Browse content similar to Baubles and Bells. Check below for episodes and series from the same categories and more!
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We first got television in Scotland in 1952. | 0:00:02 | 0:00:04 | |
1952?! That's the year the Queen became, well, Queen, | 0:00:04 | 0:00:07 | |
Prime Minister Winston Churchill scrapped identity cards, | 0:00:07 | 0:00:10 | |
the first ever passenger jet flew across the Atlantic | 0:00:10 | 0:00:14 | |
and it was a leap year, which maybe explains why | 0:00:14 | 0:00:17 | |
Britain's only Olympic gold medal that year was in the showjumping. | 0:00:17 | 0:00:20 | |
Christmas and Hogmanay are the shining lights | 0:00:29 | 0:00:32 | |
in Scotland's winter gloom. | 0:00:32 | 0:00:33 | |
If they didn't exist, we'd have to invent them - | 0:00:33 | 0:00:36 | |
or at least the telly would. | 0:00:36 | 0:00:38 | |
At no other time of year does watching the box | 0:00:38 | 0:00:40 | |
play such a big part in how we celebrate. | 0:00:40 | 0:00:43 | |
Forget Reporting Scotland, this is real public service broadcasting. | 0:00:43 | 0:00:47 | |
I mean, how else would we know it was midnight? | 0:00:47 | 0:00:50 | |
Five, four, three, two... | 0:00:50 | 0:00:53 | |
Any second now. | 0:00:53 | 0:00:56 | |
A guid New Year to yin and a'! | 0:00:56 | 0:00:59 | |
BELL CHIMES | 0:00:59 | 0:01:01 | |
CHEERING AND APPLAUSE | 0:01:01 | 0:01:03 | |
Cheers(!) | 0:01:08 | 0:01:10 | |
These days we celebrate Christmas with as much joy as anyone, | 0:01:10 | 0:01:13 | |
but it hasn't always been this way. | 0:01:13 | 0:01:15 | |
There was a time when even Santa used to hang on till Hogmanay | 0:01:15 | 0:01:19 | |
to deliver his presents. | 0:01:19 | 0:01:20 | |
The reason? | 0:01:20 | 0:01:22 | |
These guys. | 0:01:22 | 0:01:24 | |
There was something about the coming together | 0:01:24 | 0:01:26 | |
of the words "Christ" and "Mass" | 0:01:26 | 0:01:27 | |
that didn't appeal to the Presbyterian Church, | 0:01:27 | 0:01:30 | |
and it wasn't until 1958 that the day became | 0:01:30 | 0:01:32 | |
an official Scottish holiday. | 0:01:32 | 0:01:34 | |
And, if you were lucky enough to own a TV, | 0:01:38 | 0:01:41 | |
this is probably what you'd have watched | 0:01:41 | 0:01:43 | |
beamed in from that den of iniquity, London. | 0:01:43 | 0:01:46 | |
Not that many of us were actually given the day off. | 0:01:48 | 0:01:51 | |
I remember when we came back to Edinburgh in '65, | 0:01:51 | 0:01:56 | |
the first season at the Lyceum, we had two shows on Christmas Day | 0:01:56 | 0:02:00 | |
and we had two children by that time, | 0:02:00 | 0:02:03 | |
and anybody with children brought them in between the shows, | 0:02:03 | 0:02:06 | |
and we had a wee party in the greenroom. | 0:02:06 | 0:02:07 | |
But two shows on Christmas Day, a matinee and an evening. | 0:02:07 | 0:02:10 | |
They're very nostalgic things, Christmas trees. | 0:02:10 | 0:02:13 | |
There's something about the smell of them | 0:02:13 | 0:02:15 | |
and the tinsel that takes you right back. | 0:02:15 | 0:02:17 | |
And, of course, it wouldn't be a Christmas tree | 0:02:17 | 0:02:19 | |
without a fairy on the top. | 0:02:19 | 0:02:21 | |
Christmas With The Stars was made by the BBC network. | 0:02:22 | 0:02:25 | |
It was an all-singing, all-dancing extravaganza. | 0:02:25 | 0:02:28 | |
This isn't exactly Toy Story | 0:02:32 | 0:02:33 | |
but, in its own way, it's every bit as magical. | 0:02:33 | 0:02:36 | |
As the BBC in London were creating the warm glow of Christmas, | 0:02:37 | 0:02:41 | |
Scottish churchmen were blowing a cold wind under the door. | 0:02:41 | 0:02:44 | |
I don't know where they stood on fairies | 0:02:44 | 0:02:46 | |
but they'd definitely got it in for Christmas trees. | 0:02:46 | 0:02:48 | |
'The last day of term. | 0:02:48 | 0:02:49 | |
'For most children, a time for Christmas celebrations, | 0:02:49 | 0:02:52 | |
'but not for these young pupils at Kiltearn Primary School. | 0:02:52 | 0:02:56 | |
'Their headmaster, a Free Presbyterian, doesn't recognise the festive season, | 0:02:56 | 0:03:00 | |
'and he's had a Christmas tree, put up by the parents, | 0:03:00 | 0:03:03 | |
'removed from the building. | 0:03:03 | 0:03:04 | |
'It's now been re-erected by them in a field next to the school.' | 0:03:04 | 0:03:08 | |
Ah, well, at least the repression gave our comedians | 0:03:09 | 0:03:12 | |
something to get their teeth into. | 0:03:12 | 0:03:13 | |
