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120 received. We are en route now. | 0:00:01 | 0:00:03 | |
'Working as a motorway cop means being prepared...' | 0:00:03 | 0:00:07 | |
So is the Corsa that he's clipped post-collision with the horses? | 0:00:07 | 0:00:11 | |
'..for anything that comes your way.' | 0:00:11 | 0:00:13 | |
Keep them here till we've got drivers. | 0:00:13 | 0:00:17 | |
'Where keeping your cool...' I'm not going nowhere! Oi. Wind your neck in. | 0:00:18 | 0:00:23 | |
'..and dealing with the unexpected is all part of the job.' | 0:00:23 | 0:00:27 | |
The main thing is, you keep an open mind. | 0:00:31 | 0:00:33 | |
It's dangerous to be complacent. Anything can happen and quite often does. | 0:00:33 | 0:00:38 | |
'It's the evening rush hour on the M62 between Leeds and Bradford. | 0:01:02 | 0:01:07 | |
'But tonight the problem is just off the motorway.' | 0:01:08 | 0:01:13 | |
Tango-eight-zero, we'll attend that one, as well. | 0:01:13 | 0:01:16 | |
'In Birkenshaw, PCs Andy Bell and Wayne Baker | 0:01:16 | 0:01:19 | |
'are on their way to an accident involving a horse | 0:01:19 | 0:01:22 | |
'which has been hit by a car.' | 0:01:22 | 0:01:24 | |
The problems with an animal and livestock is we haven't got the means | 0:01:24 | 0:01:28 | |
of dealing with them and controlling them at the scene, | 0:01:28 | 0:01:31 | |
so it's almost inevitable that we're going to need a vet or some kind of assistance | 0:01:31 | 0:01:37 | |
to either put the thing to sleep or to sedate it | 0:01:37 | 0:01:40 | |
so we can make sure that it's not going to cause any other problems for other road-users. | 0:01:40 | 0:01:45 | |
Normally when we attend animal incidents, | 0:01:47 | 0:01:50 | |
it's sheep, dogs, cats, much smaller animals, | 0:01:50 | 0:01:53 | |
so this was quite out of the ordinary for us. | 0:01:53 | 0:01:55 | |
I don't know about the lighting in the area. Obviously, it's dark now, | 0:01:56 | 0:02:01 | |
so if it is in a dark area, the horse isn't going to be illuminated in any way, | 0:02:01 | 0:02:06 | |
so it's going to become more of a hazard if it is in the road. | 0:02:06 | 0:02:10 | |
'The accident is on an important link route | 0:02:10 | 0:02:13 | |
'between the nearby motorway and a major trunk road connecting Bradford and Wakefield. | 0:02:13 | 0:02:18 | |
'And as Andy and Wayne approach the scene, traffic is already at a standstill.' | 0:02:18 | 0:02:23 | |
We're here now. There's a Fiat Punto here with quite substantial damage to the windscreen. | 0:02:23 | 0:02:29 | |
They've closed the road. I can see an officer in front of the other traffic car | 0:02:29 | 0:02:33 | |
that may be with the horse. | 0:02:33 | 0:02:37 | |
But we're going to go and just ascertain what's exactly taken place. | 0:02:37 | 0:02:41 | |
I'm just wondering whether to shut it at the roundabout and get them to go round | 0:02:48 | 0:02:51 | |
or bring them past. It's just what they're going to see. | 0:02:51 | 0:02:54 | |
We haven't got any screens. No, we'll leave it shut. That's the best thing. | 0:02:54 | 0:02:58 | |
I don't know the full ins and out of how the accident's happened at the moment, | 0:03:00 | 0:03:04 | |
but the Fiat Punto has obviously been in collision with the horse. | 0:03:04 | 0:03:08 | |
At the moment, the horse is in quite a bad way. | 0:03:08 | 0:03:11 | |
It's got a broken leg that's been severed | 0:03:11 | 0:03:15 | |
and the bone's showing, there's quite a lot of blood. | 0:03:15 | 0:03:18 | |
So the horse is in quite a distressed state. The owners are with it | 0:03:18 | 0:03:22 | |
and they're trying to calm it down and keep it calm while we get a vet here. | 0:03:22 | 0:03:25 | |
So the vet's on the way. How long they're going to be we're just waiting to find out. | 0:03:25 | 0:03:30 | |
So I'll go and try and find out what's happened | 0:03:30 | 0:03:32 | |
in terms of the accident and how it's happened. | 0:03:32 | 0:03:34 | |
Any type of loose livestock or wildlife | 0:03:37 | 0:03:40 | |
can quite easily lead to a fatal collision | 0:03:40 | 0:03:43 | |
or fatalities, multiple. | 0:03:43 | 0:03:45 | |
Hi, buddy. Hi. You all right? Yeah, not bad. | 0:03:49 | 0:03:52 | |
Are you driver? I am, yes. Hiya. | 0:03:52 | 0:03:55 | |
On that occasion, the driver of the vehicle was extremely lucky. | 0:03:55 | 0:04:00 | |
On another day, | 0:04:00 | 0:04:02 | |
you could be talking about something far, far more serious. | 0:04:02 | 0:04:06 | |
'Wayne must work out if the driver was at fault.' | 0:04:07 | 0:04:10 | |
What's happened, then? | 0:04:10 | 0:04:12 | |
Erm, I was just coming up here. Yeah. | 0:04:12 | 0:04:16 | |
Can you see that black van there? I can. | 0:04:16 | 0:04:19 | |
About... Well, I've been told about four horses run out | 0:04:19 | 0:04:24 | |
and I just hit one of them. | 0:04:24 | 0:04:26 | |
So they've run out from... From... Sorry, just that road there. | 0:04:26 | 0:04:30 | |
Right. And they've just all run out. | 0:04:30 | 0:04:33 | |
Right. So it's run out in front of you? Yeah. | 0:04:33 | 0:04:35 | |
How fast were you going at the time? Erm... | 0:04:35 | 0:04:38 | |
35, maybe 40. OK, then, no problem. | 0:04:39 | 0:04:43 | |
Just sit tight, I'll be back with you in a sec. How's it looking down there? | 0:04:43 | 0:04:47 | |
Er, the horse is in a bit of a bad way at the moment. I've seen its leg. | 0:04:47 | 0:04:50 | |
Yeah. So the horse is in a bad way, there's quite a lot of blood. | 0:04:50 | 0:04:53 | |
Whether the horse will make it or not, I don't know, but we'll wait for the vet to get here | 0:04:53 | 0:04:58 | |
and let them have a look at it. | 0:04:58 | 0:05:00 | |
'A lorry driver is the main witness to the crash.' | 0:05:00 | 0:05:03 | |
Did you see the accident happen? | 0:05:03 | 0:05:05 | |
I gave the details to him. Yeah. | 0:05:05 | 0:05:07 | |
So were you behind the Punto? I was there. | 0:05:07 | 0:05:10 | |
Oh, you're coming down the other way. | 0:05:10 | 0:05:13 | |
I've just come down the road here and I've seen this car swerve. | 0:05:13 | 0:05:17 | |
I couldn't really see why it swerved with it being so dark. | 0:05:17 | 0:05:20 | |
And then I noticed that there were five horses in the middle of the road | 0:05:20 | 0:05:24 | |
and the car's hit one of them and the other four have all run off | 0:05:24 | 0:05:28 | |
down the side of the road. | 0:05:28 | 0:05:30 | |
So I've pulled over and managed to retrieve one of the horses. | 0:05:30 | 0:05:34 | |
And another gentleman got out, he managed to keep the other three pinned in to one side. | 0:05:34 | 0:05:39 | |
'The witnesses confirm the driver had a very lucky escape.' | 0:05:40 | 0:05:44 | |
He hasn't really seen this animal | 0:05:46 | 0:05:48 | |
until it's been in the road in front of him, | 0:05:48 | 0:05:51 | |
so his chances of reacting and avoiding it is nil. | 0:05:51 | 0:05:57 | |
And the thing's just been on top of him straight away. | 0:05:57 | 0:05:59 | |
So it's a fairly traumatic thing for the driver of the car. | 0:05:59 | 0:06:02 | |
Something of that size and weight coming towards the windscreen of your car, | 0:06:03 | 0:06:07 | |
the natural thing you're going to do is kind of protect your face | 0:06:07 | 0:06:11 | |
and probably let go of the steering wheel and let go of all control of the car. | 0:06:11 | 0:06:15 | |
And in fairness, that could've swerved across into some oncoming cars | 0:06:15 | 0:06:19 | |
and we could've had a serious head-on collision, | 0:06:19 | 0:06:21 | |
but as it works out, the driver's done remarkably well. | 0:06:21 | 0:06:24 | |
'Now that he's worked out the sequence of events | 0:06:24 | 0:06:27 | |
'and cleared the driver of blame, Wayne examines the car | 0:06:27 | 0:06:31 | |
'to try to reconstruct exactly what happened | 0:06:31 | 0:06:33 | |
'when it hit the half-ton horse.' | 0:06:33 | 0:06:36 | |
If the bottom of the car here has gone under its legs, | 0:06:36 | 0:06:39 | |
the body of the horse would've been flung onto the windscreen | 0:06:39 | 0:06:42 | |
and the roof itself, as you can see there, | 0:06:42 | 0:06:44 | |
so it's probably taken a fair old impact, has the car. | 0:06:44 | 0:06:49 | |
And that's obviously where the body of the horse has landed, so it's then come off the car. | 0:06:50 | 0:06:54 | |
It's probably gone over the top of the car, looking at it, | 0:06:54 | 0:06:59 | |
and scraped off down this side. The car's naturally come to a stop. | 0:06:59 | 0:07:04 | |
So I'm quite happy with the speeds that he's given me, around 35 miles an hour. | 0:07:04 | 0:07:08 | |
I wouldn't disagree with that, I think that's fair in view of the wet conditions. | 0:07:08 | 0:07:13 | |
'It's now been 20 minutes since the accident | 0:07:13 | 0:07:16 | |
'and the vet still hasn't arrived to deal with the distressed horse. | 0:07:16 | 0:07:20 | |
'Several workers from a nearby stables are holding the injured animal down, | 0:07:20 | 0:07:23 | |
