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For many, the 1950s were the golden age of British motoring. | 0:00:02 | 0:00:05 | |
Back then, driving was leisurely, liberating and fun. | 0:00:05 | 0:00:11 | |
TYRES SCREECH, HORN BEEPS | 0:00:11 | 0:00:14 | |
Yes, things have changed a bit since then. | 0:00:14 | 0:00:17 | |
But perhaps it's still possible to recapture some of that old magic. | 0:00:20 | 0:00:25 | |
Oh, yes! | 0:00:25 | 0:00:27 | |
I'm setting off on six of the best drives from the 1950s, | 0:00:27 | 0:00:32 | |
as recommended by the guidebooks of the era. | 0:00:32 | 0:00:36 | |
And I'll be driving them in some of the decade's most iconic vehicles. | 0:00:36 | 0:00:40 | |
GEARS CRUNCH | 0:00:40 | 0:00:43 | |
Oh, gone into reverse. | 0:00:43 | 0:00:45 | |
'I want to find out if these routes still thrill and inspire...' | 0:00:45 | 0:00:51 | |
This is a spectacular road. | 0:00:51 | 0:00:53 | |
'..and how, in 50 years, Britain itself has changed.' | 0:00:53 | 0:00:58 | |
Oh, for God's sake. | 0:00:58 | 0:01:00 | |
They wouldn't have thought to come here without a sat nav. | 0:01:00 | 0:01:03 | |
I'm sure they wouldn't. | 0:01:03 | 0:01:05 | |
People don't value each other as much as they did then. | 0:01:05 | 0:01:08 | |
It was a different type of life. | 0:01:08 | 0:01:10 | |
HORN BLASTS | 0:01:10 | 0:01:12 | |
# Hey nonny ding dong | 0:01:18 | 0:01:20 | |
# Ah lang-a-lang-a-lang | 0:01:20 | 0:01:22 | |
# Boom ba lo Ba-boom-ba-boom dah | 0:01:22 | 0:01:25 | |
# Oh, life could be a dream | 0:01:25 | 0:01:27 | |
# If I could take you up in paradise up above | 0:01:27 | 0:01:32 | |
# If you would tell me... # | 0:01:32 | 0:01:33 | |
'A tour through the Highlands of Scotland yields an experience | 0:01:33 | 0:01:37 | |
'to be matched nowhere else in Western Europe. | 0:01:37 | 0:01:40 | |
'No district has a greater variety of interest | 0:01:40 | 0:01:44 | |
'nor a happier combination of beauty and accessibility | 0:01:44 | 0:01:48 | |
'than the area known as the Trossachs.' | 0:01:48 | 0:01:50 | |
# ..Life could be a dream sweetheart... # | 0:01:50 | 0:01:53 | |
Scotland is, of course, my homeland, | 0:01:53 | 0:01:56 | |
and in celebration of my return, | 0:01:56 | 0:01:58 | |
the producers have allowed me a rather splendid vehicle. | 0:01:58 | 0:02:02 | |
It's a 1952 Bentley Mark VI, | 0:02:02 | 0:02:06 | |
and an absolutely beautiful piece of British engineering it is. | 0:02:06 | 0:02:11 | |
In it, I'll be exploring a route that was positively | 0:02:12 | 0:02:16 | |
raved about in my 1950s guidebooks. | 0:02:16 | 0:02:19 | |
I'll take the road from Callander to Inversnaid, | 0:02:19 | 0:02:24 | |
a journey that promises fine views | 0:02:24 | 0:02:26 | |
of several lochs and mountains, | 0:02:26 | 0:02:29 | |
including one of Scotland's most revered driving roads, | 0:02:29 | 0:02:32 | |
and culminates at the largest lake in Britain. | 0:02:32 | 0:02:36 | |
But before I begin, I can't resist a quick detour. | 0:02:40 | 0:02:44 | |
Greenock, on the Firth of Clyde, is my home town | 0:02:44 | 0:02:47 | |
and my big sister Moira still lives there. | 0:02:47 | 0:02:50 | |
Well, with a car like this, | 0:02:50 | 0:02:53 | |
you can't blame me for wanting to show off a bit, can you? | 0:02:53 | 0:02:57 | |
DOORBELL | 0:02:57 | 0:02:59 | |
-Hello! -Moira! -Lovely to see you. | 0:03:02 | 0:03:06 | |
Welcome to Britain's Best Drives. | 0:03:06 | 0:03:07 | |
HE LAUGHS | 0:03:07 | 0:03:09 | |
How are you doing? | 0:03:09 | 0:03:10 | |
-Not too bad. -Good. | 0:03:10 | 0:03:12 | |
-There you are. -Thank you, | 0:03:14 | 0:03:16 | |
Oh, my goodness! This is beautiful. | 0:03:16 | 0:03:18 | |
Palatial, Moira. | 0:03:18 | 0:03:20 | |
Ooh, leather. | 0:03:20 | 0:03:23 | |
Do you enjoy being chauffeured in a Bentley, Moira? | 0:03:27 | 0:03:31 | |
-Yes, it's very nice. -It's a bit hot, of course. | 0:03:31 | 0:03:34 | |
It's very warm. | 0:03:34 | 0:03:35 | |
See this shop, is that still working? | 0:03:35 | 0:03:38 | |