Ephesia and I have a marriage made in heaven. | 0:03:13 | 0:03:17 | |
Which is a pity - | 0:03:19 | 0:03:20 | |
if it had been made in Hong Kong, it may not have lasted so long! | 0:03:20 | 0:03:25 | |
CAROL SINGING | 0:03:25 | 0:03:26 | |
Just listen to that. | 0:03:28 | 0:03:29 | |
Does that just not sum up what Christmas is all about? | 0:03:31 | 0:03:36 | |
A few well-intentioned, charitable souls, | 0:03:36 | 0:03:39 | |
standing out there in the cold, singing their hearts out... | 0:03:39 | 0:03:43 | |
..while the rest of us sit warm and snug in our own wee houses... | 0:03:44 | 0:03:48 | |
..pretending we're not in. | 0:03:49 | 0:03:51 | |
The Christmas spirit doesn't come in shorter measure than this. | 0:03:55 | 0:03:59 | |
City Lights took a rather different approach | 0:04:01 | 0:04:03 | |
to matters of a spiritual nature. | 0:04:03 | 0:04:05 | |
Another year in here? I cannae face it. | 0:04:05 | 0:04:08 | |
This is spoof of the Hollywood Christmas classic | 0:04:08 | 0:04:11 | |
It's A Wonderful Life, | 0:04:11 | 0:04:12 | |
and it features the appearance of a very unusual | 0:04:12 | 0:04:14 | |
and very Scottish angel. | 0:04:14 | 0:04:16 | |
Sometimes I wish I hadnae bothered. | 0:04:16 | 0:04:19 | |
Sometimes I wish I'd never been born. | 0:04:19 | 0:04:21 | |
Oh, hey, hey, keys, wee man. You mustnae say things like that. | 0:04:21 | 0:04:25 | |
That kinda talk's no' allowed where I come fae, you know. | 0:04:25 | 0:04:27 | |
No? And where do you "come fae"? | 0:04:27 | 0:04:30 | |
Heaven. | 0:04:31 | 0:04:32 | |
It was funny doing such an iconic piece in a Scottish way | 0:04:32 | 0:04:37 | |
but it worked out to be a real darling of a thing. | 0:04:37 | 0:04:41 | |
I'm an angel. | 0:04:41 | 0:04:43 | |
LAUGHTER | 0:04:43 | 0:04:44 | |
Of course you are. Of course you are(!) | 0:04:44 | 0:04:48 | |
You just don't look like an angel. Where are your wings and things? | 0:04:48 | 0:04:53 | |
Well, actually I'm a GASC. | 0:04:53 | 0:04:55 | |
Glasgow Angel - Second Class. | 0:04:56 | 0:04:59 | |
We don't get the likes of wings and halos. Well, no' right away. | 0:04:59 | 0:05:02 | |
What DO you get? | 0:05:02 | 0:05:04 | |
A bus pass and a bunnet. | 0:05:04 | 0:05:06 | |
Scottish broadcasters have made several comedy specials over the years | 0:05:06 | 0:05:10 | |
but we've been more than happy to take our glitzy | 0:05:10 | 0:05:12 | |
Christmas variety shows from London, | 0:05:12 | 0:05:14 | |
even lending them the odd star in their tougher assignments. | 0:05:14 | 0:05:17 | |
Pate? | 0:05:17 | 0:05:19 | |
Don't mind if I do. | 0:05:21 | 0:05:22 | |
Hmm, a Christmas tree - I don't like the way this is shaping up. | 0:05:24 | 0:05:27 | |
Hello, how are you? | 0:05:27 | 0:05:28 | |
And a merry Christmas from the north of Scotland. | 0:05:28 | 0:05:31 | |
And when I say the north of Scotland, I mean the very north | 0:05:31 | 0:05:34 | |
of the north of Scotland, because I'm speaking to you from the RAF station | 0:05:34 | 0:05:38 | |
Saxa Vord, on the island of Unst. | 0:05:38 | 0:05:41 | |
The island of Unst is at the tip-top toe of the Shetland Islands. | 0:05:41 | 0:05:44 | |
Merry Christmas! | 0:05:44 | 0:05:45 | |
He must've been doing cartwheels when his agent got him THIS gig. | 0:05:45 | 0:05:48 | |
I've brought you all a beautiful present. | 0:05:48 | 0:05:51 | |
I knew that tree would be trouble. | 0:05:51 | 0:05:52 | |
Who said, "What for?" | 0:05:52 | 0:05:54 | |
Gentlemen, what would you rather I'd have brought you? | 0:05:54 | 0:05:57 | |
-ALL: -Whisky! | 0:05:57 | 0:05:58 | |
Did somebody say whisky?! | 0:05:58 | 0:06:00 | |
Maybe it's because it's Andy Stewart, | 0:06:00 | 0:06:02 | |
or that it's a room full of men with a thirst for strong drink | 0:06:02 | 0:06:05 | |
but there's something about the mood here | 0:06:05 | 0:06:07 | |
that feels more like Hogmanay than Christmas. | 0:06:07 | 0:06:09 | |
One of the reasons we're happy to take our Christmas TV | 0:06:09 | 0:06:12 | |
from down south is because there's nothing particularly Scottish | 0:06:12 | 0:06:16 | |
about the way we celebrate it. | 0:06:16 | 0:06:18 | |
Not something you'll ever hear said about Hogmanay. | 0:06:18 | 0:06:21 | |
Forget St Andrews, this is our real national day. | 0:06:21 | 0:06:26 | |
And, as this scene from The Ship shows, | 0:06:26 | 0:06:29 | |
we're very particular about what's on the telly. | 0:06:29 | 0:06:32 | |
