Browse content similar to Episode 2. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
By the second half of the 20th century | 0:00:03 | 0:00:06 | |
the word "consumption" already had positive connotations. | 0:00:06 | 0:00:10 | |
It denoted economic growth, choice, happiness even. | 0:00:10 | 0:00:15 | |
But it was also still also the name of a wasting disease, | 0:00:15 | 0:00:19 | |
one in which the sufferer grows smaller and weaker | 0:00:19 | 0:00:23 | |
and eventually fades away. | 0:00:23 | 0:00:25 | |
In the '50s, '60s and even the early '70s, | 0:00:25 | 0:00:29 | |
both definitions could be applied to the Cars of the People. | 0:00:29 | 0:00:33 | |
This week, how the people's car lost a wheel and lost its way, | 0:00:41 | 0:00:45 | |
comedic French cars that go like a bomb... | 0:00:45 | 0:00:48 | |
..and how noodles saved the world. | 0:00:50 | 0:00:52 | |
Nothing can stop noodles! | 0:00:52 | 0:00:53 | |
MUSIC: "Go Johnny Go" by Chuck Berry | 0:00:55 | 0:00:57 | |
America, the 1950s. Happy Days. | 0:00:57 | 0:01:02 | |
The nation is rich, | 0:01:02 | 0:01:04 | |
there's excess manufacturing capacity after the war, | 0:01:04 | 0:01:07 | |
fuel is cheap, materials are plentiful, | 0:01:07 | 0:01:10 | |
space is seemingly limitless. | 0:01:10 | 0:01:12 | |
What does this mean for the car? Well, something like this - | 0:01:15 | 0:01:19 | |
a wheeled automotive palace | 0:01:19 | 0:01:21 | |
celebrating the jet age with bosses and fins. | 0:01:21 | 0:01:24 | |
American cars of the 1950s oozed wealth and glamour, | 0:01:27 | 0:01:31 | |
and this rubbed off on the driver. | 0:01:31 | 0:01:33 | |
Who's the best pilot you ever saw? | 0:01:34 | 0:01:36 | |
At the top of the pile - Cadillac. | 0:01:38 | 0:01:41 | |
This 18-foot, 2.2-ton | 0:01:41 | 0:01:43 | |
Eldorado Biarritz seems a bit unnecessary. | 0:01:43 | 0:01:48 | |
But, despite its 5.6 litre engine, | 0:01:48 | 0:01:51 | |
and enough heavy metal to headline Donington, | 0:01:51 | 0:01:54 | |
this overblown jukebox on wheels had its fair share of supersized rivals. | 0:01:54 | 0:01:58 | |
American excess? | 0:02:00 | 0:02:02 | |
That'll do nicely. | 0:02:02 | 0:02:04 | |
Now, I'm only guessing because I wasn't there, obviously, | 0:02:06 | 0:02:09 | |
but I reckon that life in 1950s California, | 0:02:09 | 0:02:12 | |
where this car came from, | 0:02:12 | 0:02:14 | |
was probably better than life in 1950s Birmingham. | 0:02:14 | 0:02:18 | |
But it's just a hunch. | 0:02:18 | 0:02:20 | |
# I feel unhappy... # | 0:02:20 | 0:02:22 | |
Birmingham then, as now, was utterly depressing. | 0:02:22 | 0:02:26 | |
But it wasn't alone in its abject misery. | 0:02:27 | 0:02:30 | |
Unlike America, everybody in post-war Europe was broke. | 0:02:30 | 0:02:35 | |
With rationing still in force, | 0:02:35 | 0:02:37 | |
people did what they could to get by. | 0:02:37 | 0:02:40 | |
MAN: A colander, for example, needs a little embellishment | 0:02:40 | 0:02:43 | |
but a dash of colour works wonders - | 0:02:43 | 0:02:45 | |
even if it does leak in rainy weather. | 0:02:45 | 0:02:47 | |
For smart vegetarians, a salad bowl, with servers, too, you'll notice. | 0:02:47 | 0:02:51 | |
It wasn't just hats. | 0:02:51 | 0:02:54 | |
Elegant, a funnel hat. | 0:02:54 | 0:02:56 | |
It really wasn't. The motorist longed for | 0:02:56 | 0:02:59 | |
the bejewelled decadence that the Americans had. | 0:02:59 | 0:03:02 | |
But what they got was a bunch of midgets with funny accents. | 0:03:03 | 0:03:07 | |
COMICAL HORN TOOTS | 0:03:07 | 0:03:08 | |
Welcome to the exciting and occasionally baffling world | 0:03:08 | 0:03:11 | |
of the European microcar. | 0:03:11 | 0:03:13 | |
The idea was really very simple. | 0:03:13 | 0:03:15 | |
They were cars but they were smaller and simpler, | 0:03:15 | 0:03:18 | |
so they use less materials, they were easier to make, | 0:03:18 | 0:03:21 | |
they have simple engines, usually single cylinder, often two stroke, | 0:03:21 | 0:03:25 | |
they were cheaper to buy, they were usually easier to run. | 0:03:25 | 0:03:28 | |
The microcar promised to revolutionize motoring | 0:03:30 | 0:03:33 | |
for the masses. They didn't just aim to solve post-war hardship | 0:03:33 | 0:03:37 | |
but also congestion in the crowded European cities and towns. | 0:03:37 | 0:03:41 | |
And because they were pretty basic to make, | 0:03:41 | 0:03:44 | |
all sorts of people had a go. | 0:03:44 | 0:03:46 | |
This is a FMR Tg500. | 0:03:46 | 0:03:49 | |
Better known as the Messerschmitt Tiger. | 0:03:49 | 0:03:52 | |
Now, let me say straightaway it's a complete myth that Messerschmitt | 0:03:58 | 0:04:01 | |
built these using leftover canopies from World War II aircraft. | 0:04:01 | 0:04:05 | |
But you can see where they got the idea from. | 0:04:05 | 0:04:08 | |
It looks like a 110 Zerstorer fighter bomber | 0:04:08 | 0:04:11 | |
with the wings and the tail chopped off. | 0:04:11 | 0:04:13 | |
Doesn't have a steering wheel, as such. It has a yoke, | 0:04:15 | 0:04:18 | |
again a bit like, let me think... Yes, an aeroplane. | 0:04:18 | 0:04:21 | |
The Messerschmitt came with a 500cc two-stroke twin cylinder engine, | 0:04:21 | 0:04:26 | |
four gears, and a spare seat for your rear gunner. | 0:04:26 | 0:04:29 | |
It was also small and very cheap. | 0:04:29 | 0:04:32 | |
It's very ingenious, though, because it is, of course, German. | 0:04:34 | 0:04:38 | |
German aeroplane designers | 0:04:38 | 0:04:39 | |
weren't allowed to make aeroplanes after the war, | 0:04:39 | 0:04:42 | |
so they applied their considerable talents to this sort of thing. | 0:04:42 | 0:04:45 | |
In fact, if you get the sun in the right position you can bank | 0:04:45 | 0:04:48 | |
some lesser European microcars and shoot them down | 0:04:48 | 0:04:51 | |
before they even know you're there. | 0:04:51 | 0:04:52 | |
Yes, the Tiger is a rich source | 0:04:54 | 0:04:56 | |
of cheap and predictable Battle of Britain gags. | 0:04:56 | 0:05:00 | |
But, compared to some other first-time designers, | 0:05:00 | 0:05:03 | |
at least Messerschmitt knew if they were coming or going. | 0:05:03 | 0:05:06 | |
This, for example, is the Zundapp Janus, | 0:05:07 | 0:05:10 | |
named after the Roman god who could look in both directions | 0:05:10 | 0:05:13 | |
at the same time. | 0:05:13 | 0:05:14 | |
I presume they called it that because it's almost completely | 0:05:14 | 0:05:17 | |
symmetrical front to rear, apart from the lights. | 0:05:17 | 0:05:22 | |
And the big surprise for you is - | 0:05:22 | 0:05:24 | |
I'm not driving. | 0:05:24 | 0:05:26 | |
I am. | 0:05:26 | 0:05:28 | |
MUSIC: "Back To Front" By The Kinks | 0:05:28 | 0:05:30 | |
# East is west, left is right | 0:05:30 | 0:05:32 | |
# Up is down and black is white... # | 0:05:32 | 0:05:34 | |
Zundapp was a motorcycle maker | 0:05:34 | 0:05:36 | |
and, not surprisingly, the Janus is powered by a 250cc bike engine. | 0:05:36 | 0:05:41 | |
It's mounted exactly in the middle. Where else could it go? | 0:05:41 | 0:05:45 | |
Do you know, this never caught on. I wonder why not? | 0:05:45 | 0:05:48 | |
Maybe because it's confusing. | 0:05:48 | 0:05:50 | |
Maybe that's why I left the indicator on all day. | 0:05:50 | 0:05:54 | |
Advantages of a symmetrical car? | 0:05:54 | 0:05:56 | |
Well, the doors and the glass are the same at both ends. | 0:05:56 | 0:06:00 | |
And the seats are the same as well. That makes it cheaper to build. | 0:06:00 | 0:06:03 | |
Disadvantages - it sort of interferes | 0:06:06 | 0:06:09 | |
with your passenger's minds a bit. | 0:06:09 | 0:06:11 | |
# All the small things... # | 0:06:11 | 0:06:13 | |
While the experimental Zundapp | 0:06:13 | 0:06:16 | |
might have caused its occupants temporary insanity, | 0:06:16 | 0:06:19 | |
other models like BMW's iconic Isetta became the byword | 0:06:19 | 0:06:23 | |
for reliable, low cost family motoring. | 0:06:23 | 0:06:26 | |
But, despite their wildly differing designs, all the early microcars | 0:06:26 | 0:06:30 | |
offered the cash-strapped European worker | 0:06:30 | 0:06:33 | |
