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We've become a nation of supermarket shoppers. | 0:00:06 | 0:00:10 | |
We buy a staggering 90% of our food from supermarkets. | 0:00:10 | 0:00:14 | |
Not everyone's a supermarket fan, but we do rely on them | 0:00:16 | 0:00:21 | |
to give us the food that we want, when we want it. | 0:00:21 | 0:00:23 | |
Now that is a huge challenge. | 0:00:23 | 0:00:26 | |
And I want to find out how the supermarkets do it. | 0:00:26 | 0:00:28 | |
Whoa! | 0:00:32 | 0:00:33 | |
'I'm going behind the scenes with Britain's biggest food retailers.' | 0:00:35 | 0:00:39 | |
This may be the nuttiest thing I've ever seen. | 0:00:39 | 0:00:42 | |
'I've got exclusive access, to discover how they source...' | 0:00:42 | 0:00:47 | |
Let's grill one. | 0:00:47 | 0:00:48 | |
'..how they make....' | 0:00:48 | 0:00:51 | |
No! Slow it down, please. | 0:00:51 | 0:00:52 | |
..and how they move our food, on an epic scale. | 0:00:54 | 0:00:57 | |
It's a massive operation. | 0:01:00 | 0:01:01 | |
It runs 24 hours a day, seven days a week. | 0:01:03 | 0:01:06 | |
I'm tracking it season by season. | 0:01:07 | 0:01:10 | |
And this time, spring is in the air. | 0:01:11 | 0:01:14 | |
I'll find out what it takes to bring us millions of eggs for Pancake Day. | 0:01:15 | 0:01:20 | |
Suck 'em up, spit 'em down onto the moving runway. | 0:01:20 | 0:01:23 | |
That is the maddest thing. | 0:01:23 | 0:01:26 | |
Discover the clever technology behind Easter chocolate. | 0:01:26 | 0:01:29 | |
It's a funfair ride for the owl, isn't it? | 0:01:29 | 0:01:32 | |
I'll see if the supermarkets can get us to change our fishy habits. | 0:01:33 | 0:01:37 | |
-What do you think of that? -Argh! | 0:01:37 | 0:01:39 | |
And I reveal what our eyes tell us about the way we shop. | 0:01:39 | 0:01:43 | |
The faster we shop, the more we buy. | 0:01:43 | 0:01:46 | |
Supermarkets have huge influence over our everyday lives. | 0:01:47 | 0:01:51 | |
But exactly how they bring us our food has been hidden, until now. | 0:01:51 | 0:01:55 | |
Springtime. | 0:02:05 | 0:02:07 | |
A chance to get outside, and blow away those winter blues. | 0:02:07 | 0:02:10 | |
It's when we all get a new lease of life. | 0:02:12 | 0:02:14 | |
I think, oh, daylight, cos obviously the daylight starts to come back. | 0:02:16 | 0:02:21 | |
-The daffodils for one. -Daffodils. | 0:02:21 | 0:02:23 | |
-Daffodils. -The little bunny rabbits. | 0:02:23 | 0:02:26 | |
-Lambs, Easter. -And also spring cleaning! | 0:02:26 | 0:02:30 | |
That's what spring means to us, | 0:02:30 | 0:02:32 | |
but to the supermarkets it means sales opportunities. | 0:02:32 | 0:02:36 | |
And springtime is packed full of seasonal events. | 0:02:38 | 0:02:41 | |
One after the other we've got Valentine's Day, Pancake Day, | 0:02:41 | 0:02:46 | |
Mothers Day and Easter, and on occasions like this, | 0:02:46 | 0:02:49 | |
supermarkets know we're willing to spend more money, | 0:02:49 | 0:02:52 | |
and we're often on the lookout for something special. | 0:02:52 | 0:02:55 | |
So getting the right products in the stores for all these occasions | 0:02:57 | 0:03:00 | |
is a big deal for the supermarkets. | 0:03:00 | 0:03:03 | |
No spring event matters more than Easter, which is when we spend over | 0:03:03 | 0:03:08 | |
£5½ billion on food and drink in the supermarkets. | 0:03:08 | 0:03:13 | |
The only time of year we fork out more is Christmas. | 0:03:13 | 0:03:16 | |
And there's one Easter favourite | 0:03:16 | 0:03:19 | |
that the supermarkets devote whole aisles to. | 0:03:19 | 0:03:22 | |
Chocolate. We can't get enough of the stuff. | 0:03:23 | 0:03:26 | |
Do you know, we spend about £450 every year on Easter chocolate? | 0:03:26 | 0:03:32 | |
And with spending like that no wonder the competition | 0:03:32 | 0:03:34 | |
between the supermarkets is fierce, in the battle of the Easter treats. | 0:03:34 | 0:03:38 | |
Look at this lot. | 0:03:40 | 0:03:41 | |
We've been buying chocolate eggs at Easter | 0:03:42 | 0:03:45 | |
for nearly 140 years. | 0:03:45 | 0:03:48 | |
Now, the average kid in Britain gets eight of them. | 0:03:48 | 0:03:52 | |
And eggs are no longer enough. | 0:03:52 | 0:03:54 | |
Each year the supermarkets need to come up with new, | 0:03:54 | 0:03:57 | |
and more elaborate creations to attract our attention. | 0:03:57 | 0:04:00 | |
But the more complex the creation, | 0:04:00 | 0:04:02 | |
the more challenging it is to produce. | 0:04:02 | 0:04:06 | |
Easter chocolate is such a serious business for the supermarkets, | 0:04:11 | 0:04:15 | |
that work on new products starts months in advance. | 0:04:15 | 0:04:18 | |
I'm down in Cornwall, | 0:04:21 | 0:04:22 | |
and I'm on my way to a meeting about Easter confectionary. | 0:04:22 | 0:04:25 | |
Now it's September, I've just got back from my holidays | 0:04:25 | 0:04:28 | |
and really Easter is not top of my list of priorities. | 0:04:28 | 0:04:31 | |
But if you're a supermarket, it is. | 0:04:31 | 0:04:33 | |
In an out-of-the-way cafe in St Ives, | 0:04:37 | 0:04:40 | |
I'm meeting Tracey Anderson and Chris Moore, | 0:04:40 | 0:04:42 | |
who work on new products for Waitrose. | 0:04:42 | 0:04:45 | |
They've got a top secret Easter project, | 0:04:45 | 0:04:48 | |
that they hope will blow away the competition. | 0:04:48 | 0:04:51 | |
I've got to say, I've never seen anything quite like this. | 0:04:55 | 0:04:59 | |
So this is our new Woodland Creature range. | 0:05:00 | 0:05:03 | |
So we've got two owls, we've got Ollie and Izzy, | 0:05:03 | 0:05:05 | |
a brother and sister owl. | 0:05:05 | 0:05:07 | |
We've got a bumblebee called Whizz, a ladybird called Dotty, | 0:05:07 | 0:05:11 | |
a hedgehog called Spike, and a frog called Hop. | 0:05:11 | 0:05:15 | |
Novelty Easter products like pigs, bunnies and lambs | 0:05:15 | 0:05:18 | |
are all the rage, with sales of them | 0:05:18 | 0:05:20 | |
soaring by 25% in the last couple of years. | 0:05:20 | 0:05:23 | |
It is mums and dads and grandparents that are maybe picking them up | 0:05:25 | 0:05:28 | |
for their children but we want them to be excited, to say, | 0:05:28 | 0:05:31 | |
"Oh, there's the cute little owl, the gorgeous little hedgehog." | 0:05:31 | 0:05:34 | |
-You're into it, aren't you? -Yeah, massively so. | 0:05:34 | 0:05:37 | |
And I think naming the character as well, it's like a little story. | 0:05:37 | 0:05:41 | |
I just think the finish of these will just be so beautiful | 0:05:41 | 0:05:45 | |
and so gorgeous that they have to sell, they will sell. | 0:05:45 | 0:05:49 | |
But, manufacturing designs as elaborate as this in chocolate | 0:05:51 | 0:05:55 | |
will be difficult to pull off. | 0:05:55 | 0:05:58 | |
Tracey and Chris are in Cornwall to meet their chosen supplier. | 0:05:58 | 0:06:02 | |
County Confectionary. | 0:06:02 | 0:06:03 | |
Oh, it's a tough job visiting chocolate factories, | 0:06:15 | 0:06:18 | |
but someone has to do it. | 0:06:18 | 0:06:19 | |
This is like walking into an enormous box of chocolates, | 0:06:20 | 0:06:23 | |
the smell is incredible. | 0:06:23 | 0:06:25 | |
It's down to Managing Director David Brian | 0:06:30 | 0:06:32 | |
to find a way to mass produce the highly detailed figures. | 0:06:32 | 0:06:35 | |
Today they're testing a prototype of the mould | 0:06:38 | 0:06:41 | |
that will be used to make Ollie. | 0:06:41 | 0:06:43 | |
For the trial they pipe the detailed features by hand. | 0:06:43 | 0:06:46 | |
When it's in production, this will be done by machine. | 0:06:46 | 0:06:50 | |
The mould has to be precision made and can cost up to £10,000. | 0:06:50 | 0:06:55 | |
Tiny variations in its shape can have a big effect | 0:06:55 | 0:06:58 | |
on how the chocolate will set, and whether Ollie will come to life. | 0:06:58 | 0:07:03 | |
It is a big ask, but David has assured us, | 0:07:04 | 0:07:08 | |
every stop of the way, that he can do this. | 0:07:08 | 0:07:10 | |
This'll be the first time the owl has become a solid object. | 0:07:13 | 0:07:17 | |
Molten milk chocolate is pumped into the mould, | 0:07:17 | 0:07:20 | |
and we can all say hello to Ollie. | 0:07:20 | 0:07:23 | |
-Hey! Look, look, look, look, look. -Wow. Oh, my God, look at that. | 0:07:25 | 0:07:30 | |
-Unbelievable. -That is so... | 0:07:30 | 0:07:33 | |
Unbelievable! | 0:07:33 | 0:07:35 | |
-You're impressed. -I really am. Just like seeing it. | 0:07:35 | 0:07:38 | |
Now comes a really clever bit, | 0:07:40 | 0:07:42 | |
and it's how they make chocolate products hollow. | 0:07:42 | 0:07:46 | |
No! Hahaha! | 0:07:46 | 0:07:50 | |
What are you doing to my owl?! | 0:07:50 | 0:07:53 | |
They do it using this contraption, called a spinner. | 0:07:53 | 0:07:56 | |
