
Browse content similar to Licence to Thrill: Paul Hollywood Meets Aston Martin. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
ENGINE REVS | 0:00:06 | 0:00:08 | |
Every single time you hear that "waaah" is fantastic! | 0:00:08 | 0:00:12 | |
I'm mainly known for my love of baking, | 0:00:15 | 0:00:17 | |
but I have another big passion... | 0:00:17 | 0:00:19 | |
..Aston Martins. | 0:00:24 | 0:00:26 | |
ENGINE REVS | 0:00:27 | 0:00:30 | |
PAUL LAUGHS | 0:00:30 | 0:00:32 | |
For over 100 years, this most British of companies | 0:00:32 | 0:00:35 | |
has been making bespoke motors for the rich and famous. | 0:00:35 | 0:00:39 | |
The pinnacle of what you can achieve, if you have an Aston - | 0:00:39 | 0:00:42 | |
it's the height of where you can be. | 0:00:42 | 0:00:44 | |
Aston Martin cars remind me of a time | 0:00:46 | 0:00:48 | |
when British design and craftsmanship were the envy of the world. | 0:00:48 | 0:00:52 | |
This is the prettiest thing I've seen in my life. | 0:00:55 | 0:00:59 | |
Aston Martin have always built | 0:00:59 | 0:01:00 | |
amazingly beautiful and fast racing cars. | 0:01:00 | 0:01:03 | |
So, to get to grips with them, | 0:01:06 | 0:01:07 | |
I'm training up to see if I can make the grade in their race team. | 0:01:07 | 0:01:11 | |
It was exhilarating, it was scary, it was unbelievable. | 0:01:11 | 0:01:15 | |
It's something else. | 0:01:15 | 0:01:17 | |
TYRES SCREECH | 0:01:17 | 0:01:19 | |
These fine-looking and powerful sports cars | 0:01:19 | 0:01:21 | |
haven't always made money. | 0:01:21 | 0:01:24 | |
'The business model is broken.' | 0:01:24 | 0:01:26 | |
To my knowledge, it's been bankrupt at least seven times. | 0:01:26 | 0:01:30 | |
However, the company has a secret weapon up its sleeve | 0:01:30 | 0:01:33 | |
they hope will get them back on track. | 0:01:33 | 0:01:35 | |
This is going to be the iconic Bond car, that every kid will go, | 0:01:35 | 0:01:39 | |
"I love that car." | 0:01:39 | 0:01:40 | |
TYRES SCREECH | 0:01:40 | 0:01:42 | |
As a working-class lad growing up on the Wirral, I always aspired | 0:01:55 | 0:01:58 | |
to one day owning an Aston Martin. | 0:01:58 | 0:02:01 | |
I still pinch myself that I now actually have | 0:02:06 | 0:02:09 | |
a second-hand Aston Martin DBS Volante. | 0:02:09 | 0:02:12 | |
It's the convertible model of James Bond's car | 0:02:15 | 0:02:17 | |
from Quantum Of Solace and Casino Royale, | 0:02:17 | 0:02:20 | |
with a six-litre engine | 0:02:20 | 0:02:21 | |
and a maximum speed of 191mph. | 0:02:21 | 0:02:25 | |
It is the huge sense of theatre that you get in these cars. | 0:02:25 | 0:02:30 | |
And you do get it in other cars but, for me, it is... | 0:02:30 | 0:02:34 | |
It has to be Aston Martin. | 0:02:34 | 0:02:37 | |
MUSIC: Ride A White Swan by T.Rex | 0:02:43 | 0:02:46 | |
# Ride it on out Like a bird in the sky ways | 0:02:48 | 0:02:50 | |
# Ride it on out like you were a... # | 0:02:50 | 0:02:53 | |
I first fell in love with Aston Martin when I was five. | 0:02:53 | 0:02:57 | |
I was given a Corgi DB5 from the James Bond film Goldfinger, | 0:02:57 | 0:03:01 | |
and pretty soon it became my favourite toy. | 0:03:01 | 0:03:04 | |
I remember having this car, and I would sit back in my bed | 0:03:07 | 0:03:11 | |
and, you know you make mountains with your knees, sitting in bed? | 0:03:11 | 0:03:14 | |
And I was driving up and down the hill in this. | 0:03:14 | 0:03:16 | |
And, actually, you could actually park this outside your house as well, | 0:03:16 | 0:03:19 | |
because all you have to do is close one eye... | 0:03:19 | 0:03:22 | |
and then do that and then sit it outside your house. | 0:03:22 | 0:03:25 | |
And you have a DB5 sitting outside the house. | 0:03:25 | 0:03:27 | |
That's how you do it! | 0:03:27 | 0:03:29 | |
All I ever wanted was a real Aston Martin, just like 007. | 0:03:30 | 0:03:34 | |
Now I've finally got one, | 0:03:38 | 0:03:40 | |
I wonder if maybe I love it a little bit too much. | 0:03:40 | 0:03:44 | |
When I got my first Aston, I used to clean it every couple of days. | 0:03:44 | 0:03:48 | |
To be brutally honest, every couple of hours. | 0:03:48 | 0:03:50 | |
I think you look for little nicks as well, | 0:03:50 | 0:03:52 | |
and if I see one, my heart misses a beat. | 0:03:52 | 0:03:55 | |
In fact, I've found one. | 0:03:55 | 0:03:57 | |
There it is, there. See? | 0:03:57 | 0:03:59 | |
It's just sitting there, you know, winding me up. | 0:03:59 | 0:04:02 | |
I know it's there now when I'm driving. | 0:04:02 | 0:04:03 | |
Because I know it is there, it just ruins the car. That's bad, isn't it? | 0:04:03 | 0:04:07 | |
-INTERVIEWER: -It is slightly OCD. -It IS OCD. I've definitely got OCD. | 0:04:07 | 0:04:11 | |
I've got it in the bakery, and now I've got it with a car. | 0:04:11 | 0:04:14 | |
I'm obsessed with my Aston, but I'm not the only one. | 0:04:18 | 0:04:21 | |
'A 1962 DB4 Series IV Vantage Convertible...' | 0:04:23 | 0:04:28 | |
Every year, Aston Martin hold an auction, | 0:04:28 | 0:04:31 | |
where fans spend millions on vintage classics. | 0:04:31 | 0:04:34 | |
I'm already going to start the bidding at £700,000. | 0:04:34 | 0:04:38 | |
It is a bit like a fine-cut suit from Savile Row, | 0:04:40 | 0:04:43 | |
it's a bit like a very, very intricate and beautiful | 0:04:43 | 0:04:47 | |
sort of designed Swiss watch. | 0:04:47 | 0:04:49 | |
Royalty has it as well, it's all part of our heritage. | 0:04:49 | 0:04:52 | |
I've never owned anything like it in my life, | 0:04:52 | 0:04:55 | |
that has given me such pleasure. | 0:04:55 | 0:04:57 | |
Are we all done | 0:04:57 | 0:04:59 | |
at £1,350,000 only? | 0:04:59 | 0:05:04 | |
-Congratulations. 1,350,000... -APPLAUSE | 0:05:06 | 0:05:09 | |
I want to understand why so many people, including me, | 0:05:17 | 0:05:21 | |
are so in love with this most quintessentially British of cars. | 0:05:21 | 0:05:25 | |
It's been around for 102 years, | 0:05:27 | 0:05:30 | |
but the brand itself, what does it stand for? | 0:05:30 | 0:05:32 | |
Is it a supercar, is it a race car, is it only for people... | 0:05:32 | 0:05:36 | |
celebrities, aristocracy, that buy Aston Martins? | 0:05:36 | 0:05:40 | |
I want to find out from people in the know | 0:05:40 | 0:05:42 | |
what they think of Aston Martin, | 0:05:42 | 0:05:44 | |
and where the future of Aston Martin lies. | 0:05:44 | 0:05:47 | |
The ultramodern facility Gaydon, in Warwickshire, | 0:05:51 | 0:05:55 | |
is the new flashy headquarters of Aston Martin. | 0:05:55 | 0:05:58 | |
However, they do still use some old-fashioned techniques. | 0:05:58 | 0:06:01 | |
A bog-standard Aston is around £90,000, | 0:06:03 | 0:06:07 | |
while a top-of-the-range model will set you back a cool 250,000. | 0:06:07 | 0:06:11 | |
Really, what we do at Aston Martin is we make a hi-tech car | 0:06:12 | 0:06:15 | |
but with hand-finished leather and paintwork. | 0:06:15 | 0:06:19 | |
Wow, I mean, this is futuristic, to say the least. | 0:06:19 | 0:06:22 | |
This is where your car was born, in this area. | 0:06:22 | 0:06:24 | |
Aston Martin are notorious for taking their time when building their cars. | 0:06:27 | 0:06:32 | |
They only make around 4,000 cars here a year, | 0:06:32 | 0:06:35 | |
a far cry from the Nissan factory in Sunderland | 0:06:35 | 0:06:38 | |
that makes about 500,000 in the same time. | 0:06:38 | 0:06:40 | |
How long does it normally take to finish one car? | 0:06:43 | 0:06:46 | |
To build a whole car is over 200 man hours. | 0:06:46 | 0:06:48 | |
Normally it's about four months from the day of placing the order, | 0:06:48 | 0:06:52 | |
before we start building the car. | 0:06:52 | 0:06:54 | |
And then add on another month to build the car, | 0:06:54 | 0:06:56 | |
-and then the shipping time on top of that. -Five months. -Five months. | 0:06:56 | 0:07:00 | |
-Six months with travel. -Call it six months, yeah, exactly. | 0:07:00 | 0:07:03 | |
Nissan can produce a new car in around 14 hours. | 0:07:04 | 0:07:08 | |
Aston can spend 50 just painting theirs. | 0:07:09 | 0:07:13 | |
And are even more OCD than me checking for nicks. | 0:07:13 | 0:07:16 | |
They employee paint inspectors like Manjit. | 0:07:18 | 0:07:21 | |
As you can see, in the paint, you've got a little defect there. | 0:07:22 | 0:07:26 | |
-Yeah. -Yeah, I can see it. -Above the tape. | 0:07:26 | 0:07:28 | |
-I've found another one round here that you've missed. -Did I? -Yes. | 0:07:28 | 0:07:31 | |
Oh, thanks for showing me that. I'll have a look. | 0:07:31 | 0:07:34 | |