-Yes, it is. -It's all a bit dilapidated, isn't it? | 0:03:38 | 0:03:41 | |
'Hmmm. Our little tour of the old neighbourhood | 0:03:41 | 0:03:44 | |
'soon reveals that, just like Moira and myself, | 0:03:44 | 0:03:47 | |
'Greenock has changed a bit since the '50s.' | 0:03:47 | 0:03:50 | |
That's all been demolished, I see. | 0:03:52 | 0:03:54 | |
Yes, they're all being knocked down. | 0:03:54 | 0:03:56 | |
'I wanted to show you a stupendous vista of the town.' | 0:03:56 | 0:04:01 | |
When was that built? | 0:04:01 | 0:04:03 | |
Don't know. There's the... | 0:04:03 | 0:04:04 | |
'Oh, well... Never mind. | 0:04:04 | 0:04:06 | |
'But Moira has managed to salvage a rather unlikely relic from the past. | 0:04:06 | 0:04:11 | |
'The shed we both used to play in as kids. | 0:04:11 | 0:04:15 | |
'She's even given it a fresh coat of paint.' | 0:04:15 | 0:04:18 | |
So this shed is made from timber from the shipyard, I think. | 0:04:18 | 0:04:23 | |
What time do you... what date do you think it was? | 0:04:23 | 0:04:26 | |
Ooh, it's... | 0:04:26 | 0:04:27 | |
It's over 80 years old. | 0:04:27 | 0:04:30 | |
Over 80 years old and still standing. Clyde built! | 0:04:30 | 0:04:34 | |
You've done a very good job, Moira. | 0:04:34 | 0:04:36 | |
-Is it painted all the way round? -No. | 0:04:36 | 0:04:39 | |
-Just the two sides that I can see from the house. -I see! | 0:04:39 | 0:04:43 | |
I ran out of paint, so I thought, | 0:04:43 | 0:04:45 | |
"I'm not spending any more money because it's..." | 0:04:45 | 0:04:48 | |
-Is the door original as well? -Yes. | 0:04:48 | 0:04:50 | |
-Just this, Jimmy put this on. -Yeah. | 0:04:50 | 0:04:53 | |
I bet this won't be in the show, but there you are, there's a brown shed. | 0:04:53 | 0:04:57 | |
-90 years old. -It used to be green. | 0:04:57 | 0:04:59 | |
This is your house, but we weren't brought up as children here. | 0:04:59 | 0:05:03 | |
We were brought up in Dunlop Street. | 0:05:03 | 0:05:05 | |
Used to play in the hut. We did. It was a sort of a den, wasn't it? | 0:05:05 | 0:05:09 | |
-It was your den. -We used to play, um, shops and things. -Uh-huh. | 0:05:09 | 0:05:15 | |
Who was the shopkeeper, me or you? I can't remember. | 0:05:15 | 0:05:17 | |
-Oh, you were the customer, weren't you? -I was the customer. | 0:05:17 | 0:05:20 | |
-I was always buying. -You were always buying. | 0:05:20 | 0:05:23 | |
-I'm still always buying. -Still always shopping. | 0:05:23 | 0:05:26 | |
-Still shopping. -Absolutely. | 0:05:26 | 0:05:27 | |
We played at Maisie's and Jeannie's, and you were the dog. | 0:05:27 | 0:05:30 | |
Oh, I used to be your dog, wasn't I? | 0:05:30 | 0:05:33 | |
-You took me round on a lead. -Uh-huh. -Not when I was a teenager! | 0:05:33 | 0:05:36 | |
-Oh, no, no, no, no, no. -No, when I was a wee thing. | 0:05:36 | 0:05:40 | |
Seven or eight, or something! | 0:05:40 | 0:05:43 | |
Time to set off, I think, before Moira rakes up | 0:05:43 | 0:05:47 | |
any more embarrassing memories. | 0:05:47 | 0:05:50 | |
My start point will be a town that, although I've never been there, | 0:05:50 | 0:05:54 | |
played a significant part in my life. | 0:05:54 | 0:05:57 | |
Callander doubled as the town of Tannochbrae | 0:05:57 | 0:06:00 | |
in the original Dr Finlay TV series, | 0:06:00 | 0:06:03 | |
a show that marked my professional debut. | 0:06:03 | 0:06:07 | |
Nobody likes a teacher, do they? I mean, he's not popular. | 0:06:07 | 0:06:10 | |
When Lord Muircross finds he's a schoolteacher, | 0:06:10 | 0:06:12 | |
I wouldn't be surprised if his ears were hotter than a Scottish supper. | 0:06:12 | 0:06:17 | |
'Arden House was the exterior of Dr Finlay's Casebook.' | 0:06:17 | 0:06:22 | |
Unfortunately, I never got there, | 0:06:22 | 0:06:24 | |
because the part I played in Dr Finlay was all in the studio, | 0:06:24 | 0:06:29 | |
so I never got any location work. | 0:06:29 | 0:06:32 | |
'I was playing Mr McKeeley, the stone-mason, | 0:06:32 | 0:06:36 | |
