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'From the clothes we wear to the cars we drive, | 0:00:02 | 0:00:04 | |
'from what we use to look good to what we use to relax.' | 0:00:04 | 0:00:08 | |
-THEY CHEER -'Our lives are full of products. | 0:00:08 | 0:00:12 | |
'And our products are full of animals.' | 0:00:12 | 0:00:15 | |
In the past few years, I've learned quite a lot about how the meat we eat reaches our plates. | 0:00:18 | 0:00:23 | |
'But I've always wondered what happens to the bits of the animal we don't eat. | 0:00:23 | 0:00:27 | |
'And it turns out that these leftover parts are made into things we use every day.' | 0:00:27 | 0:00:33 | |
That is a symbolic noise for, like, leather. | 0:00:33 | 0:00:35 | |
'As well as some things you couldn't even imagine.' | 0:00:35 | 0:00:38 | |
Oh, my God! My face is on fire! | 0:00:40 | 0:00:45 | |
I've never, ever smelt anything like that. | 0:00:45 | 0:00:48 | |
'To find out how, I'm going on an extraordinary journey to see these raw animal parts | 0:00:49 | 0:00:54 | |
'transformed into shiny new products. | 0:00:54 | 0:00:56 | |
'And I'm going to be joined by the people who use them to see what they make of it.' | 0:00:56 | 0:01:01 | |
-The sheep need to get slaughtered. -Will we be in the room? | 0:01:01 | 0:01:04 | |
Oh, my God! | 0:01:05 | 0:01:07 | |
Mine had a testicle on it! | 0:01:10 | 0:01:12 | |
Don't film me being sick. | 0:01:12 | 0:01:14 | |
'We'll be going behind the doors of unknown companies and into hidden worlds.' | 0:01:14 | 0:01:19 | |
That is just such a weird vision, just skin hanging there. | 0:01:19 | 0:01:23 | |
This is when we see what's inside the chest. | 0:01:25 | 0:01:27 | |
-'Getting hands-on.' -I don't think that's going to go in there, Julia. | 0:01:27 | 0:01:31 | |
'And discovering what makes these animal leftovers so indispensible.' | 0:01:31 | 0:01:36 | |
-I can't even look at it! -What am I doing here with these? | 0:01:36 | 0:01:38 | |
Could knowing that so many of our favourite items contain animals | 0:01:38 | 0:01:43 | |
change the way we feel about them forever? | 0:01:43 | 0:01:45 | |
'Tonight, the sheep.' | 0:01:46 | 0:01:49 | |
From curries and kebabs to Sunday roasts, | 0:01:54 | 0:01:56 | |
almost 16 million British sheep are destined to die for our dinner every year. | 0:01:56 | 0:02:02 | |
But our national flock provide us with much more than just meat. | 0:02:02 | 0:02:05 | |
All the bits of the sheep that we don't eat, like the fat and the fleece, | 0:02:05 | 0:02:09 | |
-can be turned into products that we buy. Comfy boots, cosmetics, even condoms. -Ohh, old school. | 0:02:09 | 0:02:15 | |
-To find out how, I'm going to follow these leftovers all the way from the abattoir... -That's horrible. | 0:02:15 | 0:02:20 | |
-..to the shop floor. -Yeah, they're really cute. -Really soft. | 0:02:20 | 0:02:24 | |
And I'm going to be joined by my fellow consumers. | 0:02:24 | 0:02:26 | |
-Goggles on, girls. -To think that that was on our bed, I'm shocked. | 0:02:26 | 0:02:30 | |
-To see how they feel about using animals in this way. -Why? I just don't get it. | 0:02:30 | 0:02:34 | |
I'm starting my exploration of sheep products with an item I'm very fond of myself. | 0:02:34 | 0:02:40 | |
Sheepskin boots, or as I like to call them, jacket potatoes, warm and cosy. | 0:02:40 | 0:02:46 | |
'Sheepskin was once synonymous with football commentators and cockney wide boys. | 0:02:46 | 0:02:51 | |
'But it's become a major fashion staple, thanks to the unstoppable march of the sheepskin boot. | 0:02:51 | 0:02:56 | |
'Loved by celebs and civilians alike, each year around a million pairs are sold in the UK. | 0:02:56 | 0:03:02 | |
'I'm keen to know more about how these woolly wonders get from field to foot | 0:03:02 | 0:03:06 | |
'and joining me are three self-confessed boot obsessives.' | 0:03:06 | 0:03:09 | |
-Whoo! Cheers! -Cheers, girls! | 0:03:12 | 0:03:14 | |
'Meet best friends Sabrina, Jacqui and Amira. | 0:03:14 | 0:03:19 | |
'These inseparable girls are fashion-obsessed and they love to shop.' | 0:03:19 | 0:03:23 | |
As soon as we walk into a shop, we'll see something and we won't say anything, we'll all run towards it. | 0:03:28 | 0:03:33 | |
-We'll see something and say, "That's Amira." -I pick things up and say, "That's quite Jacqui". | 0:03:33 | 0:03:38 | |
-Feel it. -Is it soft? -Yeah. | 0:03:38 | 0:03:39 | |
'Top of their must-have list - their sheepskin boots.' | 0:03:41 | 0:03:44 | |
They're basically my lifesavers. | 0:03:48 | 0:03:50 | |
Especially when we go out for a night out and we've got really high shoes on, | 0:03:50 | 0:03:55 | |
we want to get into the bar. Slippers on the go! | 0:03:55 | 0:03:58 | |
That's what I call them, slippers on the go. | 0:03:58 | 0:04:00 | |
-'And they wear them everywhere.' -I work in a shoe shop so I wear my boots to work. | 0:04:00 | 0:04:05 | |
-Around the house. -Uni. -In the car. | 0:04:05 | 0:04:07 | |
-On the way to work. -Shopping. -On the way home from work. -I can't think of anywhere I wouldn't wear them. | 0:04:07 | 0:04:13 | |
'For Jacqui, it's a real love affair.' | 0:04:13 | 0:04:15 | |
I have got seven pairs of boots. | 0:04:15 | 0:04:18 | |
These are my first pair when I was 16. They began the addiction. | 0:04:18 | 0:04:23 | |
These are the cardie ones. These are the classics. They're a definite must-have. | 0:04:23 | 0:04:27 | |
Another pair of the classic ones but I had to have them in brown. | 0:04:27 | 0:04:30 | |
These are more unusual. These are my favourite ones. | 0:04:30 | 0:04:34 | |
'The girl's got it really bad. | 0:04:34 | 0:04:36 | |
'They want to know where their boots come from but they're scared of what they might find.' | 0:04:36 | 0:04:41 | |
If there was any sort of inhumane activity going on, that's the sort of thing that might put me off. | 0:04:41 | 0:04:48 | |
I'd want the sheep to be killed in the most humane way possible | 0:04:48 | 0:04:51 | |
and I think, if they weren't, that would definitely put me off buying the boots. | 0:04:51 | 0:04:55 | |
'To see exactly where their fashionable footwear begins its journey, | 0:04:57 | 0:05:00 | |
'the girls are joining me where the sheep end theirs, at an abattoir in Devon. | 0:05:00 | 0:05:05 | |
'What they see here could mean they never pull on a pair of boots again.' | 0:05:05 | 0:05:10 | |
Good morning, ladies. I'm Julia. | 0:05:10 | 0:05:13 | |
-Hi. Jacqui. -Hi, Jacqui. -I'm Sabrina. -Hello. -Hi. Amira. -Good morning. | 0:05:13 | 0:05:17 | |
Now, I know it's a bit of a chilly day. I know you girls like your sheepskin boots, don't you? | 0:05:17 | 0:05:22 | |
-ALL: Yes. -Have you ever thought about where they come from? -Erm, I kind of knew that, if they're sheepskin, | 0:05:22 | 0:05:28 | |
they're going to come from sheep, but not much further down the line, I haven't thought about the process. | 0:05:28 | 0:05:33 | |
That's what this little journey is all about. You know what that building is? | 0:05:33 | 0:05:37 | |
This is an abattoir and it's the beginning of the journey of our sheepskin boots | 0:05:37 | 0:05:43 | |
because they do come from sheep and the sheep need to get slaughtered and that's where it happens. | 0:05:43 | 0:05:49 | |
So that is the first thing we're going to see today. How do you feel about that prospect? | 0:05:49 | 0:05:53 | |
I feel a little bit nervous cos you're not exposed to that sort of environment every day. | 0:05:53 | 0:05:59 | |
It's a bit daunting, trying to get your head around it, I suppose. | 0:05:59 | 0:06:02 | |
-Are we actually going to be in the room? -We'll be in the room. You're going to see it. | 0:06:02 | 0:06:07 | |
-It's not a pleasant thing. -You're not helping. | 0:06:09 | 0:06:11 | |
But your boots are boots that we like, this is where it all starts. | 0:06:11 | 0:06:17 | |
-OK, well, I'm ready. -Yeah? -Yeah. -Shall we do it? -Yeah. | 0:06:18 | 0:06:21 | |
-OK, follow me. -OK. | 0:06:21 | 0:06:24 | |
'The abattoir we're visiting is owned by John Coles. | 0:06:25 | 0:06:28 | |
'It follows best-practice guidelines, which means animal welfare is a top priority. | 0:06:28 | 0:06:34 | |
'Lewis Castramill is the vet overseeing the process.' | 0:06:34 | 0:06:37 | |
-What's just happened there, John? -Lewis has just inspected them to make sure they're healthy to kill, | 0:06:38 | 0:06:43 | |
which is the job that has to be done. Now they're ready for slaughter. | 0:06:43 | 0:06:47 | |
-They're not just being killed for their skin, are they? -No. | 0:06:47 | 0:06:50 | |
-The actual fleece is a by-product. -At least it's not just killed for the skin. | 0:06:50 | 0:06:54 | |
No, definitely not. This is a high-quality lamb | 0:06:54 | 0:06:58 | |
-that is 100 percent edible. -What's next? | 0:06:58 | 0:07:02 | |
-Next they'll go into the stun pen and the slaughter process will begin. -All right. Ready? | 0:07:02 | 0:07:07 | |