-There. -That's the one. -Did I get one? Did you miss it? -I did. | 0:07:36 | 0:07:40 | |
THEY LAUGH | 0:07:40 | 0:07:42 | |
-Very good. -Cheers, buddy. | 0:07:42 | 0:07:43 | |
Honorary paint inspector. | 0:07:43 | 0:07:45 | |
Over a million stitches | 0:07:47 | 0:07:48 | |
can go into making the leather seats for some Astons. | 0:07:48 | 0:07:52 | |
HE INHALES | 0:07:52 | 0:07:53 | |
SHE LAUGHS | 0:07:53 | 0:07:55 | |
-Lots of lovely leather. -It's the smell of the leather - I love that smell in a car. | 0:07:55 | 0:07:59 | |
-How long have you actually been doing this? -Ten years. -Ten years. | 0:07:59 | 0:08:02 | |
-But altogether, about 40 years. -40 years. | 0:08:02 | 0:08:05 | |
Yes, since I was an apprentice. | 0:08:05 | 0:08:07 | |
-I've actually got a DBS Volante. -Oh, yeah, I would have done... | 0:08:07 | 0:08:10 | |
-You would have done that? -Oh, yes, definitely. -Do you know what, the stitching...is perfect. | 0:08:10 | 0:08:15 | |
-Oh, thank you very much. -There's not a mark on it. | 0:08:15 | 0:08:17 | |
-It's not ripped, it still looks good. -Oh, good. | 0:08:17 | 0:08:20 | |
-You certainly would have done it. -Oh, definitely. -Good job, thank you. | 0:08:20 | 0:08:24 | |
-Thank you very much. -PAUL LAUGHS | 0:08:24 | 0:08:26 | |
Sales of Aston Martins have gone down, | 0:08:29 | 0:08:31 | |
from over 7,000 eight years ago | 0:08:31 | 0:08:34 | |
to roughly 4,000 last year. | 0:08:34 | 0:08:37 | |
They made a loss of around 25 million two years ago. | 0:08:37 | 0:08:40 | |
In fact, over the course of their long history, | 0:08:47 | 0:08:50 | |
Aston Martin of are renowned for constantly being broke. | 0:08:50 | 0:08:53 | |
The company first went bust in 1924. | 0:08:56 | 0:09:00 | |
And later, in the '70s, the company was on the brink of total collapse. | 0:09:02 | 0:09:07 | |
'All the firm's departmental managers | 0:09:07 | 0:09:09 | |
'were called into the headquarters building late today | 0:09:09 | 0:09:12 | |
'to be told that, despite yesterday's voluntary liquidation, | 0:09:12 | 0:09:15 | |
'there's still a possibility of an 11th-hour rescue bid.' | 0:09:15 | 0:09:18 | |
I mean, one little chap sent us his pocket money...to help. | 0:09:18 | 0:09:22 | |
Luckily, the company survived, | 0:09:25 | 0:09:27 | |
and last year they hired a new CEO, Andy Palmer, | 0:09:27 | 0:09:30 | |
poaching him from the mass car producer Nissan. | 0:09:30 | 0:09:33 | |
I mean, it is a challenge, | 0:09:33 | 0:09:35 | |
it's a big challenge for you to take this on board. | 0:09:35 | 0:09:38 | |
How did that sit with you? | 0:09:38 | 0:09:40 | |
In 102 years of the company history, | 0:09:40 | 0:09:42 | |
I think there are probably two years | 0:09:42 | 0:09:44 | |
in which the company has actually made any money. | 0:09:44 | 0:09:47 | |
To my knowledge, it's been bankrupt at least seven times, | 0:09:47 | 0:09:50 | |
and the model, the business model of the company, is challenging, broken. | 0:09:50 | 0:09:56 | |
And we've got to change it. | 0:09:56 | 0:09:58 | |
So my mandate is essentially to turn this into a proper business. | 0:09:58 | 0:10:02 | |
A company that is sustainable, profitable | 0:10:02 | 0:10:04 | |
and something that the Great British public | 0:10:04 | 0:10:07 | |
can be really, really proud of. | 0:10:07 | 0:10:08 | |
Andy's plan to boost sales is to widen the customer base | 0:10:11 | 0:10:14 | |
with new types of car, such as the first-ever crossover, | 0:10:14 | 0:10:18 | |
called the DBX, aimed at the family market. | 0:10:18 | 0:10:22 | |
This is the concept car, and it's expected to be on the road in 2020. | 0:10:23 | 0:10:27 | |
-It's a DB9, it's been raised two foot. -Yes, exactly. -That's what it looks like. | 0:10:29 | 0:10:32 | |
In its final interpretation, it'll be a four-door, to make sure you've got space. | 0:10:32 | 0:10:36 | |
People do need to put their family in the back, | 0:10:36 | 0:10:38 | |
so there needs to be space in the rear, space in the trunk. | 0:10:38 | 0:10:41 | |
But that's exactly what I'm trying to create. | 0:10:41 | 0:10:43 | |
It's a raised-up sports car, four-by-four capability. | 0:10:43 | 0:10:47 | |
-It is four-by-four? -Yes. | 0:10:47 | 0:10:49 | |
In this interpretation, it's also electric, | 0:10:49 | 0:10:51 | |
just to show that we can do that as well. | 0:10:51 | 0:10:53 | |
-So these wheels are massive, these are colossal. -They are, they are. | 0:10:53 | 0:10:57 | |
22 inches. | 0:10:57 | 0:10:59 | |
'The DBX has caused uproar amongst some fans and critics, | 0:10:59 | 0:11:02 | |
"who say it's selling out Aston Martin's sports-car principles.' | 0:11:02 | 0:11:06 | |
-Has this caused any backlash when this was released? -Yes, it has. | 0:11:07 | 0:11:11 | |
But, you know, for those die-hard Aston fans - and I love them - | 0:11:11 | 0:11:15 | |
this car, if you will, is basically funding the development | 0:11:15 | 0:11:19 | |
of those beautiful sports cars. | 0:11:19 | 0:11:21 | |
'Andy Palmer is the latest in a long line of Aston Martin bosses | 0:11:21 | 0:11:26 | |
'who've struggled to square their passion for fast cars | 0:11:26 | 0:11:29 | |
'with the need to balance the books.' | 0:11:29 | 0:11:30 | |
The original founders of the company struggled in the same way. | 0:11:37 | 0:11:41 | |
Back in 1913, car fanatic Lionel Martin | 0:11:43 | 0:11:46 | |
joined forces with engineer Robert Bamford. | 0:11:46 | 0:11:49 | |
The company was named by putting Lionel's surname together | 0:11:51 | 0:11:54 | |
with a famous racing site called Aston Hill. | 0:11:54 | 0:11:58 | |
Here, wealthy young men would compete in hill-climb races, | 0:11:58 | 0:12:02 | |
all the rage at the time. | 0:12:02 | 0:12:04 | |
This happy-go-lucky age of the company's first owners | 0:12:06 | 0:12:09 | |
has been documented | 0:12:09 | 0:12:10 | |
at the Aston Martin Heritage Trust Museum in Oxfordshire. | 0:12:10 | 0:12:13 | |
What have we got here, then? | 0:12:16 | 0:12:17 | |
This is A3, this is the oldest existing Aston in the world. | 0:12:17 | 0:12:23 | |
This is the third prototype | 0:12:23 | 0:12:24 | |
that was built by Bamford and Martin. | 0:12:24 | 0:12:27 | |
And the first two, Coal Scuttle and Bunny, | 0:12:27 | 0:12:29 | |
we know have long been broken up and sold for scrap. | 0:12:29 | 0:12:33 | |
I think one of them sold for £50 in scrap. | 0:12:33 | 0:12:36 | |
-You're kidding me! When was that? -In the '60s. | 0:12:36 | 0:12:39 | |
'A trustee spotted the A3 in an auction ten years ago | 0:12:40 | 0:12:44 | |
'and kindly donated it to the museum.' | 0:12:44 | 0:12:46 | |
-How much did he pay for it in the end? -15,000. | 0:12:48 | 0:12:51 | |
PAUL LAUGHS | 0:12:51 | 0:12:54 | |
What's that worth now? | 0:12:54 | 0:12:55 | |
It was insured for 25 million. | 0:12:55 | 0:12:58 | |
Uh! | 0:12:58 | 0:13:00 | |
25 million quid. | 0:13:00 | 0:13:02 | |
'Donna takes me upstairs to the archive library | 0:13:06 | 0:13:10 | |
'to meet a serious Aston fan, Mark, | 0:13:10 | 0:13:13 | |
'and show off another prize treasure, Lionel Martin's very own scrapbook.' | 0:13:13 | 0:13:18 | |
'He met Robert Bamford in 1912 at their local cycle club in Bath, | 0:13:20 | 0:13:25 | |
'where they decided to put engines on wheels and become gentlemen racers.' | 0:13:25 | 0:13:29 | |
So to start this business, who had the money in these two? | 0:13:30 | 0:13:34 | |
Lionel brought the money, Bamford brought the brains, | 0:13:34 | 0:13:36 | |
he was very much the engineer of the business. | 0:13:36 | 0:13:39 | |
-So this was like a rich man's toy, really? -Yeah. | 0:13:39 | 0:13:42 | |
These cars were maybe £8000 or £800 in the 1920s. | 0:13:42 | 0:13:46 | |
Today, equivalent - close to £1 million. | 0:13:46 | 0:13:49 | |
The only people I could see buying them would have been... | 0:13:49 | 0:13:51 | |
gentlemen, money... | 0:13:51 | 0:13:53 | |
Extremely wealthy gentleman at the time. | 0:13:53 | 0:13:56 | |
The cars were so expensive | 0:13:57 | 0:13:59 | |
that Bamford and Martin only ever made 61 of them | 0:13:59 | 0:14:02 | |
and, sliding into bankruptcy, | 0:14:02 | 0:14:04 | |
they were forced to sell the company in 1924. | 0:14:04 | 0:14:08 | |
And it wasn't about making money, | 0:14:08 | 0:14:09 | |
it was about the passion for winning | 0:14:09 | 0:14:11 | |
and the competitive nature of Lionel Martin. | 0:14:11 | 0:14:13 | |
It really wasn't about making money. | 0:14:13 | 0:14:14 | |