'with a bad back and because it was my first job, I was very nervous,' | 0:06:36 | 0:06:42 | |
of course. | 0:06:42 | 0:06:43 | |
I remember the Daily Telegraph, I think it was, was doing a piece, | 0:06:45 | 0:06:49 | |
it was the first of a new series, and the Daily Telegraph was doing | 0:06:49 | 0:06:53 | |
a diary piece which said, "The cast now come back after lunch | 0:06:53 | 0:06:57 | |
"to do the first run-through. | 0:06:57 | 0:06:59 | |
"They all look calm and relaxed | 0:06:59 | 0:07:01 | |
"apart from Richard Wilson, who looks pale and drawn... | 0:07:01 | 0:07:04 | |
"It's because it's his first job." | 0:07:04 | 0:07:06 | |
I'm meeting a man at Arden House | 0:07:10 | 0:07:11 | |
who you might say was Callander's real Dr Finlay. | 0:07:11 | 0:07:15 | |
Dr Ian Williams was the town's GP, | 0:07:15 | 0:07:19 | |
and when he arrived here more than 40 years ago, | 0:07:19 | 0:07:22 | |
he soon realised what a tight-knit, rural community this was. | 0:07:22 | 0:07:26 | |
I went in to speak to somebody, a patient. | 0:07:26 | 0:07:29 | |
-Yeah. -So I lifted the receiver and a voice said, | 0:07:29 | 0:07:32 | |
"Morning, Dr Williams. How are you? Are you settling in?" | 0:07:32 | 0:07:37 | |
Because, of course, they had a switchboard with... | 0:07:37 | 0:07:40 | |
-The plug was me, you see. -Yes, yes. | 0:07:40 | 0:07:42 | |
I said, "I want to speak to Mrs X," say, one of the bakers." | 0:07:42 | 0:07:45 | |
She said, "Oh, hang on a minute, it's, er, Tuesday morning. | 0:07:45 | 0:07:49 | |
"Oh, no. Tuesday morning, she'll be having coffee with Mrs Y | 0:07:49 | 0:07:53 | |
"at the greengrocer's." | 0:07:53 | 0:07:54 | |
-Yes. -She said, "Put the phone down, Doc, I'll get back to you." | 0:07:54 | 0:07:58 | |
So I put the phone down and within about a couple of minutes, ring-ring. | 0:07:58 | 0:08:02 | |
Lift the phone, "It's all right, Doctor. She wasn't at Mrs Y's. | 0:08:02 | 0:08:06 | |
"She was actually with a Mrs Z | 0:08:06 | 0:08:10 | |
-"at the grocer's, and here she is." -Right, great service. | 0:08:10 | 0:08:16 | |
Now that was one call, the charge of one call | 0:08:16 | 0:08:19 | |
to go ring round three places to find out where somebody was. | 0:08:19 | 0:08:23 | |
But that was the community. | 0:08:23 | 0:08:25 | |
-Yes. -And that's how it was. | 0:08:25 | 0:08:27 | |
Now, being a GP in those days, | 0:08:27 | 0:08:29 | |
you had to work, because you were on call, and you did go on call. | 0:08:29 | 0:08:34 | |
Well, I did that all my working life. | 0:08:34 | 0:08:36 | |
Yes. How far would you have to go? | 0:08:36 | 0:08:39 | |
-Where was your furthest patient from yourself? -Here? | 0:08:39 | 0:08:42 | |
Well, we went up, um, 23 miles, I think, to Stronachlachar, | 0:08:42 | 0:08:46 | |
at the top of Loch Katrine. | 0:08:46 | 0:08:48 | |
Or we went 23-24 miles up to the head of Balquhidder Glen. | 0:08:48 | 0:08:51 | |
-So, if you like, the furthermost patients live 50 miles apart. -Yes. | 0:08:51 | 0:08:55 | |
The first night I went to Balquhidder Glen, | 0:08:55 | 0:08:57 | |
I always remember it was a brawsome moonlit nicht, sort of thing. | 0:08:57 | 0:09:01 | |
Hard, hard, icy snow on the ground. I don't know if you know that road, | 0:09:01 | 0:09:06 | |
but it's very narrow and there were drops in places, and it was slidey, | 0:09:06 | 0:09:09 | |
and it took me an hour-and-a-half to do the 23 miles. | 0:09:09 | 0:09:13 | |
And I have to say, I can't remember clearly, | 0:09:13 | 0:09:15 | |
but I think it probably wasn't a totally necessary visit. | 0:09:15 | 0:09:20 | |
Time for me to follow in Dr Williams' tyre tracks | 0:09:24 | 0:09:27 | |
and take the roads that he drove so often when out on his house calls. | 0:09:27 | 0:09:32 | |
The first part of my drive is from Callander along the A821 | 0:09:32 | 0:09:37 | |
to Loch Katrine, and pretty special it is, too. | 0:09:37 | 0:09:42 | |
'The Trossachs have everything in miniature. | 0:09:50 | 0:09:53 | |
'Towering mountains, peaceful valley scenes, lochs, | 0:09:53 | 0:09:57 | |
