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-It's our national drink. -In the next 24 hours, | 0:00:02 | 0:00:05 | |
we'll consume an astonishing 165 million cups of tea. | 0:00:05 | 0:00:10 | |
Which means most of us get through three a day. | 0:00:10 | 0:00:13 | |
Tonight, we'll trace the journey your tea goes on, over 4,000 miles, | 0:00:14 | 0:00:19 | |
from plantation... | 0:00:19 | 0:00:21 | |
..to tea bag. | 0:00:21 | 0:00:22 | |
300 people work in this factory. | 0:00:22 | 0:00:24 | |
It runs 24 hours a day, five days a week, | 0:00:24 | 0:00:28 | |
to keep up with our insatiable demand. | 0:00:28 | 0:00:31 | |
'I'm Gregg Wallace.' | 0:00:34 | 0:00:36 | |
I feel a bit nervous. | 0:00:36 | 0:00:37 | |
That's a tonne of tea above my head. | 0:00:37 | 0:00:40 | |
'And, in just one day, | 0:00:40 | 0:00:41 | |
'I'll be making enough of these little fellas...' | 0:00:41 | 0:00:44 | |
That's like making ravioli. | 0:00:44 | 0:00:46 | |
'..for nearly everyone in Scotland and Northern Ireland | 0:00:46 | 0:00:49 | |
'to enjoy a cuppa.' | 0:00:49 | 0:00:50 | |
'I'm Cherry Healey...' | 0:00:52 | 0:00:54 | |
Wowsers! Woohoo. | 0:00:54 | 0:00:57 | |
..and I'm discovering that half the tea we drink | 0:00:57 | 0:01:00 | |
comes from someone you would never expect. | 0:01:00 | 0:01:04 | |
That would make a tea bag. | 0:01:04 | 0:01:06 | |
'I'll also master the art... | 0:01:06 | 0:01:08 | |
Surely the tea will be ruined? | 0:01:08 | 0:01:11 | |
'..of making the very best tea bag brew.' | 0:01:11 | 0:01:14 | |
It is, without doubt, the perfect cup of tea. | 0:01:14 | 0:01:18 | |
And historian Ruth Goodman will reveal | 0:01:18 | 0:01:21 | |
how tea kept our troops going in wartime. | 0:01:21 | 0:01:25 | |
-Does the trick, doesn't it? -It does. | 0:01:25 | 0:01:26 | |
-That's a good cup of tea. -It's a good cup of Rosie Lee. | 0:01:26 | 0:01:29 | |
Over the next 24 hours, | 0:01:32 | 0:01:34 | |
40 million tea bags will fly out of this factory. | 0:01:34 | 0:01:38 | |
And we'll show you just what it takes to produce them. | 0:01:38 | 0:01:41 | |
Welcome to Inside The Factory. | 0:01:41 | 0:01:43 | |
This is the huge Typhoo tea factory on the Wirral, near Liverpool. | 0:02:05 | 0:02:10 | |
As well as their own brands, they make tea bags for supermarkets. | 0:02:10 | 0:02:14 | |
Altogether, they're responsible for about a quarter of all the tea | 0:02:14 | 0:02:18 | |
we drink in the UK. | 0:02:18 | 0:02:19 | |
Today, we are concentrating on the nation's favourite | 0:02:22 | 0:02:25 | |
and, more importantly, my favourite - | 0:02:25 | 0:02:27 | |
good old-fashioned builder's. | 0:02:27 | 0:02:29 | |
This 28,500-square-metre factory has been creating our classic cuppa | 0:02:32 | 0:02:38 | |
for 39 years. | 0:02:38 | 0:02:40 | |
Here, I'll be transforming 20 tonnes of tea leaves | 0:02:41 | 0:02:45 | |
into almost seven million tea bags. | 0:02:45 | 0:02:48 | |
Up to five lorries arrive here every morning, | 0:02:50 | 0:02:53 | |
packed to the brim with tea leaves from around the world. | 0:02:53 | 0:02:56 | |
Today, coming into the unloading bay is a delivery for me. | 0:03:00 | 0:03:03 | |
Meeting it is blending manager Dave Langton. | 0:03:05 | 0:03:09 | |
Dave. I'm Gregg. | 0:03:11 | 0:03:13 | |
-Nice to meet you, Gregg. -Why have you got these great big things? | 0:03:13 | 0:03:16 | |
Well, as you see, Gregg, on the container itself, | 0:03:16 | 0:03:19 | |
it's actually got a seal on it which we always check | 0:03:19 | 0:03:21 | |
before the vehicle's arriving | 0:03:21 | 0:03:23 | |
to make sure the container hasn't been interfered with. | 0:03:23 | 0:03:25 | |
-Come on, then, let's have it off. -OK. Do you want to do that? | 0:03:25 | 0:03:28 | |
Really? | 0:03:28 | 0:03:29 | |
-Where do you do it? -At the bottom. | 0:03:31 | 0:03:33 | |
Crikey, mate! | 0:03:33 | 0:03:35 | |
GREGG GRUNTS | 0:03:36 | 0:03:39 | |
-For crying out loud! -There we go. | 0:03:39 | 0:03:41 | |
The countdown from sacks of leaves to my tea bags begins. | 0:03:41 | 0:03:45 | |
Is that dried already? | 0:03:53 | 0:03:55 | |
-Dried tea leaves? -That's dried tea leaves, yes. | 0:03:55 | 0:03:57 | |
There's 20 pallets on that with roughly 24.5 tonne. | 0:03:57 | 0:04:00 | |
24.5 tonnes of tea? | 0:04:00 | 0:04:02 | |
-That's an astounding amount of tea. -Mm-hm. | 0:04:02 | 0:04:05 | |
Do you know what? I'm just thinking, | 0:04:06 | 0:04:07 | |
cos I've been through quite a few factories. | 0:04:07 | 0:04:10 | |
This is going to make for a pretty quick show because all we've got | 0:04:10 | 0:04:12 | |
to do now is open this up now and stick it into bags, right? | 0:04:12 | 0:04:14 | |
No. There's a lot more process involved than that, Gregg. | 0:04:14 | 0:04:17 | |
It'll take an hour to get these 20 pallets of dried leaves | 0:04:21 | 0:04:24 | |
off the lorry and into the factory. | 0:04:24 | 0:04:26 | |
While these guys unload, | 0:04:29 | 0:04:31 | |
Cherry's been to see where almost half the tea | 0:04:31 | 0:04:33 | |
they use here comes from. | 0:04:33 | 0:04:35 | |
You're probably expecting me to be in India or China | 0:04:38 | 0:04:41 | |
because that's where tea is grown, right? | 0:04:41 | 0:04:44 | |
Well, no, I'm in Kenya. | 0:04:44 | 0:04:46 | |
I'm 30 miles south of the equator, where Kenya's warm, humid climate | 0:04:49 | 0:04:54 | |
is perfect for growing tea all year round. | 0:04:54 | 0:04:57 | |
It has more than 800 square miles of plantations, | 0:04:59 | 0:05:03 | |
and is the world's biggest black tea exporter. | 0:05:03 | 0:05:06 | |
The majority of its crop is grown by half-a-million small-scale farmers. | 0:05:08 | 0:05:13 | |
-Hi, Mr Mwangi. -Welcome. | 0:05:13 | 0:05:15 | |
'Farm manager Simon Mwangi has got me on his picking team today.' | 0:05:15 | 0:05:20 | |
You have a stick to maintain the plucking level. | 0:05:21 | 0:05:24 | |
So anything above the stick I can pluck? | 0:05:24 | 0:05:27 | |
Anything else cannot produce good tea. | 0:05:27 | 0:05:30 | |
-So, only pick...? -Two leaves and a bud. | 0:05:30 | 0:05:33 | |
Two leaves and a bud. So that's the trick? | 0:05:33 | 0:05:36 | |
Two leaves and a bud. | 0:05:36 | 0:05:38 | |
Yeah, you pluck like that. | 0:05:38 | 0:05:40 | |
-Is that right? -Yeah, that's right. | 0:05:40 | 0:05:42 | |
-That's the key to a good cuppa? -Yes. | 0:05:42 | 0:05:45 | |
I'll give it a go. | 0:05:45 | 0:05:46 | |
'The tea bush is a variety of the camellia family of plants, | 0:05:48 | 0:05:52 | |
'more commonly seen as a flowering shrub in our gardens.' | 0:05:52 | 0:05:56 | |
Oh, my God, she's so fast. You're so fast! | 0:05:56 | 0:05:58 | |
'The top two leaves are known as the tips.' | 0:05:58 | 0:06:00 | |
God, how can you even see them? | 0:06:00 | 0:06:02 | |
'They're the youngest, tenderest leaves, and give the best flavour.' | 0:06:02 | 0:06:06 | |
How are you so fast?! | 0:06:06 | 0:06:09 | |
'I'm not sure I've got the technique quite right.' | 0:06:09 | 0:06:12 | |
-Is that too long? -This can be... | 0:06:12 | 0:06:15 | |
Taken down. So, they really just want the leaves? | 0:06:15 | 0:06:18 | |
-Yeah. -Once you've picked the tea, how long does it take to grow back? | 0:06:18 | 0:06:23 | |
About two weeks. | 0:06:23 | 0:06:24 | |
Two weeks? That's so fast. | 0:06:24 | 0:06:26 | |
And do you like tea? | 0:06:26 | 0:06:28 | |
-Very much. -Do you? | 0:06:28 | 0:06:29 | |
So, at the end of the day, do you have a nice cup of tea? | 0:06:30 | 0:06:33 | |
-Yes. -Oh, do you? | 0:06:33 | 0:06:34 | |
That would make a tea bag. | 0:06:42 | 0:06:44 | |
Isn't that beautiful? | 0:06:45 | 0:06:46 | |
These 12g of fresh green leaves will shrink down | 0:06:46 | 0:06:50 | |
to just under 3g of finished black tea. | 0:06:50 | 0:06:53 | |
I feel like my pile is very puny compared to everyone else's! | 0:07:01 | 0:07:05 | |
Look at Aaron's! | 0:07:05 | 0:07:07 | |
But you have tried. | 0:07:07 | 0:07:09 | |
Everyone loves a trier. | 0:07:09 | 0:07:10 | |
-Yes. -And I'm definitely trying. | 0:07:10 | 0:07:12 | |
We're taking my leaves to the processing plant | 0:07:16 | 0:07:18 | |
less than a mile away. | 0:07:18 | 0:07:19 | |
It was built in 1965, and is now a cooperative, | 0:07:23 | 0:07:27 | |
working with more than 6,500 smallholding farmers. | 0:07:27 | 0:07:30 | |
Our fresh, delicate crop needs preserving quickly, | 0:07:32 | 0:07:35 | |
to lock in its flavour, before it's shipped overseas. | 0:07:35 | 0:07:39 | |
That... Wow! | 0:07:39 | 0:07:41 | |
They move! | 0:07:41 | 0:07:42 | |
'The process starts in the withering room.' | 0:07:44 | 0:07:47 | |
Whoa! | 0:07:47 | 0:07:48 | |
'Joseph Arethee is the factory manager.' | 0:07:48 | 0:07:50 | |
Now what do we do? | 0:07:50 | 0:07:52 | |
-We pour the tea... -OK. -..from the bag. -OK. | 0:07:52 | 0:07:55 | |
