42 | 0:02:46 | |
Once I had finished filming and that had been transmitted, | 0:02:46 | 0:02:51 | |
I continued in school, then went to Inverness then to the city, | 0:02:51 | 0:02:56 | |
to the bright lights that I was seeing on television | 0:02:56 | 0:02:59 | |
all these years ago. I was in Glasgow. | 0:02:59 | 0:03:01 | |
And having sort of bathed in city practices and drank too much, | 0:03:01 | 0:03:07 | |
more than was good for me, I found an emptiness in myself. | 0:03:07 | 0:03:13 | |
I thought that all these things, the material things, | 0:03:13 | 0:03:18 | |
if you like, of the world, would satisfy and they didn't. | 0:03:18 | 0:03:22 | |
Having come back up to these parts now, | 0:03:26 | 0:03:30 | |
to the Scottish Highlands and the islands, | 0:03:30 | 0:03:35 | |
I'm kind of reconnected, if you like, with my childhood. | 0:03:35 | 0:03:39 | |
I've almost come full circle. | 0:03:39 | 0:03:41 | |
I embraced the religion that I grew up with. | 0:03:41 | 0:03:45 | |
I never was a city boy. | 0:03:45 | 0:03:47 | |
I was an island boy, and that's still in me. | 0:03:47 | 0:03:50 | |
I'm much more at home where I am now. | 0:03:52 | 0:03:56 | |
In 1968, Grampian TV travelled to Australia, | 0:04:01 | 0:04:05 | |
another island full of Scots, | 0:04:05 | 0:04:07 | |
to find out what was happening with a new generation | 0:04:07 | 0:04:10 | |
who'd given up the cold comforts of old traditions | 0:04:10 | 0:04:13 | |
for a fresh start in the sun. | 0:04:13 | 0:04:14 | |
Australia had just introduced the Bring A Briton scheme. | 0:04:14 | 0:04:19 | |
And tens of thousands of hopeful migrants headed Down Under, | 0:04:19 | 0:04:23 | |
every year leaving family and loved ones behind. | 0:04:23 | 0:04:26 | |
However, very soon they discovered | 0:04:26 | 0:04:28 | |
that it was literally a world upside down. | 0:04:28 | 0:04:30 | |
Every morning, migrants from the United Kingdom | 0:04:33 | 0:04:37 | |
are arriving at Sydney airport, | 0:04:37 | 0:04:39 | |
and most of them arrive in a bewildered state. | 0:04:39 | 0:04:41 | |
Tom got a job up in Sydney, so we moved up here. | 0:04:41 | 0:04:45 | |
When I saw the hostel here, | 0:04:45 | 0:04:47 | |
I was really shocked, to put it mildly, | 0:04:47 | 0:04:51 | |
because it was like a prison camp. | 0:04:51 | 0:04:54 | |
The huts were dilapidated, really. They were really terrible. | 0:04:54 | 0:04:59 | |
After only three months in Australia, | 0:05:04 | 0:05:07 | |
it seemed the Scots in Will You No Come Back Again? | 0:05:07 | 0:05:10 | |
wanted only one thing. To come back again. | 0:05:10 | 0:05:12 | |
They were no doubt pining for the Highland rain | 0:05:12 | 0:05:14 | |
and luxuries of the Scottish cludgie. | 0:05:14 | 0:05:16 | |
My first impressions of it were really terrible. | 0:05:18 | 0:05:22 | |
So many people that live in the hostel are just not very clean. | 0:05:22 | 0:05:26 | |
Their appearance more than anybody. | 0:05:26 | 0:05:29 | |
The British migrants seem to be better. | 0:05:29 | 0:05:31 | |
It's just as well we can't time travel. | 0:05:31 | 0:05:34 | |
Will You No Come Back? showed how disgruntled Scots can get | 0:05:34 | 0:05:37 | |
when they're cut off from their roots, | 0:05:37 | 0:05:38 | |
struggling to make a new life in an alien land. | 0:05:38 | 0:05:41 | |
On the flipside, in this next documentary from 1980, | 0:05:41 | 0:05:43 | |
you'll see some aliens who are only too happy | 0:05:43 | 0:05:47 | |
to have a wee trace of tartan in their veins. Aye! | 0:05:47 | 0:05:50 | |
This is Jim Lawrence reminding you that Scottish clans | 0:05:55 | 0:05:57 | |
from throughout the United States will come to Norfolk April 2nd-11th | 0:05:57 | 0:06:01 | |
to dance their flings, blow their bagpipes and sport their kilts | 0:06:01 | 0:06:04 | |
in celebration of the first International Scottish Festival. | 0:06:04 | 0:06:08 | |
In the midst of all this celebration, | 0:06:10 | 0:06:12 | |
the big question is what does being a Scot mean to you? | 0:06:12 | 0:06:15 | |
Scotland means Highlanders in general. | 0:06:17 | 0:06:20 | |
