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June 11th, 1955. | 0:00:02 | 0:00:03 | |
The most prestigious event in motor racing is under way. | 0:00:03 | 0:00:07 | |
For an entire day, the world's greatest drivers | 0:00:08 | 0:00:12 | |
are pitted against each other in the Vingt Quatre Heures du Mans, | 0:00:12 | 0:00:16 | |
known the world over simply as Le Mans. | 0:00:16 | 0:00:19 | |
Hundreds of thousands of spectators, many British, | 0:00:23 | 0:00:26 | |
are packed around the narrow track, | 0:00:26 | 0:00:28 | |
eager to witness 120 daredevil drivers battle it out | 0:00:28 | 0:00:32 | |
in the fastest cars the world has ever seen. | 0:00:32 | 0:00:36 | |
The 1955 race promised to be a dazzling chapter in the history of this glamorous event. | 0:00:38 | 0:00:45 | |
Instead, it was destined to be remembered | 0:00:45 | 0:00:47 | |
as the most catastrophic event in motor racing history. | 0:00:47 | 0:00:51 | |
A sporting tragedy on an unprecedented scale, | 0:00:53 | 0:00:57 | |
leaving scores dead and many more fighting for their lives. | 0:00:57 | 0:01:01 | |
Next to me the guy's shoulder was decapitated. | 0:01:10 | 0:01:12 | |
Using never seen before home movies, | 0:01:19 | 0:01:21 | |
amateur photos and firsthand accounts of those involved. | 0:01:21 | 0:01:25 | |
-He was out of control. -"Bloody hell," he said, "this is suicide." | 0:01:25 | 0:01:28 | |
This is the inside story of how what should have been Le Mans' | 0:01:28 | 0:01:32 | |
most exhilarating race came to be remembered as The Deadliest Crash. | 0:01:32 | 0:01:37 | |
The 1950s. | 0:01:50 | 0:01:52 | |
After periods of economic depression and wartime austerity, | 0:01:52 | 0:01:56 | |
a new wave of optimism was sweeping across Europe. | 0:01:56 | 0:02:00 | |
And with it came a renewed appetite for sporting spectacle. | 0:02:00 | 0:02:03 | |
Tailor-made to satisfy this hunger, | 0:02:03 | 0:02:06 | |
were the thrills and spills of motor racing. | 0:02:06 | 0:02:08 | |
This was to be the golden decade - | 0:02:08 | 0:02:11 | |
an era when motor racing truly came of age. | 0:02:11 | 0:02:15 | |
I love speed. | 0:02:18 | 0:02:19 | |
The faster they are, they better. | 0:02:22 | 0:02:24 | |
I could do it all day, beautiful. | 0:02:28 | 0:02:32 | |
It's a challenge and it's tough and it's difficult. | 0:02:32 | 0:02:35 | |
It's trying and it's stressful and demanding. | 0:02:35 | 0:02:39 | |
It's everything. | 0:02:39 | 0:02:42 | |
It's life, you know, condensed. | 0:02:42 | 0:02:45 | |
To say I passed a Mercedes at 192 miles per hour. | 0:02:48 | 0:02:53 | |
Beautiful, excellent. | 0:02:53 | 0:02:55 | |
For any rising star of the era | 0:02:55 | 0:02:57 | |
there was one victory that could not be equalled. | 0:02:57 | 0:03:00 | |
To be on the podium at Le Mans, the biggest race in the world, | 0:03:00 | 0:03:04 | |
was every driver's dream. | 0:03:04 | 0:03:06 | |
For American driver John Fitch, | 0:03:06 | 0:03:09 | |
now 92, 1955 was his year to grab the spotlight. | 0:03:09 | 0:03:14 | |
Did we want to win in Le Mans? | 0:03:14 | 0:03:15 | |
Everyone who goes to Le Mans wants to win, of course, yes. | 0:03:15 | 0:03:19 | |
Norman Dewis, now 89, was also there challenging for the title. | 0:03:19 | 0:03:25 | |
Since its origin in 1923, | 0:03:30 | 0:03:32 | |
the 24-hour event had become one of the toughest | 0:03:32 | 0:03:35 | |
and most dangerous events in the season. | 0:03:35 | 0:03:38 | |
Consequently it had become the most respected meeting in the sport. | 0:03:38 | 0:03:41 | |
And in 1955 all the elements were in place for a monumental race. | 0:03:41 | 0:03:47 | |
The 24-hour endurance race at Le Mans in northern France | 0:03:50 | 0:03:53 | |
was designed as a harsher, more demanding race than Grand Prix. | 0:03:53 | 0:03:57 | |
It set out to cram more racing into one day | 0:03:57 | 0:04:00 | |
than a whole season of Formula One. | 0:04:00 | 0:04:02 | |
It challenged manufactures to field cars that were not only fast | 0:04:03 | 0:04:08 | |
but reliable. | 0:04:08 | 0:04:09 | |
The car that has finished the most laps after 24 hours wins the race. | 0:04:09 | 0:04:14 | |
The top teams often entered not one but three cars, | 0:04:14 | 0:04:17 | |
each car with two drivers. | 0:04:17 | 0:04:19 | |
They hope that one of these cars will be strong enough | 0:04:19 | 0:04:22 | |
to survive racing flat out non-stop for an entire day and win the race. | 0:04:22 | 0:04:28 | |
Le Mans is more of a strategy. | 0:04:28 | 0:04:31 | |
It takes a tremendous amount of preparation | 0:04:31 | 0:04:35 | |
and thought to win Le Mans and also it needs a lot of luck. | 0:04:35 | 0:04:41 | |
Le Mans provided a spectacle | 0:04:43 | 0:04:45 | |
that television and cinema were taking to the rest of the world. | 0:04:45 | 0:04:49 | |
Suddenly, the greatest drivers and manufacturers were attracted | 0:04:49 | 0:04:53 | |
to the event that offered a brilliant marketing opportunity. | 0:04:53 | 0:04:56 | |
Win the race on Sunday and you'd sell cars on the Monday. | 0:04:56 | 0:05:01 | |
Very few races capture | 0:05:04 | 0:05:06 | |
that fact that it is such a massive social | 0:05:06 | 0:05:09 | |
gathering and event, | 0:05:09 | 0:05:12 | |
triggered by | 0:05:13 | 0:05:15 | |
the race, which is a great race. | 0:05:15 | 0:05:18 | |
It's THE event, | 0:05:18 | 0:05:20 | |
the event of the year. | 0:05:20 | 0:05:22 | |
The world's most influential manufacturers, Ferrari, Maserati, | 0:05:29 | 0:05:34 | |
Aston Martin, Jaguar, Mercedes, | 0:05:34 | 0:05:36 | |
vied with one another to showcase | 0:05:36 | 0:05:39 | |
their most dazzling technical innovations. | 0:05:39 | 0:05:42 | |
1955 was shaping up to be a special year. | 0:05:42 | 0:05:46 | |
A great head-to-head battle was on the cards. | 0:05:46 | 0:05:49 | |
Two arch rivals stood out. | 0:05:49 | 0:05:51 | |
Jaguar and Mercedes. | 0:05:51 | 0:05:53 | |
It was to be billed as World War II on the track. | 0:05:55 | 0:05:58 | |
I think you could say it was World War II on the track. | 0:05:58 | 0:06:01 | |
It was certainly | 0:06:04 | 0:06:05 | |
Britain versus Germany, in what had been occupied France... | 0:06:05 | 0:06:09 | |
..at a time when the British car industry was very strong... | 0:06:11 | 0:06:14 | |
..with worldwide sales and worldwide reputation | 0:06:15 | 0:06:19 | |
and Jaguar was a very exotic name. | 0:06:19 | 0:06:22 | |
And Mercedes were coming back | 0:06:22 | 0:06:23 | |
after the factory was smashed during the war. | 0:06:23 | 0:06:26 | |
So, in a sense, it was Jaguar trying | 0:06:26 | 0:06:31 | |
to maintain what they had against the Germans, | 0:06:31 | 0:06:35 | |