'both to stop it hurting itself further or causing more chaos on the road.' | 0:07:23 | 0:07:28 | |
We're quite keen to open the road, but we can't distress the horse any further. | 0:07:28 | 0:07:32 | |
It's in quite a bad way and the main thing is we've got the welfare of the animal to consider | 0:07:32 | 0:07:37 | |
as well as everybody else, | 0:07:37 | 0:07:39 | |
but we'll certainly get it open as soon as we can, | 0:07:39 | 0:07:42 | |
it's just a matter of waiting for the vet to get here | 0:07:42 | 0:07:44 | |
to either put the horse to sleep or if we can look at getting the horse | 0:07:44 | 0:07:48 | |
removed from the scene and out of the way, if the vet's happy, then we'll do that. | 0:07:48 | 0:07:51 | |
'While they wait anxiously for the vet to arrive... | 0:07:51 | 0:07:55 | |
'..15 miles away, just off the M62 in west Leeds, | 0:07:58 | 0:08:02 | |
'the cops are tracking a speeding car.' | 0:08:02 | 0:08:04 | |
As soon as I turned round and began to follow them, | 0:08:09 | 0:08:12 | |
I could see that they were twice the speed limit, | 0:08:12 | 0:08:14 | |
so straight away you're trying to get resources in place | 0:08:14 | 0:08:17 | |
to put a stop to any potential pursuit. | 0:08:17 | 0:08:20 | |
'As more information comes in on the car, | 0:08:20 | 0:08:23 | |
'the cops have another reason why they want to stop the car and talk to the driver.' | 0:08:23 | 0:08:27 | |
'Other police units, including PCs Rob Jones and Ben Waite, are making their way to help.' | 0:08:35 | 0:08:40 | |
There was every chance that it was the kind of car that would fail to stop for us if we asked it to. | 0:08:44 | 0:08:49 | |
Given his manner of driving, how he was pushing people out of the way, | 0:08:49 | 0:08:52 | |
Ben and I felt a need to get to Mick to help him with that just in case. | 0:08:52 | 0:08:56 | |
'As PC Mick Roffe's onboard camera shows, | 0:08:59 | 0:09:02 | |
'at times the Seat driver is pushing 90 miles an hour.' | 0:09:02 | 0:09:05 | |
And he's headed for the busy city centre.' | 0:09:08 | 0:09:10 | |
Our main focus there | 0:09:12 | 0:09:15 | |
is to not get into a pursuit in a city area at that time of night | 0:09:15 | 0:09:19 | |
with bad guys, because it's all just going to end badly. | 0:09:19 | 0:09:23 | |
We're just coming onto the 58, mate. | 0:09:28 | 0:09:31 | |
'The cops need to take action now before the car leaves the relative safety of the ring road.' | 0:09:31 | 0:09:36 | |
We are coming towards you on 58. | 0:09:41 | 0:09:43 | |
"I'm into the underpass. Stick with me." | 0:09:46 | 0:09:51 | |
OK, mate. | 0:09:53 | 0:09:55 | |
Mick's got behind it and it appears to be trying to get away from him. | 0:09:57 | 0:10:01 | |
We're behind him now, giving him reinforcements. | 0:10:02 | 0:10:07 | |
'As Rob and Ben catch up to Mick's unmarked car, | 0:10:09 | 0:10:11 | |
'he puts on his blues and prepares to stop the silver car which is just ahead of him.' | 0:10:11 | 0:10:17 | |
Whoa! | 0:10:19 | 0:10:21 | |
Hey! Chill out! Ey up! BLEEP not going nowhere, you BLEEP! | 0:10:27 | 0:10:32 | |
Oi! Wind your neck in. | 0:10:32 | 0:10:35 | |
What's wrong with you? Nowt. Why you following me? | 0:10:35 | 0:10:38 | |
Driving like that, we think it's nicked. | 0:10:38 | 0:10:41 | |
Lads, we'll start again in a second. We're all right. I BLEEP! | 0:10:42 | 0:10:48 | |
You've got just to try and calm it down, because it's only going to escalate, | 0:10:48 | 0:10:52 | |
so you've just got to take a step back. Instead of shouting as well, | 0:10:52 | 0:10:55 | |
you've got to come down and say, "Look, guys, it's only going to go one way, | 0:10:55 | 0:10:59 | |
"you're detained, you're cuffed, you are going to be searched. Just calm yourselves down." | 0:10:59 | 0:11:03 | |
'The cops want to know a bit more about who they're dealing with, | 0:11:03 | 0:11:06 | |
'so while Mick runs checks on them, | 0:11:06 | 0:11:08 | |
'Rob talks to the driver about why he was speeding at 90 miles an hour.' | 0:11:08 | 0:11:13 | |
I'm a wanted man, me. I've got a few enemies. Have you? Yeah. | 0:11:13 | 0:11:16 | |
I thought I might have been getting shot. If you're moving, you can't get... What? | 0:11:16 | 0:11:21 | |
As long as you keep moving, what's the problem? You haven't got to drive faster. | 0:11:21 | 0:11:24 | |
They shoot... These BLEEP shoot out of cars these days. | 0:11:24 | 0:11:28 | |
He thought there were people after him and he was going to be the victim of a drive-by shooting, | 0:11:29 | 0:11:33 | |
like we're in South Central Los Angeles and not Leeds. | 0:11:33 | 0:11:36 | |
What have you got two phones for? | 0:11:36 | 0:11:38 | |
Bitches and wife. HE LAUGHS | 0:11:38 | 0:11:42 | |
'Now things have calmed down, the driver's claiming he's a reformed character.' | 0:11:42 | 0:11:46 | |
My joy-riding days are behind me now. Give over with you! | 0:11:48 | 0:11:52 | |
'But Mick's sure the men were trying to get away from him.' | 0:11:52 | 0:11:56 | |
I got in behind them and they absolutely nailed it. | 0:11:56 | 0:11:59 | |
They were twice the speed limit and they were absolutely flying. | 0:11:59 | 0:12:03 | |
We got onto the underpass section, which is the inner ring road, | 0:12:03 | 0:12:06 | |
and it's two lanes of traffic and you can't get anywhere else, | 0:12:06 | 0:12:10 | |
but he was in and out, lane one, lane two, trying to force his way through, | 0:12:10 | 0:12:14 | |
so it had all the hallmarks to me that they were going to fail to stop. | 0:12:14 | 0:12:17 | |
I've been pulled in yesterday and today! | 0:12:17 | 0:12:20 | |
It must be the way you're driving! | 0:12:21 | 0:12:24 | |
'Information coming back from the police national database | 0:12:24 | 0:12:27 | |
'reveals both men are well-known to the police.' | 0:12:27 | 0:12:30 | |
Having stopped and spoken to them and found out who they are, | 0:12:30 | 0:12:33 | |
they're prolific burglars, | 0:12:33 | 0:12:35 | |
so their MO is to basically break into people's houses, | 0:12:35 | 0:12:38 | |
steal car keys and steal high-value vehicles. | 0:12:38 | 0:12:41 | |
Jump out for us. | 0:12:41 | 0:12:43 | |
'The cops decide to take the men in for questioning, | 0:12:43 | 0:12:46 | |
'but before they do, Rob searches the driver.' | 0:12:46 | 0:12:49 | |
There's nowt you shouldn't have? No. | 0:12:49 | 0:12:52 | |
No gear, no drugs, no guns, no... | 0:12:52 | 0:12:54 | |
They're all in the boot. They're all in the boot, are them? | 0:12:54 | 0:12:58 | |
They were very, very confident, a lot of bravado, a lot of banter. That can usually mean two things. | 0:12:58 | 0:13:03 | |
It can mean, one, they're trying to throw us off the scent, or two, they haven't got anything. | 0:13:03 | 0:13:08 | |
You've got some cash in that pocket. | 0:13:08 | 0:13:10 | |
How much cash you got on you? Not a lot. | 0:13:10 | 0:13:12 | |
What do you call not a lot? That looked quite a lot to me. | 0:13:12 | 0:13:15 | |
In my pocket? Yeah. About 300 quid, isn't it? | 0:13:16 | 0:13:19 | |
It's Friday night. What's that got to do with owt? | 0:13:21 | 0:13:24 | |
You're stopping me from partying. | 0:13:24 | 0:13:27 | |
'The men and their car will be taken to Leeds Bridewell Police Station. | 0:13:27 | 0:13:31 | |
'Back in Birkenshaw, just off the M62, | 0:13:36 | 0:13:39 | |
'PCs Andy Bell and Wayne Baker | 0:13:39 | 0:13:42 | |
'are waiting for an emergency vet to arrive | 0:13:42 | 0:13:44 | |
'to treat a badly injured horse hit by a car.' | 0:13:44 | 0:13:46 | |
I do know a lot of people who have horses | 0:13:48 | 0:13:50 | |
and I know there's a lot of very upset young girls | 0:13:50 | 0:13:52 | |
who were coming out of this lane to our left with the horses. | 0:13:52 | 0:13:56 | |
We understand that the farm is where the horses are from up here | 0:13:56 | 0:14:00 | |
and they use this field during the day, | 0:14:00 | 0:14:03 | |
so the horses have come down the lane, | 0:14:03 | 0:14:05 | |
I think they've been unsupervised, and they've come into the road | 0:14:05 | 0:14:08 | |
and that's when the collision's taken place. But it's traumatic for everybody | 0:14:08 | 0:14:12 | |
cos there's blood and the horse has suffered quite a nasty break to one of its legs, so it's not very nice. | 0:14:12 | 0:14:18 | |
One of the main considerations I had when I was there | 0:14:19 | 0:14:22 | |
was whilst we'd closed the road to traffic, | 0:14:22 | 0:14:25 | |
we still had pedestrians coming down. | 0:14:25 | 0:14:27 | |
Can you two be really big for me and just stay there? | 0:14:29 | 0:14:31 | |
I'll have a quick word with, is it Dad? Yes. | 0:14:31 | 0:14:34 | |
He's done nothing wrong, don't worry. I just want to have a quick chat with Dad but without you. | 0:14:34 | 0:14:38 | |
There's a horse that's really badly injured | 0:14:38 | 0:14:41 | |
and I don't want the children walking past it if it's going to distress them. | 0:14:41 | 0:14:44 | |
Just to make you aware, it is laid in the road, there's a lot of blood. | 0:14:44 | 0:14:47 | |