And I know it's not necessarily that way, | 0:06:20 | 0:06:22 | |
but that's what it means to me, the old-time Highlanders... | 0:06:22 | 0:06:25 | |
A lot of fighting type stuff. | 0:06:27 | 0:06:28 | |
Who do these guys think they are, eh? | 0:06:28 | 0:06:30 | |
They're not real Scots like us, the big, stupid dafties. | 0:06:30 | 0:06:34 | |
Could I ask you to put in words what your Highland heritage means to you? | 0:06:36 | 0:06:42 | |
That's who I am. | 0:06:43 | 0:06:45 | |
It's... I'm... | 0:06:45 | 0:06:47 | |
I have a North Carolina accent but I'm a Scot. | 0:06:47 | 0:06:50 | |
The American Scots in this documentary | 0:06:50 | 0:06:52 | |
had their hearts in the right place, | 0:06:52 | 0:06:54 | |
but their idea of a Scottish celebration | 0:06:54 | 0:06:56 | |
was lacking in Highland passion. | 0:06:56 | 0:06:58 | |
An American celebration without hamburgers and hotdogs | 0:06:58 | 0:07:01 | |
is as inconceivable as a ceilidh without a wee dram. | 0:07:01 | 0:07:04 | |
Even if here it has to be a dram of ice cold Coca-Cola. | 0:07:04 | 0:07:08 | |
These people are clearly from the MacDonald clan. | 0:07:13 | 0:07:17 | |
Then again, who's to say the Americans have got it wrong? | 0:07:17 | 0:07:20 | |
And who's to say that one idea of Scottishness | 0:07:20 | 0:07:23 | |
is better or worse than any other? | 0:07:23 | 0:07:25 | |
Take for example the Scotland of the '70s. | 0:07:25 | 0:07:28 | |
Now this is what I call true Scottish beauty. | 0:07:28 | 0:07:30 | |
# I never know you looked so good | 0:07:33 | 0:07:36 | |
# I never knew anyone could | 0:07:36 | 0:07:39 | |
# I must have been crazy | 0:07:39 | 0:07:42 | |
# To ever have gone away... # | 0:07:42 | 0:07:45 | |
...Miss Dundee. Elaine, Miss Arbroath, Yvonne, | 0:07:45 | 0:07:47 | |
Miss Kilmarnock. Jackie, Miss Glasgow South. Elizabeth Joy, | 0:07:47 | 0:07:50 | |
Miss Paisley. Christine, Miss Johnston. | 0:07:50 | 0:07:54 | |
And Jackie, Miss Aberdeen. | 0:07:54 | 0:07:56 | |
# It's a miracle, a miracle | 0:07:56 | 0:07:58 | |
# A true blue spectacle... # | 0:07:58 | 0:08:00 | |
It was a miracle indeed! | 0:08:00 | 0:08:03 | |
But sadly, the BBC decided for some reason | 0:08:03 | 0:08:05 | |
that this should be the very last televised Miss Scotland competition. | 0:08:05 | 0:08:09 | |
So can we glean anything | 0:08:09 | 0:08:10 | |
about the true nature of Scottish beauty from the finalists? | 0:08:10 | 0:08:14 | |
Well, as soon as I get my grant I'd like to start on my PhD, | 0:08:15 | 0:08:18 | |
which is all about the domestication of the cat. | 0:08:18 | 0:08:21 | |
I've actually got a cat cemetery in Egypt | 0:08:21 | 0:08:23 | |
which I'm going to start digging, hopefully quite soon. | 0:08:23 | 0:08:26 | |
# A miracle, it is a miracle... # | 0:08:26 | 0:08:29 | |
I wonder what happened to Dorothy Walker. | 0:08:29 | 0:08:33 | |
Being a well-known face and in the public eye, | 0:08:33 | 0:08:36 | |
people often used to ring up when they wanted a quote about something. | 0:08:36 | 0:08:40 | |
Where are you going on holiday? What's your favourite food? | 0:08:40 | 0:08:43 | |
What do you think about independence for Scotland, that sort of thing. | 0:08:43 | 0:08:47 | |
The things I was asked to do | 0:08:49 | 0:08:51 | |
ranged from opening a furniture store in Glasgow, | 0:08:51 | 0:08:54 | |
to taking a penguin out to dinner in the West End of Edinburgh. | 0:08:54 | 0:08:58 | |
And also, of course, I met my husband when I was on television, | 0:08:58 | 0:09:01 | |
he saw me on TV, and that wouldn't have happened | 0:09:01 | 0:09:03 | |
so that was the major benefit of Miss Scotland 1979. | 0:09:03 | 0:09:09 | |
Second, it's Miss Montrose, Dorothy Walker. | 0:09:09 | 0:09:13 | |
After a modelling career that won her 20 other titles, | 0:09:13 | 0:09:16 | |
Dorothy gave up the temptations of world travel and stardom | 0:09:16 | 0:09:20 | |
to return to her home town of Montrose | 0:09:20 | 0:09:22 | |
and restore a ruined Scottish castle to its former glory. | 0:09:22 | 0:09:25 | |
It's now her home. | 0:09:25 | 0:09:26 | |
