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For many, the 1950s were the golden age of British motoring. | 0:00:02 | 0:00:06 | |
Back then, driving was leisurely, liberating and fun. | 0:00:06 | 0:00:11 | |
Yes, things have changed a bit since then. | 0:00:13 | 0:00:17 | |
But perhaps it's still possible to recapture some of that magic. | 0:00:20 | 0:00:25 | |
Oh, yes. | 0:00:25 | 0:00:27 | |
I'm setting off on six of the best drives from the 1950s, | 0:00:28 | 0:00:32 | |
as recommended by the guidebooks of the era. | 0:00:32 | 0:00:36 | |
And I'll be driving them in some of the decade's most iconic vehicles. | 0:00:36 | 0:00:40 | |
Gone into reverse. | 0:00:42 | 0:00:45 | |
I want to find out if these routes still thrill and inspire... | 0:00:45 | 0:00:50 | |
This is a spectacular road. | 0:00:50 | 0:00:53 | |
..and how in 50 years, Britain itself has changed. | 0:00:53 | 0:00:58 | |
Oh, for God's sake! | 0:00:58 | 0:01:00 | |
They wouldn't have thought to come here without a sat nav. | 0:01:00 | 0:01:03 | |
I'm sure they wouldn't. | 0:01:03 | 0:01:05 | |
People don't value each other as much as they did then. | 0:01:05 | 0:01:08 | |
It was a different type of life, wasn't it? | 0:01:08 | 0:01:10 | |
Cornwall contains all, or almost all, the ingredients | 0:01:29 | 0:01:32 | |
that make for a good motoring holiday. | 0:01:32 | 0:01:35 | |
Fine varied scenery, an exceptionally | 0:01:35 | 0:01:37 | |
brilliant coast and an excellent summer climate. | 0:01:37 | 0:01:41 | |
Cornwall has all the climatic advantages of continental residence, | 0:01:41 | 0:01:46 | |
without the drawback of long and fatiguing travel, | 0:01:46 | 0:01:49 | |
foreign language, unusual habits and strange attendance. | 0:01:49 | 0:01:53 | |
I never thought I would be driving into Cornwall in a VW campervan. | 0:01:54 | 0:02:00 | |
I would like to say that I've got a surfboard attached to the roof, | 0:02:01 | 0:02:05 | |
but I haven't. I won't be doing any surfing, I'm afraid. | 0:02:05 | 0:02:09 | |
When the VW van first appeared in 1950, | 0:02:09 | 0:02:13 | |
it revolutionised leisure motoring. | 0:02:13 | 0:02:15 | |
it was simple, adaptable and surprisingly spacious. | 0:02:15 | 0:02:20 | |
With a top speed of just 56mph, this mobile 'home from home' | 0:02:22 | 0:02:27 | |
might not have been the fastest vehicle off the block, | 0:02:27 | 0:02:30 | |
but never mind, with its 11 picture windows, driving a campervan | 0:02:30 | 0:02:34 | |
was as much about enjoying the journey as it was the destination. | 0:02:34 | 0:02:41 | |
I haven't totally got control of the gears yet but, er, | 0:02:41 | 0:02:44 | |
we're getting there. | 0:02:44 | 0:02:46 | |
That was a change from fourth to third I was rather proud of. | 0:02:49 | 0:02:53 | |
ENGINE STALLS | 0:02:55 | 0:02:57 | |
Ah, bugger it! | 0:02:57 | 0:02:58 | |
So time to take my '50s design classic on a classic '50s drive. | 0:03:01 | 0:03:07 | |
I'm in Cornwall to explore a road described in my 1959 guidebook | 0:03:07 | 0:03:12 | |
as "one of the finest coast roads in Britain," | 0:03:12 | 0:03:15 | |
so I've got high hopes for something pretty special. | 0:03:15 | 0:03:19 | |
The B3306 starts at the former fishing village of St Ives, hugs the | 0:03:20 | 0:03:25 | |
dramatic North Cornish coast, and will lead me ultimately to England's | 0:03:25 | 0:03:30 | |
most westerly point, Land's End. | 0:03:30 | 0:03:34 | |
The first stop on my road trip is St Ives, | 0:03:35 | 0:03:39 | |
and my old guidebooks are united in their praise for the place. | 0:03:39 | 0:03:43 | |
St Ives - a quaint and fascinating little town... | 0:03:59 | 0:04:02 | |
it is one of Cornwall's gems. | 0:04:02 | 0:04:04 | |
"All that is best in Cornwall | 0:04:04 | 0:04:06 | |