-No. -Yeah. -Sort of. -Yeah. | 0:07:07 | 0:07:11 | |
'Before going inside, we change into the regulation clothing. | 0:07:13 | 0:07:17 | |
'John gives us a few final words of reassurance.' | 0:07:17 | 0:07:20 | |
It's quite straightforward. Just don't panic. Just stand there, take it in | 0:07:20 | 0:07:25 | |
and think that this is something that goes on | 0:07:25 | 0:07:28 | |
and it's not a special show put on for you, it's goes on every day. | 0:07:28 | 0:07:31 | |
'Then it's time to make our way into the slaughter hall where the sheep will end their lives | 0:07:31 | 0:07:36 | |
'and our boots will begin theirs.' | 0:07:36 | 0:07:40 | |
Basically, the animals will come into this pen here. | 0:07:40 | 0:07:44 | |
-OK. -The electric stunners are there. | 0:07:44 | 0:07:47 | |
That actually stuns the animal unconscious. | 0:07:47 | 0:07:50 | |
A shackle goes onto the actual leg | 0:07:50 | 0:07:52 | |
and it then travels up the elevator, | 0:07:52 | 0:07:55 | |
through these doors to be bled. | 0:07:55 | 0:07:57 | |
-And that's the first time we'll actually see the animal, isn't it? -Yes. Let's get the animals now. | 0:07:57 | 0:08:03 | |
'First, the lambs are stunned with an electric shock that renders them insensitive to pain.' | 0:08:10 | 0:08:15 | |
Right, I think one of them has been stunned now. | 0:08:20 | 0:08:23 | |
'Next, the major blood vessels in their neck are severed and the sheep bleed out. | 0:08:30 | 0:08:35 | |
'They're dead within a couple of minutes. | 0:08:35 | 0:08:38 | |
'The four sheep are killed rapidly, one after the other. | 0:08:38 | 0:08:42 | |
'Even though I've seen this before and I know it's the most humane way of killing the sheep, | 0:08:42 | 0:08:47 | |
'I still find it hard to watch and it's all a bit too much for our girls.' | 0:08:47 | 0:08:51 | |
Oh, no. | 0:08:52 | 0:08:56 | |
-What do you think, Sabrina? -It's horrible! | 0:08:56 | 0:09:00 | |
It's just like spewing out. | 0:09:00 | 0:09:02 | |
-It's a shock. It's a shock. -It's all up the wall. | 0:09:02 | 0:09:06 | |
No, look at it! It's all up the wall! | 0:09:07 | 0:09:09 | |
And it's like twitching, as well. | 0:09:09 | 0:09:11 | |
-Oh, my God, it keeps making a noise! -But you'll see them, they still move | 0:09:13 | 0:09:17 | |
-and they still twitch and it's... -It's making a noise. | 0:09:17 | 0:09:20 | |
-It's expulsion. It's expulsion of the final bits of air. Its lungs are closing down. -See? | 0:09:20 | 0:09:26 | |
'With the killing complete, John joins us in the slaughter hall. | 0:09:30 | 0:09:34 | |
'The girls have an issue about what they've seen so far.' | 0:09:34 | 0:09:37 | |
-John, as ever, the twitching is a major concern. -Yep. | 0:09:37 | 0:09:41 | |
-Explain that to us. -When the electric current is applied to the animal, it's technically stunned. | 0:09:41 | 0:09:46 | |
Then you've got a time limit that you've got to stick it | 0:09:46 | 0:09:49 | |
for the bleeding process | 0:09:49 | 0:09:52 | |
and, obviously, then you will get some nerve reaction until such time as it's finally bled | 0:09:52 | 0:09:57 | |
and finally then dead. | 0:09:57 | 0:10:00 | |
It's funny how, in the supermarket, you just see it in a packet | 0:10:00 | 0:10:03 | |
-and you don't think about it like this. -Not in a million years. | 0:10:03 | 0:10:06 | |
-Thinking about the boots now? -It doesn't look very much like it would make a boot at the moment. | 0:10:06 | 0:10:12 | |
-'Next, the sheep's heads are removed.' -Oh, my God. Did you hear that? | 0:10:12 | 0:10:17 | |
'Then what's known as the dressing stage begins.' | 0:10:17 | 0:10:20 | |
Dressing basically means you're removing the fleece. | 0:10:20 | 0:10:24 | |
It's a skilled operation to make sure you get into the right layer of skin. | 0:10:24 | 0:10:28 | |
Otherwise you pull the tissue away from the meat. | 0:10:28 | 0:10:33 | |
-It's peeling quite easily. -It's a very difficult job to do. | 0:10:33 | 0:10:37 | |
He's making it look simple. | 0:10:37 | 0:10:40 | |
SABRINA GASPS Oh, my God, it just came out the other side! | 0:10:41 | 0:10:45 | |
Obviously, the process has got to be | 0:10:45 | 0:10:48 | |
that the fleece doesn't in-roll on the meat, which would contaminate the meat. | 0:10:48 | 0:10:53 | |
'Before the skin can be completely removed, the sheep's feet must be taken off.' | 0:10:53 | 0:10:58 | |
-SHE GASPS -'Then the remaining skin | 0:10:58 | 0:11:01 | |
'is literally punched out from the flesh by hand.' | 0:11:01 | 0:11:04 | |
It's quite a long way from what we saw in the pen outside, isn't it? | 0:11:04 | 0:11:08 | |
Certainly is. | 0:11:09 | 0:11:11 | |
'It's pretty gory and I'm surprised to see Amira volunteering to have a go.' | 0:11:11 | 0:11:16 | |
-Just wash your hands first. -OK. | 0:11:16 | 0:11:18 | |
-What you need to do is hold the fleece there. -Yeah. | 0:11:21 | 0:11:25 | |
And put that hand, with your knuckles clenched, in through there. | 0:11:25 | 0:11:30 | |
Oh, that feels gross! | 0:11:31 | 0:11:33 | |
Does it? What does it feel like? | 0:11:33 | 0:11:36 | |
I don't know! Gross! | 0:11:36 | 0:11:39 | |
-Can you feel it pulling away? -Yeah! | 0:11:41 | 0:11:44 | |
Oh, it feels gross! | 0:11:44 | 0:11:46 | |
-Oh, did you hear that? -Yeah. | 0:11:46 | 0:11:49 | |
-Oh, OK. Yeah, this is... -That skin could make a pair of boots for you. | 0:11:49 | 0:11:53 | |
-I don't really want to go any further in than that. -OK. Well done. -Well done. | 0:11:53 | 0:11:59 | |
'The final part of the hide is separated using a machine. | 0:11:59 | 0:12:03 | |
Oh, look. See? Gross, really gross, but interesting. | 0:12:06 | 0:12:11 | |
-Oh, my God. -There we go. | 0:12:11 | 0:12:13 | |
-I wasn't expecting that! -So there is the sheepskin. | 0:12:13 | 0:12:17 | |
-There is it. -There it is. -Here are our boots. | 0:12:18 | 0:12:20 | |
-Are you going to take that one outside? -OK, Jacqui, there we go. | 0:12:22 | 0:12:26 | |
It's really heavy. | 0:12:26 | 0:12:28 | |
'Jacqui has the glamorous job of gathering up the skins. | 0:12:28 | 0:12:32 | |
'Meanwhile, the sheep's carcass is gutted. | 0:12:32 | 0:12:34 | |
'Its organs are checked for signs of disease before the meat is passed fit for human consumption. | 0:12:34 | 0:12:40 | |
'With the job done, I find out how the girls are feeling.' | 0:12:45 | 0:12:50 | |
What were your expectations before we came in here? | 0:12:50 | 0:12:53 | |
I don't know. I just didn't expect to see all that blood. | 0:12:53 | 0:12:56 | |
-More gory than you thought. -Yeah, it was. But the skinning was a bit more straightforward | 0:12:56 | 0:13:00 | |
-and less blood and guts. -Sabrina, you were quite brave throughout everything. | 0:13:00 | 0:13:04 | |
-You seemed fascinated by every bit of the process, even the killing. -I did want to see that. | 0:13:04 | 0:13:09 | |
We've come all this way, I didn't want to miss anything. | 0:13:09 | 0:13:13 | |
And it was quite gruesome but I did want to keep my eyes on it. | 0:13:13 | 0:13:16 | |
'To witness the next stage in the journey from sheep to shoe, we travel to Bridgewater in Somerset, | 0:13:19 | 0:13:24 | |
'home of Fenland Sheepskin. Showing us around is managing director Chris Tinnion.' | 0:13:24 | 0:13:29 | |
-So Chris, what goes on here? -Here is where we start the process | 0:13:31 | 0:13:35 | |
of turning the raw skins into a finished product, | 0:13:35 | 0:13:37 | |
whether it be rugs or skins for coats or footwear, | 0:13:37 | 0:13:42 | |
-Ugg Boots and things like that. -How many skins do you use a year? -Between 1,000 and 1,500 a week. | 0:13:42 | 0:13:47 | |
-A total of about 60,000 a year. -60,000 a year? -Yeah. | 0:13:47 | 0:13:52 | |
So that's 60,000 sheep a year. | 0:13:52 | 0:13:55 | |
-That's a lot. -Isn't it? | 0:13:56 | 0:13:58 | |
The largest one is in China, doing 30,000 skins per day. | 0:13:59 | 0:14:03 | |
-30,000 a day? -Yeah. And there's two of them. | 0:14:03 | 0:14:06 | |
So between the two of them, they do the same in one day as we do in a year. | 0:14:06 | 0:14:10 | |
That's incredible. And if you didn't do this, if you weren't making your sheepskin products, | 0:14:10 | 0:14:15 | |
-what would happen to the skins? -Well, they'd either be exported to places like Turkey or China | 0:14:15 | 0:14:21 | |
or they would have to be disposed of in landfill. | 0:14:21 | 0:14:25 | |
'I'm relieved to know that none of the skins here will go to waste. | 0:14:27 | 0:14:31 | |
'We follow Chris to where the transformation begins - the salting room.' | 0:14:31 | 0:14:35 | |
-Hiya. -Hello. -This is George. George is going to show you how to salt skins. | 0:14:35 | 0:14:40 | |
'As soon as they arrive at the tannery, each skin is covered in salt to stop it from rotting.' | 0:14:40 | 0:14:45 | |
That one's fine. Do you want to have a go? | 0:14:45 | 0:14:48 | |
Go on, Amira. | 0:14:48 | 0:14:50 | |
