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This programme contains strong language. Every August in | :00:24. | :00:26. | |
Scotland's permanently sunny capital,local audiences warmly | :00:26. | :00:28. | |
welcome performers from the furthest parts of the globe to | :00:28. | :00:38. | |
celebrate the arts in all their forms. And after celebrating the | :00:38. | :00:46. | |
art, they get drunk and head to Late 'n' Live. About 10 o'clock, 11 | :00:46. | :00:48. | |
o'clock at night, locals ask themselves a question,"Shall we go | :00:48. | :00:53. | |
and see a late show?" "Aye." "Am I a bit of BLEEP?" "Aye." "Late 'n' | :00:53. | :01:02. | |
CHEERING AND APPLAUSE. Hello.The first ever after-hours | :01:02. | :01:12. | |
comedy club began over 25 years ago at the Gilded Balloon Theatre. | :01:12. | :01:17. | |
How are we, Late 'n' Live? It's sort of a mixture of a golf club | :01:17. | :01:21. | |
and a remand centre. There's a lot of the conviviality of a golf club, | :01:21. | :01:25. | |
but a lot of the relentless menace of a remand centre. The angriest | :01:25. | :01:30. | |
man in the world. "That's right!" Loads of mad, scaldy-looking | :01:30. | :01:32. | |
Scottish people like they're in a boiling pot and going..."What the | :01:32. | :01:39. | |
fuck is that?! "Back, back, back in your seat! No, you're going to miss | :01:39. | :01:42. | |
it, it's fucking brilliant! Back! Back in your seat, it's fucking | :01:42. | :01:50. | |
fantastic, don't go! Don't go! Oh, fuck! If you could have been in | :01:50. | :01:53. | |
standing at the wings, and somebody said to you,"Listen, Fred, actually, | :01:53. | :01:56. | |
you don't need to go on and do this," you would have said 100% of | :01:56. | :02:03. | |
the time, "Thank you! See you!" night after night, three comics, a | :02:03. | :02:10. | |
compere and a band have. Throughout this series, we've relived classic | :02:10. | :02:17. | |
moments with the stars who were there. So in tonight's final peek | :02:17. | :02:19. | |
behind comedy's beer-stained curtain, we ask, "Of all the places | :02:19. | :02:28. | |
in the world a club like this could exist, why Scotland? "The Scottish | :02:28. | :02:31. | |
audience are the best in the world. No-one else likes being brutalised | :02:31. | :02:34. | |
more than you. And using previously unreleased footage, find out what | :02:34. | :02:37. | |
today's international stars of comedy discovered about playing to | :02:37. | :02:42. | |
a Scottish crowd. Who's in from Scotland? | :02:42. | :02:45. | |
CHEERING. Who's not from Scotland? | :02:45. | :02:52. | |
CHEERING. Come on, let's take it back. The | :02:52. | :02:54. | |
punters at Late'n'Live are the comedy aficionados,the guys and | :02:54. | :02:58. | |
girls who go to Edinburgh every year. The Scots who live there and | :02:58. | :03:02. | |
who think they know what funny is, how dare you come on their soil, | :03:02. | :03:08. | |
take their money and their freedom and not make them laugh?! Is | :03:08. | :03:10. | |
anybody in from Edinburgh? CHEERING. | :03:10. | :03:15. | |
You lazy bastards! Right, right, I think I'll go to a fucking festival. | :03:16. | :03:23. | |
Aye, yeah, I think so! There we go. Fucking fantastic, but I'm a bit | :03:23. | :03:32. | |
knackered. Bit knackered. Yeah, I think I'll go home. If one nation | :03:32. | :03:36. | |
knows how to endear itself to the Scottish crowd, it's the Irish. | :03:36. | :03:39. | |
Late-night favourite Jason Byrne has been spinning his Celtic charm | :03:39. | :03:42. | |
in Edinburgh since the late '90s, but he's been Irish a lot longer | :03:42. | :03:50. | |
than that. Go wild for Jason Byrne! CHEERING AND WHISTLING. | :03:50. | :03:53. | |
Is there any Americans in? CHEERING. | :03:53. | :03:58. | |
Oh, fucking brilliant, ya mad bastards. Slagging off the | :03:58. | :04:01. | |
Americans so the Scottish will laugh at me. Here, look, do you | :04:01. | :04:04. | |