In fact, Aston Martin really hasn't been about making money for many years, | 0:14:14 | 0:14:18 | |
because they haven't made any money. | 0:14:18 | 0:14:20 | |
The first in a long line of bosses lasted a decade in charge | 0:14:20 | 0:14:24 | |
and gave birth to a brand name that has stood the test of time. | 0:14:24 | 0:14:28 | |
What has made Aston Martin last 102 years? | 0:14:30 | 0:14:33 | |
I think it's because of the exclusivity of the brand. | 0:14:33 | 0:14:36 | |
You very rarely see Aston Martins on the road, | 0:14:36 | 0:14:39 | |
and when you do, everybody looks, and looks with respect. | 0:14:39 | 0:14:42 | |
If you've got an Aston Martin, the chances are your house is going to be quite nice as well. | 0:14:42 | 0:14:46 | |
You're going to have nice things, everything top of the line. | 0:14:46 | 0:14:49 | |
-Wouldn't you? -Do you think that makes us snobs? -It does. | 0:14:49 | 0:14:53 | |
-Yeah. I think, unfortunately, it does. -I don't think I can be. | 0:14:53 | 0:14:56 | |
-I don't think I can class myself as a snob. -No. | 0:14:56 | 0:14:59 | |
Because I'm so common. | 0:14:59 | 0:15:01 | |
-Because you're from up north. -Yes! | 0:15:01 | 0:15:03 | |
-THEY LAUGH -No offence. -None taken. -Sorry. | 0:15:03 | 0:15:06 | |
THEY LAUGH | 0:15:06 | 0:15:08 | |
Mark wants me to experience what being a gentleman racer | 0:15:13 | 0:15:16 | |
from the first era of Aston Martin was all about, | 0:15:16 | 0:15:19 | |
so he takes me to the place where it all began. | 0:15:19 | 0:15:22 | |
This is Aston Hill, where it all started in 1914, | 0:15:24 | 0:15:27 | |
where Lionel Martin raced a Singer car up here that he'd modified. | 0:15:27 | 0:15:31 | |
Thousands of people would line the side of this track | 0:15:31 | 0:15:33 | |
and come from miles away to see this new event called motorsport. | 0:15:33 | 0:15:38 | |
And these cars would scream up the hill | 0:15:38 | 0:15:40 | |
and drift off the gravel track, killing many people sometimes. | 0:15:40 | 0:15:43 | |
It was a very dangerous game. But it was the Formula 1 of the day. | 0:15:43 | 0:15:47 | |
Mark is the proud owner of an original Bamford and Martin car | 0:15:52 | 0:15:55 | |
that actually raced up Aston Hill. It's called Cloverleaf. | 0:15:55 | 0:15:59 | |
This little beauty was built in 1923... | 0:16:02 | 0:16:05 | |
had a top speed of 77mph... | 0:16:05 | 0:16:08 | |
and is the second-oldest production Aston in existence in the world. | 0:16:08 | 0:16:12 | |
-Come on, then. -Right, how do you start this? -There's a foot pedal. | 0:16:14 | 0:16:17 | |
ENGINE STARTS | 0:16:17 | 0:16:20 | |
He's offered to let me drive it up the famous hill. | 0:16:20 | 0:16:24 | |
-No indicators. -Of course not. | 0:16:26 | 0:16:28 | |
No seat belts. No nothing. | 0:16:28 | 0:16:31 | |
'I'm getting a real sense of why Lionel Martin fell in love | 0:16:40 | 0:16:43 | |
'with hill-climb racing. I'm hooked.' | 0:16:43 | 0:16:46 | |
-Oh, that's marvellous. -It's got a bit of character to it, hasn't it? -Hasn't it? Yeah. | 0:16:47 | 0:16:52 | |
-These aren't the best brakes in the world! -Yeah, they're useless. | 0:16:52 | 0:16:56 | |
-PAUL LAUGHS -What are you in? | 0:16:56 | 0:16:59 | |
-You might want to go straight into first, if you want to. -I've got it. | 0:16:59 | 0:17:02 | |
-Oh! -You've stalled it. | 0:17:04 | 0:17:06 | |
Good luck. Start it. | 0:17:06 | 0:17:07 | |
ENGINE STARTS | 0:17:07 | 0:17:09 | |
-Come on, baby. -Oh, yeah, yeah. -Come on. | 0:17:09 | 0:17:12 | |
-Nice one! -There's the fella. -Well done! That's brilliant! | 0:17:12 | 0:17:15 | |
I now know what it feels like, | 0:17:26 | 0:17:28 | |
how the gentleman racers actually drove this car up the hill. Loved it. | 0:17:28 | 0:17:34 | |
-Thank you. -My pleasure. -Thank you. | 0:17:34 | 0:17:36 | |
Cloverleaf was a cracking racing car, but I tell you what, | 0:17:37 | 0:17:41 | |
it wasn't designed as a comfortable road car. | 0:17:41 | 0:17:43 | |
It wasn't until decades later that speed and luxury came together | 0:17:45 | 0:17:49 | |
to make Aston Martin the brand we know today. | 0:17:49 | 0:17:52 | |
'What makes a man part with £7,000, | 0:17:54 | 0:17:57 | |
'the price of a small family house or a medium-sized yacht, | 0:17:57 | 0:18:00 | |
'on a mere motorcar? | 0:18:00 | 0:18:02 | |
'Mainly it's a question of luxury, of prestige, of comfort, | 0:18:02 | 0:18:05 | |
'of owning one of the best cars in the world, regardless of price.' | 0:18:05 | 0:18:09 | |
In 1947, David Brown, a wealthy engineer and entrepreneur, | 0:18:09 | 0:18:14 | |
bought the company for £20,500, | 0:18:14 | 0:18:16 | |
and soon started producing grand tourers, | 0:18:16 | 0:18:19 | |
road cars that can travel long distances at high speed | 0:18:19 | 0:18:22 | |
but in comfort and style. | 0:18:22 | 0:18:24 | |
I am trying to produce the best and safest | 0:18:25 | 0:18:29 | |
high-speed, luxury carriage in the world, I suppose. | 0:18:29 | 0:18:33 | |
Using his initials, DB, to name them, | 0:18:33 | 0:18:36 | |
David Brown produced a string of iconic cars. | 0:18:36 | 0:18:39 | |
Aston Martin like to see what their road cars are capable of | 0:18:46 | 0:18:49 | |
by entering them in a type of racing called grand tourer, or GT racing, | 0:18:49 | 0:18:54 | |
where, unlike Formula 1, the cars competing are mostly road-legal. | 0:18:54 | 0:18:59 | |
For a couple of months now, I've been driving simulators | 0:19:00 | 0:19:03 | |
and getting taught how to race by the Beechdean Aston Martin race team. | 0:19:03 | 0:19:07 | |
'I've really got a bug for it. | 0:19:12 | 0:19:14 | |
'I love my motorbikes, I love going fast on bikes, cars.' | 0:19:14 | 0:19:18 | |
And for me, I'm on the bottom rung of a massive ladder, but I love it. | 0:19:18 | 0:19:23 | |
I want to understand just what these cars can do, | 0:19:25 | 0:19:27 | |
by pushing them to the max. | 0:19:27 | 0:19:29 | |
'It is scary, racing - | 0:19:30 | 0:19:32 | |
'the speed you can go round some of these corners...' | 0:19:32 | 0:19:34 | |
It's about pushing it and seeing how fast the car can do | 0:19:34 | 0:19:37 | |
and how fast you're prepared to go. | 0:19:37 | 0:19:40 | |
The aim for me is to get my National A competition licence | 0:19:42 | 0:19:46 | |
by completing six GT races without a hitch. | 0:19:46 | 0:19:50 | |
This would allow me to compete in the big competitions | 0:19:50 | 0:19:53 | |
and head to the most famous race venue in the world, | 0:19:53 | 0:19:56 | |
Le Mans in France. | 0:19:56 | 0:19:57 | |
All right, Andrew? | 0:19:59 | 0:20:00 | |
'I've been taken under the wing | 0:20:00 | 0:20:01 | |
'of the team's owner, and racing driver, Andrew Howard.' | 0:20:01 | 0:20:05 | |
It's a massive challenge, | 0:20:05 | 0:20:06 | |
if anyone thinks they can just jump in a race car and do it. | 0:20:06 | 0:20:09 | |
But it is massively physically hard. | 0:20:09 | 0:20:10 | |
I mean, we're doing 1,000 calories an hour. | 0:20:10 | 0:20:13 | |
Average heartbeat 175 for an hour. | 0:20:13 | 0:20:16 | |
You know, it's not something you can just turn up, have a go and go home, | 0:20:16 | 0:20:19 | |
it's something that you have to train for | 0:20:19 | 0:20:21 | |
and it's something that you have to practise for. | 0:20:21 | 0:20:24 | |
'After months of practice, today is my first-ever race, | 0:20:33 | 0:20:36 | |
'and it couldn't be harder.' | 0:20:36 | 0:20:38 | |
'I'm at the famous Silverstone circuit, | 0:20:43 | 0:20:45 | |
'and the conditions are atrocious.' | 0:20:45 | 0:20:47 | |
'Before the main race, all drivers do a qualifying race, | 0:20:51 | 0:20:54 | |
'but disaster strikes.' | 0:20:54 | 0:20:56 | |
'There's an horrific crash and the driver is airlifted to hospital.' | 0:20:56 | 0:21:00 | |
Yeah, that's quite worrying, there. I hope he's all right. | 0:21:05 | 0:21:08 | |
I mean, racing is dangerous, you know. | 0:21:09 | 0:21:11 | |
When you see that, it does make you gulp. | 0:21:11 | 0:21:14 | |
'The boys from my team prepare me for my first-ever race.' | 0:21:18 | 0:21:23 | |
Nervous. | 0:21:26 | 0:21:28 | |
And excited. | 0:21:28 | 0:21:30 | |
I just want to get in the car now and...crack on with it. | 0:21:32 | 0:21:36 | |
Wish me luck. | 0:21:39 | 0:21:41 | |
'I'm sharing the race with Andrew, | 0:21:43 | 0:21:45 | |
'who pulls in halfway through and lets me take over.' | 0:21:45 | 0:21:48 | |
'My car is a V8 Vantage.' | 0:21:50 | 0:21:52 | |
'It can go nought to 60 in just over four seconds.' | 0:21:54 | 0:21:57 | |