who were emerging so strongly. | 0:06:35 | 0:06:38 | |
Since the beginning of Le Mans in 1923, | 0:06:42 | 0:06:45 | |
the British had won almost half the races. | 0:06:45 | 0:06:48 | |
Jaguar had recently become the most dominant force, | 0:06:48 | 0:06:52 | |
winning in 1951 and 1953. | 0:06:52 | 0:06:55 | |
Jaguar was a small company with big ambitions to produce the world's | 0:06:55 | 0:06:59 | |
best sports cars, both for the track | 0:06:59 | 0:07:01 | |
and more importantly for consumers. | 0:07:01 | 0:07:04 | |
To stamp their dominance in 1955, | 0:07:04 | 0:07:06 | |
they returned with the fastest car | 0:07:06 | 0:07:09 | |
they had ever made - | 0:07:09 | 0:07:10 | |
the long nose D-type. | 0:07:10 | 0:07:12 | |
It's so tempting to go into stereotypes, but I will do. | 0:07:18 | 0:07:23 | |
The Jaguar looked somehow more feline | 0:07:23 | 0:07:27 | |
and the Mercedes looked much more | 0:07:27 | 0:07:31 | |
somehow squarer, solid, reliable. | 0:07:31 | 0:07:36 | |
In that sense perhaps more Germanic. | 0:07:36 | 0:07:40 | |
So when you look at the two cars, | 0:07:40 | 0:07:42 | |
you are looking at two different styles, two different approaches | 0:07:42 | 0:07:46 | |
to the same problem of making a car go fast. | 0:07:46 | 0:07:49 | |
After the war, Germany and Mercedes Benz returned to motor racing | 0:07:49 | 0:07:54 | |
to win the Grand Prix championship. | 0:07:54 | 0:07:56 | |
They were thought unstoppable and held prestigious prizes | 0:07:56 | 0:08:00 | |
like the world speed record. | 0:08:00 | 0:08:02 | |
Alongside their ambitions to dominate car manufacturing, | 0:08:02 | 0:08:06 | |
Mercedes Benz and its Silver Arrow team | 0:08:06 | 0:08:08 | |
were out to smash the stranglehold the British had on Le Mans. | 0:08:08 | 0:08:11 | |
It was always recognised with the spectators this is going | 0:08:11 | 0:08:17 | |
to be a race and a half, when there is Mercedes with Jaguar. | 0:08:17 | 0:08:21 | |
With this intense, escalating rivalry, | 0:08:21 | 0:08:25 | |
the 1955 Le Mans was set up to be a thrilling race. | 0:08:25 | 0:08:28 | |
300,000 spectators were piling through the turnstiles. | 0:08:28 | 0:08:34 | |
Bernard Chotard is a lifelong fan of Le Mans. | 0:08:34 | 0:08:37 | |
The race colours some of his earliest memories. | 0:08:37 | 0:08:41 | |
Bernard and his wife, Jacqueline, | 0:08:58 | 0:09:01 | |
had married just eight days before the 1955 Le Mans. | 0:09:01 | 0:09:05 | |
Going to the race was a part of their honeymoon celebrations. | 0:09:05 | 0:09:08 | |
For Giselle Pasquier and her husband, Henri, | 0:09:49 | 0:09:52 | |
it was also a special outing. | 0:09:52 | 0:09:53 | |
Jacques Grelley always dreamed of being a racing driver. | 0:10:32 | 0:10:35 | |
He loved the event and went every year. | 0:10:35 | 0:10:37 | |
Just like a show. | 0:10:39 | 0:10:40 | |
Everybody walked with a bottle of wine in their hand | 0:10:40 | 0:10:43 | |
or a bottle of champagne. | 0:10:43 | 0:10:44 | |
People were drinking, happy, watching the race. | 0:10:44 | 0:10:47 | |
Some were not even looking at the race, just talking. | 0:10:47 | 0:10:51 | |
It's mostly the atmosphere of a fair. | 0:10:51 | 0:10:54 | |
Women were very well dressed, | 0:10:56 | 0:10:58 | |
most of the men come dressed with ties. A show. | 0:10:58 | 0:11:03 | |
The Circuit de la Sarthe was and remains | 0:11:19 | 0:11:21 | |
the largest track in the world | 0:11:21 | 0:11:23 | |
and features the legendary four-mile long Mulsanne straight, | 0:11:23 | 0:11:27 | |
the longest and fastest racing | 0:11:27 | 0:11:29 | |
straight of any circuit in the world, | 0:11:29 | 0:11:32 | |
where cars in the 1950s were already approaching 190 miles per hour. | 0:11:32 | 0:11:37 | |
There are fewer corners compared to most circuits. | 0:11:37 | 0:11:40 | |
Le Mans bends are tight after incredibly fast straights. | 0:11:40 | 0:11:44 | |
This stresses the cars and especially, over 24 hours, | 0:11:44 | 0:11:48 | |
the drivers. | 0:11:48 | 0:11:49 | |
An added challenge for the drivers is that Le Mans is not a purpose-built race track. | 0:11:49 | 0:11:54 | |
The Circuit de la Sarthe is made up of country lanes. | 0:11:54 | 0:11:58 | |
The Le Mans surface, unlike most racing tracks | 0:11:58 | 0:12:02 | |
which are smooth and clean, is rough and lethal. | 0:12:02 | 0:12:05 | |
In addition, the course is surrounded by trees | 0:12:05 | 0:12:08 | |
and other hazards, | 0:12:08 | 0:12:09 | |
all threats to racing drivers travelling at full throttle. | 0:12:09 | 0:12:13 | |
Le Mans is also unique | 0:12:13 | 0:12:14 | |
in that different classes of car race at the same time. | 0:12:14 | 0:12:18 | |
Some high speed, like the racing Jaguar, some low speed, | 0:12:18 | 0:12:21 | |
like the road-going Austin Healey. | 0:12:21 | 0:12:24 | |
This means there is a lot of overtaking, | 0:12:24 | 0:12:26 | |
which delights the fans and challenges the drivers. | 0:12:26 | 0:12:29 | |
But when there are cars of vastly different speeds | 0:12:29 | 0:12:32 | |
racing on the same track, | 0:12:32 | 0:12:34 | |
there could be serious consequences. | 0:12:34 | 0:12:36 | |
People go to a race because it's dangerous. | 0:12:36 | 0:12:40 | |
Tertre Rouge was always packed | 0:12:40 | 0:12:42 | |
because they expected at that place that | 0:12:42 | 0:12:44 | |
always one car or more car would lose control and hit the wall. | 0:12:44 | 0:12:49 | |
I think most people that go probably expect to see one. | 0:12:49 | 0:12:53 | |
It's expected of it. | 0:12:53 | 0:12:55 | |
There's was one poor sod carted off dead. | 0:12:58 | 0:13:01 | |
It livens it up if it happens in front of you. | 0:13:04 | 0:13:07 | |
At the end of the Mulsanne straight, | 0:13:09 | 0:13:12 | |
where you turn right, you really have to push the brakes very hard | 0:13:12 | 0:13:16 | |
to make it and if you didn't make it you're on a sand bank | 0:13:16 | 0:13:20 | |
and here you fly over the sand bank. | 0:13:20 | 0:13:22 | |
While these circumstances | 0:13:22 | 0:13:24 | |
might provide endless thrills for the crowd, | 0:13:24 | 0:13:27 | |
they could be a matter of life and death for the drivers. | 0:13:27 | 0:13:30 | |
In the '50s, track and car safety was all but absent, | 0:13:33 | 0:13:37 | |
drivers preferring not to have seat belts, | 0:13:37 | 0:13:40 | |
believing it was better | 0:13:40 | 0:13:42 | |
to be thrown from a wreck than remain in it on impact. | 0:13:42 | 0:13:45 | |
Drivers were killed. | 0:13:45 | 0:13:47 | |
Probably used to get at least two or three a year. | 0:13:47 | 0:13:52 | |
We lost friends every season, which is almost unheard of now. | 0:13:52 | 0:14:00 | |