If there'd been a Mr Scotland competition | 0:09:28 | 0:09:31 | |
and it was judged on personality alone, | 0:09:31 | 0:09:34 | |
then our next chap would have been a dead cert winner. | 0:09:34 | 0:09:37 | |
Instead, he had to console himself | 0:09:37 | 0:09:39 | |
with the TV Personality Of The Year award for 1976. | 0:09:39 | 0:09:42 | |
Tom Weir's generous character and huge curiosity | 0:09:42 | 0:09:45 | |
roamed all over Scotland in search of a very different kind of beauty. | 0:09:45 | 0:09:49 | |
Well, I thought the brilliant sunshine was too good to last. | 0:09:58 | 0:10:02 | |
The sun would have roasted you yesterday | 0:10:02 | 0:10:05 | |
and today I've moved into winter into Glenn Affric. | 0:10:05 | 0:10:08 | |
I must say that it's really a marvellous scene. A fairyland. | 0:10:08 | 0:10:12 | |
All the birch trees here, almost like Christmas trees. | 0:10:12 | 0:10:16 | |
Great bluffs with icicles hanging. | 0:10:16 | 0:10:18 | |
Below me, the river with great lumps of ice. | 0:10:18 | 0:10:21 | |
A few pine trees, this is just the very edge of the big forest. | 0:10:21 | 0:10:26 | |
The primeval forest of Scotland. | 0:10:26 | 0:10:29 | |
Tom Weir's epic trek was not for the faint hearted. | 0:10:30 | 0:10:33 | |
He was a world-class mountaineer who scaled the Himalayas. | 0:10:33 | 0:10:36 | |
But it was his infectious enthusiasm for the Scottish countryside | 0:10:36 | 0:10:39 | |
that made this such a memorable series. | 0:10:39 | 0:10:42 | |
Bizarrely, Weir's Way wasn't just for the Barbour jacket | 0:10:43 | 0:10:47 | |
and wellies brigade. | 0:10:47 | 0:10:48 | |
When STV repeated the show in the midnight to 3am slot | 0:10:48 | 0:10:51 | |
in the late 1990s and early 2000s, | 0:10:51 | 0:10:53 | |
it unexpectedly won over 30% of the TV audience | 0:10:53 | 0:10:56 | |
and gained a cult following among late-night revellers and students. | 0:10:56 | 0:11:00 | |
Wicked! | 0:11:00 | 0:11:02 | |
What brought such different audiences to Weir's Way | 0:11:02 | 0:11:05 | |
is probably the spontaneous, lyrical way | 0:11:05 | 0:11:08 | |
that Weir reacted to what he saw around himself. | 0:11:08 | 0:11:11 | |
OK. | 0:11:11 | 0:11:12 | |
And the strange but true tales that Tom recounts for us, | 0:11:12 | 0:11:15 | |
keeping the old Scottish tradition of storytelling alive. | 0:11:15 | 0:11:19 | |
This is a wishing tree. Look at all the coins that are in it. | 0:11:19 | 0:11:22 | |
They used to come to a holy well, which is now filled in, I believe. | 0:11:22 | 0:11:27 | |
They would wish a wish and go away contented. | 0:11:27 | 0:11:31 | |
But very much earlier than that, when Thomas Pennant paid a visit | 0:11:31 | 0:11:34 | |
somewhere around the beginning of the 19th century, | 0:11:34 | 0:11:38 | |
what he found was that the island was still being visited | 0:11:38 | 0:11:42 | |
to cure mental illness, and the cure was pretty drastic. | 0:11:42 | 0:11:46 | |
They went to the holy well, took a sip of the waters, | 0:11:46 | 0:11:49 | |
they left a present and then they were dipped in the loch three times. | 0:11:49 | 0:11:54 | |
They did that every day until they were cured. | 0:11:54 | 0:11:57 | |
It's reckoned some of them WERE cured. | 0:11:57 | 0:11:58 | |
The Scottish landscape isn't always about discovering hidden gems. | 0:12:04 | 0:12:09 | |
Sometimes it's about mud and muscle. | 0:12:09 | 0:12:13 | |
Climbing for hours and hours in gale force winds, | 0:12:13 | 0:12:16 | |
risking life and limb to get to the top. | 0:12:16 | 0:12:18 | |
Before the Munro Show, | 0:12:18 | 0:12:20 | |
hill climbing had been the occupation of old, bearded men, | 0:12:20 | 0:12:24 | |
but Muriel Gray brought a pinch of punk to the peaks. | 0:12:24 | 0:12:28 | |
This is it, the tiny little summit of Sgurr nan Gillean, | 0:12:28 | 0:12:31 | |
a quite magnificent mountain at 3167 feet. | 0:12:31 | 0:12:35 | |
A translation of that incidentally means "hill of the young men". | 0:12:35 | 0:12:39 | |
Fat chance with this film crew. | 0:12:39 | 0:12:40 | |
CREW GROANS | 0:12:40 | 0:12:42 | |