It's a funfair ride for the owl, isn't it? | 0:07:58 | 0:08:01 | |
So what it is doing is actually letting the chocolate | 0:08:02 | 0:08:05 | |
go around the mould on the inside, molten chocolate, | 0:08:05 | 0:08:08 | |
and as it's going around, it actually forms a shell. | 0:08:08 | 0:08:12 | |
Then, as the chocolate cools, it sets into an even layer. | 0:08:12 | 0:08:16 | |
All the way around the mould, leaving a hollow centre. | 0:08:16 | 0:08:20 | |
If you didn't spin it around like this, the chocolate would just, | 0:08:20 | 0:08:24 | |
gravity would make it settle... | 0:08:24 | 0:08:25 | |
It'd be solid at the bottom. | 0:08:25 | 0:08:27 | |
With a traditional Easter egg, this is a straightforward process. | 0:08:27 | 0:08:32 | |
That is fascinating. Fascinating. | 0:08:32 | 0:08:34 | |
But Ollie has many intricate features. | 0:08:36 | 0:08:38 | |
It's hard to get chocolate to spread evenly | 0:08:38 | 0:08:41 | |
through complicated shapes like ears and legs. | 0:08:41 | 0:08:44 | |
If it hasn't, then his loveable woodland attributes | 0:08:44 | 0:08:48 | |
might not even make it out of the mould. | 0:08:48 | 0:08:50 | |
We'll take them out. | 0:08:50 | 0:08:52 | |
-Can I just try and stand Ollie up? -Course you can. | 0:08:52 | 0:08:56 | |
Ye-hay! Hahahaha! | 0:09:02 | 0:09:05 | |
So what do we think, team, has the owl got wings? | 0:09:05 | 0:09:08 | |
Very, very happy with this, very happy. | 0:09:08 | 0:09:10 | |
It's really, really good. | 0:09:10 | 0:09:12 | |
The rough test of the owl has been a success, | 0:09:13 | 0:09:16 | |
but work on Ollie's friends is still a long way behind. | 0:09:16 | 0:09:19 | |
-Have you done the mould for the frog yet? -No. | 0:09:19 | 0:09:22 | |
-Have you done the mould for the ladybird yet? -No. | 0:09:22 | 0:09:25 | |
-Have you done the mould for the hedgehog? -No. -No. No. | 0:09:25 | 0:09:28 | |
Tracey has just two months before she has to get | 0:09:28 | 0:09:30 | |
her woodland creatures approved by Waitrose top brass. | 0:09:30 | 0:09:34 | |
I'll catch up with her later to find out the fate of Ollie, | 0:09:35 | 0:09:38 | |
and his friends. | 0:09:38 | 0:09:40 | |
Alongside chocolate, there's another Easter product | 0:09:44 | 0:09:47 | |
that's big business for the supermarkets. | 0:09:47 | 0:09:50 | |
Hot cross buns have been an Easter tradition | 0:09:54 | 0:09:57 | |
since the late 1600s. | 0:09:57 | 0:09:58 | |
Now we buy the bulk of them from supermarkets, | 0:10:00 | 0:10:03 | |
and many of them are baked in-store. | 0:10:03 | 0:10:06 | |
In Sainsbury's alone, between January and Easter, | 0:10:06 | 0:10:09 | |
they produce over 30 million of them. | 0:10:09 | 0:10:12 | |
But there's something that puzzles me. | 0:10:12 | 0:10:15 | |
Look at these, they're nice, look, | 0:10:15 | 0:10:16 | |
but they are exactly the same, which is weird | 0:10:16 | 0:10:19 | |
because if you bake anything at home the results are variable. | 0:10:19 | 0:10:21 | |
You never get two things looking exactly the same | 0:10:21 | 0:10:23 | |
so, how do the supermarkets get all their buns looking identical? | 0:10:23 | 0:10:28 | |
In-store bakeries have been around since the 1970s. | 0:10:29 | 0:10:33 | |
The supermarkets know we like the idea of freshness. | 0:10:33 | 0:10:36 | |
Some of what they make is actually prepared off-site | 0:10:37 | 0:10:41 | |
and just finished off in-store. | 0:10:41 | 0:10:43 | |
Hot cross buns though are one of the products | 0:10:43 | 0:10:46 | |
that are prepared in the branches. | 0:10:46 | 0:10:48 | |
This is the Sainsbury's bakery boot camp | 0:10:53 | 0:10:55 | |
in Wellingborough, Northamptonshire. | 0:10:55 | 0:10:58 | |
And today, I'm joining in. | 0:10:58 | 0:11:00 | |
Right! | 0:11:00 | 0:11:02 | |
I'm here with some in-store bakers to be trained | 0:11:02 | 0:11:05 | |
in how to make hot cross buns, supermarket style. | 0:11:05 | 0:11:08 | |
Simon Rutterford and Rob Pither are our bun instructors. | 0:11:10 | 0:11:14 | |
Here to get us singing from the same hymn sheet. | 0:11:14 | 0:11:17 | |
The idea is that every store has the same quality of hot cross bun | 0:11:17 | 0:11:20 | |
by following that guide. | 0:11:20 | 0:11:21 | |
Ah, well, that clears everything up brilliantly. | 0:11:23 | 0:11:27 | |
I like to get a bit creative in the kitchen, | 0:11:27 | 0:11:30 | |
but here individuality has to stay at home. | 0:11:30 | 0:11:33 | |
There's no room for artistry and making your own mind up. | 0:11:33 | 0:11:36 | |
It's science, it's complete science. | 0:11:36 | 0:11:38 | |
Getting every bun the same in every store takes a very precise method. | 0:11:41 | 0:11:46 | |
First up, flour. The same standardised stuff at every bakery. | 0:11:46 | 0:11:52 | |
Precisely half a bag. | 0:11:52 | 0:11:53 | |
8.14 we're looking for back on here. | 0:11:53 | 0:11:55 | |
8.14. Wow, that really is precise. | 0:11:55 | 0:11:58 | |
There you go, perfect. | 0:12:01 | 0:12:02 | |
Next, a pre-weighed pack of fat sugar and spices. Then yeast. | 0:12:02 | 0:12:07 | |
400 grams spot on, to make the buns rise. | 0:12:07 | 0:12:10 | |
Now they get really technical. | 0:12:12 | 0:12:14 | |
OK, so now we're gonna take the temperature of the flour, | 0:12:14 | 0:12:18 | |
and this is telling the water meter exactly what temperature | 0:12:18 | 0:12:20 | |
we want our water to be at. | 0:12:20 | 0:12:22 | |
They need to make sure that when the water is added to the flour | 0:12:22 | 0:12:25 | |
the resulting mixture is at exactly the same temperature, every time. | 0:12:25 | 0:12:30 | |
So, you probe the temperature of the flour, and that water machine | 0:12:32 | 0:12:36 | |
has worked out what temperature the water should be? | 0:12:36 | 0:12:39 | |
Incredible. Incredible. | 0:12:39 | 0:12:41 | |
After exactly seven minutes we've got our dough. | 0:12:42 | 0:12:45 | |
Wow, that is a lot more rubbery than I thought it was gonna be, | 0:12:47 | 0:12:50 | |
that is like rubber. | 0:12:50 | 0:12:52 | |
We're now going to add the fruit. | 0:12:52 | 0:12:54 | |
Four kilos of it, for every eight kilos of flour. | 0:12:55 | 0:12:58 | |
With our mix ready, there's even a machine that takes care | 0:13:00 | 0:13:03 | |
of forming each 65 gram bundle. | 0:13:03 | 0:13:06 | |
I'm gonna select hot cross bun setting, press my start button. | 0:13:08 | 0:13:13 | |
-Your job now... -What? -Take it off. | 0:13:13 | 0:13:16 | |
From now on, it's every man and woman for themselves. | 0:13:18 | 0:13:21 | |
We've each got to get a tray of buns ready | 0:13:21 | 0:13:24 | |
to the standard needed for a store. | 0:13:24 | 0:13:26 | |
And Aaron here thinks he's got what it takes | 0:13:26 | 0:13:28 | |
to make better ones than me. | 0:13:28 | 0:13:30 | |
-You wanna have a bet, do you? -Sure do. | 0:13:32 | 0:13:34 | |
-All right. Erm, I'll bet you lunch. -Deal. | 0:13:34 | 0:13:37 | |
I pride myself on my baking, so my reputation's at stake here. | 0:13:39 | 0:13:44 | |
But this is to a different set of standards than I'm used to. | 0:13:44 | 0:13:47 | |
Well, they are actually coming out quite rapidly. | 0:13:47 | 0:13:50 | |
It's crucial for the next stage | 0:13:50 | 0:13:52 | |
to get them on the tray as neatly as possible. | 0:13:52 | 0:13:55 | |
-No! Slow it down, please. -That's as slow as it'll go, I'm afraid. | 0:13:57 | 0:14:00 | |
-It's on the slowest speed? -Yeah. | 0:14:00 | 0:14:01 | |
Right, take that one, put it in the rack. | 0:14:03 | 0:14:06 | |
We can't take that yet. These are upside down | 0:14:06 | 0:14:08 | |
-Upside down? -You want the smooth finish. | 0:14:08 | 0:14:11 | |
Smooth finish on top. | 0:14:11 | 0:14:13 | |
Well, that's me told. | 0:14:13 | 0:14:14 | |
Let's see if Aaron can do any better. | 0:14:14 | 0:14:17 | |
We're all counting on you. | 0:14:17 | 0:14:18 | |
Don't let anybody put you off or anything, all right. | 0:14:21 | 0:14:24 | |
Just get this tray straight, for you. | 0:14:24 | 0:14:28 | |
That one's upside down. | 0:14:28 | 0:14:31 | |
Not really in line there, Aaron, not really up to the standard I wanted. | 0:14:31 | 0:14:35 | |
At peak times around Easter, Sainsbury's in-store bakeries alone | 0:14:37 | 0:14:41 | |
are making nearly 1.5 million buns a day. | 0:14:41 | 0:14:44 | |
This approach allows them to bake on an industrial scale, | 0:14:44 | 0:14:47 | |
using nearly 500 separate bakeries. | 0:14:47 | 0:14:50 | |
It's all done to strict time limits. | 0:14:52 | 0:14:54 | |
But, there are some things about baking you can't hurry. | 0:14:54 | 0:14:59 | |
It took just 15 minutes to get to this stage. | 0:14:59 | 0:15:01 | |
Now the buns need 45 minutes in the rising cupboard. | 0:15:01 | 0:15:05 | |