'The aim of the race is to complete the most laps in 45 minutes.' | 0:22:03 | 0:22:07 | |
'I'm going over 160mph.' | 0:22:13 | 0:22:15 | |
'I start overtaking other cars.' | 0:22:16 | 0:22:18 | |
To get points towards my licence, I just need to finish, | 0:22:22 | 0:22:26 | |
'but my aim is to be in the top ten.' | 0:22:26 | 0:22:28 | |
How's he doing, guys? | 0:22:28 | 0:22:30 | |
-Yeah, it's looking good. -Good lap. -Yep, last lap. | 0:22:30 | 0:22:33 | |
'This is our chequered flag.' | 0:22:39 | 0:22:41 | |
-That's a brilliant class. -Yeah. Brilliant. Absolutely excellent. | 0:22:44 | 0:22:47 | |
That was really tricky. | 0:22:53 | 0:22:57 | |
The conditions were greasy, then wet, | 0:22:57 | 0:23:00 | |
then greasy, then wet. | 0:23:00 | 0:23:01 | |
It was really tricky, but I did enjoy it. I did enjoy it. | 0:23:01 | 0:23:05 | |
Having a bit of a battle with a couple of cars, but it's great fun. | 0:23:05 | 0:23:09 | |
Cup of tea, I think. | 0:23:09 | 0:23:10 | |
Good effort. That is bloody brilliant! That is bloody brilliant. | 0:23:10 | 0:23:14 | |
'One race down, five to go.' | 0:23:14 | 0:23:16 | |
'GT Racing is helping me understand what a grand tourer really is - | 0:23:24 | 0:23:28 | |
'power and beauty combined.' | 0:23:28 | 0:23:30 | |
'This idea is encapsulated in one car more than any other.' | 0:23:31 | 0:23:36 | |
'A James Bond Aston Martin DB5. | 0:23:36 | 0:23:39 | |
'Equipped for the amazing exploits of Secret Service agent 007, | 0:23:39 | 0:23:42 | |
'the car features the radiotelephone, | 0:23:42 | 0:23:44 | |
'an electrically operated radar scanner, | 0:23:44 | 0:23:46 | |
'here on the rear-vision mirror. Safety devices include | 0:23:46 | 0:23:48 | |
'extendable overriders, for ramming purposes, | 0:23:48 | 0:23:51 | |
'and an ejector seat for unwanted passengers.' | 0:23:51 | 0:23:53 | |
'As a child, I was swept up by the Goldfinger Aston Martin phenomenon.' | 0:23:55 | 0:24:00 | |
'I never imagined a car could do such amazing tricks as this one.' | 0:24:01 | 0:24:05 | |
VILLAIN YELLS | 0:24:07 | 0:24:08 | |
'For me, like millions of other kids, | 0:24:09 | 0:24:12 | |
'Goldfinger was all about Sean Connery - and his DB5.' | 0:24:12 | 0:24:16 | |
'The Corgi model of the Goldfinger DB5 | 0:24:25 | 0:24:27 | |
'went on to become one of the bestselling toy cars of all time, | 0:24:27 | 0:24:31 | |
'selling an estimated 4 million models. | 0:24:31 | 0:24:34 | |
'This incredible connection between Aston Martin and James Bond | 0:24:36 | 0:24:40 | |
'carried on after Goldfinger, with different models of Aston | 0:24:40 | 0:24:43 | |
'appearing in 11 Bond films.' | 0:24:43 | 0:24:45 | |
'I want to find out more | 0:24:47 | 0:24:48 | |
'about this relationship between Aston Martin and Bond, | 0:24:48 | 0:24:52 | |
'so I'm off to see a 007 car exhibition.' | 0:24:52 | 0:24:54 | |
-Michael. -Paul. -Absolute pleasure to meet you. | 0:25:04 | 0:25:07 | |
'I'm meeting a real movie legend - | 0:25:07 | 0:25:09 | |
'the producer and screenwriter of many James Bond films.' | 0:25:09 | 0:25:13 | |
So, this is the Aston Martin DBS, | 0:25:15 | 0:25:18 | |
which we used in the Quantum Of Solace, in the opening sequence. | 0:25:18 | 0:25:22 | |
'An unprecedented five Astons were destroyed | 0:25:25 | 0:25:27 | |
'in this incredible high-speed car chase around Lake Garda in Italy.' | 0:25:27 | 0:25:32 | |
-So, Paul, you have one of these, is that right? -I do have one of these. | 0:25:34 | 0:25:37 | |
-I have a DBS soft top. I have the convertible version. -Yeah. | 0:25:37 | 0:25:40 | |
-Same colour. -And is it a little better-looking than this? | 0:25:40 | 0:25:43 | |
To be honest, it is a little bit better-looking than this! | 0:25:43 | 0:25:46 | |
But you've been driving in London traffic. | 0:25:46 | 0:25:48 | |
I imagine you'll have a few bangs. | 0:25:48 | 0:25:50 | |
It feels like that, the way I was driving here today. | 0:25:50 | 0:25:52 | |
The traffic was a nightmare. | 0:25:52 | 0:25:54 | |
Now, this, obviously, is such a fantastic car. | 0:25:54 | 0:25:58 | |
This is iconic. Die Another Day, the Vanquish on the ice. | 0:25:58 | 0:26:02 | |
But those missiles - oh, come on! | 0:26:02 | 0:26:03 | |
This was the most exotic car we ever had. | 0:26:03 | 0:26:06 | |
'Bond's Aston was converted to a four-wheel drive | 0:26:08 | 0:26:11 | |
'for this thrilling car chase against the fully tooled-up Jaguar XKR | 0:26:11 | 0:26:15 | |
'across a frozen lake in Iceland.' | 0:26:15 | 0:26:17 | |
So, this is the Casino Royale DBS. | 0:26:23 | 0:26:26 | |
-It is. -This is the famous crash. | 0:26:26 | 0:26:29 | |
'Many consider this the greatest Aston Martin stunt of all. | 0:26:32 | 0:26:36 | |
'The car turned over seven times, | 0:26:36 | 0:26:38 | |
'creating a new world record for flips.' | 0:26:38 | 0:26:40 | |
There's been so many different cars | 0:26:46 | 0:26:49 | |
throughout the whole of the Bond series. | 0:26:49 | 0:26:51 | |
This inextricable link between... | 0:26:51 | 0:26:55 | |
Bond and Aston Martin, where did that come about? | 0:26:55 | 0:26:58 | |
It was a Fleming...car. | 0:26:58 | 0:27:02 | |
In the Fleming books, Fleming always wanted, you know, British things | 0:27:02 | 0:27:06 | |
that were handmade, that were reliable, | 0:27:06 | 0:27:08 | |
that Bond would bet his life on. | 0:27:08 | 0:27:11 | |
'I love all these Astons, | 0:27:15 | 0:27:17 | |
'but there's one car here that holds a special place in my heart.' | 0:27:17 | 0:27:21 | |
So, this is the DB5. | 0:27:24 | 0:27:27 | |
This is the classic one. | 0:27:27 | 0:27:30 | |
Do you think this car has become almost as famous as Bond himself? | 0:27:30 | 0:27:33 | |
I think so. People say it's the most famous car in the world. | 0:27:33 | 0:27:37 | |
Is this the original one from Goldfinger, then? | 0:27:37 | 0:27:39 | |
-This is original from GoldenEye. -GoldenEye. Oh, right. | 0:27:39 | 0:27:42 | |
Which is...a few years later! | 0:27:42 | 0:27:44 | |
So, the car that I have, with all the gadgets, | 0:27:44 | 0:27:46 | |
with the bulletproof at the back, the ejector seat - this is not the car. | 0:27:46 | 0:27:49 | |
What happened to that car? | 0:27:49 | 0:27:51 | |
The car that was used in Goldfinger has disappeared. | 0:27:51 | 0:27:53 | |
-The one with all the gadgets was stolen. -Is gone? -Gone. | 0:27:53 | 0:27:57 | |
-It's disappeared. We don't know where it is. -That's so sad. | 0:27:57 | 0:27:59 | |
It must be somewhere. Someone must know where this car is. | 0:27:59 | 0:28:02 | |
Well, I hope so. Hopefully find it one day. | 0:28:02 | 0:28:04 | |
'It's such a shame that the most famous car in the world | 0:28:05 | 0:28:08 | |
'may never be seen again.' | 0:28:08 | 0:28:10 | |
'The Goldfinger DB5 was made at the old Aston Martin factory | 0:28:19 | 0:28:23 | |
'based in Newport Pagnell. | 0:28:23 | 0:28:25 | |
'All the cars here were handmade.' | 0:28:25 | 0:28:28 | |
'Aston Martins have an enormous labour force | 0:28:29 | 0:28:31 | |
'compared with the number of cars they produce. | 0:28:31 | 0:28:34 | |
'Since they're nearly all skilled craftsmen, the wages bill is high.' | 0:28:34 | 0:28:39 | |
'I'm heading there to see | 0:28:39 | 0:28:40 | |
'if some of these traditional skills are still there.' | 0:28:40 | 0:28:43 | |
It's where, basically, the heart of Aston lies. | 0:28:44 | 0:28:48 | |
This is the place where, really, it all started for Aston. | 0:28:48 | 0:28:51 | |
Ah-ha. Aston Martin. | 0:28:51 | 0:28:54 | |
Ooh, look at those toys! Beautiful. | 0:28:56 | 0:29:00 | |
'In 2007, the Newport Pagnell factory stopped making cars.' | 0:29:07 | 0:29:11 | |
'And now they just service them and restore vintage ones.' | 0:29:13 | 0:29:16 | |
And this just looks like something out of the '50s and '60s. | 0:29:18 | 0:29:21 | |
Absolutely right. I mean, this is very much | 0:29:21 | 0:29:23 | |
what Aston Martin would have looked like in 1964. | 0:29:23 | 0:29:26 | |
'The aluminium panels are carefully shaped | 0:29:27 | 0:29:29 | |
'by methods which put cost and speed | 0:29:29 | 0:29:31 | |
'a long way down the list of priorities.' | 0:29:31 | 0:29:33 | |
'They don't make DB5s here any more, | 0:29:35 | 0:29:37 | |
'but they still use the old-fashioned tools to restore vintage ones.' | 0:29:37 | 0:29:41 | |
-So, the technique hasn't changed. -No, the exact same techniques. | 0:29:44 | 0:29:47 | |
In fact, yeah, most of the equipment in here is as it would have been | 0:29:47 | 0:29:49 | |