-Then we do the spreading. We spread it. -Spreading? | 0:07:55 | 0:07:58 | |
Why do you do it like that? | 0:07:58 | 0:08:00 | |
So we want to spread and then air it. | 0:08:00 | 0:08:04 | |
So to cool it? | 0:08:04 | 0:08:05 | |
-To cool it. -Right, OK. -Yes. | 0:08:05 | 0:08:07 | |
The leaves sit here for 12 hours | 0:08:09 | 0:08:11 | |
to let around 30% of their moisture content evaporate into the air. | 0:08:11 | 0:08:16 | |
Those destined for loose-leaf tea are rolled just enough | 0:08:18 | 0:08:21 | |
to make them twist, which produces a lighter taste. | 0:08:21 | 0:08:25 | |
The leaves for tea bags go through a cut, tear and curl process, | 0:08:27 | 0:08:31 | |
which helps them infuse and brew more quickly. | 0:08:31 | 0:08:34 | |
They're turned into a fine, wet mush. | 0:08:36 | 0:08:38 | |
Next, this green paste must be aerated for 90 minutes. | 0:08:56 | 0:09:00 | |
The oxygen reacts with the enzymes of the leaves, | 0:09:05 | 0:09:08 | |
changing their colour. | 0:09:08 | 0:09:09 | |
Yes. | 0:09:14 | 0:09:15 | |
Yes. | 0:09:16 | 0:09:17 | |
Not yet? | 0:09:30 | 0:09:31 | |
Our damp tea needs one more crucial transformation. | 0:09:35 | 0:09:38 | |
The mega-drier reduces the moisture level in the leaves to just 3%. | 0:09:43 | 0:09:48 | |
Now it's dry, the tea is sieved and sorted by particle size, | 0:09:53 | 0:09:57 | |
ready for packing. | 0:09:57 | 0:09:58 | |
Just in that one pallet is 1,360kg of tea. | 0:10:08 | 0:10:15 | |
Enough for almost half a million cups! | 0:10:15 | 0:10:19 | |
It's taken around 18 hours to get my leaves from the field | 0:10:20 | 0:10:24 | |
and onto this lorry. | 0:10:24 | 0:10:25 | |
Now, it's heading off on a long and complex journey to the UK. | 0:10:25 | 0:10:30 | |
First, it's driven for ten hours to the port of Mombasa. | 0:10:33 | 0:10:37 | |
From there, a container ship carries it on a four-week voyage, | 0:10:39 | 0:10:43 | |
calling at ports along the route, | 0:10:43 | 0:10:45 | |
through the Suez Canal, across the Mediterranean, | 0:10:45 | 0:10:48 | |
around the European coast, and into the Port of Liverpool. | 0:10:48 | 0:10:52 | |
Once it hits dry land, it's just a 20-minute hop to the factory. | 0:10:54 | 0:10:58 | |
Here, they buy leaves from seven countries around the world. | 0:11:00 | 0:11:04 | |
And this morning's delivery from Kenya | 0:11:05 | 0:11:07 | |
came from five different plantations. | 0:11:07 | 0:11:09 | |
Righto, Dave, we've got it unloaded. Now what? | 0:11:10 | 0:11:13 | |
We're going to take samples to ensure what's actually arrived | 0:11:13 | 0:11:16 | |
on site is what we've actually paid for. | 0:11:16 | 0:11:18 | |
-Right, OK. -Would you like to take this sample for me? | 0:11:18 | 0:11:20 | |
-What have I got to do? -OK, if you'd like to cut a V into the bag itself. | 0:11:20 | 0:11:24 | |
What, either side of the elephant? | 0:11:25 | 0:11:26 | |
-Whoa! Whoa! -And into your hand. | 0:11:28 | 0:11:30 | |
There you go. | 0:11:30 | 0:11:31 | |
Oh, I see, you cut the V because, as soon as you push the V back in, | 0:11:31 | 0:11:33 | |
-it stops coming out. -It stops coming out. | 0:11:33 | 0:11:35 | |
That's something we've learned, that's something we've learned. | 0:11:35 | 0:11:38 | |
Yeah. I can't believe that works! | 0:11:38 | 0:11:40 | |
'Now my delivery needs testing to make sure it's up to standard.' | 0:11:40 | 0:11:44 | |
-What is this? -This is our trolley to transport our samples | 0:11:46 | 0:11:49 | |
-through to the tasting department. -Is that as hi-tech as it gets? | 0:11:49 | 0:11:52 | |
-That is, I'm afraid. -How long have you had this trolley? | 0:11:52 | 0:11:54 | |
That's probably older than me, that trolley, Gregg. | 0:11:54 | 0:11:57 | |
All right, listen, cheers, mate. | 0:11:57 | 0:11:58 | |
Just around the corner | 0:12:02 | 0:12:03 | |
is the factory's tasting and blending department. | 0:12:03 | 0:12:06 | |
The four experts here taste every consignment of tea | 0:12:13 | 0:12:16 | |
that arrives at the factory. | 0:12:16 | 0:12:19 | |
Alan Hargreaves is head of buying and blending, | 0:12:19 | 0:12:22 | |
and has been tasting tea for 30 years. | 0:12:22 | 0:12:25 | |
-Alan. -Gregg. | 0:12:25 | 0:12:26 | |
I've got samples. | 0:12:26 | 0:12:28 | |
-Excellent. -Come on, then, get the kettle on. | 0:12:28 | 0:12:30 | |
OK, we've got the kettle on there. | 0:12:30 | 0:12:31 | |
So, first of all, we've got to weigh this up. | 0:12:31 | 0:12:34 | |
So we're weighing roughly 2.8g of tea. | 0:12:34 | 0:12:36 | |
-Which weighs the same as an old shilling. -Yes. | 0:12:36 | 0:12:39 | |
And, if you look at what we've got in there, it's an old shilling. | 0:12:39 | 0:12:41 | |
You know, this is a multi-million-pound, world industry, | 0:12:41 | 0:12:44 | |
I've used a little shopping trolley to bring it here, | 0:12:44 | 0:12:47 | |
you've put an old-fashioned kettle on, | 0:12:47 | 0:12:49 | |
and now you're weighing it out with a manual scale | 0:12:49 | 0:12:51 | |
-with a shilling in it. -It's a very traditional trade. | 0:12:51 | 0:12:54 | |
This is brilliant. | 0:12:54 | 0:12:56 | |
Just be careful cos it is a little bit hot. | 0:12:56 | 0:12:58 | |
I want you to take a slurp. | 0:12:58 | 0:13:00 | |
ALAN SLURPS | 0:13:00 | 0:13:01 | |
Draw in air to the back of the palate, | 0:13:04 | 0:13:06 | |
swill it around, and then spit it out. | 0:13:06 | 0:13:08 | |
-Slurp it and spit it? -Yes. | 0:13:08 | 0:13:09 | |
My mum spent almost 20 years telling me not to. | 0:13:09 | 0:13:12 | |
GREGG SLURPS | 0:13:14 | 0:13:16 | |
-Good? -Too good to spit out, mate, to be honest. | 0:13:18 | 0:13:21 | |
ALAN CHUCKLES That is actually nice. | 0:13:21 | 0:13:24 | |
If it's OK, can we just stick it in bags and send it out? | 0:13:24 | 0:13:27 | |
No, no, no, we can't do that. | 0:13:27 | 0:13:29 | |
This is just the first point of call of making the blend. | 0:13:29 | 0:13:34 | |
So, what I have here... | 0:13:34 | 0:13:35 | |
Hang on, hang on. Blend? | 0:13:35 | 0:13:38 | |
So every blend basically is roughly 20 different tea estates. | 0:13:38 | 0:13:42 | |
So the tea in my tea bag - that's a blend of different tea leaves? | 0:13:42 | 0:13:46 | |
Correct. | 0:13:46 | 0:13:48 | |
'The flavour of black tea varies from country to country, | 0:13:48 | 0:13:52 | |
'even from field to field.' | 0:13:52 | 0:13:54 | |
One thing you've got to remember, it's a vegetation crop, | 0:13:55 | 0:13:58 | |
we have different climatic conditions, | 0:13:58 | 0:14:00 | |
we have different processes. | 0:14:00 | 0:14:01 | |
-In different weather and different soil? -Yes. | 0:14:01 | 0:14:04 | |
-It's like making wine. -Yes. -But you're blending different teas | 0:14:04 | 0:14:07 | |
from all over the world every single time... | 0:14:07 | 0:14:10 | |
-Yes. -..to make the flavour that you need? | 0:14:10 | 0:14:13 | |
-Yes. -That's always the same? -Yes. | 0:14:13 | 0:14:15 | |
Wow. | 0:14:18 | 0:14:19 | |
I had absolutely no idea. | 0:14:19 | 0:14:22 | |
Alan's team created the master blend in 1978, | 0:14:22 | 0:14:27 | |
but the exact recipe changes every day, | 0:14:27 | 0:14:30 | |
depending on the available mix of leaves. | 0:14:30 | 0:14:32 | |
It's the only way to make sure the bags made this week | 0:14:34 | 0:14:37 | |
taste exactly like the ones from last week. | 0:14:37 | 0:14:39 | |
Today, the Kenyan leaves I brought in | 0:14:41 | 0:14:43 | |
are the crucial final ingredient. | 0:14:43 | 0:14:46 | |
-Perfect. -So you're happy with this now. | 0:14:47 | 0:14:50 | |
All right, so what do we do now? | 0:14:50 | 0:14:51 | |
Yes. So I've got the recipe here, which is top secret. | 0:14:51 | 0:14:55 | |
This one is for 20 tonnes. | 0:14:55 | 0:14:57 | |
I'll pass that to you. | 0:14:57 | 0:14:58 | |
You can take that into the factory and we can start blending it. | 0:14:58 | 0:15:01 | |
And this is secret, is it? | 0:15:01 | 0:15:02 | |
Top secret. | 0:15:02 | 0:15:03 | |
Am I allowed to look at it? | 0:15:03 | 0:15:05 | |
You can have a peep. | 0:15:05 | 0:15:06 | |
It doesn't mean a lot to me, to be honest. | 0:15:08 | 0:15:10 | |
So this one here is from Kenya. | 0:15:10 | 0:15:12 | |
It's this key element which was the final piece of the jigsaw. | 0:15:12 | 0:15:14 | |
I learnt a lot there. | 0:15:16 | 0:15:17 | |
-I found that fascinating. Thank you. -You're welcome. | 0:15:17 | 0:15:19 | |
All the work that Alan and his team do | 0:15:25 | 0:15:27 | |
ensures that your tea tastes exactly the same every single day. | 0:15:27 | 0:15:32 | |
But, as Ruth Goodman's been discovering, | 0:15:32 | 0:15:34 | |
back in the Victorian era, | 0:15:34 | 0:15:36 | |
you couldn't always trust what was in your brew. | 0:15:36 | 0:15:38 | |
'In the early 19th century, if you wanted to buy tea...' | 0:15:43 | 0:15:47 | |