There's nothing on the TV - it's a' English! | 0:06:32 | 0:06:35 | |
LAUGHTER | 0:06:35 | 0:06:38 | |
CHEERING | 0:06:38 | 0:06:41 | |
Some variety show fae London, nothing to do with New Year. | 0:06:44 | 0:06:47 | |
There's they fiddlers fae Shetland on the BBC. I like them. | 0:06:47 | 0:06:52 | |
-How you no' watching it, then? -It's no' worth it. | 0:06:52 | 0:06:55 | |
If I switch it on, all I get is Big Archie | 0:06:55 | 0:06:57 | |
telling me it's the wrong image of Scotland. | 0:06:57 | 0:06:59 | |
When I ask him what the RIGHT one is, | 0:06:59 | 0:07:02 | |
he says it's the Royal Scots Dragoon Guards playing Amazing Grace. | 0:07:02 | 0:07:07 | |
So, to avoid argument, I just came oot here with my advocaat! | 0:07:08 | 0:07:13 | |
'For Scotsmen, New Year is the festival of the year | 0:07:15 | 0:07:18 | |
'and thousands of them left London | 0:07:18 | 0:07:19 | |
'to spend Hogmanay in its natural setting, in Scotland. | 0:07:19 | 0:07:23 | |
'For some revellers, Hogmanay started at Euston Station yesterday.' | 0:07:23 | 0:07:28 | |
Hogmanay has always been a more adult celebration than Christmas | 0:07:28 | 0:07:32 | |
and, by "more adult" I mean, of course, more drunken. | 0:07:32 | 0:07:36 | |
One thing's for certain, these guys aren't heading back to Glasgow | 0:07:36 | 0:07:39 | |
for a cosy night in front of the telly. | 0:07:39 | 0:07:41 | |
So it's probably a good thing the first live street party | 0:07:41 | 0:07:43 | |
wasn't broadcast till 1957. | 0:07:43 | 0:07:45 | |
Then what did they do? They gave it to a Canadian to present. | 0:07:46 | 0:07:50 | |
Now, I'm a newcomer here, a Canadian. | 0:07:50 | 0:07:51 | |
A Canadian? Making a programme about Hogmanay?! | 0:07:51 | 0:07:55 | |
It's just so stupid(!) | 0:07:55 | 0:07:57 | |
Years ago, my many Scottish friends in Canada | 0:07:59 | 0:08:02 | |
gave me a very exciting picture of Hogmanay. | 0:08:02 | 0:08:05 | |
It's a time when hospitality knows no bounds. | 0:08:05 | 0:08:08 | |
Won't you join us? Here we go, as the saying goes, | 0:08:08 | 0:08:11 | |
for a wee keek at Glasgow Cross. Come in, Larry Marshall. | 0:08:11 | 0:08:14 | |
'They're all waiting for one thing and one thing only - | 0:08:14 | 0:08:17 | |
'that blessed release from 1957, into 1958. | 0:08:17 | 0:08:21 | |
-'Yes, there it is! And the year is 1958!' -CHEERING | 0:08:21 | 0:08:26 | |
'Listen to the crowd going now. Look at that, isn't that wonderful?' | 0:08:26 | 0:08:29 | |
It's amazing the things they did to keep warm back in those days. | 0:08:29 | 0:08:33 | |
BBC Scotland's Hogmanay shows got off to a socially responsible start, | 0:08:33 | 0:08:37 | |
with presenter Roddy McMillan championing the merits | 0:08:37 | 0:08:40 | |
of lining your stomach. | 0:08:40 | 0:08:41 | |
Good evening, friends, and welcome. | 0:08:41 | 0:08:43 | |
You know, I've been promising my good friend Alec, here, | 0:08:43 | 0:08:45 | |
a good feed of salt herring and tatties for some time | 0:08:45 | 0:08:48 | |
and I've just got round to it. | 0:08:48 | 0:08:50 | |
Well, I got the tatties on and then my friends Anne Brand, Alec McEwan | 0:08:50 | 0:08:55 | |
and Bobby MacLeod happened to come in, | 0:08:55 | 0:08:56 | |
and, it being their first time here this year, | 0:08:56 | 0:08:58 | |
well, we had to give them a good welcome. That right, Alec? | 0:08:58 | 0:09:01 | |
So I'm afraid the herring will be a wee bit late. | 0:09:01 | 0:09:03 | |
Will you have patience, Alec? | 0:09:03 | 0:09:05 | |
Oh, well, since I've waited this long, | 0:09:05 | 0:09:07 | |
I can surely wait half an hour longer. | 0:09:07 | 0:09:09 | |
That's the stuff, Alec! | 0:09:09 | 0:09:10 | |
Huh, listen to Alec - | 0:09:10 | 0:09:12 | |
he's getting a free meal and he's still not happy. | 0:09:12 | 0:09:14 | |
Draw In Your Chair was based around the tradition of New Year guests | 0:09:21 | 0:09:24 | |
having to do a turn. | 0:09:24 | 0:09:25 | |
It's a format that would grow wings and fly like a grouse across the moors | 0:09:25 | 0:09:29 | |
in the BBC's long-running - and frequently shot at - White Heather Club. | 0:09:29 | 0:09:33 | |
# Come in, come in It's nice tae see you | 0:09:33 | 0:09:37 | |
# How's yoursel'? You're looking grand | 0:09:37 | 0:09:40 | |
# Tak' your ease We'll try to please you | 0:09:40 | 0:09:44 | |
# Man, you're welcome Here's my hand. # | 0:09:44 | 0:09:52 | |
CHEERING AND APPLAUSE | 0:09:52 | 0:09:53 | |