want to buy this? Look, some Irish fairy water. Oh, the fairies are in | :04:04. | :04:10. | |
there. Can you hear them having a party?! | :04:10. | :04:12. | |
Oh, they're laughing, they're laughing. | :04:12. | :04:17. | |
# Diddle-di-dee di-dee di-dee. # A-diddle-di-dee-di-dee. | :04:17. | :04:27. | |
:04:27. | :04:28. | ||
# Oh, the fairies! Do you want to buy this for �1 | :04:28. | :04:31. | |
million? We are good storytellers, so, see, that's why it's hard to | :04:31. | :04:34. | |
make Irish and Scottish audiences laugh, because they all have funny | :04:34. | :04:36. | |
stories. So they're coming to watch you, and are going,"Well, this | :04:36. | :04:39. | |
better be funnier than my story. "Yanks think in Ireland, they think | :04:39. | :04:46. | |
that all the pubs are fucking mad. # Diddle-ee diddle-ee-dee. | :04:46. | :04:49. | |
# Diddle-ee diddle-ee-dee. #. There's people in Ireland fucking | :04:49. | :04:52. | |
talking about the internet."Oh, did you get a new car?" "How's the | :04:52. | :04:54. | |
family?" Everything's fan-fucking- tastic, next minute a little man | :04:54. | :04:57. | |
will burst in the door and go,"Quick, the Americans are | :04:57. | :05:03. | |
coming! Everybody change!" And everybody in the pub grabs a flat | :05:03. | :05:06. | |
cap, puts on a big red beard, they fuck hay all over the fucking | :05:07. | :05:09. | |
ground, grab instruments from everywhere, the Americans come in | :05:09. | :05:17. | |
and the whole pub goes: # Ah, diddle-ee-dee, diddle-ee-dee. | :05:17. | :05:20. | |
# Diddle-eee diddle-ee-dee. #. Top o' the mornin', we're fucking | :05:20. | :05:23. | |
eejits, give us a hundred pound, thanks very much. And we're all | :05:23. | :05:26. | |
brought up badly. All Scottish and Irish people, we're all brought up | :05:26. | :05:29. | |
really badly, especially my age group where our parents...Actually, | :05:29. | :05:32. | |
my mother once said to me,this is brilliant, this is good background, | :05:32. | :05:35. | |
she said, when I had my first child,she goes, "Now don't ever, | :05:35. | :05:38. | |
everlet your children get in the way of your social life." Which is | :05:38. | :05:41. | |
a great bit of advice! There's no American or English or anybody's | :05:41. | :05:44. | |
going to advise that, you know! "Make sure you manage to | :05:44. | :05:46. | |
getyourself hammered as much as possible, and the kids'll just | :05:46. | :05:49. | |
raise themselves." That's why we're so funny. Irish and Scottish people, | :05:49. | :05:51. | |
we've been entertaining ourselves since we were born. The fucking | :05:51. | :05:54. | |
Americans, Jesus Christ, when they come to Ireland, we can sell them | :05:54. | :05:58. | |
anything we fucking want. And same when they come to this city, you | :05:58. | :06:01. | |
scamming bastards! I'm up to about 50 effs! Oh look, it's Arthur's | :06:01. | :06:04. | |
Seat, yes, it used to be a volcano, yeah. And that Tattoo thing, you | :06:04. | :06:07. | |
Americans have got to stop giving those fuckers money for that Tattoo. | :06:07. | :06:10. | |
Why am I swearing so much?! I couldn't believe it! Out come loads | :06:10. | :06:12. | |
of people. # Look at my uniform. | :06:12. | :06:22. | |
:06:22. | :06:35. | ||
# Look at my uniform. # Oh, look at their uniform. | :06:35. | :06:37. | |
# Look at their uniform.$$NEWLINE # Look at their uniform! | :06:37. | :06:40. | |
# Look at his uniform!$$NEWLINE # Ooh, look at his uniform. | :06:40. | :06:44. | |
# Oh, look at that uniform. # Ooh, cannons! Ooh! | :06:44. | :06:52. | |
That'll be 50 quid, you yanky fuckers! Thanks very much! Fucking | :06:52. | :06:56. | |
nuts, man! Scottish people'don't mind you slagging off them, as long | :06:56. | :06:59. | |
as you're a Celt. So if you're Irish, like I am, or you're | :06:59. | :07:02. | |
Scottish, or you're Welsh, even, you're allowed to slag off | :07:02. | :07:04. | |
everybody, but if you're English and you go,"Eh, what about the | :07:04. | :07:14. | |
:07:14. | :07:21. | ||