A lot of children go horse-riding and just seeing that sight | 0:14:51 | 0:14:55 | |
might live with them for a little while, so we don't want the kids going near. | 0:14:55 | 0:14:59 | |
But certainly, people that are involved with the horse | 0:14:59 | 0:15:02 | |
and the owners of it, | 0:15:02 | 0:15:04 | |
they've obviously been upset, they're crying, they're hugging each other, | 0:15:04 | 0:15:09 | |
so I think we know what's likely to happen when the vet gets here. | 0:15:09 | 0:15:13 | |
I think they're going to put the horse to sleep to put it out of any pain and suffering. | 0:15:13 | 0:15:18 | |
So I think they're sort of preparing themselves for that now. | 0:15:18 | 0:15:21 | |
'With the vet struggling to get through the backed-up traffic and the horse increasingly distressed, | 0:15:22 | 0:15:27 | |
'the motorway cops have arranged for firearms officers to attend.' | 0:15:27 | 0:15:32 | |
What are you looking to do? Well, we might have to try and dispatch it ourselves, | 0:15:32 | 0:15:36 | |
but we're going to need a lot of space, if that's all right, mate. Right. | 0:15:36 | 0:15:40 | |
We, as police officers but also as human beings, | 0:15:40 | 0:15:44 | |
want to have the thing put out of its misery straight away. | 0:15:44 | 0:15:46 | |
And the sooner we can do that, the better. | 0:15:46 | 0:15:49 | |
Our force supervision have dispatched the firearms cars | 0:15:50 | 0:15:53 | |
with a view to, in effect, dispatching the horse on the scene here. | 0:15:53 | 0:15:57 | |
At the moment, we need to look at getting the roads closed | 0:15:57 | 0:16:00 | |
for quite some distance so they can work safely. | 0:16:00 | 0:16:03 | |
It's important that we don't, you know, shock people, upset people | 0:16:04 | 0:16:08 | |
as a result of something we do, but we've also got to balance that | 0:16:08 | 0:16:11 | |
with the fact that the horse was unlikely to survive. | 0:16:11 | 0:16:14 | |
'The road's been shut for half an hour and the traffic stretches back to the M62, three miles away. | 0:16:14 | 0:16:22 | |
'Fortunately, the vet has finally made her way through the jam.' | 0:16:24 | 0:16:28 | |
Some of the logistics that we have in terms of whether a firearm is used or not | 0:16:28 | 0:16:32 | |
is the locality of where we are. There's some houses here. | 0:16:32 | 0:16:36 | |
The type of weapon that they'd have to use | 0:16:36 | 0:16:39 | |
and the ammunition that they'd have to use, there'll be scattering behind it from the ammunition, | 0:16:39 | 0:16:44 | |
so it's not ideal for us to use firearms, really. | 0:16:44 | 0:16:49 | |
So the fact that the vet's here now is superb, cos they can deal with it | 0:16:49 | 0:16:52 | |
and we don't necessarily have to go down those lines anymore. | 0:16:52 | 0:16:55 | |
You know that as soon as the vet arrives, | 0:16:56 | 0:16:59 | |
a lethal injection will put the thing to sleep. | 0:16:59 | 0:17:02 | |
And that relieves a lot of tension and strain and emotion | 0:17:02 | 0:17:06 | |
from the people who are involved. | 0:17:06 | 0:17:09 | |
As upsetting as it is, I don't want to see any animals put down, | 0:17:11 | 0:17:14 | |
I don't want to see any suffering to any of them, | 0:17:14 | 0:17:16 | |
but we've still got to consider the travelling public, | 0:17:16 | 0:17:19 | |
the fact that we've got the road closed, | 0:17:19 | 0:17:21 | |
the fact that there may be other people around here that are a little bit traumatised and upset | 0:17:21 | 0:17:26 | |
by what they've witnessed or seen laid on the ground, | 0:17:26 | 0:17:28 | |
so we've got to consider, sort of, the wider picture | 0:17:28 | 0:17:33 | |
for everybody else, really, | 0:17:33 | 0:17:35 | |
and make sure that we're doing the best thing by the animal, best thing by the owners and everyone involved, | 0:17:35 | 0:17:40 | |
but also we're dealing with it as expeditiously as we can | 0:17:40 | 0:17:43 | |
so we cause as little disruption to everybody else. | 0:17:43 | 0:17:46 | |
'While the traffic and the cops wait for the vet to put the injured horse to sleep... | 0:17:46 | 0:17:51 | |
'..30 miles away near Wakefield, | 0:17:53 | 0:17:55 | |
'officers Mick McQuade and Dale Anderson are just starting their night shift.' | 0:17:55 | 0:18:00 | |
We're straight out of the door, as soon as we've started, we've had a message | 0:18:01 | 0:18:04 | |
of a serious collision, one that sounds pretty much as serious as they get on the motorway. | 0:18:04 | 0:18:10 | |
A car's apparently trapped underneath a heavy goods vehicle. | 0:18:10 | 0:18:13 | |
'The crash is on the M1, just five miles south of their Wakefield base.' | 0:18:13 | 0:18:19 | |
For me, the priorities are obviously for the life and limb of the people in the car. | 0:18:19 | 0:18:25 | |
If it has gone underneath a truck, the likelihood of it being very serious is very highly probable. | 0:18:25 | 0:18:31 | |
Nine-zero, we're ten seconds away. | 0:18:33 | 0:18:35 | |
'Tonight, Dale is acting sergeant, | 0:18:36 | 0:18:39 | |
'so it's his responsibility to manage the investigation.' | 0:18:39 | 0:18:43 | |
An officer has already got the scene as such. | 0:18:43 | 0:18:48 | |
What we're trying to do is get some cones out just to protect us. | 0:18:48 | 0:18:51 | |
There's not really much point in us all being up there | 0:18:51 | 0:18:55 | |
when there's cars coming at 70, 80, 90 miles an hour behind us. | 0:18:55 | 0:18:59 | |
'His first job is to make the scene safe for him and other officers.' | 0:18:59 | 0:19:03 | |
Can you help us get it coned off? | 0:19:03 | 0:19:06 | |
'Only then can he concentrate on finding out what's happened.' | 0:19:06 | 0:19:09 | |
This is literally walking into the unknown. | 0:19:11 | 0:19:14 | |
We're looking at a car there. Unless there's a third vehicle involved, | 0:19:15 | 0:19:18 | |
it may not be as serious as first thought. | 0:19:18 | 0:19:20 | |
But, in fact, there is another vehicle up ahead | 0:19:20 | 0:19:24 | |
which is certainly wedged into the under bars of the heavy goods vehicle. | 0:19:24 | 0:19:29 | |
Luckily, it's passenger side. Let's just hope there was only a driver in it. | 0:19:29 | 0:19:33 | |
When you open that door and it's dark, you don't know what you're going to be greeted with. | 0:19:38 | 0:19:42 | |
It could be an empty seat or, to the extreme, | 0:19:42 | 0:19:45 | |
you could be dealing with a dead body in there. | 0:19:45 | 0:19:49 | |
'But no-one's trapped inside the car, | 0:19:49 | 0:19:52 | |
'and amazingly, it appears there are no serious casualties.' | 0:19:52 | 0:19:56 | |
Is everybody out? Yeah. | 0:19:56 | 0:19:58 | |
When you open the door and you realise, | 0:19:58 | 0:20:00 | |
even though injuries may be serious, they're not life-threatening, | 0:20:00 | 0:20:04 | |
it changes the sort of approach entirely. | 0:20:04 | 0:20:07 | |
'Two cars and an HGV are involved. | 0:20:08 | 0:20:11 | |
'One car has got off lightly but another has sustained major damage.' | 0:20:11 | 0:20:15 | |
Once we realised everyone was OK, the focus goes onto | 0:20:18 | 0:20:21 | |
trying to highlight who was actually involved and who was driving, | 0:20:21 | 0:20:24 | |
because there was clearly far too many people walking up and down the hard shoulder | 0:20:24 | 0:20:28 | |
to have been involved directly. | 0:20:28 | 0:20:31 | |
People had clearly come afterwards somehow. | 0:20:31 | 0:20:33 | |
And we need to make sure we're getting a true account early on. | 0:20:33 | 0:20:39 | |
Were you involved or have you come afterwards? I got a phone call... | 0:20:40 | 0:20:43 | |
'The men who were in the cars all appear to know each other, | 0:20:43 | 0:20:46 | |
'and to add to the confusion, another car full of their friends has stopped to get involved.' | 0:20:46 | 0:20:50 | |
Which one are you driver of? This one. | 0:20:50 | 0:20:53 | |
I'm not a driver. | 0:20:54 | 0:20:56 | |
Wait a minute. Keep them here till we've got drivers. | 0:20:56 | 0:20:59 | |
Keep them here till we've got drivers. | 0:20:59 | 0:21:01 | |
It was quite a confusing scene, | 0:21:03 | 0:21:05 | |
because we were expecting to see one car and one truck involved in a collision | 0:21:05 | 0:21:09 | |
and that's not what we were greeted with. That's not very uncommon. | 0:21:09 | 0:21:13 | |
We also dealt with the unusual scene of ten people stood on the hard shoulder. | 0:21:13 | 0:21:19 | |
Who's got the key to this? Give me the key. | 0:21:19 | 0:21:21 | |
Until we've found out who the drivers are, I don't want anybody to leave. I'm the driver. Of this? Yeah. | 0:21:21 | 0:21:27 | |
Who's the driver of that? It's him. What's his name? | 0:21:27 | 0:21:30 | |
If he's rung you, he's got to have told you. What's his name? Not what you call him. Ohmo. | 0:21:30 | 0:21:35 | |
Right, I've got keys to that until we get the drivers. | 0:21:35 | 0:21:38 | |
We were wanting to find out who's to blame and who's the offenders | 0:21:38 | 0:21:42 | |
and we're wanting to make sure we get the right people. | 0:21:42 | 0:21:45 | |