During this time, the yeast in the dough creates gas bubbles, | 0:15:05 | 0:15:09 | |
and the buns slowly rise. | 0:15:09 | 0:15:11 | |
They're nearly ready to be baked. But there's one thing missing. | 0:15:16 | 0:15:19 | |
Without crosses these would just be hot buns. | 0:15:19 | 0:15:22 | |
This is not easy. | 0:15:24 | 0:15:25 | |
Using a piping bag is never, is never easy. | 0:15:25 | 0:15:28 | |
And here the time pressure is back on. | 0:15:29 | 0:15:32 | |
A whole tray should be crossed in under a minute. | 0:15:32 | 0:15:35 | |
He needs to go a lot faster than that. | 0:15:35 | 0:15:37 | |
The amount of time he's taking to do one tray | 0:15:37 | 0:15:40 | |
and still have issues along there, | 0:15:40 | 0:15:42 | |
he needs another week or two at the college I think. | 0:15:42 | 0:15:44 | |
-I just wanna do a... -Ah, a little bit of customisation. | 0:15:44 | 0:15:48 | |
-Piping's not really my bag. -Oh, God! | 0:15:49 | 0:15:52 | |
Next up, my class rival, Aaron. | 0:15:52 | 0:15:56 | |
Best of luck, son, all right, best of luck. | 0:15:56 | 0:15:58 | |
Now what would you do... | 0:16:00 | 0:16:02 | |
This is good training. | 0:16:02 | 0:16:04 | |
..if there was an earth tremor? | 0:16:04 | 0:16:06 | |
Keep your eye on it, son, keep your eye on it. | 0:16:06 | 0:16:09 | |
Relax those shoulders, all right, relax those shoulders. | 0:16:09 | 0:16:12 | |
You're too tense, relax the shoulders. | 0:16:12 | 0:16:14 | |
After 14 minutes on a high heat the buns are baked. | 0:16:19 | 0:16:23 | |
Now there's a vital step that needs doing straightaway. | 0:16:23 | 0:16:26 | |
Why is he banging the trays? | 0:16:26 | 0:16:27 | |
That's to stop the hot cross bun from physically collapsing. | 0:16:27 | 0:16:31 | |
Wow. | 0:16:31 | 0:16:34 | |
It's a clever baking trick. The buns on the left have collapsed. | 0:16:34 | 0:16:40 | |
Inside you can see that the bubbly texture | 0:16:41 | 0:16:44 | |
is more compressed than in the taller bun. | 0:16:44 | 0:16:47 | |
That's because the buns have actually been squashed | 0:16:47 | 0:16:50 | |
by the outside air pressure. | 0:16:50 | 0:16:52 | |
But bang a bun while it's hot, and you equalise | 0:16:52 | 0:16:55 | |
the pressure between the outside air, and the bubbles inside. | 0:16:55 | 0:16:59 | |
And you get a perfect bun. | 0:16:59 | 0:17:01 | |
So how have we done? | 0:17:04 | 0:17:05 | |
A splash of sugary glaze and we'll be able to see | 0:17:05 | 0:17:08 | |
who is king of the buns. | 0:17:08 | 0:17:10 | |
If I was Gregg I'd be worried. | 0:17:10 | 0:17:12 | |
His are much better. | 0:17:13 | 0:17:15 | |
Is that one soft enough? | 0:17:17 | 0:17:19 | |
Aaw! You're so cruel! | 0:17:19 | 0:17:21 | |
Just didn't get 'em out and on the tray straight enough, | 0:17:23 | 0:17:26 | |
and it was all uphill from there really. | 0:17:26 | 0:17:29 | |
Judgement time. Whose buns are best? Mine, or Aaron's? | 0:17:31 | 0:17:37 | |
I don't think he banged his tray properly there. | 0:17:39 | 0:17:41 | |
Gregg, I think, you know, you could safely say that | 0:17:44 | 0:17:46 | |
most of these are good enough to go on the shelf, aren't they? | 0:17:46 | 0:17:48 | |
I mean, I mean, your squiggles wouldn't go on. | 0:17:48 | 0:17:51 | |
We wouldn't like to see the cross that thick as it is there, | 0:17:51 | 0:17:54 | |
and these wouldn't look so good if they were in a packet of four. | 0:17:54 | 0:17:57 | |
Out of you two guys, I think Aaron's is the better tray. | 0:17:57 | 0:18:01 | |
Well, you wanted uniformity. I just wanted a decent bun. | 0:18:01 | 0:18:05 | |
-Aaron, no hard feelings. -I won, mate! | 0:18:05 | 0:18:07 | |
Aaron, it's no disgrace coming second, son. | 0:18:10 | 0:18:12 | |
It was good, that. | 0:18:14 | 0:18:16 | |
You know, you see the bakers in the supermarkets | 0:18:16 | 0:18:18 | |
and you don't ever really give a thought to what's going on there, | 0:18:18 | 0:18:21 | |
but they really are baking, albeit to a very, very precise recipe. | 0:18:21 | 0:18:24 | |
And I suppose it does take a bit of the creativity out of it, | 0:18:24 | 0:18:28 | |
but, that's what it takes | 0:18:28 | 0:18:29 | |
if you want your product to be exactly the same, every time. | 0:18:29 | 0:18:33 | |
Still to come, I join the hunt for a spring fish dish. | 0:18:37 | 0:18:41 | |
I've never hunted before. This is really exciting. | 0:18:41 | 0:18:45 | |
And have a cracking time with eggs. | 0:18:46 | 0:18:49 | |
-Whoa, whoa, whoa. -You can see it working. | 0:18:49 | 0:18:51 | |
This just gets crazier and crazier by the minute. | 0:18:51 | 0:18:55 | |
Supermarkets spend a lot of time and money | 0:19:05 | 0:19:07 | |
studying how we behave in their stores. | 0:19:07 | 0:19:09 | |
They know that the more they understand exactly how we shop, | 0:19:11 | 0:19:16 | |
the more they can sell. | 0:19:16 | 0:19:17 | |
Supermarkets ultimately want us to spend more money every time we shop. | 0:19:19 | 0:19:24 | |
Well, how do they do it? | 0:19:24 | 0:19:26 | |
The secret is, they look at our eyes. | 0:19:26 | 0:19:28 | |
This high-tech eyewear tracks, very precisely, | 0:19:31 | 0:19:36 | |
what the wearer is looking at. | 0:19:36 | 0:19:38 | |
Emily Burrows is a Market Research Specialist, | 0:19:38 | 0:19:41 | |
who uses this kit to study customer behaviour. | 0:19:41 | 0:19:44 | |
-So I shop. -Yep. | 0:19:46 | 0:19:47 | |
Do you see what I'm looking at? | 0:19:47 | 0:19:49 | |
Exactly, so be very careful | 0:19:49 | 0:19:50 | |
because we can see everything that you're looking at. | 0:19:50 | 0:19:53 | |
Well, come on then. | 0:19:55 | 0:19:57 | |
I've bravely agreed to expose my peepers, | 0:19:59 | 0:20:04 | |
while I do a food shop for me and the kids. | 0:20:04 | 0:20:07 | |
These glasses have miniature cameras onboard. | 0:20:07 | 0:20:10 | |
They record every tiny movement of my pupils. | 0:20:10 | 0:20:14 | |
Well, we are well set for breakfast. | 0:20:18 | 0:20:21 | |
By studying what our eyes fix on, Emily can help supermarkets | 0:20:22 | 0:20:25 | |
design the best way to arrange their stores. | 0:20:25 | 0:20:28 | |
We're looking for a certain type of eye movement | 0:20:30 | 0:20:33 | |
when they're actually stopping, | 0:20:33 | 0:20:35 | |
and it's really quick, it's less than a second, | 0:20:35 | 0:20:38 | |
but if you're looking at something, | 0:20:38 | 0:20:40 | |
it shows that it's had some kind of attraction for you, | 0:20:40 | 0:20:42 | |
so we can start to understand why you've looked at it, | 0:20:42 | 0:20:45 | |
what attracted your attention to that particular product. | 0:20:45 | 0:20:48 | |
Where's the frozen bit? | 0:20:48 | 0:20:51 | |
It's a bit worrying that my eyes are being tracked, | 0:20:51 | 0:20:54 | |
that everyone can see what I'm looking at, | 0:20:54 | 0:20:56 | |
cos I'm kind of looking at everything, | 0:20:56 | 0:20:58 | |
even things I would never buy. | 0:20:58 | 0:21:00 | |
I feel a bit guilty looking at a frozen ready meal. | 0:21:00 | 0:21:02 | |
So, what will the eye tracking data reveal about how I shop? | 0:21:04 | 0:21:09 | |
All right, so what did you notice? | 0:21:10 | 0:21:12 | |
Well, the first thing we notice is, see all of these signs up here? | 0:21:12 | 0:21:15 | |
You didn't look at any of them when you walked in. | 0:21:15 | 0:21:17 | |
Yeah, come on, they're about twenty feet in the air. | 0:21:17 | 0:21:19 | |
Yeah, you didn't notice any of them. They cost a lot of money, | 0:21:19 | 0:21:22 | |
but they're not necessarily being used by shoppers. | 0:21:22 | 0:21:25 | |
Eye tracking research has led big retailers | 0:21:25 | 0:21:27 | |
to de-clutter their stores. | 0:21:27 | 0:21:30 | |
In fact, Emily has discovered, | 0:21:30 | 0:21:32 | |
that we only take in 1% of what we see in a supermarket. | 0:21:32 | 0:21:37 | |
But there are ways to catch our eye. | 0:21:37 | 0:21:39 | |
Generally, people tend to look between waist and chest height, | 0:21:39 | 0:21:42 | |
which is about 15 to 30 degrees lower | 0:21:42 | 0:21:45 | |
than your natural eye level. | 0:21:45 | 0:21:46 | |
So, products on the top, and the bottom, | 0:21:46 | 0:21:51 | |
do they suffer as a consequence? | 0:21:51 | 0:21:53 | |
They do, unless they're products that you definitely plan to buy | 0:21:53 | 0:21:56 | |
and you're going to look for, if it's a new product | 0:21:56 | 0:21:59 | |
and it's on the top shelf, and you're not expecting to see that, | 0:21:59 | 0:22:01 | |
the chances of you ever seeing and ever buying it are absolutely zero. | 0:22:01 | 0:22:04 | |
-Do the brands know this? -Some of them do, some of them don't. | 0:22:04 | 0:22:07 | |
And there are some surprises about what we use | 0:22:10 | 0:22:12 | |