something that a normal car couldn't - | 0:06:33 | 0:06:35 | |
you could drive these four wheel marvels on a motorcycle licence. | 0:06:35 | 0:06:40 | |
Well, you could... | 0:06:40 | 0:06:41 | |
unless you were British. | 0:06:41 | 0:06:43 | |
Here's one from a very prolific British maker - Bond. | 0:06:45 | 0:06:48 | |
Bond and this British Messerschmitt and this British Isetta | 0:06:48 | 0:06:52 | |
have one important difference. They only have three wheels. | 0:06:52 | 0:06:56 | |
Because a piece of legislation said you could drive one of these if it | 0:06:56 | 0:07:01 | |
was below a certain weight and you only had a motorcycle licence, | 0:07:01 | 0:07:05 | |
so long as it only had three wheels. | 0:07:05 | 0:07:07 | |
This is very, very complicated and nobody on this programme | 0:07:07 | 0:07:10 | |
really understands it properly but we are fairly confident | 0:07:10 | 0:07:14 | |
that this bit of government interference... | 0:07:14 | 0:07:17 | |
spoiled everything. | 0:07:17 | 0:07:19 | |
The three wheel legislation aimed to draw a line between proper | 0:07:19 | 0:07:23 | |
middle class motorists, and working class oiks and bikers | 0:07:23 | 0:07:26 | |
who wouldn't or couldn't obtain a full driving licence. | 0:07:26 | 0:07:30 | |
But all it actually achieved was to wreck the British microcar's chances | 0:07:30 | 0:07:34 | |
right from the start. | 0:07:34 | 0:07:36 | |
Many affordable three wheeled models were available over the years, | 0:07:36 | 0:07:39 | |
but sales were poor for two main reasons - | 0:07:39 | 0:07:42 | |
they made you look like a berk, and this tended to happen... | 0:07:42 | 0:07:46 | |
Reliants uniformly gormless range | 0:07:50 | 0:07:52 | |
symbolized all that was wrong with the British three wheeler. | 0:07:52 | 0:07:55 | |
It was mocked to the point of ennui, | 0:07:55 | 0:07:58 | |
and in 2005 was voted the Worst British Car in History. | 0:07:58 | 0:08:02 | |
Across the Channel in la belle France, however, | 0:08:04 | 0:08:07 | |
things were a lot more laissez faire. | 0:08:07 | 0:08:10 | |
You could have four wheels if you wanted - no-one really cared. | 0:08:10 | 0:08:13 | |
And it didn't matter what sort of licence you had. | 0:08:13 | 0:08:16 | |
Boff! You didn't need a licence at all. | 0:08:16 | 0:08:18 | |
There was but one small catch | 0:08:19 | 0:08:21 | |
and it came in the shape of a chewed block of Duplo. | 0:08:21 | 0:08:25 | |
This is a KV1. | 0:08:25 | 0:08:28 | |
It's a so-called voiture sans permis, | 0:08:28 | 0:08:31 | |
a car without permit. | 0:08:31 | 0:08:33 | |
It's awful. | 0:08:35 | 0:08:37 | |
Honestly. | 0:08:37 | 0:08:39 | |
I'm not camping it up or anything. This is truly diabolical. | 0:08:44 | 0:08:49 | |
This represents the most ruthless attempt yet | 0:08:50 | 0:08:54 | |
to pare back both the car and the ownership burden. | 0:08:54 | 0:08:58 | |
This isn't a particularly rough road, honestly. | 0:09:03 | 0:09:05 | |
Voitures sans permis, or VSPs, | 0:09:07 | 0:09:10 | |
were a truly egalitarian attempt at a people's cars. | 0:09:10 | 0:09:14 | |
Small, simple and very "merde," | 0:09:14 | 0:09:17 | |
they would mobilise the very fringes of French society. | 0:09:17 | 0:09:20 | |
There were some rules governing the car. | 0:09:20 | 0:09:23 | |
It had to be below a certain weight. | 0:09:23 | 0:09:26 | |
It was only allowed to have two seats and, for some reason, no boot. | 0:09:26 | 0:09:29 | |
That was pretty much it. | 0:09:31 | 0:09:33 | |
For your part you, just bought it and drove away. | 0:09:33 | 0:09:36 | |
Even if you couldn't drive. | 0:09:37 | 0:09:39 | |
Pre-1988, French urchins as young as 14 | 0:09:39 | 0:09:43 | |
were allowed to drive these things. | 0:09:43 | 0:09:45 | |
Again, no test, nothing. | 0:09:46 | 0:09:47 | |
You just got one, nicked one - there are no keys or anything - | 0:09:47 | 0:09:52 | |
and you had a car. | 0:09:52 | 0:09:54 | |
I use the term "car" quite generously, obviously. | 0:09:56 | 0:09:59 | |
You'd think that the manufacturers of this abomination on wheels | 0:10:03 | 0:10:06 | |
wouldn't have been able to give it away. | 0:10:06 | 0:10:09 | |
But you'd be wrong. | 0:10:09 | 0:10:11 | |
When this car went on sale in 1978, it cost around £700. | 0:10:11 | 0:10:17 | |
Now, I was around in 1978 | 0:10:17 | 0:10:20 | |
and I seem to remember that £700 was a huge amount of money. | 0:10:20 | 0:10:24 | |
But it's not just the build quality, price, performance, | 0:10:24 | 0:10:28 | |
or the sheer insanity of the thing that lets the KV1 down. | 0:10:28 | 0:10:32 | |
It is, quite honestly, pantaloon- fillingly-terrifying to drive. | 0:10:32 | 0:10:36 | |
-Oh, -BLEEP, -I've pulled out! Oh, Christ! | 0:10:36 | 0:10:39 | |
What a merciful man. Merci, monsieur. | 0:10:40 | 0:10:44 | |
Oh, my God! | 0:10:44 | 0:10:46 | |
Oh, God I'm joining like a proper... | 0:10:47 | 0:10:49 | |
LORRY HORN HONKS | 0:10:49 | 0:10:51 | |
There's a gigantic lorry behind me. It's massive. | 0:10:54 | 0:11:00 | |
I'm going left, I'm going left. | 0:11:03 | 0:11:05 | |
I don't know, call me a wimp if you like | 0:11:22 | 0:11:24 | |
but I didn't really like having that behind me. | 0:11:24 | 0:11:27 | |
In order to show just how lethal these microcars are, | 0:11:29 | 0:11:33 | |
we must put one in the hands of a typical VSP driver. | 0:11:33 | 0:11:37 | |
Blondine, who is perfectly sane and absolutely normal in every way, | 0:11:37 | 0:11:41 | |
but she's only 15 and therefore has never driven a car, | 0:11:41 | 0:11:45 | |
no car, not even a VSP. However, had she been 15 in the early '70s | 0:11:45 | 0:11:50 | |
she could just climb in and drive away. | 0:11:50 | 0:11:53 | |
We'll be marking Blondine down for each imaginary French pedestrian | 0:11:57 | 0:12:00 | |
-she kills in this old Axiam. -Trois, deux, un. Partez! | 0:12:00 | 0:12:05 | |
Brake, brake, brake! | 0:12:06 | 0:12:07 | |
'There goes the first one as Blondine reverses into an imaginary | 0:12:13 | 0:12:15 | |
'blameless baguette seller, orphaning a French family of 16.' | 0:12:15 | 0:12:19 | |
Terrifying. | 0:12:20 | 0:12:22 | |
'Remember, in the '70s this could be you in the | 0:12:22 | 0:12:24 | |
'passenger seat next to somebody who doesn't know where the brake is.' | 0:12:24 | 0:12:27 | |
Touch the brake... | 0:12:27 | 0:12:29 | |
'That's a whole troupe of imaginary mime artists silenced for ever.' | 0:12:30 | 0:12:35 | |
Keep going, keep going, keep going. | 0:12:35 | 0:12:37 | |
'Small dog.' | 0:12:37 | 0:12:38 | |
Good recovery. | 0:12:38 | 0:12:40 | |
'Blondine's safari continues by ploughing through | 0:12:43 | 0:12:45 | |
'a sizeable pavement cafe.' | 0:12:45 | 0:12:47 | |
Stop. Stop, stop. | 0:12:51 | 0:12:53 | |
Reverse, reverse. | 0:12:53 | 0:12:55 | |
'It's a massive overshoot as the Axiam enters the local bibliotheque | 0:12:55 | 0:12:59 | |
'through the window.' | 0:12:59 | 0:13:00 | |
You have to go...parallel. | 0:13:00 | 0:13:03 | |
'And one more point for murdering the idea of parallel parking.' | 0:13:06 | 0:13:10 | |
Tres bon. | 0:13:10 | 0:13:12 | |
'The final score is ten confirmed kills | 0:13:12 | 0:13:14 | |
'in just under a third of a mile.' | 0:13:14 | 0:13:16 | |
And if you think that's over the top, consider this - | 0:13:16 | 0:13:19 | |
it wasn't just underage French people, | 0:13:19 | 0:13:22 | |
but drivers banned for being dangerous or drunk | 0:13:22 | 0:13:24 | |
who could all legally get behind the wheel of a VSP. | 0:13:24 | 0:13:28 | |
At the height of the unlicensed VSP disaster, | 0:13:28 | 0:13:31 | |
there were around 50 deaths on French roads every single day. | 0:13:31 | 0:13:35 | |
VSPs are horrible. I don't want anything else to do with them. | 0:13:37 | 0:13:42 | |
I'm sure you're bored of watching them as well. | 0:13:42 | 0:13:45 | |
I'll tell you what, why don't we go back to that road | 0:13:45 | 0:13:48 | |
at the beginning of this French sequence and I'll come over the hill | 0:13:48 | 0:13:51 | |
in something a bit more interesting. | 0:13:51 | 0:13:54 | |
And better. | 0:13:54 | 0:13:56 | |
MUSIC: "La Marseillaise" | 0:13:56 | 0:13:59 | |