'Amira helps out, but before she can start, a special little snip is needed.' | 0:14:50 | 0:14:54 | |
-I'll take that off. -Yeah, you do that. -THEY LAUGH | 0:14:54 | 0:14:57 | |
You don't really want anything to do with that. | 0:14:57 | 0:15:00 | |
-What's that bit that just came off? -A testicle. | 0:15:00 | 0:15:03 | |
THEY LAUGH | 0:15:03 | 0:15:06 | |
-It's really gross. It's kind of like a... -The more you rub it in, the better the skin. | 0:15:06 | 0:15:10 | |
It's quite... It's like a water bed. | 0:15:10 | 0:15:14 | |
SHE SCREAMS | 0:15:14 | 0:15:16 | |
-Does it feel anything like your boots at the moment? Can you make the connection? -No. | 0:15:16 | 0:15:21 | |
It had a testicle on it! | 0:15:21 | 0:15:24 | |
-My boot had a testicle! -THEY LAUGH | 0:15:24 | 0:15:28 | |
Yeah. It'd be an interesting little addition, wouldn't it? | 0:15:28 | 0:15:31 | |
You might pay extra for that. | 0:15:31 | 0:15:33 | |
-So we're going in there? -Yes. | 0:15:36 | 0:15:38 | |
'Once the hides are ready to be processed, they're cleaned and rehydrated | 0:15:38 | 0:15:42 | |
'in a tank of soapy water. This time, I get hands-on, too.' Let's go. | 0:15:42 | 0:15:46 | |
Come on. | 0:15:49 | 0:15:51 | |
Nice. | 0:15:53 | 0:15:55 | |
Yeah! You're doing very well. | 0:15:56 | 0:15:59 | |
'The hides have any excess fat removed in a de-fleshing machine. | 0:16:01 | 0:16:05 | |
'Next, tanning chemicals are added to preserve them permanently. | 0:16:06 | 0:16:11 | |
'The skins are then buffed on a wheel to make them softer.' | 0:16:11 | 0:16:14 | |
-It's like a big emery board, a big nail file. -Exactly. | 0:16:14 | 0:16:18 | |
And that's what it's like beforehand. | 0:16:18 | 0:16:20 | |
-That's afterwards, and it's got a smoother finish. -Oh! | 0:16:20 | 0:16:24 | |
That feels nice. | 0:16:24 | 0:16:27 | |
Yeah. | 0:16:27 | 0:16:29 | |
'The smoothed hides are then dyed in large drums for close to 36 hours. | 0:16:30 | 0:16:34 | |
'Then they're stretched out to be dried in heated cabinets.' | 0:16:34 | 0:16:38 | |
-So, drying done. -Upstairs. | 0:16:38 | 0:16:40 | |
'The finished skins are now ready to be boxed up.' | 0:16:43 | 0:16:46 | |
-And these skins are actually going to make boots? -Yes, that's right. | 0:16:46 | 0:16:50 | |
They go down to Cornwall for boots. | 0:16:50 | 0:16:52 | |
And how much does it cost you to buy in your sheepskin? | 0:16:52 | 0:16:55 | |
The raw skins cost about £6.50 at the moment. | 0:16:55 | 0:16:58 | |
-And how much do you sell them for? -About £22. | 0:16:58 | 0:17:02 | |
-So after your whole process, the dying and everything, you sell that for £22. -Yes. | 0:17:02 | 0:17:07 | |
-How much do you buy your boots for, girls? -Anywhere between £100 and £200. | 0:17:07 | 0:17:12 | |
Yeah, some of them go up to about £220. | 0:17:12 | 0:17:15 | |
And that, as you've just heard, is £22. | 0:17:15 | 0:17:19 | |
'I'm curious to know how a £22 sheepskin | 0:17:23 | 0:17:26 | |
'becomes a pair of boots worth hundreds, | 0:17:26 | 0:17:28 | |
'so to find out, we follow the trail to Newquay. | 0:17:28 | 0:17:31 | |
'It's home to Celtic Sheepskin, who make a range of products, including boots. | 0:17:31 | 0:17:36 | |
'Here to meet us is managing director Nick Whitworth.' | 0:17:36 | 0:17:39 | |
Welcome to Celtic Sheepskin. We'll now show you how your boots will be made. | 0:17:40 | 0:17:45 | |
'We start our tour at the cutting machines.' | 0:17:45 | 0:17:48 | |
So a pair of boots is made from eight pieces of sheepskin. | 0:17:48 | 0:17:51 | |
Every style has a pattern and we cut them out of | 0:17:51 | 0:17:55 | |
whatever colour it is that you want your boots made from. | 0:17:55 | 0:17:58 | |
How many pairs of boots would you get out of one sheepskin? | 0:17:58 | 0:18:02 | |
We go for a least one pair, depending on the size of the skin. | 0:18:02 | 0:18:05 | |
If it's a small pair of shorty boots that are only ankle-high, we might get two. | 0:18:05 | 0:18:09 | |
Those two bits go together like that at the back. | 0:18:11 | 0:18:15 | |
-Yep. -That's the little shin piece to go in front of your shin. The toes. | 0:18:15 | 0:18:19 | |
And they're all joined together like that to form a boot. | 0:18:19 | 0:18:23 | |
'After cutting, the pieces are sewn together by hand. | 0:18:24 | 0:18:28 | |
'Then the soles are stuck on. And finally, the boots are ready for the shops. | 0:18:28 | 0:18:32 | |
'Having seen the entire journey from fluffy sheep to comfy boot, | 0:18:38 | 0:18:41 | |
'I'm keen to know if the girls feel differently about their favourite footwear.' | 0:18:41 | 0:18:46 | |
When you're looking at these now, | 0:18:46 | 0:18:49 | |
are you looking at them any differently? | 0:18:49 | 0:18:52 | |
I think I've got a better understanding now. Yeah. | 0:18:52 | 0:18:55 | |
So do you like them more or less? | 0:18:55 | 0:18:57 | |
I think, if anything, I like them more now. | 0:18:57 | 0:19:00 | |
I appreciate where they came from and I just appreciate the process they've been through a lot more now. | 0:19:00 | 0:19:05 | |
-So I think we all love them more. -You've seen that sheep walking around | 0:19:05 | 0:19:10 | |
-and you saw it in the abattoir, remember that. -Don't say it like that! | 0:19:10 | 0:19:14 | |
-You've seen the skin come off. -I think that image is pretty much burned into our memories. | 0:19:14 | 0:19:20 | |
-You could see it as we're just using the material that might not have been used. -Yeah, the by-product. | 0:19:20 | 0:19:28 | |
I was just thinking, "This is a slaughter" | 0:19:28 | 0:19:30 | |
-whereas now I'm thinking, "This is shopping!" -Yeah, exactly! -Do you know what I mean? | 0:19:30 | 0:19:36 | |
Ultimately, a good experience or a bad experience? | 0:19:36 | 0:19:39 | |
-I think it's a good experience. -Good. -Really good. | 0:19:39 | 0:19:42 | |
I think a lot of people should be more conscious about where their products come from. | 0:19:42 | 0:19:48 | |
I think a lot of people are becoming a lot more aware. It's been a good journey. | 0:19:48 | 0:19:52 | |
-Well done, girls. I think you've done very well. -Thank you. -You've done really well. | 0:19:52 | 0:19:56 | |
'I find it incredible to think that in less than a week, | 0:19:58 | 0:20:01 | |
'the skins of a living sheep can become a pair of comfy boots. | 0:20:01 | 0:20:06 | |
'But though the process may be unfamiliar, the fact that sheepskin boots are made from sheep | 0:20:07 | 0:20:11 | |
'is hardly a surprise. However, there's another by-product resulting from our love of lamb | 0:20:11 | 0:20:16 | |
'that's just as widespread as the boots, but it's much less well known and much more astounding. | 0:20:16 | 0:20:22 | |
'I'm heading off to the Lake District to find out more.' | 0:20:23 | 0:20:26 | |
If I hear the word tallow, I think of something quite old-fashioned. | 0:20:30 | 0:20:34 | |
I know it's a fat and I think we used to make candles out of it in the good old days. | 0:20:34 | 0:20:38 | |
I learnt more recently that it's still used in everyday products and they make it here. | 0:20:38 | 0:20:43 | |
I've come to find out how. | 0:20:43 | 0:20:45 | |
'I'm visiting Alba Proteins who process the parts of cows and sheep left over from the food industry. | 0:20:45 | 0:20:50 | |
'Though it's a vital job, it's a pretty grizzly one, and has historically been kept under wraps. | 0:20:50 | 0:20:56 | |
'I have a rare opportunity to see it first-hand. | 0:20:56 | 0:20:59 | |
'Site manager Simon Boyes will be my guide.' | 0:20:59 | 0:21:02 | |
-Hi, Simon. -Pleased to meet you. -You, too. Now, tallow. I know it's a fat, but what sort of fat? | 0:21:02 | 0:21:07 | |
It's fat from the bits of animals that we don't actually eat. | 0:21:07 | 0:21:10 | |
-Right. And how do you extract it? -We use what we call in the industry a rendering, | 0:21:10 | 0:21:14 | |
which we heat the material up and extract the oil. | 0:21:14 | 0:21:18 | |
'Over half a million tonnes of sheep, cows and pig parts are rendered in the UK every year.' | 0:21:19 | 0:21:26 | |
Here we've got a load of sheep coming in to process. | 0:21:26 | 0:21:29 | |
-Right. How much? It's a big truck. -Erm, about 20 to 25 tonnes we normally receive in one load. | 0:21:29 | 0:21:35 | |
'The raw animal parts are unloaded into a huge bin.' | 0:21:40 | 0:21:44 | |
-25 tonnes of sheep bits and bobs. -Yep. | 0:21:48 | 0:21:52 | |
It's pretty gruesome, you've got to say. | 0:21:52 | 0:21:55 | |
The blood on the floor, the fleshy bits. | 0:21:55 | 0:21:59 | |
It is. But what you've got to appreciate is this is materials which are fit for humans | 0:21:59 | 0:22:04 | |
-but they choose not to eat. -Yeah. | 0:22:04 | 0:22:07 | |
'These sheep parts have just started to decay and they're giving off a real stink.' | 0:22:07 | 0:22:12 | |
SHE COUGHS | 0:22:12 | 0:22:14 | |
I haven't actually smelt anything quite as pungent, even in an abattoir. | 0:22:14 | 0:22:19 | |