-50, 60 years ago. -So what would that be used for? | 0:29:49 | 0:29:53 | |
This is going to be the front section of a DB5. | 0:29:53 | 0:29:56 | |
This is why they cost what they do, because they're handmade cars. | 0:29:56 | 0:29:59 | |
And there's a bit of someone's character in every panel. | 0:29:59 | 0:30:02 | |
So, if you have two guys working on each side of the car, | 0:30:02 | 0:30:04 | |
each side will be always slightly different. | 0:30:04 | 0:30:07 | |
How long would you take doing this? | 0:30:07 | 0:30:08 | |
A complete front end for a DB5 is around 150 hours. | 0:30:08 | 0:30:12 | |
-And the whole process is...? -18 months to two years. | 0:30:12 | 0:30:15 | |
I couldn't be without the car for that long. | 0:30:15 | 0:30:18 | |
I'd have to be in here every day. | 0:30:18 | 0:30:20 | |
'In its entire 52-year history, | 0:30:20 | 0:30:22 | |
'Newport Pagnell made only 13,300 cars. | 0:30:22 | 0:30:27 | |
'A modern assembly line like Ford's | 0:30:27 | 0:30:29 | |
'can make that number in a single week.' | 0:30:29 | 0:30:31 | |
'To finish my tour, Paul takes me to the heritage centre. | 0:30:39 | 0:30:43 | |
'This is where the finest selection of vintage Astons from each decade | 0:30:43 | 0:30:46 | |
'are kept on display.' | 0:30:46 | 0:30:48 | |
It's strange seeing them away from mechanics' side of things. | 0:30:48 | 0:30:51 | |
Now it's in a proper show room | 0:30:51 | 0:30:52 | |
-and you start to get a feel for what the car is, you know? -Yup. | 0:30:52 | 0:30:55 | |
Now, that is just... | 0:30:55 | 0:30:57 | |
DBC, it's a DB6 Mark II, Vantage. | 0:30:57 | 0:31:01 | |
Only 425 were made. | 0:31:01 | 0:31:03 | |
So, how much is this? | 0:31:03 | 0:31:05 | |
-This one is £750,000. -750? | 0:31:05 | 0:31:08 | |
-Why have you got this one covered up? -Let me reveal this to you. | 0:31:08 | 0:31:12 | |
HE CHUCKLES | 0:31:17 | 0:31:20 | |
My mouth's gone dry. | 0:31:20 | 0:31:22 | |
That's just the prettiest thing I've seen in my whole life. | 0:31:24 | 0:31:27 | |
'As there were only 1,023 DB5s ever made, | 0:31:28 | 0:31:32 | |
'each one now commands a hefty price tag. | 0:31:32 | 0:31:36 | |
'This restored model has now been updated | 0:31:36 | 0:31:39 | |
'with air conditioning, and even has a SatNav.' | 0:31:39 | 0:31:41 | |
So, this is a fully restored Aston Martin DB5 in silver birch. | 0:31:41 | 0:31:46 | |
-This is the same as my model. -This is the same as your model. | 0:31:48 | 0:31:51 | |
Oh, my word. | 0:31:51 | 0:31:53 | |
It's quite an emotional moment...for me! | 0:31:54 | 0:31:58 | |
How much is this one? | 0:31:58 | 0:32:00 | |
You'd have to spend just a shade over £1 million to own this car. | 0:32:00 | 0:32:05 | |
I would sell... How many kidneys have I got? | 0:32:05 | 0:32:07 | |
Would you like to take the car for a spin? | 0:32:12 | 0:32:14 | |
Uh... | 0:32:16 | 0:32:17 | |
Uh, yes. I would love that. | 0:32:18 | 0:32:21 | |
The keys, sir. | 0:32:21 | 0:32:23 | |
PAUL CHUCKLES | 0:32:23 | 0:32:25 | |
Thank you! | 0:32:25 | 0:32:26 | |
'I can't quite believe | 0:32:37 | 0:32:39 | |
'I'm actually driving my childhood hero.' | 0:32:39 | 0:32:41 | |
This is incredible. | 0:32:45 | 0:32:48 | |
I feel like a king. | 0:32:48 | 0:32:50 | |
I feel like a little boy, to be honest. | 0:32:50 | 0:32:52 | |
You can feel the car through the steering wheel. | 0:32:54 | 0:32:57 | |
The seats are really comfortable. | 0:32:57 | 0:32:59 | |
You can feel the gearbox, | 0:32:59 | 0:33:01 | |
and that little vibration that comes through | 0:33:01 | 0:33:03 | |
to tell you that the engine's running. | 0:33:03 | 0:33:05 | |
And it drives beautifully. | 0:33:05 | 0:33:08 | |
And it hasn't let me down. | 0:33:08 | 0:33:09 | |
You're always worried about meeting your heroes, you know? | 0:33:09 | 0:33:12 | |
It just doesn't let you down. | 0:33:12 | 0:33:13 | |
I feel a little bit like Bond now, in the DB5. | 0:33:13 | 0:33:16 | |
Sean Connery - eat your heart out. | 0:33:16 | 0:33:19 | |
'I find it hard to believe the DB5 | 0:33:22 | 0:33:24 | |
'will ever be usurped as the ultimate Bond car.' | 0:33:24 | 0:33:27 | |
'But back at Aston Martin headquarters, | 0:33:34 | 0:33:36 | |
'there's a man who's going to try.' | 0:33:36 | 0:33:38 | |
'Design director Marek Reichman | 0:33:39 | 0:33:41 | |
'is designing the new car for the latest Bond film, Spectre.' | 0:33:41 | 0:33:45 | |
Nice to meet you. Wow. This is your home. | 0:33:45 | 0:33:48 | |
Looking round here, for me, is like a toy shop. | 0:33:48 | 0:33:51 | |
'And I've been invited in | 0:33:51 | 0:33:52 | |
'to have a look at the designs of the new DB10.' | 0:33:52 | 0:33:56 | |
That there, now that looks like a Bond car. | 0:33:56 | 0:33:59 | |
You can almost see Daniel's face sitting in there. | 0:33:59 | 0:34:02 | |
That is a beautiful car. | 0:34:02 | 0:34:04 | |
Is this the future of Aston? Is this the way you're thinking now? | 0:34:04 | 0:34:07 | |
Because these aren't going to be sold on the road, are they? | 0:34:07 | 0:34:10 | |
Only ten cars, purely for Bond. | 0:34:10 | 0:34:11 | |
And it is... Yeah, it's an indication | 0:34:11 | 0:34:13 | |
of where we're going to start to push things | 0:34:13 | 0:34:15 | |
in terms of the feel of a hunter, a predator. | 0:34:15 | 0:34:18 | |
Something which is prowling, is powerful. | 0:34:18 | 0:34:20 | |
And you start to see the predatory nature of the car through here, | 0:34:20 | 0:34:23 | |
it's a proper shark. | 0:34:23 | 0:34:25 | |
And you want this car to take over | 0:34:25 | 0:34:28 | |
from the Goldfinger DB5? | 0:34:28 | 0:34:29 | |
Absolutely. So... | 0:34:29 | 0:34:32 | |
the last century, you know, that was all about DB5. | 0:34:32 | 0:34:35 | |
As we move forward, the next century - | 0:34:35 | 0:34:37 | |
so our second-century plan, this is the icon. | 0:34:37 | 0:34:40 | |
-The DB10. -DB10. | 0:34:40 | 0:34:41 | |
Well, if you're going up in fives, | 0:34:41 | 0:34:43 | |
I'm really looking forward to the DB15. | 0:34:43 | 0:34:46 | |
'All of the DB10S are currently being used | 0:34:49 | 0:34:52 | |
'by a certain James Bond on the set of the new film. | 0:34:52 | 0:34:55 | |
'But Marek's promised me I can have a go when filming ends. | 0:34:55 | 0:34:58 | |
'I can't wait!' | 0:34:58 | 0:34:59 | |
'Two months on, and I've now successfully completed | 0:35:13 | 0:35:15 | |
'five races for the GT4 race team.' | 0:35:15 | 0:35:18 | |
'Today, I'm hoping to get my upgraded racecar licence | 0:35:19 | 0:35:22 | |
'by completing the sixth.' | 0:35:22 | 0:35:24 | |
'My last race is at Brands Hatch.' | 0:35:34 | 0:35:37 | |
'And halfway round, I get sideswiped - at around 100mph.' | 0:35:38 | 0:35:42 | |
'I carry on to the end, though, and end up sixth in class.' | 0:35:48 | 0:35:51 | |
Whoops! | 0:35:53 | 0:35:55 | |
Yeah, I think we can polish that out. | 0:35:57 | 0:36:00 | |
That'll pop right out! Bang it out... | 0:36:00 | 0:36:02 | |
This is Aston Martin, mate. We don't do "pop right out." | 0:36:02 | 0:36:05 | |
'Despite the collision, | 0:36:05 | 0:36:06 | |
'I finally get my Race National A competition licence.' | 0:36:06 | 0:36:10 | |
From the race organisers, your fully completed signature card. | 0:36:10 | 0:36:14 | |
-Fantastic. -So, race upgrade - sorted. -Fantastic. Excellent. | 0:36:14 | 0:36:19 | |
'I even get a cup for coming first in the Pro-Am race the day before. | 0:36:20 | 0:36:25 | |
'And now I'm a real bona fide racing driver | 0:36:25 | 0:36:28 | |
'I can fulfil a lifetime's ambition | 0:36:28 | 0:36:30 | |
'and compete at the most famous race of all, Le Mans.' | 0:36:30 | 0:36:34 | |
'For 92 years, the world's best drivers | 0:36:42 | 0:36:45 | |
'have converged on this French city | 0:36:45 | 0:36:47 | |
'to compete in what is acknowledged to be | 0:36:47 | 0:36:49 | |
'the ultimate endurance test of all - | 0:36:49 | 0:36:52 | |
'Le Mans 24 Hours.' | 0:36:52 | 0:36:54 | |
Le Mans is one of those races which, historically, | 0:36:57 | 0:37:00 | |
it's probably one of the biggest races in the world. | 0:37:00 | 0:37:03 | |
The people that have won it, the cars that have been there, | 0:37:03 | 0:37:06 | |
the history behind it. I've been to lots of Formula 1 races - | 0:37:06 | 0:37:09 | |
never been to Le Mans. | 0:37:09 | 0:37:11 | |
Aston Martin have a rich and glorious racing history, | 0:37:11 | 0:37:14 | |
winning competitions around the world for over 100 years. | 0:37:14 | 0:37:17 | |