Yeah, all right, it's a cliche, | 0:14:04 | 0:14:06 | |
but, like all cliches, it's a cliche because it's good. | 0:14:06 | 0:14:10 | |
This is just tremendous, this thing. | 0:14:14 | 0:14:16 | |
While the VSP took everything bad about motoring and made it worse, | 0:14:16 | 0:14:20 | |
the Citroen 2CV can claim to be | 0:14:20 | 0:14:23 | |
one of France's greatest ever achievements. | 0:14:23 | 0:14:25 | |
What could be more French than this? | 0:14:27 | 0:14:29 | |
I mean, it's utterly ridiculous, and yet it's charming, | 0:14:29 | 0:14:33 | |
and strangely adorable. | 0:14:33 | 0:14:36 | |
Right, first of all, let's clear up something you're all a bit | 0:14:39 | 0:14:41 | |
too embarrassed to ask. Why is it called the 2CV? | 0:14:41 | 0:14:45 | |
Well, it actually means "deux cheveaux vapeur," | 0:14:45 | 0:14:48 | |
which is "two steam horses." | 0:14:48 | 0:14:51 | |
It's the nominal output of the original 375cc engine, | 0:14:51 | 0:14:55 | |
measured in the way that you would measure the output | 0:14:55 | 0:14:58 | |
of a steam engine. Anyway, don't worry, | 0:14:58 | 0:15:00 | |
this is a later 425CC car | 0:15:00 | 0:15:03 | |
and this develops a heady nine horse power. | 0:15:03 | 0:15:06 | |
For most of us in Britain, the 2CV is bound up with tie and dye | 0:15:12 | 0:15:15 | |
in that '70s and early '80s period. You know, when people where | 0:15:15 | 0:15:19 | |
starting to experiment with brown foodstuffs and barn conversions. | 0:15:19 | 0:15:23 | |
That sort of thing. In actual fact, the 2CV is a pre-war design. | 0:15:23 | 0:15:29 | |
It comes from that era when any nation worth its salt | 0:15:29 | 0:15:32 | |
was head-butting the complex idea of a car for the masses. | 0:15:32 | 0:15:36 | |
In 1938, Citroen unveiled the 2CV's earliest prototype. | 0:15:36 | 0:15:41 | |
Codenamed the TPV, or the tres petite voiture, | 0:15:41 | 0:15:45 | |
the car came with Citroen's revolutionary soft suspension | 0:15:45 | 0:15:48 | |
that put the fun into road rage. | 0:15:48 | 0:15:50 | |
So far so good. | 0:15:52 | 0:15:53 | |
But in 1940, just as production began, Hitler swept into France. | 0:15:53 | 0:15:59 | |
The Citroen factory appeared to carry on as normal, but in secret | 0:16:01 | 0:16:05 | |
all traces of the little car were hidden from the invader. | 0:16:05 | 0:16:08 | |
And post-war, enough 2CVs were recovered from their hidey holes | 0:16:11 | 0:16:15 | |
to launch the car at the 1948 Paris Motor Show. | 0:16:15 | 0:16:19 | |
And, so, the 2CV began its long and enduring love affair | 0:16:19 | 0:16:22 | |
with the French people. And to this day, | 0:16:22 | 0:16:25 | |
like Japanese soldiers still fighting World War II, | 0:16:25 | 0:16:28 | |
prototypes are still being found, | 0:16:28 | 0:16:31 | |
hiding from the enemy in barns all over France. | 0:16:31 | 0:16:34 | |
So, the 2CV is a contemporary of the Beetle | 0:16:35 | 0:16:39 | |
and they share a similar philosophy. | 0:16:39 | 0:16:42 | |
They're both full size four-seater cars. They're both very simply made | 0:16:42 | 0:16:46 | |
so they're easy to maintain. You could take that apart with | 0:16:46 | 0:16:50 | |
a handful of tools. | 0:16:50 | 0:16:51 | |
The engine is air-cooled but now it only has two cylinders, | 0:16:51 | 0:16:54 | |
and it's mounted at the front, and it drives the front wheels. | 0:16:54 | 0:16:58 | |
Apparently, it can be driven at full revs | 0:16:58 | 0:17:00 | |
all day long without exploding. | 0:17:00 | 0:17:03 | |
Where they differ, though, is in the vision of their creators. | 0:17:03 | 0:17:06 | |
The German car was for high speed efficiency | 0:17:06 | 0:17:10 | |
on revolutionary autobahn. | 0:17:10 | 0:17:12 | |
The French car was designed to be driven across a ploughed field | 0:17:12 | 0:17:15 | |
by peasants carrying a basket of eggs, and without breaking any. | 0:17:15 | 0:17:19 | |
Eggs or peasants. | 0:17:20 | 0:17:22 | |
If ever a car suited its people, it was the 2CV. | 0:17:22 | 0:17:26 | |
It cost less than half the price of a VW Beetle, | 0:17:26 | 0:17:28 | |
yet was infinitely more practical. | 0:17:28 | 0:17:31 | |
Actually, the 2CV is a handy denoter of Frenchness. | 0:17:31 | 0:17:36 | |
If you're making a film, a TV series, illustrating a comic strip, | 0:17:36 | 0:17:40 | |
you simply plop a 2CV in and that says, | 0:17:40 | 0:17:42 | |
"This person, this scene, is very French." | 0:17:42 | 0:17:45 | |
It's utterly unequivocal, | 0:17:45 | 0:17:47 | |
like a Breton shirt or a sting of onions hanging from a bicycle. | 0:17:47 | 0:17:51 | |
Or a beret. | 0:17:51 | 0:17:53 | |
You'd think that thanks to its brave war record, | 0:17:53 | 0:17:56 | |
and its strong national identity, | 0:17:56 | 0:17:58 | |
the 2CV would easily be France's most celebrated people's car. | 0:17:58 | 0:18:03 | |
However, the French know that this is all complete nonsense. | 0:18:04 | 0:18:10 | |
Their real automotive hero, the one that Delacroix would have painted | 0:18:10 | 0:18:14 | |
standing atop a pile of vanquished bodies, | 0:18:14 | 0:18:16 | |
waving the tricolor, is in here. | 0:18:16 | 0:18:19 | |
And that, if you didn't know, is a Renault 4. | 0:18:24 | 0:18:28 | |
The Renault 4 is the most successful French car of all time. | 0:18:35 | 0:18:39 | |
It may be the most successful French thing of all time | 0:18:42 | 0:18:46 | |
after the croque-monsieur. | 0:18:46 | 0:18:49 | |
Which is really just a cheese and ham toastie, | 0:18:49 | 0:18:51 | |
and they stole that from us. At Agincourt. | 0:18:51 | 0:18:54 | |
While the 2CV acted as a sort of missionary, spreading the gospel | 0:19:00 | 0:19:05 | |
of French chicness and eccentricity around the globe, | 0:19:05 | 0:19:09 | |
the Renault 4 soldiered on with the more onerous task | 0:19:09 | 0:19:12 | |
of being France's true people's car. | 0:19:12 | 0:19:15 | |
Under four million 2CVs were built | 0:19:16 | 0:19:18 | |
but over nine and a half million Renault 4s, and not just in France. | 0:19:18 | 0:19:23 | |
It was built in other parts of the world. It sold in 125 countries. | 0:19:23 | 0:19:28 | |
Its mission was quite simply to make the motoring world French. | 0:19:28 | 0:19:33 | |
Those impressive figures may be partly down to an innovation | 0:19:35 | 0:19:38 | |
that puts the Renault 4 firmly above the 2CV. | 0:19:38 | 0:19:42 | |
It's a masterstroke that changed car designs for ever. | 0:19:42 | 0:19:46 | |
Renault's ideas for a voiture des peuples, or people's car, | 0:19:46 | 0:19:50 | |
were formulated in the late 1940s | 0:19:50 | 0:19:52 | |
and originally they thought it would be an enlarged, | 0:19:52 | 0:19:54 | |
more powerful version of their 4CV saloon - | 0:19:54 | 0:19:58 | |
no relationship to the Citroen whatsoever. | 0:19:58 | 0:20:00 | |
But that would have made it rear engine, | 0:20:00 | 0:20:02 | |
so they scrapped that and put the engine in the front - | 0:20:02 | 0:20:05 | |
which makes this the first ever front-wheel drive Renault. | 0:20:05 | 0:20:08 | |
And then they realised, because there was no engine in the back, | 0:20:08 | 0:20:12 | |
they could make the rear seats fold down. | 0:20:12 | 0:20:15 | |
And then... | 0:20:15 | 0:20:17 | |
..they invented le hatchback. | 0:20:18 | 0:20:21 | |
Now we can have produits dans la voiture very easily. | 0:20:21 | 0:20:28 | |
That and so much more besides. | 0:20:28 | 0:20:31 | |
But it wasn't all boring baguettes in the boot. | 0:20:32 | 0:20:34 | |
Unlike the homely 2CV, the Renault 4 was marketed | 0:20:34 | 0:20:37 | |
as a macho four-wheeled version of Ross Kemp, | 0:20:37 | 0:20:40 | |
ready for slightly camp adventure | 0:20:40 | 0:20:42 | |
in exotic locations all across the world. | 0:20:42 | 0:20:45 | |
And this gung ho attitude was backed up under the bonnet. | 0:20:45 | 0:20:48 | |
The engine 747cc | 0:20:48 | 0:20:52 | |
and four cylinders, and liquid cooled. | 0:20:52 | 0:20:56 | |
That's bigger than any 2CV engine ever was. | 0:20:56 | 0:20:59 | |
And you can tell. | 0:20:59 | 0:21:00 | |
ENGINE ROARS | 0:21:00 | 0:21:03 | |