Scottish?" "Bastard! Bastard!" Shut your fucking mouth about us!" Right, | :07:21. | :07:31. | |
:07:31. | :07:49. | ||
but if I go out and go,"Ah, ya Scottish wankers!" "Nice one!" I do | :07:49. | :07:53. | |
remember seeing an English comic come up and he was renowned as a | :07:53. | :07:56. | |
very smooth compere. He lost it at a point where he said, "So, is | :07:56. | :07:59. | |
there anyone up here from the north? Manchester, Liverpool?" You | :07:59. | :08:02. | |
could see the crowd and everybody just go, "Ohh, weirdly, we must be | :08:02. | :08:05. | |
more southerly than that." What are we? Have we gone all the way over | :08:05. | :08:09. | |
the top of the planet and back down again?" So, that was the beginning | :08:09. | :08:12. | |
of the end for him. Yeah, most of the really bad deaths I've seen | :08:12. | :08:16. | |
have been English. It's not fair to say the crowd'll go for you just | :08:16. | :08:19. | |
cos you're from south of the border. No, they'll go for you if you're | :08:19. | :08:23. | |
from across the Atlantic as well. Hello! Yes, I was on Sabrina The | :08:23. | :08:26. | |
Teenage Witch. Yes, I was. I've done this for ever. I performed in | :08:26. | :08:29. | |
front of the President. Like, big people. Giant, like at Carnegie | :08:29. | :08:32. | |
Hall, or Radio City Music Hall, in front of 10,000 people. Nothing. | :08:32. | :08:35. | |
Drunk, Scottish boys terrify me. It's OK. Whenever I hear a man | :08:35. | :08:38. | |
heckling, all I really hear is, "I've a tiny, wee penis, I've a | :08:38. | :08:41. | |
tiny, wee penis, I can barely find it. "That noise come off the crowd, | :08:41. | :08:44. | |
"Oooooooooh!" They could so do over New World comedians, Americans or | :08:44. | :08:47. | |
Canadians. They don't have that noise. (AMERICAN ACCENT) "Fuck you, | :08:47. | :08:51. | |
buddy!" "Oooh, he said "fuck you!" You feel like they could do it any | :08:51. | :08:57. | |
time. "Right!" They're having none of it. Sometimes, you can go the | :08:57. | :09:00. | |
other way. You can deliberately try and be a bit quieter. Try and draw | :09:00. | :09:04. | |
attention, use stagecraft in that direction. Sometimes that'll work. | :09:04. | :09:09. | |
Sometimes it won't. HE IMITATES HECKLING. | :09:09. | :09:19. | |
:09:19. | :09:20. | ||
The noise from round the edgesjust gets louder and louder! Until | :09:20. | :09:28. | |
whatever you were saying is utterly irrelevant. So, how do you win over | :09:28. | :09:33. | |
a rowdy, drunk Scottish audience? Well, Australian Brendon Burns | :09:33. | :09:39. | |
thinks he has one answer. And it isn't with compliments. I'm not | :09:39. | :09:43. | |
going to suck up to you too much, cos then I know you'll start | :09:43. | :09:49. | |
throwing bottles. I'm fully aware, so...I'll abuse you now! Cos you | :09:49. | :09:53. | |
seem to love it. You have some sort of self-esteem issues going on. | :09:53. | :09:56. | |
Here's something the Scottish audience love. You have to abuse | :09:56. | :10:00. | |
them, but you have to be right. Scottish audience are the best in | :10:01. | :10:05. | |
the world. No-one else likes being brutalised more than you. No-one | :10:05. | :10:10. | |
heckles and wants to fucking lose. But Scotland, they do. "You're the | :10:10. | :10:16. | |
fucking BLEEP, now, lay into me!" A Scottish audience demands presence | :10:16. | :10:19. | |
from their comic. I don't mean "ta- da!". I mean they demand you | :10:19. | :10:24. | |
acknowledge you are in a room full of people. That you are not doing | :10:24. | :10:27. | |
the set you would to a television camera. That this is a live scene, | :10:27. | :10:33. | |
and it's been here for years and there is a tradition. | :10:33. | :10:35. | |
Quite frankly, you people are so bizarre-sounding, I can't even tell | :10:36. | :10:41. | |
what sentiment you're expressing. You men sound like trucks backing | :10:41. | :10:45. | |
over a bucket of whoopee cushions. You women sound like cats trying to | :10:45. | :10:49. | |