'historic places, set against a background of legend and romance.' | 0:09:57 | 0:10:03 | |
And what a delightful way to experience it. | 0:10:03 | 0:10:07 | |
The scenery is, well, by any standards, absolutely spectacular. | 0:10:07 | 0:10:12 | |
'The road follows the line of the chase | 0:10:14 | 0:10:18 | |
'described in The Lady Of The Lake by Sir Walter Scott, | 0:10:18 | 0:10:21 | |
'who put the Trossachs on the tourist map.' | 0:10:21 | 0:10:24 | |
All my '50s guides mention Sir Walter Scott, and quite right, too, | 0:10:24 | 0:10:29 | |
for without his famous poem, | 0:10:29 | 0:10:32 | |
this whole region may have lain undiscovered. | 0:10:32 | 0:10:35 | |
I'm heading to Loch Katrine | 0:10:35 | 0:10:38 | |
to take an excursion heartily recommended in my books. | 0:10:38 | 0:10:41 | |
The Sir Walter Scott steamer has been ferrying sightseers | 0:10:44 | 0:10:48 | |
around these beautiful waters for well over 100 years. | 0:10:48 | 0:10:52 | |
And on it, I've arranged to meet tour guide Hugh O'Neill | 0:10:52 | 0:10:55 | |
to find out how its namesake could very well be called | 0:10:55 | 0:10:59 | |
the father of Scottish tourism. | 0:10:59 | 0:11:01 | |
-Hugh, here we are on Loch Katrine, on the Sir Walter Scott boat. -Yes. | 0:11:01 | 0:11:07 | |
And Sir Walter Scott wrote his famous poem | 0:11:07 | 0:11:11 | |
The Lady Of The Lake based on this lake. | 0:11:11 | 0:11:14 | |
Yes, indeed. He came here, um, I think about 1809. | 0:11:14 | 0:11:19 | |
Up till then, this was relatively unknown. | 0:11:19 | 0:11:22 | |
He came here for a holiday with his wife and his daughter, | 0:11:22 | 0:11:25 | |
and over the winter, | 0:11:25 | 0:11:26 | |
he wrote this very, very long poem, | 0:11:26 | 0:11:28 | |
and it was an overnight sensation in London, | 0:11:28 | 0:11:31 | |
and all the better-off people in London cancelled | 0:11:31 | 0:11:35 | |
their summer holidays in Wales and made their way up here to Scotland. | 0:11:35 | 0:11:40 | |
An amazing thing when you consider there were no trains | 0:11:40 | 0:11:44 | |
or cheap airlines to get you up here. So you get yourself up here. | 0:11:44 | 0:11:48 | |
Yes, so it must have been a more more literate society | 0:11:48 | 0:11:52 | |
to get a hold of a long poem, especially. | 0:11:52 | 0:11:55 | |
Yes, I think it must have been, although no television in those days, | 0:11:55 | 0:11:59 | |
-perhaps that was part of it. -Yes, yes, of course. | 0:11:59 | 0:12:02 | |
So, just tell me very briefly, what's the story of the poem? | 0:12:02 | 0:12:06 | |
It's all about a hunting party which sets out from Stirling Castle, | 0:12:06 | 0:12:11 | |
led by James Fitz-james, | 0:12:11 | 0:12:14 | |
who turned out to be King James V of Scotland in disguise. | 0:12:14 | 0:12:19 | |
They chase a stag, and he gets well ahead of the rest of the party | 0:12:19 | 0:12:24 | |
and he arrives, eventually, at Loch Katrine. | 0:12:24 | 0:12:28 | |
He's looking down on the loch and he sees a beautiful young girl | 0:12:28 | 0:12:32 | |
rowing a boat out from Ellen's Isle, | 0:12:32 | 0:12:35 | |
but I think the important part of the story | 0:12:35 | 0:12:38 | |
is the descriptive passages at the start. | 0:12:38 | 0:12:41 | |
The long descriptions of the scenery that the huntsmen were going through, | 0:12:41 | 0:12:46 | |
-and that's what caught everyone's imagination. -Yeah. | 0:12:46 | 0:12:50 | |
And that's what people rushed up here to see. | 0:12:50 | 0:12:53 | |
One burnish'd sheet of living gold | 0:12:57 | 0:13:00 | |
Loch Katrine lay beneath him roll'd | 0:13:00 | 0:13:03 | |
In all her length far winding lay | 0:13:03 | 0:13:07 | |
With promontory, creek, and bay | 0:13:07 | 0:13:10 | |
And islands that, empurpled bright | 0:13:10 | 0:13:14 | |
Floated amid the livelier light | 0:13:14 | 0:13:18 | |
And mountains that like giants stand | 0:13:18 | 0:13:21 | |
To sentinel enchanted land. | 0:13:21 | 0:13:25 | |
So many people flocked to the region that the Duke of Montrose | 0:13:30 | 0:13:34 | |