Oh, yes. But the thing about it is, | 0:12:42 | 0:12:44 | |
even though we've come up tourist route, in inverted commas, | 0:12:44 | 0:12:47 | |
it's still very exposed and there's some tricky scrambling there | 0:12:47 | 0:12:50 | |
so you should take enormous care. | 0:12:50 | 0:12:52 | |
I wouldn't recommend it if you don't have a head for heights. | 0:12:52 | 0:12:54 | |
But look at the superb views | 0:12:54 | 0:12:56 | |
quite unmatched by anything I've been on recently. | 0:12:56 | 0:12:58 | |
Across there is In Pin, remember we did that last series. | 0:12:58 | 0:13:01 | |
Right along the Coolan Rigde, down to Sligachan, where we started. | 0:13:01 | 0:13:05 | |
The Red Cones behind me and Bla Bheinn. | 0:13:05 | 0:13:07 | |
Spectacular! | 0:13:07 | 0:13:09 | |
I can't tell you how sick I am of people thinking that we just flew in. | 0:13:11 | 0:13:15 | |
We actually climbed every mountain for real, sometimes twice, | 0:13:15 | 0:13:19 | |
because we had to wait for a good weather day for the weather to match. | 0:13:19 | 0:13:22 | |
Everybody in the crew had to carry something huge up the hill | 0:13:22 | 0:13:26 | |
tripod, Betacam, all the heavy batteries. | 0:13:26 | 0:13:29 | |
Then, here's the really awful bit, | 0:13:29 | 0:13:31 | |
is we had to come back on another day with the helicopter | 0:13:31 | 0:13:35 | |
to get the helicopter shots. | 0:13:35 | 0:13:37 | |
So they dropped me on the bits where I'd done the pieces to camera | 0:13:37 | 0:13:40 | |
when we'd climbed the mountain. | 0:13:40 | 0:13:42 | |
And you would always get some smart arse climber going, | 0:13:42 | 0:13:46 | |
"Aha, that's how you do it then!" | 0:13:46 | 0:13:49 | |
No! It's not! We've climbed it twice already! | 0:13:49 | 0:13:54 | |
It's supposed to be an easy scramble. | 0:13:54 | 0:13:57 | |
Can you imagine how awful this would be if it was wet and slimy?! | 0:13:57 | 0:14:00 | |
I'm frightened. The worst thing is you break your fingernails! | 0:14:00 | 0:14:05 | |
Oh! | 0:14:12 | 0:14:14 | |
Oh, come away from the edge, Muriel! | 0:14:17 | 0:14:19 | |
It was a potentially lethal couple of series. | 0:14:22 | 0:14:25 | |
Yes, I nearly killed the entire crew one time on the top of a mountain, | 0:14:25 | 0:14:29 | |
because I wanted to wait until the sunset, | 0:14:29 | 0:14:33 | |
because it was an amazing sunset. | 0:14:33 | 0:14:35 | |
I thought, great, great. Just wait, there it goes. | 0:14:35 | 0:14:38 | |
Fantastic, we've got the sun going down. | 0:14:38 | 0:14:40 | |
Oh, we're at the top of a mountain and it's dark. | 0:14:40 | 0:14:44 | |
We only had head torches! | 0:14:44 | 0:14:46 | |
That was embarrassing. | 0:14:46 | 0:14:48 | |
We just managed to get down off that and save our dignity | 0:14:48 | 0:14:52 | |
and not call out mountain rescue. | 0:14:52 | 0:14:54 | |
Even though we were being silly, none of us involved in that program | 0:14:54 | 0:14:57 | |
could hide our absolute passion for what we were doing. | 0:14:57 | 0:15:02 | |
How much we loved Scotland, how much we loved the mountains. | 0:15:02 | 0:15:05 | |
I think that came through, so what's wrong with that? | 0:15:05 | 0:15:07 | |
Ah, the great outdoors. Coupled with the threat | 0:15:17 | 0:15:20 | |
of severe bodily harm, coupled with a live broadcast | 0:15:20 | 0:15:24 | |
is a recipe for having the audience on the edge of their seat! | 0:15:24 | 0:15:28 | |
-Excuse me. -Sorry, love. | 0:15:28 | 0:15:29 | |
Nearly 50 years ago, a group of Britain's leading mountaineers | 0:15:36 | 0:15:40 | |
and a TV crew of 100 people put their lives on the line | 0:15:40 | 0:15:43 | |
in one of the most extraordinary television events in history. | 0:15:43 | 0:15:46 | |
The Old Man of Hoy. | 0:15:46 | 0:15:48 | |
450 feet of crumbling sandstone rock, | 0:15:48 | 0:15:52 | |
rising out of the North Atlantic off the islands of Orkney. | 0:15:52 | 0:15:55 | |
Tonight, six men are going to try to climb this pinnacle, | 0:15:57 | 0:16:01 | |
the most awesome pinnacle in the British Isles. | 0:16:01 | 0:16:03 | |
This is reality TV before it was even invented! | 0:16:03 | 0:16:06 | |
