Episode 4 Late 'n' Live Guide to Comedy


Episode 4

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This programme contains strong language. Every August in

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Scotland's permanently sunny capital,local audiences warmly

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welcome performers from the furthest parts of the globe to

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celebrate the arts in all their forms. And after celebrating the

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art, they get drunk and head to Late 'n' Live. About 10 o'clock, 11

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o'clock at night, locals ask themselves a question,"Shall we go

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and see a late show?" "Aye." "Am I a bit of BLEEP?" "Aye." "Late 'n'

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CHEERING AND APPLAUSE. Hello.The first ever after-hours

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comedy club began over 25 years ago at the Gilded Balloon Theatre.

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How are we, Late 'n' Live? It's sort of a mixture of a golf club

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and a remand centre. There's a lot of the conviviality of a golf club,

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but a lot of the relentless menace of a remand centre. The angriest

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man in the world. "That's right!" Loads of mad, scaldy-looking

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Scottish people like they're in a boiling pot and going..."What the

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fuck is that?! "Back, back, back in your seat! No, you're going to miss

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it, it's fucking brilliant! Back! Back in your seat, it's fucking

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fantastic, don't go! Don't go! Oh, fuck! If you could have been in

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standing at the wings, and somebody said to you,"Listen, Fred, actually,

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you don't need to go on and do this," you would have said 100% of

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the time, "Thank you! See you!" night after night, three comics, a

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compere and a band have. Throughout this series, we've relived classic

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moments with the stars who were there. So in tonight's final peek

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behind comedy's beer-stained curtain, we ask, "Of all the places

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in the world a club like this could exist, why Scotland? "The Scottish

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audience are the best in the world. No-one else likes being brutalised

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more than you. And using previously unreleased footage, find out what

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today's international stars of comedy discovered about playing to

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a Scottish crowd. Who's in from Scotland?

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CHEERING. Who's not from Scotland?

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CHEERING. Come on, let's take it back. The

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punters at Late'n'Live are the comedy aficionados,the guys and

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girls who go to Edinburgh every year. The Scots who live there and

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who think they know what funny is, how dare you come on their soil,

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take their money and their freedom and not make them laugh?! Is

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anybody in from Edinburgh? CHEERING.

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You lazy bastards! Right, right, I think I'll go to a fucking festival.

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Aye, yeah, I think so! There we go. Fucking fantastic, but I'm a bit

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knackered. Bit knackered. Yeah, I think I'll go home. If one nation

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knows how to endear itself to the Scottish crowd, it's the Irish.

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Late-night favourite Jason Byrne has been spinning his Celtic charm

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in Edinburgh since the late '90s, but he's been Irish a lot longer

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than that. Go wild for Jason Byrne! CHEERING AND WHISTLING.

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Is there any Americans in? CHEERING.

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Oh, fucking brilliant, ya mad bastards. Slagging off the

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Americans so the Scottish will laugh at me. Here, look, do you

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want to buy this? Look, some Irish fairy water. Oh, the fairies are in

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there. Can you hear them having a party?!

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Oh, they're laughing, they're laughing.

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# Diddle-di-dee di-dee di-dee. # A-diddle-di-dee-di-dee.

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# Oh, the fairies! Do you want to buy this for �1

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million? We are good storytellers, so, see, that's why it's hard to

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make Irish and Scottish audiences laugh, because they all have funny

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stories. So they're coming to watch you, and are going,"Well, this

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better be funnier than my story. "Yanks think in Ireland, they think

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that all the pubs are fucking mad. # Diddle-ee diddle-ee-dee.

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# Diddle-ee diddle-ee-dee. #. There's people in Ireland fucking

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talking about the internet."Oh, did you get a new car?" "How's the

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family?" Everything's fan-fucking- tastic, next minute a little man

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will burst in the door and go,"Quick, the Americans are

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coming! Everybody change!" And everybody in the pub grabs a flat

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cap, puts on a big red beard, they fuck hay all over the fucking

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ground, grab instruments from everywhere, the Americans come in

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and the whole pub goes: # Ah, diddle-ee-dee, diddle-ee-dee.