to find our way around the store. | 0:22:12 | 0:22:14 | |
This is really interesting because what you're looking | 0:22:14 | 0:22:18 | |
straight at here is, the baked beans, the Heinz baked beans, | 0:22:18 | 0:22:21 | |
but that also means that your eyes are likely to look at the products | 0:22:21 | 0:22:24 | |
either to the left or to the right, | 0:22:24 | 0:22:27 | |
in the halo of the signpost brand, which is Heinz. | 0:22:27 | 0:22:30 | |
So this is why the store's own brand is next to the Heinz? | 0:22:30 | 0:22:34 | |
Exactly. | 0:22:34 | 0:22:36 | |
Apparently we use brands, shapes, and colours more than words | 0:22:36 | 0:22:39 | |
to navigate while we shop. | 0:22:39 | 0:22:42 | |
Two-thirds of the eye hits recorded on this kit are on colours. | 0:22:42 | 0:22:46 | |
When you're in this kind of aisle there are a lot of packs | 0:22:49 | 0:22:52 | |
and what is interesting is that you're actually just looking | 0:22:52 | 0:22:55 | |
at the colour, so you were looking at the background of the blue box. | 0:22:55 | 0:22:58 | |
You weren't reading the words, you weren't reading the flavours, | 0:22:58 | 0:23:00 | |
you were just looking at the colour. | 0:23:00 | 0:23:02 | |
I recognised it not by the words, just by the colour of the box. | 0:23:02 | 0:23:04 | |
Yeah, we probably read less than six words on the average shopping trip, | 0:23:04 | 0:23:09 | |
so again it's really important | 0:23:09 | 0:23:10 | |
that packaging has lots of iconic colours and shapes. | 0:23:10 | 0:23:14 | |
You can almost remove all of the words | 0:23:14 | 0:23:16 | |
and you'd have still identified that that was your brand. | 0:23:16 | 0:23:21 | |
Supermarkets used to move products around to make us | 0:23:21 | 0:23:23 | |
pay attention to each purchase. | 0:23:23 | 0:23:25 | |
But Emily's found that if we waste time searching for things, | 0:23:25 | 0:23:29 | |
we're less likely to buy extra products. | 0:23:29 | 0:23:32 | |
I want frozen broad beans, that's what I'm after. | 0:23:32 | 0:23:35 | |
Making our shop easy is the secret to us spending more. | 0:23:35 | 0:23:39 | |
The faster we shop, the more we buy, | 0:23:41 | 0:23:43 | |
so the quicker that you can get the products into your baskets, | 0:23:43 | 0:23:46 | |
particularly in these kind of functional categories, | 0:23:46 | 0:23:49 | |
the more time and the more money potentially, | 0:23:49 | 0:23:51 | |
you may be spending in other categories | 0:23:51 | 0:23:53 | |
where you want to spend more time, | 0:23:53 | 0:23:55 | |
like wine perhaps or skin care, | 0:23:55 | 0:23:57 | |
so, some of the more involving categories. | 0:23:57 | 0:23:59 | |
So, whizzing round the shop, actually, | 0:23:59 | 0:24:03 | |
may lead me to spend money on other stuff. | 0:24:03 | 0:24:06 | |
Exactly. | 0:24:06 | 0:24:08 | |
The average time spent in a supermarket is 28½ minutes. | 0:24:08 | 0:24:12 | |
It's gone down by seven minutes in the last year. | 0:24:14 | 0:24:16 | |
We now do smaller shops more frequently. | 0:24:17 | 0:24:21 | |
So, the supermarkets want to make the most | 0:24:21 | 0:24:24 | |
of the precious time that we're in there. | 0:24:24 | 0:24:27 | |
Thank you very much, I really enjoyed that, | 0:24:27 | 0:24:30 | |
thanks for sharing that with me. | 0:24:30 | 0:24:31 | |
Thank you. | 0:24:31 | 0:24:33 | |
You know, that really is amazing. | 0:24:33 | 0:24:36 | |
The supermarkets are using bold colours, | 0:24:36 | 0:24:39 | |
big brands and simple advertising to make us do one thing. | 0:24:39 | 0:24:44 | |
And that is shop, very, very quickly. | 0:24:44 | 0:24:46 | |
The seasons can affect our buying habits in surprising ways. | 0:24:54 | 0:24:58 | |
There's even one supermarket staple that sees a big spike in springtime. | 0:24:58 | 0:25:03 | |
Plain old eggs. | 0:25:03 | 0:25:05 | |
You might think that's because it's Easter, | 0:25:06 | 0:25:09 | |
and although egg sales do go up then, | 0:25:09 | 0:25:12 | |
the real peak is actually Pancake Day. | 0:25:12 | 0:25:14 | |
In the fortnight leading up Shrove Tuesday, | 0:25:17 | 0:25:20 | |
we buy 3½ million more eggs a day. | 0:25:20 | 0:25:22 | |
But eggs are a tricky product for the supermarkets, | 0:25:22 | 0:25:26 | |
and not just because they're so fragile. | 0:25:26 | 0:25:29 | |
Meeting a short sharp spike in demand is hard to do. | 0:25:29 | 0:25:34 | |
You can't get a flock of chickens to work overtime. | 0:25:34 | 0:25:37 | |
They'll only give you one egg a day. | 0:25:37 | 0:25:38 | |
So where do the eggs for pancake day actually come from? | 0:25:38 | 0:25:43 | |
-Wouldn't have any idea. -Abroad? | 0:25:43 | 0:25:45 | |
Well I would have thought that as well. | 0:25:45 | 0:25:47 | |
More chickens? Standby farms? | 0:25:47 | 0:25:49 | |
What, loads of chickens, waiting around...? | 0:25:49 | 0:25:52 | |
Doing nothing till Pancake Day, yeah! | 0:25:52 | 0:25:55 | |
It turns out it takes some clever organisation | 0:25:55 | 0:25:59 | |
and some even cleverer technology. | 0:25:59 | 0:26:02 | |
To crack the mysteries of egg production, | 0:26:09 | 0:26:11 | |
I'm starting at a farm in Newbury in Berkshire. | 0:26:11 | 0:26:14 | |
Frances Westerman is the egg buyer for Waitrose, | 0:26:14 | 0:26:17 | |
and David Priest is one of her 110 egg suppliers. | 0:26:17 | 0:26:23 | |
These 2,000 free range hens are just some of the 650,000 birds | 0:26:23 | 0:26:29 | |
it takes to meet Frances' yearly orders. | 0:26:29 | 0:26:32 | |
How big a deal is Pancake Day? | 0:26:34 | 0:26:36 | |
We need to get an extra 750,000 eggs, | 0:26:36 | 0:26:39 | |
which is an awful lot of eggs over that time, | 0:26:39 | 0:26:42 | |
so it takes a lot of planning | 0:26:42 | 0:26:43 | |
to make sure that we can get the eggs in stores when we want them. | 0:26:43 | 0:26:47 | |
Frances has to predict | 0:26:49 | 0:26:50 | |
what volume of eggs she'll need, years in advance. | 0:26:50 | 0:26:53 | |
Hens don't start laying until they're four to five months old, | 0:26:54 | 0:26:58 | |
and they reach the end of their laying lifespan | 0:26:58 | 0:27:00 | |
after 18 months. | 0:27:00 | 0:27:03 | |
She has to make sure she has the right age of birds | 0:27:03 | 0:27:06 | |
as well as enough. | 0:27:06 | 0:27:07 | |
And she has a bigger flock than she needs | 0:27:07 | 0:27:09 | |
to meet our egg-buying habits. | 0:27:09 | 0:27:11 | |
We always run with a little bit of a buffer | 0:27:14 | 0:27:17 | |
because you never have a level demand, | 0:27:17 | 0:27:19 | |
you don't necessarily buy a pack of eggs every week, | 0:27:19 | 0:27:22 | |
or two packs every week, | 0:27:22 | 0:27:24 | |
so, demand goes up and down | 0:27:24 | 0:27:26 | |
so we use that buffer to get back onto an even keel again. | 0:27:26 | 0:27:30 | |
So you're actually producing more eggs than you need, | 0:27:30 | 0:27:33 | |
what do you do with them, the ones you don't want? | 0:27:33 | 0:27:35 | |
Well, what we do is that we send them for what we term breaking, | 0:27:35 | 0:27:38 | |
which means we take the shell off and make them liquid egg, | 0:27:38 | 0:27:41 | |
and liquid egg would be used in quiches or cakes, that sort of thing. | 0:27:41 | 0:27:45 | |
-Industrial baking? -Yeah. -Ha. | 0:27:45 | 0:27:49 | |
Over 20% of the eggs produced in this country each year | 0:27:50 | 0:27:53 | |
never make it into an egg box, they go straight into factory made foods. | 0:27:53 | 0:27:58 | |
So, come Pancake Day, you are taking virtually | 0:27:58 | 0:28:01 | |
100% of production, there's no buffer at all. | 0:28:01 | 0:28:04 | |
Correct. Every single egg that's being laid, we're using. | 0:28:04 | 0:28:09 | |
You can tell me, has any store ever run out? | 0:28:09 | 0:28:12 | |
Not recently. | 0:28:12 | 0:28:14 | |
-Not since you've been doing it. -No! | 0:28:14 | 0:28:17 | |
Frances also has to allow for the fact | 0:28:17 | 0:28:20 | |
that hens don't lay eggs on demand. | 0:28:20 | 0:28:23 | |
How do you know which ones have laid and which ones haven't? | 0:28:23 | 0:28:26 | |
You don't. You don't, you can't tell, | 0:28:26 | 0:28:28 | |
only when they're in the nest boxes you can tell. | 0:28:28 | 0:28:30 | |
So you can have a really lazy hen there doing nothing at all, | 0:28:30 | 0:28:33 | |
-and you wouldn't know? -No! | 0:28:33 | 0:28:35 | |
Not every hen will lay one egg a day, | 0:28:36 | 0:28:38 | |
and even with hens kept in high welfare standards like this, | 0:28:38 | 0:28:42 | |
unexpected things can affect the quality of their eggs. | 0:28:42 | 0:28:45 | |
OK, so a hen doesn't always get it right, | 0:28:50 | 0:28:52 | |
I mean, mostly they'll produce a perfect egg like this, | 0:28:52 | 0:28:55 | |