"seems to meet in St Ives." | 0:04:06 | 0:04:09 | |
Fifty years ago, St Ives was living a sort of triple life, | 0:04:13 | 0:04:17 | |
at once a bucket and spade resort, a traditional fishing port, and | 0:04:17 | 0:04:21 | |
perhaps most surprisingly given its far-flung location, | 0:04:21 | 0:04:26 | |
an internationally renowned centre for abstract art! | 0:04:26 | 0:04:31 | |
Working in studios converted from fishermen's cottages and old net | 0:04:31 | 0:04:36 | |
lofts were some of the world's most significant abstract artists, | 0:04:36 | 0:04:40 | |
like sculptor | 0:04:40 | 0:04:41 | |
Barbara Hepworth, and painter | 0:04:41 | 0:04:43 | |
Sir Terry Frost. | 0:04:43 | 0:04:45 | |
All of them inspired by | 0:04:45 | 0:04:47 | |
the Cornish landscape around them. | 0:04:47 | 0:04:49 | |
Anthony Frost, son of | 0:04:52 | 0:04:53 | |
the late Sir Terry, and himself | 0:04:53 | 0:04:56 | |
a successful abstract artist, was born and brought up in the town. | 0:04:56 | 0:05:01 | |
-Anthony, hello, I'm Richard Wilson. -Hello, nice to meet you. | 0:05:01 | 0:05:04 | |
Come in to my.. So what was it like living here as a boy? | 0:05:04 | 0:05:08 | |
Well, it was fantastic, because you just lived on the beach, for a start. | 0:05:08 | 0:05:12 | |
And I mean... | 0:05:12 | 0:05:14 | |
when I first met my wife, I told her that I didn't have shoes, | 0:05:14 | 0:05:16 | |
and that I only had shoes to go to school in. | 0:05:16 | 0:05:18 | |
I mean, she never believed me, but it's true, you had your pair of shoes | 0:05:18 | 0:05:21 | |
to go to school in. Because you didn't need them | 0:05:21 | 0:05:23 | |
for the rest of the time, because you were on the beaches. Here, | 0:05:23 | 0:05:27 | |
we used to have football matches, sort of like 40-a side. | 0:05:27 | 0:05:31 | |
So in the late '50s, the art scene was pretty vibrant here, was it? | 0:05:34 | 0:05:37 | |
It was fantastic, because it has sort of never reached that climax again | 0:05:37 | 0:05:41 | |
in the sense of that you know America looked to St Ives, New York looked to | 0:05:41 | 0:05:47 | |
-St Ives. -It was the centre. | 0:05:47 | 0:05:48 | |
Yeah, I mean, because you had Rothko, and Klein, all these people, | 0:05:48 | 0:05:53 | |
and they came here. To meet Patrick Heron, Terry Frost, | 0:05:53 | 0:05:55 | |
Peter Lanyon, he wanted to meet these people. | 0:05:55 | 0:05:57 | |
Because for a short time, St Ives was as big as New York. | 0:05:57 | 0:06:01 | |
You know, the abstract American expressionist painters. | 0:06:01 | 0:06:04 | |
So the art scene today, how does that differ? | 0:06:04 | 0:06:08 | |
There is still a fantastic, vibrant art scene, we still have wonderful | 0:06:08 | 0:06:11 | |
studios. We have galleries everywhere. | 0:06:11 | 0:06:14 | |
I suppose the difference now is that | 0:06:14 | 0:06:16 | |
we also have the sort of factory galleries. | 0:06:16 | 0:06:18 | |
I mean, there is supposedly, allegedly, you know, a gallery where | 0:06:18 | 0:06:22 | |
the painters go along, somebody paints the sky, the clouds, | 0:06:22 | 0:06:25 | |
-and the boats. -No, that's impossible. | 0:06:25 | 0:06:28 | |
But, er, it has changed in that sense. And of course, there is that | 0:06:28 | 0:06:34 | |
thing of there is people here all the time and people do buy those sorts of | 0:06:34 | 0:06:37 | |
paintings to take home almost as if like a stick of rock now. | 0:06:37 | 0:06:40 | |
Because it's got a name for paintings. | 0:06:40 | 0:06:42 | |
Yes, yes, St Ives has got that reputation. | 0:06:42 | 0:06:44 | |
But there are still serious painters here. | 0:06:44 | 0:06:47 | |
It's just that it has become diluted. | 0:06:47 | 0:06:49 | |
One of those "serious" painters is Bob Crossley, | 0:06:56 | 0:07:00 | |