Because we don't always, funnily enough, get told the truth. | 0:21:46 | 0:21:50 | |
'Dale's priority is to identify the drivers of the two damaged cars, | 0:21:50 | 0:21:55 | |
'the black Astra that's crushed under the HGV | 0:21:55 | 0:21:59 | |
'and the blue Seat that's hit the crash barrier.' | 0:21:59 | 0:22:02 | |
Which car were you driving? That one. You were driving that one? All right. | 0:22:02 | 0:22:07 | |
And my mate was driving that one. Who was driving the Astra? | 0:22:07 | 0:22:09 | |
Can you just keep hold of him for the time being? | 0:22:12 | 0:22:15 | |
'Having identified the driver of the blue Seat, | 0:22:17 | 0:22:19 | |
'Dale needs to verify who was driving the black Astra.' | 0:22:19 | 0:22:22 | |
Can I just confirm who was the driver of the Astra? | 0:22:22 | 0:22:25 | |
I don't know. The one I've been with down at the bottom was in the front passenger. | 0:22:25 | 0:22:30 | |
Right. So... Cos everyone's pointing the finger of the Astra driver at this guy. | 0:22:30 | 0:22:36 | |
Is it your car, the Astra? Yeah. | 0:22:36 | 0:22:38 | |
You were driving it? Yeah. Yeah. | 0:22:38 | 0:22:41 | |
'A full statement will have to wait until the man's been seen at hospital, | 0:22:41 | 0:22:45 | |
'but at least Dale has managed to sort out who the key players are.' | 0:22:45 | 0:22:48 | |
I've got everybody's details from the Seat. I've got driver detail of the Astra. | 0:22:48 | 0:22:53 | |
So... Astra? Yeah, which was under here. I thought it was a BM. | 0:22:53 | 0:22:58 | |
It's a Mark 4 Astra. Oh. | 0:22:58 | 0:23:01 | |
Right, if you've got the details... I've got the drivers. | 0:23:01 | 0:23:04 | |
I've got the Seat so we'll check everybody else. Right. | 0:23:04 | 0:23:08 | |
'Now the cops know who's involved, | 0:23:10 | 0:23:12 | |
'they can move on to finding out who caused the accident.' | 0:23:12 | 0:23:16 | |
Many millions of journeys are made on a motorway daily | 0:23:17 | 0:23:21 | |
and not many end like that, | 0:23:21 | 0:23:23 | |
so you've got to ask what's gone wrong in this circumstance to cause this. | 0:23:23 | 0:23:30 | |
'As the investigation continues... | 0:23:32 | 0:23:35 | |
'..ten miles away in Leeds, | 0:23:37 | 0:23:39 | |
'PC Ben Waite is bringing in the two men who were stopped | 0:23:39 | 0:23:43 | |
'after hitting speeds of 90 miles an hour on the city's inner ring road.' | 0:23:43 | 0:23:47 | |
You've got your ski jacket on, buddy. We're getting out in a second. | 0:23:52 | 0:23:56 | |
'While they're taken in for questioning, | 0:23:56 | 0:23:58 | |
'Ben and PC Mick Roffe search the car for anything that might explain | 0:23:58 | 0:24:01 | |
'why they seemed so keen to avoid being stopped.' | 0:24:01 | 0:24:04 | |
Keep an eye on these boys. | 0:24:06 | 0:24:09 | |
Look at the belts clipped underneath them. Yeah. | 0:24:09 | 0:24:12 | |
Clipped in underneath the seat so they can get round. | 0:24:12 | 0:24:16 | |
And then if you come round the back, you can see that they're clipped... | 0:24:16 | 0:24:19 | |
..around the back of the seats. There's no way they can be worn. | 0:24:21 | 0:24:24 | |
Both of them are like that. It's the usual MO. They clip them out of the way and they're out and running. | 0:24:25 | 0:24:31 | |
Happy under the bonnet, mate. | 0:24:31 | 0:24:33 | |
Unfortunately, there's been no items found or any items in relation to going equipped to steal, | 0:24:33 | 0:24:38 | |
so they're going to be released. | 0:24:38 | 0:24:41 | |
But they commit an offence by not wearing a seat belt, so we'll deal with him for that. | 0:24:41 | 0:24:45 | |
We like to deal with anything positively as best we can, | 0:24:45 | 0:24:48 | |
so they'll both be getting seat belt tickets. | 0:24:48 | 0:24:50 | |
'The men won't be prosecuted for speeding | 0:24:50 | 0:24:53 | |
'because Mick didn't have time to run an average speed check | 0:24:53 | 0:24:56 | |
'over a long enough stretch of road.' | 0:24:56 | 0:24:58 | |
These guys I only followed for a short distance | 0:24:58 | 0:25:01 | |
and ultimately, when we got into the underpass, they'd come down to the speed limit, | 0:25:01 | 0:25:05 | |
purely because other cars had stopped them going fast. | 0:25:05 | 0:25:08 | |
Inner ring roads and that kind of urban motorway, | 0:25:10 | 0:25:12 | |
two lanes, very fast-flowing traffic, are very dangerous places. | 0:25:12 | 0:25:16 | |
Had they continued to drive at that kind of speed, | 0:25:16 | 0:25:18 | |
I would've dealt with him for speeding. | 0:25:18 | 0:25:20 | |
You're lucky you're only getting a seat belt ticket. | 0:25:20 | 0:25:23 | |
Do you want to watch the video, see how quick you were going? | 0:25:23 | 0:25:26 | |
Yeah, exactly. You're lucky. | 0:25:26 | 0:25:28 | |
At the end of the day, if that's all you can find on that particular occasion, it's all you can deal with. | 0:25:30 | 0:25:35 | |
Wearing your seat belt is important. | 0:25:35 | 0:25:37 | |
I still don't want them to go through a windscreen | 0:25:37 | 0:25:40 | |
and end up killing or seriously injuring themselves or anybody else. | 0:25:40 | 0:25:44 | |
Right, see you later, fellas. Cheers, lads. | 0:25:44 | 0:25:47 | |
'Seven miles south of Bradford, | 0:25:52 | 0:25:54 | |
'the vet has put down the horse which was badly injured when a car hit it. | 0:25:54 | 0:25:59 | |
'The driver is still at the scene.' | 0:25:59 | 0:26:01 | |
It was an accident and... you didn't stand a chance. | 0:26:01 | 0:26:05 | |
'It's a shock to the whole community.' | 0:26:07 | 0:26:10 | |
It's a tragic, tragic accident | 0:26:12 | 0:26:14 | |
and, you know, you feel for everybody involved. | 0:26:14 | 0:26:18 | |
It's just very, very distressing. But at the end of the day, no human life was lost. | 0:26:18 | 0:26:22 | |
But the devastation that the death of the horse | 0:26:22 | 0:26:26 | |
is going to cause the owner is beyond words. It's very distressing. | 0:26:26 | 0:26:30 | |
'Until now, the surviving horses have been corralled in the field. | 0:26:30 | 0:26:34 | |
'As they're led back to the stables, | 0:26:34 | 0:26:36 | |
'local farmers are helping to clear the blood and debris from the road. | 0:26:36 | 0:26:41 | |
'Meanwhile, the driver is still struggling to come to terms with the accident.' | 0:26:41 | 0:26:45 | |
It hasn't really sunk in yet. | 0:26:45 | 0:26:48 | |
I think I'm still in shock a bit. | 0:26:48 | 0:26:51 | |
It's never nice, is it, when an animal or person gets hurt. | 0:26:52 | 0:26:57 | |
He probably had no idea what he'd hit and what was happening | 0:26:59 | 0:27:02 | |
during that few seconds around the impact, | 0:27:02 | 0:27:05 | |
and that thing's come through the windscreen. | 0:27:05 | 0:27:08 | |
I don't know what he was going through at that moment | 0:27:08 | 0:27:11 | |
but it wasn't a good place and I wouldn't want to go through it. | 0:27:11 | 0:27:14 | |
'With the road finally open, | 0:27:14 | 0:27:16 | |
'the three-mile backlog of traffic begins to clear.' | 0:27:16 | 0:27:20 | |
As you can see, once we get our vehicle moved, | 0:27:20 | 0:27:23 | |
the road's good to go, so we're back up and running. | 0:27:23 | 0:27:26 | |
'Keeping the roads open is a priority, | 0:27:26 | 0:27:29 | |
'but that doesn't mean the cops aren't affected by the accident.' | 0:27:29 | 0:27:32 | |
Sometimes members of the public think, when we're at these kinds of incidents, | 0:27:32 | 0:27:37 | |
"They appeared, the facade was that they're not caring | 0:27:37 | 0:27:42 | |
"and why are they not upset like we all are?" | 0:27:42 | 0:27:45 | |
And it is exactly that. It's a facade that we put on | 0:27:45 | 0:27:48 | |
to prevent us... so we're able to do our job and deal with what we've got. | 0:27:48 | 0:27:52 | |
When we think about it afterwards, that's when it becomes upsetting. | 0:27:52 | 0:27:56 | |
'On the M1, the crash investigation involving an HGV, | 0:28:07 | 0:28:11 | |
'a black Astra that ended up underneath it | 0:28:11 | 0:28:14 | |
'and a blue Seat that struck the barrier is continuing. | 0:28:14 | 0:28:17 | |
'PCs Dale Anderson and Mick McQuade are trying to piece together | 0:28:17 | 0:28:20 | |
'the events leading to the crash. | 0:28:20 | 0:28:22 | |
'They suspect one or both cars were out of control before they hit the HGV.' | 0:28:22 | 0:28:27 | |
At the moment, we're just trying to establish the position of each vehicle | 0:28:27 | 0:28:31 | |
just prior to the collision and who's the blame, basically. | 0:28:31 | 0:28:34 | |
'They're speaking to everyone involved | 0:28:34 | 0:28:37 | |
'but each has a different story to tell. | 0:28:37 | 0:28:40 | |
'With the Astra driver on his way to hospital, | 0:28:40 | 0:28:43 | |
'Dale focuses on the driver of the blue Seat.' | 0:28:43 | 0:28:46 | |
Come and have a chat with me and just tell me what's happened. | 0:28:46 | 0:28:49 | |
We were driving... All right. Bear in mind, the motorway's not empty | 0:28:49 | 0:28:52 | |
and other people have told us what's happened, so please... I was driving about 75, 80 miles per hour. | 0:28:52 | 0:28:57 | |