but occasionally, they'll produce something different, | 0:28:55 | 0:28:58 | |
so, something that looks almost like a pigeon egg | 0:28:58 | 0:29:00 | |
which is absolutely tiny, to this sort of monster here. | 0:29:00 | 0:29:03 | |
This egg looks like the mummy's curse. | 0:29:03 | 0:29:05 | |
Like it's been wrapped in bandages, it's all rippled. | 0:29:05 | 0:29:08 | |
This is what happens when, when something different happens, | 0:29:08 | 0:29:11 | |
it could be a thunderstorm, | 0:29:11 | 0:29:12 | |
so you may get a bit of a crack of thunder | 0:29:12 | 0:29:15 | |
and then the next day you might get a few eggs that come through | 0:29:15 | 0:29:18 | |
that are a bit odd, but because it's the same amount of shell, | 0:29:18 | 0:29:21 | |
whether it's for this size egg or this size egg, | 0:29:21 | 0:29:24 | |
this egg is more likely to be damaged, | 0:29:24 | 0:29:26 | |
and these would be removed at the farm. | 0:29:26 | 0:29:29 | |
Right, if the chicken gets stressed, | 0:29:29 | 0:29:31 | |
the likelihood is we get a weird egg. | 0:29:31 | 0:29:33 | |
Yes, but as you can see, it's not every egg, | 0:29:33 | 0:29:36 | |
so it's the individual chicken, | 0:29:36 | 0:29:37 | |
just found some situation a little bit different. | 0:29:37 | 0:29:40 | |
My mum must have been stressed when she gave birth to my brother. | 0:29:40 | 0:29:43 | |
What about you? | 0:29:43 | 0:29:45 | |
Well she obviously had a really relaxed, perfect day. | 0:29:45 | 0:29:48 | |
But if getting the hens to lay the eggs | 0:29:50 | 0:29:53 | |
is all about calm and tranquillity, | 0:29:53 | 0:29:55 | |
getting them all out to the supermarkets | 0:29:55 | 0:29:57 | |
is a white knuckle thrill ride. | 0:29:57 | 0:29:59 | |
Here's all the eggs. | 0:30:03 | 0:30:05 | |
At this huge packing depot in Wiltshire, John Sayer looks after | 0:30:06 | 0:30:10 | |
two million eggs a day for Waitrose. | 0:30:10 | 0:30:13 | |
So these are all the eggs that are waiting to be processed. | 0:30:16 | 0:30:20 | |
-Yes, exactly. -And they're coming in.... | 0:30:20 | 0:30:23 | |
They're coming in constantly. | 0:30:23 | 0:30:24 | |
-It's a lot of eggs. -It's a lot of eggs. | 0:30:24 | 0:30:26 | |
Around Pancake Day, the average daily egg numbers | 0:30:28 | 0:30:31 | |
passing through here swell by an extra half a million. | 0:30:31 | 0:30:35 | |
I tell you what, one crash in a fork lift, | 0:30:35 | 0:30:37 | |
this could be one of the most expensive accidents ever. | 0:30:37 | 0:30:39 | |
-And messy. -And messy. | 0:30:39 | 0:30:42 | |
Handling so many eggs so quickly is no job for clumsy humans. | 0:30:42 | 0:30:46 | |
How many eggs are on each of these trays? | 0:30:48 | 0:30:50 | |
There's 30 eggs on a tray, Gregg, | 0:30:50 | 0:30:52 | |
and obviously it's picking up two trays worth at a time, 60 eggs. | 0:30:52 | 0:30:55 | |
-60 eggs, like, every second? -Yeah. | 0:30:55 | 0:30:57 | |
It's not touched by human hand, and the machinery is much more sensitive | 0:30:58 | 0:31:02 | |
-than a human could ever be. -How's it picking them up? | 0:31:02 | 0:31:05 | |
What it is, it's got... | 0:31:05 | 0:31:07 | |
Now's the suction. It's sucking, spit. | 0:31:07 | 0:31:09 | |
Sucking, spit. | 0:31:09 | 0:31:11 | |
Suck 'em up, spit 'em down onto the moving runway. | 0:31:11 | 0:31:15 | |
How long does it take from a tray of eggs from the farm, | 0:31:15 | 0:31:19 | |
to a box of eggs for Waitrose? | 0:31:19 | 0:31:21 | |
-Two minutes. -Never. -Hmm. | 0:31:22 | 0:31:24 | |
-Never. -Yep. -Never. -Yep. | 0:31:24 | 0:31:27 | |
-Something as delicate as an egg? -Yes. | 0:31:27 | 0:31:29 | |
They've been using machines to help pack eggs for 20 years, | 0:31:35 | 0:31:39 | |
but what's really transformed the process is that they've now come up | 0:31:39 | 0:31:42 | |
with technology that can check the quality of the eggs as well. | 0:31:42 | 0:31:46 | |
Here's the disco part of the.... | 0:31:51 | 0:31:53 | |
Crack it, put it on. | 0:31:55 | 0:31:58 | |
Nobody wants a cracked egg in their box, | 0:31:58 | 0:32:00 | |
so an automatic camera system rejects any badly-damaged ones. | 0:32:00 | 0:32:05 | |
There it is. There we go. | 0:32:05 | 0:32:08 | |
Done. | 0:32:08 | 0:32:09 | |
That's good. What's that do? | 0:32:09 | 0:32:11 | |
But some eggs can be fatally flawed with invisible cracks. | 0:32:11 | 0:32:15 | |
That crack might develop and get much bigger, then if it gets bigger | 0:32:16 | 0:32:20 | |
it might end up cracking in the pack and ruining the whole pack. | 0:32:20 | 0:32:23 | |
So, it's really important that we take these very tiny invisible | 0:32:23 | 0:32:26 | |
hair cracks out. | 0:32:26 | 0:32:28 | |
Instead of looking for these hairline defects, | 0:32:28 | 0:32:31 | |
the crack detector actually listens for them. | 0:32:31 | 0:32:34 | |
Each egg is tapped 16 times. | 0:32:37 | 0:32:41 | |
Now if you imagine you had a cut glass wine glass, | 0:32:41 | 0:32:44 | |
and you pinged it and then you had a cut glass wine glass | 0:32:44 | 0:32:48 | |
with a crack in it and pinged it, | 0:32:48 | 0:32:51 | |
the sound of those two different pings | 0:32:51 | 0:32:53 | |
would make a different sound resonance. | 0:32:53 | 0:32:56 | |
The probes each have a metal tip and a small microphone, | 0:32:58 | 0:33:01 | |
sensitive enough to detect the tiny difference in noise made | 0:33:01 | 0:33:05 | |
by a cracked egg, than by an uncracked one. | 0:33:05 | 0:33:08 | |
You can look through there. | 0:33:09 | 0:33:11 | |
Oh! Oh, whoa, whoa, whoa, whoa, whoa! | 0:33:11 | 0:33:12 | |
You can see it working. | 0:33:12 | 0:33:14 | |
Oh! This just gets crazier and crazier by the minute. | 0:33:14 | 0:33:17 | |
This kit's worth £3 million, | 0:33:20 | 0:33:22 | |
and they say it means virtually all the eggs will reach stores | 0:33:22 | 0:33:25 | |
in perfect condition, so if any are broken, | 0:33:25 | 0:33:28 | |
well, I'm afraid it's us customers, | 0:33:28 | 0:33:30 | |
or the shelf-stackers, who are to blame. | 0:33:30 | 0:33:33 | |
The other great advantage is speed. | 0:33:33 | 0:33:35 | |
The supermarkets want to get the most out of the eggs' 21-day | 0:33:35 | 0:33:38 | |
shelf life, and of course, you can't hang about | 0:33:38 | 0:33:42 | |
when there are pancakes to be made. | 0:33:42 | 0:33:43 | |
We always say, "From bum to pan, as quick as you can." | 0:33:44 | 0:33:47 | |
Wow! Who'd have ever believed that it takes all of this, | 0:33:50 | 0:33:54 | |
this much work, just to give us the eggs we want, when we want 'em? | 0:33:54 | 0:33:57 | |
But, with a bit of smart thinking | 0:33:57 | 0:33:59 | |
and the help of some technology, they've cracked it. | 0:33:59 | 0:34:01 | |
Or rather, they've got them ready for us to crack. | 0:34:01 | 0:34:04 | |
Waitrose are launching a new range of chocolate treats for Easter. | 0:34:12 | 0:34:17 | |
The Woodland Friends, headed up by Ollie the Owl. | 0:34:17 | 0:34:21 | |
In charge of the project is Tracey Anderson. | 0:34:26 | 0:34:28 | |
Here at Waitrose HQ, she's one of 16 product developers | 0:34:31 | 0:34:34 | |
who put new groceries through their paces. | 0:34:34 | 0:34:37 | |
The Woodland Friends are four months from their launch, | 0:34:40 | 0:34:43 | |
and after some remodelling of Ollie to make him fatter, | 0:34:43 | 0:34:46 | |
four creatures have now been created in chocolate. | 0:34:46 | 0:34:49 | |
So, very cute, cuddly, and lovely. | 0:34:53 | 0:34:56 | |
And there's Izzy, in white and pink chocolate which we're hoping | 0:34:56 | 0:35:01 | |
all the little girls are going to absolutely love. | 0:35:01 | 0:35:03 | |
And then I've got Hop who's been quite challenging | 0:35:05 | 0:35:08 | |
from a packaging perspective, in that he's got quite a wide head | 0:35:08 | 0:35:13 | |
and a white bottom half, so we've had a few challenges | 0:35:13 | 0:35:15 | |
around how we package him, but he's here today and looking very lovely. | 0:35:15 | 0:35:20 | |
And then my most problematic one was the hedgehog. | 0:35:20 | 0:35:24 | |
So this is Spike, and we had a lot of problems in getting the definition | 0:35:24 | 0:35:28 | |
of the spikes here, so, here we are today with all four characters | 0:35:28 | 0:35:32 | |
ready to go to product panel. | 0:35:32 | 0:35:34 | |
Before any new product gets launched, | 0:35:36 | 0:35:39 | |
it has to be approved by a Dragons' Den of bosses. | 0:35:39 | 0:35:42 | |
The executive chef and heads of branding, technical and commercial, | 0:35:44 | 0:35:48 | |
will all scrutinise the range for taste and appearance. | 0:35:48 | 0:35:53 | |
Then vote simply yes...or no. | 0:35:53 | 0:35:56 | |
About 20% of products fail panel, | 0:35:59 | 0:36:02 | |