The BBC had to use the army to transport 16 tons of equipment | 0:16:06 | 0:16:11 | |
450 miles by boat and tank landing craft. | 0:16:11 | 0:16:14 | |
But this was peanuts compared to what lay ahead. | 0:16:14 | 0:16:17 | |
The Old Man of Hoy is a sea stack 450 feet tall. | 0:16:17 | 0:16:22 | |
It had only been climbed once before. | 0:16:22 | 0:16:24 | |
And now they were doing it for the camera, live. | 0:16:24 | 0:16:28 | |
Let's see what we can... Where Chris Bonington is. | 0:16:28 | 0:16:31 | |
He should be somewhere at the bottom of the final crack. | 0:16:31 | 0:16:34 | |
Right, Chris. | 0:16:34 | 0:16:35 | |
I can see you now bridging across. How are you getting on? | 0:16:35 | 0:16:40 | |
I'm buried deep in this chimney. | 0:16:40 | 0:16:42 | |
It's pretty awkward going because the rock is all damp | 0:16:42 | 0:16:48 | |
and the kind of thin slime of wet sand, | 0:16:48 | 0:16:52 | |
it's just like ball bearings. | 0:16:52 | 0:16:55 | |
The holes are fairly good so far but it's getting narrower. | 0:16:55 | 0:16:59 | |
I think it's going to get pretty hard. | 0:16:59 | 0:17:01 | |
There's always a sense of anxiety | 0:17:02 | 0:17:06 | |
immediately before you go onto one of these live climbs. | 0:17:06 | 0:17:11 | |
I've now done three of them. | 0:17:11 | 0:17:14 | |
Firstly, you don't want to fall off. | 0:17:14 | 0:17:17 | |
But then you don't want to fall off anyway. | 0:17:17 | 0:17:19 | |
So I was actually rather... Kind of enjoyed talking as I climbed. | 0:17:19 | 0:17:25 | |
I'm kind of ringing eloquent as I climb up the thing. | 0:17:25 | 0:17:30 | |
I'm an enthusiastic kind of person. | 0:17:30 | 0:17:32 | |
-Erm... -What are you doing there with that thing? | 0:17:34 | 0:17:37 | |
I'm just getting a runner on. | 0:17:37 | 0:17:39 | |
This is a bong bong that was left by the last party. | 0:17:39 | 0:17:44 | |
I get really involved in trying to describe for an audience | 0:17:44 | 0:17:48 | |
what the climb was like. | 0:17:48 | 0:17:50 | |
Sometimes I get absolutely carried away with it. | 0:17:50 | 0:17:53 | |
This was just one such occasion. | 0:17:53 | 0:17:55 | |
I was there talking about what wonderful climbing it was, etc. | 0:17:55 | 0:17:58 | |
I'd stopped actually concentrating on the climbing. | 0:17:58 | 0:18:01 | |
-Your right foot doesn't look as if it's on much. -It's... | 0:18:01 | 0:18:04 | |
My left foot actually is the worst one, the right one isn't too bad. | 0:18:06 | 0:18:09 | |
And I suddenly found myself in a completely wrong position. | 0:18:09 | 0:18:15 | |
I was kind of all off-balance, I couldn't get the next hole | 0:18:15 | 0:18:19 | |
and I really thought I was going to fall off. | 0:18:19 | 0:18:21 | |
I've now got to reach right up here... To try to get one foot up. | 0:18:21 | 0:18:25 | |
Can we go to Joe Brown, I'll shut Chris Bonington up. | 0:18:25 | 0:18:30 | |
An audience of 15 million | 0:18:31 | 0:18:32 | |
tuned in over the weekend to watch the ascent. | 0:18:32 | 0:18:35 | |
That was nearly a third of the population at the time. | 0:18:35 | 0:18:37 | |
Nail biting stuff! | 0:18:37 | 0:18:39 | |
The presenter, Chris Brasher, | 0:18:39 | 0:18:41 | |
always seemed to pick the worst possible moments | 0:18:41 | 0:18:43 | |
to talk to the climbers. | 0:18:43 | 0:18:45 | |
IN A POSH ACCENT: I say up there. Yes, you. What? How are you doing? | 0:18:45 | 0:18:48 | |
You've got an overhang above your head, what do you do now? | 0:18:48 | 0:18:52 | |
Somebody who wasn't quite so good would get into real trouble. | 0:18:52 | 0:18:56 | |
He's coming out. | 0:18:56 | 0:18:58 | |
My wretched crash hat is too big to fit into the chimney. | 0:18:58 | 0:19:03 | |
We weren't as good as the climbers of today | 0:19:03 | 0:19:08 | |
but I think we were perhaps more full of character. | 0:19:08 | 0:19:11 | |
And I think all of that made it something very special. | 0:19:11 | 0:19:15 | |
They've got a long way to go, but they've got all tomorrow. | 0:19:16 | 0:19:20 | |
Tonight, they'll sleep on the Old Man, | 0:19:20 | 0:19:24 | |