When I was a teenager I really hated all that tartan kind of stuff. | 0:09:53 | 0:09:58 | |
But, of course, now, you look back on it | 0:09:58 | 0:10:02 | |
and you realise that WAS a vital part of Scottish culture, | 0:10:02 | 0:10:06 | |
and a very vibrant part of Scottish culture. | 0:10:06 | 0:10:08 | |
HE CONTINUES: It's wonderful. Yeah, wonderful stuff. | 0:10:12 | 0:10:14 | |
Shows like the White Heather Club took the way we celebrated at home | 0:10:19 | 0:10:23 | |
and turned it into something we could watch on the box. | 0:10:23 | 0:10:25 | |
They cut out the drink, brought in the tartan, | 0:10:25 | 0:10:27 | |
beefed up The Bells and formalised the ceilidh. | 0:10:27 | 0:10:30 | |
PIPER PLAYS "Scotland The Brave" | 0:10:30 | 0:10:36 | |
The White Heather Club was a marriage of Highland and Lowland culture. | 0:10:38 | 0:10:42 | |
The close and the cludgie cooried up to the but'n'ben | 0:10:42 | 0:10:45 | |
and the Superscot was born. | 0:10:45 | 0:10:46 | |
Or, to put it more precisely, Andy Stewart. | 0:10:46 | 0:10:49 | |
Here's to it, here's to the fighting sheen of it, | 0:10:49 | 0:10:53 | |
here's to every thread of it, here's to the dark and green of it, | 0:10:53 | 0:10:58 | |
here's to the blue and red of it. | 0:10:58 | 0:11:00 | |
Foe men have sought for it, many have fought for it, | 0:11:00 | 0:11:04 | |
the fair have sighed for it, the brave have died for it. | 0:11:04 | 0:11:10 | |
Honour the name of it, drink to the fame of it. | 0:11:10 | 0:11:13 | |
And what is it? The tartan! | 0:11:13 | 0:11:16 | |
APPLAUSE AND CHEERING | 0:11:16 | 0:11:18 | |
Oh, I thought he was going to say Celtic and Rangers. | 0:11:18 | 0:11:21 | |
Och, it's a good job that's only orange juice! | 0:11:23 | 0:11:25 | |
Of course, Andy wasn't the only star in the tartan firmament. | 0:11:28 | 0:11:32 | |
# Far away and o'er the moor | 0:11:33 | 0:11:39 | |
# Far away and... # | 0:11:39 | 0:11:41 | |
All this traditional fare wasn't to everyone's taste, | 0:11:41 | 0:11:44 | |
but there's no denying the talent | 0:11:44 | 0:11:46 | |
and charisma of those involved. | 0:11:46 | 0:11:48 | |
# A wee cock sparra sat in a tree | 0:11:49 | 0:11:51 | |
# A wee cock sparra | 0:11:51 | 0:11:53 | |
# Sat in a tree | 0:11:53 | 0:11:54 | |
# A wee cock sparra sat in a tree | 0:11:54 | 0:11:57 | |
# Chirpin' awa' as blithe as could be. # | 0:11:57 | 0:12:00 | |
I miss Hogmanay. | 0:12:00 | 0:12:03 | |
I miss Duncan Macrae doing A Wee Cock Sparra. | 0:12:03 | 0:12:07 | |
Everybody of my age remembers that, of my generation. | 0:12:07 | 0:12:13 | |
Everybody LOVED that, just loved it. | 0:12:13 | 0:12:15 | |
At the time, we were out of our chairs, on the floor. | 0:12:15 | 0:12:19 | |
It was brilliant. | 0:12:19 | 0:12:20 | |
It wasn't just the song, I think, that everybody remembers, | 0:12:20 | 0:12:24 | |
it was the way Duncan Macrae did it. | 0:12:24 | 0:12:27 | |
# The man hit the boy though he wisnae his farra | 0:12:27 | 0:12:31 | |
# The man hit the boy though he wisnae his farra | 0:12:31 | 0:12:34 | |
# The man hit the boy though he wisnae his farra | 0:12:34 | 0:12:38 | |
# And the boy stood and glowered He was hurt to the marra. # | 0:12:38 | 0:12:43 | |
# And a' this time the wee cock sparra | 0:12:43 | 0:12:47 | |
# Was chirping awa' on the shaft o' the barra. # | 0:12:47 | 0:12:52 | |
Doesn't get that much better than that, does it? | 0:12:52 | 0:12:55 | |
My own favourite Hogmanay turn comes from a man who made | 0:12:55 | 0:12:58 | |
more records than The Beatles AND Elvis Presley put together. | 0:12:58 | 0:13:01 | |
He also had a passenger train named after him | 0:13:01 | 0:13:04 | |
and was a favourite of this woman. | 0:13:04 | 0:13:05 | |
And this one. | 0:13:05 | 0:13:07 | |
Not bad for a guy who failed his first BBC audition | 0:13:07 | 0:13:11 | |
because he kept time with his foot. I am, of course, talking about the legendary Jimmy Shand, | 0:13:11 | 0:13:15 | |
the man who put the "ban" in between-song banter. | 0:13:15 | 0:13:18 | |
-Well, James, how are you now? -Fine. -I've been working it out in my mind. | 0:13:18 | 0:13:22 | |
A dance is a jig, | 0:13:22 | 0:13:24 | |
but a jigger's not always a dancer. | 0:13:24 | 0:13:26 | |
A good dancer would never give you a kick, but a good jigger might. | 0:13:26 | 0:13:29 | |
All this double talk's got me jiggered. | 0:13:29 | 0:13:32 | |
Here, then, we have a J-I-G, a jig. | 0:13:32 | 0:13:34 | |