It really sticks to the back of your throat. | 0:22:19 | 0:22:23 | |
'And if a lorry-load of sheep parts don't smell pretty, | 0:22:24 | 0:22:27 | |
'I'm sure they don't look too pretty, either.' | 0:22:27 | 0:22:29 | |
-Ohh. That's a lot of sheep heads. -It is. | 0:22:29 | 0:22:32 | |
We've got sheep heads, hooves, innards, | 0:22:32 | 0:22:35 | |
sheep fat and also the carcass, as well. | 0:22:35 | 0:22:38 | |
I've never, ever smelt anything like that. | 0:22:38 | 0:22:41 | |
Ever. No. Oh! No. | 0:22:41 | 0:22:44 | |
-Where does it go from here? -We have a crusher where we break it down to even particle size. | 0:22:44 | 0:22:50 | |
We'll go round, I'll show you the crusher | 0:22:50 | 0:22:53 | |
-and then we can take it from there. -Anything's better than here. -No problem. | 0:22:53 | 0:22:57 | |
'From the bin, the sheep parts pass into the crusher, which pounds them into small, even pieces. | 0:23:02 | 0:23:09 | |
'The crusher is monitored remotely from the rendering plant's control room.' | 0:23:10 | 0:23:14 | |
You see the picture there is the crusher. That's crushing the material down to particle size | 0:23:14 | 0:23:20 | |
and we pump it direct into the cooker. | 0:23:20 | 0:23:22 | |
-So, basically, that's turning it into pate. -That's right. | 0:23:22 | 0:23:25 | |
'This pate goes into a giant oven where it's heated to 120 degrees. | 0:23:25 | 0:23:30 | |
'The heat kills off any bacteria, evaporates the water | 0:23:30 | 0:23:34 | |
'and causes the fat to melt away from the protein.' | 0:23:34 | 0:23:37 | |
Here we have the material which is being cooked at the moment. | 0:23:37 | 0:23:40 | |
-It's like a kebab machine! -Yeah. You can naturally see the oil being released from the material. | 0:23:43 | 0:23:48 | |
'Once the sheep parts have been rendered, the hot melted fat | 0:23:52 | 0:23:55 | |
'is squeezed out by a press and drained off.' | 0:23:55 | 0:23:58 | |
-That's it, that's tallow? -That's our finished product that we sell to the customer. -It's like gravy. -Yeah. | 0:23:58 | 0:24:04 | |
-So there's a lot of that in there. -There certainly is, yes. | 0:24:05 | 0:24:10 | |
-And that's going off to your customers. -It does. | 0:24:10 | 0:24:12 | |
So the million-dollar question is, Simon, who are your customers? What is this used in? | 0:24:12 | 0:24:17 | |
In conditioners, cosmetics. It forms the first ingredient of a cleaning agent. | 0:24:17 | 0:24:22 | |
That is a bit of a surprise, I must say. Have you ever tasted any? | 0:24:22 | 0:24:25 | |
-I haven't, no. -I don't blame you. | 0:24:25 | 0:24:28 | |
'Since that gut-wrenching experience, | 0:24:32 | 0:24:34 | |
'I've been surprised to discover how much tallow is used in our cleaning products.' | 0:24:34 | 0:24:38 | |
I wonder how many people know about this product | 0:24:38 | 0:24:42 | |
and how they'll feel about it when they know how it's made. All right, boys? | 0:24:42 | 0:24:47 | |
'To find out, I'm joined by Jenny and Laura, who know very little about what goes into their wash.' | 0:24:47 | 0:24:52 | |
-So you're students? -Yeah. -And what do you look for in your washing products? | 0:24:52 | 0:24:57 | |
-Price. -What's on offer. | 0:24:57 | 0:24:59 | |
-Right. Do you ever look at the ingredients? -No. -Never. | 0:24:59 | 0:25:02 | |
Look at the ingredients on that, see if any stick out to you. | 0:25:02 | 0:25:06 | |
-Read that one. -I don't even know what those words are. | 0:25:06 | 0:25:10 | |
-What's the worst thing it could be? -I think if it was dead animal, that would be the worst thing ever. | 0:25:10 | 0:25:15 | |
'Uh-oh. Time for the big reveal.' | 0:25:15 | 0:25:18 | |
Don't be frightened. It'll all be OK. | 0:25:20 | 0:25:24 | |
-Are you ready? -THEY LAUGH | 0:25:24 | 0:25:26 | |
OK, this is what is in a lot of fabric conditioners and soaps. | 0:25:26 | 0:25:31 | |
THEY SCREAM Ughhhh! | 0:25:32 | 0:25:35 | |
-Oh, my God. -I can't even look at it! That is disgusting. Urgh. | 0:25:35 | 0:25:40 | |
-Look at his teeth! -I can't look! -Look at his teeth! | 0:25:40 | 0:25:44 | |
-She won't look! -What is that? -That is sheep's head. -Urgh! | 0:25:44 | 0:25:48 | |
It's not just sheep. There are lots of animals that go into this kind of product. | 0:25:48 | 0:25:52 | |
Basically, what they do is, all the bits of meat that we don't eat | 0:25:52 | 0:25:58 | |
go to a big rendering plant and they are boiled down into an oil | 0:25:58 | 0:26:03 | |
which becomes tallow and it comes from this kind of product. | 0:26:03 | 0:26:08 | |
-So it's in everything? -It's in an awful lot. It's in lots of fabric conditioners, | 0:26:08 | 0:26:12 | |
-it's in lots of soaps. -I don't feel clean! | 0:26:12 | 0:26:15 | |
I don't. I feel like... I keep looking at its little face. | 0:26:15 | 0:26:19 | |
-Are you curious to know how something like that becomes this product? -BOTH: Yeah. | 0:26:20 | 0:26:25 | |
-Well, we've got an expert and he's going to answer any questions that you've got. -Cool. | 0:26:25 | 0:26:29 | |
'While we put on a load of washing, we're joined by David Howells, | 0:26:32 | 0:26:35 | |
'a chemist with 30 years experience in the tallow industry.' | 0:26:35 | 0:26:39 | |
-Hi, Julia. -This is Jenny and Laura. -Hi. -Hi, girls, how are you? | 0:26:39 | 0:26:43 | |
They're quite shocked by what we've revealed so far. | 0:26:43 | 0:26:46 | |
-What's your big question? -Why? I just don't get it. | 0:26:46 | 0:26:50 | |
-Why is that used? -How is that head used to make this? | 0:26:50 | 0:26:55 | |
-That's a liquid and that's a head. -Because it's there. | 0:26:55 | 0:26:58 | |
You've had your sheep or your cow, you've eaten it. | 0:26:58 | 0:27:02 | |
As a by-product from that, you're left with this fat, you find things to do with it. | 0:27:02 | 0:27:06 | |
Right, how do we make tallow into soap? | 0:27:06 | 0:27:09 | |
It's very easy. Come on, girls, let me show you. | 0:27:09 | 0:27:12 | |
I've got a little demonstration here. | 0:27:12 | 0:27:14 | |
There's tallow. It's solid. I've melted some so I can show you more easily. | 0:27:14 | 0:27:19 | |
If we put some of the tallow in here, this is some simple caustic soda solution, | 0:27:19 | 0:27:24 | |
and instantly it's reacted and started forming soap. | 0:27:24 | 0:27:27 | |
Now instead of it being two separate clear liquids not mixed, | 0:27:27 | 0:27:31 | |
they've mixed together and it's now like a custard. | 0:27:31 | 0:27:34 | |
In industry, if you then want to get soap from that, | 0:27:34 | 0:27:37 | |
you add salt to it, the soap comes to the surface, | 0:27:37 | 0:27:40 | |
run off the water and you make it into a bar of soap. That's it. | 0:27:40 | 0:27:43 | |
'As well as being used to make soap, tallow can be found in washing powders. | 0:27:45 | 0:27:49 | |
'It's also added to fabric conditioners | 0:27:49 | 0:27:51 | |
'where it's listed on the label as a cationic surfactant | 0:27:51 | 0:27:55 | |
'and helps the perfume and softening agents spread into the clothing.' | 0:27:55 | 0:27:58 | |
-How is that allowed in that? -The alternatives are what? | 0:27:58 | 0:28:03 | |
We could use products like palm oil. | 0:28:03 | 0:28:06 | |
-That's got moral issues, as well, hasn't it? -Sustainability. | 0:28:06 | 0:28:09 | |
The animal fat is there, it's available, and can make products which are like that. | 0:28:09 | 0:28:15 | |
-When we see tallow on a label, does it always come from an animal? -It's always animal fat. | 0:28:15 | 0:28:21 | |
'Tallow and tallow-derived chemicals have a number of different names. | 0:28:21 | 0:28:26 | |
'Just some of those to look out for on your labels include sodium tallowate, | 0:28:26 | 0:28:30 | |
'tallow alcohol, tallow amine, and my personal favourite, | 0:28:30 | 0:28:33 | |
'dihydrogenated tallowoylethyl hydroxyethylmonium methosulfate.' | 0:28:33 | 0:28:39 | |
And when it says surfactant, is that always from an animal? | 0:28:39 | 0:28:42 | |
No, it can be from tallow, but it can also be totally synthetic, | 0:28:42 | 0:28:47 | |
a detergent made from chemicals. | 0:28:47 | 0:28:49 | |
-How do you know? -You don't. | 0:28:49 | 0:28:52 | |
'It's clear that getting to the bottom of what's in our products can be tricky. | 0:28:52 | 0:28:56 | |
'But once we know about a hidden ingredient like tallow, | 0:28:56 | 0:29:00 | |
'we then have to decide how we feel about it.' | 0:29:00 | 0:29:02 | |
-Has it changed the way you think about what you buy, your perception of the industry? -Definitely! | 0:29:02 | 0:29:07 | |
-It's really deceiving. -I'm like, quick in and out, so I'll just grab what I need and go. | 0:29:07 | 0:29:12 | |
I would never think to look at it. But now I would definitely take a minute to see what's in it. | 0:29:12 | 0:29:17 | |
-We know the words now. -We know what to look out for. | 0:29:17 | 0:29:20 | |
Do you think the fact that animals have been used in these products should be labelled? | 0:29:20 | 0:29:24 | |