on any nook or crevice that they can find, | 0:19:24 | 0:19:26 | |
and we'll be back to see where they are | 0:19:26 | 0:19:31 | |
at 10.45pm. | 0:19:31 | 0:19:34 | |
You know, some folks see Scotland | 0:19:36 | 0:19:38 | |
as one big, massive adventure playground. | 0:19:38 | 0:19:40 | |
But it's not just the cliffs | 0:19:40 | 0:19:41 | |
and Munros that attract the thrill seekers. | 0:19:41 | 0:19:44 | |
There's also the uninhabited islands, too. | 0:19:44 | 0:19:46 | |
At least Robinson Crusoe had the good sense | 0:19:46 | 0:19:48 | |
to maroon himself on a tropical island. | 0:19:48 | 0:19:50 | |
For this survivor, there's not so much as a coconut! | 0:19:50 | 0:19:53 | |
Ewan, you're supposed to hold onto the rope. | 0:19:55 | 0:19:57 | |
Oh! | 0:19:58 | 0:19:59 | |
In this series of reports, tele-journalist James Hogg | 0:20:01 | 0:20:04 | |
was put to the test when stranded on a Scottish island for two weeks. | 0:20:04 | 0:20:07 | |
But before he was left to fend for himself, | 0:20:07 | 0:20:10 | |
he was given a chummy crash course in survival skills | 0:20:10 | 0:20:13 | |
from a man in the military. | 0:20:13 | 0:20:15 | |
Check out these guys going native. | 0:20:15 | 0:20:18 | |
There it is. Home sweet home. | 0:20:18 | 0:20:21 | |
Turf on top for water protection. | 0:20:21 | 0:20:24 | |
Bracken for a bed. Reflect the fire, delightful fire, keep you dry. | 0:20:24 | 0:20:29 | |
What happens if there's a thunderstorm in the night, Gerry? | 0:20:29 | 0:20:31 | |
-Marvellous, it won't leak. -Won't it? | 0:20:31 | 0:20:34 | |
I never discovered why I was chosen for this particular role. | 0:20:34 | 0:20:39 | |
But the editor of Nationwide, as it was, | 0:20:39 | 0:20:41 | |
took me out to an all-expenses-paid BBC lunch in a very nice restaurant. | 0:20:41 | 0:20:47 | |
Told me I was marvellous, I was doing great work, | 0:20:47 | 0:20:51 | |
he much admired the quality of my abilities. | 0:20:51 | 0:20:54 | |
And poured wine down me and finished with brandy and then he said, | 0:20:54 | 0:21:00 | |
"Would you go on an uninhabited Scottish island for a couple of weeks | 0:21:00 | 0:21:05 | |
"on your own, and do a little bit of filming. | 0:21:05 | 0:21:08 | |
"And we'll pop over and film you from time to time | 0:21:08 | 0:21:10 | |
"and put it out there next evening? | 0:21:10 | 0:21:11 | |
"It'll be a kind of cliff-hanger. Will he survive?" | 0:21:11 | 0:21:16 | |
I said, "Oh, yes, I'll do that. I was feeling very mellow by this point." | 0:21:16 | 0:21:21 | |
No problem. So I did it. | 0:21:21 | 0:21:24 | |
To his credit, James did succeed | 0:21:24 | 0:21:26 | |
in living off the natural resources of the island, | 0:21:26 | 0:21:29 | |
eating rabbits and fish and even seaweed. | 0:21:29 | 0:21:32 | |
So, if you want to learn how to survive in the hostile wilderness, | 0:21:32 | 0:21:36 | |
pay attention. | 0:21:36 | 0:21:38 | |
You're about to hear four words that might just save your life. | 0:21:38 | 0:21:41 | |
Ah! The buns are burnt! | 0:21:43 | 0:21:45 | |
It is said that anything that walks, crawls, swims and flies can be eaten. | 0:21:46 | 0:21:51 | |
Oh, mangle, dangle, strangle and something else, wasn't it? | 0:21:51 | 0:21:57 | |
All that's required is a little bit of knowledge, | 0:21:57 | 0:22:00 | |
a lot of luck and a little bit of equipment. | 0:22:00 | 0:22:03 | |
You've got to strangle after you've... Tangled. | 0:22:03 | 0:22:07 | |
Because it's not necessarily dead. | 0:22:07 | 0:22:11 | |
I didn't lay the snare the first day, I didn't have time. | 0:22:11 | 0:22:14 | |
I laid the snares the second. | 0:22:14 | 0:22:15 | |
Then to my utter amazement, I found I'd got one. | 0:22:15 | 0:22:20 | |
I'd clobbered it on the back of the neck. | 0:22:20 | 0:22:22 | |
After two weeks of killing to survive, | 0:22:22 | 0:22:25 | |
it was the solitude that finally mangled James' mind. | 0:22:25 | 0:22:28 | |
The other thing I keep doing is keep forgetting what day it is. | 0:22:28 | 0:22:32 | |
What I'd like... I can't remember what you asked me there. | 0:22:32 | 0:22:34 | |