a rare survivor from St Ives' abstract heyday. | 0:07:00 | 0:07:04 | |
Incredibly, Bob is 95 years old and still an active artist. | 0:07:04 | 0:07:09 | |
Believe it or not, he only gave up skiing four years ago! | 0:07:09 | 0:07:13 | |
So when did you come to | 0:07:17 | 0:07:18 | |
-St Ives? -1959. -'59? -Yeah. | 0:07:18 | 0:07:22 | |
So in 1959, of course, there must have been lots of artists here? | 0:07:22 | 0:07:28 | |
-Yeah. I knew them all. -And you knew them all. | 0:07:28 | 0:07:31 | |
Yes, and I was the oldest of the lot. They've all died now. | 0:07:31 | 0:07:36 | |
And I suppose the painters come here because the light is so... | 0:07:36 | 0:07:40 | |
extraordinary. | 0:07:40 | 0:07:41 | |
It's nice and clear and sunny, yes, it is, yes. Light's light. | 0:07:41 | 0:07:45 | |
Light is for working, you don't look at the light, you look through | 0:07:45 | 0:07:50 | |
the light at what you're looking at. | 0:07:50 | 0:07:51 | |
Bob really is living art history. | 0:07:54 | 0:07:56 | |
There aren't many painters around today that can claim that | 0:07:56 | 0:08:00 | |
LS Lowry himself bought one of their pictures. | 0:08:00 | 0:08:03 | |
And fifty years after he first moved here, he's still going strong. | 0:08:03 | 0:08:07 | |
His work and indeed the man himself are inspirational. | 0:08:07 | 0:08:13 | |
95 years, you... | 0:08:13 | 0:08:15 | |
still haven't run out of ideas, and still doing wonderful stuff. | 0:08:15 | 0:08:19 | |
Well, I'm lucky to have good health. | 0:08:19 | 0:08:22 | |
-Well, yes, you are, 95, and you're still standing. -Yeah. | 0:08:22 | 0:08:29 | |
Thanks to artists like Bob, people no longer come to St Ives simply for | 0:08:33 | 0:08:37 | |
sun and sand, the town now attracts a new kind of holidaymaker, | 0:08:37 | 0:08:43 | |
the cultural tourist, drawn | 0:08:43 | 0:08:46 | |
to sites like Tate St Ives and the Barbara Hepworth Sculpture Garden. | 0:08:46 | 0:08:52 | |
Beautiful. | 0:08:52 | 0:08:54 | |
So it's no longer just the summer season that's busy, | 0:08:54 | 0:08:57 | |
the town is crammed with sightseers all year round, and driving through | 0:08:57 | 0:09:02 | |
the narrow streets can be an absolute nightmare. | 0:09:02 | 0:09:07 | |
So it's with some relief that I'm heading out of town and | 0:09:07 | 0:09:10 | |
up along the coast road that all my 1950s guidebooks are raving about. | 0:09:10 | 0:09:16 | |
# Life is but a dream... # | 0:09:18 | 0:09:23 | |
This is a spectacular road...ahead, it's just beautiful. | 0:09:25 | 0:09:33 | |
I really can see why this is one of the best drives in Britain. | 0:09:33 | 0:09:38 | |
The road behind the north coast, | 0:09:38 | 0:09:40 | |
from St Ives to Land's End, meandering among boulder-strewn | 0:09:40 | 0:09:44 | |
heaths, is one of the most attractive of Cornish ways. | 0:09:44 | 0:09:47 | |
The coast from here out to the Land's End | 0:09:48 | 0:09:51 | |
is as dramatic as any in Cornwall. To drive | 0:09:51 | 0:09:55 | |
from St Ives and out along this coast | 0:09:55 | 0:09:57 | |
is always exhilarating, | 0:09:57 | 0:09:59 | |
an experience never to be forgotten. | 0:09:59 | 0:10:01 | |
But, for me, driving this stunning road | 0:10:03 | 0:10:05 | |
is not without its challenges. | 0:10:05 | 0:10:07 | |
After owning nothing but automatics for the past thirty years, I'm still | 0:10:07 | 0:10:11 | |
finding the campervan's retro gearbox a bit of a lucky dip. | 0:10:11 | 0:10:16 | |
-Third. -GEARS CRUNCH | 0:10:16 | 0:10:18 | |
Ah, I'm going to have to try. | 0:10:20 | 0:10:22 | |
Oh, I've gone into reverse. | 0:10:26 | 0:10:28 | |
Just four miles out of St Ives, we arrive at the ancient | 0:10:35 | 0:10:39 | |
and picturesque village of Zennor, a chance for me to give the gear box | 0:10:39 | 0:10:44 | |