That's second of the three gears. | 0:21:03 | 0:21:04 | |
Look at that, I'm doing 40. | 0:21:06 | 0:21:08 | |
It may be basic, it might have a baffling gear change, it's slow, | 0:21:08 | 0:21:13 | |
but the Renault 4 allows us to roll about in more lovely cliches. | 0:21:13 | 0:21:17 | |
It's got Gallic charm in spades. | 0:21:17 | 0:21:20 | |
Drive one for long enough | 0:21:20 | 0:21:22 | |
and you'll occasionally lapse into Frenchness. | 0:21:22 | 0:21:24 | |
Bonjour, mademoiselle. | 0:21:26 | 0:21:28 | |
Crikey, what a ripping girl. | 0:21:30 | 0:21:32 | |
So that would appear to be a cut and dried victory | 0:21:32 | 0:21:35 | |
for the Renault 4 over its rival. | 0:21:35 | 0:21:38 | |
But Citroen wasn't about to give up without a fight. | 0:21:38 | 0:21:41 | |
The Renault 4 and the 2CV were | 0:21:41 | 0:21:44 | |
mechanically simple, very robust cars. | 0:21:44 | 0:21:46 | |
So they were infinitely adaptable. Yes, they were the standard cars | 0:21:46 | 0:21:50 | |
but then there were pick-up versions, covered pick-up versions, | 0:21:50 | 0:21:53 | |
small camper vans, bakers' vans. | 0:21:53 | 0:21:56 | |
They were used by the fire service, | 0:21:56 | 0:21:58 | |
they were used by the police. | 0:21:58 | 0:21:59 | |
They even made, in the case of the Renault 4, | 0:21:59 | 0:22:01 | |
a sort of beach version. Infinite variety. | 0:22:01 | 0:22:05 | |
But this sort of thing can go too far. | 0:22:05 | 0:22:08 | |
And it did. | 0:22:08 | 0:22:10 | |
In a vain quest to sort it out once and for all, | 0:22:10 | 0:22:13 | |
Renault and Citroen both produced military versions. | 0:22:13 | 0:22:16 | |
And while the Renault 4 Sinpar served with the | 0:22:16 | 0:22:20 | |
French military in Africa, | 0:22:20 | 0:22:22 | |
the 2CV pick-up found itself with the British Royal Marines | 0:22:22 | 0:22:26 | |
in the Far East as a helicopter-bourne | 0:22:26 | 0:22:28 | |
light assault vehicle. | 0:22:28 | 0:22:29 | |
What on Earth were the French thinking of? | 0:22:29 | 0:22:32 | |
Cardboard cars with comedy gear changes | 0:22:32 | 0:22:34 | |
as assault vehicles? | 0:22:34 | 0:22:35 | |
Sacre bleu! | 0:22:35 | 0:22:37 | |
But let's give them the benefit of the doubt, | 0:22:37 | 0:22:39 | |
with a wholly gratuitous and typically scientific Top Gear test. | 0:22:39 | 0:22:43 | |
Now, these two examples, the 2CV and the Renault 4, | 0:22:43 | 0:22:46 | |
have been converted to military use | 0:22:46 | 0:22:48 | |
in much the same way the originals would have been. | 0:22:48 | 0:22:51 | |
They have been painted dark green. | 0:22:51 | 0:22:53 | |
But which was best on the field of battle? | 0:22:53 | 0:22:56 | |
Let's find out. | 0:22:57 | 0:22:59 | |
We've set our quarry up in this French quarry. | 0:23:01 | 0:23:03 | |
Our two sturdy light grade passenger vehicles will advance | 0:23:03 | 0:23:07 | |
very slowly along the ground to simulate the terror of the soldiers | 0:23:07 | 0:23:10 | |
who were forced to drive them. | 0:23:10 | 0:23:11 | |
Meanwhile, up in our bunker, we have the sort of weaponry these | 0:23:13 | 0:23:15 | |
cars would have faced during their post-colonial adventures. | 0:23:15 | 0:23:19 | |
This is a good old British rifle, the Lee-Enfield, | 0:23:19 | 0:23:22 | |
and this is what it fires, the .303 British cartridge. | 0:23:22 | 0:23:26 | |
These were used in pretty much everything, really - | 0:23:26 | 0:23:29 | |
Lee-Metford and Lee-Enfield rifles, Bren guns, | 0:23:29 | 0:23:32 | |
Browning machine guns in Spitfires and Hurricanes, | 0:23:32 | 0:23:34 | |
and the gun turrets of Lancaster bombers, and so on, and so on. | 0:23:34 | 0:23:38 | |
Thousands of millions of these have been made and fired at everything | 0:23:38 | 0:23:41 | |
from paper targets and beer bottles, to big game and foreigners. | 0:23:41 | 0:23:46 | |
We're not sure, though, that any have ever been fired at French cars, | 0:23:46 | 0:23:49 | |
so let's give it a go. | 0:23:49 | 0:23:50 | |
All clear! | 0:23:51 | 0:23:53 | |
2CV. | 0:24:01 | 0:24:03 | |
Window. | 0:24:03 | 0:24:04 | |
Window. | 0:24:06 | 0:24:08 | |
Empty. | 0:24:11 | 0:24:12 | |
So far, it's a typically French military performance. | 0:24:14 | 0:24:17 | |
Neither car seems to be putting up much of a fight | 0:24:17 | 0:24:20 | |
against the .303 round. | 0:24:20 | 0:24:22 | |
But both cars are still drivable, so let's take this up a notch. | 0:24:22 | 0:24:26 | |
Can I do some more shooting? | 0:24:26 | 0:24:28 | |
# This town ain't big enough for the both of us. # | 0:24:28 | 0:24:31 | |
I don't think that was quite scientific enough, | 0:24:32 | 0:24:34 | |
so let's move on to a more contemporary weapon - the AK-47. | 0:24:34 | 0:24:38 | |
This is the very cheap Chinese-made one. | 0:24:38 | 0:24:40 | |
Now, I'm not allowed to use this, | 0:24:40 | 0:24:42 | |
because it's a Section 5 firearm. It's fully automatic. | 0:24:42 | 0:24:45 | |
So it will be fired today by my glamorous assistant, Joss. | 0:24:45 | 0:24:49 | |
-Sir. -Thank you. | 0:24:49 | 0:24:51 | |
# Heartbeat, increasing heartbeat | 0:24:51 | 0:24:53 | |
# You are a khaki-coloured bombardier | 0:24:53 | 0:24:55 | |
# It's Hiroshima that you're nearing | 0:24:55 | 0:24:58 | |
# This town ain't big enough for both of us... # | 0:24:58 | 0:25:00 | |
GUNSHOTS, GLASS BREAKS | 0:25:02 | 0:25:04 | |
GUNSHOTS | 0:25:04 | 0:25:06 | |
In normal life, Joss does crosswords and likes small animals. | 0:25:17 | 0:25:21 | |
Our two French vehicles are certainly starting | 0:25:23 | 0:25:25 | |
to look more Swiss. | 0:25:25 | 0:25:27 | |
But I can't in good scientific conscience say that either of them | 0:25:27 | 0:25:30 | |
is out for the count just yet. | 0:25:30 | 0:25:32 | |
Time to bring in the big gun. | 0:25:32 | 0:25:34 | |
Now, I would normally baulk at an act of unbridled vandalism | 0:25:34 | 0:25:38 | |
to cars, such as you are about to witness, | 0:25:38 | 0:25:40 | |
but let's be honest - | 0:25:40 | 0:25:41 | |
in this instance, they were literally asking for it. | 0:25:41 | 0:25:46 | |
Ready, sir. | 0:25:50 | 0:25:51 | |
As another great military strategist said, | 0:25:53 | 0:25:56 | |
"Now I have a machine gun. | 0:25:56 | 0:25:58 | |
"Ho-ho-ho." | 0:25:58 | 0:26:00 | |
OK, here we go. | 0:26:04 | 0:26:06 | |
LIVELY GUNFIRE | 0:26:07 | 0:26:09 | |
MUSIC: "Symphony No. 9 in D minor" by Ludwig van Beethoven | 0:26:09 | 0:26:12 | |
SILENCE | 0:26:36 | 0:26:38 | |
Quite a lot of stuff hit me in the face then. | 0:26:38 | 0:26:41 | |
And, so, the great Renault 4 2CV rivalry shoot out | 0:26:43 | 0:26:47 | |
reaches its conclusion. | 0:26:47 | 0:26:49 | |
Our imaginary infantrymen, those unhappy few, | 0:26:49 | 0:26:52 | |
those band of buggered who drove the 2CV or Renault 4 | 0:26:52 | 0:26:55 | |
into the heart of occupied territory | 0:26:55 | 0:26:58 | |
have been comprehensively... | 0:26:58 | 0:26:59 | |
Oh, sod it. Let's have a tie-break. | 0:26:59 | 0:27:02 | |
We may be finally be seeing | 0:27:18 | 0:27:20 | |
the Renault 4's defence capabilities. | 0:27:20 | 0:27:23 | |
Or we may be rotten shots. | 0:27:23 | 0:27:24 | |
One of them missed the camera by about a quarter of an inch. | 0:27:40 | 0:27:43 | |
'Actually, no, it didn't.' | 0:27:44 | 0:27:46 | |
BLEEP. | 0:27:48 | 0:27:49 | |
'But just when we thought we'd got this all wrong | 0:27:49 | 0:27:52 | |
'and the Renault did come with force fields...' | 0:27:52 | 0:27:54 | |
MUSIC: "No Regrets" by Edith Piaf | 0:27:58 | 0:28:01 | |
He may not make it back to base. | 0:28:07 | 0:28:09 | |
The vehicle has been defeated. | 0:28:27 | 0:28:29 | |
And, as the smoke cleared, we were left with an impossible decision. | 0:28:31 | 0:28:35 | |
We could only come to one reasonable conclusion. | 0:28:35 | 0:28:38 | |
Both cars were utterly, ludicrously inept as military service vehicles. | 0:28:38 | 0:28:43 | |
But then the 2CV caught fire so we gave it to the Renault. | 0:28:45 | 0:28:47 | |
So, what have we learned? | 0:28:59 | 0:29:01 | |
You can go to market in them, you can go out for a picnic in them, | 0:29:01 | 0:29:05 | |