'300,000 people and more than 100 of Europe's best drivers | 0:37:19 | 0:37:22 | |
'were at Le Mans.' | 0:37:22 | 0:37:23 | |
'However, they've only once won the biggest competition of all, | 0:37:23 | 0:37:26 | |
'at Le Mans in 1959.' | 0:37:26 | 0:37:28 | |
'..Aston Martins and Ferraris were strongly represented. | 0:37:28 | 0:37:31 | |
'length of the course - about 8.5 miles.' | 0:37:31 | 0:37:33 | |
'The most significant moment in their long racing history.' | 0:37:33 | 0:37:37 | |
'At Le Mans, the French crowds watch the British cars | 0:37:37 | 0:37:40 | |
'match the might of Porsche and Ferrari, | 0:37:40 | 0:37:43 | |
'and chalk up another decisive victory | 0:37:43 | 0:37:45 | |
'in a year that looked like becoming an Aston Martin benefit.' | 0:37:45 | 0:37:49 | |
'For the Aston Martin owner David Brown, | 0:37:49 | 0:37:51 | |
'it was a lifetime's ambition to win this race.' | 0:37:51 | 0:37:54 | |
'He had designed a race car specifically for this purpose. | 0:37:56 | 0:38:00 | |
'It was called the DBR1, | 0:38:00 | 0:38:02 | |
'and is the most famous and valuable race car | 0:38:02 | 0:38:05 | |
'Aston Martin has ever made.' | 0:38:05 | 0:38:07 | |
'Only five DBR1s were ever produced. | 0:38:09 | 0:38:12 | |
'Despite a relatively small three-litre engine, | 0:38:12 | 0:38:15 | |
'it has a top speed of around 180mph.' | 0:38:15 | 0:38:18 | |
-That looks amazing. -I'm Gillian. -Hello, Gillian. Nice to meet you. | 0:38:19 | 0:38:22 | |
-Hello. -And you. -This is just one of my favourite cars. It's just amazing. | 0:38:22 | 0:38:26 | |
So, so pretty. | 0:38:26 | 0:38:29 | |
There is something about it. I mean, when it's parked like that, | 0:38:29 | 0:38:32 | |
it has a sort of beauty and serenity | 0:38:32 | 0:38:34 | |
-that wouldn't look out of place in an art gallery. -No. | 0:38:34 | 0:38:36 | |
But once you fire it up, | 0:38:36 | 0:38:38 | |
it's transformed into a raucous, willing | 0:38:38 | 0:38:40 | |
and really, really capable racing car of the '50s, | 0:38:40 | 0:38:43 | |
and it's fantastic. | 0:38:43 | 0:38:45 | |
The drivers loved it - it was a favourite. | 0:38:45 | 0:38:47 | |
And, of course, it came second - | 0:38:47 | 0:38:48 | |
this particular car came second at Le Mans | 0:38:48 | 0:38:51 | |
behind Salvadori and Shelby when they won it. | 0:38:51 | 0:38:53 | |
So, it's a huge piece of motoring history. | 0:38:53 | 0:38:55 | |
This is probably one of the most, | 0:38:55 | 0:38:57 | |
if not THE, most iconic car that was ever made. | 0:38:57 | 0:39:00 | |
Don't treat it like a show pony - it's a racehorse. | 0:39:00 | 0:39:03 | |
-OK? -Right, OK. -Don't be in awe of its value, it's a car. | 0:39:03 | 0:39:06 | |
'Just in case you were wondering, this car is valued at 20 million, | 0:39:10 | 0:39:14 | |
'and I'm actually being allowed to drive it.' | 0:39:14 | 0:39:17 | |
'A car that took part in the greatest race in Aston Martin's history. | 0:39:19 | 0:39:23 | |
'No pressure, then.' | 0:39:23 | 0:39:25 | |
'Number five, Aston Martin driven by Roy Salvadori. | 0:39:25 | 0:39:28 | |
'All set a cracking pace right from the start.' | 0:39:28 | 0:39:30 | |
'Hey! A lucky escape.' | 0:39:33 | 0:39:34 | |
'They had to drive all through the night. No slackening of speed.' | 0:39:36 | 0:39:39 | |
'12 Ferraris are racing but, of the four Aston Martins, | 0:39:42 | 0:39:44 | |
'Salvadori, number five, is driving a perfect race. | 0:39:44 | 0:39:48 | |
'By afternoon, a long lead was established by two Aston Martins - | 0:39:48 | 0:39:51 | |
'Salvadori's number five and Trintignant's number six. | 0:39:51 | 0:39:54 | |
'Sure enough, that was the order after 24 hours. | 0:39:54 | 0:39:56 | |
'Salvadori's co-driver, Shelby, was flagged home the winner.' | 0:39:56 | 0:40:00 | |
They'd driven 2,700 miles. | 0:40:00 | 0:40:02 | |
With them on the lap of honour rode Stirling Moss and David Brown. | 0:40:02 | 0:40:06 | |
Good for Aston Martins. | 0:40:06 | 0:40:08 | |
-Well? -PAUL EXHALES | 0:40:08 | 0:40:10 | |
-How was that? -That was amazing. That was just... | 0:40:10 | 0:40:13 | |
You can fall in love with it so easily. | 0:40:13 | 0:40:15 | |
Already you're in love with it? | 0:40:15 | 0:40:17 | |
And you're getting better, every gear change is getting better. | 0:40:17 | 0:40:19 | |
Can I just do one more lap before I go? | 0:40:19 | 0:40:21 | |
Or ten, or 20, or...? | 0:40:21 | 0:40:23 | |
-I think driving into the distance... -There is an exit gate over there? | 0:40:23 | 0:40:26 | |
-Is there? -We could just slip away and go. We'd probably get away with it. | 0:40:26 | 0:40:29 | |
ENGINE STARTS UP | 0:40:29 | 0:40:31 | |
LOUD REVVING | 0:40:31 | 0:40:33 | |
There's only one person still alive | 0:40:37 | 0:40:39 | |
from the Aston Martin team that drove to victory that day, | 0:40:39 | 0:40:42 | |
and that's the greatest Aston Martin driver of them all, | 0:40:42 | 0:40:46 | |
Sir Stirling Moss. | 0:40:46 | 0:40:47 | |
-Hello! Sir Stirling. -Nice to meet you. Come in. | 0:40:47 | 0:40:51 | |
Wow, you can tell you're in the home of a racing driver straightaway - | 0:40:51 | 0:40:55 | |
cars, racing cars. | 0:40:55 | 0:40:56 | |
Of course, the Aston Martin DBR1, | 0:40:56 | 0:40:58 | |
which is what I'd like to talk to you about. | 0:40:58 | 0:41:01 | |
Four DBR1s competed at Le Mans that day, | 0:41:01 | 0:41:04 | |
but Sir Stirling's car didn't finish the race... | 0:41:04 | 0:41:07 | |
..because he was told to be the pacesetter | 0:41:08 | 0:41:10 | |
to exhaust the competition. | 0:41:10 | 0:41:12 | |
Your job was to tire out the Ferraris, | 0:41:13 | 0:41:16 | |
am I correct in saying that? | 0:41:16 | 0:41:17 | |
Well, that's what they always say, it sounds good. | 0:41:17 | 0:41:20 | |
I was the hare, so that gave me the opportunity to drive harder, | 0:41:20 | 0:41:24 | |
because the Astons, really, | 0:41:24 | 0:41:25 | |
are not nearly as reliable as a Ferrari, really, as a vehicle, | 0:41:25 | 0:41:30 | |
but they did the job and won, you know? | 0:41:30 | 0:41:33 | |
-NEWSREEL ANNOUNCER: -'44 laps of corner after corner. | 0:41:33 | 0:41:36 | |
'Steady, not too wide...he's over!' | 0:41:36 | 0:41:38 | |
SCREAMING | 0:41:38 | 0:41:39 | |
-It was obviously a dangerous time for racing. -Yes, it was. | 0:41:39 | 0:41:43 | |
Every week, someone was injured or killed | 0:41:43 | 0:41:45 | |
and I think when you look at the racing that I watched you do, | 0:41:45 | 0:41:49 | |
going round a corner, sideways sliding, drifting - | 0:41:49 | 0:41:53 | |
I mean, the handling was... | 0:41:53 | 0:41:55 | |
Your handling in a car was incredible. | 0:41:55 | 0:41:58 | |
You see, the DBR1, particularly, | 0:41:58 | 0:42:00 | |
was a beautiful handling car, it really was. | 0:42:00 | 0:42:03 | |
The balance of this machine was really very, very good. | 0:42:03 | 0:42:05 | |
-Very good. -I've been asked to race an Aston Martin GT4 | 0:42:05 | 0:42:09 | |
at the Aston Martin Festival at Les Mans. | 0:42:09 | 0:42:12 | |
Do you have any tips for me, taking an Aston Martin round Le Mans? | 0:42:12 | 0:42:15 | |
I would suggest, the same as I would with any other car, | 0:42:15 | 0:42:18 | |
if you drive a little bit slower than you think you could do, | 0:42:18 | 0:42:22 | |
you're going to be a lot better. | 0:42:22 | 0:42:24 | |
That's interesting. So overdriving it, | 0:42:24 | 0:42:26 | |
and I have been guilty of that before... | 0:42:26 | 0:42:28 | |
Egg on your face is difficult to get off, | 0:42:28 | 0:42:30 | |
if you make a mistake - that's the point. | 0:42:30 | 0:42:32 | |
There's nowhere to hide with all those people watching! | 0:42:32 | 0:42:34 | |
THEY CHUCKLE | 0:42:34 | 0:42:36 | |
Le Mans Festival is under way. | 0:42:43 | 0:42:45 | |
Over a quarter of a million people flock here every year | 0:42:45 | 0:42:48 | |
to watch some of the world's fastest cars | 0:42:48 | 0:42:50 | |
and greatest drivers compete in an orgy of speed. | 0:42:50 | 0:42:54 | |
MUSIC: Commando Spatial by Virginie Rodin | 0:42:54 | 0:42:57 | |
This is Aston Martin's spiritual homeland. | 0:43:02 | 0:43:05 | |
I've been waiting my whole life to come to this racetrack. | 0:43:05 | 0:43:09 | |
It's a big place. | 0:43:10 | 0:43:12 | |
The circuit's eight and half miles long, | 0:43:12 | 0:43:14 | |
so outside of that, the circumference is rather large. | 0:43:14 | 0:43:17 | |
-It's like Glastonbury. -It is like Glastonbury. | 0:43:17 | 0:43:20 | |
Now we've got the weather, it's certainly like Glastonbury. | 0:43:20 | 0:43:23 | |