I was driving. I don't know where my mate is cos I've not seen his car. | 0:28:57 | 0:29:00 | |
So what's happened, all of a sudden, something's hit me from the side. | 0:29:00 | 0:29:04 | |
'Dale seeks out the other witness, the HGV lorry driver, | 0:29:04 | 0:29:08 | |
'in the hope he may be able to shed more light on events.' | 0:29:08 | 0:29:12 | |
Hello, sir. Can you tell me anything what's happened so that a car's ended up in the side of your truck? | 0:29:12 | 0:29:18 | |
I heard this almighty bump into the side of me | 0:29:18 | 0:29:21 | |
and then this car, this Seat Leon, | 0:29:21 | 0:29:24 | |
started turning about in front of me. | 0:29:24 | 0:29:27 | |
I thought I was going to crash into it again. | 0:29:27 | 0:29:29 | |
And then it just managed to move a little bit more | 0:29:29 | 0:29:32 | |
and ended up halfway on the grass. | 0:29:32 | 0:29:35 | |
So when I came to a halt here, this other car came from nowhere | 0:29:35 | 0:29:39 | |
and crashed into the side of the trailer. | 0:29:39 | 0:29:42 | |
How the guy got out and walked away from that, I don't know. | 0:29:42 | 0:29:45 | |
I don't know if all these guys are together or what. | 0:29:45 | 0:29:47 | |
OK, thanks, sir. | 0:29:47 | 0:29:50 | |
'If the cars were switching lanes at speed, | 0:29:52 | 0:29:54 | |
'it could explain what caused the accident.' | 0:29:54 | 0:29:57 | |
Let's have a look down the side of this Seat, see if we can find any damage, | 0:29:57 | 0:30:02 | |
which will say which side it was on. | 0:30:02 | 0:30:04 | |
Mick. 'The cops believe the Astra driver | 0:30:06 | 0:30:09 | |
'may have been overtaking the Seat on the inside and hit it | 0:30:09 | 0:30:13 | |
'before spinning under the HGV.' | 0:30:13 | 0:30:15 | |
There's a lot of damage to the rear offside. | 0:30:15 | 0:30:17 | |
I think that's where the initial impact is between them, | 0:30:18 | 0:30:22 | |
between the Astra and this, | 0:30:22 | 0:30:24 | |
which would suggest the Astra's in lane one. | 0:30:24 | 0:30:26 | |
I think the Astra's been in lane one. | 0:30:26 | 0:30:29 | |
What we're doing is, we're piecing together a big jigsaw. | 0:30:32 | 0:30:35 | |
We take into account what people say, we take into account what we see, | 0:30:35 | 0:30:40 | |
and we just try and put a picture together of what happened. | 0:30:40 | 0:30:45 | |
'The investigation will continue. | 0:30:46 | 0:30:49 | |
'But the evidence so far points to the Astra driver, | 0:30:50 | 0:30:54 | |
'whose car ended up under the lorry, being at fault.' | 0:30:54 | 0:30:57 | |
The main thing is to prove... If there are any offences, we are keen to prove | 0:30:57 | 0:31:01 | |
who has committed the offences and bring them to task, really. | 0:31:01 | 0:31:04 | |
Cos these people do need dealing with quite thoroughly | 0:31:04 | 0:31:07 | |
to prevent road collisions and deaths on the road. | 0:31:07 | 0:31:10 | |
'Britain has just over 2,000 miles of motorways. | 0:31:18 | 0:31:22 | |
'They're among the safest roads in Europe, | 0:31:22 | 0:31:24 | |
'as long as you're in a vehicle. | 0:31:24 | 0:31:27 | |
'But for pedestrians, there's nowhere more dangerous.' | 0:31:29 | 0:31:33 | |
You drive along, your radio's on, you're comfortable, you're warm, | 0:31:33 | 0:31:36 | |
you don't really take into account the dangers of roads. | 0:31:36 | 0:31:39 | |
If you stand at the side of a road like that | 0:31:39 | 0:31:42 | |
and see the traffic going past, it's absolutely frightening. | 0:31:42 | 0:31:44 | |
'Not surprisingly, it's illegal for pedestrians or cyclists | 0:31:46 | 0:31:49 | |
'to use the motorway at any time.' | 0:31:49 | 0:31:52 | |
A lot of people have no problem at all | 0:31:52 | 0:31:54 | |
just walking in between two motorway junctions if it's a short distance, | 0:31:54 | 0:31:58 | |
they think they're safe on the hard shoulder. But they're not. | 0:31:58 | 0:32:01 | |
'And at night, when visibility is poor, | 0:32:04 | 0:32:07 | |
'the motorways are particularly dangerous. | 0:32:07 | 0:32:10 | |
'On the A1M near Pontefract, | 0:32:10 | 0:32:13 | |
'Phil Stonebanks and Dave Robson are on patrol.' | 0:32:13 | 0:32:16 | |
What the bloody hell? | 0:32:16 | 0:32:18 | |
Jesus! | 0:32:26 | 0:32:28 | |
Tango-nine-zero. | 0:32:28 | 0:32:31 | |
On the opposite carriageway, we've just seen two young teenagers | 0:32:34 | 0:32:38 | |
on pedal cycles, cycling down the A1. | 0:32:38 | 0:32:40 | |
We're going to try and turn round to catch them. | 0:32:40 | 0:32:44 | |
Only looked about probably 12, 13 years old, | 0:32:44 | 0:32:47 | |
but we're just going to see if we can head round and intercept them | 0:32:47 | 0:32:51 | |
and just find out who they are, where they're from and what they're doing on the motorway. | 0:32:51 | 0:32:55 | |
"Just confirm, pedal cyclists travelling on the southbound carriageway?" Yep. | 0:32:55 | 0:33:00 | |
They're on the southbound carriageway travelling north. | 0:33:00 | 0:33:03 | |
This is our job. "OK, thank you." | 0:33:03 | 0:33:07 | |
Maybe they've disappeared already. They should be somewhere round here. | 0:33:11 | 0:33:15 | |
'The cyclists may be locals, taking a late-night shortcut.' | 0:33:17 | 0:33:21 | |
This is where they were. | 0:33:23 | 0:33:25 | |
I'm guessing they've disappeared down the embankment onto the road below. | 0:33:30 | 0:33:34 | |
Certainly not round here. | 0:33:34 | 0:33:36 | |
Unfortunately, we weren't able to get to them. We had to go up to the next junction, turn and come back. | 0:33:36 | 0:33:41 | |
By the time we'd done that, they'd disappeared off the network. | 0:33:41 | 0:33:44 | |
They might do that on a regular basis, | 0:33:45 | 0:33:48 | |
cycling up and down the motorway, | 0:33:48 | 0:33:50 | |
so eventually it's likely that someone will hit them. | 0:33:50 | 0:33:54 | |
We don't want that to happen, so it'd be nice to catch them | 0:33:54 | 0:33:56 | |
and just take them home and suitably advise them in front of their parents, | 0:33:56 | 0:34:00 | |
cos I've no doubt the parents have no idea what they're doing. | 0:34:00 | 0:34:03 | |
So it's an accident waiting to happen, something like that. | 0:34:03 | 0:34:06 | |
If we had found them, they would've had somewhat of a dressing down, to say the least. | 0:34:11 | 0:34:16 | |
Cos they're just putting themselves and everyone else in so much danger and they haven't got a clue. | 0:34:16 | 0:34:21 | |
That's what they need. Maybe they don't get it at home, I don't know. | 0:34:21 | 0:34:24 | |
But they've got to realise that motorways are just not safe places to play. | 0:34:24 | 0:34:29 | |
'But taking shortcuts on the motorway is a huge problem for the cops, | 0:34:30 | 0:34:35 | |
'especially where the roads meet built-up areas.' | 0:34:35 | 0:34:38 | |
If an opportunity presents itself to get home ten minutes quicker, people take it. | 0:34:39 | 0:34:43 | |
It's just not worth it. Would you walk down a railway line? | 0:34:43 | 0:34:47 | |
I dare say most people wouldn't. So what's the difference? | 0:34:48 | 0:34:52 | |
The outcome will probably be the same if you're involved in something. | 0:34:52 | 0:34:55 | |
'It's 3am on the M621 near Leeds. | 0:35:00 | 0:35:03 | |
'The city and the roads leading into it are quiet. | 0:35:03 | 0:35:06 | |
'But PCs Mick McQuade and Dale Anderson still have work to do.' | 0:35:06 | 0:35:11 | |
We've just been dispatched to a call of a male on the motorway | 0:35:11 | 0:35:15 | |
waving his arms around, possibly chasing another male on the carriageway. | 0:35:15 | 0:35:18 | |
It's an urban motorway. | 0:35:19 | 0:35:22 | |
We do quite often get people coming from the estates | 0:35:22 | 0:35:24 | |
onto the network for all kinds of reasons, | 0:35:24 | 0:35:27 | |
one of which is possible mental health issues. | 0:35:27 | 0:35:29 | |
When we receive a call like that, it's so far away from what you'd class as a normal act, | 0:35:29 | 0:35:36 | |
someone running across a motorway or running up a hard shoulder. | 0:35:36 | 0:35:39 | |
Coming into the area where he's been reported walking on the motorway. | 0:35:39 | 0:35:43 | |
Obviously Dale's slowing down now | 0:35:43 | 0:35:45 | |
just in case he is in the middle of the carriageway or there has been a collision. | 0:35:45 | 0:35:48 | |
'On average, 35 people are killed or seriously injured | 0:35:50 | 0:35:53 | |
'on the hard shoulder each year.' | 0:35:53 | 0:35:55 | |
Ey up. There he is. He's running! | 0:35:57 | 0:36:01 | |
My first thoughts are, what is he running from? | 0:36:01 | 0:36:04 | |
I'm expecting him to say he's running away from some disaster in his life. | 0:36:04 | 0:36:11 | |
'So the man's first question isn't quite what they're expecting.' | 0:36:11 | 0:36:15 | |
How do. | 0:36:16 | 0:36:18 | |
How far can who go? | 0:36:20 | 0:36:22 | |
Where do you live? I'm in Leeds, but I'm walking as far as I can. | 0:36:24 | 0:36:27 | |
Why are you walking as far as you can? It's part of the group. | 0:36:27 | 0:36:30 | |