and that could be anything from they don't like the cupcake case | 0:36:02 | 0:36:05 | |
that our cupcakes might be in, | 0:36:05 | 0:36:07 | |
or it might be the granular texture of a butter-cream frosting, | 0:36:07 | 0:36:11 | |
and so, no, not every product passes, | 0:36:11 | 0:36:13 | |
but I'm hoping for four approvals today. | 0:36:13 | 0:36:17 | |
If the Woodland Friends are going to make it, | 0:36:18 | 0:36:21 | |
Tracey and her colleague, Tanya, | 0:36:21 | 0:36:23 | |
need a full set of yeses from the panel. | 0:36:23 | 0:36:25 | |
I need a green light to proceed today. | 0:36:28 | 0:36:30 | |
The timeline is very, very tight and we just need to progress | 0:36:30 | 0:36:33 | |
to the next stage. | 0:36:33 | 0:36:34 | |
-Morning, everyone. -Morning. | 0:36:36 | 0:36:39 | |
Morning, Tracey. Morning, Tanya. | 0:36:39 | 0:36:41 | |
Welcome to our Woodlands Friends panel. | 0:36:41 | 0:36:44 | |
So here they are in their 3D chocolate glory. | 0:36:44 | 0:36:48 | |
So I'll pass around... You've first of all got Izzy to try. | 0:36:50 | 0:36:53 | |
What they're looking at here are still handmade samples. | 0:36:55 | 0:36:59 | |
Nothing will be mass produced until the panel gives the go ahead. | 0:36:59 | 0:37:02 | |
Do you think that the mould will be able to make sure it's | 0:37:07 | 0:37:10 | |
all smoothed off and the finish is fine? | 0:37:10 | 0:37:12 | |
We will, because once we're running actually the factory production | 0:37:12 | 0:37:15 | |
-the moulds will be better. -So we'll lose this bit? | 0:37:15 | 0:37:18 | |
We will, we will. | 0:37:18 | 0:37:20 | |
The thickness of chocolate that we're seeing in these samples, | 0:37:20 | 0:37:22 | |
-that'll follow through? -It will, yes. | 0:37:22 | 0:37:24 | |
And what chocolate are we using? | 0:37:24 | 0:37:26 | |
-Belgian. -Belgian chocolate? -Yes. | 0:37:26 | 0:37:28 | |
But the panel aren't just interested in taste. | 0:37:30 | 0:37:33 | |
Tracey also has to satisfy them that the range will really stand out | 0:37:33 | 0:37:38 | |
to customers. | 0:37:38 | 0:37:39 | |
I've managed to secure the front of store display units | 0:37:41 | 0:37:44 | |
to launch these on. | 0:37:44 | 0:37:45 | |
So this is the first... This is the first fixture | 0:37:45 | 0:37:48 | |
that a customer will see as they come into branch. | 0:37:48 | 0:37:50 | |
I think you'll agree with the colour of packaging, | 0:37:50 | 0:37:52 | |
it has a huge stand out. | 0:37:52 | 0:37:54 | |
With the presentation complete, it's crunch time. | 0:37:57 | 0:38:00 | |
So panel, OK, what are your views? | 0:38:03 | 0:38:06 | |
Does it pass the Waitrose panel test or not? | 0:38:06 | 0:38:09 | |
In terms of the quality of the chocolate, | 0:38:12 | 0:38:14 | |
it had a good balance of creamy, slight caramel, | 0:38:14 | 0:38:17 | |
so I think it... I think it's a yes from me. | 0:38:17 | 0:38:19 | |
It's not thin, it's going to stand up, it's a big yes from me. | 0:38:20 | 0:38:23 | |
I think the thickness of the chocolate is great, | 0:38:24 | 0:38:26 | |
not only does it look great, it tastes great as well, | 0:38:26 | 0:38:29 | |
so yeah, really pleased. | 0:38:29 | 0:38:30 | |
I think it's a yes from me, too. | 0:38:30 | 0:38:32 | |
Yeah, definitely a yes from me. | 0:38:32 | 0:38:33 | |
You've got a yes from the panel, so well done. | 0:38:33 | 0:38:35 | |
Phew! | 0:38:35 | 0:38:37 | |
LAUGHTER | 0:38:37 | 0:38:38 | |
The furry and feathered friends have made it. | 0:38:39 | 0:38:42 | |
Just four out of 5,000 new products that Waitrose will launch this year. | 0:38:42 | 0:38:47 | |
What do we have next, then, Jonathan? | 0:38:50 | 0:38:52 | |
-What have we got next? -Pizzas. | 0:38:52 | 0:38:54 | |
Pizzas. Right. | 0:38:54 | 0:38:56 | |
Basically, that is our green light. | 0:38:56 | 0:38:58 | |
We now have to make 30,000 of each of them, | 0:38:58 | 0:39:01 | |
so we just need to get very busy making lots and lots of | 0:39:01 | 0:39:05 | |
woodland characters. | 0:39:05 | 0:39:06 | |
In just a few months' time, | 0:39:07 | 0:39:09 | |
Ollie and co will be on sale across Britain. | 0:39:09 | 0:39:12 | |
I'll be back to see if they fly off the shelves. | 0:39:12 | 0:39:15 | |
I'm following the supermarkets season by season, | 0:39:22 | 0:39:25 | |
and this time it's spring. | 0:39:25 | 0:39:27 | |
Because seasons are so important to the supermarkets, | 0:39:28 | 0:39:31 | |
they like to look for ways to stretch them as long as possible. | 0:39:31 | 0:39:35 | |
And there's one springtime favourite that shows up | 0:39:35 | 0:39:38 | |
on the supermarkets shelves the moment Christmas is out of the way. | 0:39:38 | 0:39:43 | |
Daffodils. Now nothing shouts out spring to me like a bunch of daffs, | 0:39:43 | 0:39:47 | |
and I don't know about you, | 0:39:47 | 0:39:49 | |
but I've got no daffodils flowering in my garden till about March. | 0:39:49 | 0:39:52 | |
So why is it that supermarkets have them on their shelves in January? | 0:39:52 | 0:39:56 | |
How do they bring us spring so early? | 0:39:56 | 0:39:58 | |
Cut flowers have become big business for the supermarkets | 0:40:03 | 0:40:06 | |
in recent years. | 0:40:06 | 0:40:08 | |
We now spend over £1.8 billion a year on them. | 0:40:08 | 0:40:12 | |
The daffodil is number three in our top blooms. | 0:40:12 | 0:40:16 | |
At two, it's carnations. | 0:40:16 | 0:40:18 | |
And the number one way we say it with flowers is, of course, roses. | 0:40:18 | 0:40:22 | |
Most of the cut flowers we buy come from abroad. | 0:40:24 | 0:40:28 | |
Humble old daffs are grown right here in Britain. | 0:40:28 | 0:40:30 | |
But before they can be used to convince us | 0:40:31 | 0:40:34 | |
that spring has come early, they need a little convincing themselves. | 0:40:34 | 0:40:38 | |
I've come to meet a grower who's picked up on our need | 0:40:40 | 0:40:43 | |
for a bit of colour in our lives in January. | 0:40:43 | 0:40:45 | |
Apparently he's found a way of fooling his plants | 0:40:45 | 0:40:48 | |
about what time of year it is. | 0:40:48 | 0:40:49 | |
It's December. But here in Spalding in Lincolnshire, | 0:40:51 | 0:40:55 | |
spring is very much in the air. | 0:40:55 | 0:40:57 | |
Generally speaking, you should put your hand up like that there, | 0:41:00 | 0:41:03 | |
anything what's above the top of that is ready. | 0:41:03 | 0:41:06 | |
-So each one has got to be picked individually? -That's right. | 0:41:06 | 0:41:09 | |
And then just snip 'em off at the... | 0:41:09 | 0:41:11 | |
Robin Chapel has been growing flowers for over 50 years. | 0:41:12 | 0:41:16 | |
-What you done with that one? Look. -What one? Hang on. | 0:41:16 | 0:41:19 | |
He produces around 4½ million daffs a year. | 0:41:19 | 0:41:22 | |
His green-fingered know-how has brought on these blooms | 0:41:24 | 0:41:26 | |
months before nature intended. | 0:41:26 | 0:41:28 | |
I thought you knew how to use a knife. | 0:41:31 | 0:41:33 | |
Only with a fork. | 0:41:33 | 0:41:34 | |
So how has Robin pulled a fast one on these daffs | 0:41:37 | 0:41:40 | |
to get them ready early? | 0:41:40 | 0:41:42 | |
The secret is behind these doors. | 0:41:45 | 0:41:48 | |
Oh, my word! Is this packed full of bulbs all the...? Whoa! | 0:41:49 | 0:41:54 | |
Whoa! | 0:41:55 | 0:41:57 | |
These'll be flowering by the first, second week of January. | 0:41:57 | 0:42:00 | |
How do you make spring come early? | 0:42:02 | 0:42:04 | |
Temperatures, that's all it is, temperatures. | 0:42:04 | 0:42:07 | |
Everything is temperature-controlled stores, that's what it's all about. | 0:42:07 | 0:42:10 | |
I've seen the supermarkets use this sort of technique to control | 0:42:13 | 0:42:17 | |
the ripening of fruit and veg. | 0:42:17 | 0:42:19 | |
Robin's taking this further, | 0:42:19 | 0:42:22 | |
artificially replicating entire seasons. | 0:42:22 | 0:42:25 | |
So tricking them into thinking it's different times of the year. | 0:42:27 | 0:42:30 | |
The daffodils think it's March, when really it's November. | 0:42:30 | 0:42:34 | |
They have to have the winter before they'll flower | 0:42:34 | 0:42:37 | |
and then they think it's spring, you see, they've got to have the season. | 0:42:37 | 0:42:40 | |
Robin's already given the bulbs a summery warm spell, | 0:42:41 | 0:42:44 | |
now they're in the chiller for an artificial winter. | 0:42:44 | 0:42:48 | |
And these different temperatures allow the bulbs to develop. | 0:42:48 | 0:42:51 | |
Let's cut one in half, should we? | 0:42:56 | 0:42:57 | |
I always cut it that way, some people cut it the other way, | 0:42:57 | 0:43:00 | |
I always cut it that way, and there's your flower... | 0:43:00 | 0:43:03 | |
..and there's the bud. | 0:43:05 | 0:43:06 | |
It's a mini little daffodil. | 0:43:06 | 0:43:08 | |