Hello. | 0:15:47 | 0:15:48 | |
'..you went to the grocer's and asked for it by weight.' | 0:15:48 | 0:15:52 | |
But there was a problem - | 0:15:54 | 0:15:56 | |
you had absolutely no idea whether what you were buying | 0:15:56 | 0:15:59 | |
was, in fact, pure tea. | 0:15:59 | 0:16:01 | |
Tea adulteration was rampant. | 0:16:01 | 0:16:04 | |
Historian Jane Pettigrew has been investigating the treacheries | 0:16:07 | 0:16:11 | |
of the early tea trade. | 0:16:11 | 0:16:13 | |
Tea was so expensive in those days. | 0:16:13 | 0:16:15 | |
The average price of a pound of tea in round about 1800 | 0:16:15 | 0:16:20 | |
was between 18 shillings and 20 shillings. | 0:16:20 | 0:16:22 | |
RUTH GASPS | 0:16:22 | 0:16:23 | |
That would be around £30 in today's money. | 0:16:23 | 0:16:26 | |
The high cost meant it was tempting for fraudsters to fake it. | 0:16:27 | 0:16:32 | |
Unscrupulous traders would actually make false tea | 0:16:32 | 0:16:35 | |
by picking leaves from other bushes and trees, | 0:16:35 | 0:16:38 | |
and they would take those leaves and they would be boiled up | 0:16:38 | 0:16:42 | |
in ferrous sulphate and sheep's dung! | 0:16:42 | 0:16:45 | |
The chemical ferrous sulphate, along with the sheep's dung, added colour. | 0:16:46 | 0:16:50 | |
And then that would be mixed with real tea | 0:16:50 | 0:16:53 | |
that had already been brewed. | 0:16:53 | 0:16:55 | |
-Second-hand tea. -Second-hand teas, yes. | 0:16:55 | 0:16:58 | |
And then, coloured in Prussian blue to give them that blue-green tinge. | 0:16:58 | 0:17:03 | |
So, people were drinking all sorts of things | 0:17:03 | 0:17:05 | |
that they really shouldn't have been. | 0:17:05 | 0:17:06 | |
I would not want to be drinking something | 0:17:06 | 0:17:08 | |
-that's been steeped in sheep's dung. -No! | 0:17:08 | 0:17:10 | |
I mean, you just don't know, do you? | 0:17:10 | 0:17:11 | |
And all these dangerous chemicals | 0:17:11 | 0:17:13 | |
that would certainly not be allowed today. | 0:17:13 | 0:17:15 | |
At least eight factories in London in the 1840s | 0:17:17 | 0:17:20 | |
existed for the sole purpose of drying used tea leaves | 0:17:20 | 0:17:24 | |
and reselling them to fraudulent dealers. | 0:17:24 | 0:17:27 | |
But one man was to change all this, | 0:17:27 | 0:17:29 | |
and allow us to trust our tea. | 0:17:29 | 0:17:32 | |
He was honest John Horniman, | 0:17:34 | 0:17:36 | |
a Quaker tea merchant whose business integrity | 0:17:36 | 0:17:39 | |
helped make him a large fortune. | 0:17:39 | 0:17:42 | |
He invented a tea packaging machine and, according to Fiona Kerlogue, | 0:17:42 | 0:17:46 | |
curator of the Horniman Museum, that was the game-changer. | 0:17:46 | 0:17:49 | |
John Horniman was the first person to sell tea in sealed packages | 0:17:52 | 0:17:56 | |
of guaranteed weight and purity. | 0:17:56 | 0:18:00 | |
Unlike most tea being produced at the time, Horniman's was pure, | 0:18:00 | 0:18:03 | |
and he made the most of this unique selling point in his advertising. | 0:18:03 | 0:18:08 | |
This is a poster from the 1850s. | 0:18:08 | 0:18:11 | |
-Oh, right. -And it says, | 0:18:11 | 0:18:12 | |
"Tea with the import mark of your firm is as described, | 0:18:12 | 0:18:15 | |
"perfectly pure and free from all artificial colouring, and is, | 0:18:15 | 0:18:19 | |
"in every respect, wholesome and most desirable for general use." | 0:18:19 | 0:18:23 | |
His strategy was so successful that, by 1891, | 0:18:26 | 0:18:30 | |
he was said to have the largest tea company in the world. | 0:18:30 | 0:18:33 | |
Horniman's successful package branding strategy | 0:18:37 | 0:18:40 | |
quickly attracted a whole host of rivals. | 0:18:40 | 0:18:43 | |
And, in 1918, one of the new brands, Lyons Tea, bought Horniman's. | 0:18:44 | 0:18:50 | |
Eventually, the name disappeared from the UK, | 0:18:50 | 0:18:52 | |
although it still remains a market leader in Spain! | 0:18:52 | 0:18:56 | |
And I think it's rather a shame that honest John Horniman | 0:18:56 | 0:19:00 | |
doesn't get a bit more credit for this whole phenomenon, | 0:19:00 | 0:19:04 | |
for helping us enjoy a cuppa, | 0:19:04 | 0:19:06 | |
safe in the knowledge that it really is nothing but pure tea. | 0:19:06 | 0:19:10 | |
At the factory, I'm in the tea storage area, | 0:19:15 | 0:19:19 | |
and ready for the next step on my epic tea bag journey. | 0:19:19 | 0:19:22 | |
It's over three hours since my Kenyan shipment arrived. | 0:19:25 | 0:19:29 | |
Head blender Alan has approved my leaves | 0:19:29 | 0:19:31 | |
and given me my ingredient list, so I can start making my blend. | 0:19:31 | 0:19:35 | |
So far, my recipe has only be made in a sample size. | 0:19:41 | 0:19:45 | |
Now we're scaling it up to 20 tonnes of tea bags | 0:19:46 | 0:19:50 | |
using 320 sacks of leaves. | 0:19:50 | 0:19:54 | |
Each pallet holds a separate element of the blend. | 0:19:57 | 0:20:00 | |
Keeping track of it all is operations manager Danny McGrail. | 0:20:00 | 0:20:05 | |
Here he is. How are you, mate? | 0:20:05 | 0:20:07 | |
-Are you all right, mate? -You all right? | 0:20:07 | 0:20:08 | |
What is that? | 0:20:08 | 0:20:10 | |
That is Robbie the Robot. | 0:20:10 | 0:20:12 | |
And he's our robot who picks up all our tea here on site for us. | 0:20:12 | 0:20:15 | |
OK, so, we're going to start Robbie off. | 0:20:17 | 0:20:19 | |
It's the green button and the black button there. | 0:20:19 | 0:20:22 | |
We need to press and twist at the same time. | 0:20:22 | 0:20:24 | |
So press the green button with your thumb. | 0:20:24 | 0:20:26 | |
Twist the black button, hit the green one? | 0:20:26 | 0:20:28 | |
No, simultaneously. | 0:20:28 | 0:20:29 | |
Yeah! Ya-hey! | 0:20:31 | 0:20:32 | |
My tea blend recipe uses leaves grown in seven regions | 0:20:57 | 0:21:01 | |
across five different countries. | 0:21:01 | 0:21:03 | |
How can he see where the bags are? | 0:21:06 | 0:21:08 | |
There's a camera up on the top, so he's taken a photo of it, | 0:21:08 | 0:21:10 | |
a picture of it, every one, so he knows where they are. | 0:21:10 | 0:21:13 | |
But how does he know which pallets to take them from? | 0:21:13 | 0:21:16 | |
So we've pre-programmed it before we've started the machine off, | 0:21:16 | 0:21:19 | |
so Robbie knows now he's got to pick two bags | 0:21:19 | 0:21:22 | |
off each of the 16 pallets. | 0:21:22 | 0:21:23 | |
-We want nearly 20 tonnes of tea. -Correct. | 0:21:23 | 0:21:26 | |
Why is he only taking two bags at a time? | 0:21:26 | 0:21:29 | |
Cos we blend it in two-tonne sections. | 0:21:29 | 0:21:32 | |
We couldn't fit all 20 in one blending drum, you see, Gregg. | 0:21:32 | 0:21:36 | |
-So we're going to get 20 tonnes... -Yeah. -..but in ten batches of two? | 0:21:36 | 0:21:38 | |
Ten batches of two tonne. | 0:21:38 | 0:21:40 | |
The sacks are tipped into something | 0:21:47 | 0:21:49 | |
that looks surprisingly like my tumble dryer. | 0:21:49 | 0:21:52 | |
So what we're trying to do in this part is actually empty the sack. | 0:21:52 | 0:21:56 | |
So it's being ripped open before it gets into there? | 0:21:57 | 0:22:00 | |
Yeah, there's a giant saw in front of it that cuts the sack of tea, | 0:22:00 | 0:22:04 | |
all the tea spills out through the giant tumbler, | 0:22:04 | 0:22:06 | |
and then the sack's going to work its way along, | 0:22:06 | 0:22:09 | |
get pushed out the side, and be compacted. | 0:22:09 | 0:22:12 | |
It's almost hypnotic. | 0:22:12 | 0:22:13 | |
And it's a lovely smell as well. | 0:22:13 | 0:22:15 | |
My fragrant tea leaves fall onto a conveyor belt | 0:22:19 | 0:22:22 | |
and are then sent back up a pipe | 0:22:22 | 0:22:24 | |
before dropping down into an oversized sieve. | 0:22:24 | 0:22:28 | |
This is just an enormous machine basically doing that. | 0:22:28 | 0:22:31 | |
Basically, yeah. | 0:22:31 | 0:22:32 | |
I love the fact that it comes down and doesn't get any further, | 0:22:32 | 0:22:35 | |
and then shrinks back up. | 0:22:35 | 0:22:37 | |
-Yeah. -So all the tea is falling through the holes? -Yeah. | 0:22:37 | 0:22:39 | |
Everything else... | 0:22:39 | 0:22:40 | |
Everything else will just vibrate all the way down to the bottom, | 0:22:40 | 0:22:43 | |
and that'll go out into our waste stream. | 0:22:43 | 0:22:45 | |
As well as, obviously, bits of bag, | 0:22:45 | 0:22:47 | |
anything else get stuck in there? | 0:22:47 | 0:22:50 | |
So there's actually little bits of metal that you can actually see | 0:22:50 | 0:22:54 | |
in there that have come through in the tea as well. | 0:22:54 | 0:22:57 | |
That was in the sack of tea? | 0:22:57 | 0:22:59 | |
Yes, that will come through. | 0:22:59 | 0:23:01 | |
All the way from Africa? | 0:23:01 | 0:23:03 | |
-Yeah. -Not what you'd expect to find in your tea bag. | 0:23:03 | 0:23:06 | |
You'd be SCREWED. DANNY CHUCKLES | 0:23:06 | 0:23:09 | |