built a special road across the mountains to carry them all, | 0:13:34 | 0:13:37 | |
and naturally, the canny man charged them all for using it. | 0:13:37 | 0:13:41 | |
But it's no longer a toll road, and the Duke's Pass | 0:13:41 | 0:13:44 | |
has become one of the most famous driving experiences in Scotland, | 0:13:44 | 0:13:48 | |
described in my 1959 guide as a must for any tour of the Trossachs. | 0:13:48 | 0:13:54 | |
And for bikers, it's become a rite of passage. | 0:13:54 | 0:13:58 | |
To get the low-down on the road before I attempt it myself, | 0:13:58 | 0:14:01 | |
I'm meeting Jimmy Tannoch and Anne McKinley who used to ride the pass | 0:14:01 | 0:14:05 | |
on two wheels back in the 1950s. | 0:14:05 | 0:14:09 | |
-This road was a biker's paradise. -Biker's dream, yeah. | 0:14:12 | 0:14:18 | |
I think it actually... | 0:14:18 | 0:14:20 | |
The Duke's Pass was a test for motorcyclists and push-cyclists. | 0:14:20 | 0:14:25 | |
If you bought a bike, you could test it out on the Duke's Pass. | 0:14:25 | 0:14:29 | |
If you've got up without too many gear changes, it was a good honour. | 0:14:29 | 0:14:33 | |
-Is it a scary drive? -Er, yeah. | 0:14:33 | 0:14:36 | |
It was always scary. | 0:14:36 | 0:14:38 | |
Especially when it was wet. | 0:14:38 | 0:14:40 | |
-But that'd be part of the enjoyment? It would give you a buzz? -Yes. | 0:14:40 | 0:14:44 | |
-So, Annie, were you in a side car or a pillion? -Pillion. | 0:14:44 | 0:14:48 | |
-And did you get the same kick out of it as the driver? -Yes. Yes. | 0:14:48 | 0:14:52 | |
I came over part of the Duke's Pass one day and my footrest | 0:14:52 | 0:14:57 | |
-was catching on the road and there was wee sparks coming off it. -Ooh! | 0:14:57 | 0:15:02 | |
Did anyone ever die at the Duke's Pass? | 0:15:02 | 0:15:05 | |
Ooh, I couldnae say that. | 0:15:05 | 0:15:07 | |
-There was certainly plenty of accidents. -Yes, it's always the way. | 0:15:07 | 0:15:11 | |
In them days, the bikes were different, Richard. | 0:15:11 | 0:15:14 | |
You had very narrow tyres and big long machines, | 0:15:14 | 0:15:16 | |
and the corners were that tight, you know, you could slip quite easily. | 0:15:16 | 0:15:21 | |
-Yes. -And if you went a weekend without coming off your bike, | 0:15:21 | 0:15:24 | |
-it was a good weekend. -Really? | 0:15:24 | 0:15:25 | |
So, I'm about to take my Bentley over the Duke's Pass. | 0:15:25 | 0:15:29 | |
What tips would you give me? | 0:15:29 | 0:15:31 | |
The tip I'll give, Richard, is keep well to the left. | 0:15:31 | 0:15:34 | |
-Yes. -Drive cautiously. | 0:15:34 | 0:15:35 | |
-Oh, as always. -And be aware. Don't sightsee, don't look at the scenery. | 0:15:35 | 0:15:40 | |
Watch the road. | 0:15:40 | 0:15:41 | |
In fact, even better, get somebody else to drive you. | 0:15:41 | 0:15:46 | |
-And you can see the scenery. -What a good idea. | 0:15:46 | 0:15:49 | |
Let's do the whole series again. | 0:15:49 | 0:15:52 | |
-Richard Wilson Driven The Best Drives. -Richard Wilson... | 0:15:52 | 0:15:56 | |
-It makes so much sense, doesn't it? -Indeed. -It would. | 0:15:56 | 0:15:59 | |
And to make it just that little bit more terrifying, | 0:16:01 | 0:16:05 | |
I'll be in convoy with a bevy of vintage British bikes. | 0:16:05 | 0:16:09 | |
Well, what a collection! And this is an AJS, I remember an AJS. | 0:16:09 | 0:16:14 | |
-They don't make them any more. -No, they don't. -BSA. -British Small Arms. | 0:16:14 | 0:16:18 | |
British Small Arms. That's what it was, wasn't it? | 0:16:18 | 0:16:20 | |
-What's this one? -A Matchless. 1955. -Matchless. And this, we've got a... | 0:16:20 | 0:16:25 | |
A 1961... HORN PEEPS | 0:16:25 | 0:16:29 | |
A 1961 BSE. | 0:16:29 | 0:16:31 | |
HORN BEEPS | 0:16:31 | 0:16:32 | |
-Sorry. -Please, come on, get a grip! And this is the Triumph. | 0:16:32 | 0:16:38 | |
Yep. Tiger Cub. | 0:16:38 | 0:16:40 | |
-And a side car. Very good...an Escort. -An Escort. | 0:16:40 | 0:16:44 | |
-I hope you keep well clear of me. -Oh, you're all right! | 0:16:44 | 0:16:47 | |