It says on your ticket that motor racing is dangerous, on the back. | 0:14:01 | 0:14:06 | |
I don't take any notice of it. | 0:14:07 | 0:14:10 | |
By 1955, seven drivers had already been killed at Le Mans. | 0:14:10 | 0:14:15 | |
Anybody who measures their desires against their own life | 0:14:15 | 0:14:19 | |
has to be respected, | 0:14:19 | 0:14:21 | |
and in an era where a lot got killed respected even more. | 0:14:21 | 0:14:25 | |
The levels of danger set motor racing apart from all other sports. | 0:14:25 | 0:14:30 | |
The cult of the legendary driver was born. | 0:14:30 | 0:14:33 | |
None were greater than Juan Manuel Fangio, nicknamed El Maestro. | 0:14:36 | 0:14:42 | |
He was on his way to winning the world championship five times, | 0:14:42 | 0:14:45 | |
a record that would remain his for over 45 years. | 0:14:45 | 0:14:49 | |
With his graceful and fluid racing style, | 0:14:49 | 0:14:52 | |
Fangio was soon to become the best driver of all time. | 0:14:52 | 0:14:55 | |
He was an absolute presence, | 0:14:55 | 0:14:59 | |
he was phenomenal | 0:14:59 | 0:15:02 | |
and he was a thoroughly good person. | 0:15:02 | 0:15:07 | |
He was from nowhere, absolutely nowhere. | 0:15:07 | 0:15:10 | |
He was a mechanic for years and years before he got in a decent car. | 0:15:10 | 0:15:16 | |
He began his career almost in middle age because of the war, | 0:15:16 | 0:15:19 | |
a gentlemanly figure, slightly portly... | 0:15:19 | 0:15:24 | |
very dignified looking man. | 0:15:24 | 0:15:27 | |
And he won race after race after race. | 0:15:27 | 0:15:30 | |
However, Fangio had yet to conquer the demands | 0:15:30 | 0:15:33 | |
of the 24 hours of Le Mans, | 0:15:33 | 0:15:35 | |
failing to finish here three times before. | 0:15:35 | 0:15:38 | |
He was out to prove himself. | 0:15:38 | 0:15:40 | |
Fangio was Mercedes' star man. | 0:15:40 | 0:15:43 | |
But each car needed two drivers to take shifts over the 24 hours. | 0:15:43 | 0:15:48 | |
Fangio's co-driver was Stirling Moss. | 0:15:48 | 0:15:52 | |
Stirling Moss was then a rising prospect in Formula One and sports car racing. | 0:15:52 | 0:15:57 | |
He was already one of Britain's best known | 0:15:57 | 0:15:59 | |
and most highly skilled drivers. | 0:15:59 | 0:16:02 | |
This was Mercedes' number one pairing | 0:16:02 | 0:16:04 | |
but because of the uncertainty of cars surviving this harsh contest, | 0:16:04 | 0:16:08 | |
many crashing or breaking down, | 0:16:08 | 0:16:11 | |
top teams often entered more than one car. | 0:16:11 | 0:16:14 | |
In 1955, Mercedes entered three. | 0:16:14 | 0:16:18 | |
American John Fitch | 0:16:18 | 0:16:19 | |
was selected to race that day in the second Mercedes Benz. | 0:16:19 | 0:16:23 | |
I had one opportunity. | 0:16:23 | 0:16:25 | |
Here I was, a member of what was thought to be the most successful | 0:16:25 | 0:16:32 | |
and effective racing team. | 0:16:32 | 0:16:35 | |
And I was on that team. | 0:16:35 | 0:16:36 | |
It was... | 0:16:36 | 0:16:38 | |
the opportunity of a lifetime. | 0:16:38 | 0:16:40 | |
And I had to be very sure that I turned in my best performance. | 0:16:40 | 0:16:48 | |
This was the big one, this was the grand opportunity | 0:16:48 | 0:16:52 | |
which I was very fortunate to get. | 0:16:52 | 0:16:55 | |
The talent in the Mercedes team ran deep, | 0:16:56 | 0:16:59 | |
drawing on names from across the world. | 0:16:59 | 0:17:01 | |
Co-driving with John Fitch in the second Mercedes | 0:17:01 | 0:17:05 | |
was French icon Pierre Levegh. | 0:17:05 | 0:17:07 | |
At 50, he was older than Fangio, | 0:17:07 | 0:17:10 | |
and had driven more miles at Le Mans than any other driver there, | 0:17:10 | 0:17:14 | |
but despite having competed several times, almost winning | 0:17:14 | 0:17:18 | |
single handedly in 1952, he had never won at Le Mans. | 0:17:18 | 0:17:23 | |
He was a folk hero for the French, | 0:17:23 | 0:17:25 | |
a fact not lost on Mercedes team boss Naubauer. | 0:17:25 | 0:17:29 | |
They had Levegh as a great gesture to France. | 0:17:29 | 0:17:34 | |
A heroic French figure who had tried to win it by himself was | 0:17:34 | 0:17:37 | |
now being given a chance in front of a French crowd in France to win it. | 0:17:37 | 0:17:42 | |
He was called the Bishop, | 0:17:42 | 0:17:45 | |
privately among other drivers, | 0:17:45 | 0:17:47 | |
not to his face, because he was rather solemn, | 0:17:47 | 0:17:52 | |
and he was an old guy. He was 50 years old. | 0:17:52 | 0:17:56 | |
He was a good driver. I know that. | 0:17:57 | 0:18:00 | |
Levegh was in hallowed company and completed a formidable line up. | 0:18:00 | 0:18:05 | |
It made Mercedes Benz the team to beat. | 0:18:05 | 0:18:08 | |
The press believing nothing could challenge the combination | 0:18:08 | 0:18:12 | |
of Moss and Fangio. | 0:18:12 | 0:18:13 | |
Yet Jaguar had an ace up their sleeve. | 0:18:13 | 0:18:17 | |
Their very own British rising star. | 0:18:17 | 0:18:19 | |
A driver that had no intention of letting a German company take all the glory. | 0:18:19 | 0:18:24 | |
The British selected Mike Hawthorn as its number one driver, | 0:18:24 | 0:18:29 | |
one of the greatest mavericks the sport has ever known. | 0:18:29 | 0:18:33 | |
Hawthorn, only 26-years-old, | 0:18:33 | 0:18:35 | |
was already on his way to becoming a motor racing hero. | 0:18:35 | 0:18:39 | |
Mike Hawthorn was everybody's idea of a public school boy. | 0:18:39 | 0:18:43 | |
He drove in a bow tie, even Grands Prix he wore a bowtie. | 0:18:43 | 0:18:47 | |
Behind the wheel of the best cars, Hawthorn was the young turk on the international circuit, | 0:18:47 | 0:18:52 | |
achieving podium places at Grand Prix level. | 0:18:52 | 0:18:56 | |
He was a real threat to Fangio. | 0:18:56 | 0:18:58 | |
But it was not just his reputation as a talented driver | 0:18:58 | 0:19:02 | |
which set Hawthorn apart from the crowd. | 0:19:02 | 0:19:05 | |
Mike would go out and have a party night | 0:19:05 | 0:19:07 | |
and then get up and get in the car and race, you know? | 0:19:07 | 0:19:10 | |
Carefree and flamboyant, | 0:19:10 | 0:19:11 | |
Hawthorn seemed the epitome of the light-hearted gentleman amateur, | 0:19:11 | 0:19:16 | |
racing for the pure enjoyment of competition, | 0:19:16 | 0:19:19 | |
and living life to the full. | 0:19:19 | 0:19:20 | |
But there was another side to the man, a side that | 0:19:20 | 0:19:24 | |
did not always endear him to some of his fellow racing drivers. | 0:19:24 | 0:19:29 | |
He did have this sort of low ebb sometimes. | 0:19:29 | 0:19:32 | |
He had a kidney complaint, he'd had one kidney taken away anyway | 0:19:32 | 0:19:36 | |