Take your partners for Hamilton House. | 0:13:34 | 0:13:36 | |
There was a warmth of Jimmy Shand, | 0:13:38 | 0:13:41 | |
although to say Jimmy Shand exuded warmth is a bit of a stretch, | 0:13:41 | 0:13:46 | |
although he was a very warm and laughing man. | 0:13:46 | 0:13:49 | |
But he stood with his accordion like he was at a Masonic meeting, | 0:13:49 | 0:13:54 | |
with his tartan jacket | 0:13:54 | 0:13:56 | |
and his wee accordion. He was a genius of the squeeze box. | 0:13:56 | 0:14:00 | |
I always used to love it when he was on the Hogmanay show. | 0:14:03 | 0:14:06 | |
To me, he was full of life, | 0:14:06 | 0:14:08 | |
because I was listening to his music. | 0:14:08 | 0:14:11 | |
To everybody else, he was a miserable bugger! | 0:14:11 | 0:14:13 | |
He never smiled. He stood stock still, | 0:14:13 | 0:14:16 | |
but it was his music for me was just... | 0:14:16 | 0:14:19 | |
It filled me with great...great joy. | 0:14:19 | 0:14:22 | |
But I miss that. And I was part of the attack on that shortbread tin... | 0:14:28 | 0:14:33 | |
As a matter of fact, that was my expression, | 0:14:33 | 0:14:37 | |
"the singing shortbread tins". | 0:14:37 | 0:14:39 | |
By 1968, The White Heather Club had run its course, | 0:14:40 | 0:14:44 | |
but that didn't stop the format it established digging in its heels | 0:14:44 | 0:14:47 | |
and burling its way into the '80s. | 0:14:47 | 0:14:49 | |
# Tak' yer ease We'll try and please ye... # | 0:14:49 | 0:14:53 | |
This might be the most concentrated amount of Scottishness | 0:14:53 | 0:14:56 | |
in any one place, ever. | 0:14:56 | 0:14:57 | |
# In the land called Caledonia... # | 0:14:57 | 0:15:00 | |
Bill McCue's timing here is pure Andy Stewart. | 0:15:00 | 0:15:05 | |
# To express your feelings freely... # | 0:15:05 | 0:15:08 | |
The thing about my father really was that if he was standing up | 0:15:08 | 0:15:12 | |
in front of people, in whatever role, | 0:15:12 | 0:15:15 | |
er, he was happy. | 0:15:15 | 0:15:17 | |
And he loved being on the telly | 0:15:17 | 0:15:20 | |
and he loved the telly programmes at Hogmanay and the other series that he did. | 0:15:20 | 0:15:25 | |
The tartan stuff, for my father, was not about kitsch | 0:15:25 | 0:15:29 | |
and was not about reducing the quality of the product, at all. | 0:15:29 | 0:15:33 | |
In fact, it was always used as an open door | 0:15:33 | 0:15:37 | |
and as something that he wore as a big statement of his passion | 0:15:37 | 0:15:40 | |
for where he came from. | 0:15:40 | 0:15:42 | |
A good New Year! | 0:15:42 | 0:15:44 | |
ALL: Happy New Year! | 0:15:44 | 0:15:46 | |
With the BBC's coverage in a state of suspended animation, | 0:15:48 | 0:15:51 | |
it was up to STV to inject new life into proceedings. | 0:15:51 | 0:15:55 | |
The rivalry between the two channels always reached its peak at Hogmanay, | 0:15:55 | 0:15:58 | |
when they engaged in a ding-dong battle of the bells, | 0:15:58 | 0:16:01 | |
to see who could pull in the most viewers. | 0:16:01 | 0:16:04 | |
Now, all's fair in war, but if you ask me, | 0:16:04 | 0:16:07 | |
sometimes STV took things too far. | 0:16:07 | 0:16:09 | |
Way too far. | 0:16:09 | 0:16:11 | |
It's show time. | 0:16:12 | 0:16:14 | |
Hi. Welcome to our New Year's Eve celebrations. | 0:16:19 | 0:16:23 | |
Oh, my name's Ian Ogilvy | 0:16:23 | 0:16:25 | |
and having just a little bit of Scottish blood in me, | 0:16:25 | 0:16:28 | |
nothing, but nothing, would keep me away from this party | 0:16:28 | 0:16:31 | |
to welcome in the New Year... | 0:16:31 | 0:16:32 | |
Smooth. Shame he's got to use the back door, though. | 0:16:32 | 0:16:36 | |
# Yeah, things are gonna go my way... # | 0:16:36 | 0:16:40 | |
This went out on the ITV network and, as the show's title suggests, | 0:16:42 | 0:16:45 | |
it's very much a case of out with the old and in with the new. | 0:16:45 | 0:16:49 | |
Look at how they celebrate the run-up to the bells. | 0:16:49 | 0:16:53 | |
They didn't LEARN these moves from the White Heather Club. | 0:16:53 | 0:16:56 | |
# Who can say just what might happen? # | 0:16:58 | 0:17:01 | |
# Let's go to the disco... # | 0:17:03 | 0:17:08 | |
We're now well into the '80s, and STV are single-handedly | 0:17:08 | 0:17:11 | |
keeping disco alive. | 0:17:11 | 0:17:13 | |
Their shows from this time didn't take themselves too seriously, | 0:17:13 | 0:17:17 | |
but it was all good, clean fun. | 0:17:17 | 0:17:19 | |
That was a track from Russ's last album. | 0:17:19 | 0:17:21 | |