a rest, grab a spot of lunch and do some swatting up. | 0:10:44 | 0:10:48 | |
Most of my guidebooks recommend a visit to Zennor. But this one | 0:10:55 | 0:11:01 | |
is particularly intriguing. In the First World War, DH Lawrence | 0:11:01 | 0:11:04 | |
lived here for a while, and hated it. | 0:11:04 | 0:11:08 | |
In fact, he lived for a while in this very pub, The Tinners Arms. | 0:11:08 | 0:11:13 | |
And then discovered that the reason | 0:11:13 | 0:11:15 | |
that he hated it was in fact because he was chucked out. | 0:11:15 | 0:11:18 | |
His wife was German and she was a cousin of the Red Baron, in fact. | 0:11:18 | 0:11:26 | |
And when you think there were U-boats just off the coast here | 0:11:26 | 0:11:29 | |
trying to sink British ships, | 0:11:29 | 0:11:31 | |
and they were going along the coast road singing German folk songs, | 0:11:31 | 0:11:35 | |
it's not really unreasonable that they were so unpopular. | 0:11:35 | 0:11:38 | |
So the locals didn't take to them, and DH Lawrence | 0:11:38 | 0:11:43 | |
didn't take to the locals. | 0:11:43 | 0:11:45 | |
There's a quote here of what he said about them... | 0:11:45 | 0:11:49 | |
"Like insects gone cold, living only for money, for dirt. | 0:11:49 | 0:11:55 | |
"They are foul, they all ought to die." | 0:11:55 | 0:11:58 | |
So the locals said that they were spies and that she was hanging out | 0:11:58 | 0:12:03 | |
her red knickers as a signal to the U-boats. | 0:12:03 | 0:12:07 | |
Which seems a highly unlikely thing to do, but anyway, they thought that | 0:12:07 | 0:12:12 | |
they were spies and so they kicked them out. | 0:12:12 | 0:12:15 | |
Lawrence and his wife were expelled from the entire county, | 0:12:16 | 0:12:20 | |
and it left him with a bitterness for the Cornish | 0:12:20 | 0:12:23 | |
and their highly individual outlook. | 0:12:23 | 0:12:26 | |
It seems that even as recently as 50 years ago, the Cornish people | 0:12:29 | 0:12:36 | |
were still very much a breed apart, as is borne out by my guides. | 0:12:36 | 0:12:42 | |
The inhabitants are, racially, | 0:12:42 | 0:12:44 | |
quite different from those in other parts of England. | 0:12:44 | 0:12:47 | |
It is, in truth, a very foreign land, the whole atmosphere of | 0:12:47 | 0:12:51 | |
the county is different from that of any other part of Britain. | 0:12:51 | 0:12:56 | |
To find out if there's any truth in these statements, I'm heading to one | 0:12:56 | 0:12:59 | |
of my route's recommended stops, Zennor's 12th-century church, | 0:12:59 | 0:13:05 | |
to meet Cornish storyteller Graham Whitford. | 0:13:05 | 0:13:08 | |
Graham, my guidebooks which are from the '50s, um, most of them | 0:13:08 | 0:13:12 | |
talk about the separateness of Cornwall | 0:13:12 | 0:13:15 | |
and how it was almost a foreign land where the people are very different. | 0:13:15 | 0:13:20 | |
Is that still true today, do you think, the separateness of | 0:13:20 | 0:13:23 | |
-the Cornish? -It is to some extent, but it's fast disappearing, I think. | 0:13:23 | 0:13:28 | |
Um, in the '50s, | 0:13:28 | 0:13:31 | |
Cornwall was very Cornish, probably 95% of people were | 0:13:31 | 0:13:35 | |
born here. Whereas today, 70% of the people aren't born here. | 0:13:35 | 0:13:39 | |
So there's been a massive influx from out of the county. | 0:13:39 | 0:13:42 | |
I mean, people have seen that Cornwall is a lovely place... | 0:13:42 | 0:13:45 | |
-Yes. -..and people like to go to lovely places. | 0:13:45 | 0:13:48 | |
But politically, all these second homes are not popular in Cornwall, | 0:13:48 | 0:13:53 | |
-because young people can't afford to buy houses here. -Yeah. | 0:13:53 | 0:13:56 | |
But I think that's | 0:13:56 | 0:13:58 | |
fired people up, it's fired the Cornish people up | 0:13:58 | 0:14:00 | |