Wait till you see me driving! | 0:16:47 | 0:16:50 | |
Duke's Pass. | 0:16:52 | 0:16:54 | |
'Tourists will be drawn to the Pass of the Trossachs, | 0:17:04 | 0:17:07 | |
'a well-made road full of sharp twists and turns | 0:17:07 | 0:17:11 | |
'but of moderate gradients. | 0:17:11 | 0:17:13 | |
'Careful driving IS imperative.' | 0:17:13 | 0:17:16 | |
92 corners in 7.5 miles. | 0:17:16 | 0:17:19 | |
Doesn't entirely fill me with joy, I have to say. | 0:17:19 | 0:17:22 | |
'It twists and turns, and rises and falls, | 0:17:30 | 0:17:33 | |
'the character of the bristly country | 0:17:33 | 0:17:35 | |
'appears in some fresh guise at every mile.' | 0:17:35 | 0:17:38 | |
It does require... quite a lot of concentration. | 0:17:41 | 0:17:46 | |
The car responds very well. | 0:17:48 | 0:17:51 | |
The Bentley is in third gear | 0:17:51 | 0:17:54 | |
and is quite happy chugging up some of these severe inclines. | 0:17:54 | 0:17:59 | |
'It is in this pass, in the space of about a mile, | 0:18:01 | 0:18:04 | |
'that the surpassing beauties of the Trossachs are encompassed.' | 0:18:04 | 0:18:08 | |
It's a lovely road. It's absolutely... | 0:18:09 | 0:18:13 | |
I mean, I think that the Duke's Pass in itself | 0:18:13 | 0:18:15 | |
is one of the best drives in Britain. | 0:18:15 | 0:18:18 | |
'Beautiful loch and mountain scenery. | 0:18:18 | 0:18:21 | |
'Altogether a delightful run through the famous Trossachs, | 0:18:21 | 0:18:25 | |
'and later, by a long and attractive descent to Aberfoyle.' | 0:18:25 | 0:18:28 | |
As Jimmy and Anne advised, I kept my eyes glued firmly to the road, | 0:18:35 | 0:18:41 | |
but the stunning vistas were frankly unavoidable. | 0:18:41 | 0:18:45 | |
I've seen so many spectacular views on my drives around Britain | 0:18:45 | 0:18:49 | |
and they've never failed to make my heart skip a beat. | 0:18:49 | 0:18:53 | |
I'm hoping my next passenger might be able to explain why. | 0:18:53 | 0:18:56 | |
-Hello, hi. -Hello. -Richard, come in. -Thank you. | 0:19:01 | 0:19:04 | |
Get in and we'll set off. How are you? | 0:19:04 | 0:19:07 | |
Not bad, thanks, not bad. | 0:19:07 | 0:19:09 | |
You're from... Oops! You're from Glasgow University. | 0:19:09 | 0:19:13 | |
That's right. Department of Psychology. | 0:19:13 | 0:19:16 | |
-Department of Psychology. -Uh-huh. | 0:19:16 | 0:19:18 | |
Together, we'll be driving from Aberfoyle, alongside Loch Ard, | 0:19:18 | 0:19:23 | |
past Loch Chon, and as far as Stronachlachar, | 0:19:23 | 0:19:27 | |
on the banks of Loch Katrine. | 0:19:27 | 0:19:29 | |
A perfect road on which to pick Dr David's brains. | 0:19:29 | 0:19:33 | |
In fact, the views on this drive just get better and better. | 0:19:33 | 0:19:39 | |
-Like most people, I really enjoy looking at a good view. -Mm-hm. | 0:19:48 | 0:19:53 | |
What is it that is so, shall we say, life-enhancing | 0:19:53 | 0:19:57 | |
about coming across a view? | 0:19:57 | 0:19:59 | |
Well, some of the data actually suggests that | 0:19:59 | 0:20:04 | |
it sets up a particular pattern of brain activity | 0:20:04 | 0:20:08 | |
that we find rewarding, that we actually get a sort of a high, | 0:20:08 | 0:20:13 | |
-if you like. It's satisfying. -It's a chemical thing? | 0:20:13 | 0:20:16 | |
That's one theory, but my own particular favourite | 0:20:16 | 0:20:20 | |
at the moment is that part of it | 0:20:20 | 0:20:23 | |
is to do with relaxing the eyes. That if you think about | 0:20:23 | 0:20:26 | |
working in an office, looking at a computer screen, looking at a TV, | 0:20:26 | 0:20:30 | |
it's nearly all reading, they're all close things, | 0:20:30 | 0:20:34 | |
so we don't often get a chance to see look at things in the distance. | 0:20:34 | 0:20:38 | |
'Loch Ard, on its own merits for natural beauty, | 0:20:40 | 0:20:44 | |
'is a paradise for the motorist. | 0:20:44 | 0:20:46 | |
'The run across its north bank, on a road that is mainly | 0:20:46 | 0:20:49 | |
'just at the water's edge, is an experience | 0:20:49 | 0:20:52 | |