It will take two hours to sieve my 20 tonnes of leaves. | 0:23:12 | 0:23:15 | |
Next, a conveyor takes them into the blending area, | 0:23:19 | 0:23:22 | |
where my seven different teas will be mixed together. | 0:23:22 | 0:23:25 | |
Where does it come in? | 0:23:28 | 0:23:29 | |
It's coming in above our heads there, Gregg, on a belt. | 0:23:29 | 0:23:31 | |
The tea is then going to slide down and fall into our drums. | 0:23:31 | 0:23:34 | |
-Goes in both sides? -Both sides. | 0:23:34 | 0:23:36 | |
The drum will rotate one way when it's filling, for four minutes. | 0:23:36 | 0:23:39 | |
It'll then blend it for four minutes. | 0:23:39 | 0:23:41 | |
'It's like a giant food mixer, and a gently efficient way | 0:23:41 | 0:23:45 | |
'to spread my different leaves evenly through the batch.' | 0:23:45 | 0:23:49 | |
Once it's finished blending it, | 0:23:49 | 0:23:50 | |
it's going to rotate the opposite way, | 0:23:50 | 0:23:52 | |
and that empties the system, and then that sends it upstairs for us. | 0:23:52 | 0:23:57 | |
I don't really understand how it's getting back upstairs. | 0:23:57 | 0:24:00 | |
So on these two side stanchions there, Gregg, | 0:24:00 | 0:24:02 | |
is what we call a bucket elevator, | 0:24:02 | 0:24:04 | |
and in there is hundreds of stainless steel scoops. | 0:24:04 | 0:24:07 | |
When the drum is emptying, | 0:24:07 | 0:24:08 | |
it dispenses into each one of these stainless steel buckets | 0:24:08 | 0:24:12 | |
and it starts to go up, gets itself to the top, | 0:24:12 | 0:24:14 | |
and when it is at its highest point, | 0:24:14 | 0:24:16 | |
it will drop vertical, drop the tea onto a belt. | 0:24:16 | 0:24:19 | |
Why does it go back up? That's a bad design. | 0:24:19 | 0:24:21 | |
-It is a bad design. -Wouldn't it be easier to fall through the floor? | 0:24:21 | 0:24:23 | |
Our factory actually wasn't designed to make tea bags originally. | 0:24:23 | 0:24:26 | |
-It was actually a chocolate factory. -Is that right? -That's correct. | 0:24:26 | 0:24:29 | |
You were never meant to make tea in the first place? | 0:24:29 | 0:24:31 | |
We weren't meant to make tea bags, so we've had to adapt our factory, | 0:24:31 | 0:24:34 | |
and to design a system that actually does it the wrong way round - | 0:24:34 | 0:24:37 | |
we have to actually take ours upstairs, across, | 0:24:37 | 0:24:40 | |
-and then bring it back downstairs. -Got you! | 0:24:40 | 0:24:43 | |
That's the first two tonnes of my classic blend mixed. | 0:24:45 | 0:24:48 | |
But back in Kenya, Cherry's finding out what gives tea its great taste | 0:24:50 | 0:24:54 | |
in the first place. | 0:24:54 | 0:24:57 | |
If you look at where tea comes from, | 0:24:57 | 0:24:58 | |
there's nothing to indicate that it would make a good brew. | 0:24:58 | 0:25:01 | |
Looks a bit like a privet hedge. | 0:25:01 | 0:25:03 | |
But if you scrutinise the chemistry of a tea leaf, | 0:25:03 | 0:25:07 | |
it's astonishingly complex. | 0:25:07 | 0:25:10 | |
Around 30% of every tea leaf is made of a group of chemicals | 0:25:10 | 0:25:15 | |
called polyphenols. | 0:25:15 | 0:25:17 | |
They contribute to the tea's flavour. | 0:25:17 | 0:25:20 | |
Polyphenols are produced by the plant as a defence against insects. | 0:25:20 | 0:25:24 | |
They really don't like the taste of them. | 0:25:24 | 0:25:26 | |
But we do. | 0:25:26 | 0:25:28 | |
And in the tea processing plant, | 0:25:28 | 0:25:29 | |
these polyphenols can be manipulated | 0:25:29 | 0:25:32 | |
to dramatically alter the appearance, | 0:25:32 | 0:25:35 | |
aroma and flavour of your drinks. | 0:25:35 | 0:25:37 | |
Factory manager Joseph Arethee fills me in. | 0:25:38 | 0:25:41 | |
So what are we making now? | 0:25:42 | 0:25:44 | |
We are making green tea. | 0:25:44 | 0:25:46 | |
Green tea. This looks exactly like all the other tea we've seen. | 0:25:46 | 0:25:50 | |
Why is this green tea? | 0:25:50 | 0:25:52 | |
It is exactly like the other tea we have seen. | 0:25:52 | 0:25:54 | |
It is the same tea leaves. | 0:25:54 | 0:25:57 | |
So I thought green tea, white tea and black tea | 0:25:57 | 0:26:00 | |
all came from different plants. | 0:26:00 | 0:26:02 | |
No, no. It is the same tea plant. | 0:26:02 | 0:26:05 | |
The only difference between all of those types of tea | 0:26:05 | 0:26:09 | |
is the way you process the leaf | 0:26:09 | 0:26:11 | |
after you get it from the mother plant. | 0:26:11 | 0:26:13 | |
For green tea, they steam the fresh leaves at 100 degrees. | 0:26:16 | 0:26:20 | |
This stops the enzymes reacting with the oxygen, | 0:26:21 | 0:26:24 | |
so the leaves stay green instead of turning brown | 0:26:24 | 0:26:28 | |
and keep more of those tasty polyphenols. | 0:26:28 | 0:26:30 | |
Is it tea time? | 0:26:33 | 0:26:34 | |
-It is tea time. -Yes! -Welcome, welcome, welcome. | 0:26:34 | 0:26:37 | |
Taster Peter Kamanga is showing me how the different treatment | 0:26:37 | 0:26:40 | |
affects the flavour. First, green tea. | 0:26:40 | 0:26:43 | |
-What does that taste remind you of? -Green. | 0:26:43 | 0:26:46 | |
-It tastes green. -We call that character grassy. | 0:26:46 | 0:26:48 | |
-Grassy. -Grassy. It's very greenish. | 0:26:48 | 0:26:50 | |
Next, black tea. | 0:26:51 | 0:26:53 | |
The oxidisation which changes the colour of the leaves | 0:26:53 | 0:26:56 | |
also changes the make-up of the polyphenols, | 0:26:56 | 0:26:59 | |
creating a deeper, maltier flavour. | 0:26:59 | 0:27:02 | |
And Peter has their strongest grade for me to try. | 0:27:04 | 0:27:07 | |
That's a lovely cup. | 0:27:08 | 0:27:09 | |
-Is that lovely? -It's so gutty. | 0:27:09 | 0:27:12 | |
-Gutty? -It just bites your cheeks. | 0:27:12 | 0:27:14 | |
-OK, it's gutty and bitey. -Yeah. | 0:27:14 | 0:27:17 | |
I'm going to have... I'm going to have slightly less. | 0:27:17 | 0:27:19 | |
It is quite sharp, yeah? | 0:27:24 | 0:27:26 | |
-Wow, that is bitey. -It is very strong tea. | 0:27:26 | 0:27:28 | |
I mean, that would wake you up in the morning, wouldn't it? | 0:27:28 | 0:27:31 | |
Wowzer. Woohoo! | 0:27:31 | 0:27:32 | |
The third type I'm trying - white tea - isn't oxidised, | 0:27:35 | 0:27:39 | |
and is the least processed of all. | 0:27:39 | 0:27:41 | |
-Oh, that's amazing. -We call it floral, floral character. | 0:27:43 | 0:27:46 | |
It's very floral, very delicate. | 0:27:46 | 0:27:48 | |
Here we have only picked the bud. | 0:27:48 | 0:27:50 | |
The bud. So white tea is just that little magic leaf. | 0:27:50 | 0:27:55 | |
It feels like velvet. | 0:27:55 | 0:27:57 | |
-Yes, it does. -Yeah? -Yes, yes. | 0:27:57 | 0:27:59 | |
The young shoots contain the highest number of polyphenols, | 0:28:01 | 0:28:05 | |
and make white tea the most expensive. | 0:28:05 | 0:28:07 | |
So even though I've been drinking | 0:28:08 | 0:28:10 | |
and loving all different types of tea | 0:28:10 | 0:28:12 | |
for over two decades, | 0:28:12 | 0:28:14 | |
I never realised that they all came from the same incredible leaf. | 0:28:14 | 0:28:19 | |
The first batch of my leaves has finished mixing, | 0:28:28 | 0:28:32 | |
and been scooped upstairs to the filling station... | 0:28:32 | 0:28:35 | |
..where, five and a quarter hours after my Kenyan tea arrived, | 0:28:37 | 0:28:41 | |
I can now pour my blend into each of these | 0:28:41 | 0:28:43 | |
massive one-tonne storage bags. | 0:28:43 | 0:28:47 | |
A tonne of tea is going to | 0:28:47 | 0:28:48 | |
-come shooting out of there in a minute, right? -That's right. | 0:28:48 | 0:28:50 | |
And if you want to press that green button, | 0:28:50 | 0:28:52 | |
then the tea will start to dispense into the bag for us. | 0:28:52 | 0:28:55 | |
It takes just four minutes to load a bag, | 0:28:59 | 0:29:02 | |
and they fill two at a time. | 0:29:02 | 0:29:04 | |
That is the biggest tea bag I have ever seen. | 0:29:05 | 0:29:09 | |
-What now? -We have to take a sample of it to your mate, Alan, | 0:29:10 | 0:29:13 | |
-in tea tasting. -I like him. | 0:29:13 | 0:29:15 | |
A little bald bloke with glasses. Very attractive. | 0:29:15 | 0:29:18 | |
Alan has to make sure the blend I've made is exactly right. | 0:29:20 | 0:29:24 | |
Can I ask you - how many tea bags in this tonne of tea? | 0:29:24 | 0:29:28 | |
You're looking at around 330,000 tea bags. | 0:29:28 | 0:29:31 | |
Why don't we just add the milk and sugar now? | 0:29:31 | 0:29:33 | |
HE CHUCKLES That is a packet of tea. | 0:29:33 | 0:29:37 | |
I'm quite proud of that, you know? What do I do, take it down? | 0:29:37 | 0:29:39 | |
No, we go this way and we've got a little air chute, | 0:29:39 | 0:29:41 | |
we'll put it in there and we'll fire that down to him | 0:29:41 | 0:29:44 | |
-and it'll end up in our tea tasting lounge. -Really? -Yeah. -Right. | 0:29:44 | 0:29:47 | |
What do I do? | 0:29:47 | 0:29:48 | |