bark. No wonder you listen to the bagpipes. It's the only way to | :10:49. | :10:51. | |
drown out the sound of your women at night. | :10:51. | :10:57. | |
HE SQUAWLS. Are you happy, sad? I can't tell! I | :10:57. | :10:59. | |
don't know whether you're celebrating a birthday or you've | :10:59. | :11:06. | |
lost your infant. It's 1am, you're Scottish equally likely! | :11:06. | :11:08. | |
LAUGHTER I think it's gall. Scottish people | :11:08. | :11:11. | |
really appreciate gall. If you nail something, you can be as | :11:11. | :11:16. | |
denigrating as possible, if it's true. And Scottish audiences love | :11:16. | :11:20. | |
having the piss taken out of them, but it has to be accurate. That's | :11:20. | :11:26. | |
your job as a comedian. Accurate, eh? Well, if you're Aussie, Steve | :11:26. | :11:31. | |
Hughes, you're spot on. You and your fucking blood sausage. What | :11:31. | :11:35. | |
the fuck is that shit? What are you up to? Black pudding? I know that | :11:35. | :11:38. | |
British people eat it, English people, Irish people, but you Scots | :11:38. | :11:41. | |
are the only fuckers I've seen have a full one, dipped in batter, | :11:41. | :11:45. | |
wandering round shopping for clothes. "Aye, this is fucking | :11:45. | :11:52. | |
good!" This gig's going all right for Late 'n' Live. "It's fucking | :11:52. | :11:55. | |
tradition!" Fuck tradition! It might've been one 400 years ago, | :11:55. | :11:58. | |
when you lived in a hut, freezing your fucking arse off, fighting the | :11:58. | :12:02. | |
English every day. "I'm a bit run down." Have some blood, mate, | :12:02. | :12:06. | |
that'll sort you out! Not any more! You live in Edinburgh, in a flat | :12:06. | :12:09. | |
with a DVD player and a hot girlfriend. Have some hummus, you | :12:09. | :12:13. | |
fat BLEEP! LAUGHTER. | :12:13. | :12:16. | |
If the visiting comics have done their research and not been | :12:16. | :12:19. | |
lazyabout it, that will give them some Brownie points with the | :12:19. | :12:26. | |
audience. And if it's good, and - I'll say something a bit twee - but | :12:26. | :12:29. | |
if it's honest, I think the Scottish audience will respect the | :12:29. | :12:39. | |
:12:39. | :12:39. | ||
honesty of what they say. You know? And let them have a laugh at our | :12:39. | :12:47. | |
expense. So, not just accuracy. Honesty works too. But what crowd | :12:47. | :12:52. | |
isn't won over by well-observed local references? Case in point, | :12:52. | :13:00. | |
the charming Stephen K Amos. Hey, I love Edin-boro. | :13:00. | :13:06. | |
CHEERING. Edin-boro is fantastic. Why? | :13:06. | :13:09. | |
Because there are cobbled streets. LAUGHTER. | :13:09. | :13:13. | |
The good thing about going to Scotland is, all the guys are in | :13:13. | :13:18. | |
Edinburgh for the whole month. You have to get immersed in Edinburgh, | :13:18. | :13:26. | |
in Scottish life. So, I've been there for 12, 13 years. Stuff has | :13:26. | :13:29. | |
happened to me on a regular basis. I checked into a fucking great flat | :13:29. | :13:33. | |
in Edinburgh when I got here. It was in a place called Terrars Croft. | :13:33. | :13:39. | |
Have you heard of it? No, not lucky me. It was a shithole. I got in | :13:39. | :13:43. | |
there, a flat that I'd rented, I'd paid money for and I go into the | :13:43. | :13:46. | |
living room and above the fireplace was a huge life-size portrait of a | :13:46. | :13:52. | |
gollywog. And I was like, "What?! I'm not staying here!" And stuff | :13:52. | :13:57. | |
like that. It's true! I went to a fish and fish shop -that's true. I | :13:57. | :14:00. | |
said to the lady,"Is that cod or haddock?" She went, "Fush!" And | :14:00. | :14:05. | |
that's the typical Scottish welcome that I've come to enjoy. Aviemore | :14:05. | :14:11. | |
is in the Scottish Highlands. The locals call it the Hollywood of the | :14:11. | :14:16. | |
Highlands. I can assure you, it's not. There are no ethnic minorities | :14:16. | :14:22. | |