My brain is going as well as my body, you see. | 0:22:34 | 0:22:38 | |
Funnily enough, people think, | 0:22:38 | 0:22:40 | |
oh, you must have been sitting around all day. | 0:22:40 | 0:22:43 | |
I was not sitting around all day. It's a full-time business surviving. | 0:22:43 | 0:22:48 | |
Everything took far longer than you think. | 0:22:48 | 0:22:51 | |
And you don't have a lot of time for philosophising. | 0:22:51 | 0:22:53 | |
I very much doubt if the caveman did much philosophising | 0:22:53 | 0:22:58 | |
because he was too busy! | 0:22:58 | 0:23:00 | |
Well, if you thought that was tough, | 0:23:04 | 0:23:05 | |
you should have seen what the BBC were planning | 0:23:05 | 0:23:07 | |
for their end of millennium special. | 0:23:07 | 0:23:09 | |
Castaway was going to be reality TV | 0:23:09 | 0:23:11 | |
on a scale that had never been seen before. | 0:23:11 | 0:23:13 | |
It even beat Big Brother to the punch. | 0:23:13 | 0:23:15 | |
The question on everybody's minds was, | 0:23:15 | 0:23:17 | |
how long will this group of strangers | 0:23:17 | 0:23:19 | |
be able to survive in the middle of nowhere, | 0:23:19 | 0:23:21 | |
without any creature comforts, with only each other for company? | 0:23:21 | 0:23:25 | |
Well, that was the question for the first couple of episodes anyway. | 0:23:25 | 0:23:28 | |
36 intrepid castaways were flown to the Isle of Taransay | 0:23:31 | 0:23:34 | |
to build a community from scratch. | 0:23:34 | 0:23:36 | |
They were only permitted to each take 100 kilograms | 0:23:38 | 0:23:41 | |
of possessions with them. | 0:23:41 | 0:23:42 | |
Which left them all grappling with the question | 0:23:42 | 0:23:45 | |
of what items were essential for survival. | 0:23:45 | 0:23:47 | |
-And... You put it on. Just shake it. -Beautiful. | 0:23:47 | 0:23:51 | |
Loads of toothpaste. | 0:23:56 | 0:23:57 | |
Perfume. | 0:23:57 | 0:23:58 | |
My feet don't smell too bad. | 0:23:58 | 0:24:00 | |
A little bit of lace and a little bit of red. | 0:24:02 | 0:24:06 | |
And this to go with that. | 0:24:06 | 0:24:08 | |
That is the real emergency kit here. | 0:24:08 | 0:24:09 | |
I'd like to take a moment to applaud that woman's notion of essentials. | 0:24:09 | 0:24:14 | |
Very soon, however, | 0:24:17 | 0:24:19 | |
the castaways had bigger things to grapple with than frilly underwear. | 0:24:19 | 0:24:23 | |
Storm clouds were brewing. | 0:24:23 | 0:24:25 | |
We've lost a large proportion of the felt off one of the pods. | 0:24:25 | 0:24:29 | |
The pods are leaking. | 0:24:29 | 0:24:30 | |
People are very cramped, people are tired and irritable. | 0:24:30 | 0:24:34 | |
I think things were put against us for a particular reason, | 0:24:34 | 0:24:37 | |
to see how people would struggle | 0:24:37 | 0:24:39 | |
and how other people would cope and get on with it. | 0:24:39 | 0:24:42 | |
Some people went one side of the fence, some went the other. | 0:24:42 | 0:24:44 | |
Who's going to crack up first? Of the people I've seen here, | 0:24:44 | 0:24:49 | |
I would say maybe to keep an eye on Mike. | 0:24:49 | 0:24:53 | |
I think it's a grey seal, from what I know about them. | 0:24:53 | 0:24:56 | |
The poor wee thing looks as though it had a bit of a rough existence, | 0:24:56 | 0:24:59 | |
so I employed Colin's help this morning | 0:24:59 | 0:25:01 | |
to come down and skin the wee beastie. | 0:25:01 | 0:25:03 | |
I was squeamish about cutting it open | 0:25:03 | 0:25:05 | |
but you get used to it. | 0:25:05 | 0:25:06 | |
It's a new one for his book and a new one for mine. | 0:25:06 | 0:25:08 | |
Around about July or August, I took two weeks out | 0:25:08 | 0:25:11 | |
which I referred to as my summer holiday, | 0:25:11 | 0:25:13 | |
and I went to live on the other side of the island. | 0:25:13 | 0:25:15 | |
I'm on holiday! | 0:25:15 | 0:25:17 | |
Most of the community, the ones I got on with, came over to visit me. | 0:25:17 | 0:25:21 | |
It was a good place. | 0:25:21 | 0:25:22 | |
Mike's desire to become Robinson Crusoe | 0:25:25 | 0:25:28 | |
went down a bomb with the others in the new community. | 0:25:28 | 0:25:30 | |