'that provides a store of colourful memories.' | 0:20:52 | 0:20:55 | |
Another one of the reasons why we might like looking at scenic views | 0:20:55 | 0:21:00 | |
is a preference that we have, that that's maybe quite primeval, | 0:21:00 | 0:21:04 | |
for being in high places and being able to see all around us, | 0:21:04 | 0:21:08 | |
so that we are able to detect if there are | 0:21:08 | 0:21:11 | |
any enemies in the environment or any threats to us. | 0:21:11 | 0:21:14 | |
We did a survey of the undergraduates at Glasgow, | 0:21:14 | 0:21:17 | |
and we just asked them, | 0:21:17 | 0:21:19 | |
-"What's the most beautiful visual experience you've ever had?" -Yeah. | 0:21:19 | 0:21:23 | |
And so many of them said it was a sunset or a mountain scene, | 0:21:23 | 0:21:28 | |
or sunlight glinting on water. | 0:21:28 | 0:21:29 | |
-Nearly all of them said it was a natural thing... -Yes. | 0:21:29 | 0:21:33 | |
..rather than something... | 0:21:33 | 0:21:35 | |
-Rather than a beautiful woman or a beautiful man or... -Exactly. | 0:21:35 | 0:21:38 | |
We also asked, "What's the most ugly visual experience you've ever had?" | 0:21:38 | 0:21:42 | |
-and all of them were to do with people or man-made objects. -Yes. | 0:21:42 | 0:21:46 | |
None of the responses were to do with natural scenes. | 0:21:46 | 0:21:49 | |
Oh, that's amazing. | 0:21:51 | 0:21:52 | |
-That's amazing. -It is amazing. | 0:21:52 | 0:21:54 | |
That's a view. | 0:21:54 | 0:21:55 | |
What's interesting, of course, is, we've got part of the view | 0:22:00 | 0:22:04 | |
now in sunlight and part is still in shadow, | 0:22:04 | 0:22:08 | |
-which creates a very interesting image, doesn't it? -Hmm. | 0:22:08 | 0:22:12 | |
But the science does suggest that people like looking at images | 0:22:12 | 0:22:16 | |
where there's an element of mystery. | 0:22:16 | 0:22:18 | |
-Yes. -Yeah, that's right. | 0:22:18 | 0:22:21 | |
And we've got all the sounds of the loch around us. | 0:22:21 | 0:22:24 | |
-The lapping of the water... -And that comes into it? -I think so, | 0:22:25 | 0:22:30 | |
because we're part of the landscape. If we're just looking at photographs | 0:22:30 | 0:22:35 | |
or images on a computer screen, then we don't get the full effect | 0:22:35 | 0:22:38 | |
of being in a real environment, which this is. | 0:22:38 | 0:22:43 | |
-And this is a changing environment, as well. -Completely. | 0:22:43 | 0:22:46 | |
-What makes it so fascinating. -Constantly changing, | 0:22:46 | 0:22:49 | |
-constantly providing us with interesting things to look at. -Yes. | 0:22:49 | 0:22:53 | |
It's also interesting when the light, when these... | 0:22:53 | 0:22:58 | |
sort of sections of sunshine, | 0:22:58 | 0:23:01 | |
you see detail that you didn't see when it was in darkness. | 0:23:01 | 0:23:06 | |
I think some of the science would suggest that when that happens, | 0:23:06 | 0:23:10 | |
if you like, when the sunlight reveals the detail, | 0:23:10 | 0:23:13 | |
that's exactly when we get this little buzz, a frisson. | 0:23:13 | 0:23:18 | |
This drive, for me, has been all about landscape | 0:23:18 | 0:23:21 | |
and the final leg of my route from Stronachlachar, | 0:23:21 | 0:23:25 | |
past Loch Arklet to Inversnaid | 0:23:25 | 0:23:27 | |
doesn't disappoint. | 0:23:27 | 0:23:29 | |
# They asked me how I knew | 0:23:30 | 0:23:36 | |
# My true love was true | 0:23:36 | 0:23:41 | |
# Oh...oh-oh-oh... # | 0:23:41 | 0:23:44 | |
The area is utterly unspoilt, all the more extraordinary | 0:23:44 | 0:23:50 | |
when you think that the Trossachs only became a National Park in 2002. | 0:23:50 | 0:23:55 | |
My 1950s guidebooks are as accurate today as they were 50 years ago. | 0:23:55 | 0:24:01 | |
'Highways or byways are quiet by southern standards. | 0:24:04 | 0:24:08 | |
'One can drive from Aberfoyle to Inversnaid | 0:24:08 | 0:24:11 | |
'on a sunny Saturday afternoon in August | 0:24:11 | 0:24:13 | |
'without meeting more than two or three cars.' | 0:24:13 | 0:24:17 | |