I think it should, because they still put on animal testing | 0:29:24 | 0:29:28 | |
and suitable for vegetarians, vegans, all sorts. I think they should at least indicate it. | 0:29:28 | 0:29:33 | |
-Because if people still want to use it, they will. -We know now, but we'll still buy it. | 0:29:33 | 0:29:37 | |
-If nobody knows, they're using it unaware. -Definitely. -That's a bit rubbish. | 0:29:37 | 0:29:41 | |
-Do you want to take the sheep heads with you? -No. -Erm, I think we'll leave them there. | 0:29:41 | 0:29:46 | |
-They don't fit in with our living room, do they? -No. | 0:29:46 | 0:29:49 | |
'Though it's fair to be squeamish about tallow and where it comes from, | 0:29:49 | 0:29:53 | |
'to me it makes perfect sense that we don't waste these lamby leftovers. | 0:29:53 | 0:29:58 | |
'However, there's one way that another part of the sheep's anatomy is used that doesn't turn me on.' | 0:29:58 | 0:30:03 | |
'Sheep guts are often used to make casings for sausages. | 0:30:05 | 0:30:09 | |
'But throughout history, we've also wrapped these delicate intestinal tracts | 0:30:09 | 0:30:13 | |
'around a very different kind of flesh.' | 0:30:13 | 0:30:15 | |
Now, it's got to be said, the origin of the sheep-gut contraceptives is fairly woolly. | 0:30:15 | 0:30:20 | |
'Legend has it they were first invented in the 17th century for Charles II. | 0:30:20 | 0:30:24 | |
'It's claimed a certain Dr Condom tried to reduce the king's quota of illegitimate kids | 0:30:24 | 0:30:29 | |
'by giving him oiled sheep intestines to use between the royal bed sheets. | 0:30:29 | 0:30:33 | |
'Though there's no hard evidence for this story, by the 18th century, | 0:30:33 | 0:30:37 | |
'these animal-gut condoms were everywhere. | 0:30:37 | 0:30:40 | |
'Serial seducer Casanova mentions blowing them up to entertain ladies in his memoirs | 0:30:40 | 0:30:45 | |
'while records show that London's flourishing trade was led by two women, | 0:30:45 | 0:30:48 | |
'a Mrs Perkins and a Mrs Phillips. Today, most condoms are made from latex. | 0:30:48 | 0:30:53 | |
'But if you're allergic to those or you fancy something different, | 0:30:53 | 0:30:57 | |
-'I'm amazed to find you can still buy sheep intestine condoms online.' -# Mr lover-lover | 0:30:57 | 0:31:01 | |
'I'm keen to find out what a group of London lads will make of these.' | 0:31:01 | 0:31:06 | |
I'll try my best not to embarrass you. Let's be grown up. Come here. All right. | 0:31:06 | 0:31:11 | |
-Do we know what these are? -Ah, I know these. | 0:31:11 | 0:31:14 | |
-Yeah, do you know what them is? -THEY LAUGH | 0:31:14 | 0:31:16 | |
-Yep. -Wow. -Use these regularly? | 0:31:16 | 0:31:19 | |
-Yeah. -Good. -Should do. -I'm pleased to hear it. | 0:31:19 | 0:31:22 | |
-What do you think that's made out of? -Latex. | 0:31:22 | 0:31:25 | |
-What is that, plastic or...? -I'm not sure. | 0:31:25 | 0:31:27 | |
I'm going to show you. | 0:31:27 | 0:31:30 | |
-Sheep's intestine! -Ohh, old school! Isn't that what they used to make them out of in the old days? -Yeah. | 0:31:30 | 0:31:36 | |
-What is that? -Is that intestines? -It is indeed. -Lovely. -Spot on. -Beautiful. | 0:31:36 | 0:31:40 | |
-How do you feel about that now? -A bit weird. | 0:31:40 | 0:31:42 | |
-It's sheep's intestines. -Oh, right. | 0:31:42 | 0:31:45 | |
SHE LAUGHS Nice! Looks like spaghetti. | 0:31:45 | 0:31:48 | |
-You haven't got a knife and fork, have you? -Ohh, you're disgusting! | 0:31:48 | 0:31:52 | |
-Would you be happy trying those out? -Yeah. -As long as they work and they ain't going to get nobody pregnant! | 0:31:53 | 0:32:00 | |
-Hm. -No? You wouldn't feel happy wearing one of those? -No. | 0:32:00 | 0:32:04 | |
-I don't see why I shouldn't use it. -You'd have a go? | 0:32:04 | 0:32:06 | |
-Maybe. -I'd rather not. -I wouldn't tell her about it. -Exactly. | 0:32:06 | 0:32:11 | |
-My girlfriend, her religious views don't... -They don't go with that? | 0:32:11 | 0:32:16 | |
-They don't go with sheep-intestine condoms? -No. | 0:32:16 | 0:32:19 | |
-I tell you what, gents, take one. -Oh, thank you ever so much. | 0:32:19 | 0:32:23 | |
-Let me know how you get on. -What time do you finish? | 0:32:23 | 0:32:25 | |
-THEY LAUGH -Thank you for your time. -See you, guys. Bye. | 0:32:25 | 0:32:30 | |
'Though these old-fashioned condoms may help to prevent pregnancy, | 0:32:31 | 0:32:35 | |
'they don't protect from STDs, so for the safest sex, it's safer to stick with the more modern variety. | 0:32:35 | 0:32:41 | |
'From a product I'd expect to find in the more niche section of the chemist shop | 0:32:41 | 0:32:45 | |
'to one that's commonplace on the nation's beauty counters.' | 0:32:45 | 0:32:48 | |
Lanolin is a sheep-related ingredient that's found in hundreds of cosmetics, | 0:32:48 | 0:32:53 | |
from makeup and moisturisers to body creams and baby lotions. | 0:32:53 | 0:32:57 | |
But does anyone know what it is? | 0:32:57 | 0:33:00 | |
-Lanolin. -Lanolin. | 0:33:00 | 0:33:02 | |
-I've never heard of lanolin. -I don't know what lanolin is. -Lanolin? What is lanolin? | 0:33:02 | 0:33:07 | |
-What is lanolin? -Is it bad? | 0:33:07 | 0:33:09 | |
I've got some idea of where lanolin comes from but I'm going to meet two women from Oldham | 0:33:09 | 0:33:14 | |
who've got more reason than most to care about what goes into their cosmetics. | 0:33:14 | 0:33:19 | |
'Meet young mum Nadia, her two-year-old daughter Sharina, and her cousin, nursing student Farmina. | 0:33:19 | 0:33:25 | |
'These ladies love their beauty products.' | 0:33:25 | 0:33:29 | |
Skincare is very important to me. | 0:33:29 | 0:33:32 | |
I do have a strict routine that's wash, tone, moisturise, exfoliate. | 0:33:32 | 0:33:38 | |
Constantly giving creams a trial run, see if it works. If it looks good then it should be all right. | 0:33:38 | 0:33:43 | |
'But they need to be careful about what they use.' | 0:33:43 | 0:33:46 | |
Because we're Muslims, | 0:33:46 | 0:33:48 | |
we can't use alcohol | 0:33:48 | 0:33:51 | |
or any form of pig or gelatine or anything like that. | 0:33:51 | 0:33:55 | |
'In fact, many by-products derived from UK farm animals | 0:33:55 | 0:33:58 | |
'might not be considered Halal.' | 0:33:58 | 0:34:01 | |
Shall we give your hair a little bit of a wash? | 0:34:01 | 0:34:04 | |
'And for Nadia, it's not just a case of looking after her own skin. | 0:34:04 | 0:34:08 | |
'She also has to deal with Sharina's eczema.' | 0:34:08 | 0:34:11 | |
Sharina was born a premature child | 0:34:11 | 0:34:13 | |
so she was a month and a half early. | 0:34:13 | 0:34:16 | |
From the minute she was born, she started having a few rashes on her cheeks. | 0:34:16 | 0:34:20 | |
'So looking at what goes into their products is pretty important.' | 0:34:21 | 0:34:25 | |
Thanks a lot. Bye. | 0:34:25 | 0:34:27 | |
'But it's one thing looking and another thing understanding.' | 0:34:27 | 0:34:31 | |
Most of the things here, I have no idea what they are. | 0:34:31 | 0:34:35 | |
My head is spinning just reading these ingredients. | 0:34:35 | 0:34:38 | |
Lanolin. That's one that's very common. | 0:34:38 | 0:34:41 | |
'Lanolin is one ingredient I can help them to find out more about. | 0:34:41 | 0:34:44 | |
'How will they feel when they learn exactly where it comes from? | 0:34:44 | 0:34:48 | |
'To find out, the girls are joining me at a company called Thomas Chadwick's | 0:34:50 | 0:34:54 | |
'who wash wool for the UK carpet industry. | 0:34:54 | 0:34:56 | |
'At this stage, they've got no idea where lanolin comes from.' | 0:34:56 | 0:35:01 | |
-Do you know what this is? -Wool. -Any idea what might come out of this? | 0:35:01 | 0:35:06 | |
-No idea. -I don't have a clue but it does smell a lot. -It's a bit smelly. -It's not very pleasant. | 0:35:06 | 0:35:11 | |
I'm going to say one word to you - lanolin. What does that mean? | 0:35:11 | 0:35:14 | |
-Erm... -Nothing. -It doesn't mean anything at all but I see it a lot. | 0:35:14 | 0:35:19 | |
-A lot of moisturisers. Everything I use. -You don't know what it is? -Not at all. | 0:35:19 | 0:35:23 | |
-Do you want to go and find out? -Yes, definitely. -Follow me. | 0:35:23 | 0:35:27 | |
'So, lanolin is related to wool. But how we've yet to discover. | 0:35:30 | 0:35:35 | |
'On hand to explain is managing director Mark Andrews.' | 0:35:35 | 0:35:38 | |
-That's a lot of wool, Mark! -A lot of wool, indeed. | 0:35:38 | 0:35:41 | |
So this is wool directly off the sheep's back. | 0:35:41 | 0:35:43 | |
So this is sheared wool. | 0:35:43 | 0:35:45 | |
-You'll probably recognise it better if we open up the fleece here. -Oh, no! | 0:35:45 | 0:35:50 | |
-There we go! Now a little bit of recognition. -You've seen them shearing sheep. | 0:35:50 | 0:35:55 | |
'Sheep aren't killed to get wool. The fleece is just shaved off. | 0:35:55 | 0:35:59 | |
'It's Mark's job to get it clean enough to sell. But it's mucky work.' | 0:35:59 | 0:36:03 | |