and the other one wasn't doing too good. | 0:19:36 | 0:19:38 | |
He was on a time scale of about... | 0:19:38 | 0:19:40 | |
They reckoned he'd got about three years to live. | 0:19:40 | 0:19:44 | |
Fully aware of his own mortality, | 0:19:46 | 0:19:49 | |
Hawthorn was living life on the edge. | 0:19:49 | 0:19:52 | |
Like Mercedes, Jaguar also entered three cars, | 0:20:01 | 0:20:05 | |
but this British team only had British drivers. | 0:20:05 | 0:20:08 | |
Hawthorn's co-driver was Le Mans newcomer Ivor Bueb. | 0:20:08 | 0:20:12 | |
Tony Rolt and Duncan Hamilton were in the second Jaguar | 0:20:12 | 0:20:16 | |
and in the third, Don Beauman and Norman Dewis. | 0:20:16 | 0:20:20 | |
All would have to be at their best | 0:20:20 | 0:20:22 | |
if they were to have a chance of beating Mercedes Benz. | 0:20:22 | 0:20:26 | |
Manager Lofty England knew, however, that apart from Hawthorn, | 0:20:26 | 0:20:30 | |
the Jaguar drivers were not in the same league as Fangio and Moss. | 0:20:30 | 0:20:36 | |
And what it meant was that Hawthorn couldn't win | 0:20:36 | 0:20:38 | |
because whenever he handed the over to Bueb, | 0:20:38 | 0:20:41 | |
Fangio would be handing over to Moss | 0:20:41 | 0:20:44 | |
and Ivor Bueb couldn't live with Stirling Moss, not over hours and hours and hours. | 0:20:44 | 0:20:49 | |
Ivor Bueb was very, very concerned about | 0:20:49 | 0:20:52 | |
the speeds he was going to do. | 0:20:52 | 0:20:54 | |
He'd never been up in that speed range before. | 0:20:54 | 0:20:57 | |
Going down that Mulsanne he said, "It's a bit scary," he said, | 0:20:57 | 0:21:02 | |
"Getting up in the 180 mile an hour stuff." | 0:21:02 | 0:21:05 | |
The spectators were all too aware of the tension building between the rival teams. | 0:21:05 | 0:21:11 | |
As the countdown to the starter's flag continued | 0:21:11 | 0:21:14 | |
they scrambled to get the best view. | 0:21:14 | 0:21:16 | |
Overlooking the pit area was the most prized position. | 0:21:16 | 0:21:20 | |
Le Mans really starts at 9am on Saturday. | 0:21:22 | 0:21:27 | |
When the people start to come | 0:21:27 | 0:21:29 | |
and choose their place where they are going to be. | 0:21:29 | 0:21:32 | |
Some people want to be right in front of the protection wall, | 0:21:32 | 0:21:37 | |
just behind the pressing, nobody is going to be in front of us. | 0:21:37 | 0:21:41 | |
I was mostly in front of the grandstand. | 0:21:56 | 0:21:59 | |
To see when the car arrive, | 0:21:59 | 0:22:01 | |
to see how fast the driver get out of his car, get on the wall, | 0:22:01 | 0:22:06 | |
how fast the mechanic was able to change the tyre, refuel, | 0:22:06 | 0:22:10 | |
until the car is speeding, leaving again. | 0:22:10 | 0:22:13 | |
That always fascinated me. | 0:22:13 | 0:22:15 | |
With tickets at only four francs a piece, the main grandstand on the | 0:22:35 | 0:22:38 | |
pit start straight was accessible to everybody. | 0:22:38 | 0:22:41 | |
The low picket fences meant an uninterrupted view of the action | 0:22:42 | 0:22:46 | |
and as the sun shone down it filled to capacity. | 0:22:46 | 0:22:50 | |
Ten minutes to start time, | 0:22:59 | 0:23:01 | |
the moment everyone has been waiting for. | 0:23:01 | 0:23:04 | |
In all, 60 cars take their place to be raced by 120 drivers. | 0:23:04 | 0:23:10 | |
When the cars are wheeled to their starting positions, | 0:23:16 | 0:23:20 | |
the fastest go to the top of the line, | 0:23:20 | 0:23:23 | |
Ferrari, Mercedes and Jaguar. | 0:23:23 | 0:23:27 | |
Behind the scenes, the teams secretly worked on tactics | 0:23:29 | 0:23:32 | |
to outwit the opposition. | 0:23:32 | 0:23:34 | |
For Jaguar, Lofty England came up with a radical | 0:23:34 | 0:23:37 | |
plan to combat Mercedes' ability to take a race dominating lead. | 0:23:37 | 0:23:41 | |
They could not match them driver for driver | 0:23:41 | 0:23:44 | |
but they might be able to turn Mercedes' advantage into a weakness | 0:23:44 | 0:23:49 | |
in order to win a team victory. | 0:23:49 | 0:23:51 | |
The only way Hawthorn could conceivably win, | 0:23:51 | 0:23:54 | |
or Jaguar could win, | 0:23:54 | 0:23:55 | |
was for Hawthorn to go out and try and blow up the Fangio car | 0:23:55 | 0:23:59 | |
by stretching it so far it simply blew up | 0:23:59 | 0:24:01 | |
and this apparently was the tactic they adopted. | 0:24:01 | 0:24:05 | |
It was a strategy fraught with risk. | 0:24:05 | 0:24:08 | |
Right from the race start the pressure was on Mike Hawthorn to | 0:24:08 | 0:24:11 | |
lure and stretch Fangio's car beyond its mechanical limits. | 0:24:11 | 0:24:15 | |
The Le Mans start is one of the most charged in motor racing. | 0:24:23 | 0:24:26 | |
The drivers stood waiting on the tarmac | 0:24:26 | 0:24:29 | |
find it difficult to concentrate and focus. | 0:24:29 | 0:24:32 | |
There's this plateau. | 0:24:32 | 0:24:33 | |
The race takes over, the event. | 0:24:33 | 0:24:36 | |
And it's full, you can't move and all the flags are up. | 0:24:36 | 0:24:40 | |
It just builds up and builds up to this crescendo. | 0:24:40 | 0:24:45 | |
The 1955 crowd is the largest ever seen at Le Mans. | 0:24:46 | 0:24:51 | |
The crowd does get to you a bit. | 0:24:53 | 0:24:56 | |
It's probably one of the biggest spectator races, | 0:24:56 | 0:25:00 | |
you get 300,000 there and that's a lot people. | 0:25:00 | 0:25:04 | |
So you look across to the grandstand | 0:25:04 | 0:25:06 | |
and the grandstand is packed with people. | 0:25:06 | 0:25:09 | |
It's all about how fast the drivers can run to their cars and get away. | 0:25:09 | 0:25:13 | |
Everyone is watching the starter's flag. | 0:25:16 | 0:25:18 | |
It goes quiet, and, you know, with a huge crowd like that | 0:25:18 | 0:25:22 | |
you can just hear the fluttering of the flags. | 0:25:22 | 0:25:26 | |
The tricolour comes down | 0:25:32 | 0:25:34 | |
and 60 drivers sprint across the track and leap into their cars. | 0:25:34 | 0:25:38 | |
From that silence moments earlier | 0:25:40 | 0:25:42 | |
to this sort of sea of | 0:25:42 | 0:25:45 | |
action and sound. | 0:25:45 | 0:25:48 | |
There are no seat belts to don, nothing to slow them down. | 0:25:49 | 0:25:54 | |
Engines roar into life and cars accelerate away. | 0:25:54 | 0:25:58 | |
All except Fangio, who is stranded - | 0:25:58 | 0:26:01 | |
his trousers stuck on his gear stick. | 0:26:01 | 0:26:03 | |
Everyone is expecting their usual jockeying for position | 0:26:05 | 0:26:09 | |
and a settling down as the front runners open up a lead ready for the long haul. | 0:26:09 | 0:26:13 | |
It is clear right from the start, however, | 0:26:13 | 0:26:16 | |
that this race is not going to be like that. | 0:26:16 | 0:26:19 | |