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# Diddle-eee diddle-ee-dee. #. Top o' the mornin', we're fucking

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eejits, give us a hundred pound, thanks very much. And we're all

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brought up badly. All Scottish and Irish people, we're all brought up

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really badly, especially my age group where our parents...Actually,

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my mother once said to me,this is brilliant, this is good background,

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she said, when I had my first child,she goes, "Now don't ever,

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everlet your children get in the way of your social life." Which is

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a great bit of advice! There's no American or English or anybody's

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going to advise that, you know! "Make sure you manage to

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getyourself hammered as much as possible, and the kids'll just

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raise themselves." That's why we're so funny. Irish and Scottish people,

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we've been entertaining ourselves since we were born. The fucking

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Americans, Jesus Christ, when they come to Ireland, we can sell them

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anything we fucking want. And same when they come to this city, you

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scamming bastards! I'm up to about 50 effs! Oh look, it's Arthur's

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Seat, yes, it used to be a volcano, yeah. And that Tattoo thing, you

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Americans have got to stop giving those fuckers money for that Tattoo.

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Why am I swearing so much?! I couldn't believe it! Out come loads

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of people. # Look at my uniform.

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# Look at my uniform. # Oh, look at their uniform.

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# Look at their uniform.$$NEWLINE # Look at their uniform!

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# Look at his uniform!$$NEWLINE # Ooh, look at his uniform.

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# Oh, look at that uniform. # Ooh, cannons! Ooh!

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That'll be 50 quid, you yanky fuckers! Thanks very much! Fucking

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nuts, man! Scottish people'don't mind you slagging off them, as long

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as you're a Celt. So if you're Irish, like I am, or you're

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Scottish, or you're Welsh, even, you're allowed to slag off

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everybody, but if you're English and you go,"Eh, what about the

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Scottish?" "Bastard! Bastard!" Shut your fucking mouth about us!" Right,

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but if I go out and go,"Ah, ya Scottish wankers!" "Nice one!" I do

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remember seeing an English comic come up and he was renowned as a

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very smooth compere. He lost it at a point where he said, "So, is

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there anyone up here from the north? Manchester, Liverpool?" You

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could see the crowd and everybody just go, "Ohh, weirdly, we must be

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more southerly than that." What are we? Have we gone all the way over

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the top of the planet and back down again?" So, that was the beginning

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of the end for him. Yeah, most of the really bad deaths I've seen

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have been English. It's not fair to say the crowd'll go for you just

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cos you're from south of the border. No, they'll go for you if you're

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from across the Atlantic as well. Hello! Yes, I was on Sabrina The

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Teenage Witch. Yes, I was. I've done this for ever. I performed in

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front of the President. Like, big people. Giant, like at Carnegie

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Hall, or Radio City Music Hall, in front of 10,000 people. Nothing.

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Drunk, Scottish boys terrify me. It's OK. Whenever I hear a man

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heckling, all I really hear is, "I've a tiny, wee penis, I've a

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tiny, wee penis, I can barely find it. "That noise come off the crowd,

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"Oooooooooh!" They could so do over New World comedians, Americans or

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Canadians. They don't have that noise. (AMERICAN ACCENT) "Fuck you,

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buddy!" "Oooh, he said "fuck you!" You feel like they could do it any

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time. "Right!" They're having none of it. Sometimes, you can go the

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other way. You can deliberately try and be a bit quieter. Try and draw

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attention, use stagecraft in that direction. Sometimes that'll work.

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Sometimes it won't. HE IMITATES HECKLING.

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The noise from round the edgesjust gets louder and louder! Until

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whatever you were saying is utterly irrelevant. So, how do you win over

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a rowdy, drunk Scottish audience? Well, Australian Brendon Burns

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thinks he has one answer. And it isn't with compliments. I'm not

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going to suck up to you too much, cos then I know you'll start

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throwing bottles. I'm fully aware, so...I'll abuse you now! Cos you

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seem to love it. You have some sort of self-esteem issues going on.

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Here's something the Scottish audience love. You have to abuse

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them, but you have to be right. Scottish audience are the best in

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the world. No-one else likes being brutalised more than you. No-one

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heckles and wants to fucking lose. But Scotland, they do. "You're the

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fucking BLEEP, now, lay into me!" A Scottish audience demands presence

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from their comic. I don't mean "ta- da!". I mean they demand you

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acknowledge you are in a room full of people. That you are not doing

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the set you would to a television camera. That this is a live scene,

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and it's been here for years and there is a tradition.