there, there are no midgets, there are no women. Well, obviously there | :14:22. | :14:28. | |
are, but you can't quite tell the difference. I asked this creature, | :14:28. | :14:31. | |
"Excuse me, are there any black people here?" And she goes "Oh! Oh, | :14:31. | :14:41. | |
:14:41. | :14:43. | ||
aye. Oh, aye. There's Black Tony". I was intrigued. I had to meet | :14:43. | :14:53. | |
:14:53. | :14:56. | ||
"Black Tony". I found him. He was Spanish. Wow. Did you hear that | :14:56. | :14:58. | |
accent there? You know, I actually thought he sounded more Scottish | :14:59. | :15:06. | |
than Lulu. How many people here are Scottish? Excellent, thank you, sir. | :15:06. | :15:11. | |
"Me! What are you gonna do about it?" I know you're thinking "At | :15:11. | :15:15. | |
least we've got culture". That was the worst Scottish accent I've ever | :15:15. | :15:22. | |
done in my career. Let's do that again. It's just a bit more | :15:22. | :15:30. | |
guttural. The harder they are at Edinburgh, the more fruity the | :15:30. | :15:35. | |
voice gets. "I've got a knife, man. I'm no joking". I've just seen two | :15:35. | :15:38. | |
drunken teenagers sat on a bench, abusing tourists. You don't buy a | :15:38. | :15:42. | |
ticket for a show in Edinburgh. Just watch that shit. It's | :15:43. | :15:45. | |
brilliant. They were shouting abuse at tourists, going "You bastards, | :15:45. | :15:51. | |
fucking bastards, fuck off. And then one of them threw their empty | :15:51. | :15:56. | |
can of cider on the floor. And his pal went "Robert, no! We're binge | :15:56. | :16:01. | |
drinkers, but we're not litterbugs". Because I lived in Scotland for | :16:01. | :16:09. | |
quite a while, I am a chameleon when it comes to accents. So I can | :16:09. | :16:16. | |
pull it out of the bag if I have to. I go "Like me, I'm just like you. | :16:16. | :16:19. | |
Please like me. That's lovely. I'm even wearing a semmit. I think it | :16:19. | :16:23. | |
might be a vest". I used to live in Glasgow. I love the way Glaswegians | :16:23. | :16:26. | |
speak. They have a habit of pointing out the most important | :16:26. | :16:29. | |
words in a sentence before say the sentence. They say "See you, you | :16:29. | :16:39. | |
:16:39. | :16:44. | ||
look BLEEP. See me?" It is like "The following sentence includes | :16:44. | :16:47. | |
these important keywords". From my own point of view, this accent I've | :16:47. | :16:52. | |
been putting on for a number of years seems to have worked. I know, | :16:52. | :16:59. | |
mine's worked for me too. Actually, though, if you want to learn a | :16:59. | :17:02. | |
proper Scottish accent, you really have to listen to Andrew Maxwell. | :17:02. | :17:12. | |
:17:12. | :17:17. | ||
And he's Irish. Edinburgh's shit, isn't it? I don't fucking mean that. | :17:17. | :17:25. | |
My family are from all sorts of places around. BLEEP. Andrew's | :17:26. | :17:34. | |
Leith accent is pinpoint. And I, as a Scot, think it's hilarious. I'm | :17:34. | :17:38. | |
not trying to win them over, I just find it a funny accent. "I'm no | :17:38. | :17:43. | |
joking". But it just makes me laugh. There are various Scottish voices | :17:43. | :17:47. | |
that make me laugh. If you're from south of the border, you probably | :17:47. | :17:53. | |
think he's just doing a Scottish accent. But we know. | :17:53. | :17:59. | |
We know within two or three streets, where he is doing it. We get down | :17:59. | :18:06. | |
there, and we get attacked by a fucking squirrel. A fucking | :18:06. | :18:10. | |
squirrel from Leith. It came out of the rocks like a fucking sea | :18:10. | :18:15. | |
squirrel. We thought it was a rat, but it had a bushy-tailed and was | :18:15. | :18:25. | |
:18:25. | :18:25. | ||
matted and dirty. And it just ran at us. There you are! And it | :18:25. | :18:29. | |
fucking stared us down. I got stared down by a fucking squirrel. | :18:29. | :18:36. | |