It's like a mud bath. | 0:43:23 | 0:43:25 | |
Thank goodness we're not driving today, but tomorrow should be drier. | 0:43:25 | 0:43:29 | |
MUSIC: Pourquoi Pas Moi by Stella | 0:43:29 | 0:43:33 | |
It seems like most of the UK have actually already turned up. | 0:43:36 | 0:43:40 | |
HE REVS ENGINE | 0:43:40 | 0:43:42 | |
Many of them are Aston Martin fanatics. | 0:43:42 | 0:43:45 | |
Listen to that. | 0:43:45 | 0:43:46 | |
It's terrific, isn't it? | 0:43:46 | 0:43:48 | |
There's not another race, I don't think, in the world, | 0:43:48 | 0:43:51 | |
that can replicate what you get at Le Mans. | 0:43:51 | 0:43:53 | |
It has the atmosphere, it has the excitement, | 0:43:53 | 0:43:55 | |
it has the different categories, | 0:43:55 | 0:43:57 | |
and always something happening throughout the 24 hours. | 0:43:57 | 0:44:00 | |
It's great fun, lots of beer, | 0:44:00 | 0:44:02 | |
lots of cars, lots of like-minded people. It's really good fun. | 0:44:02 | 0:44:06 | |
I'm not experienced enough yet to compete in the main 24-hour race, | 0:44:13 | 0:44:17 | |
so I'm racing in the Aston Martin Festival Race. | 0:44:17 | 0:44:20 | |
Gentleman and gentlelady drivers come from all around the world | 0:44:24 | 0:44:28 | |
to see who's the fastest Aston Martin driver of them all. | 0:44:28 | 0:44:31 | |
Before the Festival Race begins, | 0:44:37 | 0:44:39 | |
all the drivers have to compete in an hour-long qualifying race. | 0:44:39 | 0:44:43 | |
The track is so fast cars are reaching speeds of over 180mph. | 0:44:46 | 0:44:50 | |
And some are spinning off... | 0:45:00 | 0:45:01 | |
..including team-owner Andrew's new Aston Martin GTE. | 0:45:04 | 0:45:08 | |
TYRES SCREECH | 0:45:08 | 0:45:10 | |
The heat in the car is around 40 degrees. | 0:45:15 | 0:45:17 | |
It's like being in an oven. | 0:45:17 | 0:45:19 | |
-Stuey! -I've finished sixth in class and qualified for the main race, | 0:45:23 | 0:45:27 | |
but the heat takes it out of me. | 0:45:27 | 0:45:29 | |
I feel sick. | 0:45:32 | 0:45:34 | |
I feel drained. | 0:45:34 | 0:45:36 | |
I just feel drained and sick. | 0:45:36 | 0:45:38 | |
In the evening, the whole town of Le Mans comes out to celebrate | 0:45:57 | 0:46:00 | |
at the fantastic Drivers' Parade. | 0:46:00 | 0:46:03 | |
-THEY SING: -# Aston Martin train | 0:46:03 | 0:46:06 | |
# Aston Martin train | 0:46:06 | 0:46:08 | |
# Aston Martin, Aston Martin Aston Martin train! # | 0:46:08 | 0:46:11 | |
Wahay! | 0:46:11 | 0:46:12 | |
ENGINE REVS | 0:46:12 | 0:46:15 | |
'Aston Martin boss Andy Palmer | 0:46:15 | 0:46:17 | |
'asks if I want to drive through the parade with him. | 0:46:17 | 0:46:20 | |
ENGINE REVS | 0:46:23 | 0:46:25 | |
It's going well - we're making a lot of noise, which is the main thing. | 0:46:28 | 0:46:31 | |
The crowd seem to be happy with it. | 0:46:31 | 0:46:33 | |
Here we go. | 0:46:33 | 0:46:35 | |
ENGINE REVS LOUDLY | 0:46:35 | 0:46:38 | |
CHEERING AND APPLAUSE | 0:46:38 | 0:46:41 | |
It's the morning of the Aston Martin Festival Race. | 0:47:00 | 0:47:03 | |
-54 seconds. -Yeah. | 0:47:07 | 0:47:10 | |
The lads are up early, tuning the cars. | 0:47:10 | 0:47:12 | |
ENGINE REVS REPEATEDLY | 0:47:14 | 0:47:17 | |
I'm excited about the biggest race of my life. | 0:47:17 | 0:47:20 | |
How many people can say they've raced round Le Mans? | 0:47:21 | 0:47:25 | |
All my wing mirrors will be full of Aston Martins. | 0:47:25 | 0:47:28 | |
It's going to be... It's going to be a special day. | 0:47:28 | 0:47:32 | |
I'm lining up next to two gentleman racers that I know well - | 0:47:32 | 0:47:36 | |
Aston Martin CEO Andy Palmer and design director Marek Reichman. | 0:47:36 | 0:47:40 | |
A little bit nervous, but there you go. | 0:47:42 | 0:47:45 | |
There's about 200,000 people watching | 0:47:45 | 0:47:47 | |
and I'm an amateur racing driver, so it's a little bit nerve-racking. | 0:47:47 | 0:47:52 | |
Do you think you can beat Paul? | 0:47:52 | 0:47:54 | |
HE CHUCKLES | 0:47:54 | 0:47:56 | |
Let's see, shall we? | 0:47:56 | 0:47:58 | |
I'd like to think so. | 0:48:00 | 0:48:02 | |
It's good to have rivalry on the track | 0:48:02 | 0:48:04 | |
and it's great to be friends off the track | 0:48:04 | 0:48:06 | |
and that's the way that, frankly, gentleman racing should be. | 0:48:06 | 0:48:10 | |
It may be called gentleman racing, | 0:48:11 | 0:48:13 | |
but I'm determined those two won't get past me! | 0:48:13 | 0:48:16 | |
TENSE MUSIC | 0:48:17 | 0:48:20 | |
-They've changed the starting procedure. -Oh, no. | 0:48:27 | 0:48:30 | |
No-one is to drive around... | 0:48:30 | 0:48:31 | |
'I'm trying hard to control my nerves.' | 0:48:31 | 0:48:33 | |
-COMMENTATOR: -We see car number one there | 0:48:37 | 0:48:39 | |
with the Union Flag on its roof, | 0:48:39 | 0:48:41 | |
shared by a P Hollywood and a D Richards. | 0:48:41 | 0:48:44 | |
Paul has spent this season getting his licences, | 0:48:44 | 0:48:47 | |
and he's done a fantastic job of getting himself up to speed. | 0:48:47 | 0:48:52 | |
I think Paul will be starting that number one car | 0:48:52 | 0:48:55 | |
that we just saw on screen there. | 0:48:55 | 0:48:57 | |
The race is 45 minutes long | 0:48:57 | 0:48:59 | |
and I'm about to compete on the same track | 0:48:59 | 0:49:01 | |
as some of the most famous racing drivers that have ever lived. | 0:49:01 | 0:49:06 | |
-COMMENTATOR: -The green flag drops. Jon is away, leading the pack away. | 0:49:12 | 0:49:16 | |
Good start there from Andrew Howard, | 0:49:16 | 0:49:18 | |
pulling over to the inside to go around that DBRS9. | 0:49:18 | 0:49:22 | |
I'm doing well and I'm ahead of Marek, | 0:49:33 | 0:49:35 | |
but then, a third of the way through the race, disaster. | 0:49:35 | 0:49:39 | |
Oh, we've got two wheels over. | 0:49:40 | 0:49:43 | |
Four wheels over in the end. | 0:49:43 | 0:49:44 | |
-The number 12. -That's a big crash. | 0:49:44 | 0:49:48 | |
That's actually done some barrier damage. We may see a stoppage. | 0:49:48 | 0:49:52 | |
Red flag, yes. | 0:49:52 | 0:49:53 | |
They may just have deemed the barrier damage too great | 0:49:53 | 0:49:56 | |
to fix in this session, which would be a real shame. | 0:49:56 | 0:49:59 | |
-What's going on? -Nobody really knows. | 0:50:01 | 0:50:03 | |
It's a red flag cos of the damage. | 0:50:03 | 0:50:05 | |
-Red flag? -Red flag, so the race is finished. | 0:50:05 | 0:50:08 | |
Nobody... Race is finished, yeah. | 0:50:08 | 0:50:10 | |
So I think we are just going to see this being the end of the race | 0:50:10 | 0:50:13 | |
and these cars heading up to parc ferme. | 0:50:13 | 0:50:15 | |
That is unfortunately all we're going to see | 0:50:15 | 0:50:17 | |
of these beautiful Aston Martins here today. | 0:50:17 | 0:50:20 | |
'I'm totally gutted. | 0:50:20 | 0:50:22 | |
'This once-in-a-lifetime opportunity is cut short | 0:50:22 | 0:50:25 | |
'and that's the end of the race.' | 0:50:25 | 0:50:27 | |
There's been a big crash down the road, | 0:50:27 | 0:50:29 | |
which is quite a sobering thought. | 0:50:29 | 0:50:30 | |
There was bits of Aston everywhere. | 0:50:30 | 0:50:32 | |
-Was it a big one? -Yeah, he spun it and hit the wall | 0:50:32 | 0:50:35 | |
and there's just bits of car. | 0:50:35 | 0:50:37 | |
I managed to tiptoe my way through it. | 0:50:37 | 0:50:39 | |
'Back at the hospitality tent, | 0:50:41 | 0:50:43 | |
'I go through the results of the race with my two rivals.' | 0:50:43 | 0:50:46 | |
Let's have a look at it here. | 0:50:48 | 0:50:50 | |
You got eighth. | 0:50:50 | 0:50:52 | |
-I got eighth? -I got 11th. | 0:50:52 | 0:50:54 | |
Although... | 0:50:54 | 0:50:56 | |
..how the hell that happened... | 0:50:57 | 0:50:59 | |
If you were following me, you must have just overtaken in the pits. | 0:50:59 | 0:51:02 | |
-Yeah. -That's... You can't do that! | 0:51:02 | 0:51:04 | |
That is a joke! | 0:51:04 | 0:51:05 | |
'Hmm, that doesn't sound like a very gentlemanly tactic to me.' | 0:51:05 | 0:51:09 | |
I think it was quite... | 0:51:11 | 0:51:13 | |
It was quite an inauspicious sort of ending, | 0:51:13 | 0:51:16 | |
so I think what we have to do is put this down as a practice... | 0:51:16 | 0:51:19 | |
-We'll do it all again. -We'll do it all again. | 0:51:19 | 0:51:22 | |
THEY LAUGH | 0:51:22 | 0:51:23 | |
'Aside from being a gentleman driver, | 0:51:28 | 0:51:29 | |
'designer Marek's been busy at work.' | 0:51:29 | 0:51:32 | |
That's interesting. | 0:51:32 | 0:51:33 | |
JAMES BOND THEME PLAYS | 0:51:33 | 0:51:35 | |