Right away, Hawthorn is in second place, soon chasing the lead. | 0:26:19 | 0:26:24 | |
After a poor start, Fangio has to battle through a mass of cars, | 0:26:24 | 0:26:28 | |
but neither Hawthorn or Fangio are concerned about other cars. | 0:26:28 | 0:26:33 | |
They know that this is a race between the mighty Mercedes | 0:26:33 | 0:26:37 | |
and the unbreakable Jaguar. | 0:26:37 | 0:26:39 | |
The Jaguar plan is put into action. | 0:26:39 | 0:26:41 | |
Mike Hawthorn goes flat out. | 0:26:41 | 0:26:43 | |
Fangio, El Maestro, | 0:26:43 | 0:26:45 | |
is under pressure to respond. | 0:26:45 | 0:26:48 | |
Fangio's instructions were to race, | 0:26:48 | 0:26:52 | |
not to run at an even pace and get to the end, race, race as you want. | 0:26:52 | 0:26:57 | |
So he was a racer, Hawthorn was a racer, so they set off, | 0:26:57 | 0:27:01 | |
they sprinted into the ultimate endurance test. | 0:27:01 | 0:27:05 | |
Fangio and Hawthorn seemed to forget that there was a 24-hour race. | 0:27:05 | 0:27:08 | |
For the first... | 0:27:08 | 0:27:10 | |
nearly two hours it was just an out and out Grand Prix. | 0:27:10 | 0:27:14 | |
Every lap | 0:27:14 | 0:27:16 | |
Fangio was leading or Hawthorn was leading | 0:27:16 | 0:27:19 | |
and they were breaking the lap record consistently lap after lap. | 0:27:19 | 0:27:24 | |
The two were dicing, dicing, | 0:27:24 | 0:27:26 | |
and Hawthorn had so much guts in those days, he really had guts. | 0:27:26 | 0:27:30 | |
A driver of that calibre always intends to win a race, | 0:27:30 | 0:27:36 | |
and he has to go to considerable... | 0:27:36 | 0:27:40 | |
lengths in effort, in willpower, | 0:27:40 | 0:27:44 | |
pressing himself, | 0:27:44 | 0:27:47 | |
risking his life, | 0:27:47 | 0:27:49 | |
everything to win a race. | 0:27:49 | 0:27:51 | |
Just to hear those cars, the noise of the cars when | 0:27:59 | 0:28:02 | |
they were flat on the floor. | 0:28:02 | 0:28:04 | |
When you hear the noise | 0:28:04 | 0:28:06 | |
of the Ferrari passing by, the noise was fantastic | 0:28:06 | 0:28:10 | |
and the Mercedes had a lot of noise also. | 0:28:10 | 0:28:13 | |
It so happened that Hawthorn, | 0:28:23 | 0:28:25 | |
who on that day equalled the driving ability of Fangio, | 0:28:25 | 0:28:30 | |
he was equally...as good as Fangio, | 0:28:30 | 0:28:32 | |
neither one of those two could get ahead and get a good lead. | 0:28:32 | 0:28:37 | |
Fangio was... | 0:28:37 | 0:28:39 | |
what... | 0:28:39 | 0:28:40 | |
three feet behind the Jaguar, not even, | 0:28:40 | 0:28:43 | |
sometimes they were going to touch. | 0:28:43 | 0:28:46 | |
If Hawthorn had put his foot up a little bit | 0:28:46 | 0:28:48 | |
I'm sure Fangio would give him a push. | 0:28:48 | 0:28:51 | |
It generated a self-sustaining atmosphere | 0:29:06 | 0:29:10 | |
of going faster and faster and faster, | 0:29:10 | 0:29:13 | |
with a huge crowd, perhaps 300,000, | 0:29:13 | 0:29:15 | |
getting more and more intoxicated as this duel went on. | 0:29:15 | 0:29:19 | |
Who is going to break first, Fangio or Hawthorn? | 0:29:19 | 0:29:22 | |
One of the two, | 0:29:22 | 0:29:23 | |
at the speed they were going, one of the two has to break down. | 0:29:23 | 0:29:28 | |
It was certainly the notion that we must beat the Germans | 0:29:44 | 0:29:47 | |
and several people have told me that the French, who of course | 0:29:47 | 0:29:50 | |
do remember the occupation, were absolutely thrilled | 0:29:50 | 0:29:54 | |
that the Jaguar was doing this to a German team. | 0:29:54 | 0:29:56 | |
So that added another dimension to it. | 0:29:56 | 0:29:58 | |
This, however, was not just World War II on the track. | 0:30:02 | 0:30:06 | |
It was also a confrontation between David and Goliath. | 0:30:06 | 0:30:09 | |
The Mercedes 300 SLR was produced by a battalion of engineers, | 0:30:09 | 0:30:13 | |
backed by of one of the world's | 0:30:13 | 0:30:14 | |
most powerful manufacturers in the heart of industrial Germany. | 0:30:14 | 0:30:20 | |
The D-type Jaguar was engineered by 14 men in Coventry. | 0:30:20 | 0:30:25 | |
But both companies had produced cars packed with innovation, | 0:30:25 | 0:30:30 | |
utilising the most advanced technology. | 0:30:30 | 0:30:33 | |
The difference between the D-type Jaguar and the 300 SLR Mercedes | 0:30:33 | 0:30:40 | |
was the difference between day and night. | 0:30:40 | 0:30:43 | |
The 300 SLR was a complete revolution in design and in concept. | 0:30:43 | 0:30:50 | |
The 300 SLR's sleek body shape owed its success to a unique chassis. | 0:30:50 | 0:30:55 | |
It was constructed on a revolutionary space frame principal, | 0:30:55 | 0:31:00 | |
a rigid structure made from interlocking struts | 0:31:00 | 0:31:04 | |
in a geometric pattern. | 0:31:04 | 0:31:05 | |
With magnesium body panels, | 0:31:05 | 0:31:07 | |
it was incredibly light and extremely strong. | 0:31:07 | 0:31:11 | |
It was designed by a genius whose name was Rudolph Ulenhaut. | 0:31:11 | 0:31:17 | |
The 300 SLR had a three litre, eight cylinder Formula One engine, | 0:31:17 | 0:31:22 | |
relatively small compared to other top cars at Le Mans. | 0:31:22 | 0:31:26 | |
But its cutting edge technology, | 0:31:26 | 0:31:27 | |
such as desmodromic valves | 0:31:27 | 0:31:29 | |
and a specially developed fuel injection system, | 0:31:29 | 0:31:33 | |
gave the engine 310 horse power - a lot for its size. | 0:31:33 | 0:31:37 | |
This was effectively a Grand Prix car with a sports car body. | 0:31:37 | 0:31:41 | |
The Jaguar D-type had a larger 3.4 litre engine with 295 horse power. | 0:31:41 | 0:31:48 | |
It also had an innovative chassis and body and was available as a road car as well as a racer. | 0:31:48 | 0:31:54 | |
Jaguar may not have had the financial resources of Mercedes, | 0:31:54 | 0:31:58 | |
but, by reputation, | 0:31:58 | 0:31:59 | |
they were able to attract the most creative engineers and designers. | 0:31:59 | 0:32:03 | |
Malcolm Sayer, he brought the aircraft principal into the D type. | 0:32:03 | 0:32:07 | |
They bolted a sub frame onto the bulkhead | 0:32:07 | 0:32:09 | |
and the engine was put into that sub frame. | 0:32:09 | 0:32:12 | |
So he adopted these principals way ahead of everybody else. | 0:32:12 | 0:32:16 | |
The Jaguar also incorporated an aerodynamic tail-plane at the rear | 0:32:16 | 0:32:21 | |
to give it superior stability at high speed. | 0:32:21 | 0:32:23 | |
But the biggest difference was the Jaguar's brakes. | 0:32:23 | 0:32:27 | |
The disc brakes were highly developed by British manufacturers. | 0:32:27 | 0:32:32 | |
They were not so highly developed by the German manufacturers, | 0:32:32 | 0:32:38 | |