to keep hold of their history, their culture, and their heritage. | 0:14:00 | 0:14:03 | |
And storytelling is burgeoning. | 0:14:03 | 0:14:07 | |
-And Zennor has a few tales to tell, doesn't it? -Yes. | 0:14:07 | 0:14:09 | |
The mermaid of Zennor, the story is closely attached to this church. | 0:14:09 | 0:14:14 | |
And some time ago, um, Matthew Trewhella, a local fisherman, | 0:14:14 | 0:14:19 | |
used to sing in the choir in this church. | 0:14:19 | 0:14:22 | |
Now, the legend says that his voice was so beautiful that it | 0:14:22 | 0:14:27 | |
passed out of the church and was heard beneath the sea by Morveren, | 0:14:27 | 0:14:31 | |
-one of the mermaids. -Ah. | 0:14:31 | 0:14:33 | |
And she thought that the voice was so beautiful and enchanting, | 0:14:33 | 0:14:36 | |
she wanted to find out where this voice came from. | 0:14:36 | 0:14:39 | |
And then on one occasion, Matthew Trewhella happened to look up | 0:14:39 | 0:14:42 | |
and see her standing in the doorway. | 0:14:42 | 0:14:45 | |
And with her long tresses and beautiful face, he was in love | 0:14:45 | 0:14:48 | |
in an instant. | 0:14:48 | 0:14:50 | |
And he chased after her, | 0:14:50 | 0:14:52 | |
and several of the congregation | 0:14:52 | 0:14:54 | |
chased after them as they ran down towards the shore. | 0:14:54 | 0:14:58 | |
But he said as he disappeared beneath the waves, "This is my true love, | 0:14:58 | 0:15:01 | |
"and we will be happy together, and I will follow her wherever she leads." | 0:15:01 | 0:15:05 | |
So he became a merman? | 0:15:05 | 0:15:07 | |
-One would like to think so. -Sprouted a few gills. | 0:15:07 | 0:15:10 | |
You can draw your own pictures. | 0:15:10 | 0:15:13 | |
I'm not mocking you, | 0:15:13 | 0:15:16 | |
I believe every word of it. | 0:15:16 | 0:15:18 | |
Well, my guidebook backs up Graham's story, | 0:15:22 | 0:15:24 | |
"The Zennor, the picturesque village of Zennor, church town 4.5 miles | 0:15:24 | 0:15:30 | |
"due west of St Ives, is famous for its legendary mermaid, | 0:15:30 | 0:15:35 | |
"whose image is carved on a pew end in the lovely 12th-century church." | 0:15:35 | 0:15:42 | |
And this is the pew end, and it looks extraordinarily old, | 0:15:42 | 0:15:47 | |
and here is our mermaid. | 0:15:47 | 0:15:52 | |
So, there she is. | 0:15:52 | 0:15:54 | |
And for those interested in mermaids, | 0:15:54 | 0:15:57 | |
well worth a visit, but frankly, I wouldn't bother... | 0:15:57 | 0:16:01 | |
You did ask! | 0:16:02 | 0:16:05 | |
MUSIC: "Why Do Fools Fall In Love?" by Frankie Lymon and The Teenagers | 0:16:05 | 0:16:10 | |
Leaving Zennor behind, I'm now headed a further 13 miles | 0:16:22 | 0:16:26 | |
up the coast to renowned beauty spot Sennen Cove. | 0:16:26 | 0:16:30 | |
And despite Cornwall's huge popularity, | 0:16:32 | 0:16:34 | |
this beautiful road has remained remarkably unspoilt. | 0:16:34 | 0:16:39 | |
A wonderful smell of manure coming in now. | 0:16:39 | 0:16:43 | |
Ooh, yes, that's a pungent one. | 0:16:43 | 0:16:48 | |
But of course, | 0:16:50 | 0:16:52 | |
it's pointless to talk about it | 0:16:52 | 0:16:54 | |
on television, because you can't smell it...fortunately for you. | 0:16:54 | 0:16:59 | |
'The makers of this programme, in their infinite wisdom, have decided | 0:17:00 | 0:17:04 | |
'that because I've got such an obvious natural affinity with | 0:17:04 | 0:17:07 | |
'this special vehicle...' | 0:17:07 | 0:17:10 | |
Come on, you stupid...! | 0:17:10 | 0:17:12 | |
'I hope you note my irony. | 0:17:14 | 0:17:17 | |
'..I should immerse myself in the '50s | 0:17:17 | 0:17:19 | |
'driving experience still further.' | 0:17:19 | 0:17:23 | |
The producers thought it would be a very nice idea | 0:17:23 | 0:17:26 | |
if I was to camp out in the campervan. | 0:17:26 | 0:17:29 | |
And I said, "Well, that's a wonderful idea, | 0:17:29 | 0:17:32 | |