So basically we need to put our sample into the container. | 0:29:48 | 0:29:51 | |
Oh, my word. | 0:29:51 | 0:29:53 | |
Lift. | 0:29:54 | 0:29:55 | |
Place that in there. | 0:29:56 | 0:29:57 | |
Seal back down. | 0:29:58 | 0:29:59 | |
Red button. Press that. | 0:30:01 | 0:30:03 | |
-And that will go shooting off to Alan? -Alan. | 0:30:03 | 0:30:05 | |
PNEUMATIC TUBES WHOOSH | 0:30:06 | 0:30:08 | |
HE EXHALES | 0:30:10 | 0:30:11 | |
All this tea production is making me thirsty. | 0:30:11 | 0:30:13 | |
Now, you've heard people say, "I'm dying for a cup of tea." | 0:30:13 | 0:30:17 | |
Well, during World War II, people really did die for a cup of tea. | 0:30:17 | 0:30:20 | |
Ruth has been investigating. | 0:30:20 | 0:30:22 | |
When the Second World War was declared in 1939, | 0:30:27 | 0:30:30 | |
the Government was well aware of just how important tea would be | 0:30:30 | 0:30:35 | |
to the morale of the nation. | 0:30:35 | 0:30:37 | |
So they took control of all the factory stocks and supplies, | 0:30:38 | 0:30:42 | |
and, like the Crown Jewels, | 0:30:42 | 0:30:43 | |
they moved their tea treasure out of London to protect it from bombs. | 0:30:43 | 0:30:47 | |
So, when tea was rationed in 1940, | 0:30:49 | 0:30:52 | |
there was about enough tea for each person to have three cups a day, | 0:30:52 | 0:30:57 | |
so long as you followed the Ministry of Food advice | 0:30:57 | 0:31:00 | |
that it would be no more than, | 0:31:00 | 0:31:02 | |
"One spoonful per person and none for the pot." | 0:31:02 | 0:31:05 | |
But the military on active service got a more generous ration. | 0:31:10 | 0:31:15 | |
For them, the bigger problem was how to brew it up. | 0:31:15 | 0:31:18 | |
'I've come to Bovington Tank Museum...' | 0:31:20 | 0:31:22 | |
-Hello. -Hello. | 0:31:22 | 0:31:24 | |
'..to meet curator, David Willey.' | 0:31:24 | 0:31:26 | |
This is a Second World War British Churchill tank. | 0:31:26 | 0:31:28 | |
-Do you want to have a look inside? -Yeah, go on. | 0:31:28 | 0:31:31 | |
'David is showing me how difficult it was | 0:31:31 | 0:31:33 | |
'to make tea on the front line.' | 0:31:33 | 0:31:34 | |
That's small, isn't it? | 0:31:36 | 0:31:38 | |
Yeah, pretty compact. | 0:31:38 | 0:31:40 | |
How many people would be in there, then? | 0:31:40 | 0:31:42 | |
You've got a crew of five. | 0:31:42 | 0:31:43 | |
-Five?! -Three just in this turret, two down in the front. | 0:31:43 | 0:31:47 | |
Oh, my goodness, you're packed in like sardines. | 0:31:47 | 0:31:49 | |
The last thing you want to do in a space like that | 0:31:49 | 0:31:51 | |
is to have a naked flame. | 0:31:51 | 0:31:53 | |
You've got ammunition, you've got petrol in there, | 0:31:53 | 0:31:56 | |
so you always had to come out to make cups of tea. | 0:31:56 | 0:31:58 | |
Making tea outside with limited resources required some invention. | 0:32:01 | 0:32:05 | |
This is what we call a Benghazi boiler, | 0:32:07 | 0:32:10 | |
and it's basically just a pan full of sand, | 0:32:10 | 0:32:13 | |
pour some petrol on, set it on fire, | 0:32:13 | 0:32:15 | |
and you can see we've got a good blaze going. | 0:32:15 | 0:32:17 | |
I can really see why you wouldn't be doing this inside a tank! | 0:32:17 | 0:32:20 | |
No. And the minute any vehicle stops anywhere, | 0:32:20 | 0:32:23 | |
somebody's starting that Benghazi boiler going, | 0:32:23 | 0:32:26 | |
so we can get a brew on the go. | 0:32:26 | 0:32:28 | |
And in the letters and the diaries, guys are actually saying, | 0:32:28 | 0:32:31 | |
you know, "Our morale went up and down | 0:32:31 | 0:32:33 | |
-"in proportion to the amount of tea we actually got." -Really? | 0:32:33 | 0:32:36 | |
-You want to give it a go? -I'll give it a go. | 0:32:36 | 0:32:38 | |
Oh, look at that. Lovely. | 0:32:38 | 0:32:40 | |
All them lovely tea leaves. | 0:32:40 | 0:32:42 | |
That's got a bit of a kick. | 0:32:46 | 0:32:48 | |
SHE LAUGHS | 0:32:48 | 0:32:49 | |
Hm. | 0:32:49 | 0:32:51 | |
The British thirst for a cuppa could be a risky manoeuvre. | 0:32:51 | 0:32:54 | |
On June 13th, 1944, an armoured squadron was destroyed | 0:32:56 | 0:33:01 | |
outside the French town of Villers-Bocage. | 0:33:01 | 0:33:04 | |
It's believed they'd stopped for a tea break. | 0:33:04 | 0:33:06 | |
Incidents like these were tragically common. | 0:33:06 | 0:33:09 | |
So the British came up with an invention | 0:33:11 | 0:33:13 | |
that meant soldiers could brew up in safety. | 0:33:13 | 0:33:16 | |
There's quite a sight coming towards you. | 0:33:23 | 0:33:26 | |
Oh, yeah. | 0:33:26 | 0:33:28 | |
Whoa. | 0:33:31 | 0:33:32 | |
That is a threatening thing you've got there, mate. | 0:33:34 | 0:33:37 | |
This is a Challenger 1 tank. | 0:33:37 | 0:33:38 | |
This saw service in the 1980s. | 0:33:38 | 0:33:41 | |
This tank and every tank that Britain made | 0:33:41 | 0:33:44 | |
after the Second World War had one of these in it. | 0:33:44 | 0:33:47 | |
It's something called a boiling vessel, | 0:33:47 | 0:33:48 | |
so nowadays the crews can actually have a hot drink safe and protected. | 0:33:48 | 0:33:53 | |
That's where you plug it in, this is your tap which turns round, | 0:33:53 | 0:33:56 | |
that's where your water comes out. | 0:33:56 | 0:33:58 | |
And in the top here, and that's where the boiling is... | 0:33:58 | 0:34:00 | |
Oh, right. Oh, I see. So that's your actual vessel. | 0:34:00 | 0:34:03 | |
-And that's where it's heated. -No flames, all contained, | 0:34:03 | 0:34:07 | |
keep our chaps safe inside. | 0:34:07 | 0:34:09 | |
And it's an amazingly popular bit of kit. | 0:34:09 | 0:34:12 | |
Former tank commander Tony Stirling | 0:34:12 | 0:34:14 | |
knows all about the importance of tea in tanks. | 0:34:14 | 0:34:18 | |
-Tony! -Hello, Ruth. | 0:34:19 | 0:34:21 | |
-Welcome aboard. -SHE LAUGHS | 0:34:21 | 0:34:23 | |
Now, you've used this for real, haven't you? | 0:34:23 | 0:34:25 | |
Absolutely, yeah. Used it in the first Gulf War. | 0:34:25 | 0:34:28 | |
And is it still part of the British Army rations? | 0:34:28 | 0:34:31 | |
Absolutely. Here I've got a modern version | 0:34:31 | 0:34:33 | |
of the British Army ration pack. | 0:34:33 | 0:34:36 | |
And if we open up inside, you can see... | 0:34:36 | 0:34:39 | |
-Tea bags! -There they are. | 0:34:39 | 0:34:41 | |
-I'll make a cup of tea, if that's OK. -Yeah! | 0:34:41 | 0:34:43 | |
-OK. -Go on. -All we do is dispense the water through the tap. | 0:34:43 | 0:34:47 | |
-Does the trick, doesn't it? -It does. | 0:34:47 | 0:34:49 | |
It must make a huge difference, | 0:34:49 | 0:34:50 | |
just having that whenever you've got a bit of waiting time. | 0:34:50 | 0:34:54 | |
Letters from home and hot food and tea, Ruth. | 0:34:54 | 0:34:57 | |
It's what keeps the guys going. | 0:34:57 | 0:35:00 | |
-That's a good cup of tea. -It's a good cup of Rosie Lee. | 0:35:00 | 0:35:02 | |
The British military gets through | 0:35:06 | 0:35:08 | |
around 216 million cups of tea a year. | 0:35:08 | 0:35:11 | |
And thanks to the boiling vessel, | 0:35:13 | 0:35:15 | |
brewing up on the job is now a whole lot safer. | 0:35:15 | 0:35:17 | |
PNEUMATIC TUBES WHOOSH | 0:35:21 | 0:35:23 | |
'At the factory, my precious blended tea sample | 0:35:30 | 0:35:33 | |
'easily beats me to the tasting room.' | 0:35:33 | 0:35:36 | |
-I was trying to get here before the samples. -No, I'm afraid not. | 0:35:36 | 0:35:39 | |
'Now it's up to head blender Alan to decide if my mixture | 0:35:39 | 0:35:43 | |
'from seven plantations matches their standard blend, | 0:35:43 | 0:35:46 | |
'and if it's good enough to turn into tea bags.' | 0:35:46 | 0:35:50 | |
So we've got the standard, | 0:35:50 | 0:35:51 | |
and then we've got the blend which you've just done now. | 0:35:51 | 0:35:54 | |
You need to make sure it's exactly the same. | 0:35:54 | 0:35:57 | |
Exactly the same. The proof will be in the pudding, | 0:35:57 | 0:35:59 | |
so we'll taste this, | 0:35:59 | 0:36:00 | |
and then let's see if you can notice any differences. | 0:36:00 | 0:36:03 | |
You're not going to start slurping and spitting | 0:36:03 | 0:36:05 | |
all over the place again, are you? | 0:36:05 | 0:36:06 | |
-That's exactly what we're going to do. -Oh... | 0:36:06 | 0:36:08 | |
-That's the standard, right? -It is, yes. | 0:36:10 | 0:36:13 | |
HE SLURPS | 0:36:13 | 0:36:14 | |
And then we've got the blend which you've just done now. | 0:36:16 | 0:36:19 | |
And the difference is...? | 0:36:25 | 0:36:28 | |
Mate, nobody... | 0:36:28 | 0:36:30 | |
Nobody would notice the difference. | 0:36:30 | 0:36:32 | |
-Well, there isn't a difference, is there? -No, there isn't. | 0:36:32 | 0:36:34 | |
-We're posher in my house. Do you know why? -Why? | 0:36:34 | 0:36:36 | |
We've got handles. | 0:36:36 | 0:36:37 | |
ALAN CHUCKLES | 0:36:37 | 0:36:39 | |
-Cheers, mate. -Yeah, Cheers. | 0:36:39 | 0:36:41 | |