so they didn't use them. | 0:32:38 | 0:32:40 | |
They used huge drum brakes, that's the old technology. | 0:32:40 | 0:32:43 | |
Mercedes were getting a bit near the bone, the speeds were going up | 0:32:43 | 0:32:49 | |
but the brakes could not match the performance to stop the car. | 0:32:49 | 0:32:53 | |
Mercedes' old-fashioned heavy drum brakes, prone to overheating, | 0:32:53 | 0:32:58 | |
seemed unlikely to last a 24-hour race. | 0:32:58 | 0:33:01 | |
Their radical solution? | 0:33:01 | 0:33:03 | |
An air-brake! | 0:33:03 | 0:33:05 | |
The driver pressed a button and the whole panel at the back of the car, | 0:33:05 | 0:33:11 | |
like a big boot lid, it came up vertical, | 0:33:11 | 0:33:14 | |
and that acted as an airbrake to slow the car down. | 0:33:14 | 0:33:18 | |
People like Moss realised very quickly | 0:33:18 | 0:33:20 | |
that you could use this air brake | 0:33:20 | 0:33:22 | |
to stabilise the car through corners. | 0:33:22 | 0:33:25 | |
So that in theory would have given it an enormous advantage, | 0:33:25 | 0:33:30 | |
excepting that Le Mans is not about corners, | 0:33:30 | 0:33:33 | |
it's really about naked speed and the Jaguar had that. | 0:33:33 | 0:33:38 | |
The Jaguar was...brutalised, | 0:33:49 | 0:33:53 | |
he didn't beat the car he brutalised the car. | 0:33:53 | 0:33:57 | |
Hawthorn was at the limit. | 0:33:57 | 0:33:59 | |
Hawthorn never accepted that a German car could pass a British car. | 0:34:06 | 0:34:10 | |
That's what he was doing, | 0:34:10 | 0:34:12 | |
dicing with a Mercedes, to be in front of that Mercedes. | 0:34:12 | 0:34:16 | |
It was his aim all the time to be in front. | 0:34:16 | 0:34:19 | |
I mean he did it time and time again, | 0:34:19 | 0:34:21 | |
he passed Fangio time and time again, and Fangio passed him. | 0:34:21 | 0:34:25 | |
They must have changed places well over a dozen times. | 0:34:25 | 0:34:28 | |
Hawthorn with no braking, you could see that he was not braking, | 0:34:28 | 0:34:32 | |
went straight past him | 0:34:32 | 0:34:33 | |
and when he braked for the Dunlop bridge the car snaked unbelievably. | 0:34:33 | 0:34:38 | |
He would be determined to beat that Mercedes at all costs. | 0:34:38 | 0:34:43 | |
The smell of the racing oil. | 0:34:51 | 0:34:54 | |
All the cars had racing oil in the car | 0:34:54 | 0:34:56 | |
and they passed by and it smells good! | 0:34:56 | 0:34:58 | |
Part of the armoury of being a driver | 0:35:13 | 0:35:16 | |
is almost a... | 0:35:16 | 0:35:18 | |
A sense of superiority or aloofness that... | 0:35:20 | 0:35:23 | |
..shows other drivers, don't mess with me | 0:35:25 | 0:35:28 | |
because I am the biggest dog here. | 0:35:28 | 0:35:30 | |
Race drivers don't really care how fast they are going. | 0:35:30 | 0:35:34 | |
We don't even have speedometers in the cars, we don't care. | 0:35:34 | 0:35:38 | |
All we want to know is if we are in control, that's all. | 0:35:38 | 0:35:42 | |
And we keep going faster and faster | 0:35:42 | 0:35:45 | |
until we approach that limit of control | 0:35:45 | 0:35:48 | |
and that's where we balance ourselves and try to stay | 0:35:48 | 0:35:52 | |
and that's how we make good time. | 0:35:52 | 0:35:55 | |
It's lap 35. | 0:36:05 | 0:36:07 | |
The crowd in the grandstand | 0:36:07 | 0:36:09 | |
strain to see as the lead cars roar into view. | 0:36:09 | 0:36:13 | |
Hawthorn is leading Fangio and is about to lap Pierre Levegh. | 0:36:13 | 0:36:17 | |
The slower Lance Macklin, in his Austin Healey, is in the way. | 0:36:17 | 0:36:21 | |
The cars are heavily bunched-up as they round White House, | 0:36:21 | 0:36:26 | |
approaching at 150 miles per hour. | 0:36:26 | 0:36:29 | |
Suddenly someone say, here they come, | 0:36:38 | 0:36:41 | |
so on the tip of our toes just to look a little more. | 0:36:41 | 0:36:44 | |
A Mercedes has left the track. | 0:36:53 | 0:36:57 | |
I remember the car high, high in the air, | 0:36:57 | 0:37:00 | |
as high as the top of an electric pole. | 0:37:00 | 0:37:03 | |
The momentum of the car has taken it into the packed grandstand. | 0:37:46 | 0:37:51 | |
You hear a whistle like a car at speed like a wind. | 0:37:51 | 0:37:54 | |
It scythed through the crowd that was tightly packed. | 0:37:56 | 0:38:01 | |
That's why a lot of people got decapitated. | 0:38:04 | 0:38:08 | |
People were cut in two pieces. | 0:38:16 | 0:38:18 | |
You look down on the ground and see the guy lying down | 0:38:20 | 0:38:23 | |
with the binocular around his head and the head is gone. | 0:38:23 | 0:38:26 | |
The Mercedes is now a raging fireball, | 0:39:55 | 0:39:58 | |
its magnesium body spitting out balls of molten metal. | 0:39:58 | 0:40:02 | |
Drivers are still racing by unaware of what is really happening. | 0:40:02 | 0:40:06 | |
People rushed to help their friends in vain, | 0:40:51 | 0:40:53 | |
whilst others are given the last rights. | 0:40:53 | 0:40:56 | |
The 25 doctors on standby were not prepared for something like this. | 0:40:56 | 0:41:01 | |
The race carries on. | 0:41:04 | 0:41:07 | |
John Fitch is waiting to take over driving from Pierre Levegh | 0:41:07 | 0:41:11 | |
in the second Mercedes. | 0:41:11 | 0:41:13 | |
He is standing with Mrs Levegh in the pit area. | 0:41:13 | 0:41:16 | |
Someone shouted out that it was number 20, our car, | 0:41:16 | 0:41:23 | |
and Madame Levegh repeated several times her conviction | 0:41:23 | 0:41:28 | |
that her Pierre was dead. | 0:41:28 | 0:41:31 | |
She knew without confirmation | 0:41:31 | 0:41:35 | |
by anyone else that he was dead. | 0:41:35 | 0:41:39 | |
I am certain that he died at the wall. | 0:41:39 | 0:41:42 | |
Or if he didn't die at the wall, | 0:41:42 | 0:41:44 | |
seconds after, because if you look at the photographs | 0:41:44 | 0:41:48 | |
of what remained of the car, | 0:41:48 | 0:41:50 | |
what could possibly remain of a human being after that? | 0:41:50 | 0:41:54 | |
Pierre Levegh, the most senior of the Mercedes team, is dead. | 0:42:06 | 0:42:10 | |
The pit area is in disarray. Nobody knows what is happening. | 0:42:15 | 0:42:18 | |
Macklin's car lies wrecked by the side of the track, | 0:42:18 | 0:42:21 | |
though miraculously he has survived. | 0:42:21 | 0:42:24 | |
Hawthorn, having done another lap, finally comes in to pit. | 0:42:24 | 0:42:29 | |
Hawthorn was a broken man, in tears and agony, | 0:42:29 | 0:42:33 | |
and a mistake that he's just made | 0:42:33 | 0:42:35 | |
that has caused the death of innocent people by the scores. | 0:42:35 | 0:42:41 | |
That breaks men | 0:42:42 | 0:42:44 | |
and that broke Mike Hawthorn. | 0:42:44 | 0:42:47 | |
As stretchers rush past, Hawthorn's co-driver Ivor Bueb | 0:42:47 | 0:42:51 | |