"but...no." | 0:17:32 | 0:17:35 | |
Trevedra Farm has been welcoming campers for more than 65 years, but | 0:17:41 | 0:17:46 | |
while once upon a time, it was first and foremost a working farm, | 0:17:46 | 0:17:50 | |
there's now been a complete turnabout. | 0:17:50 | 0:17:53 | |
Oh, here we are, all these caravans. | 0:17:53 | 0:17:57 | |
Former owners Jean and Michael Nicolas | 0:17:59 | 0:18:01 | |
have watched as tourism has become the predominant Cornish industry. | 0:18:01 | 0:18:07 | |
Would you say that the farm now is more of a campsite than a farm? | 0:18:07 | 0:18:12 | |
-Definitely. -Definitely! -Yes. -And is that good, or bad? | 0:18:12 | 0:18:16 | |
Well, it's just different, isn't it, | 0:18:16 | 0:18:18 | |
-we change with the times, like, isn't it? -Yeah. | 0:18:18 | 0:18:21 | |
You've got to change where the money is. If there's not the money | 0:18:21 | 0:18:24 | |
in farming, you've got to change your lifestyle... | 0:18:24 | 0:18:27 | |
and step up the camping... | 0:18:27 | 0:18:28 | |
-Yeah. -..and slide the farm back. | 0:18:28 | 0:18:30 | |
Jean and Mike possess that admirable British quality of adaptability. | 0:18:30 | 0:18:37 | |
I only wish I could be so flexible. | 0:18:37 | 0:18:40 | |
I'm driving a... | 0:18:40 | 0:18:42 | |
split-screen VW. | 0:18:42 | 0:18:44 | |
-Oh, yes. -I think they are trying to get me to stay in it tonight. | 0:18:44 | 0:18:48 | |
-Are they? -Do you think that's a good idea? | 0:18:48 | 0:18:50 | |
-Yes. It will be a marvellous experience for you. -If I was | 0:18:50 | 0:18:53 | |
staying out there tonight, could I book a toilet just for myself? | 0:18:53 | 0:18:57 | |
Because I don't like sharing toilets. | 0:18:57 | 0:18:59 | |
Yes, you can have the key to the family room. | 0:18:59 | 0:19:01 | |
-And what about a Jacuzzi? Have you got a Jacuzzi up there? -No. | 0:19:01 | 0:19:05 | |
-No, no. -Do you have a television room, and things like that? -No. -No. | 0:19:05 | 0:19:08 | |
Do you have a wine list? | 0:19:08 | 0:19:10 | |
-No, we haven't got a licence for... -Oh... | 0:19:10 | 0:19:13 | |
I don't know, it's getting worse and worse. | 0:19:13 | 0:19:15 | |
I suggest that that might be the next step. | 0:19:15 | 0:19:19 | |
-You get a nice wine list. -We shall have them all out there drunk! | 0:19:19 | 0:19:23 | |
They'll be out talking to the cows! | 0:19:23 | 0:19:25 | |
Oh, well, I suppose it would be churlish of me not to give it a go. | 0:19:26 | 0:19:30 | |
And the producers have assured me they won't let me go hungry. | 0:19:30 | 0:19:34 | |
Apparently, they've packed my picnic hamper with everything I need | 0:19:34 | 0:19:39 | |
for a hearty supper. | 0:19:39 | 0:19:40 | |
HE LAUGHS | 0:19:40 | 0:19:42 | |
"1950 - corned-beef hash." | 0:19:47 | 0:19:49 | |
I don't think I've had corned-beef hash for 50 years! | 0:19:53 | 0:19:56 | |
And I can't honestly say I've missed it much in the interim. | 0:19:56 | 0:20:01 | |
Still, all this fresh air does give one an appetite... | 0:20:01 | 0:20:04 | |
as indeed does trying to find my way around all this van's | 0:20:04 | 0:20:08 | |
little nooks and crannies. | 0:20:08 | 0:20:10 | |
I'm just looking for a tin opener. | 0:20:10 | 0:20:13 | |
Ooh, I can smell gas anyway. | 0:20:14 | 0:20:16 | |
Ah, this is just what we want... | 0:20:18 | 0:20:22 | |
a hammer | 0:20:22 | 0:20:23 | |
to bash the cooker with to create a spark and set it alight. | 0:20:23 | 0:20:29 | |
So, hold on... | 0:20:29 | 0:20:31 | |
No, I'd better not do that. | 0:20:31 | 0:20:33 | |
Ah! | 0:20:33 | 0:20:34 | |
Ah... See, it's easy really. | 0:20:38 | 0:20:42 | |
Oh, this is a sink, that's handy. | 0:20:45 | 0:20:48 | |
There we go. | 0:20:56 | 0:20:57 | |