At least, we all hope it's his last album. | 0:17:21 | 0:17:24 | |
And that will be released at the same time as Rudolf Hess. Now... | 0:17:24 | 0:17:28 | |
LAUGHTER Oh, that's wicked. A nice audience here tonight. | 0:17:28 | 0:17:32 | |
Behave yourselves or we'll bring on Sydney Devine early. | 0:17:32 | 0:17:36 | |
It became a new tradition to take the mickey out of the shows | 0:17:38 | 0:17:40 | |
as you were making them. Here's Russ Abbott again, making the most | 0:17:40 | 0:17:43 | |
of his ginger gene. | 0:17:43 | 0:17:45 | |
His dancing might be out, but his comic timing's spot on here. | 0:17:46 | 0:17:49 | |
RUSS COUGHS AND SPLUTTERS | 0:17:49 | 0:17:51 | |
Oh, that was beautiful. | 0:17:55 | 0:17:57 | |
There's a long tradition of people playing the drunk | 0:17:57 | 0:18:00 | |
on our Hogmanay shows, but they're usually drinking this stuff. | 0:18:00 | 0:18:03 | |
In 1984, the BBC decided to go one better | 0:18:03 | 0:18:06 | |
and let people do it for real. Never really a good idea on live telly. | 0:18:06 | 0:18:11 | |
-BELL CHIMES -This is Gleneagles Hotel | 0:18:12 | 0:18:16 | |
and these aren't TV extras, but real-life champagne-quaffing guests. | 0:18:16 | 0:18:22 | |
One of my friends, he had taken a table that night and suddenly, he'd said, | 0:18:22 | 0:18:27 | |
"We had all these technicians pushing us out the road | 0:18:27 | 0:18:30 | |
"and dragging cables under their table and all that." | 0:18:30 | 0:18:33 | |
He said, "We were very resentful." | 0:18:33 | 0:18:36 | |
Now, to give the BBC their due, | 0:18:37 | 0:18:39 | |
this is more like the way we behave at home than the White Heather Club. | 0:18:39 | 0:18:44 | |
There were people there - quite sort of posh people, well-off people - | 0:18:44 | 0:18:48 | |
who had booked a New Year's Eve dinner there and when they booked it, | 0:18:48 | 0:18:52 | |
nobody said, "Oh, by the way, there's going to be a whole camera crew | 0:18:52 | 0:18:56 | |
and we're taking over the hotel and recording this show. | 0:18:56 | 0:18:59 | |
So their dinner had been ruined. | 0:18:59 | 0:19:02 | |
I always remember dear old Chic Murray saying, | 0:19:02 | 0:19:04 | |
"What the hell's going on here? What's going on?" Ha! | 0:19:04 | 0:19:08 | |
The stage is now set | 0:19:09 | 0:19:10 | |
for one of the greatest entrances in the history of showbiz. | 0:19:10 | 0:19:13 | |
Chic Murray, if you're up there watching, I'm sorry. | 0:19:16 | 0:19:19 | |
Utter chaos. | 0:19:30 | 0:19:32 | |
Yes, I'm over there. | 0:19:32 | 0:19:33 | |
I'm in the tall grass. I didn't see you there. Yes. | 0:19:33 | 0:19:37 | |
I've got to give this away first. | 0:19:37 | 0:19:39 | |
I can't... I can't... There's no cameras on me. | 0:19:42 | 0:19:46 | |
At this point, everyone just seems to have given up | 0:19:47 | 0:19:50 | |
on the idea of making a TV programme altogether. | 0:19:50 | 0:19:53 | |
And when I say "everyone", I mean, everyone. | 0:19:53 | 0:19:55 | |
By the early '90s, STV and the BBC had been trading Hogmanay punches | 0:19:59 | 0:20:03 | |
for more than 30 years | 0:20:03 | 0:20:05 | |
and STV couldn't resist a playful little jab below the belt. | 0:20:05 | 0:20:09 | |
And who can blame them? | 0:20:09 | 0:20:10 | |
And 100,000 welcomes or, as we say up here in Glencampbelly, | 0:20:10 | 0:20:14 | |
Ceud mile failte. We're coming to you live... | 0:20:14 | 0:20:17 | |
A live show with in-built technical hitches. I wonder where this idea came from? | 0:20:17 | 0:20:21 | |
What if we kind of show it as the disaster from the hotel? | 0:20:21 | 0:20:25 | |
It was a bit of a piss-take, really, | 0:20:25 | 0:20:27 | |
of that BBC Hogmanay show, that legendary BBC Hogmanay show. | 0:20:27 | 0:20:32 | |
'I just took everything I heard about that show and turned it into mine.' | 0:20:32 | 0:20:37 | |
Great stuff, lads! Right, er, what's happening next? | 0:20:37 | 0:20:41 | |
Anybody got any idea? | 0:20:41 | 0:20:44 | |
This was one of three shows written by Alex Norton. | 0:20:44 | 0:20:47 | |
It poked fun at the format, while showcasing the talents | 0:20:47 | 0:20:50 | |
of STV's roster of stars. | 0:20:50 | 0:20:52 | |
From here, it's only a short step to full-on satire. | 0:20:52 | 0:20:55 | |
Step forward, Rikki Fulton. | 0:20:55 | 0:20:57 | |
-Stop the countdown, Jim! -5...4... | 0:20:57 | 0:20:59 | |
-Thousands of innocent people could suffer! -3...2...1... | 0:20:59 | 0:21:03 | |