Oh, this is nice. You see the road ahead now | 0:24:22 | 0:24:26 | |
is stretching ahead of us and the loch on the side. | 0:24:26 | 0:24:31 | |
The lochs here, of course, are particularly pretty. | 0:24:33 | 0:24:39 | |
But the ever-changing Scottish weather means the final few miles | 0:24:40 | 0:24:44 | |
of my journey are not quite as glorious as they might have been. | 0:24:44 | 0:24:48 | |
It's interesting to see the mist coming off the hills. | 0:24:52 | 0:24:57 | |
Very dramatic. | 0:24:57 | 0:24:58 | |
The interesting thing about Scotland, of course, | 0:24:58 | 0:25:02 | |
is, if the weather was good all the time, | 0:25:02 | 0:25:05 | |
say like Spain or Italy, | 0:25:05 | 0:25:07 | |
I suppose the Highlands would become a tourist paradise. | 0:25:07 | 0:25:11 | |
As it is, they are still fairly unspoilt. | 0:25:11 | 0:25:15 | |
And you can drive around some of the Highland roads with little traffic. | 0:25:15 | 0:25:20 | |
So it's a double-edged sword, isn't it? | 0:25:20 | 0:25:24 | |
Oh, Inversnaid Hotel - that's encouraging. | 0:25:24 | 0:25:29 | |
Oh, it's lovely,. | 0:25:31 | 0:25:33 | |
Now, this, one has to say, would be gorgeous in the sunshine! | 0:25:33 | 0:25:40 | |
I suppose it's quite a common sight in Britain, | 0:25:41 | 0:25:45 | |
given the weather we get. | 0:25:45 | 0:25:46 | |
Very often, when you're driving along, | 0:25:46 | 0:25:49 | |
you see cars parked up, with people in them, | 0:25:49 | 0:25:52 | |
chewing on a sandwich very often, looking at the view, | 0:25:52 | 0:25:56 | |
because the weather won't let them out. | 0:25:56 | 0:25:58 | |
Even sitting here in the rain is... | 0:25:58 | 0:26:02 | |
It's very peaceful | 0:26:02 | 0:26:06 | |
and very calming. | 0:26:06 | 0:26:07 | |
So, this is it. Loch Lomond is not only the conclusion | 0:26:19 | 0:26:23 | |
of my Scottish route, but also the final stop | 0:26:23 | 0:26:26 | |
in my tour of Britain's best drives from the 1950s, | 0:26:26 | 0:26:30 | |
a tour that has taken me from the beaches of Cornwall | 0:26:30 | 0:26:33 | |
to the moors of Yorkshire and through the mountains of Snowdonia. | 0:26:33 | 0:26:37 | |
And one has to say that, 50 years on, these routes | 0:26:37 | 0:26:41 | |
are still utterly inspirational. | 0:26:41 | 0:26:44 | |
But for me, this journey has been a lot more | 0:26:44 | 0:26:47 | |
than just a simple Sunday drive. | 0:26:47 | 0:26:50 | |
I suppose the thing about having driven all over Britain | 0:26:50 | 0:26:54 | |
is that it puts you in touch with your country again. You know, | 0:26:54 | 0:26:58 | |
it's an extraordinary experience to visit so many parts of it | 0:26:58 | 0:27:03 | |
and to meet all sorts of people from all walks of life. | 0:27:03 | 0:27:06 | |
So that's been a great privilege in a way. | 0:27:06 | 0:27:09 | |
I think it might be a good idea that some politicians try this some time. | 0:27:09 | 0:27:14 | |
Following the guidebooks and talking to the people, | 0:27:14 | 0:27:19 | |
many of the people thought there was a better lifestyle | 0:27:19 | 0:27:23 | |
in the '50s than it is now. | 0:27:23 | 0:27:25 | |
Maybe we don't value each other as much as they did then. | 0:27:25 | 0:27:30 | |
There was much more a sense of community in the '50s, | 0:27:30 | 0:27:33 | |
without a doubt. | 0:27:33 | 0:27:34 | |
Speaking personally, would I go back to the '50s? Prefer the '50s? | 0:27:34 | 0:27:39 | |
I'd say no. | 0:27:39 | 0:27:41 | |
I'd say there are too many advances have been made, socially, | 0:27:41 | 0:27:45 | |
since the '50s. | 0:27:45 | 0:27:47 | |
It's been a journey through the past and present, | 0:27:53 | 0:27:56 | |
of people as well as places, | 0:27:56 | 0:27:58 | |
and I have to say I feel I know my own country | 0:27:58 | 0:28:01 | |
much better than I once did. | 0:28:01 | 0:28:04 | |
And, well, gosh - isn't Britain a beautiful place? | 0:28:04 | 0:28:09 | |
Subtitles by Red Bee Media Ltd | 0:28:48 | 0:28:53 | |
E-mail [email protected] | 0:28:53 | 0:28:56 |