There are the petals. | 0:43:08 | 0:43:09 | |
It's just waiting its time. | 0:43:09 | 0:43:12 | |
Next it's into the greenhouse for these bulbs | 0:43:20 | 0:43:22 | |
to give them light and warmth. | 0:43:22 | 0:43:24 | |
It's kept you fit mate, hasn't it, for a 70-year-old man? | 0:43:30 | 0:43:34 | |
They're not light, either. | 0:43:34 | 0:43:36 | |
Now we've got to give them 16 degrees more or less constantly. | 0:43:37 | 0:43:40 | |
-This is convincing them that spring's on its way. -That's right. | 0:43:40 | 0:43:43 | |
And in two weeks they'll be flowering and ready for sale. | 0:43:43 | 0:43:46 | |
Robin has one final trick up his sleeve | 0:43:54 | 0:43:57 | |
to make sure the daffodils won't bloom too soon. | 0:43:57 | 0:44:00 | |
Once again it's about fooling the flowers with temperature. | 0:44:00 | 0:44:04 | |
This is a great big fridge. | 0:44:08 | 0:44:09 | |
That's cold. | 0:44:11 | 0:44:12 | |
So they think they're out in the field | 0:44:13 | 0:44:15 | |
and another cold spell has hit. | 0:44:15 | 0:44:18 | |
By chilling the daffs almost to freezing point, | 0:44:18 | 0:44:21 | |
Robin has pushed the pause button on them flowering. | 0:44:21 | 0:44:25 | |
-There's no way they're going to open up in here? -No. | 0:44:25 | 0:44:27 | |
I don't suppose I would have woken up in here either, | 0:44:27 | 0:44:29 | |
-I mean this is cold. -One degree. | 0:44:29 | 0:44:31 | |
Is that all it is, one degree? | 0:44:31 | 0:44:33 | |
Then it's off to the shops in refrigerated trucks | 0:44:37 | 0:44:40 | |
to keep the blooms closed. | 0:44:40 | 0:44:42 | |
They won't flower until they reach our vases in a nice warm room. | 0:44:42 | 0:44:47 | |
Supermarkets might build their calendars around seasonal events, | 0:44:59 | 0:45:02 | |
but many fresh products that once came and went with the seasons | 0:45:02 | 0:45:06 | |
are now available all year round. | 0:45:06 | 0:45:09 | |
And one place where you notice that is the fish aisle. | 0:45:09 | 0:45:12 | |
Nowadays, most of the seafood we buy | 0:45:13 | 0:45:15 | |
comes from a handful of main species - | 0:45:15 | 0:45:18 | |
cod, tuna, haddock, salmon and prawns, they are always available. | 0:45:18 | 0:45:24 | |
These are species that can be caught or farmed in huge volumes, | 0:45:25 | 0:45:30 | |
but now overfishing has become a problem, | 0:45:30 | 0:45:33 | |
and since we buy nearly 90% of fish from supermarkets, | 0:45:33 | 0:45:36 | |
they're under pressure to help change our fishy habits. | 0:45:36 | 0:45:40 | |
So, some unfamiliar species | 0:45:40 | 0:45:42 | |
are showing up on the fresh fish counter. | 0:45:42 | 0:45:45 | |
-What do you think of that? -Oh, my God. | 0:45:46 | 0:45:49 | |
-What is it? -I wouldn't know what to do with it. | 0:45:49 | 0:45:51 | |
I'll make a nice fish soup from it. | 0:45:51 | 0:45:54 | |
What would you do with that if I gave it to you? | 0:45:54 | 0:45:56 | |
-Probably give it back. -Would you buy it? | 0:45:56 | 0:45:59 | |
-No, I wouldn't buy it. -It looks like a duck. | 0:45:59 | 0:46:01 | |
What do you think of that? | 0:46:01 | 0:46:03 | |
Argh! Don't, don't! | 0:46:03 | 0:46:05 | |
It's just a fish! | 0:46:05 | 0:46:06 | |
In fact, it's called a gurnard and it can be caught | 0:46:07 | 0:46:11 | |
off the south-west coast of England in springtime. | 0:46:11 | 0:46:14 | |
The supermarkets reckon we could be persuaded | 0:46:14 | 0:46:17 | |
to try these more seasonal species. | 0:46:17 | 0:46:20 | |
But sourcing them is quite a challenge. | 0:46:20 | 0:46:23 | |
Large bass, then. 14 on the bass. | 0:46:23 | 0:46:25 | |
20, 30, 40, 50, 60... | 0:46:25 | 0:46:29 | |
Before the days of industrial-scale fishing, | 0:46:29 | 0:46:31 | |
our choice of fish depended on the time of year. | 0:46:31 | 0:46:35 | |
So I'm at Brixham Fish Market in Devon, England's largest, | 0:46:35 | 0:46:39 | |
to see what's available in springtime. | 0:46:39 | 0:46:41 | |
I love markets. Outside, the rest of the world's asleep, | 0:46:43 | 0:46:46 | |
in here, it's just a big buzz of activity, you can feel it. | 0:46:46 | 0:46:50 | |
It's what I grew up with. | 0:46:50 | 0:46:51 | |
Fruit and veg market, fish market, very similar. | 0:46:51 | 0:46:54 | |
'I'm meeting Gary Hooper. | 0:46:57 | 0:46:59 | |
'He runs Tesco's 480 fish counters, and wants to try and wean us off | 0:46:59 | 0:47:03 | |
'our reliance on the big five fish species.' | 0:47:03 | 0:47:08 | |
Right, what are you going to show me? | 0:47:08 | 0:47:10 | |
'He's here today to see what's fresh in the market.' | 0:47:10 | 0:47:12 | |
We've got some ling, which is a fantastic alternative | 0:47:14 | 0:47:17 | |
to things like cod and haddock. So this is a ling. | 0:47:17 | 0:47:20 | |
It's a lovely white, pearlescent flesh, big chunky flakes, | 0:47:20 | 0:47:24 | |
and it tastes absolutely fantastic. | 0:47:24 | 0:47:27 | |
'Spring's traditionally the time | 0:47:27 | 0:47:29 | |
'when a wider variety becomes available in markets like these, | 0:47:29 | 0:47:33 | |
'as better weather allows the fishermen to get back to sea. | 0:47:33 | 0:47:36 | |
'So Gary has plenty of options.' | 0:47:36 | 0:47:39 | |
You've also got hake. | 0:47:40 | 0:47:42 | |
I'm a big fan of hake. | 0:47:42 | 0:47:44 | |
Pouting. | 0:47:45 | 0:47:46 | |
Very under-utilised in the UK, people don't understand, | 0:47:46 | 0:47:48 | |
that you can eat pouting as an alternative to cod and haddock. | 0:47:48 | 0:47:51 | |
I recognise him. | 0:47:51 | 0:47:53 | |
Great these, a red gurnard. Fantastic fish. | 0:47:53 | 0:47:57 | |
I shouldn't be hungry this time in the morning, you know. | 0:47:57 | 0:48:00 | |
Gary's able to source 30% of the fish for his counters from here. | 0:48:02 | 0:48:07 | |
Across the year he can get 40 different species, | 0:48:07 | 0:48:10 | |
buying what's available on the day. | 0:48:10 | 0:48:13 | |
It's very different from how supermarkets normally work. | 0:48:13 | 0:48:17 | |
Now fish, as far as I can see, is unique for supermarkets, | 0:48:18 | 0:48:21 | |
because what they normally like, or what they want, | 0:48:21 | 0:48:24 | |
is consistency of product and lots of it, regular supply. | 0:48:24 | 0:48:28 | |
The challenge for us, really, is about getting customers | 0:48:28 | 0:48:30 | |
to understand that fish is seasonal, that's the first thing. | 0:48:30 | 0:48:33 | |
It's about catching fish when they're at their best, | 0:48:33 | 0:48:36 | |
so, in spring we're going to be featuring ling on the counter. | 0:48:36 | 0:48:39 | |
Obviously, it's a wild species, | 0:48:39 | 0:48:40 | |
it's the only thing that we still hunt for food, | 0:48:40 | 0:48:42 | |
and they come in all different shapes and sizes. | 0:48:42 | 0:48:45 | |
I don't really understand seasonality in fish | 0:48:45 | 0:48:48 | |
because they're always in the sea, so I don't get why they're seasonal. | 0:48:48 | 0:48:52 | |
Because at certain times of the year they're reproducing their young, | 0:48:52 | 0:48:55 | |
so the flesh becomes thin and watery, not great to eat, | 0:48:55 | 0:48:58 | |
and it's not really responsible to catch things when they're spawning, | 0:48:58 | 0:49:01 | |
it's best to let them reproduce | 0:49:01 | 0:49:02 | |
and then we'll have fish for future generations. | 0:49:02 | 0:49:04 | |
-And they all spawn at different times of year? -Different times. | 0:49:04 | 0:49:07 | |
So, forgive me, does that mean that fish like cod and haddock, | 0:49:07 | 0:49:10 | |
that are on our shelves all the time, | 0:49:10 | 0:49:12 | |
does that mean they're in season all the time? | 0:49:12 | 0:49:14 | |
No. Things like cod and haddock, | 0:49:14 | 0:49:15 | |
the big producers will actually catch it when it's at its best, | 0:49:15 | 0:49:18 | |
so not breeding, and they'll freeze it down, to use in times of spawning. | 0:49:18 | 0:49:23 | |
Gary and his suppliers try and predict | 0:49:24 | 0:49:27 | |
which species will be available at different times of the year, | 0:49:27 | 0:49:30 | |
so he can keep his fish counters filled. | 0:49:30 | 0:49:33 | |
But fish aren't easy to catch to order. | 0:49:33 | 0:49:36 | |
And there's no guarantee of a regular supply. | 0:49:36 | 0:49:38 | |
My next stop is Newlyn in Cornwall, to meet a fisherman, | 0:49:40 | 0:49:43 | |
who's doing his best to meet the new interest in alternative varieties. | 0:49:43 | 0:49:48 | |
-Hi, Gregg. -Sam. | 0:49:50 | 0:49:52 | |
'Sam Lambourne's been fishing for 30 years. | 0:49:52 | 0:49:55 | |
'He now makes his living supplying sardines to Tesco.' | 0:49:55 | 0:49:58 | |
-Here we are. -Fantastic. | 0:49:58 | 0:50:00 | |
Sam, this boat looks completely different | 0:50:02 | 0:50:04 | |