is in the unenviable position of taking over at the wheel | 0:42:51 | 0:42:55 | |
He just turns to me and he said, "Bloody hell, this is suicide. | 0:42:55 | 0:42:58 | |
"I'm not going to drive it," he said, "I'm not going to drive in this." | 0:42:58 | 0:43:02 | |
I really pushed Bueb and I said, "Get in the car and drive, come on, | 0:43:02 | 0:43:07 | |
"the race is still on." | 0:43:07 | 0:43:09 | |
On the other side of the track in the grandstand, it is much worse | 0:43:09 | 0:43:13 | |
than anyone could have imagined, the death count rising towards 100. | 0:43:13 | 0:43:19 | |
For three hours I could not say a single word. | 0:43:19 | 0:43:22 | |
If I tried to talk...ugh, ugh, ugh. | 0:43:22 | 0:43:25 | |
It was... I was stuck. I was stuck. | 0:43:25 | 0:43:27 | |
Hours later, Jacques Grelley manages to find his way home. | 0:43:27 | 0:43:32 | |
Unable to telephone ahead, his grandfather is convinced he's dead. | 0:43:32 | 0:43:36 | |
I walked up the stairs, | 0:43:36 | 0:43:38 | |
opened the door, his eyes were huge and he said, "But you are not dead!" | 0:43:38 | 0:43:45 | |
I said, "No" because the rumour was that he was gone. | 0:43:45 | 0:43:49 | |
On the table there was a picture of me, a candle and a crucifix. | 0:43:52 | 0:43:57 | |
You know, when you passed away, the memorial was already right there. | 0:43:57 | 0:44:03 | |
The race still carries on. | 0:44:03 | 0:44:07 | |
Hawthorn is back in the driving seat again, | 0:44:07 | 0:44:10 | |
challenging Fangio for the lead. | 0:44:10 | 0:44:13 | |
One of the most controversial aspects of the crash, of the | 0:44:13 | 0:44:16 | |
aftermath of the crash, is that the race was not stopped. | 0:44:16 | 0:44:21 | |
The officials did not want to stop the race for fear 300,000 spectators | 0:44:21 | 0:44:25 | |
would block the side roads, | 0:44:25 | 0:44:27 | |
preventing the movement of ambulances and the 200 injured. | 0:44:27 | 0:44:32 | |
Giselle Pasquier was one of them. | 0:44:32 | 0:44:35 | |
Soon after, Madam Pasquier's severely burnt hands were bandaged. | 0:44:49 | 0:44:52 | |
Her injuries were so bad she feared she would never | 0:45:04 | 0:45:06 | |
hold her newborn baby again. | 0:45:06 | 0:45:08 | |
Even when the dead and injured were taken away, | 0:45:32 | 0:45:34 | |
the race was still not stopped. | 0:45:34 | 0:45:36 | |
Mercedes continued racing for almost eight hours, | 0:45:36 | 0:45:39 | |
eventually pulling out to avoid a public relations disaster. | 0:45:39 | 0:45:43 | |
They invited Jaguar to do the same, but they abruptly declined. | 0:45:43 | 0:45:47 | |
The Mercedes director's words down the phone | 0:45:47 | 0:45:49 | |
to the press chief came terribly true. | 0:45:49 | 0:45:51 | |
"What are you going to do when you win?" | 0:45:51 | 0:45:54 | |
And the answer to that was that when Hawthorn and Ivor Bueb won it, | 0:45:54 | 0:45:58 | |
they shook up the champagne and smiled | 0:45:58 | 0:46:02 | |
and French newspapers carried that photograph | 0:46:02 | 0:46:06 | |
with really very savage captions. | 0:46:06 | 0:46:08 | |
"Cheers, Mr Hawthorn," they said. "Cheers." | 0:46:10 | 0:46:14 | |
I suspect that in the heat of battle, which is what | 0:46:16 | 0:46:20 | |
it certainly was, nobody at Jaguar was thinking what it would look like | 0:46:20 | 0:46:24 | |
in 50 years further down the line. | 0:46:24 | 0:46:26 | |
Nobody, and you can forgive them for that, you really can. | 0:46:26 | 0:46:31 | |
You can forgive them also in that although that it was apparent that | 0:46:31 | 0:46:36 | |
the accident happened across from the pits, a lot of people saw that | 0:46:36 | 0:46:40 | |
terrible things had happened, | 0:46:40 | 0:46:42 | |
but they weren't totally aware of the scale of it. | 0:46:42 | 0:46:45 | |
'When the world's greatest motor race, | 0:46:49 | 0:46:51 | |
'the Le Man 24 Hours, opens on a perfect summer's day, none of the | 0:46:51 | 0:46:54 | |
'spectators can suspect the utter devastation that lies ahead.' | 0:46:54 | 0:46:58 | |
The events of the 1955 Le Mans shocked the world. | 0:47:00 | 0:47:03 | |
There were no easy ways to explain how such a tragedy occurred. | 0:47:03 | 0:47:07 | |
A picture had to be built from eye witness accounts and hearsay. | 0:47:07 | 0:47:12 | |
No-one could say definitively what happened between the four cars involved in the collision. | 0:47:12 | 0:47:17 | |
Inevitably, blame and accusation soon followed. | 0:47:17 | 0:47:21 | |
Mike Hawthorn, by my evidence, the things that I saw and heard | 0:47:24 | 0:47:30 | |
and knew from this event, caused the accident. | 0:47:30 | 0:47:34 | |
I'd never blame Hawthorn, no. | 0:47:34 | 0:47:36 | |
Never blame Hawthorn. | 0:47:37 | 0:47:39 | |
Hawthorn simply made a miscalculation. | 0:47:39 | 0:47:44 | |
In the intoxication of the moment he made a miscalculation | 0:47:44 | 0:47:49 | |
and it had the most terrible consequences. | 0:47:49 | 0:47:51 | |
I would put most of the blame on Macklin myself, yeah, | 0:47:51 | 0:47:54 | |
because if he'd have looked in his mirror, he couldn't possibly pull out | 0:47:54 | 0:47:59 | |
because the Merc is coming here, he knew he wouldn't have done it. | 0:47:59 | 0:48:03 | |
The main weight of culpability fell on Pierre Levegh. | 0:48:07 | 0:48:12 | |
He was mid-fifties, | 0:48:12 | 0:48:14 | |
if his reactions had been quicker, he'd have reacted quicker but | 0:48:14 | 0:48:18 | |
there was something else about Levegh. | 0:48:18 | 0:48:20 | |
He was dead, and the dead don't sue you whatever you say about them. | 0:48:20 | 0:48:26 | |
My personal feeling is Levegh shouldn't have been in the Mercedes team. | 0:48:26 | 0:48:30 | |
The car was too quick for him, for his age. | 0:48:30 | 0:48:32 | |
That's my personal opinion. | 0:48:33 | 0:48:35 | |
Hawthorn had... | 0:48:35 | 0:48:37 | |
all kinds of problems. | 0:48:37 | 0:48:40 | |
He recognised, as we have discussed, | 0:48:40 | 0:48:44 | |
he told Rob Walker and Donald Healey | 0:48:44 | 0:48:48 | |
and Lance Macklin that he was the cause of this tragedy. | 0:48:48 | 0:48:54 | |
And he said his life as a driver was over. | 0:48:54 | 0:48:58 | |
And he was shattered | 0:48:58 | 0:49:01 | |
and in tears, | 0:49:01 | 0:49:04 | |
and then, a few hours or a day later when he appeared publicly, | 0:49:04 | 0:49:11 | |
he denied it all. | 0:49:11 | 0:49:13 | |
A subsequent public enquiry absolved all the drivers of blame. | 0:49:14 | 0:49:19 | |
Important evidence in this was some amateur cine footage shot | 0:49:19 | 0:49:22 | |
by a spectator, himself injured, hit by the debris of Levegh's car. | 0:49:22 | 0:49:28 | |