Quite a lot of things in sheep wool. | 0:36:03 | 0:36:06 | |
-Yeah. -Sheep poo and all that. | 0:36:06 | 0:36:09 | |
-Disgusting. -The other contaminants are sweat, the sheep sweats. | 0:36:09 | 0:36:14 | |
The major contaminant is the wool grease that's on there. | 0:36:14 | 0:36:17 | |
'And it's this wool grease that's a crude form of lanolin.' | 0:36:17 | 0:36:20 | |
And are you after lanolin or are you after the wool? | 0:36:20 | 0:36:24 | |
The wool is the most important thing to us. Wool grease is a valuable by-product for us | 0:36:24 | 0:36:29 | |
and we produce anything between 5 and 6 tonnes a week. | 0:36:29 | 0:36:32 | |
-Feel that. -Feel it! -Go on, have a feel. | 0:36:32 | 0:36:37 | |
-Oh, God. It's a bit... -They're heavy, aren't they? | 0:36:37 | 0:36:40 | |
-They are heavy. -This is our bread and butter material. | 0:36:40 | 0:36:44 | |
-Can you feel it? I can feel... -You can feel the grease. | 0:36:44 | 0:36:48 | |
-It is sticky. -That's the wool grease. | 0:36:48 | 0:36:51 | |
'Sheep secrete wool grease from glands in their skin, | 0:36:52 | 0:36:55 | |
'coating and softening the wool fibres and protecting the fleece against the elements. | 0:36:55 | 0:37:00 | |
'Much like a moisturiser helps to protect our faces.' | 0:37:00 | 0:37:03 | |
# Is the word that you heard, it's got groove, it's got meaning | 0:37:03 | 0:37:07 | |
I expect to wear a wool and not smother it on my body! | 0:37:07 | 0:37:10 | |
We don't know how that happens yet, but it somehow gets from there onto our bodies. | 0:37:10 | 0:37:17 | |
'To learn more, we head into the heart of the factory. | 0:37:17 | 0:37:20 | |
'Before the wool is washed, the bails are broken down into smaller pieces.' | 0:37:20 | 0:37:24 | |
-This is scary. -Can you see the wool going in now? | 0:37:26 | 0:37:29 | |
It's being fed evenly into the wool scour now. | 0:37:29 | 0:37:33 | |
'To wash or scour the wool, it's mixed with water and detergent | 0:37:35 | 0:37:38 | |
'and passed through three tanks, each one cooler than the last. | 0:37:38 | 0:37:42 | |
'It's then rinsed on what looks like a medieval torture chamber.' | 0:37:42 | 0:37:46 | |
Look at that machinery! | 0:37:46 | 0:37:48 | |
So the majority of the wool grease is washed out in the first bowl. | 0:37:48 | 0:37:52 | |
The first bowl is the hottest bowl | 0:37:52 | 0:37:54 | |
and about 80 percent of the wool grease will be washed out there. | 0:37:54 | 0:37:59 | |
And that's where we'll extract that water from, | 0:37:59 | 0:38:02 | |
because it's concentrated wool grease there. | 0:38:02 | 0:38:04 | |
'While the clean wool goes off to be dried, | 0:38:04 | 0:38:07 | |
'the grease-rich liquid from the first tank is pumped into a series of centrifuges. | 0:38:07 | 0:38:13 | |
'These spin it at high speeds to separate the grease from the water and any dirt.' | 0:38:13 | 0:38:18 | |
We're producing what we know as wool grease. | 0:38:18 | 0:38:22 | |
You can see how clear it is now. | 0:38:22 | 0:38:24 | |
-It's drying already, yeah? -Yeah. | 0:38:24 | 0:38:26 | |
Oh, that's really sticky! That's like ear wax. | 0:38:26 | 0:38:30 | |
Yeah. As we said earlier, it officially is a wax. | 0:38:30 | 0:38:34 | |
-This isn't lanolin yet. -No, this is the raw product that we then sell to refiners. | 0:38:34 | 0:38:39 | |
'It takes 500 tonnes of fleece to produce 5 tonnes of wool grease, | 0:38:41 | 0:38:46 | |
'which is sold on to be refined into lanolin. | 0:38:46 | 0:38:48 | |
'So when you see lanolin on a label, | 0:38:48 | 0:38:51 | |
'it means that a version of this oily brown grease with all the dirt and impurities removed | 0:38:51 | 0:38:55 | |
'is in the product. But just what is it doing there and why is it used in such a wide range of stuff? | 0:38:55 | 0:39:00 | |
'To find out, it's time for my very own Blue Peter moment | 0:39:00 | 0:39:04 | |
'as the girls and I make a moisturiser from scratch. | 0:39:04 | 0:39:07 | |
'Helping us is Dr Laura Waters from the University of Huddersfield, | 0:39:07 | 0:39:11 | |
'an expert in making the products we see on the chemist's shelves.' | 0:39:11 | 0:39:14 | |
Goggles on, girls. Come on. Goggles on. | 0:39:14 | 0:39:16 | |
-Let's see. Yeah, good to go. -OK, come on round. | 0:39:16 | 0:39:21 | |
'Unlike the grease we saw in the factory, | 0:39:21 | 0:39:23 | |
'the lanolin we're using has been through the refining process. | 0:39:23 | 0:39:27 | |
'I'm keen to know what makes it such a desirable ingredient in our cosmetics.' | 0:39:27 | 0:39:31 | |
What's so special about lanolin is the way it can take up the water, | 0:39:31 | 0:39:34 | |
it can mix it in, we call that an emulsifier, | 0:39:34 | 0:39:37 | |
and it mixes the water in so when you apply it to your skin, | 0:39:37 | 0:39:40 | |
it not only forms a barrier as an oil | 0:39:40 | 0:39:42 | |
but it also has water inside that acts to rehydrate your skin | 0:39:42 | 0:39:46 | |
-so it's also a moisturiser. -So it's unique in that way? -There are several other emulsifiers | 0:39:46 | 0:39:51 | |
but with lanolin, it's a natural product, people trust it, it's gentle, it's safe | 0:39:51 | 0:39:55 | |
-and it feels nice on the skin. -Yes. | 0:39:55 | 0:39:59 | |
-Even in its most raw form. -That's really nice to know, actually. | 0:39:59 | 0:40:03 | |
-So are we all ready to start mixing? -ALL: Yes. -Fantastic. | 0:40:03 | 0:40:07 | |
'First we heat the lanolin in a beaker and add some petroleum jelly.' | 0:40:08 | 0:40:11 | |
It's like being back in home economics! | 0:40:11 | 0:40:14 | |
'Next we add emulsifying wax, which helps blend the oil and water in the cream together.' | 0:40:14 | 0:40:19 | |
OK, and then finally we need to add our liquid paraffin. | 0:40:19 | 0:40:22 | |
'Liquid paraffin is a mineral oil that helps soften the skin.' | 0:40:22 | 0:40:27 | |
This is just the basis of most creams? | 0:40:27 | 0:40:30 | |
-It is. -And then they add whatever they need to add, like perfumes, colourings or whatever? | 0:40:30 | 0:40:35 | |
Sure. This is the base of most moisturisers and barrier creams, as well. | 0:40:35 | 0:40:40 | |
'Once the lanolin mixture has melted, it's time for the most critical part - stirring.' | 0:40:40 | 0:40:45 | |
-Stir. -Yep. | 0:40:46 | 0:40:48 | |
-Pour your water in. -Ooh, it's already got thicker. | 0:40:48 | 0:40:52 | |
I can feel it. The texture just changes instantly, doesn't it? | 0:40:52 | 0:40:55 | |
'Now the moment of truth. Have our homemade moisturisers made the grade?' | 0:40:55 | 0:40:59 | |
OK, that looks fantastic! That looks really good! It's very nicely mixed. | 0:40:59 | 0:41:04 | |
So if you were to apply that to your skin, you'd find it would hydrate your skin very, very nicely. | 0:41:04 | 0:41:09 | |
Nadia, what's going on with yours? That just looks like... Well, I won't say. | 0:41:09 | 0:41:14 | |
-It's not pretty, is it? -Oh, my God. -Why did that go wrong? | 0:41:14 | 0:41:18 | |
It could be because it got too hot while it was on the hot plate. | 0:41:18 | 0:41:21 | |
-What do you think of yours? -I really like mine, the texture. | 0:41:21 | 0:41:25 | |
And it's nice and silky. | 0:41:25 | 0:41:27 | |
Go on, I know you're jealous. Have a feel of that. | 0:41:27 | 0:41:32 | |
Aww. Oh. | 0:41:32 | 0:41:34 | |
'So has witnessing the journey from dirty fleece to moisturising cream | 0:41:34 | 0:41:38 | |
'had any effect on our girls?' | 0:41:38 | 0:41:41 | |
Are you concerned about using lanolin on Sharina now, your little girl? | 0:41:41 | 0:41:44 | |
At the beginning, I was thinking, "OK, it might be from an animal" | 0:41:44 | 0:41:48 | |
but it is from an animal but it's not from the inside of an animal, it's from the wool extracts, | 0:41:48 | 0:41:53 | |
-which is good to know. -It's like a secretion. | 0:41:53 | 0:41:56 | |
-Because it's not meat, not an animal part, that's all right for you. -Yeah, that's fine. | 0:41:56 | 0:42:01 | |
'Because lanolin doesn't come from dead sheep, it's acceptable to use to most Muslims.' | 0:42:02 | 0:42:07 | |
-And you're going to carry on using all your beauty creams. -Yeah. It's been a really good experience, | 0:42:07 | 0:42:12 | |
from where it starts to this and I made my own cream, so I'm really happy. | 0:42:12 | 0:42:16 | |
-I'd quite like to take that home in a little jar. -Yeah. | 0:42:16 | 0:42:20 | |
'So far, I've seen how the sheep's skin, its fat, its guts and even its natural grease | 0:42:22 | 0:42:27 | |
'can be turned into popular everyday products. | 0:42:27 | 0:42:30 | |
'I can't imagine that there's any more the sheep has to offer.' | 0:42:30 | 0:42:34 | |
But it turns out there's a more radical way of using a sheep by-product. | 0:42:34 | 0:42:37 | |
To try and improve our looks. | 0:42:37 | 0:42:40 | |
'To find out more, I've come here to London's Harley Street. | 0:42:43 | 0:42:47 | |