Cue announcer! | 0:21:03 | 0:21:05 | |
'Now we go over to Aberdeen and The Hogmanay Show.' | 0:21:05 | 0:21:08 | |
LAUGHTER | 0:21:08 | 0:21:10 | |
And it was almost as if Hogmanay wasn't Hogmanay | 0:21:10 | 0:21:13 | |
unless you had Scotch And Wry. People just | 0:21:13 | 0:21:17 | |
expected it. That meant that Ricky | 0:21:17 | 0:21:21 | |
could explore all the different facets of the Scottish persona. | 0:21:21 | 0:21:26 | |
There's something about Rikki Fulton's maudlin sense of humour | 0:21:27 | 0:21:30 | |
that chimes perfectly with this time of year. | 0:21:30 | 0:21:33 | |
And check out a young Gregor Fisher, as the lily-livered sidekick. | 0:21:33 | 0:21:36 | |
Thank you, thank you. | 0:21:36 | 0:21:38 | |
Now, we'd like to begin with a song we've composed | 0:21:38 | 0:21:41 | |
about the Glencoe Massacre. | 0:21:41 | 0:21:44 | |
It was a brutal time, when brother butchered brother, | 0:21:44 | 0:21:47 | |
when men hacked bits off other men. | 0:21:47 | 0:21:50 | |
When soldiers with dirty great long swords | 0:21:50 | 0:21:53 | |
disembowelled other soldiers with swords that wurnae quite as long. | 0:21:53 | 0:21:58 | |
It was a time when rivers ran with blood | 0:21:58 | 0:22:03 | |
and oozing entrails stained the heather. | 0:22:03 | 0:22:07 | |
The chorus we've written goes, | 0:22:07 | 0:22:10 | |
"They grabbed his heid and severed it and then ripped oot his tongue. | 0:22:10 | 0:22:14 | |
"It wriggled like a jellied eel on the grund where it was flung. | 0:22:14 | 0:22:19 | |
"They beat his brains to a throbbing mush and slashed his guts asunder | 0:22:19 | 0:22:24 | |
"and cut his hert oot wi' a dirk, | 0:22:24 | 0:22:26 | |
"and he died, nae bloody wonder." | 0:22:26 | 0:22:28 | |
In 1999, the big boys came and stole New Year away from us. | 0:22:34 | 0:22:38 | |
Suddenly, every country on the planet was vying to see who could | 0:22:38 | 0:22:42 | |
throw the biggest party and there was no way the BBC high heid yins | 0:22:42 | 0:22:45 | |
in London were going to let Scotland host the coverage. They even took Jackie Bird | 0:22:45 | 0:22:50 | |
and banished her to the furthest corner of the kingdom. | 0:22:50 | 0:22:53 | |
At least they didn't make her carry a Christmas tree. | 0:22:53 | 0:22:56 | |
Yep, we're back in Unst. | 0:22:56 | 0:22:57 | |
I think what we're going to do is go straight over now to the Shetlands | 0:22:57 | 0:23:03 | |
and Jackie Bird. As you just mentioned, Peter, | 0:23:03 | 0:23:06 | |
it's just moments away, sunset. Jackie. | 0:23:06 | 0:23:09 | |
WIND WHIPS | 0:23:09 | 0:23:12 | |
Well, I'm afraid there's not much to see here. It is only the edge | 0:23:12 | 0:23:16 | |
of Britain, but right at this moment, | 0:23:16 | 0:23:18 | |
it feels like the end of the world. | 0:23:18 | 0:23:20 | |
I'm at the RAF radar base on the island of Unst, | 0:23:20 | 0:23:24 | |
at the very tip of Britain... | 0:23:24 | 0:23:25 | |
If you'd rather not know how Jackie managed to stay on her feet, look away now. | 0:23:25 | 0:23:29 | |
Ha! It's amazing the support you get when you're working for the network. | 0:23:31 | 0:23:34 | |
And this is also - if I can stay upright for long enough - a maritime crossroads, where the Atlantic | 0:23:34 | 0:23:40 | |
meets the North Sea and, if you go over there, far enough, | 0:23:40 | 0:23:44 | |
and hop over Greenland, you will eventually reach Canada. | 0:23:44 | 0:23:48 | |
Canada? | 0:23:48 | 0:23:49 | |
Argh! | 0:23:49 | 0:23:51 | |
In the run-up to the Millennium, there were dire predictions | 0:23:52 | 0:23:55 | |
of computer meltdown and global Armageddon. | 0:23:55 | 0:23:59 | |
These things did not come to pass, but when the world's back was turned | 0:23:59 | 0:24:03 | |
there were dark forces at work in Scotland, | 0:24:03 | 0:24:06 | |
or to be more precise, Glendarroch, where the makers of the much-loved | 0:24:06 | 0:24:09 | |
High Road decided it was time to mess with their characters' heads. | 0:24:09 | 0:24:13 | |
That's weird. | 0:24:15 | 0:24:17 | |
I've been looking all over the place for you. | 0:24:18 | 0:24:22 | |
This is quite possibly the weirdest thing that has ever happened | 0:24:24 | 0:24:27 | |
in the history of Scottish broadcasting. Nothing in this couthie soap's 20-year life | 0:24:27 | 0:24:32 | |
prepared us for scenes like these. | 0:24:32 | 0:24:34 | |
SHE SCREAMS | 0:24:38 | 0:24:39 | |
-Back, all of you! -What is that? | 0:24:40 | 0:24:43 | |