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Quite frankly, you people are so bizarre-sounding, I can't even tell

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what sentiment you're expressing. You men sound like trucks backing

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over a bucket of whoopee cushions. You women sound like cats trying to

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bark. No wonder you listen to the bagpipes. It's the only way to

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drown out the sound of your women at night.

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HE SQUAWLS. Are you happy, sad? I can't tell! I

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don't know whether you're celebrating a birthday or you've

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lost your infant. It's 1am, you're Scottish equally likely!

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LAUGHTER I think it's gall. Scottish people

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really appreciate gall. If you nail something, you can be as

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denigrating as possible, if it's true. And Scottish audiences love

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having the piss taken out of them, but it has to be accurate. That's

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your job as a comedian. Accurate, eh? Well, if you're Aussie, Steve

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Hughes, you're spot on. You and your fucking blood sausage. What

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the fuck is that shit? What are you up to? Black pudding? I know that

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British people eat it, English people, Irish people, but you Scots

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are the only fuckers I've seen have a full one, dipped in batter,

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wandering round shopping for clothes. "Aye, this is fucking

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good!" This gig's going all right for Late 'n' Live. "It's fucking

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tradition!" Fuck tradition! It might've been one 400 years ago,

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when you lived in a hut, freezing your fucking arse off, fighting the

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English every day. "I'm a bit run down." Have some blood, mate,

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that'll sort you out! Not any more! You live in Edinburgh, in a flat

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with a DVD player and a hot girlfriend. Have some hummus, you

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fat BLEEP! LAUGHTER.

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If the visiting comics have done their research and not been

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lazyabout it, that will give them some Brownie points with the

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audience. And if it's good, and - I'll say something a bit twee - but

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if it's honest, I think the Scottish audience will respect the

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honesty of what they say. You know? And let them have a laugh at our

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expense. So, not just accuracy. Honesty works too. But what crowd

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isn't won over by well-observed local references? Case in point,

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the charming Stephen K Amos. Hey, I love Edin-boro.

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CHEERING. Edin-boro is fantastic. Why?

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Because there are cobbled streets. LAUGHTER.

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The good thing about going to Scotland is, all the guys are in

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Edinburgh for the whole month. You have to get immersed in Edinburgh,

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in Scottish life. So, I've been there for 12, 13 years. Stuff has

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happened to me on a regular basis. I checked into a fucking great flat

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in Edinburgh when I got here. It was in a place called Terrars Croft.

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Have you heard of it? No, not lucky me. It was a shithole. I got in

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there, a flat that I'd rented, I'd paid money for and I go into the

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living room and above the fireplace was a huge life-size portrait of a

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gollywog. And I was like, "What?! I'm not staying here!" And stuff

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like that. It's true! I went to a fish and fish shop -that's true. I

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said to the lady,"Is that cod or haddock?" She went, "Fush!" And

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that's the typical Scottish welcome that I've come to enjoy. Aviemore

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is in the Scottish Highlands. The locals call it the Hollywood of the

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Highlands. I can assure you, it's not. There are no ethnic minorities

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there, there are no midgets, there are no women. Well, obviously there

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are, but you can't quite tell the difference. I asked this creature,

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"Excuse me, are there any black people here?" And she goes "Oh! Oh,

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aye. Oh, aye. There's Black Tony". I was intrigued. I had to meet

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"Black Tony". I found him. He was Spanish. Wow. Did you hear that

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accent there? You know, I actually thought he sounded more Scottish

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than Lulu. How many people here are Scottish? Excellent, thank you, sir.

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"Me! What are you gonna do about it?" I know you're thinking "At

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least we've got culture". That was the worst Scottish accent I've ever

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done in my career. Let's do that again. It's just a bit more

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guttural. The harder they are at Edinburgh, the more fruity the

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voice gets. "I've got a knife, man. I'm no joking". I've just seen two

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drunken teenagers sat on a bench, abusing tourists. You don't buy a

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ticket for a show in Edinburgh. Just watch that shit. It's

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brilliant. They were shouting abuse at tourists, going "You bastards,

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fucking bastards, fuck off. And then one of them threw their empty

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can of cider on the floor. And his pal went "Robert, no! We're binge

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drinkers, but we're not litterbugs". Because I lived in Scotland for

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quite a while, I am a chameleon when it comes to accents. So I can

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pull it out of the bag if I have to. I go "Like me, I'm just like you.