Oh, yes. I bet everyone at home is just wishing they were here, | 0:20:59 | 0:21:04 | |
down on this campsite. | 0:21:04 | 0:21:06 | |
Ah, look at that. | 0:21:08 | 0:21:10 | |
What more could you ask for? A perfect setting, | 0:21:13 | 0:21:16 | |
there is going to be the most extraordinary sunset behind us. | 0:21:16 | 0:21:21 | |
Mmm! | 0:21:21 | 0:21:22 | |
Really nice. Has it made me have second thoughts | 0:21:24 | 0:21:27 | |
about sleeping in a campervan? | 0:21:27 | 0:21:29 | |
Er, frankly, | 0:21:29 | 0:21:31 | |
no, it hasn't. | 0:21:31 | 0:21:33 | |
Well, you didn't really think I was | 0:21:39 | 0:21:41 | |
about to suddenly take up camping at my age, did you? | 0:21:41 | 0:21:44 | |
GEARS CRUNCH | 0:21:45 | 0:21:47 | |
This morning, I'm backtracking five miles along my route | 0:21:49 | 0:21:52 | |
to the village of Botallack... | 0:21:52 | 0:21:54 | |
an area dominated by the remains of | 0:21:54 | 0:21:56 | |
Cornwall's industrial heritage... | 0:21:56 | 0:21:59 | |
Whoa! Bumpy. | 0:21:59 | 0:22:02 | |
..and I've managed to bag myself what must be one of the | 0:22:08 | 0:22:11 | |
best parking spaces in Britain. | 0:22:11 | 0:22:13 | |
Quite spectacular. | 0:22:13 | 0:22:15 | |
Everywhere one looks, there are relics of | 0:22:29 | 0:22:31 | |
Cornwall's tin mining past, | 0:22:31 | 0:22:34 | |
an industry that was once an inseparable part of life down here. | 0:22:34 | 0:22:40 | |
I've arranged to meet Author and former tin miner Allan Buckley | 0:22:40 | 0:22:44 | |
at some of the area's most dramatic ruins. | 0:22:44 | 0:22:47 | |
So, we drive past roads with a lot of mines. | 0:22:54 | 0:22:58 | |
In fact, the first one I saw, I thought was an old castle ruin. | 0:22:58 | 0:23:01 | |
Yes, yes. Well, people call them Cornish castles. | 0:23:01 | 0:23:05 | |
But they're engine houses, and they are | 0:23:05 | 0:23:07 | |
just the tip of the iceberg, because beneath them underground, there are | 0:23:07 | 0:23:11 | |
literally hundreds and hundreds of miles of tunnels and workings. | 0:23:11 | 0:23:15 | |
At its peak in the 1860s, there were several tens of thousands worked | 0:23:15 | 0:23:21 | |
underground in Cornish mines. There were over two hundred miners working. | 0:23:21 | 0:23:25 | |
Amazingly, some Cornish mines are 3,000 feet deep, that's | 0:23:25 | 0:23:29 | |
considerably more than twice the height of the Empire State Building. | 0:23:29 | 0:23:34 | |
And they don't just run underground. | 0:23:34 | 0:23:37 | |
So you can imagine the workings go under the sea for half a mile, | 0:23:37 | 0:23:42 | |
-three quarters of a mile beyond there, where that boat is. -Yeah. | 0:23:42 | 0:23:44 | |
-So you were working under the sea? -Oh, yes, yes. | 0:23:44 | 0:23:48 | |
Looking at these noble ruins, it would be easy to romanticise | 0:23:48 | 0:23:53 | |
a miner's life, but the truth is, it was a tough and archaic existence, | 0:23:53 | 0:23:59 | |
even when Alan first went down the mines just under 50 years ago. | 0:23:59 | 0:24:05 | |
-Was it like coal mining, did you get very dirty? -Oh, yes. | 0:24:05 | 0:24:09 | |
And you had showers and all that? | 0:24:09 | 0:24:10 | |
-Very primitive showers. -Right. | 0:24:10 | 0:24:12 | |
A one-inch pipe with holes in it was actually it. | 0:24:12 | 0:24:15 | |
And a great big bath that was filthy after the first person got into it. | 0:24:15 | 0:24:19 | |
-Of course. -So it was different, much more primitive. | 0:24:19 | 0:24:21 | |
And as I say, we used lamps instead of electric lights. And there was | 0:24:21 | 0:24:26 | |
-a lot of hand labour, as opposed to mechanised labour. -Yeah. | 0:24:26 | 0:24:29 | |
-So it was a primitive place in those days. -And no conveyor belts? | 0:24:29 | 0:24:33 | |
No, none at all underground, no. | 0:24:33 | 0:24:36 | |