Pleasure. | 0:36:41 | 0:36:43 | |
-You drank it. -Yeah, absolutely. | 0:36:46 | 0:36:48 | |
You drank it! You didn't spit it out. | 0:36:48 | 0:36:51 | |
-Mate, thank you very much. -Yeah, you're welcome. | 0:36:51 | 0:36:54 | |
With Alan's gold slurp of approval, | 0:36:56 | 0:36:59 | |
5½ hours after my leaf delivery, | 0:36:59 | 0:37:02 | |
I can now turn my 20 tonnes of tea into tea bags. | 0:37:02 | 0:37:07 | |
In the blended tea storage area, | 0:37:07 | 0:37:09 | |
operations manager Danny is waiting to hear my results. | 0:37:09 | 0:37:13 | |
-All right. -Hello, mate. -We're in business. -OK. | 0:37:13 | 0:37:16 | |
So what do we do with it now? | 0:37:16 | 0:37:18 | |
So basically what we need to do | 0:37:18 | 0:37:20 | |
is now we need to get it to our tea bag-making machines. | 0:37:20 | 0:37:22 | |
So what I need you to do, Gregg, is I want you to untie that. | 0:37:22 | 0:37:25 | |
The tea will then flow through the neck | 0:37:25 | 0:37:27 | |
-and start to flow through the system. -I feel a bit nervous. | 0:37:27 | 0:37:30 | |
That's a tonne of tea above my head. | 0:37:30 | 0:37:32 | |
-Correct. -There she goes. | 0:37:32 | 0:37:34 | |
Nice. | 0:37:34 | 0:37:36 | |
That's ridiculously comforting. DANNY LAUGHS | 0:37:36 | 0:37:38 | |
That'd send you off to sleep. | 0:37:39 | 0:37:41 | |
The leaves are being sucked by a powerful vacuum | 0:37:41 | 0:37:44 | |
through a complex system of pipes, | 0:37:44 | 0:37:47 | |
350 metres, to the room below. | 0:37:47 | 0:37:50 | |
-It's going to take an hour to unload? -That's right. | 0:37:51 | 0:37:54 | |
We don't have to stand here and watch it, do we? | 0:37:54 | 0:37:56 | |
-No, we don't. -All right. -Come on. -Do you fancy a cup of...? | 0:37:56 | 0:37:59 | |
A cup of Rosie? | 0:37:59 | 0:38:00 | |
I was going to say coffee, to be honest... | 0:38:00 | 0:38:02 | |
I have my builder's blend, | 0:38:02 | 0:38:04 | |
but of course there's another crucial element | 0:38:04 | 0:38:06 | |
I need for my tea bags - | 0:38:06 | 0:38:08 | |
paper! | 0:38:08 | 0:38:10 | |
Cherry's been to find out how it's made. | 0:38:11 | 0:38:13 | |
The quiet beauty of the Scottish Borders | 0:38:15 | 0:38:17 | |
might not be the first place you'd associate with tea bags. | 0:38:17 | 0:38:22 | |
But you'd be wrong, | 0:38:22 | 0:38:23 | |
because this factory, astonishingly, | 0:38:23 | 0:38:26 | |
produces one in ten of the world's tea bags. | 0:38:26 | 0:38:32 | |
There's been a paper mill here in Chirnside for 175 years. | 0:38:32 | 0:38:38 | |
But the first thing I can see are stacks of something | 0:38:38 | 0:38:41 | |
more like felt fabric. | 0:38:41 | 0:38:43 | |
-Hi, Stuart. -Hiya. | 0:38:43 | 0:38:44 | |
-Lovely to meet you. -Pleased to meet you. Pleasure. | 0:38:44 | 0:38:46 | |
Plant manager Stuart Nixon explains what this is. | 0:38:46 | 0:38:49 | |
The most important material is the abaca, or Manila hemp. | 0:38:49 | 0:38:52 | |
-This is what my tea bag is made of? -It is indeed, yeah. | 0:38:52 | 0:38:55 | |
What looks like the inside of my mattress. | 0:38:55 | 0:38:57 | |
-A little bit like that, yeah. -But this is in fact hemp. | 0:38:57 | 0:38:59 | |
-What is hemp? -Hemp is a natural fibre, | 0:38:59 | 0:39:02 | |
and it's related to the banana plant. | 0:39:02 | 0:39:05 | |
It doesn't produce banana fruit. | 0:39:05 | 0:39:07 | |
This abaca hemp is imported from the Philippines, | 0:39:09 | 0:39:12 | |
where it's been grown for centuries to provide fibre for rope, | 0:39:12 | 0:39:16 | |
and, more recently, paper. | 0:39:16 | 0:39:18 | |
Why do you use this material? Why is it good for tea bags? | 0:39:20 | 0:39:23 | |
The key thing about this is that the fibre length is very, very long. | 0:39:23 | 0:39:26 | |
When we form it into a sheet of paper, | 0:39:26 | 0:39:28 | |
we can form a very lightweight sheet that's very strong, | 0:39:28 | 0:39:31 | |
but also very porous. | 0:39:31 | 0:39:33 | |
And if you think about the purpose of a tea bag, | 0:39:33 | 0:39:35 | |
you want to keep the tea inside the tea bag, | 0:39:35 | 0:39:38 | |
but you want to let the tea infuse into the cup. | 0:39:38 | 0:39:40 | |
And the abaca is the key material to allow that to happen. | 0:39:40 | 0:39:43 | |
I had no idea that a tea bag was so constructed. | 0:39:43 | 0:39:47 | |
It's an engineered product, yes. | 0:39:47 | 0:39:49 | |
'The abaca is loaded up onto a conveyor belt, | 0:39:51 | 0:39:54 | |
'that takes it along into a giant mixer...' | 0:39:54 | 0:39:57 | |
Whoa! Wow. | 0:39:57 | 0:39:58 | |
'..where it's broken down with water, | 0:40:00 | 0:40:02 | |
'which turns it into a sludge.' | 0:40:02 | 0:40:04 | |
It looks like a giant vat of porridge. | 0:40:04 | 0:40:08 | |
-It does, yes. -It looks weirdly delicious. | 0:40:08 | 0:40:11 | |
Why are you blending it all together? | 0:40:11 | 0:40:13 | |
You can see that the fibres are all stuck together, matted together. | 0:40:13 | 0:40:16 | |
You want to make those fibres individual. | 0:40:16 | 0:40:19 | |
You're mixing it with water to separate it | 0:40:19 | 0:40:21 | |
so that they can be laid flat? | 0:40:21 | 0:40:23 | |
-Yes. -It is an odd process, | 0:40:23 | 0:40:25 | |
because you have this flat sheet and you mash it up with water | 0:40:25 | 0:40:29 | |
so you can then make it into another flat sheet. | 0:40:29 | 0:40:33 | |
But much thinner. | 0:40:33 | 0:40:34 | |
The next ingredient is a specialist plastic. | 0:40:37 | 0:40:41 | |
This is the heat seal fibre that we use, | 0:40:41 | 0:40:44 | |
so that the tea bag producer can seal the tea bag together, | 0:40:44 | 0:40:47 | |
so that the tea stays inside the tea bag. | 0:40:47 | 0:40:49 | |
This is almost like cotton wool, | 0:40:49 | 0:40:51 | |
-but it's in fact a plastic. -Plastic, yep. | 0:40:51 | 0:40:53 | |
How much of my tea bag is made up of this plastic substance? | 0:40:53 | 0:40:57 | |
About 25%, a quarter. | 0:40:57 | 0:40:59 | |
About a quarter. | 0:40:59 | 0:41:00 | |
This plastic is mixed in with the abaca hemp. | 0:41:00 | 0:41:04 | |
And there's one more element to a tea bag - wood pulp, | 0:41:04 | 0:41:08 | |
which forms an outer insulating layer, | 0:41:08 | 0:41:11 | |
to prevent the paper dissolving in your mug. | 0:41:11 | 0:41:14 | |
Wood pulp sheets are broken down by thousands of litres of water. | 0:41:14 | 0:41:18 | |
The whole process relies on water heavily, | 0:41:19 | 0:41:22 | |
and water is used as the medium, | 0:41:22 | 0:41:24 | |
the fluid that pumps the fibre around the plant. | 0:41:24 | 0:41:27 | |
'The wood pulp and the abaca plastic mix...' | 0:41:27 | 0:41:30 | |
There it goes. | 0:41:30 | 0:41:32 | |
'..are piped separately into the 40-metre-long | 0:41:32 | 0:41:35 | |
'giant papermaking machine.' | 0:41:35 | 0:41:37 | |
First, the abaca and plastic mix is poured onto a mesh conveyor belt. | 0:41:45 | 0:41:50 | |
The water drains off, leaving the fibres behind. | 0:41:50 | 0:41:53 | |
The wood pulp is poured on top and its excess water | 0:41:55 | 0:41:58 | |
drains through the bottom layer, sealing them together. | 0:41:58 | 0:42:02 | |
After drying at 100 degrees, | 0:42:05 | 0:42:08 | |
the two layers are stretched into a single sheet, | 0:42:08 | 0:42:11 | |
just a tenth of a millimetre thick. | 0:42:11 | 0:42:14 | |
The 2.2-metre-wide sheet of paper whizzes out of the machine | 0:42:18 | 0:42:23 | |
at up to 300 metres a minute. | 0:42:23 | 0:42:26 | |
Then it's wound onto a roll, | 0:42:26 | 0:42:28 | |
which is quite rightly called a jumbo. | 0:42:28 | 0:42:31 | |
Woohoo! | 0:42:31 | 0:42:34 | |
It's a gigantic loo roll! | 0:42:34 | 0:42:37 | |
-It's big. -That is enormous. | 0:42:37 | 0:42:40 | |
So that's the finished paper, that is tea bag paper. | 0:42:40 | 0:42:44 | |
That is tea bag paper. | 0:42:44 | 0:42:45 | |
How many metres will that be when it's finished? | 0:42:45 | 0:42:47 | |
By the time it's finished it'll be about 60km, 60,000 metres. | 0:42:47 | 0:42:52 | |
And how many of those do you make a day? | 0:42:52 | 0:42:55 | |
Six or eight. | 0:42:55 | 0:42:56 | |
Surely we cannot drink that much tea? | 0:42:58 | 0:43:00 | |
Each finished one of these is about 15 million tea bags. | 0:43:00 | 0:43:03 | |
-It's a big piece of paper. -It's a big roll of paper. | 0:43:05 | 0:43:10 | |
The three-tonne jumbo roll | 0:43:10 | 0:43:12 | |
is sliced into hundreds of more manageable sizes, | 0:43:12 | 0:43:16 | |
and then loaded up, ready for our tea factory. | 0:43:16 | 0:43:19 | |
Inside this lorry is enough paper for nearly 50 million tea bags. | 0:43:19 | 0:43:25 | |
That should keep Gregg busy for a while. | 0:43:25 | 0:43:28 | |
I need about 118km of paper for my bags. | 0:43:37 | 0:43:41 | |
And it's already arrived at one of the production lines. | 0:43:43 | 0:43:46 | |