This footage had been hidden away for almost 55 years. | 0:49:28 | 0:49:32 | |
But journalist and Mike Hawthorn biographer Paul Skilleter, | 0:49:32 | 0:49:36 | |
who's studied the tragedy for many years, | 0:49:36 | 0:49:38 | |
has decided to share his archive and in particular | 0:49:38 | 0:49:42 | |
a set of still photographs taken from the original film footage. | 0:49:42 | 0:49:46 | |
This series of pictures offers a unique perspective, | 0:49:46 | 0:49:49 | |
looking directly at the oncoming, colliding cars. | 0:49:49 | 0:49:53 | |
When re-constructed as a moving image, this sequence | 0:49:53 | 0:49:57 | |
shows how rapidly events unfolded, and how the disaster was triggered. | 0:49:57 | 0:50:01 | |
As the lead cars approached the end of lap 35, | 0:50:18 | 0:50:21 | |
Mike Hawthorn started to move over. | 0:50:21 | 0:50:23 | |
Overtaking Macklin's slower car, | 0:50:23 | 0:50:26 | |
Hawthorn began to decelerate ready to re-fuel. | 0:50:26 | 0:50:30 | |
He was now in front of Macklin. | 0:50:30 | 0:50:32 | |
Macklin kicks up some dust, | 0:50:35 | 0:50:37 | |
either from locking the brakes or drifting onto the grass verge. | 0:50:37 | 0:50:42 | |
At this point, Levegh was bearing down on Macklin, | 0:50:42 | 0:50:45 | |
aware that Fangio was behind. | 0:50:45 | 0:50:47 | |
He would know this is no time to slow the lead Mercedes. | 0:50:47 | 0:50:52 | |
Macklin then swerved to his left, | 0:50:52 | 0:50:55 | |
crossing the central line, apparently out of control. | 0:50:55 | 0:50:59 | |
Macklin started to correct his course but was hit | 0:50:59 | 0:51:02 | |
immediately by Pierre Levegh, racing at 150 miles per hour. | 0:51:02 | 0:51:08 | |
Levegh has no time to respond, | 0:51:08 | 0:51:10 | |
and drove up the sloped back of Macklin's Austin Healey. | 0:51:10 | 0:51:14 | |
This acted as a ramp | 0:51:14 | 0:51:16 | |
and Levegh's Mercedes was launched towards the crowd. | 0:51:16 | 0:51:20 | |
Using a scale 3D model of the track as it was in 1955, | 0:51:22 | 0:51:26 | |
we can see that the catastrophe | 0:51:26 | 0:51:29 | |
was caused by more than just the actions of the drivers. | 0:51:29 | 0:51:32 | |
Firstly, the pit straight was narrow, | 0:51:32 | 0:51:35 | |
merely three cars across, with the pits not separated from the track. | 0:51:35 | 0:51:40 | |
Secondly, it was a place where some cars | 0:51:40 | 0:51:42 | |
were slowing to go into the pits | 0:51:42 | 0:51:44 | |
while others continued racing full throttle, and so had to overtake. | 0:51:44 | 0:51:49 | |
Both these factors created congestion at high speeds. | 0:51:49 | 0:51:53 | |
Thirdly, there was a slight bend in the track here. | 0:51:53 | 0:51:58 | |
The nature of this is seen clearly in this photo. | 0:51:58 | 0:52:02 | |
At slow speed this bend would be un-noticeable, | 0:52:02 | 0:52:05 | |
but at race speeds this was a serious bend for the drivers, | 0:52:05 | 0:52:09 | |
which may explain why Levegh did not move to his left to avoid Macklin. | 0:52:09 | 0:52:14 | |
Fourthly, the popular main grandstand | 0:52:16 | 0:52:18 | |
was right on the outside of this bend. | 0:52:18 | 0:52:21 | |
Between the speeding cars and the spectators | 0:52:24 | 0:52:26 | |
there was only a chest-high wattle and earth barrier. | 0:52:26 | 0:52:30 | |
Any car out of control at this point | 0:52:30 | 0:52:32 | |
had nowhere to go but into the crowd. | 0:52:32 | 0:52:35 | |
When Le Mans was conceived in 1923, | 0:52:39 | 0:52:41 | |
the cars averaged 55 miles per hour and the track was relatively safe. | 0:52:41 | 0:52:47 | |
30 years later the cars were capable of speeds in excess | 0:52:47 | 0:52:51 | |
of 190 miles per hour, yet the track had remained virtually the same. | 0:52:51 | 0:52:56 | |
The cars had outgrown the track. | 0:52:56 | 0:52:59 | |
A tragedy was perhaps inevitable. | 0:52:59 | 0:53:03 | |
Even today, there is still no confirmed death toll. | 0:53:03 | 0:53:06 | |
Estimates range from 80 to 120 dead. | 0:53:06 | 0:53:10 | |
The 1955 Le Mans disaster went on to shape and scar | 0:53:12 | 0:53:16 | |
the lives of many of those involved. | 0:53:16 | 0:53:18 | |
Mercedes soon stopped racing for over 30 years. | 0:53:18 | 0:53:24 | |
The Jaguar works racing team was closed down a few months later, | 0:53:24 | 0:53:28 | |
not returning to Le Mans as a factory team for over 30 years. | 0:53:28 | 0:53:32 | |
Norman Dewis never drove at Le Mans again. | 0:53:32 | 0:53:35 | |
He spent the rest of his career developing cars for Jaguar. | 0:53:35 | 0:53:38 | |
Fangio never raced at Le Mans again. | 0:53:38 | 0:53:42 | |
Three years later he retired. | 0:53:42 | 0:53:44 | |
John Fitch continued racing, but became obsessed with road safety. | 0:53:44 | 0:53:49 | |
He went on to invent the Fitch Inertial safety barrier | 0:53:49 | 0:53:53 | |
which has saved thousands of motorist's lives. | 0:53:53 | 0:53:56 | |
The once jovial and relaxed Lance Macklin | 0:53:56 | 0:53:59 | |
became embittered and litigious, suing Mike Hawthorn for libel. | 0:53:59 | 0:54:04 | |
Mike Hawthorn went on to win the world championship in 1958. | 0:54:04 | 0:54:09 | |
He retired shortly afterwards, | 0:54:09 | 0:54:11 | |
only to die while overtaking on the rain-drenched Guildford bypass. | 0:54:11 | 0:54:15 | |
The vehicle in his way was a Mercedes. | 0:54:15 | 0:54:19 | |
For many, the accident at Le Mans in 1955 marked a watershed. | 0:54:22 | 0:54:27 | |
The event came to represent motor sports' loss of innocence, | 0:54:27 | 0:54:31 | |
an ugly episode that was quickly swept aside. | 0:54:31 | 0:54:35 | |
An important police report remains buried | 0:54:35 | 0:54:38 | |
under a secrecy law almost 60 years on. | 0:54:38 | 0:54:40 | |
There is no lasting memorial, no remembrance service to attend. | 0:54:40 | 0:54:45 | |
There was an immediate review of all race tracks, | 0:54:45 | 0:54:48 | |
the beginning of a slow revolution | 0:54:48 | 0:54:51 | |
in racing safety that continues to this day. | 0:54:51 | 0:54:53 | |
The Le Mans pit area | 0:54:53 | 0:54:55 | |
and grandstands were bulldozed and re-built soon after. | 0:54:55 | 0:55:00 | |
Found in an archive is this extraordinary series of photographs | 0:55:02 | 0:55:07 | |
taken before and after the crash. | 0:55:07 | 0:55:09 | |
When put together, | 0:55:09 | 0:55:10 | |
this panorama forms a tragic record of the scale of the disaster. | 0:55:10 | 0:55:15 | |
The moment between life and death. | 0:55:15 | 0:55:18 | |
It's a sad day. | 0:57:11 | 0:57:13 | |
Very sad day. | 0:57:13 | 0:57:14 | |
Subtitles by Red Bee Media Ltd | 0:58:11 | 0:58:14 | |
E-mail [email protected] | 0:58:14 | 0:58:18 |