She's mine! | 0:24:43 | 0:24:44 | |
So, finally caught up with you! | 0:24:45 | 0:24:48 | |
This is like The Wicker Man meets The Blair Witch Project | 0:24:50 | 0:24:53 | |
on the set of Rentaghost. | 0:24:53 | 0:24:55 | |
I'm not going to try to begin to make sense of what's going on here, | 0:24:55 | 0:24:58 | |
but I believe the young man | 0:24:58 | 0:24:59 | |
with the Christmas bauble coming out of his chest is Ewan the Postie. | 0:24:59 | 0:25:02 | |
I was on the set | 0:25:04 | 0:25:06 | |
and somebody said, "Right, this is where the entity comes in." | 0:25:06 | 0:25:11 | |
And I said, "Sorry, the what?" | 0:25:11 | 0:25:15 | |
"The entity. You see the entity." | 0:25:15 | 0:25:18 | |
And I said, "What's an entity, what do you mean?" | 0:25:20 | 0:25:23 | |
"Oh, it's all right, we'll put it on afterwards." | 0:25:23 | 0:25:26 | |
And I said, "Yes, but I have to know what I'm looking at." | 0:25:26 | 0:25:29 | |
"It'll be up in that corner," they said. "And you're frightened." | 0:25:29 | 0:25:34 | |
'So I played a whole scene - I come out in a cold sweat | 0:25:34 | 0:25:39 | |
'just thinking about it - I played a whole scene going,' | 0:25:39 | 0:25:42 | |
"Argh! Argh!" | 0:25:42 | 0:25:44 | |
DEMONIC LAUGHTER | 0:25:44 | 0:25:46 | |
'And then when I saw it,' | 0:25:50 | 0:25:52 | |
it was a tiny little... a tiny little whirl of lights | 0:25:52 | 0:25:57 | |
that I would hardly have noticed, | 0:25:57 | 0:26:00 | |
so that was the Millennium episode for me, | 0:26:00 | 0:26:02 | |
thank you very much, whoever's idea that was. | 0:26:02 | 0:26:05 | |
Two hour-long Millennium specials sneaked out, one before the bells | 0:26:05 | 0:26:09 | |
and one on New Year's Day. And no-one seemed to take any notice. | 0:26:09 | 0:26:13 | |
Did they happen at all? Were they all a dream? | 0:26:13 | 0:26:16 | |
I mean, there's so much great stuff | 0:26:16 | 0:26:18 | |
from these two shows that I'd love to show you, | 0:26:18 | 0:26:21 | |
but I've limited myself to my top three moments. | 0:26:21 | 0:26:23 | |
Argh! Get that thing away from me! | 0:26:23 | 0:26:26 | |
Number one, Davie Sneddon goes to Hell. | 0:26:28 | 0:26:31 | |
Why are YOU here? | 0:26:31 | 0:26:33 | |
You are here for the same reason everyone comes here. | 0:26:33 | 0:26:37 | |
You have never loved another human being. | 0:26:37 | 0:26:42 | |
I like that in a man. | 0:26:42 | 0:26:44 | |
Two, Mrs Mack lets her hair down. | 0:26:46 | 0:26:49 | |
Yeah, that's her belly dancing. | 0:26:49 | 0:26:52 | |
Three, Davie Sneddon goes to Heaven. | 0:26:54 | 0:26:58 | |
# ..With the sun | 0:26:58 | 0:27:02 | |
# And I will love thee still... # | 0:27:02 | 0:27:06 | |
The world survived into the 21st century, | 0:27:06 | 0:27:09 | |
but the High Road, sadly, did not. | 0:27:09 | 0:27:11 | |
When rogue developers turned Glendarroch into a swanky marina, | 0:27:11 | 0:27:14 | |
they removed the last trace of shortbread-tin Scotland | 0:27:14 | 0:27:17 | |
from the TV schedules. | 0:27:17 | 0:27:18 | |
Our Hogmanay shows, too, have moved with the times | 0:27:20 | 0:27:23 | |
and no longer feel the need to wear their tartan on their sleeves. | 0:27:23 | 0:27:27 | |
Or anywhere else, for that matter. | 0:27:27 | 0:27:29 | |
We've even found someone to sit in for Jimmy Shand. | 0:27:29 | 0:27:33 | |
The audience expect different things now. | 0:27:33 | 0:27:36 | |
Some people don't like traditional music, | 0:27:36 | 0:27:39 | |
they prefer contemporary music, | 0:27:39 | 0:27:40 | |
so why should they be left out of the Hogmanay celebration? | 0:27:40 | 0:27:43 | |
So there you have it - Hogmanay TV. | 0:27:58 | 0:28:01 | |
A wee bit shonky here and there. | 0:28:01 | 0:28:04 | |
And there. | 0:28:04 | 0:28:05 | |
And there, again. | 0:28:05 | 0:28:07 | |
But that doesn't matter. | 0:28:07 | 0:28:09 | |
These programmes weren't made to stand the test of time. | 0:28:09 | 0:28:12 | |
They were made to celebrate the moment and to give those of us | 0:28:12 | 0:28:15 | |
who see in the New Year at home | 0:28:15 | 0:28:17 | |
the chance to feel as if we're part of something bigger. | 0:28:17 | 0:28:20 | |
Lang may their lums reek | 0:28:20 | 0:28:23 | |
and lang may their accordions creak! | 0:28:23 | 0:28:25 | |
SCOTTISH REEL MUSIC PLAYS | 0:28:27 | 0:28:30 | |
Subtitles by Red Bee Media Ltd | 0:28:42 | 0:28:44 | |
A Happy New Year to all my friends, wherever they may be. | 0:28:51 | 0:28:55 |