My tea leaves were delivered six hours ago. | 0:43:47 | 0:43:49 | |
Now, at last, I'm about to turn them into tea bags. | 0:43:49 | 0:43:52 | |
Engineer Bob Jones is standing by. | 0:43:53 | 0:43:57 | |
Right, there's Cherry's paper. | 0:43:57 | 0:43:58 | |
-Yes. -So my tea, my blend, is going down from there? | 0:43:58 | 0:44:01 | |
-Yes. -How do we make that into a tea bag? | 0:44:01 | 0:44:03 | |
-Show me. -Right, Cherry's reel comes around. | 0:44:03 | 0:44:07 | |
If you look down there, Gregg, that slitter knife then cuts it in half. | 0:44:07 | 0:44:12 | |
One half runs up and over the top, | 0:44:12 | 0:44:14 | |
the other half comes down the bottom. | 0:44:14 | 0:44:16 | |
As it comes through there, it gets a dose of tea on it. | 0:44:16 | 0:44:20 | |
What size or weight is going into each tea bag? | 0:44:20 | 0:44:24 | |
Each little dose of tea is about 3g. | 0:44:24 | 0:44:27 | |
One side of the paper has a wood pulp on, | 0:44:27 | 0:44:30 | |
and one side has a plastic laminate, | 0:44:30 | 0:44:32 | |
so that when we split it and turn one over, | 0:44:32 | 0:44:35 | |
we're sandwiching the tea between the two papers. | 0:44:35 | 0:44:37 | |
The two papers come together, are compressed with heat, | 0:44:38 | 0:44:42 | |
that heats the plastic laminate and seals them together. | 0:44:42 | 0:44:46 | |
If the heat is making it sticky and that's sticking it together, | 0:44:46 | 0:44:50 | |
why doesn't it come unstuck when I pour boiling water on it? | 0:44:50 | 0:44:53 | |
The plastic is heated at a greater temperature than your boiling water | 0:44:53 | 0:44:56 | |
when it sticks together. | 0:44:56 | 0:44:58 | |
'The plastic will only melt at 160 Celsius.' | 0:44:59 | 0:45:03 | |
This thing is going really fast. | 0:45:04 | 0:45:07 | |
Is there any way of slowing it down? | 0:45:07 | 0:45:08 | |
Yes, of course. | 0:45:08 | 0:45:09 | |
That's like making ravioli. | 0:45:15 | 0:45:16 | |
Yeah, little small pockets with something nice in the middle. | 0:45:16 | 0:45:20 | |
Should we get it going again? | 0:45:20 | 0:45:21 | |
If we don't restart the machine, the nation might run out of tea. | 0:45:21 | 0:45:25 | |
What a catastrophe. | 0:45:25 | 0:45:26 | |
This machine stamps out 1,500 tea bags a minute, 24 hours a day, | 0:45:31 | 0:45:36 | |
five days a week. | 0:45:36 | 0:45:38 | |
The excess paper is blown through this slinky and out to recycling... | 0:45:40 | 0:45:44 | |
..while my stacks of bags go into the foiling machine, | 0:45:46 | 0:45:49 | |
and come out in sachets of 40. | 0:45:49 | 0:45:51 | |
You've turned them into astronauts. | 0:45:53 | 0:45:55 | |
-There we go. -Sealed in a space blanket. All right. | 0:45:55 | 0:45:58 | |
It's all well and good the guys here working hard to produce | 0:46:01 | 0:46:04 | |
the perfect tea bag, with the perfect blend of leaves inside, | 0:46:04 | 0:46:07 | |
but how do you brew the perfect cup of tea? | 0:46:07 | 0:46:10 | |
Cherry has been getting the scientific lowdown. | 0:46:10 | 0:46:12 | |
I've always been told that there is a proper way to make a cup of tea, | 0:46:18 | 0:46:21 | |
and it looks like this - | 0:46:21 | 0:46:22 | |
loose-leaf tea, a porcelain teapot, | 0:46:22 | 0:46:25 | |
a tea strainer and some patience. | 0:46:25 | 0:46:28 | |
But 96% of us make a brew using a tea bag. | 0:46:28 | 0:46:33 | |
So what are the golden rules when making a cuppa | 0:46:33 | 0:46:37 | |
using a mug and a bag? | 0:46:37 | 0:46:39 | |
An expert in the science of tea making, | 0:46:44 | 0:46:46 | |
Dr Stuart Farrimond has three top tips. | 0:46:46 | 0:46:50 | |
We're starting with the takeaway tea we're all familiar with, | 0:46:51 | 0:46:54 | |
brewed in a Styrofoam cup. | 0:46:54 | 0:46:56 | |
Cherry, good to see you. | 0:46:58 | 0:46:59 | |
Nice to see you, Doctor Stu. | 0:46:59 | 0:47:01 | |
First off, I want you to make a cup of tea with a tea bag, | 0:47:01 | 0:47:04 | |
-as you would do normally. -OK. | 0:47:04 | 0:47:06 | |
Boil some water. | 0:47:07 | 0:47:09 | |
Tea bag in. | 0:47:09 | 0:47:11 | |
La, la, la, la. | 0:47:13 | 0:47:15 | |
That looks good to me. | 0:47:15 | 0:47:17 | |
Leaves a lot to be desired, Cherry. | 0:47:17 | 0:47:19 | |
How could you say that?! | 0:47:19 | 0:47:21 | |
What is wrong with this cup of tea? | 0:47:21 | 0:47:24 | |
You're using a Styrofoam cup, | 0:47:24 | 0:47:26 | |
which is a particularly bad way of making tea. | 0:47:26 | 0:47:30 | |
Styrofoam absorbs flavour molecules, | 0:47:32 | 0:47:35 | |
reducing the tastiness of the tea. | 0:47:35 | 0:47:37 | |
So Stu's first tip is choose what you drink from wisely. | 0:47:38 | 0:47:43 | |
There's a lot of psychology behind when we taste things. | 0:47:44 | 0:47:47 | |
So here we have a nice red mug. | 0:47:47 | 0:47:49 | |
I love that colour. That's actually the same colour as my mug at home. | 0:47:49 | 0:47:53 | |
The same drink out of a red mug | 0:47:53 | 0:47:56 | |
will taste sweeter than one out of a white mug. | 0:47:56 | 0:47:58 | |
So our brain is a huge factor in how we taste? | 0:47:58 | 0:48:02 | |
Huge. | 0:48:02 | 0:48:03 | |
Research shows that we associate certain colours with certain tastes. | 0:48:05 | 0:48:09 | |
Red suggest ripeness and sweetness. | 0:48:09 | 0:48:12 | |
What else don't you like about my cup of tea? | 0:48:14 | 0:48:16 | |
The type of water that you're using. | 0:48:16 | 0:48:18 | |
That is hard water. | 0:48:18 | 0:48:20 | |
What happens when you use hard water to make a cup of tea, | 0:48:20 | 0:48:24 | |
-you sometimes get that scum on the top. -Like this. | 0:48:24 | 0:48:27 | |
You've got the scum. Lovely. | 0:48:27 | 0:48:30 | |
So what's happening is some of the flavour compounds are reacting | 0:48:30 | 0:48:34 | |
with the calcium, and then they form this scummy layer. | 0:48:34 | 0:48:37 | |
So you're actually losing flavour. | 0:48:37 | 0:48:39 | |
What you're seeing on the top there is actually some of flavour | 0:48:39 | 0:48:41 | |
that's being lost in that scum. | 0:48:41 | 0:48:43 | |
Tip two - if you have hard water, filter it before boiling. | 0:48:44 | 0:48:49 | |
This removes some of the calcium and magnesium residues, | 0:48:49 | 0:48:53 | |
and you'll get a tastier, clearer cup. | 0:48:53 | 0:48:56 | |
Now I've got my cup and water right, | 0:48:56 | 0:48:59 | |
Stu is ready with his most important top tea bag tip. | 0:48:59 | 0:49:04 | |
I would like you now to make yourself a cup of tea, | 0:49:04 | 0:49:07 | |
but we're going to leave it longer, five minutes. | 0:49:07 | 0:49:09 | |
Five minutes! That's a long time. | 0:49:09 | 0:49:12 | |
The amount of time we steep our tea bag for does make a difference. | 0:49:12 | 0:49:16 | |
Surely the tea will be ruined. | 0:49:16 | 0:49:19 | |
Try it and see what you think. | 0:49:19 | 0:49:20 | |
OK. | 0:49:20 | 0:49:22 | |
Tea bag in. | 0:49:22 | 0:49:23 | |
Here we go. | 0:49:25 | 0:49:26 | |
I mean, I would never have the patience to brew my tea this long. | 0:49:31 | 0:49:35 | |
It is a long time, but it's going to be too hot to drink anyway, | 0:49:35 | 0:49:38 | |
so you've got to leave it. | 0:49:38 | 0:49:39 | |
Just more of the flavour coming out, | 0:49:42 | 0:49:43 | |
and also more caffeine comes out, so the stronger the tea will be. | 0:49:43 | 0:49:47 | |
There's also more of the antioxidants coming out. | 0:49:48 | 0:49:50 | |
Tea is a great source of antioxidants, | 0:49:50 | 0:49:52 | |
and these are natural substances | 0:49:52 | 0:49:54 | |
that our body uses to help fight disease. | 0:49:54 | 0:49:57 | |
So it is important that you leave it to brew. | 0:49:57 | 0:50:00 | |
Three, two, one. | 0:50:01 | 0:50:04 | |
Quick, get it out. | 0:50:04 | 0:50:05 | |
-There you go. -OK. Right. | 0:50:07 | 0:50:09 | |
Doctor Stu can show me the difference a five-minute brew makes | 0:50:11 | 0:50:15 | |
to levels of caffeine and antioxidants in tea. | 0:50:15 | 0:50:19 | |
A UV spectrometer measures the light the caffeine absorbs, | 0:50:21 | 0:50:25 | |
revealing its concentration. | 0:50:25 | 0:50:28 | |
So we've analysed that data | 0:50:28 | 0:50:29 | |
and we've found the amount of caffeine in the two cups of tea. | 0:50:29 | 0:50:33 | |
So, in your cuppa, just 30 seconds, | 0:50:33 | 0:50:35 | |
there was 35mg of caffeine in that cup. | 0:50:35 | 0:50:38 | |
Whereas in mine, we're coming up to 50mg of caffeine. | 0:50:38 | 0:50:42 | |
So if you're a bit more patient, you get more bang for your buck. | 0:50:42 | 0:50:44 | |
You do indeed. | 0:50:44 | 0:50:46 | |
And it's not only caffeine that increases with that longer brew - | 0:50:46 | 0:50:50 | |
antioxidant levels more than double. | 0:50:50 | 0:50:53 | |
Leaving it for extra period of time, | 0:50:53 | 0:50:55 | |