What group? The rag. What rag? They are all in group A. | 0:36:30 | 0:36:34 | |
No, it's as far as... You've had a few beers tonight, haven't you? | 0:36:34 | 0:36:37 | |
Huh? You've had a few beers tonight. As far as I can to, like, Calais and wherever I can go. | 0:36:37 | 0:36:43 | |
I certainly never saw it coming. | 0:36:43 | 0:36:45 | |
I never expected him to say he was trying to run to France. | 0:36:45 | 0:36:48 | |
You'll not get very far on the motorway at this time of night. | 0:36:48 | 0:36:51 | |
You're likely to get knocked over. What's your name? | 0:36:51 | 0:36:54 | |
Cal. You just sit in our car with us, Cal. | 0:36:54 | 0:36:56 | |
Is it university mates you're out with? | 0:36:57 | 0:36:59 | |
Group A, like, as far as you can. | 0:36:59 | 0:37:02 | |
It would appear that | 0:37:03 | 0:37:06 | |
the idiot of the night award goes to this chap. | 0:37:06 | 0:37:10 | |
Him and his university friends seem to have had a few too many to drink | 0:37:10 | 0:37:14 | |
and decided to see who can get the furthest away. | 0:37:14 | 0:37:17 | |
I think this guy was aiming to get to Calais. | 0:37:17 | 0:37:20 | |
Which is, er... | 0:37:20 | 0:37:23 | |
It's only about a 260-mile drive and a 22-mile swim from where we are, | 0:37:23 | 0:37:27 | |
so he maybe had a chance if we weren't so quick getting here, | 0:37:27 | 0:37:31 | |
but we'll see what he's going to say and that will determine how we're going to deal with him, really. | 0:37:31 | 0:37:36 | |
But one thing's for sure, he's not staying here. | 0:37:36 | 0:37:39 | |
You are having a laugh, aren't you? | 0:37:40 | 0:37:43 | |
No, honestly, I'm... Yeah? | 0:37:43 | 0:37:45 | |
HE LAUGHS | 0:37:45 | 0:37:47 | |
You're being serious, aren't you? | 0:37:48 | 0:37:50 | |
No, it's the group that end up as far as they can. | 0:37:50 | 0:37:52 | |
There's people further down than me, so... How are you spelling Cal, with a C or a K? | 0:37:54 | 0:37:58 | |
James Bailey, then. Eh? James Bailey. | 0:37:58 | 0:38:01 | |
Every time we asked him, he gave a different name. | 0:38:01 | 0:38:04 | |
We'll start again. What is your name? My name is James, like Cal. James Bailey in Leeds. | 0:38:04 | 0:38:10 | |
At that point you're thinking, "Is he just trying to avoid getting into trouble?" | 0:38:10 | 0:38:14 | |
Right, so your official name is Callum, but you're called, you use James, do you? | 0:38:14 | 0:38:18 | |
They call me Cal. Oh, right. No, go James. | 0:38:18 | 0:38:21 | |
Like, James Bailey. I'm not familiar with the student area of Leeds. | 0:38:23 | 0:38:28 | |
And it transpires that's the name of an accommodation building. | 0:38:28 | 0:38:31 | |
What year of university are you in? First year. | 0:38:31 | 0:38:35 | |
Is it fair to assume that when you've not got however many pints of alcohol in your belly, | 0:38:35 | 0:38:40 | |
you're an intelligent person? Yeah, I'll go home with whatever you've got. | 0:38:40 | 0:38:44 | |
Sorry? I'll go home with... Cos it's meant to be the first year. | 0:38:44 | 0:38:48 | |
OK, I appreciate high jinx at university and such, and you're just wanting to have a good time. | 0:38:48 | 0:38:54 | |
No, I have to go home now. No, now you're going to listen for a minute, | 0:38:54 | 0:38:58 | |
because you're running down a motorway flagging your arms. | 0:38:58 | 0:39:01 | |
Members of the public are ringing us | 0:39:01 | 0:39:04 | |
because they're concerned about you for several reasons, all right? | 0:39:04 | 0:39:08 | |
We don't know whether you're going to try and do something to yourself up here. | 0:39:08 | 0:39:12 | |
We don't know if you're running away from something, because to me, | 0:39:12 | 0:39:15 | |
it takes something pretty extreme to get me walking, jogging, running, | 0:39:15 | 0:39:19 | |
anywhere near a hard shoulder when it's not related to my work. | 0:39:19 | 0:39:22 | |
Yeah, that's fair enough. Because one of them hits you at 50 miles an hour... | 0:39:22 | 0:39:26 | |
You're BLEEP. Yeah, you're not waking up in the morning. OK? | 0:39:26 | 0:39:30 | |
His inhibitions were totally out of the window, | 0:39:30 | 0:39:32 | |
he did not know the gravity of the situation he was facing. | 0:39:32 | 0:39:36 | |
He had no idea of the possible consequence. | 0:39:36 | 0:39:39 | |
'It's not just the cops who are concerned about his welfare.' PHONE RINGS | 0:39:39 | 0:39:44 | |
Is that going to be one of your friends worried about you? | 0:39:44 | 0:39:47 | |
No, she's gone, kind of, near Dover so... | 0:39:47 | 0:39:51 | |
She's near Dover? Yeah. How drunk are you? | 0:39:51 | 0:39:55 | |
I'm not as bad as... Do you mind if I answer that? | 0:39:55 | 0:39:57 | |
Yeah, yeah. Is that somebody else who's taking part in this game? Yeah. What's their name? Anna. | 0:39:57 | 0:40:02 | |
Hello? | 0:40:04 | 0:40:05 | |
At the minute, your friend's sat in the back of a police car on the motorway on the M621. | 0:40:08 | 0:40:13 | |
Yeah, that's probably a good way to sum it up. | 0:40:17 | 0:40:19 | |
Maybe a clear mind at the other end of the phone. | 0:40:21 | 0:40:25 | |
Maybe somebody could fill in the gaps for us, tell us what's going on. | 0:40:25 | 0:40:29 | |
Did you get any sense out of her? Yeah. | 0:40:30 | 0:40:32 | |
All right. She says there's no game taking place tonight. | 0:40:32 | 0:40:35 | |
You've been in Leeds city centre. Is that right? | 0:40:35 | 0:40:38 | |
No, it's a game, but... What have you been taking? | 0:40:38 | 0:40:42 | |
Literally, just like vodka and coke. | 0:40:42 | 0:40:46 | |
Coca-Cola? Coca-Cola, yeah. | 0:40:46 | 0:40:49 | |
Have you not take anything else? Looking at your eyes, | 0:40:49 | 0:40:52 | |
they are the most dilated I've ever seen. | 0:40:52 | 0:40:56 | |
I've never took anything other than Coca-Cola. | 0:40:56 | 0:40:58 | |
Could somebody have put something in your drink? Not from what I'm aware. | 0:40:58 | 0:41:02 | |
I took the same amount as the girls took. | 0:41:02 | 0:41:04 | |
Well, I beg to differ, cos she sounds quite coherent and you're not. | 0:41:04 | 0:41:08 | |
'If Callum's drinks were spiked, then he may need urgent medical attention.' | 0:41:08 | 0:41:13 | |
It was just a moment when maybe the penny dropped | 0:41:13 | 0:41:17 | |
and this lad's not the usual drunk | 0:41:17 | 0:41:21 | |
and we maybe need to do that... take that extra step | 0:41:21 | 0:41:25 | |
to make sure he's going to be OK at the end of the day. | 0:41:25 | 0:41:28 | |
Callum. Yeah? What I'm going to do is I'm going to take you down to the LGI. All right? | 0:41:28 | 0:41:34 | |
Because I think you should be getting checked out because of your level of intoxication. | 0:41:34 | 0:41:38 | |
I'd like to think if it was a member of my family, | 0:41:38 | 0:41:41 | |
or my children, and the police had dealt with them, | 0:41:41 | 0:41:44 | |
that they did deal with them fairly. | 0:41:44 | 0:41:46 | |
If that means forcing them to go to the hospital or even arresting them, | 0:41:46 | 0:41:50 | |
I'd rather that than potentially have them injured or come to some harm. | 0:41:50 | 0:41:57 | |
'Callum may have been saved from a nasty brush with the motorway traffic. | 0:41:57 | 0:42:02 | |
'But 25 miles away, there has been a serious accident. | 0:42:03 | 0:42:08 | |
'PCs Lindsey Pickles and Andy Barron | 0:42:08 | 0:42:11 | |
'have just received a call to assist with a crash on the A58.' | 0:42:11 | 0:42:14 | |
POLICE RADIO CHATTER | 0:42:14 | 0:42:17 | |
'On their way to the scene, Lindsey's getting an update.' | 0:42:18 | 0:42:22 | |
4-1, can you just repeat your last, please? | 0:42:22 | 0:42:24 | |
1-20, received, we are en route now. | 0:42:32 | 0:42:35 | |
'It's another accident involving cars and horses loose on the road. | 0:42:35 | 0:42:40 | |
'This time it's cost a human life.' | 0:42:40 | 0:42:43 | |
"I'm believing so. I'll get back to you very shortly, but I'm believing so." | 0:42:48 | 0:42:52 | |
It sounds like there've been some horses in the carriageway. | 0:42:54 | 0:42:59 | |
It's quite a major route, Rochdale Road, isn't it? It's a fast road. Yeah. | 0:42:59 | 0:43:04 | |
So if he's just been faced with the two horses in the road, | 0:43:04 | 0:43:09 | |
the likelihood is he's had no... no way to avoid them. | 0:43:09 | 0:43:13 | |
It's a fast road over the top, so it's unlit and it's a national speed limit, | 0:43:13 | 0:43:18 | |
so it's quite likely that this car involved | 0:43:18 | 0:43:21 | |
will have been travelling at speed. | 0:43:21 | 0:43:23 | |
Clear left. | 0:43:23 | 0:43:25 | |
How are we doing ID-wise, Leslie? | 0:43:28 | 0:43:31 | |
'Officers will soon be on their way to inform the deceased man's family.' | 0:43:40 | 0:43:43 | |
Are there other casualties in the other vehicle? | 0:43:43 | 0:43:46 | |
'Lindsey also works as a family liaison officer, | 0:43:46 | 0:43:48 | |
'so understands what a tough call that can be.' | 0:43:48 | 0:43:51 | |