What tough men those miners must have been. | 0:24:36 | 0:24:38 | |
It's bad enough just standing out here at this exposed spot, | 0:24:38 | 0:24:44 | |
especially when the director insists on shooting everything | 0:24:44 | 0:24:47 | |
from 100 different angles! | 0:24:47 | 0:24:49 | |
We'll give you two more minutes in this shot. | 0:24:49 | 0:24:52 | |
-I'm freezing! -'It's not like you've ever warmed up.' -Oh, bugger you! | 0:24:53 | 0:24:57 | |
Like so much of Britain's heavy industry, Cornish mining declined | 0:25:00 | 0:25:03 | |
dramatically over the past half century, and the last mine closed | 0:25:03 | 0:25:07 | |
in 1998, spelling the end of an era | 0:25:07 | 0:25:11 | |
that irrevocably shaped the landscape and people of Cornwall. | 0:25:11 | 0:25:16 | |
You realise that those tin mines did employ a lot of people, so I suppose | 0:25:16 | 0:25:22 | |
the sad thing about it going is that these communities all shifted. | 0:25:22 | 0:25:27 | |
And finally, just 20 miles after this fascinating drive began, | 0:25:27 | 0:25:32 | |
I'm coming to the end of the road, quite literally. | 0:25:32 | 0:25:36 | |
MUSIC: "All I Have To Do Is Dream," by The Everly Brothers | 0:25:39 | 0:25:45 | |
Land's End is England's most westerly point, | 0:25:47 | 0:25:51 | |
and it's been attracting tourists for generations. | 0:25:51 | 0:25:55 | |
Oh, wonderful, look at this, spectacular, | 0:26:02 | 0:26:06 | |
spectacular coastline. | 0:26:06 | 0:26:10 | |
A proud boast, to have been to Land's End. | 0:26:10 | 0:26:13 | |
Mere description can never hope to give even the illusion of the thrill | 0:26:13 | 0:26:17 | |
its name and significance produce in those who have been there. | 0:26:17 | 0:26:22 | |
Journey's End. | 0:26:27 | 0:26:30 | |
Land's End. Beautiful... | 0:26:30 | 0:26:34 | |
Beautiful. | 0:26:34 | 0:26:35 | |
The colours of the rocks down here, | 0:26:50 | 0:26:54 | |
the sea, the white and the blue and the dark browns | 0:26:54 | 0:26:58 | |
and the greens. You can see why people come to paint here, | 0:26:58 | 0:27:01 | |
the light is quite extraordinary. | 0:27:01 | 0:27:04 | |
And I suppose there is a feeling of... | 0:27:05 | 0:27:08 | |
being at the end, there is so much light, so much horizon. | 0:27:08 | 0:27:15 | |
It's worth driving - it's certainly one of the best drives of Britain. | 0:27:15 | 0:27:21 | |
You do realise that there are great big stretches of Cornwall, which are | 0:27:24 | 0:27:29 | |
pretty unspoilt still. | 0:27:29 | 0:27:31 | |
It's only when you're in the... | 0:27:31 | 0:27:34 | |
really touristy bits, I suppose, but the road is such a beautiful road. | 0:27:34 | 0:27:39 | |
A lot of the road and places like this you, can get away and... | 0:27:39 | 0:27:44 | |
I suppose this was just the way it was in the '50s. | 0:27:44 | 0:27:48 | |
And it is... | 0:27:48 | 0:27:50 | |
a spectacular drive, without a doubt. | 0:27:50 | 0:27:53 | |
Sat here at the edge of Britain, it's easy to see why the Cornish | 0:27:54 | 0:27:59 | |
people were once so isolated. | 0:27:59 | 0:28:01 | |
I mean, it really is the road to nowhere. | 0:28:01 | 0:28:05 | |
But with its rugged good looks and inspirational vistas, | 0:28:05 | 0:28:09 | |
it was inevitable that outsiders would want to live here. | 0:28:09 | 0:28:13 | |
Cornwall may be losing the uniquely provincial charm that it had | 0:28:13 | 0:28:19 | |
50 years ago, but I think that's probably true of much of Britain, | 0:28:19 | 0:28:23 | |
and indeed the world. | 0:28:23 | 0:28:25 | |
But, no matter who settles here, with landscapes like this, | 0:28:25 | 0:28:29 | |
Cornwall will always be a very special place. | 0:28:29 | 0:28:34 | |
Subtitles by Red Bee Media Ltd | 0:28:49 | 0:28:52 | |
E-mail [email protected] | 0:28:52 | 0:28:55 |