you're getting a lot more of the health benefits that are in the tea. | 0:50:55 | 0:50:59 | |
But does any of this actually make any difference to taste? | 0:50:59 | 0:51:04 | |
You tell me if you think it was worth it. | 0:51:07 | 0:51:09 | |
This actually has flavour and tastes... | 0:51:17 | 0:51:22 | |
..delicious. And that makes this taste like hot water. | 0:51:23 | 0:51:29 | |
So, the mug, the water, the colour, the flavour, | 0:51:29 | 0:51:35 | |
it is, without doubt... | 0:51:35 | 0:51:38 | |
..the perfect cup of tea. | 0:51:39 | 0:51:40 | |
My tea bags are heading to packaging, all 6.9 million of them. | 0:51:51 | 0:51:57 | |
But before they can be boxed up, | 0:51:59 | 0:52:00 | |
they go through a safety check with Karen Williams. | 0:52:00 | 0:52:03 | |
-Karen. -Yes. | 0:52:05 | 0:52:07 | |
What happens at this bit? | 0:52:07 | 0:52:09 | |
Right. This is where we do our metal check | 0:52:09 | 0:52:11 | |
to make sure there's no metal in the tea. And we do this every hour. | 0:52:11 | 0:52:15 | |
How does it work? | 0:52:15 | 0:52:16 | |
This is our metal detector, and we put the three checks through. | 0:52:16 | 0:52:20 | |
They have metal inside each one. | 0:52:20 | 0:52:23 | |
The machine is always checking the tea bags? | 0:52:23 | 0:52:25 | |
-Yes. -I get you. | 0:52:25 | 0:52:26 | |
-You just put it through to make sure the machine's still working. -Yes. | 0:52:26 | 0:52:30 | |
Since you've been here, | 0:52:30 | 0:52:31 | |
have you ever found any bits of metal in the tea? | 0:52:31 | 0:52:33 | |
-Not really. -How long have you been doing it? | 0:52:33 | 0:52:36 | |
-29 years. -Well, if you've never seen any metal, | 0:52:36 | 0:52:38 | |
and you've been doing it for nearly 30 years, what's the point? | 0:52:38 | 0:52:41 | |
-It's safety. -It's a waste of time. | 0:52:41 | 0:52:42 | |
-It's not a waste of time. -I think they should make you redundant. | 0:52:42 | 0:52:45 | |
It's not a waste of time. | 0:52:45 | 0:52:47 | |
-Is it not? -No, it's not. | 0:52:47 | 0:52:48 | |
-Right, OK. -Would you like me to do a check? | 0:52:48 | 0:52:50 | |
-Yeah. -Are we ready? -Yeah. | 0:52:50 | 0:52:53 | |
All right, no metal of any sort in my tea bags. | 0:52:58 | 0:53:02 | |
None at all. | 0:53:02 | 0:53:03 | |
I'm really pleased, cos I have a reputation for quality. | 0:53:03 | 0:53:07 | |
-Thank you very much. -Thank you. | 0:53:07 | 0:53:09 | |
Now I need to get 240 of my tea bags into every carton, | 0:53:13 | 0:53:18 | |
and each sachet contains 40. | 0:53:18 | 0:53:21 | |
Luckily, this machine is calculating it all so I don't have to. | 0:53:22 | 0:53:26 | |
And my engineer friend Bob is helping keep count. | 0:53:27 | 0:53:30 | |
If you look down there, Gregg, the sachets are firing in one at a time. | 0:53:30 | 0:53:36 | |
It puts two in the pocket, then releases the pocket. | 0:53:36 | 0:53:39 | |
-That little black container you call a pocket? -Pocket, yep. | 0:53:39 | 0:53:43 | |
The machine has to do 240 tea bags in one box. | 0:53:43 | 0:53:46 | |
So there's two sachets in each pocket, | 0:53:46 | 0:53:49 | |
so we need three pockets to go past to make the count right. | 0:53:49 | 0:53:53 | |
Now what happens? | 0:53:53 | 0:53:54 | |
Follow it down the line. | 0:53:54 | 0:53:56 | |
The conveyor takes each six-pack of sachets | 0:53:56 | 0:53:59 | |
to meet their cartons. | 0:53:59 | 0:54:01 | |
So, those suckers, they're taking the box. | 0:54:02 | 0:54:04 | |
What I love is this - | 0:54:04 | 0:54:06 | |
this bit of machinery that basically opens the box up. | 0:54:06 | 0:54:09 | |
Opens and closes them. | 0:54:09 | 0:54:10 | |
I like that little fella, that's spinning around, | 0:54:11 | 0:54:13 | |
-and his job is to close the flaps. -Yep. | 0:54:13 | 0:54:15 | |
That's his only job. | 0:54:16 | 0:54:17 | |
But he seems to be doing it with a great deal of enthusiasm. | 0:54:17 | 0:54:20 | |
The machine is filling 25 cartons a minute, that's 6,000 bags. | 0:54:24 | 0:54:30 | |
So, after just an hour, | 0:54:32 | 0:54:34 | |
all my 6.9 million tea bags are boxed up | 0:54:34 | 0:54:37 | |
and look ready for the shelf. | 0:54:37 | 0:54:39 | |
-We're almost there, aren't we? -Almost at the end of the line. | 0:54:41 | 0:54:44 | |
Now we're going to see the cartons go into the outer. | 0:54:44 | 0:54:47 | |
These outers are thick enough to protect the cartons, | 0:54:47 | 0:54:50 | |
whether they're travelling by road, sea or air. | 0:54:50 | 0:54:53 | |
Right, there we go. | 0:54:54 | 0:54:56 | |
Pack of eight. | 0:54:56 | 0:54:57 | |
Folds them, glues them and sends them on their way. | 0:54:57 | 0:55:01 | |
Fabulous. | 0:55:01 | 0:55:03 | |
I feel a bit sad to say goodbye to my tea bags. | 0:55:03 | 0:55:05 | |
Now it's up to Robbie the Robot's little brother | 0:55:09 | 0:55:12 | |
to distribute my boxes neatly onto 52 pallets. | 0:55:12 | 0:55:16 | |
So it stacks this in the set pattern... | 0:55:24 | 0:55:28 | |
-Yep. -..every time? | 0:55:28 | 0:55:30 | |
They look like they're alive, don't they? They really do. | 0:55:30 | 0:55:33 | |
Do they look like a dinosaur to you? | 0:55:33 | 0:55:35 | |
-Well... -What does it look like to you? | 0:55:35 | 0:55:37 | |
Like a big giraffe with a very long neck. | 0:55:37 | 0:55:39 | |
GREGG LAUGHS | 0:55:39 | 0:55:41 | |
My tea blend and I have finally made it to dispatch. | 0:55:42 | 0:55:46 | |
6½ hours ago, I saw my black tea leaves arrive from Kenya. | 0:55:48 | 0:55:52 | |
Now, after being transformed into 20 tonnes of blended tea bags, | 0:55:55 | 0:56:00 | |
they're being loaded back onto lorries. | 0:56:00 | 0:56:02 | |
Helping send them off is operations manager Danny. | 0:56:06 | 0:56:10 | |
Ah! | 0:56:10 | 0:56:12 | |
Now, I've never seen one of them. | 0:56:12 | 0:56:13 | |
That appears to be a double-decker lorry. | 0:56:13 | 0:56:18 | |
Did you have that made? | 0:56:18 | 0:56:19 | |
Yeah, the company made it specifically for us. | 0:56:19 | 0:56:21 | |
I've never seen anything like that. | 0:56:21 | 0:56:22 | |
I suppose you could do that cos the tea is relatively light. | 0:56:22 | 0:56:25 | |
-That's correct, yeah. -How many boxes on there? | 0:56:25 | 0:56:28 | |
So there's 2,800, Gregg. | 0:56:28 | 0:56:29 | |
How many tea bags is that, do you know? | 0:56:29 | 0:56:31 | |
Roughly, I'd say just over 5 million tea bags in there, Gregg. | 0:56:31 | 0:56:34 | |
Over 5 million. | 0:56:34 | 0:56:35 | |
-Do you hold them in storage here? -No, we don't store anything on site. | 0:56:36 | 0:56:39 | |
So as soon as they're made, they're loaded up onto the truck? | 0:56:39 | 0:56:42 | |
Loaded up on the truck and they leave site. | 0:56:42 | 0:56:44 | |
All for the UK market? | 0:56:44 | 0:56:46 | |
Majority is the UK market, Gregg, | 0:56:46 | 0:56:47 | |
but we do to another 30 countries worldwide. | 0:56:47 | 0:56:50 | |
I think we'd best move and let the lads get this loaded. | 0:56:50 | 0:56:53 | |
30 countries around the world. | 0:56:53 | 0:56:54 | |
-We should go on a tour. -Definitely. | 0:56:54 | 0:56:57 | |
Gregg and Danny's TT tour. | 0:56:57 | 0:56:59 | |
As well as landing on the shelves of shops all over Britain, | 0:57:01 | 0:57:04 | |
some of my 6.9 million tea bags will head off right around the world. | 0:57:04 | 0:57:10 | |
The keenest customers are in Canada, the US, Ireland and Japan. | 0:57:12 | 0:57:17 | |
There it is, my batch of tea bags. | 0:57:21 | 0:57:23 | |
You know, this is a big factory and it handles a lot of volume, | 0:57:23 | 0:57:27 | |
and that's impressive. But I've seen a fair few big factories now, | 0:57:27 | 0:57:31 | |
and what really impresses me, in fact, amazes me, | 0:57:31 | 0:57:33 | |
is I thought tea bags just had one type of tea in them, but they don't. | 0:57:33 | 0:57:37 | |
They bring in tea from all over the world and they have to make | 0:57:37 | 0:57:40 | |
a different recipe and blend them together | 0:57:40 | 0:57:43 | |
every time they make a batch of tea bags, | 0:57:43 | 0:57:45 | |
so that our cup of tea taste exactly the same time and time again. | 0:57:45 | 0:57:50 | |
Now, that is impressive! | 0:57:50 | 0:57:52 | |
'Next time, we head overseas to Italy...' | 0:58:00 | 0:58:02 | |
Tutti spaghetti! It's a waterfall! | 0:58:02 | 0:58:05 | |
'..and the largest pasta factory in the world...' | 0:58:05 | 0:58:07 | |
Six tonnes every hour? | 0:58:07 | 0:58:09 | |
100 worms coming down. | 0:58:09 | 0:58:11 | |
'..revealing the secrets to making 300,000 tonnes a day.' | 0:58:11 | 0:58:15 | |
Every single one of these wheels is one more pasta shape? | 0:58:15 | 0:58:19 | |
'And Cherry makes a super-sized batch of sauce to go with it.' | 0:58:19 | 0:58:22 | |
It's like a really odd video game. | 0:58:22 | 0:58:26 | |
That is fantastic and funny. | 0:58:26 | 0:58:28 | |
HE SLURPS | 0:58:35 | 0:58:36 |