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Please like me. That's lovely. I'm even wearing a semmit. I think it

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might be a vest". I used to live in Glasgow. I love the way Glaswegians

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speak. They have a habit of pointing out the most important

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words in a sentence before say the sentence. They say "See you, you

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look BLEEP. See me?" It is like "The following sentence includes

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these important keywords". From my own point of view, this accent I've

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been putting on for a number of years seems to have worked. I know,

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mine's worked for me too. Actually, though, if you want to learn a

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proper Scottish accent, you really have to listen to Andrew Maxwell.

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And he's Irish. Edinburgh's shit, isn't it? I don't fucking mean that.

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My family are from all sorts of places around. BLEEP. Andrew's

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Leith accent is pinpoint. And I, as a Scot, think it's hilarious. I'm

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not trying to win them over, I just find it a funny accent. "I'm no

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joking". But it just makes me laugh. There are various Scottish voices

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that make me laugh. If you're from south of the border, you probably

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think he's just doing a Scottish accent. But we know.

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We know within two or three streets, where he is doing it. We get down

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there, and we get attacked by a fucking squirrel. A fucking

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squirrel from Leith. It came out of the rocks like a fucking sea

:18:10.:18:15.

squirrel. We thought it was a rat, but it had a bushy-tailed and was

:18:15.:18:25.
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matted and dirty. And it just ran at us. There you are! And it

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fucking stared us down. I got stared down by a fucking squirrel.

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I'm not squared off you fuckers, but that squirrels get me. Stared

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me down and fucked off, and we found it half an hour later. It had

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probably never been up a tree in its life. Never eaten an acorn. It

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was eating the remnants of a fucking fish supper. Needs a bit of

:18:51.:19:00.

sauce,. The top of the walk to the bottom of the walk is probably

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about a mile. And at the bottom, it is all hunched over people, just

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dodging about. And at the top, you are into the new town, some of the

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most wealthiest genteel real-estate in the country. There are posh guys

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with surnames as first names, guys called Campbell, people whose

:19:24.:19:34.
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parents locked in. There is Campbell. You know, just big guys,

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Scottish guy is. You can barely detect an accent"but I wear a kilt

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at weddings. So not everyone can be the perfect

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Scottish accent, but if you are as talented as American comic Rich

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Hall, you don't need it. You can get right under the skin of a

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Scottish audience and win them over with your encyclopedic intention to

:19:58.:20:08.
:20:08.:20:17.

detail. Stand by for a masterclass in Scottish crowd-pleasing.

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You say stupid things intelligently. Or maybe it is intelligent things

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stupidly. Can't remember. It is not fucking rockets surgery.

:20:26.:20:29.

Once you have established where you are from an something funny about

:20:29.:20:33.

it, it is time to move on. Audiences think, what do you know

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about us? You are supposed to be the king of observation. What have

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you noticed about us? One thing I fucking love about Scotland is the

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money. It is like a treasure map. There is some weird shit going on.

:20:50.:20:55.

Occasionally, you will see research and development. If you ever saw

:20:55.:21:01.

Darwin America, something fucking went wrong. America is like, In God

:21:01.:21:11.
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We Trust. Here? Darwin. That is why I love Scottish money. What? Y is

:21:15.:21:19.

Scottish currency not accepted in England? What is this? University

:21:19.:21:27.

Challenge? Well, you are looking at a man fighting for his life. That

:21:27.:21:37.
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is what it is. Dodging bullets. HECKLING.

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Come on, Rich Hall. Why is Scottish money not accepted in England?

:21:43.:21:53.
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is! It seems at this point, I could sneak off and no one would notice.

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I don't know, sir, but I promise I will look into it. Next year, I

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will do a one-hour show a why Scottish money is not accepted in

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the South. Everyone will know. think Rich Hall thrives on that. He

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is very aware of Scottishness. His very in tune with the Scottish. And

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they sense that. Scottish audiences are very blunt. They have paid

:22:23.:22:33.
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their money, and they don't want to see a waste of time. I have learned

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to might not to spend money south of the border if it has pictures of

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people you have never heard of before on it. If the Proclaimers

:22:41.:22:46.

are on a �10 note, but is when this country has fucking arrived. That

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is pretty much Edinburgh. You don't know what is going to happen.

:22:51.:22:58.