You've got to hope that you say the right things. You know what you've got to say. | 0:43:51 | 0:43:56 | |
And it's the most tragic news that you're ever going to tell anybody. | 0:43:56 | 0:44:00 | |
You can't imagine, really, what it's like for somebody to tell you | 0:44:00 | 0:44:04 | |
that you've lost your son, your daughter. | 0:44:04 | 0:44:08 | |
Erm, you can never imagine it. | 0:44:08 | 0:44:11 | |
We knew how serious the incident was whilst we were en route. | 0:44:17 | 0:44:22 | |
But the actual gravity and what we were met by, | 0:44:22 | 0:44:27 | |
it's hard to... it's hard to describe, to be honest. | 0:44:27 | 0:44:31 | |
Literally, as we get to the scene, | 0:44:35 | 0:44:39 | |
we're more or less upon the horses that are in the road. | 0:44:39 | 0:44:42 | |
It was... It was horrific. | 0:44:42 | 0:44:45 | |
'Lindsey and Andy are briefed by the first officers who arrived on the scene.' | 0:44:48 | 0:44:53 | |
Three vehicles involved. | 0:44:53 | 0:44:55 | |
I very briefly spoke to the Corsa driver, | 0:44:57 | 0:44:59 | |
he's been coming down from Littleborough this way. | 0:44:59 | 0:45:01 | |
He's seen the horses just appear out of nowhere, cos it's black and it's dark. | 0:45:01 | 0:45:05 | |
He's slammed on. The Saab has been travelling up here, he's not seen them and gone into both of them. | 0:45:05 | 0:45:11 | |
Right. I think he's hit the first one. So is it the Corsa he's clipped | 0:45:11 | 0:45:14 | |
post-collision with the horses? Or is there another vehicle? | 0:45:14 | 0:45:18 | |
No. Horses and then the Corsa. And then there's another vehicle, as well? Yes. | 0:45:18 | 0:45:22 | |
Is that travelling behind the Corsa? I presume so. Right. | 0:45:22 | 0:45:25 | |
It's imperative for us as investigators | 0:45:25 | 0:45:28 | |
to find out exactly what happened | 0:45:28 | 0:45:30 | |
to put things in place to prevent it happening again. | 0:45:30 | 0:45:33 | |
We're waiting for Collision Investigation then SOCO. | 0:45:35 | 0:45:38 | |
And obviously getting patrol officers about the identity of the horses, as well. Yeah. | 0:45:38 | 0:45:43 | |
'Before the investigation team arrive, | 0:45:43 | 0:45:45 | |
'the cops try to establish where the horses came from.' | 0:45:45 | 0:45:49 | |
I wonder if they own horses, cos that looks like it's fenced in, doesn't it? | 0:45:49 | 0:45:53 | |
Shall we go have a look? | 0:45:53 | 0:45:56 | |
Obviously the investigation starts at the collision scene, | 0:45:56 | 0:45:59 | |
and as much information and evidence that we can get from that scene | 0:45:59 | 0:46:04 | |
to build a picture as to what's gone on is absolutely crucial. | 0:46:04 | 0:46:07 | |
I'm just looking to see if that's an entrance to that farm but it's not. | 0:46:07 | 0:46:11 | |
It was difficult to assess that scene because it was so very dark. | 0:46:13 | 0:46:17 | |
There was no moon. It was overcast. So there was no artificial light, there was no street lighting. | 0:46:17 | 0:46:22 | |
You had to sort of have a look at where the horses were | 0:46:22 | 0:46:25 | |
and then walk down the road and see where the cars were. | 0:46:25 | 0:46:28 | |
It hampered the investigation initially because you couldn't see everything all at the same time. | 0:46:28 | 0:46:34 | |
And it's much, much easier if you can see the entire scene. | 0:46:34 | 0:46:37 | |
'Six people are killed on Britain's roads every day, | 0:46:37 | 0:46:41 | |
'and in England and Wales, a coroner's inquest is always held after a fatal accident.' | 0:46:41 | 0:46:46 | |
Somebody's lost a life here so we need to establish what's happened | 0:46:46 | 0:46:49 | |
in as much detail as we can. | 0:46:49 | 0:46:52 | |
More so for the family. | 0:46:52 | 0:46:54 | |
Attending something like that, where somebody's lost their life, | 0:46:57 | 0:47:00 | |
it is emotionally very, very draining. | 0:47:00 | 0:47:03 | |
You start thinking about how you might feel if you'd lost a loved one. | 0:47:03 | 0:47:07 | |
'The Specialist Collision Investigation team are on their way. | 0:47:07 | 0:47:11 | |
'Until they've examined the scene, the road will remain closed.' | 0:47:11 | 0:47:14 | |
Morning. Hi, there. You're going to have to turn around, I'm afraid. | 0:47:14 | 0:47:18 | |
I take it you've come from one of the houses up this road? We shut it further down. | 0:47:18 | 0:47:22 | |
They have the ability to completely reconstruct that collision, | 0:47:22 | 0:47:25 | |
and quite often do it very, very accurately. | 0:47:25 | 0:47:29 | |
And only when we do that can we answer most of those questions for the families left behind. | 0:47:29 | 0:47:34 | |
'While Andy and Lindsey wait for the collision investigators to arrive... | 0:47:37 | 0:47:41 | |
'..over in Leeds General Infirmary, | 0:47:43 | 0:47:46 | |
'the student found running along the motorway by PCs Dale Anderson and Mick McQuade | 0:47:46 | 0:47:49 | |
'is being checked by medical staff.' | 0:47:49 | 0:47:52 | |
Sorry about this. We wouldn't ordinarily have brought him in | 0:47:52 | 0:47:56 | |
but one minute he's talking something which is reasonably sensible, | 0:47:56 | 0:48:00 | |
the next second he's saying he's trying to swim to Calais. | 0:48:00 | 0:48:03 | |
He's not sure if his drink's being spiked, | 0:48:03 | 0:48:05 | |
so we thought we'd better get him checked over rather than dumping him at his digs and leaving him be. | 0:48:05 | 0:48:12 | |
I need to know if you have taken any drugs this evening. | 0:48:12 | 0:48:15 | |
I've taken... No. Apart from, like, what I drank. | 0:48:15 | 0:48:19 | |
Could your friends have given you anything | 0:48:19 | 0:48:22 | |
you've not been aware of? Not that I know of. | 0:48:22 | 0:48:25 | |
He could've had something accidentally, somebody could've slipped it into the drink. | 0:48:25 | 0:48:28 | |
It's quite easy to just slip an E tablet in | 0:48:28 | 0:48:31 | |
or something else that dissolves and there's no trace of it. | 0:48:31 | 0:48:33 | |
They don't taste it, or they can't see it, they easily can drink it and it's gone. | 0:48:33 | 0:48:38 | |
'If something has been slipped into his drink, | 0:48:39 | 0:48:42 | |
'then recovering in A&E is his best option, | 0:48:42 | 0:48:44 | |
'as opposed to a day trip to Calais.' | 0:48:44 | 0:48:46 | |
It wasn't the best route to take | 0:48:47 | 0:48:51 | |
because of what happened... | 0:48:51 | 0:48:54 | |
But if what had happened hadn't happened, I could have got further. | 0:48:54 | 0:48:58 | |
So it's just complete, pure luck, what happened. | 0:48:58 | 0:49:03 | |
I thought we'd got an understanding and an agreement | 0:49:03 | 0:49:06 | |
and we're intending to leave him at the hospital to be checked over. | 0:49:06 | 0:49:10 | |
Unfortunately, he had other ideas. | 0:49:13 | 0:49:16 | |
No, come here. | 0:49:16 | 0:49:18 | |
I thought we had an agreement. You're not going home. | 0:49:18 | 0:49:23 | |
No matter how hard we were trying, we cannot get this lad at this point in time | 0:49:23 | 0:49:27 | |
to see what is obviously common sense. | 0:49:27 | 0:49:30 | |
You can't make me go anywhere you want. | 0:49:30 | 0:49:33 | |
I'm happy to go home now. You seem to be misunderstanding the situation, all right? | 0:49:33 | 0:49:37 | |
We're not satisfied that you're of a sound mind to make these decisions. | 0:49:37 | 0:49:41 | |
Because we're not going to run the risk of you walking to the next dual carriageway or motorway, | 0:49:41 | 0:49:46 | |
all right, and doing exactly the same again and getting run over and killed. | 0:49:46 | 0:49:49 | |
We'd already gone to the extreme of getting him to the hospital, | 0:49:49 | 0:49:54 | |
just to let him walk away, how do we know we won't find him back on the motorway in 15 minutes' time? | 0:49:54 | 0:49:59 | |
How do we know we're not going to find him underneath a bus in Leeds city centre? | 0:49:59 | 0:50:03 | |
It's a free choice. No, it isn't, because you can't look after yourself. Can't I just walk home? | 0:50:03 | 0:50:07 | |
We're not sure that you can. You're not fit to look after yourself. | 0:50:07 | 0:50:11 | |
Right, go and sit yourself down. | 0:50:15 | 0:50:17 | |
'It's taken all of Dale's powers of persuasion to get him back inside.' | 0:50:17 | 0:50:23 | |
You get quite a lot of people wandering on the network. | 0:50:25 | 0:50:27 | |
It's usually from the neighbouring estates, | 0:50:27 | 0:50:30 | |
people up at this time of day wandering round. | 0:50:30 | 0:50:33 | |
MAN LAUGHS Is he coming out again? Oh! | 0:50:33 | 0:50:38 | |
'He's so determined that he's going to go home,' | 0:50:38 | 0:50:40 | |
he's never looked in our direction, he's just kept his focus in front. | 0:50:40 | 0:50:44 | |
As if by doing that, we're not going to see him and deal with him. | 0:50:44 | 0:50:49 | |
Get back in! | 0:50:49 | 0:50:51 | |
No, don't... I want you to spend an hour with these people. | 0:50:51 | 0:50:54 | |
Let them assess you again in an hour and if they're happy to release you, they'll tell you to go home. | 0:50:54 | 0:50:58 | |