I'm not squared off you fuckers, but that squirrels get me. Stared | :18:36. | :18:41. | |
me down and fucked off, and we found it half an hour later. It had | :18:41. | :18:45. | |
probably never been up a tree in its life. Never eaten an acorn. It | :18:45. | :18:51. | |
was eating the remnants of a fucking fish supper. Needs a bit of | :18:51. | :19:00. | |
sauce,. The top of the walk to the bottom of the walk is probably | :19:00. | :19:07. | |
about a mile. And at the bottom, it is all hunched over people, just | :19:07. | :19:13. | |
dodging about. And at the top, you are into the new town, some of the | :19:13. | :19:19. | |
most wealthiest genteel real-estate in the country. There are posh guys | :19:19. | :19:24. | |
with surnames as first names, guys called Campbell, people whose | :19:24. | :19:34. | |
:19:34. | :19:36. | ||
parents locked in. There is Campbell. You know, just big guys, | :19:36. | :19:43. | |
Scottish guy is. You can barely detect an accent"but I wear a kilt | :19:43. | :19:46. | |
at weddings. So not everyone can be the perfect | :19:46. | :19:50. | |
Scottish accent, but if you are as talented as American comic Rich | :19:50. | :19:53. | |
Hall, you don't need it. You can get right under the skin of a | :19:53. | :19:58. | |
Scottish audience and win them over with your encyclopedic intention to | :19:58. | :20:08. | |
:20:08. | :20:17. | ||
detail. Stand by for a masterclass in Scottish crowd-pleasing. | :20:17. | :20:21. | |
You say stupid things intelligently. Or maybe it is intelligent things | :20:21. | :20:26. | |
stupidly. Can't remember. It is not fucking rockets surgery. | :20:26. | :20:29. | |
Once you have established where you are from an something funny about | :20:29. | :20:33. | |
it, it is time to move on. Audiences think, what do you know | :20:33. | :20:37. | |
about us? You are supposed to be the king of observation. What have | :20:37. | :20:42. | |
you noticed about us? One thing I fucking love about Scotland is the | :20:42. | :20:50. | |
money. It is like a treasure map. There is some weird shit going on. | :20:50. | :20:55. | |
Occasionally, you will see research and development. If you ever saw | :20:55. | :21:01. | |
Darwin America, something fucking went wrong. America is like, In God | :21:01. | :21:11. | |
:21:11. | :21:15. | ||
We Trust. Here? Darwin. That is why I love Scottish money. What? Y is | :21:15. | :21:19. | |
Scottish currency not accepted in England? What is this? University | :21:19. | :21:27. | |
Challenge? Well, you are looking at a man fighting for his life. That | :21:27. | :21:37. | |
:21:37. | :21:38. | ||
is what it is. Dodging bullets. HECKLING. | :21:38. | :21:43. | |
Come on, Rich Hall. Why is Scottish money not accepted in England? | :21:43. | :21:53. | |
:21:53. | :21:56. | ||
is! It seems at this point, I could sneak off and no one would notice. | :21:56. | :22:01. | |
I don't know, sir, but I promise I will look into it. Next year, I | :22:01. | :22:04. | |
will do a one-hour show a why Scottish money is not accepted in | :22:04. | :22:13. | |
the South. Everyone will know. think Rich Hall thrives on that. He | :22:13. | :22:17. | |
is very aware of Scottishness. His very in tune with the Scottish. And | :22:17. | :22:23. | |
they sense that. Scottish audiences are very blunt. They have paid | :22:23. | :22:33. | |
:22:33. | :22:33. | ||
their money, and they don't want to see a waste of time. I have learned | :22:33. | :22:37. | |
to might not to spend money south of the border if it has pictures of | :22:37. | :22:41. | |
people you have never heard of before on it. If the Proclaimers | :22:41. | :22:46. | |
are on a �10 note, but is when this country has fucking arrived. That | :22:46. | :22:51. | |
is pretty much Edinburgh. You don't know what is going to happen. | :22:51. | :22:58. | |
Exactly. So I guess only one question remains. How do you end up | :22:58. | :23:02. | |
a series that combines bikes surfing, leg injuries and | :23:02. | :23:06. | |