you can go the shops in them, | 0:29:05 | 0:29:06 | |
and you can go on a romantic date in them, | 0:29:06 | 0:29:08 | |
but don't, for God's sake, go to war in the Citroen 2CV or the Renault 4 | 0:29:08 | 0:29:13 | |
because they're rubbish. | 0:29:13 | 0:29:15 | |
I hope that was useful. | 0:29:16 | 0:29:18 | |
OK, they're not military vehicles | 0:29:33 | 0:29:35 | |
but let's not hold that against them. | 0:29:35 | 0:29:37 | |
These are truly iconic cars | 0:29:37 | 0:29:39 | |
that are deeply engrained in our motoring consciousness | 0:29:39 | 0:29:42 | |
and I can demonstrate that to you, because if you go outside - | 0:29:42 | 0:29:45 | |
I don't know what sort of mid-sized mainstream car you may have - | 0:29:45 | 0:29:48 | |
but if you just took one bit off it you wouldn't be able to identify it | 0:29:48 | 0:29:52 | |
from that, and yet if I hold up this rear wing | 0:29:52 | 0:29:54 | |
from one of our blown up cars | 0:29:54 | 0:29:56 | |
and you ignore the bullet holes and the fact it already says 2CV on it, | 0:29:56 | 0:30:00 | |
you would still identify that as the rear wing of a car that once | 0:30:00 | 0:30:04 | |
took a lovesick young poet to the Rive Gauche, | 0:30:04 | 0:30:08 | |
or a pastis-soaked protester to a fishing port in Calais. | 0:30:08 | 0:30:12 | |
That's how iconic they are. | 0:30:12 | 0:30:15 | |
And now for something British, | 0:30:15 | 0:30:18 | |
and so pathetic, | 0:30:18 | 0:30:20 | |
it's not even worthy of target practice. | 0:30:20 | 0:30:22 | |
Faced with the growing evidence that microcars were not much good | 0:30:23 | 0:30:26 | |
at dealing with congestion, | 0:30:26 | 0:30:28 | |
the British looked for inspiration | 0:30:28 | 0:30:30 | |
to a place which had no congestion at all... | 0:30:30 | 0:30:32 | |
..outer space. | 0:30:34 | 0:30:36 | |
This is a Peel Trident. | 0:30:36 | 0:30:38 | |
The original was made on the Isle of Man for just a year, | 0:30:40 | 0:30:43 | |
1965 to 1966. | 0:30:43 | 0:30:45 | |
But this one is a faithful modern replica. | 0:30:45 | 0:30:48 | |
Back in the mid '60s everyone was space mad, | 0:30:50 | 0:30:52 | |
which is why it looks like something from the Jetsons. | 0:30:52 | 0:30:55 | |
This one, as you can hear, has an electric motor. | 0:30:56 | 0:30:59 | |
The original had a 50cc petrol engine, | 0:30:59 | 0:31:01 | |
a top speed of 38mph and, as usual, not enough wheels. | 0:31:01 | 0:31:06 | |
Doesn't really solve anything. | 0:31:08 | 0:31:10 | |
OK, it might look futuristic, | 0:31:10 | 0:31:12 | |
but if you thought this space cadet capsule | 0:31:12 | 0:31:15 | |
could ever be the way forward for mass transport, | 0:31:15 | 0:31:17 | |
you'd need your head examined. | 0:31:17 | 0:31:19 | |
You see, the reality is, | 0:31:19 | 0:31:21 | |
if you want to change the world and save it, | 0:31:21 | 0:31:23 | |
you actually need something quite large. | 0:31:23 | 0:31:26 | |
It's not obviously a car, it's a van, | 0:31:30 | 0:31:33 | |
and maybe even more than that, | 0:31:33 | 0:31:35 | |
because at one point Ford took to calling it a "delivery system". | 0:31:35 | 0:31:39 | |
A delivery system? | 0:31:39 | 0:31:41 | |
Well, yes, but I'd go further than that. | 0:31:41 | 0:31:45 | |
The Ford Transit was launched in the same year | 0:31:45 | 0:31:47 | |
as the Lost in Space Peel Trident. | 0:31:47 | 0:31:50 | |
But that's where the similarity ends. | 0:31:50 | 0:31:53 | |
Over six million Transits have been produced to date. | 0:31:53 | 0:31:56 | |
And as no-one buys one for fun, that tells us something. | 0:31:56 | 0:32:00 | |
The Transit may actually be the most useful vehicle on our roads. | 0:32:03 | 0:32:07 | |
There have been eight marks of Transit van | 0:32:09 | 0:32:11 | |
but only three basic platforms. | 0:32:11 | 0:32:14 | |
There are, however, innumerable variations | 0:32:14 | 0:32:17 | |
on the Transit theme. | 0:32:17 | 0:32:18 | |
There's the Luton, the drop side, the 3/4-door van, | 0:32:18 | 0:32:22 | |
4-door Crew Cab, the motorhome, the Connect van, | 0:32:22 | 0:32:25 | |
the 2-door chassis cab, the One Way Tipper... I could go on! | 0:32:25 | 0:32:28 | |
There's the Three Way Tipper, | 0:32:28 | 0:32:30 | |
the 14-seat minibus, the 17-seat minibus, | 0:32:30 | 0:32:32 | |
the 4x4, the XXL, the armoured van, | 0:32:32 | 0:32:35 | |
the riot van, the long bonnet ice cream van... | 0:32:35 | 0:32:37 | |
Children have been conceived in Transit vans, | 0:32:39 | 0:32:41 | |
other people have been murdered in them, I don't doubt. | 0:32:41 | 0:32:45 | |
Stolen goods have been transported, | 0:32:45 | 0:32:48 | |
new televisions have been delivered to excited owners. | 0:32:48 | 0:32:50 | |
You cannot think of a sphere of human activity | 0:32:50 | 0:32:53 | |
that can't actually be improved by a Transit van. | 0:32:53 | 0:32:57 | |
You could say this noble, heroic, big lump of metal | 0:32:57 | 0:33:00 | |
has done more for the common man than any car. | 0:33:00 | 0:33:03 | |
But, again, I'd go even further - | 0:33:03 | 0:33:06 | |
in its own way, the Transit has helped save the world. | 0:33:06 | 0:33:09 | |
Approaching now from the left of your television screens | 0:33:11 | 0:33:14 | |
is the brand-new 2014, Mark VIII Transit van. | 0:33:14 | 0:33:18 | |
Gorgeous. | 0:33:20 | 0:33:21 | |
The Transit van has been the best- selling light commercial vehicle | 0:33:21 | 0:33:25 | |
in Europe for over 40 years. | 0:33:25 | 0:33:28 | |
Just sign there, please. | 0:33:28 | 0:33:30 | |
Cheers. | 0:33:30 | 0:33:31 | |
Saving the world? | 0:33:32 | 0:33:34 | |
Well, in a way, I think it has, yes, | 0:33:34 | 0:33:36 | |
because it's neatly nailed the very problem | 0:33:36 | 0:33:38 | |
that all those makers of daft microcars were worried about - | 0:33:38 | 0:33:41 | |
it has reduced congestion. | 0:33:41 | 0:33:44 | |
Cheers, thanks. | 0:33:46 | 0:33:48 | |
Look at me, not driving to the supermarket. | 0:33:50 | 0:33:53 | |
So, that would appear to be that. | 0:33:54 | 0:33:56 | |
The really small car, the microcar, | 0:33:56 | 0:33:58 | |
is a terrible idea that came to nothing | 0:33:58 | 0:34:01 | |
except a lame three-wheeled joke in a sitcom about market traders. | 0:34:01 | 0:34:05 | |
Or is it? | 0:34:09 | 0:34:11 | |
We've rather overlooked a country for whom making things smaller | 0:34:11 | 0:34:14 | |
anybody thought possible | 0:34:14 | 0:34:16 | |
is something of a cultural cornerstone. | 0:34:16 | 0:34:18 | |
Japan. | 0:34:18 | 0:34:20 | |
Could they make something of the microcar idea? | 0:34:20 | 0:34:23 | |
The short answer - and not very wide or very tall either - | 0:34:23 | 0:34:27 | |
is hai. | 0:34:27 | 0:34:28 | |
Yes, Japan, | 0:34:30 | 0:34:32 | |
home to the Karaoke Kids, | 0:34:32 | 0:34:35 | |
used panty vending machines, Russian roulette for minors, | 0:34:35 | 0:34:38 | |
aerobicised exercise English lessons... | 0:34:38 | 0:34:40 | |
..and this, the Suzuki Wagon R. | 0:34:46 | 0:34:49 | |
And it has everything you could want in a car - | 0:34:49 | 0:34:52 | |
air-con, electric windows and mirrors, ABS, 4-speed automatic, | 0:34:52 | 0:34:55 | |
Sat Nav... I'll stop at the cup holder | 0:34:55 | 0:34:58 | |
before I turn into the brochure. | 0:34:58 | 0:35:00 | |
The point is it's engineered like any other modern car. | 0:35:00 | 0:35:03 | |
Just not quite as bigly. | 0:35:03 | 0:35:05 | |
This is a so-called Kei car, short for Kei Jidosha, | 0:35:05 | 0:35:10 | |
which translates rather disappointingly as "light car." | 0:35:10 | 0:35:14 | |
Kei Jidosha is a set of regulations | 0:35:14 | 0:35:17 | |
governing things like weight, dimensions and engine capacity. | 0:35:17 | 0:35:20 | |
There's just 660cc under the bonnet of that baby. | 0:35:20 | 0:35:25 | |
If you buy a Kei car, you pay less purchase tax | 0:35:25 | 0:35:28 | |
than you would on a regular size car. | 0:35:28 | 0:35:31 | |
There's also a weight tax in Japan. That's lower for a Kei car. | 0:35:31 | 0:35:34 | |
Road tax, yes, that's lower, too. | 0:35:34 | 0:35:37 | |
And in Japanese cities there are places where you can park a Kei car | 0:35:37 | 0:35:40 | |