A while ago, I saw his sketches for the new James Bond car, | 0:51:35 | 0:51:39 | |
the DB10, at the Aston Martin headquarters in Gaydon. | 0:51:39 | 0:51:42 | |
Now I've been told I can have a go in the real thing. | 0:51:46 | 0:51:50 | |
It's just finished filming for the new Bond film Spectre. | 0:51:50 | 0:51:54 | |
I've seen all the pictures, I've seen all the 3-D models, | 0:51:54 | 0:51:57 | |
I've seen how it's roughly going to look, | 0:51:57 | 0:51:59 | |
but I've never actually seen the real thing. | 0:51:59 | 0:52:01 | |
This is the first time I'm going to see a DB10. | 0:52:01 | 0:52:04 | |
Is this going to be the new iconic Bond car? | 0:52:04 | 0:52:07 | |
Is this going to replace Goldfinger's DB5? | 0:52:07 | 0:52:11 | |
There's only ten DB10s in the world and none of them are for sale. | 0:52:20 | 0:52:25 | |
This is in the middle of nowhere! This is bizarre. | 0:52:25 | 0:52:29 | |
Marek arranges to meet me in a secret location | 0:52:33 | 0:52:35 | |
with the stunt driver Mark Higgins, who's been working on the new movie. | 0:52:35 | 0:52:39 | |
-Hi, Paul, you all right? -Hello, Mark. | 0:52:45 | 0:52:47 | |
So you know this car intimately, then? | 0:52:47 | 0:52:48 | |
This one was part of me for quite a while, to be honest, yeah. | 0:52:48 | 0:52:51 | |
We had it for three weeks in Rome, | 0:52:51 | 0:52:53 | |
did the car chase there, which was pretty awesome. | 0:52:53 | 0:52:55 | |
I mean, seeing the pictures | 0:52:55 | 0:52:59 | |
and then the 3-D model, and then seeing this... | 0:52:59 | 0:53:02 | |
..I think it's beautiful. | 0:53:03 | 0:53:05 | |
It looks like that shark. | 0:53:05 | 0:53:07 | |
You mentioned the shark, cos when you look at the lines here... | 0:53:07 | 0:53:11 | |
We wanted to get as close to the sketch as possible, | 0:53:11 | 0:53:14 | |
and those shark features - the undercuts, | 0:53:14 | 0:53:17 | |
the menacing nose, the predatory feel - | 0:53:17 | 0:53:19 | |
it's all there in the car. | 0:53:19 | 0:53:21 | |
You said you took this car to Rome - | 0:53:21 | 0:53:22 | |
what sort of things did it get into? | 0:53:22 | 0:53:24 | |
A lot of drifting. We had the Vatican closed off, | 0:53:24 | 0:53:27 | |
probably did 100mph sideways past that, on cobbles, | 0:53:27 | 0:53:30 | |
-which was pretty amazing. -Wow. | 0:53:30 | 0:53:33 | |
The Pope was in there at the time, apparently, but he didn't wake up. | 0:53:33 | 0:53:36 | |
-Everything was done through the night. -Now... | 0:53:36 | 0:53:40 | |
I've seen the car. Would you mind taking me for a spin in this? | 0:53:40 | 0:53:42 | |
-I don't need much encouragement - of course, I can. -Right, OK. | 0:53:42 | 0:53:45 | |
-Don't break it. -OK. -THEY CHUCKLE | 0:53:45 | 0:53:47 | |
ENGINE ROARS | 0:53:47 | 0:53:50 | |
TYRES SCREECH | 0:53:50 | 0:53:52 | |
Mark is a three-times British Rally champion | 0:53:57 | 0:54:00 | |
and, boy, does he know how to drift a car. | 0:54:00 | 0:54:02 | |
TYRES SCREECH | 0:54:04 | 0:54:06 | |
PAUL CHUCKLES | 0:54:08 | 0:54:10 | |
-BLEEP -hell! | 0:54:14 | 0:54:16 | |
TYRES SCREECH | 0:54:22 | 0:54:24 | |
Look at the smoke! | 0:54:26 | 0:54:28 | |
'This is like the best fairground ride in the world.' | 0:54:28 | 0:54:31 | |
-It's a horrible job, isn't it, but someone's got to do it! -Isn't it? | 0:54:34 | 0:54:38 | |
PAUL CHUCKLES | 0:54:38 | 0:54:40 | |
'Marek is waiting for me to give my verdict | 0:54:40 | 0:54:43 | |
'on whether the DB10 can rival the DB5 | 0:54:43 | 0:54:47 | |
'as the iconic Bond car.' | 0:54:47 | 0:54:49 | |
So what do you think? | 0:54:49 | 0:54:50 | |
PAUL SIGHS | 0:54:50 | 0:54:52 | |
I love it, I really do. | 0:54:52 | 0:54:53 | |
It feels like you're in something really powerful. | 0:54:53 | 0:54:56 | |
Is that a Bond car? Is it an iconic...? | 0:54:56 | 0:54:58 | |
Do you know what? I think it is, I think it will be, for sure. | 0:55:00 | 0:55:03 | |
-That's a very special thing. -Yeah, it is. | 0:55:03 | 0:55:05 | |
It's a special moment, to see it moving. | 0:55:05 | 0:55:08 | |
'However, usurping the DB5 as THE Aston Martin is a big ask.' | 0:55:08 | 0:55:13 | |
I think to rival the DB5, I don't think you can do that. | 0:55:14 | 0:55:17 | |
I think the DB5 at its time was an icon, | 0:55:17 | 0:55:19 | |
-I think as much as this will be an icon of its time. -In its time. | 0:55:19 | 0:55:22 | |
I think it's going to take a while | 0:55:22 | 0:55:25 | |
for people to get around the fact that Aston have moved so much. | 0:55:25 | 0:55:29 | |
It's great for me to see and hear your reaction. | 0:55:29 | 0:55:32 | |
Q, I think you've done it again. | 0:55:32 | 0:55:34 | |
-Thank you very much. -Thank you very much indeed! | 0:55:34 | 0:55:37 | |
Even though the DB10 is not for sale, | 0:55:41 | 0:55:43 | |
it's likely to be the blueprint for the next generation of Astons | 0:55:43 | 0:55:46 | |
that are being released next year. | 0:55:46 | 0:55:48 | |
I head back to the Aston Martin headquarters in Gaydon | 0:55:52 | 0:55:55 | |
to meet the CEO Andy Palmer... | 0:55:55 | 0:55:56 | |
..to find out how important these new cars are | 0:55:58 | 0:56:00 | |
to the future of the company. | 0:56:00 | 0:56:02 | |
I've had a fascinating journey and, actually, | 0:56:03 | 0:56:07 | |
I've driven iconic cars from Aston Martin. | 0:56:07 | 0:56:10 | |
I've driven the DB5, I've driven the DBR1, | 0:56:10 | 0:56:13 | |
I've driven the Cloverleaf, the first production car, | 0:56:13 | 0:56:16 | |
and went up Aston Hill in it. | 0:56:16 | 0:56:18 | |
When I was with Marek, we were looking at the DB10 | 0:56:18 | 0:56:21 | |
and I got a glimpse of the future as well. | 0:56:21 | 0:56:25 | |
You're confident, and this pretty much starts next year, | 0:56:25 | 0:56:28 | |
-that all these new models coming out will do well? -Yes. | 0:56:28 | 0:56:32 | |
This... | 0:56:32 | 0:56:34 | |
new generation of car, | 0:56:34 | 0:56:35 | |
one every year for basically the next six years... | 0:56:35 | 0:56:39 | |
..we don't have room for a miss-step | 0:56:40 | 0:56:44 | |
in the launch of those cars, | 0:56:44 | 0:56:45 | |
because each one is funding the next. | 0:56:45 | 0:56:47 | |
We can no longer be in business and for it to be a plaything. | 0:56:47 | 0:56:52 | |
If we stay in the plaything area, | 0:56:52 | 0:56:55 | |
there won't be an Aston Martin in the future. | 0:56:55 | 0:56:58 | |
'I wonder if Aston Martin have always struggled to make much money | 0:56:58 | 0:57:01 | |
'because, in the past, they've only sold to the British aristocracy.' | 0:57:01 | 0:57:05 | |
Because the older people - Robert Bamford, Lionel Martin, | 0:57:05 | 0:57:09 | |
straight from the oldest part of Aston Martin - | 0:57:09 | 0:57:11 | |
-they were gentry... -Mm-hm. | 0:57:11 | 0:57:13 | |
..I think that stigma has always been attached, then, to Aston Martin. | 0:57:13 | 0:57:17 | |
Do you think that's still around today, | 0:57:17 | 0:57:19 | |
or is that beginning to break down now, the class system with Aston? | 0:57:19 | 0:57:22 | |
Well, I do think in general it's breaking down, | 0:57:22 | 0:57:25 | |
so I think that the people purchasing these kind of luxury cars | 0:57:25 | 0:57:30 | |
-are different from the ones in the past. -Including myself! | 0:57:30 | 0:57:33 | |
Including you and me. | 0:57:33 | 0:57:35 | |
I don't think either of us can claim to come from landed gentry. | 0:57:35 | 0:57:39 | |
It's a different kind of a customer. | 0:57:39 | 0:57:41 | |
They can be landed gentry that have done very well | 0:57:41 | 0:57:43 | |
but, likewise, they can be a baker or an apprentice | 0:57:43 | 0:57:46 | |
that started their jobs when they were 16 years old, right? | 0:57:46 | 0:57:50 | |
Your shareholders, if they make a pound, | 0:57:50 | 0:57:52 | |
I'm sure they'll be happy. As long as they're not losing anything. | 0:57:52 | 0:57:55 | |
I'm sure they'd be... Well, if they don't lose anything, | 0:57:55 | 0:57:58 | |
they'll be the first shareholders of the company not to lose anything, | 0:57:58 | 0:58:02 | |
so this'll already be a success. | 0:58:02 | 0:58:04 | |
I wish Andy luck trying to turn the company around, | 0:58:07 | 0:58:10 | |
but for me, Aston Martin has never really been about business. | 0:58:10 | 0:58:15 | |
From a little kid who played with a toy car | 0:58:15 | 0:58:18 | |
to now owning one, | 0:58:18 | 0:58:20 | |
it's all about passion, beauty and speed. | 0:58:20 | 0:58:24 | |
MUSIC: Commando Spatial by Virginie Rodin | 0:58:24 | 0:58:27 |