'It's the home of cosmetic surgery, | 0:42:47 | 0:42:49 | |
'and one of the clinics here offers a treatment made from a part of a sheep. | 0:42:49 | 0:42:53 | |
'But I've absolutely no idea which bit. | 0:42:53 | 0:42:55 | |
'I'm meeting Dr Roberto Viel, | 0:42:55 | 0:42:57 | |
'a cosmetic surgeon who's spent the last 20 years | 0:42:57 | 0:43:00 | |
'helping patients in search of the body beautiful | 0:43:00 | 0:43:03 | |
'alongside his twin brother Maurizio. Hm, wonder who this lucky lady is.' | 0:43:03 | 0:43:07 | |
-Hi, Alice. -Hi. -Lying in the supine position here. Roberto, hello. | 0:43:09 | 0:43:14 | |
-What are you doing here? -At the moment, I'm applying the last batch of anaesthetic cream. | 0:43:14 | 0:43:20 | |
'Today he's going to be carrying out a procedure on 26-year-old Londoner Alice. | 0:43:20 | 0:43:25 | |
'She's an aspiring makeup artist with an interest in beauty products | 0:43:25 | 0:43:29 | |
-'and it's the first time she's had this unusual facial.' -We need to numb the skin | 0:43:29 | 0:43:33 | |
because what we're going to do involves the use of a micro-needle dermo roller | 0:43:33 | 0:43:38 | |
and an application of a solution called an ActiStem dermal. | 0:43:38 | 0:43:44 | |
-What is it? I know it's a part of a sheep. -That is a solution | 0:43:44 | 0:43:48 | |
of a concentration of a protein from lamb placenta. | 0:43:48 | 0:43:53 | |
-It's the placenta? -Placenta from the sheep. | 0:43:53 | 0:43:57 | |
There we are. There we are. There. | 0:43:57 | 0:44:01 | |
So let's just get this clear. The placenta is in the sheep's womb | 0:44:01 | 0:44:06 | |
and is attached to the lamb in the womb | 0:44:06 | 0:44:10 | |
and is feeding that lamb. | 0:44:10 | 0:44:13 | |
-But it's the bit that's full of all the goodness, isn't it? It's the... -Yeah. | 0:44:14 | 0:44:19 | |
I can't lie. | 0:44:19 | 0:44:21 | |
When you put it like that, it does seem quite...yucky. But I'm quite fascinated with it. | 0:44:21 | 0:44:27 | |
'In recent years, our taste for radical beauty procedures has continued to grow. | 0:44:31 | 0:44:36 | |
'New treatments appear regularly | 0:44:36 | 0:44:38 | |
'and the one I'm about to see is not mainstream yet.' | 0:44:38 | 0:44:41 | |
Is that the micro roller? | 0:44:41 | 0:44:43 | |
Yes. It's made of titanium. Looks like a torture instrument but it's not at all true, don't worry. | 0:44:43 | 0:44:49 | |
-'Looks a bit painful to me.' -OK, let's start. | 0:44:49 | 0:44:53 | |
-How does it feel, Alice? -It's not... It's not nice, but it's not painful. -It's dealable. | 0:44:55 | 0:45:01 | |
Yeah, it's not agony by any stretch. | 0:45:01 | 0:45:05 | |
You see, the skin becomes a little bit red and pinkish. | 0:45:05 | 0:45:08 | |
-Mm-hm. -And that's what we want. | 0:45:08 | 0:45:11 | |
'Alice's pores are opened up to allow the liquid placenta treatment to penetrate more deeply | 0:45:13 | 0:45:18 | |
'into the middle, or mesodermal, layer of the skin.' | 0:45:18 | 0:45:21 | |
So now you're just painting it onto those open pores. | 0:45:21 | 0:45:24 | |
-I'm like an artist. I'm doing some nice painting. -Yeah! | 0:45:24 | 0:45:28 | |
'There's currently limited scientific evidence for this treatment | 0:45:28 | 0:45:32 | |
'but Dr Viel is convinced of its benefits.' | 0:45:32 | 0:45:35 | |
The protein of the placenta will activate the dormant stem cells of the skin. | 0:45:35 | 0:45:43 | |
In doing that, there will be a faster skin regeneration. | 0:45:43 | 0:45:47 | |
So you will have new skin cells on your face much quicker than normal | 0:45:47 | 0:45:51 | |
and that will give a better glow and improvement to the skin. | 0:45:51 | 0:45:57 | |
'The placentas used to make this treatment come from a specially isolated flock in Australia. | 0:45:58 | 0:46:03 | |
'The fresh placenta is dried and made into a powder | 0:46:03 | 0:46:06 | |
'from which a sterilised protein is extracted for use in the facial serum.' | 0:46:06 | 0:46:10 | |
-How does it feel on a fresh corner of your face? -It's actually better on this bit. | 0:46:10 | 0:46:14 | |
'According to Dr Viel, sheep placenta is favoured over other animals | 0:46:14 | 0:46:19 | |
-'because it's richer in all the necessary proteins.' -Now you have to look up, OK? | 0:46:19 | 0:46:24 | |
-Perfect. -What are the benefits for somebody of Alice's age? | 0:46:27 | 0:46:30 | |
It helps to give a boost to the cells | 0:46:30 | 0:46:34 | |
to have a better skin complexion, to revitalise the skin | 0:46:34 | 0:46:39 | |
and, of course, I always believe that prevention is very important in anti-aging medicine. | 0:46:39 | 0:46:46 | |
-So prevention is better than cure. -I always believe that, yeah. | 0:46:46 | 0:46:50 | |
'The treatment ends with a final application of moisturising serum | 0:46:51 | 0:46:54 | |
'and then Alice gets a chance to check out her new facial glow.' | 0:46:54 | 0:46:58 | |
-Ooh! Oh, dear. -SHE LAUGHS | 0:46:59 | 0:47:01 | |
-A little bit lobster! -A little bit lobster-esque. | 0:47:01 | 0:47:05 | |
-But it's not too bad. -You see, that's the first area. | 0:47:05 | 0:47:08 | |
It's going away, the redness. A couple of hours and she will be back to normal. | 0:47:08 | 0:47:14 | |
-You will be happy. -I am sure I will. -You are beautiful. | 0:47:14 | 0:47:18 | |
'Three weeks later and the results of Alice's unusual treatment can be seen. | 0:47:18 | 0:47:23 | |
'Has it worked? I'll let you judge for yourself.' | 0:47:23 | 0:47:26 | |
Having explored pretty much every inch of the sheep's anatomy, | 0:47:28 | 0:47:32 | |
it may seem strange that I've pretty much ignored the part that we use the most, | 0:47:32 | 0:47:36 | |
the part that's most familiar in our homes and on the high street. This stuff. Wool. | 0:47:36 | 0:47:42 | |
'The reason I've left wool until last is because it seems hard to find something new | 0:47:44 | 0:47:49 | |
'or unexpected to say about such a familiar sheep by-product. | 0:47:49 | 0:47:53 | |
'Wool is sheared from living sheep before being processed into fibre, spun and dyed. | 0:47:53 | 0:47:57 | |
'I can be knitted or woven into everything from jumpers and carpets | 0:47:57 | 0:48:01 | |
'to snooker-table cloth and even coffins. | 0:48:01 | 0:48:04 | |
'It's a fabric that's been with us so long, it's difficult to get excited about it.' | 0:48:04 | 0:48:08 | |
-Frumpy. -Is that what you think? -Yeah. -Wool, frump, dull. -Yep. | 0:48:08 | 0:48:12 | |
-Cosy, I suppose. That's about it. -Cosy? -Yeah. | 0:48:12 | 0:48:14 | |
-Wool? -I hate wool. The feel of it, it's awful. -I'd say a bit boring. | 0:48:14 | 0:48:20 | |
'But despite what we might think, it turns out that even something as everyday as wool has its surprises. | 0:48:21 | 0:48:27 | |
'Especially when it comes to the part it can play in the furniture and fittings we buy for our homes. | 0:48:27 | 0:48:33 | |
'To find out more, I've come to the Chiltern International Fire Testing Facility in Buckinghamshire. | 0:48:33 | 0:48:38 | |
'Here an expert team test fire-resistance in a wide range of products. | 0:48:38 | 0:48:43 | |
'For this visit, I'm joined by friends Ayiesha and Dan, who've recently moved in together. | 0:48:43 | 0:48:48 | |
'They both consider themselves fans of modern interiors, | 0:48:48 | 0:48:51 | |
'so I wonder where wool rates in their list of fashionable home fittings.' | 0:48:51 | 0:48:55 | |
-The two of you have just moved into a flat together. -We have. | 0:48:55 | 0:48:59 | |
-It's an exciting time, you're furnishing it. So shopping? -Yes, lots of that. | 0:48:59 | 0:49:03 | |
And are we getting on? Stylistically, do we agree? | 0:49:03 | 0:49:06 | |
-We're very different. -Yes. -I like minimalistic, she likes clutter and too much colour for me. | 0:49:06 | 0:49:13 | |
-When you're shopping for your furniture, do you ever consider wool as a material? -Not furniture, no. | 0:49:13 | 0:49:19 | |
-No? -No. -No. -Not wool curtains? | 0:49:19 | 0:49:21 | |
-No. -Wool sofa? -If it looks nice, it looks nice. I don't think, "What's it made of?" at all. | 0:49:21 | 0:49:26 | |
'One man who'd like Ayiesha and Dan to take a second look | 0:49:26 | 0:49:30 | |
'at the fabrics they choose for their home is Sir Ken Knight, one of Britain's leading firemen.' | 0:49:30 | 0:49:36 | |
-Explain what you do. -I started as a firefighter, became chief fire officer of London. | 0:49:36 | 0:49:40 | |
-Now I'm the government's chief fire and rescue advisor. -'To demonstrate what's so special about wool, | 0:49:40 | 0:49:46 | |
'Dan and Ayiesha will witness a revealing experiment. | 0:49:46 | 0:49:49 | |
'We're going to test how wool compares to a synthetic fabric, polyester, | 0:49:49 | 0:49:54 | |
'by staging a bedroom fire inside what's known as a firebox.' | 0:49:54 | 0:49:58 | |
-What have we got in front of us here? -I've set up the typical materials of a bedrooms. | 0:49:58 | 0:50:04 | |