where you're not allowed to park a normal one. | 0:35:40 | 0:35:43 | |
So, what's the catch? | 0:35:43 | 0:35:45 | |
Well, there isn't one, really. | 0:35:45 | 0:35:47 | |
As long as you accept your car looks a bit ridiculous. | 0:35:47 | 0:35:49 | |
There are millions of Kei cars in Japan, especially in the cities. | 0:35:51 | 0:35:55 | |
Over half of all Japanese households own one | 0:35:56 | 0:35:59 | |
and it's not just regular cars. | 0:35:59 | 0:36:01 | |
There are miniature Kei removal trucks, delivery vans... | 0:36:01 | 0:36:05 | |
..and bin lorries. | 0:36:06 | 0:36:08 | |
Meanwhile, down at the Tokyo Fire Department, | 0:36:08 | 0:36:11 | |
Pugh san, Pugh San, Barney McGrew san, | 0:36:11 | 0:36:13 | |
have started using Kei car fire engines | 0:36:13 | 0:36:16 | |
as part of their rapid response fleet. | 0:36:16 | 0:36:19 | |
TRUMPTON THEME TUNE | 0:36:19 | 0:36:22 | |
It might look cute, but these are perfectly suited | 0:36:26 | 0:36:29 | |
to emergencies in the narrow Tokyo Streets. | 0:36:29 | 0:36:33 | |
Like a kitten stuck up a Bonsai tree. | 0:36:33 | 0:36:35 | |
It's easy to see the logic behind all this. | 0:36:40 | 0:36:42 | |
Japan is not a very big country. | 0:36:42 | 0:36:45 | |
It's also a very populous one. | 0:36:45 | 0:36:47 | |
More to the point, 75% of it is useless mountains, | 0:36:47 | 0:36:51 | |
Fuji, and what have you, | 0:36:51 | 0:36:53 | |
and that leaves very little room for rice, | 0:36:53 | 0:36:56 | |
Sumo wrestlers, | 0:36:56 | 0:36:58 | |
Hello Kitty, people, and cars. | 0:36:58 | 0:37:02 | |
So, a few inches saved here and there, | 0:37:02 | 0:37:05 | |
well, it all helps. | 0:37:05 | 0:37:07 | |
This lack of space is almost certainly at the root | 0:37:15 | 0:37:18 | |
of Japan's expertise in miniaturization. | 0:37:18 | 0:37:21 | |
They can just make anything a bit smaller. | 0:37:21 | 0:37:24 | |
Radios and personal hi-fi, obviously, | 0:37:24 | 0:37:28 | |
but also trees, escalators, | 0:37:28 | 0:37:30 | |
hotel rooms, | 0:37:30 | 0:37:32 | |
even food staples. | 0:37:32 | 0:37:34 | |
I mean, a grain of rice is smaller than a chip. | 0:37:34 | 0:37:37 | |
However, saving space was not, originally, the point of Kei cars. | 0:37:37 | 0:37:43 | |
It was all about, as usual, mobilising the masses. | 0:37:43 | 0:37:46 | |
This is all going to sound a bit familiar. | 0:37:50 | 0:37:52 | |
Post-war Japan was even worse than Europe. | 0:37:52 | 0:37:56 | |
There was devastation, poverty, no raw materials. | 0:37:56 | 0:38:00 | |
But the people's need for transport | 0:38:00 | 0:38:02 | |
was just as great as their European counterparts. | 0:38:02 | 0:38:06 | |
So, in 1949, Japan's Ministry of International Trade and Industry | 0:38:06 | 0:38:11 | |
came up with a sort of people's car plan. | 0:38:11 | 0:38:14 | |
Not one of those Ein Volk Ein Auto plans, | 0:38:14 | 0:38:16 | |
like the Germans had with the Beetle. | 0:38:16 | 0:38:18 | |
More a simple set of rules. | 0:38:18 | 0:38:20 | |
They called for a car with an engine of not more than 150cc, | 0:38:20 | 0:38:24 | |
not more than a metre wide, and costing no more than 150,000 Yen. | 0:38:24 | 0:38:29 | |
The idea was this would encourage development of new domestic models. | 0:38:29 | 0:38:34 | |
Japanese industry looked at this | 0:38:34 | 0:38:36 | |
and said, "Soddu offu! It's not possible." | 0:38:36 | 0:38:39 | |
So they lobbied government for some more reasonable rules | 0:38:40 | 0:38:44 | |
on engine sizes, dimensions, price, and all the rest of it. | 0:38:44 | 0:38:47 | |
They made some prototypes | 0:38:47 | 0:38:49 | |
and in about ten years they started making things like this. | 0:38:49 | 0:38:54 | |
This is the work of the Uchiyama Manufacturing Corporation. | 0:38:55 | 0:38:58 | |
They made cork for bottle stoppers | 0:38:58 | 0:39:01 | |
and all the other things cork is made for. | 0:39:01 | 0:39:04 | |
And they thought, "We'll have a go at this car lark," and set up an automotive division. | 0:39:04 | 0:39:08 | |
And this is what they came up with. It's called the 360, | 0:39:09 | 0:39:13 | |
because it has a 360cc rear-mounted V-Twin air-cooled engine. | 0:39:13 | 0:39:19 | |
All very people's car. | 0:39:19 | 0:39:20 | |
I wonder what became of the Uchiyama Manufacturing Corporation's | 0:39:24 | 0:39:27 | |
automotive division. | 0:39:27 | 0:39:30 | |
So while we in Europe we were still mucking about with three-wheel | 0:39:32 | 0:39:36 | |
back-to-frontmobiles, Japan let the people who actually make cars | 0:39:36 | 0:39:39 | |
get hold of the rules and solve the problems. | 0:39:39 | 0:39:42 | |
And I have to say | 0:39:44 | 0:39:46 | |
it is very small, it is fairly basic, | 0:39:46 | 0:39:49 | |
but it is a proper car. | 0:39:49 | 0:39:51 | |
As somebody once said of Richard Hammond - | 0:39:51 | 0:39:53 | |
"He's like a person, only smaller." | 0:39:53 | 0:39:56 | |
That's true of this, as well. | 0:39:56 | 0:39:57 | |
If you're a regular Top Gear viewer, you might be a bit disappointed | 0:40:00 | 0:40:04 | |
that this programme is full of stupid, small cars, | 0:40:04 | 0:40:07 | |
but, I have to say, I'm enjoying myself immensely. | 0:40:07 | 0:40:10 | |
This area where I'm driving, on the outskirts of Tokyo, | 0:40:14 | 0:40:17 | |
is proper old Japan. | 0:40:17 | 0:40:19 | |
The streetscape, the street plan, | 0:40:19 | 0:40:22 | |
is as it has been for hundreds of years, | 0:40:22 | 0:40:25 | |
ie, not really designed for cars. | 0:40:25 | 0:40:28 | |
So you can see already | 0:40:28 | 0:40:30 | |
the benefits of having a small car mentality are paying dividends. | 0:40:30 | 0:40:34 | |
I have, for example, lost our camera car, | 0:40:34 | 0:40:36 | |
which is a Land Rover Discovery. | 0:40:36 | 0:40:38 | |
The reason I can't see our camera car | 0:40:40 | 0:40:42 | |
is because it's managed to get itself stuck | 0:40:42 | 0:40:45 | |
on the narrow rural lanes | 0:40:45 | 0:40:46 | |
and leave some of its paint on a 1,000-year-old village fence. | 0:40:46 | 0:40:51 | |
Are you stuck, camera car? | 0:40:52 | 0:40:54 | |
I don't want to appear smug or anything | 0:40:59 | 0:41:02 | |
but I could get two of these through there. | 0:41:02 | 0:41:04 | |
One-nil to the Uchiyama Manufacturing Corporation. | 0:41:04 | 0:41:07 | |
HE LAUGHS | 0:41:07 | 0:41:09 | |
What is it that made the Japanese so good at this small car lark? | 0:41:22 | 0:41:27 | |
Simple necessity, perhaps? | 0:41:27 | 0:41:29 | |
Maybe it's because Japan | 0:41:29 | 0:41:30 | |
was prevented from re-arming after the war, | 0:41:30 | 0:41:33 | |
so all its big brains went into things like cars, | 0:41:33 | 0:41:36 | |
motorcycles, not fighter aircraft, | 0:41:36 | 0:41:38 | |
missile systems programmes, and Star Wars. | 0:41:38 | 0:41:41 | |
Maybe it's because the Kei car rules | 0:41:41 | 0:41:44 | |
were reasonable, they were the result of ongoing | 0:41:44 | 0:41:46 | |
intelligent dialogue between government and industry, | 0:41:46 | 0:41:49 | |
rather than some arbitrary nonsense about three wheels or four wheels, | 0:41:49 | 0:41:53 | |
or bike licences, or no licence at all, and all that nonsense. | 0:41:53 | 0:41:57 | |
And it must be said that the benign restrictions of the Kei car class | 0:41:57 | 0:42:01 | |
have been a constant spur to the ingenuity of their designers. | 0:42:01 | 0:42:05 | |
They've come up with small metal folding roofs, | 0:42:05 | 0:42:08 | |
tiny little turbochargers, and all that sort of stuff, | 0:42:08 | 0:42:11 | |
and these cars have been a sort of showcase for technology | 0:42:11 | 0:42:15 | |
that has quite frankly staggered the West. | 0:42:15 | 0:42:18 | |
The Amara has automatic windscreen wipers. | 0:42:18 | 0:42:21 | |
If I pour water onto this sensor here, | 0:42:21 | 0:42:25 | |
they wipe automatically. Unbelievable. | 0:42:25 | 0:42:29 | |
These early Kei cars | 0:42:31 | 0:42:33 | |
are like the Dead Sea Scrolls of the Japanese car industry. | 0:42:33 | 0:42:37 | |
Early evidence of a national enterprise | 0:42:37 | 0:42:39 | |