You aren't walking home in this state. So go back in, speak to the nurses, give them an hour, | 0:50:58 | 0:51:03 | |
come round, sober up... Speak to the nurse with me. Right. Come on. I'll take you. Come on. | 0:51:03 | 0:51:07 | |
I just want to... No. | 0:51:09 | 0:51:11 | |
If we let you go home and something happens to you, I've got to tell your parents | 0:51:11 | 0:51:14 | |
why I let you go home on your own and come to harm. | 0:51:14 | 0:51:18 | |
We've all been there. We've all been teenagers into our 20s, | 0:51:19 | 0:51:23 | |
been given a bit of freedom and got ourselves into a bit of a state. | 0:51:23 | 0:51:27 | |
So I've got some sympathy with him. | 0:51:27 | 0:51:29 | |
He'd just had too much to drink. | 0:51:29 | 0:51:32 | |
'Eventually, the nurses agree that Callum is well enough to leave. | 0:51:33 | 0:51:37 | |
'And Dale and Mick are driving him home | 0:51:37 | 0:51:40 | |
'to be certain he doesn't find himself back on the motorway.' | 0:51:40 | 0:51:43 | |
I didn't... meant to end like this. | 0:51:46 | 0:51:50 | |
No, you wanted to get to Dover. | 0:51:50 | 0:51:52 | |
I've not come across a student who's tried to leg it to France before. | 0:51:53 | 0:51:58 | |
Will I come across one again? Hopefully not. | 0:51:58 | 0:52:02 | |
All right. Cheers. Thank you very much. See you. Next time, | 0:52:02 | 0:52:05 | |
keep it a bit more realistic and maybe aim for... | 0:52:05 | 0:52:08 | |
to actually get home rather than another country. | 0:52:08 | 0:52:11 | |
OK. See you later. You're going to have a monster of a hangover in the morning. | 0:52:11 | 0:52:15 | |
See you. | 0:52:15 | 0:52:17 | |
That's the future of our country. | 0:52:20 | 0:52:23 | |
THEY LAUGH | 0:52:25 | 0:52:28 | |
Hopefully he'll have learnt from what's happened, | 0:52:30 | 0:52:33 | |
and if he never faces a situation like that again, | 0:52:33 | 0:52:36 | |
well, surely it's an hour or two of our time that's been well spent. | 0:52:36 | 0:52:38 | |
'On the A58, west of Halifax, | 0:52:47 | 0:52:49 | |
'PC Andy Barron has made some progress | 0:52:49 | 0:52:52 | |
'in working out what happened to cause the fatal accident.' | 0:52:52 | 0:52:56 | |
From early indications of the witness accounts, | 0:52:57 | 0:53:00 | |
it would appear the driver of the Corsa had slowed down for the horses in the road. | 0:53:00 | 0:53:03 | |
However, unfortunately, it would appear that the driver of the Saab | 0:53:03 | 0:53:07 | |
hadn't seen the horses and went on to collide with them. | 0:53:07 | 0:53:11 | |
An adult horse | 0:53:11 | 0:53:13 | |
can weigh as much as a small car. | 0:53:13 | 0:53:16 | |
So the impact of a horse on a vehicle, | 0:53:17 | 0:53:20 | |
depending on where it actually hits, is going to be massive. | 0:53:20 | 0:53:24 | |
There was an extreme amount of damage. The roof was pushed down. | 0:53:28 | 0:53:32 | |
Erm, yeah, and the driver wouldn't have had much of a chance. | 0:53:32 | 0:53:36 | |
'The owner of the horses has been told of the accident. | 0:53:37 | 0:53:40 | |
'But the cops now need to find out why they were on the road in the middle of the night.' | 0:53:40 | 0:53:44 | |
The owners of the horses are down there. Right. | 0:53:45 | 0:53:48 | |
Are the officers getting an account? I don't know. | 0:53:48 | 0:53:51 | |
Cos we could do with CIU at some point with SOCO, | 0:53:51 | 0:53:55 | |
or just SOCO, going with the owners of the horse | 0:53:55 | 0:53:58 | |
and photographing where they were tethered and where they think they've escaped from. | 0:53:58 | 0:54:03 | |
Hello, mate, it's Andy Barron from the traffic department. | 0:54:03 | 0:54:06 | |
I understand you're with the owner of these two horses, is that right? | 0:54:06 | 0:54:10 | |
There is a possibility that the fencing had been tampered with. | 0:54:11 | 0:54:15 | |
And we may be looking at criminal damage. | 0:54:15 | 0:54:18 | |
There is a theory that the horses could've jumped the fence. | 0:54:18 | 0:54:22 | |
But unfortunately, we've got no witnesses or credible evidence at this time | 0:54:24 | 0:54:28 | |
that will say for certain which one of those theories it is. | 0:54:28 | 0:54:31 | |
'The Collision Investigation team have arrived and are beginning to inspect the scene.' | 0:54:34 | 0:54:38 | |
He's actually been pushed back at some point. | 0:54:39 | 0:54:43 | |
They're trained to basically reconstruct the collision | 0:54:43 | 0:54:48 | |
as it's happened, or from their calculations, | 0:54:48 | 0:54:51 | |
how they believe that collision's happened | 0:54:51 | 0:54:53 | |
and why that person's died as a result of that collision. | 0:54:53 | 0:54:58 | |
Look at that there. We've got a lot of damage round here. A lot of stuff's been taken out. | 0:54:58 | 0:55:03 | |
'The driver of the third car, a Fiesta, managed to avoid the other cars | 0:55:04 | 0:55:08 | |
'but struck the body of one of the horses. | 0:55:08 | 0:55:11 | |
'While the collision investigators examine the vehicles, | 0:55:11 | 0:55:15 | |
'Lindsey and Andy are at the hospital to get a statement from the injured driver of the Fiesta.' | 0:55:15 | 0:55:20 | |
Part of the investigation, and more importantly our role, is to speak to people. | 0:55:20 | 0:55:25 | |
Quite often they will forget things very, very quickly, | 0:55:25 | 0:55:28 | |
because it's been a traumatic experience for them | 0:55:28 | 0:55:30 | |
and they will push it out of their memory very quickly. | 0:55:30 | 0:55:34 | |
'He's injured, but it could've been much worse.' | 0:55:36 | 0:55:39 | |
You've had a lucky escape, by the sounds of it, haven't you? | 0:55:39 | 0:55:42 | |
Cos if you'd been a few seconds further forward, | 0:55:42 | 0:55:45 | |
it could've been you hitting this horse, couldn't it? | 0:55:45 | 0:55:48 | |
When I got into the car this morning, for the first time ever, it didn't start. | 0:55:48 | 0:55:51 | |
So I spent five minutes trying to get my car going. | 0:55:51 | 0:55:54 | |
Er, otherwise I would've been five minutes further up the road, | 0:55:54 | 0:55:58 | |
and I could've easily been that car that had the fatality in it. It was that close. | 0:55:58 | 0:56:02 | |
I spotted two cars obviously together on the right-hand side of the carriageway | 0:56:02 | 0:56:08 | |
and hazard lights on. So I thought there'd been an accident, | 0:56:08 | 0:56:12 | |
so I slowed down, and thought, "I'll go and see," cos I'm first-aid trained. | 0:56:12 | 0:56:18 | |
And I smashed into a dead horse on my side of the carriageway. | 0:56:18 | 0:56:22 | |
I went right over the top of that. | 0:56:22 | 0:56:24 | |
Erm, came down, my car veered over to the right and I managed to stop it, | 0:56:24 | 0:56:30 | |
so I got out and there was another guy coming towards me | 0:56:30 | 0:56:33 | |
and it was very apparent that the other guy in the car was dead. | 0:56:33 | 0:56:37 | |
I managed to feel that there was no pulse, I managed to see that there was no breathing, | 0:56:37 | 0:56:41 | |
but I couldn't get in to do any emergency resuscitation at all. | 0:56:41 | 0:56:45 | |
It was obvious that that was going to be a waste of time, anyway. | 0:56:45 | 0:56:49 | |
A lot of drivers will panic and just freeze and sit in the car | 0:56:50 | 0:56:54 | |
and wait for emergency services to arrive. | 0:56:54 | 0:56:56 | |
But this particular person, he had the sense, he got out | 0:56:56 | 0:57:00 | |
and he tried to do everything he possibly could | 0:57:00 | 0:57:04 | |
to make that situation better. | 0:57:04 | 0:57:06 | |
And it was a very, very desperate situation. | 0:57:06 | 0:57:09 | |
I don't think we'll ever get to the bottom of why those horses were in the middle of the road. | 0:57:13 | 0:57:18 | |
There are many reasons why these animals might get onto the road, and they quite often do, | 0:57:19 | 0:57:24 | |
and quite often it's through no fault of the owners, | 0:57:24 | 0:57:26 | |
and quite often it's through no fault of the drivers. | 0:57:26 | 0:57:28 | |
It could be one of those few collisions where | 0:57:30 | 0:57:32 | |
it's just an unfortunate accident, and it's happened with no-one entirely to blame. | 0:57:32 | 0:57:37 | |
'A coroner's inquiry into the accident concluded the driver's death was accidental. | 0:57:40 | 0:57:46 | |
'Just how the horses escaped from the field onto the road remains a mystery. | 0:57:47 | 0:57:51 | |
'The driver of the black Astra that hit the side of an HGV | 0:57:53 | 0:57:56 | |
'pleaded guilty to driving without due care and attention. | 0:57:56 | 0:57:59 | |
'He was fined £110 and given nine penalty points. | 0:58:01 | 0:58:04 | |
'No further action was taken against any of the other drivers. | 0:58:04 | 0:58:08 | |
'And the student who claimed his drinks were spiked | 0:58:09 | 0:58:12 | |
'after he was found walking along the hard shoulder by PCs Dale Anderson and Mick McQuade | 0:58:12 | 0:58:17 | |
'has made a full recovery.' | 0:58:17 | 0:58:19 | |
Subtitles by Red Bee Media Ltd | 0:58:22 | 0:58:26 |