All the time I've been thinking, we are all here for each other, | 0:25:30 | 0:25:33 | |
so what's the point? | 0:25:33 | 0:25:35 | |
Why doesn't he go and find an island on his own and bye-bye Mike? | 0:25:35 | 0:25:38 | |
I think we would have worked in a far more cohesive way | 0:25:38 | 0:25:40 | |
once we got rid of the antagonistic people. | 0:25:40 | 0:25:43 | |
Yeah. The problem for the castaways | 0:25:43 | 0:25:45 | |
was identifying which antagonistic people to get rid of | 0:25:45 | 0:25:48 | |
in the name of peace. | 0:25:48 | 0:25:49 | |
We'll see. We'll BEEP see. | 0:25:49 | 0:25:52 | |
It's all getting a bit nasty. | 0:25:52 | 0:25:54 | |
If there wasn't women and children in this room, | 0:25:54 | 0:25:56 | |
I'd throw this plate at you. | 0:25:56 | 0:25:57 | |
Another man's bottom. Having sex with another man is dirty. | 0:25:57 | 0:26:01 | |
It says that in the Bible. | 0:26:01 | 0:26:04 | |
What's going on? | 0:26:04 | 0:26:06 | |
I'm BEEP sick of these BEEP earthlings that got here. | 0:26:06 | 0:26:10 | |
And we're sick of you, you fat, snoring BEEP! | 0:26:10 | 0:26:14 | |
-Ray! -Ray! -No! | 0:26:14 | 0:26:17 | |
Sit down! Sit down! Stop it, now! | 0:26:17 | 0:26:21 | |
In March, Ray dramatically left the island | 0:26:22 | 0:26:25 | |
and sold his story to a newspaper. | 0:26:25 | 0:26:27 | |
It was almost working. I think it was cruel that it was only a year. | 0:26:27 | 0:26:32 | |
Insurance man Mike went on to become an international explorer. | 0:26:32 | 0:26:36 | |
While Castaway set the template | 0:26:36 | 0:26:38 | |
for a whole generation of reality TV shows | 0:26:38 | 0:26:41 | |
filmed in dangerous, inaccessible and exotic places. | 0:26:41 | 0:26:45 | |
Usually with a lot more sun! | 0:26:46 | 0:26:48 | |
So, there you are. | 0:26:53 | 0:26:55 | |
The documentary makers who braved the rough terrains, | 0:26:55 | 0:26:57 | |
the hostile natives of Scotland and the terrible weather. | 0:26:57 | 0:27:01 | |
These guys are modern adventurers, | 0:27:01 | 0:27:03 | |
bringing the thrill of this great land into our homes. | 0:27:03 | 0:27:06 | |
And maybe, just maybe, it's persuaded one or two of you | 0:27:06 | 0:27:10 | |
to get up, get out the front door | 0:27:10 | 0:27:11 | |
and get the blood pumping aboot yourself. | 0:27:11 | 0:27:16 | |
And I've saved the best for last. | 0:27:16 | 0:27:18 | |
A Dram For All Seasons | 0:27:20 | 0:27:21 | |
is a rose-tinted look at the Scottish whiskey industry in 1976. | 0:27:21 | 0:27:25 | |
There's a cracking wee bit where the guy explains | 0:27:25 | 0:27:28 | |
that whiskey can actually cure death for real. | 0:27:28 | 0:27:31 | |
All you need is whiskey, a glass... | 0:27:31 | 0:27:34 | |
And a hat. | 0:27:37 | 0:27:38 | |
Oh, and by the way, please don't try this at home. | 0:27:38 | 0:27:41 | |
Watch and wonder at '70s health advice | 0:27:43 | 0:27:45 | |
just the spirit for keeping your heart in the Highlands. | 0:27:45 | 0:27:48 | |
Or the way to an early grave! | 0:27:48 | 0:27:49 | |
Pour one large glass of blended whiskey into a pint tumbler | 0:27:51 | 0:27:56 | |
and stir with a silver spoon. | 0:27:56 | 0:27:59 | |
Then add the same size of glass full of boiling water. | 0:27:59 | 0:28:04 | |
Then some brown sugar. | 0:28:04 | 0:28:07 | |
Then another glass of blended whiskey and another glass of hot water. | 0:28:07 | 0:28:11 | |
And then fill to the top of the pint glass with slightly warmed, | 0:28:11 | 0:28:16 | |
not boiled, malt whiskey. | 0:28:16 | 0:28:19 | |
Place your hat at the foot of the bed and climb in between the sheets. | 0:28:21 | 0:28:26 | |
If a body could just find out the exact, proper proportions | 0:28:26 | 0:28:31 | |
and quantity that ought to be drunk every day and keep to that, | 0:28:31 | 0:28:36 | |
I verily trowel that he might live for ever withoot dying, | 0:28:36 | 0:28:42 | |
and that doctors and churchyards would go out of fashion. | 0:28:42 | 0:28:45 | |
Drink till you can see two hats. | 0:28:47 | 0:28:52 | |
Subtitles by Red Bee Media Ltd | 0:28:53 | 0:28:54 |