Exactly. So I guess only one question remains. How do you end up

:22:58.:23:02.

a series that combines bikes surfing, leg injuries and

:23:02.:23:06.

unspeakable acts towards jumpers? The answer is simple, of course. A

:23:06.:23:12.

song. In high last clip from 2001, to mark the final night of the

:23:12.:23:17.

Edinburgh Fringe, Canadian comic Sean Coen took to the stage to sing

:23:17.:23:22.

Oh, Edinburgh, his lyrical tribute and fond farewell to the city

:23:22.:23:28.

combining accuracy, honesty, local references and the most magnificent

:23:28.:23:38.

attention to detail. Thanks to the amazing audiences who have come out.

:23:38.:23:42.

For in a stage of comics and a VAT and alcohol, and ladies and

:23:42.:23:47.

gentlemen, this is what you get. Every comic in the room, come on

:23:47.:23:51.

down? Where would you ever hear, can we have every comedian on the

:23:51.:23:58.

stage now, please? Every comedian in Edinburgh on stage. Everyone is

:23:58.:24:05.

going up on stage. Look at that. my God, there I am. I was beside

:24:05.:24:11.

myself at this, because this was my first Edinburgh. The song at the

:24:11.:24:16.

end was fantastic. I guess you felt as if you deserved it. You deserved

:24:16.:24:20.

to have an experience on the late stage that was positive after all

:24:20.:24:22.

the shit you had gone through. 19 comedians singing.

:24:22.:24:26.

# Oh, Edinburgh, I love your cobbled street.

:24:26.:24:36.
:24:36.:24:43.

# From the grandeur of your town to the peaks of Leith. # From the

:24:43.:24:47.

castle on the hill to Wester Hills. # To the places in the sewers where

:24:47.:24:52.

the midgets sleep. # Oh, Edinburgh. # I have come to you again. It's

:24:52.:24:57.

like Live Aid. People in Africa would look at that and say, these

:24:57.:25:02.

people need help. # When I'm feeling lonely, you surround me in

:25:02.:25:08.

your mist. # Your guide me to the nearest pub.

:25:08.:25:14.

# And I get pissed. # Oh, Edinburgh.

:25:14.:25:19.

# Shine your light on me. # From the moment that I saw you, I

:25:19.:25:28.

knew I would never more be free. # Oh, Edinburgh.

:25:28.:25:34.

You diamond of the north. # I want to make love to you on the filthy

:25:34.:25:40.

Firth of Forth. The filthy Firth of Forth is great.

:25:40.:25:50.
:25:50.:25:52.

# Oh, Edinburgh. # It always makes me smile. # To

:25:52.:25:54.

see a naked, drunken man running down the Royal Mile.

:25:54.:25:57.

Johnny Vegas. It's really sad. I'm looking for myself. I think I'm

:25:57.:26:07.
:26:07.:26:13.

probably tied to a chair backstage. # I eat a deep-fried Mars bar.

:26:13.:26:22.

There's Dara, with his big shiny head! Dara's huge noggin rising

:26:22.:26:24.

like a giant big potato from the horde.

:26:24.:26:30.

# Oh, Edinburgh. Me, with my hanky. Sweaty man. Oh, God. # As I wander

:26:31.:26:33.

through the grass market, I watched an old man pee.

:26:33.:26:40.

I can't read the lyrics. # I think he is my friend.

:26:40.:26:44.

# He speaks to me in mysteries, then urinates again. # Oh,

:26:44.:26:54.
:26:54.:26:56.

Edinburgh. Adam and I know this off by heart! # Oh, Edinburgh. That on

:26:56.:27:04.

stage now would probably cost about �1 million sterling. With all the

:27:04.:27:14.
:27:14.:27:15.

agents holding us. # Oh, Edinburgh. # From the West down to the east. #

:27:15.:27:18.

Your air is always rich with the cloying stench of yeast.

:27:18.:27:26.

# Oh, Edinburgh. # whoa, Edinburgh. # Oh, Edinburgh.

:27:26.:27:36.
:27:36.:27:42.

# Oh, Edinburgh. Oh, man. # I love... You. Look, none of us

:27:43.:27:52.
:27:53.:27:53.

have a career. But now we are all on telly, and will want money. We

:27:53.:27:56.

would never do this together unless we all had contracts. We are all

:27:56.:27:59.

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