So we've got a woollen blanket, a woollen mattress, | 0:50:04 | 0:50:08 | |
-a woollen pillow and a woollen carpet. -How does that compare to your bedroom? | 0:50:08 | 0:50:12 | |
-Woollen blanket? -Definitely. The bed frame, definitely. | 0:50:12 | 0:50:15 | |
-But not wool. All synthetics. -Mm. | 0:50:15 | 0:50:18 | |
We'll now set this on fire as though it was a bedroom fire | 0:50:18 | 0:50:21 | |
and just seen what happens and see how the materials perform. | 0:50:21 | 0:50:24 | |
I'm just going to pop a little photo of you guys in there. | 0:50:27 | 0:50:29 | |
Let's see how that stands up, shall we? | 0:50:29 | 0:50:32 | |
I'll just put that on the bedside table. Aww, lovely. There we go. | 0:50:32 | 0:50:36 | |
We've got a flame. So this is on the wool blanket. | 0:50:36 | 0:50:40 | |
Still hasn't really ignited. | 0:50:40 | 0:50:43 | |
-You see the difficulty you're having setting light to it? -I actually can't set fire...to the blanket. | 0:50:43 | 0:50:50 | |
'In fact, it takes almost two minutes before the fire is underway.' | 0:50:51 | 0:50:55 | |
Now you can see that it's really caught alight. But in a localised area. | 0:50:55 | 0:50:59 | |
-Very local. I think we ought to come out of the way now and just see how long it takes. -OK. | 0:50:59 | 0:51:04 | |
Still very slow smouldering. Smoke enough to set a smoke detector off | 0:51:06 | 0:51:10 | |
but not a fast-burning fire, not a huge amount of heat given off. | 0:51:10 | 0:51:13 | |
It's not spreading at all. Normally when you see fires, they race across. | 0:51:13 | 0:51:17 | |
'Naturally occurring substances in the sheep's wool, | 0:51:17 | 0:51:20 | |
'like nitrogen and lanolin, give it an ability to self-extinguish, reducing the spread of fire.' | 0:51:20 | 0:51:26 | |
We're now at seven minutes and I don't think we're going to see much more of this for some time. | 0:51:26 | 0:51:30 | |
The fire is still not a room alight, still not even the whole bedding alight. | 0:51:30 | 0:51:35 | |
-So I think we're probably ready to stop there. -Ready to put this out? -I think we are. -Let's do it. | 0:51:35 | 0:51:40 | |
'It takes mere moments to douse the flames and we go to examine the damage.' | 0:51:41 | 0:51:45 | |
Charring. Not much flame spread. Nothing on the bed frame. | 0:51:47 | 0:51:51 | |
-No. -No dripping at all. So the wool carpet we put down | 0:51:51 | 0:51:55 | |
didn't actually have any fire damage at all. | 0:51:55 | 0:51:58 | |
-After eight minutes, I'd expect much more. I'd expect the whole thing to be up in flames. -I'm surprised. | 0:51:58 | 0:52:04 | |
And very impressed. Do you think we can get the picture out? | 0:52:04 | 0:52:07 | |
-Shall I? -Yep, go on. -Let's see if it's still there. | 0:52:07 | 0:52:10 | |
-Oh, look! -Bit of water there. -Just a little bit of water damage from the firemen, | 0:52:10 | 0:52:16 | |
-but apart from that, intact. -OK? -There you go. You survived fire number one. -Thank you! | 0:52:16 | 0:52:22 | |
'Now it's time to repeat the test | 0:52:29 | 0:52:32 | |
'but with the kind of synthetic polyester furnishing Dan and Ayiesha use in their flat.' | 0:52:32 | 0:52:36 | |
You're going back in, you two. | 0:52:36 | 0:52:39 | |
I shall place you again delicately on the bedside table. | 0:52:39 | 0:52:43 | |
-Stopwatch at the ready. -Ready. -There we go. So... | 0:52:43 | 0:52:48 | |
Right, I'm away. | 0:52:49 | 0:52:51 | |
A lot lower ignition temperature than wool. | 0:52:51 | 0:52:54 | |
-It has definitely caught fire. -That was about ten seconds to when it started to take fire. | 0:52:54 | 0:52:58 | |
Flames dropping onto the carpet. And this is a polyester carpet, as well. | 0:52:58 | 0:53:03 | |
-Can you smell it? -Phwoar! Yep, smell. | 0:53:03 | 0:53:05 | |
-Smells a lot quicker. -And look at the smoke. It's black | 0:53:05 | 0:53:08 | |
-And it does smell. -This is a toxic smoke coming out of here. | 0:53:08 | 0:53:12 | |
-Look at the difference. Where are we at time-wise? -We're not up to a minute yet. -Not a minute? | 0:53:12 | 0:53:16 | |
-Shall we move away from these fumes? -Yeah, we should. -It's toxic. | 0:53:16 | 0:53:20 | |
'Just two minutes in and the fire is really gathering pace.' | 0:53:21 | 0:53:25 | |
You're seeing a lot more actual flaming and there's a lot more smoke higher up. | 0:53:25 | 0:53:29 | |
You can smell it, even at this end. | 0:53:29 | 0:53:32 | |
Look at the bedding now, it's spreading across the bed very quickly. | 0:53:33 | 0:53:36 | |
We're just into four and a half minutes. | 0:53:36 | 0:53:39 | |
To think that that was on our bed, I mean, I'm shocked. | 0:53:39 | 0:53:42 | |
It really is literally five minutes and it's completely in flames. | 0:53:42 | 0:53:45 | |
That fire has now burnt all the way through the mattress. | 0:53:45 | 0:53:49 | |
Look at the smoke coming out. So you really have now got a serious room fire. | 0:53:49 | 0:53:53 | |
We're still only at six and a half minutes. | 0:53:53 | 0:53:56 | |
We're almost coming up to eight minutes. This is where we stopped it before | 0:53:59 | 0:54:03 | |
when we said, "There's not enough burning". | 0:54:03 | 0:54:05 | |
Compare what we're seeing now, with very similar bedding materials, but made of a different material. | 0:54:05 | 0:54:12 | |
-How long do we want to let this burn? -I think we've seen enough. | 0:54:12 | 0:54:15 | |
-We've got to send firefighters in to put this out, remember. -OK. | 0:54:15 | 0:54:18 | |
-I think we're ready to stop. -Let's put them in. OK. | 0:54:18 | 0:54:21 | |
'With the flames finally extinguished, | 0:54:48 | 0:54:50 | |
'we go to see what's left of the bedroom.' | 0:54:50 | 0:54:53 | |
-Completely destroyed it. -Yep. | 0:54:53 | 0:54:55 | |
-I know which one I'd rather be sleeping in. -That is frightening, isn't it? | 0:54:55 | 0:54:59 | |
I mean, look. Everything that was left after eight minutes on this bed. | 0:54:59 | 0:55:03 | |
-The little sheep have survived. -Yeah. | 0:55:03 | 0:55:06 | |
-And there's nothing. -Mm. | 0:55:06 | 0:55:08 | |
What do you think about this whole experiment, now that you've seen this? | 0:55:10 | 0:55:15 | |
It's more than just colour and texture now, isn't it? | 0:55:15 | 0:55:18 | |
Yeah. It's been a real eye-opener. It'll definitely give us something more to think about when we shop. | 0:55:18 | 0:55:23 | |
-So more arguments. But I think this is one thing we'll both be agreed on. -Yeah. | 0:55:23 | 0:55:27 | |
-No more arguments when it comes to safety. -Yeah. | 0:55:27 | 0:55:30 | |
Ken, does this mean we've got to get rid of everything polyester in our bedrooms and our houses? | 0:55:30 | 0:55:35 | |
No, I doesn't. But it means people need to think about safety in terms of their choice of products. | 0:55:35 | 0:55:40 | |
We've seen here that Dan and Ayiesha can make those choices about colour and type | 0:55:40 | 0:55:45 | |
and there are choices in safety we'd like people to think about, as well. | 0:55:45 | 0:55:48 | |
'While all mattresses and pillows, regardless of what they're made of, | 0:55:48 | 0:55:52 | |
'must be treated to comply with a certain level of fire resistance by law, | 0:55:52 | 0:55:56 | |
'there are currently no fire regulations for duvets, carpets or curtains in the UK. | 0:55:56 | 0:56:01 | |
'For this reason, it's always worth checking labels on any such products | 0:56:01 | 0:56:05 | |
'to see what they say in terms of fire safety.' | 0:56:05 | 0:56:07 | |
-Is there any point in asking about the picture, Sir Ken? -I'm afraid this is all that survived. | 0:56:07 | 0:56:12 | |
There's no picture and there's no frame any more. | 0:56:12 | 0:56:15 | |
There's no nothing. This really is everything from the bedroom. | 0:56:15 | 0:56:18 | |
The fire resisting power of a simple woolly blanket | 0:56:21 | 0:56:25 | |
is just one of the surprising things I discovered | 0:56:25 | 0:56:28 | |
while exploring how and why sheep are used to make our products. | 0:56:28 | 0:56:32 | |
'In fact, it seems as though many of the sheep's body parts, | 0:56:32 | 0:56:35 | |
'from its warm, durable fleece to its moisturising grease, | 0:56:35 | 0:56:38 | |
'have natural qualities that are hard to beat. | 0:56:38 | 0:56:41 | |
'It's made me and the people I've shared this journey with think again about the humble sheep.' | 0:56:41 | 0:56:46 | |
And even though some of the things we do with it can be quite hard to stomach, | 0:56:46 | 0:56:50 | |
I'm glad we don't waste any of it. | 0:56:50 | 0:56:53 | |
'Next time on Kill It, Cut It, Use It, the pig.' | 0:56:53 | 0:56:57 | |
-It won't go on. -Ohh! That's just horrible! | 0:56:57 | 0:57:01 | |
-Oh, my God. -GUNSHOT | 0:57:01 | 0:57:03 | |
-Pig head. -Urgh, it's got skin in it! | 0:57:03 | 0:57:06 | |
-That saved me. -That's keeping you alive. | 0:57:08 | 0:57:11 | |
Subtitles by Red Bee Media Ltd | 0:57:13 | 0:57:17 | |
E-mail [email protected] | 0:57:17 | 0:57:21 |