that would go on to sweep the globe | 0:42:39 | 0:42:41 | |
and almost destroy the old motor industries of Britain and America. | 0:42:41 | 0:42:46 | |
But, for all the eventual global dominance of Suzuki, Diahatsu, | 0:42:46 | 0:42:50 | |
Toyota, Mazda and the like, | 0:42:50 | 0:42:52 | |
the Kei cars themselves still have a rather glaring shortcoming. | 0:42:52 | 0:42:56 | |
HORNS BLARE | 0:42:56 | 0:42:59 | |
Since I'm not doing anything, | 0:43:05 | 0:43:07 | |
I haven't been for the last 20 minutes, | 0:43:07 | 0:43:10 | |
it's a good time to consider | 0:43:10 | 0:43:11 | |
the fundamental flaw of the Kei car philosophy. | 0:43:11 | 0:43:14 | |
Of all microcars, in fact. | 0:43:14 | 0:43:16 | |
Yes, they're very good for small parking spaces, | 0:43:16 | 0:43:19 | |
they're very good for negotiating those tiny side streets in Tokyo | 0:43:19 | 0:43:22 | |
and Kyoto, even Siena in Italy, or a small Cotswold village in England, | 0:43:22 | 0:43:27 | |
but they don't actually deal with this problem. | 0:43:27 | 0:43:30 | |
They don't deal with congestion | 0:43:30 | 0:43:33 | |
because they can't make another lane for themselves. | 0:43:33 | 0:43:36 | |
Now, we all get very excited about buying a very short car, | 0:43:36 | 0:43:39 | |
a smart car, a G-Wiz, but actually length isn't the issue. | 0:43:39 | 0:43:43 | |
The road is infinitely long but it's finitely wide. | 0:43:43 | 0:43:48 | |
To get through that, you need something very narrow. | 0:43:48 | 0:43:52 | |
Narrower than Jeremy Clarkson's mind. | 0:43:54 | 0:43:57 | |
It's been in production since 1958. | 0:43:59 | 0:44:03 | |
It's been made in over 20 countries around the world. | 0:44:03 | 0:44:08 | |
It is a product of the Rising Sun on which the sun never sets. | 0:44:09 | 0:44:15 | |
It's the Honda Super Cub. | 0:44:15 | 0:44:17 | |
And this little bike has done more | 0:44:19 | 0:44:21 | |
to get the people mobile than any car in history. | 0:44:21 | 0:44:25 | |
Pretty much the least motorcycle you can get away with. | 0:44:25 | 0:44:28 | |
The frame is made of pressed steel welded together, | 0:44:28 | 0:44:32 | |
the leg guards are just a piece of plastic, | 0:44:32 | 0:44:35 | |
the engine's just 50cc and it has only three gears, | 0:44:35 | 0:44:40 | |
but they're very cleverly spaced. | 0:44:40 | 0:44:42 | |
Two and three are for cruising along, | 0:44:42 | 0:44:45 | |
one is for climbing up hills, very steep hills, as it happens. | 0:44:45 | 0:44:50 | |
So, you bought a 50cc motorcycle, but Honda gave you a mountain. | 0:44:50 | 0:44:54 | |
Thing is, of course, it's brilliant because | 0:44:59 | 0:45:02 | |
it was the work of Sochiro Honda, | 0:45:02 | 0:45:04 | |
one of the greatest automotive minds that ever lived. | 0:45:04 | 0:45:07 | |
Honda, unimpressed with the dirty, unreliable bikes of the time, | 0:45:07 | 0:45:12 | |
wanted to make something that catered to the Japanese market. | 0:45:12 | 0:45:15 | |
So the Cub had an enclosed chain, | 0:45:15 | 0:45:18 | |
big wheels for Japans unmade roads, | 0:45:18 | 0:45:20 | |
very deep mudguards and that small but efficient motor. | 0:45:20 | 0:45:24 | |
But Honda's real masterstroke was in marketing the Cub | 0:45:24 | 0:45:26 | |
as a clean, safe and female friendly, | 0:45:26 | 0:45:29 | |
completely overturning the reputation | 0:45:29 | 0:45:32 | |
that motorcycles had in America. | 0:45:32 | 0:45:34 | |
By contrast, the Honda Super Cub was like a tea towel with puppies on it. | 0:45:35 | 0:45:39 | |
You meet the nicest people on a Honda. | 0:45:39 | 0:45:42 | |
The Cub subsequently became an unprecedented hit in the States, | 0:45:42 | 0:45:46 | |
in Japan, and in developing countries all over the world. | 0:45:46 | 0:45:50 | |
The VW beetle - 21-point-something million made. | 0:45:50 | 0:45:55 | |
The Fiat 124 and its derivatives, we think around 20 million. | 0:45:55 | 0:45:59 | |
The Ford Model T - 13-point-something million. | 0:45:59 | 0:46:03 | |
But this is chicken feed. | 0:46:03 | 0:46:04 | |
The Honda Super Cub to date... | 0:46:04 | 0:46:07 | |
85 million and counting. | 0:46:07 | 0:46:12 | |
It's by far the most successful vehicle of any kind in history. | 0:46:13 | 0:46:18 | |
But, for all its adaptability, | 0:46:18 | 0:46:20 | |
it was designed with a very specific task in mind. | 0:46:20 | 0:46:24 | |
Back in the 1950s, when the Super Cub was being developed, | 0:46:24 | 0:46:27 | |
the staple lunch of the Japanese working population | 0:46:27 | 0:46:31 | |
was takeaway delivery noodles. | 0:46:31 | 0:46:33 | |
Still is for a lot of people, of course. | 0:46:33 | 0:46:35 | |
And the noodles used to be delivered by bicycle. | 0:46:35 | 0:46:37 | |
The rider would go one-handed, | 0:46:37 | 0:46:39 | |
one hand on the handlebars, one hand to carry | 0:46:39 | 0:46:42 | |
the delicious lunch item. | 0:46:42 | 0:46:45 | |
For this reason, old man Honda decreed that it must be possible | 0:46:45 | 0:46:48 | |
to ride the Cub one-handed, because that way every single | 0:46:48 | 0:46:52 | |
noodle shop in Japan would buy one for deliveries. | 0:46:52 | 0:46:56 | |
And that is why the Super Cub still has a proper motorcycle gear change | 0:46:56 | 0:47:00 | |
that you operate with your foot but | 0:47:00 | 0:47:03 | |
has no clutch on the left hand handlebar | 0:47:03 | 0:47:05 | |
because the clutch is an automatic centrifugal device. | 0:47:05 | 0:47:08 | |
Now, Honda made a big deal of this at the Cub's launch. | 0:47:08 | 0:47:11 | |
The publicity picture showed it standing outside a noodle shop. | 0:47:11 | 0:47:16 | |
It was in fact this very noodle shop. | 0:47:16 | 0:47:20 | |
And that's given me an idea for a race. | 0:47:20 | 0:47:24 | |
To demonstrate that this little bike, | 0:47:24 | 0:47:26 | |
not the microcar, is the true people's champion, | 0:47:26 | 0:47:29 | |
we're going to have a bike versus Kei car noodle delivery race. | 0:47:29 | 0:47:33 | |
Starting from this historic shop, I'll bike some steaming soba noodles | 0:47:35 | 0:47:38 | |
ten miles across town to the Global Honda headquarters | 0:47:38 | 0:47:42 | |
in central Tokyo. | 0:47:42 | 0:47:44 | |
There, I shall offer them in homage | 0:47:44 | 0:47:46 | |
to the current Honda Super Cub executive, Mr Takeyama. | 0:47:46 | 0:47:50 | |
And my four-wheeled competition? | 0:47:51 | 0:47:53 | |
Mr Toshio Suzuki, Formula One driver and Le Mans 24 Hour winner. | 0:47:53 | 0:47:58 | |
There's only one rule - | 0:47:58 | 0:48:01 | |
the noodles must still be at least 50 degrees C on delivery. | 0:48:01 | 0:48:04 | |
Mr Suzuki wouldn't be seen dead in a Suzuki | 0:48:06 | 0:48:09 | |
so instead I have arranged for him to drive this - | 0:48:09 | 0:48:12 | |
it's the Diahatsu Copen. | 0:48:12 | 0:48:14 | |
Now, it looks like a shoe | 0:48:14 | 0:48:16 | |
but it is a perfectly miniaturized Kei sportscar. | 0:48:16 | 0:48:19 | |
It has a 650cc turbo-charged engine, | 0:48:19 | 0:48:22 | |
which will do 118mph, and has a removable roof. | 0:48:22 | 0:48:27 | |
Now all that remains is to decide who | 0:48:27 | 0:48:30 | |
goes in to buy the noodles first. | 0:48:30 | 0:48:32 | |
And we will decide that with a game of Janken. | 0:48:32 | 0:48:35 | |
Jan...ken. | 0:48:37 | 0:48:38 | |
Honourable victory. | 0:48:42 | 0:48:43 | |
Finally, I'm on the move. | 0:49:22 | 0:49:23 | |
It might not be the quickest start, | 0:49:23 | 0:49:25 | |
but I can't really blame that all on the bike. | 0:49:25 | 0:49:28 | |
Suzuki may be way out in front, but now that I'm on the Super Cub, | 0:49:31 | 0:49:35 | |
I can exploit its nimble thinness | 0:49:35 | 0:49:38 | |
on the congested Tokyo roads. | 0:49:38 | 0:49:40 | |
Select a gear. | 0:49:40 | 0:49:42 | |
Victory is a good as in the noodle pot. | 0:49:43 | 0:49:47 | |
I should explain I have a temperature gauge on the handlebars | 0:49:53 | 0:49:57 | |
and a thermocouple in the noodles to tell me how hot they still are. | 0:49:57 | 0:50:01 | |
They're 72 degrees. | 0:50:01 | 0:50:02 | |
They can't fall below the ideal Japanese temperature | 0:50:03 | 0:50:06 | |