-to all the other ones in the harbour. -Yep, it's a catamaran, | 0:50:04 | 0:50:07 | |
we had it built specifically to catch these sardines. | 0:50:07 | 0:50:11 | |
Only be able to sort of.... | 0:50:11 | 0:50:13 | |
'Sam invested over £400,000 on this boat, | 0:50:13 | 0:50:17 | |
'so that he could catch sardines | 0:50:17 | 0:50:19 | |
'to the quality the supermarkets expect.' | 0:50:19 | 0:50:21 | |
There is specific kit on here for sardine fishing for the supermarket. | 0:50:23 | 0:50:26 | |
Yes. And, yes, it was very expensive. That net is probably £35,000, | 0:50:26 | 0:50:32 | |
that's the sort of money we're talking about. | 0:50:32 | 0:50:35 | |
It's designed to catch sardines at the very best quality that we can. | 0:50:35 | 0:50:39 | |
'The net has mesh just the right size to hold the sardines, | 0:50:41 | 0:50:44 | |
'but not snag their gills. | 0:50:44 | 0:50:46 | |
'Damaged fish are no good for the supermarkets.' | 0:50:46 | 0:50:49 | |
What we do in the first few hours is absolutely critical, | 0:50:50 | 0:50:54 | |
to the shelf life of the fish in the supermarket. | 0:50:54 | 0:50:57 | |
I had no idea a sardine would be so delicate, | 0:50:57 | 0:51:00 | |
-but every time you touch it you're damaging it. -Yeah. | 0:51:00 | 0:51:04 | |
Right. Now it's time to see if we can catch some of the fish. | 0:51:07 | 0:51:11 | |
We're going out at dusk, and what I didn't realise was, | 0:51:15 | 0:51:19 | |
as the sun goes down, | 0:51:19 | 0:51:21 | |
the sardines come up closer to the surface to eat. | 0:51:21 | 0:51:24 | |
'Sam's bought a state of the art fish-finding sonar system. | 0:51:26 | 0:51:31 | |
'It's precise enough to allow him | 0:51:31 | 0:51:33 | |
'to identify the species of the fish he's tracking. | 0:51:33 | 0:51:36 | |
'Sardines swim in shoals with a distinctive shape and density.' | 0:51:36 | 0:51:40 | |
How will you know on there once you've got it? | 0:51:43 | 0:51:46 | |
It'll come out as a red bit. | 0:51:46 | 0:51:49 | |
A distinct red blob. | 0:51:49 | 0:51:51 | |
'We're nearing the end of the sardine season, | 0:51:53 | 0:51:56 | |
'when shoals start to split up and head to deeper waters. | 0:51:56 | 0:51:59 | |
'But Sam hopes there's still a few left to catch.' | 0:51:59 | 0:52:02 | |
That looks a bit more promising. | 0:52:04 | 0:52:06 | |
Sam has found a shoal of fish on his radar, | 0:52:16 | 0:52:20 | |
and now they're chucking the net out, and it's going round | 0:52:20 | 0:52:23 | |
in a really big loop in the sea, hopefully around the shoal of fish. | 0:52:23 | 0:52:27 | |
This is really exciting. | 0:52:32 | 0:52:33 | |
I've never hunted before, but this really feels like hunting. | 0:52:44 | 0:52:48 | |
Sam, what do you reckon? | 0:52:54 | 0:52:55 | |
I'm not very optimistic. | 0:52:57 | 0:52:59 | |
Not very optimistic? | 0:53:00 | 0:53:01 | |
Yay! Hey-hey-hey! | 0:53:10 | 0:53:14 | |
We've got a basket of sardines, which looks a lot to me, | 0:53:16 | 0:53:18 | |
but when you consider all these bins I suppose it's not a great deal. | 0:53:18 | 0:53:22 | |
You have to take the rough with the smooth, though. | 0:53:26 | 0:53:29 | |
Over the course of a year, Sam catches about 400 tons of sardines. | 0:53:29 | 0:53:34 | |
This is seriously unpredictable, isn't it, fishing? | 0:53:37 | 0:53:40 | |
Oh, yes, I mean, that is fishing, particular at this time of the year. | 0:53:40 | 0:53:43 | |
We don't panic or get downhearted | 0:53:43 | 0:53:46 | |
when you have trips that are not so good. | 0:53:46 | 0:53:49 | |
You know, it won't always happen. | 0:53:49 | 0:53:52 | |
But if we catch the fish that we need to make this | 0:53:52 | 0:53:54 | |
make economic sense over the year then, yeah, we all make a living. | 0:53:54 | 0:53:57 | |
Sales of these alternative species | 0:53:59 | 0:54:01 | |
still only make up a small proportion of overall fish sales. | 0:54:01 | 0:54:05 | |
But in Tesco alone, they've grown tenfold in the past three years. | 0:54:05 | 0:54:10 | |
So perhaps our fish buying habits are starting to change. | 0:54:10 | 0:54:14 | |
Sam, thank you so much. | 0:54:15 | 0:54:17 | |
I loved that, I absolutely loved that. | 0:54:17 | 0:54:19 | |
You guys are absolutely nuts. | 0:54:19 | 0:54:21 | |
Do you know what? I had no idea really how unpredictable it is. | 0:54:25 | 0:54:28 | |
It seriously is the last great hunting, going out on a boat | 0:54:28 | 0:54:31 | |
and not knowing what you're going to get is not easy. | 0:54:31 | 0:54:35 | |
Those guys are going back out there again. | 0:54:35 | 0:54:37 | |
They've no idea what they're going to catch. | 0:54:37 | 0:54:39 | |
They work really hard, | 0:54:39 | 0:54:41 | |
and that's what it takes to put a fresh sardine on our counter. | 0:54:41 | 0:54:44 | |
It's early March, and the chocolate factory | 0:54:52 | 0:54:55 | |
making the new Easter range for Waitrose is firing on all cylinders. | 0:54:55 | 0:54:59 | |
Each day a different character is being made. | 0:55:03 | 0:55:07 | |
Today, over 5,000 Ollie the Owls will fly off the production line. | 0:55:07 | 0:55:12 | |
For David Brian, the Willy Wonka of Woodland Characters, | 0:55:13 | 0:55:17 | |
this is a satisfying moment. | 0:55:17 | 0:55:19 | |
When they came to us they wanted something a little bit different, | 0:55:21 | 0:55:24 | |
and I think, if you actually look at what we've got, | 0:55:24 | 0:55:26 | |
I think we certainly have delivered it to them | 0:55:26 | 0:55:29 | |
and, yeah, we're really proud of it. | 0:55:29 | 0:55:30 | |
And in nearly 300 Waitrose stores around the country, | 0:55:32 | 0:55:36 | |
the Woodland Range is about to get the VIP treatment. | 0:55:36 | 0:55:40 | |
With three weeks to go to Easter, | 0:55:41 | 0:55:43 | |
they're being given pride of place in every store entrance. | 0:55:43 | 0:55:47 | |
Products only win this spot if they're expected to be top sellers. | 0:55:48 | 0:55:53 | |
It's a big achievement for product developer Tracey Anderson. | 0:55:53 | 0:55:56 | |
-Look. -Oh, wow! | 0:55:58 | 0:56:01 | |
Oh, goodness me. | 0:56:03 | 0:56:05 | |
It looks fantastic, I'm so pleased. | 0:56:05 | 0:56:07 | |
Well, you wanted something completely different, | 0:56:07 | 0:56:09 | |
-have you achieved it? -Yeah, I think we have. | 0:56:09 | 0:56:12 | |
No-one seems to be following a woodland theme | 0:56:12 | 0:56:15 | |
and it all seems to be about chocolate bunnies, as we expected, | 0:56:15 | 0:56:19 | |
so it's nice to have something out there that's a little bit different. | 0:56:19 | 0:56:23 | |
How important is it that you've got your product out here at the front? | 0:56:23 | 0:56:26 | |
This is such a coup for us. | 0:56:26 | 0:56:29 | |
There is literally a bidding war in Waitrose to get products on here, | 0:56:29 | 0:56:33 | |
because, when you put products on here, | 0:56:33 | 0:56:35 | |
you tend to double the amount of volume that you typically sell.... | 0:56:35 | 0:56:38 | |
As soon as you stick 'em on there, | 0:56:38 | 0:56:40 | |
-you can double the sales? -Absolutely. | 0:56:40 | 0:56:41 | |
It's fantastic. I couldn't ask for more, actually. | 0:56:41 | 0:56:45 | |
I do think next year, possibly - Gregg the Hippo, chocolate log. | 0:56:45 | 0:56:49 | |
SHE LAUGHS | 0:56:49 | 0:56:50 | |
Of course, the true test of success for a new product is sales. | 0:56:54 | 0:56:58 | |
In their first Easter outing, | 0:56:58 | 0:57:00 | |
100,000 of the Woodland Friends were sold. | 0:57:00 | 0:57:03 | |
And Waitrose plan to expand the range. | 0:57:03 | 0:57:05 | |
I met Tracey six months ago | 0:57:09 | 0:57:11 | |
and in that time, I've seen drawings on a bit of paper | 0:57:11 | 0:57:14 | |
become four chocolate characters | 0:57:14 | 0:57:16 | |
that people all over the country are buying. | 0:57:16 | 0:57:19 | |
I've only really had a glimpse of the work that goes into this, | 0:57:19 | 0:57:22 | |
and it's a hell of a lot of work. | 0:57:22 | 0:57:23 | |
And you don't consider that | 0:57:23 | 0:57:24 | |
when you're picking up your Easter egg, do you? | 0:57:24 | 0:57:26 | |
And that's what's really struck me | 0:57:28 | 0:57:30 | |
during my year with the supermarkets. | 0:57:30 | 0:57:32 | |
The effort that goes into every product. | 0:57:32 | 0:57:35 | |
How they plan every detail, based on what they know about us. | 0:57:35 | 0:57:40 | |
And I've seen how they like uniformity, | 0:57:41 | 0:57:43 | |
so things are the same wherever we buy them. | 0:57:43 | 0:57:46 | |
I'm not convinced they love food as much as I do, | 0:57:47 | 0:57:50 | |
but I've got to hand it to them, I've learnt that it's no easy task, | 0:57:50 | 0:57:54 | |
trying to feed us all. | 0:57:54 | 0:57:56 |