unspeakable acts towards jumpers? The answer is simple, of course. A | :23:06. | :23:12. | |
song. In high last clip from 2001, to mark the final night of the | :23:12. | :23:17. | |
Edinburgh Fringe, Canadian comic Sean Coen took to the stage to sing | :23:17. | :23:22. | |
Oh, Edinburgh, his lyrical tribute and fond farewell to the city | :23:22. | :23:28. | |
combining accuracy, honesty, local references and the most magnificent | :23:28. | :23:38. | |
attention to detail. Thanks to the amazing audiences who have come out. | :23:38. | :23:42. | |
For in a stage of comics and a VAT and alcohol, and ladies and | :23:42. | :23:47. | |
gentlemen, this is what you get. Every comic in the room, come on | :23:47. | :23:51. | |
down? Where would you ever hear, can we have every comedian on the | :23:51. | :23:58. | |
stage now, please? Every comedian in Edinburgh on stage. Everyone is | :23:58. | :24:05. | |
going up on stage. Look at that. my God, there I am. I was beside | :24:05. | :24:11. | |
myself at this, because this was my first Edinburgh. The song at the | :24:11. | :24:16. | |
end was fantastic. I guess you felt as if you deserved it. You deserved | :24:16. | :24:20. | |
to have an experience on the late stage that was positive after all | :24:20. | :24:22. | |
the shit you had gone through. 19 comedians singing. | :24:22. | :24:26. | |
# Oh, Edinburgh, I love your cobbled street. | :24:26. | :24:36. | |
:24:36. | :24:43. | ||
# From the grandeur of your town to the peaks of Leith. # From the | :24:43. | :24:47. | |
castle on the hill to Wester Hills. # To the places in the sewers where | :24:47. | :24:52. | |
the midgets sleep. # Oh, Edinburgh. # I have come to you again. It's | :24:52. | :24:57. | |
like Live Aid. People in Africa would look at that and say, these | :24:57. | :25:02. | |
people need help. # When I'm feeling lonely, you surround me in | :25:02. | :25:08. | |
your mist. # Your guide me to the nearest pub. | :25:08. | :25:14. | |
# And I get pissed. # Oh, Edinburgh. | :25:14. | :25:19. | |
# Shine your light on me. # From the moment that I saw you, I | :25:19. | :25:28. | |
knew I would never more be free. # Oh, Edinburgh. | :25:28. | :25:34. | |
You diamond of the north. # I want to make love to you on the filthy | :25:34. | :25:40. | |
Firth of Forth. The filthy Firth of Forth is great. | :25:40. | :25:50. | |
:25:50. | :25:52. | ||
# Oh, Edinburgh. # It always makes me smile. # To | :25:52. | :25:54. | |
see a naked, drunken man running down the Royal Mile. | :25:54. | :25:57. | |
Johnny Vegas. It's really sad. I'm looking for myself. I think I'm | :25:57. | :26:07. | |
:26:07. | :26:13. | ||
probably tied to a chair backstage. # I eat a deep-fried Mars bar. | :26:13. | :26:22. | |
There's Dara, with his big shiny head! Dara's huge noggin rising | :26:22. | :26:24. | |
like a giant big potato from the horde. | :26:24. | :26:30. | |
# Oh, Edinburgh. Me, with my hanky. Sweaty man. Oh, God. # As I wander | :26:31. | :26:33. | |
through the grass market, I watched an old man pee. | :26:33. | :26:40. | |
I can't read the lyrics. # I think he is my friend. | :26:40. | :26:44. | |
# He speaks to me in mysteries, then urinates again. # Oh, | :26:44. | :26:54. | |
:26:54. | :26:56. | ||
Edinburgh. Adam and I know this off by heart! # Oh, Edinburgh. That on | :26:56. | :27:04. | |
stage now would probably cost about �1 million sterling. With all the | :27:04. | :27:14. | |
:27:14. | :27:15. | ||
agents holding us. # Oh, Edinburgh. # From the West down to the east. # | :27:15. | :27:18. | |
Your air is always rich with the cloying stench of yeast. | :27:18. | :27:26. | |
# Oh, Edinburgh. # whoa, Edinburgh. # Oh, Edinburgh. | :27:26. | :27:36. | |
:27:36. | :27:42. | ||
# Oh, Edinburgh. Oh, man. # I love... You. Look, none of us | :27:43. | :27:52. | |
:27:53. | :27:53. | ||
have a career. But now we are all on telly, and will want money. We | :27:53. | :27:56. | |
would never do this together unless we all had contracts. We are all | :27:56. | :27:59. |