because that would be dishonourable. | 0:50:06 | 0:50:09 | |
Oh, sodding traffic lights! | 0:50:09 | 0:50:12 | |
Japan's full of them. | 0:50:12 | 0:50:14 | |
I have to say, I thought this was going to be a doddle. | 0:50:16 | 0:50:19 | |
In a straight-up urban race | 0:50:19 | 0:50:21 | |
I was sure the Cub would win, no problem. | 0:50:21 | 0:50:24 | |
Oh, God, traffic lights. | 0:50:24 | 0:50:26 | |
Come on! | 0:50:26 | 0:50:27 | |
But suburban Japan seems to contain more red lights | 0:50:27 | 0:50:30 | |
than downtown Amsterdam. | 0:50:30 | 0:50:33 | |
Every single set of traffic lights is red. | 0:50:33 | 0:50:35 | |
Mr Suzuki, on the other hand, | 0:50:37 | 0:50:39 | |
is scything through the lights like a samurai. | 0:50:39 | 0:50:42 | |
As my noodles get ever cooler | 0:50:49 | 0:50:51 | |
and Mr Honda starts considering a pizza instead, | 0:50:51 | 0:50:54 | |
Mr Suzuki and the Kei car are powering on. | 0:50:54 | 0:50:56 | |
He's already stormed through the level crossing at Jiyugaoka, | 0:50:56 | 0:51:00 | |
nearly half a mile ahead of me. | 0:51:00 | 0:51:01 | |
But I am starting to catch up. | 0:51:01 | 0:51:04 | |
Hooray! Been through a green light! | 0:51:04 | 0:51:06 | |
I didn't think that was possible. | 0:51:09 | 0:51:11 | |
Right, I think I'm through the worst of it. | 0:51:11 | 0:51:13 | |
Time to give it 50cc worth of... | 0:51:13 | 0:51:16 | |
Trains! | 0:51:19 | 0:51:20 | |
Another train. | 0:51:32 | 0:51:34 | |
I'm now hopelessly behind. | 0:51:43 | 0:51:46 | |
Mr Suzuki and the Kei car are already over halfway to Honda | 0:51:46 | 0:51:51 | |
and approaching downtown. | 0:51:51 | 0:51:53 | |
But, like the Super Cub itself, I just carry on. | 0:51:53 | 0:51:57 | |
The Cub is not fast, not by modern small bike standards, | 0:51:57 | 0:52:01 | |
but it keeps going. | 0:52:01 | 0:52:03 | |
And as I at last hit a long straight of open road | 0:52:03 | 0:52:07 | |
I can finally deploy the ancient motorcycle secret | 0:52:07 | 0:52:10 | |
of putting your head down a little bit. | 0:52:10 | 0:52:12 | |
Up ahead, Mr Suzuki has become so over-confident | 0:52:18 | 0:52:21 | |
he's started to listen to his audio tapes | 0:52:21 | 0:52:23 | |
of aerobicised English lessons. | 0:52:23 | 0:52:25 | |
Little does he know I'm hard on his tail. | 0:52:31 | 0:52:34 | |
Come on, baby. | 0:52:35 | 0:52:36 | |
Have I got the balls? | 0:52:38 | 0:52:40 | |
Yee-ha! | 0:52:40 | 0:52:42 | |
We're now just two miles away from Honda HQ | 0:52:46 | 0:52:49 | |
and getting deep into downtown Tokyo. | 0:52:49 | 0:52:52 | |
HE CHOKES | 0:52:52 | 0:52:54 | |
I need one of those Japanese mask things. | 0:52:54 | 0:52:56 | |
But just ahead is Shubiya junction, | 0:52:58 | 0:53:00 | |
the busiest crossing in the whole of Japan. | 0:53:00 | 0:53:03 | |
I may be here a while. | 0:53:06 | 0:53:08 | |
This is the famous crossroads. | 0:53:08 | 0:53:11 | |
Yes, it was in Lost in Translation. | 0:53:11 | 0:53:15 | |
As roughly 3 billion people cross in front of me, | 0:53:15 | 0:53:19 | |
I notice someone driving a distinctive red car. | 0:53:19 | 0:53:22 | |
Oh, cock! How did he get there? | 0:53:22 | 0:53:25 | |
I've just seen the Copen go the other way | 0:53:28 | 0:53:31 | |
across the famous Shibuya crossing, | 0:53:31 | 0:53:33 | |
and my noodles are down to 55. | 0:53:33 | 0:53:36 | |
Mr Suzuki knows the territory. | 0:53:39 | 0:53:41 | |
And he is a racing driver, let's be honest. | 0:53:42 | 0:53:44 | |
Trying to stick to the route I'd memorised was getting me nowhere. | 0:53:46 | 0:53:49 | |
It was time to think of the Super Cub delivery boy, | 0:53:49 | 0:53:52 | |
use my noodle and head off the map. | 0:53:52 | 0:53:56 | |
Not down there. | 0:53:58 | 0:54:00 | |
Turn right here, take a short cut. | 0:54:02 | 0:54:04 | |
Soon I began to suspect the two Mexicans | 0:54:10 | 0:54:12 | |
fighting over a broken television is the sign for pedestrian zone. | 0:54:12 | 0:54:16 | |
But it's got me exactly where I want to be. | 0:54:16 | 0:54:20 | |
Now I've got him! | 0:54:21 | 0:54:23 | |
And thanks to a kamikaze lady with an umbrella, | 0:54:31 | 0:54:34 | |
I take the lead. | 0:54:34 | 0:54:36 | |
With just a mile to go to Honda, | 0:54:37 | 0:54:39 | |
Kei car and Cub are neck and neck, | 0:54:39 | 0:54:41 | |
but now I know that main roads are for losers. | 0:54:41 | 0:54:45 | |
50cc versus 650c and a turbo charger, | 0:54:45 | 0:54:48 | |
I need to find a really short cut. | 0:54:48 | 0:54:51 | |
This'll do. | 0:54:52 | 0:54:53 | |
This is why the Super Cub is the people's choice. | 0:55:00 | 0:55:03 | |
Yes, I might have had a bit of a shaky start, | 0:55:03 | 0:55:05 | |
but let's not forget, the Cub that I'm riding is 50 years old, | 0:55:05 | 0:55:09 | |
but it can still dart through the streets | 0:55:09 | 0:55:12 | |
like a metal fighting fish. | 0:55:12 | 0:55:14 | |
Nothing can stop noodles. | 0:55:15 | 0:55:17 | |
Noodles 53 - that's still hot enough for any executive. Whoa! | 0:55:25 | 0:55:30 | |
Less than half a mile to go. | 0:55:30 | 0:55:32 | |
Victory is at hand. | 0:55:32 | 0:55:33 | |
Every time you ride a Honda Super Cub | 0:55:33 | 0:55:36 | |
it's with the ghost of Sochiro himself on the pillion seat. | 0:55:36 | 0:55:39 | |
Laughing at the success of his creation. | 0:55:39 | 0:55:41 | |
I think it's time for Little Honda, by the Hondells. | 0:55:43 | 0:55:48 | |
# It's all right, it's all right... # | 0:55:48 | 0:55:51 | |
That's the Honda HQ, right there. | 0:55:51 | 0:55:53 | |
# I'm gonna wake you up early | 0:55:53 | 0:55:55 | |
# Cos I'm gonna take a ride with you | 0:55:55 | 0:55:57 | |
# We're goin' down to the Honda shop I'll tell you what we're gonna do. # | 0:55:59 | 0:56:03 | |
Noodles at 51 degrees. | 0:56:03 | 0:56:06 | |
No sign of Suzuki. | 0:56:06 | 0:56:08 | |
Er...Takeyama San? | 0:56:12 | 0:56:15 | |
Konichiwa. | 0:56:16 | 0:56:18 | |
For Takeyama San. | 0:56:18 | 0:56:20 | |
-Hi! -Takeyama San? -Yes. -Your noodles. | 0:56:20 | 0:56:24 | |
-51 degrees. -Thank you. -Delivered from the Super Cub. | 0:56:26 | 0:56:30 | |
A pleasure. | 0:56:32 | 0:56:34 | |
Thank you. | 0:56:34 | 0:56:35 | |
Pleasure. Honda Super Cub. | 0:56:35 | 0:56:37 | |
51 degrees. | 0:56:37 | 0:56:39 | |
As the Hondells said, it's not a big motorcycle, | 0:56:44 | 0:56:47 | |
just a groovy little motorbike. | 0:56:47 | 0:56:49 | |
But it has condemned Mr Suzuki, with his lukewarm lunch, | 0:56:53 | 0:56:56 | |
to shame and dishonour. | 0:56:56 | 0:56:58 | |
Close, but no Kei car. | 0:57:02 | 0:57:04 | |
So, the microcar, whether in Japan or Europe, | 0:57:06 | 0:57:09 | |
never really dealt with the challenges posed by congestion. | 0:57:09 | 0:57:12 | |
It was just quite easy to park. | 0:57:12 | 0:57:15 | |
As for the Super Cub, | 0:57:18 | 0:57:20 | |
well, I liked it so much I rode it all the way back to England. | 0:57:20 | 0:57:24 | |
This difficult period in the history of the people's car, | 0:57:29 | 0:57:32 | |
the '50s and 60s, | 0:57:32 | 0:57:34 | |
seems to have yielded an unlikely pair of champions, | 0:57:34 | 0:57:38 | |
because neither of them is a car. | 0:57:38 | 0:57:41 | |
And, let's not forget, | 0:57:42 | 0:57:43 | |
this is exactly how the modern world works, with vans and small bikes. | 0:57:43 | 0:57:48 | |
Back in the early noughties, the buzz-word of the day was | 0:57:48 | 0:57:51 | |
"Go for it!" | 0:57:51 | 0:57:53 | |
But now we realise that that's all complete nonsense. | 0:57:53 | 0:57:56 | |
Why not just have whatever "it" is delivered? | 0:57:56 | 0:58:00 | |
But let's not write the '50s and '60s off just yet. | 0:58:00 | 0:58:02 | |
They did, of course, | 0:58:02 | 0:58:04 | |
produce one of the greatest people's cars of all time. | 0:58:04 | 0:58:08 | |
Some of you will have guessed what it is. | 0:58:08 | 0:58:10 | |
Some of you will be screaming at the television. "Come on! | 0:58:10 | 0:58:14 | |
"Where is it?" | 0:58:14 | 0:58:15 | |
Well, don't worry, because it's here. | 0:58:15 | 0:58:18 | |
The Rolls-Royce Silver Shadow. | 0:58:18 | 0:58:21 | |
See you next time. | 0:58:22 | 0:58:23 |