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-Ah! -Is it spongy? -Oh, yeah. | 0:00:02 | 0:00:03 | |
Yes, it's very comfortable. | 0:00:03 | 0:00:05 | |
It is, yes. | 0:00:05 | 0:00:08 | |
Do you like that one? | 0:00:08 | 0:00:10 | |
Yeah. It's lovely. Yes. | 0:00:10 | 0:00:12 | |
Yes, I think that one's got a lever on it, hasn't it? | 0:00:12 | 0:00:15 | |
Oh, this has a whatsit, yeah. Oh! | 0:00:15 | 0:00:18 | |
THEY LAUGH | 0:00:18 | 0:00:21 | |
'Years ago, most towns had their own independent department stores. | 0:00:21 | 0:00:26 | |
'But now, many are closing down. | 0:00:26 | 0:00:28 | |
'These charming old emporiums | 0:00:28 | 0:00:31 | |
'can't compete with big out of town retail parks. | 0:00:31 | 0:00:35 | |
'I think that's sad. | 0:00:35 | 0:00:36 | |
'For a nation obsessed with shopping, where has our choice gone? | 0:00:36 | 0:00:40 | |
'So I set out to visit three of the stores refusing to shut up shop. | 0:00:40 | 0:00:46 | |
'I wanted to know if they could still survive | 0:00:46 | 0:00:49 | |
'in the cut-throat world of modern retailing.' | 0:00:49 | 0:00:52 | |
'In the heart of the Yorkshire Dales, | 0:00:58 | 0:01:00 | |
'there's a charming little family business | 0:01:00 | 0:01:02 | |
'which has been passed from one generation to another. | 0:01:02 | 0:01:05 | |
'Milners is a department store spread over two floors | 0:01:11 | 0:01:14 | |
'in the small town of Leyburn. | 0:01:14 | 0:01:17 | |
'Upstairs is David Milner's domain. | 0:01:19 | 0:01:21 | |
'It sells furniture, carpets and rugs. | 0:01:21 | 0:01:24 | |
'For 40 years, David has also been fitting blinds and curtains | 0:01:25 | 0:01:29 | |
'for the people of the Dales.' | 0:01:29 | 0:01:32 | |
What is it you're doing? | 0:01:32 | 0:01:33 | |
Making sure the mechanism works all right. | 0:01:33 | 0:01:36 | |
'But this year he turns 65, and he's going to hand the business over | 0:01:40 | 0:01:44 | |
'to his daughter and her husband.' | 0:01:44 | 0:01:47 | |
What is it you're doing? | 0:01:47 | 0:01:48 | |
Just exercising my back and bottom of my body. | 0:01:48 | 0:01:53 | |
'Downstairs, | 0:01:54 | 0:01:56 | |
'Milners specialises in fashions for ladies of a certain age, | 0:01:56 | 0:01:59 | |
'as well as menswear and children's wear. | 0:01:59 | 0:02:02 | |
Are you ever going to do any work, David? | 0:02:02 | 0:02:04 | |
'This is where David's wife, Linda, occasionally helps out. | 0:02:04 | 0:02:07 | |
'Linda is a retired primary school teacher, | 0:02:07 | 0:02:11 | |
'and hopes, once David is retired, | 0:02:11 | 0:02:13 | |
'they'll spend more time on long holidays.' | 0:02:13 | 0:02:16 | |
I'm a do-er. He's a stand and stare. | 0:02:16 | 0:02:21 | |
This is what he does better than anything else... | 0:02:21 | 0:02:23 | |
yakking to the customers. | 0:02:23 | 0:02:25 | |
David has worked here 40 odd years, and he's done very well. | 0:02:25 | 0:02:32 | |
But the world has moved on. | 0:02:32 | 0:02:34 | |
We're in the 21st century now. | 0:02:34 | 0:02:36 | |
And it took a while to get David into the 20th century, | 0:02:36 | 0:02:39 | |
let alone the 21st century! | 0:02:39 | 0:02:41 | |
Spotted something that shouldn't be there, because it's the wrong range. | 0:02:41 | 0:02:45 | |
'Taking Milners into the 21st century | 0:02:45 | 0:02:47 | |
'is David and Linda's daughter, Leonie, and her husband, Keith.' | 0:02:47 | 0:02:51 | |
You've got to remember we are a fashion shop for your 50-plus lady. | 0:02:51 | 0:02:56 | |
Which is, I would say, the 50-plus lady is a forgotten age. | 0:02:56 | 0:03:00 | |
'But Leonie believes 50-plus women | 0:03:00 | 0:03:03 | |
'should be offered more fashionable attire. | 0:03:03 | 0:03:06 | |
You've got this denim skirt, | 0:03:06 | 0:03:08 | |
which we actually have sold to 50-plus ladies... It works. | 0:03:08 | 0:03:15 | |
'Upstairs, Leonie's husband Keith shares the furniture department | 0:03:19 | 0:03:23 | |
'with his father-in-law. | 0:03:23 | 0:03:25 | |
'He's traded in a high paid job in the south | 0:03:25 | 0:03:28 | |
'for more time with his family.' | 0:03:28 | 0:03:30 | |
Oh... Oh, that's nice. | 0:03:31 | 0:03:34 | |
Oh, yes, I think that's very good. | 0:03:34 | 0:03:36 | |
This is something that really wouldn't have happened 18 months ago | 0:03:36 | 0:03:40 | |
when I was down in London. | 0:03:40 | 0:03:42 | |
This is part of the reason why we wanted to move, | 0:03:42 | 0:03:45 | |
because getting wrapped up in the rat race, | 0:03:45 | 0:03:48 | |
you can forget about this. | 0:03:48 | 0:03:50 | |
This is probably what I realised was more important to me | 0:03:50 | 0:03:55 | |
than careers and money and living that type of life. | 0:03:55 | 0:04:00 | |
-Being with your kids? -Yeah. Being with the kids, | 0:04:00 | 0:04:03 | |
being closer to Leonie, keeping it all closer together. | 0:04:03 | 0:04:06 | |
Doesn't it look fabulous? | 0:04:15 | 0:04:16 | |
'When I arrived at Milners, Keith and Leonie | 0:04:16 | 0:04:18 | |
'had just spent £18,000 on a new shop front.' | 0:04:18 | 0:04:21 | |
It finishes it off, doesn't it? | 0:04:21 | 0:04:23 | |
'David hadn't wanted to spend the money, | 0:04:23 | 0:04:25 | |
'but the family had ganged up on him.' | 0:04:25 | 0:04:27 | |
'And inside the shop it was a similar story.' | 0:04:30 | 0:04:33 | |
You painted this colour and you say it's green... | 0:04:33 | 0:04:36 | |
'Leonie was convinced downstairs needed a total makeover.' | 0:04:36 | 0:04:39 | |
It needs to be a warm colour. | 0:04:39 | 0:04:41 | |
-We want it to be something pale, off-white. -But the lights... | 0:04:41 | 0:04:45 | |
The lights need changing. | 0:04:45 | 0:04:47 | |
It's far too harsh, is this. | 0:04:47 | 0:04:50 | |
These lights are going to stay exactly as they are. | 0:04:50 | 0:04:53 | |
I think we spent enough money on this. | 0:04:53 | 0:04:55 | |
We changed them five years ago, and these were | 0:04:55 | 0:04:57 | |
the top of the range lights for showing the colours of the clothes. | 0:04:57 | 0:05:01 | |
-Since when have you sold ladies' clothes? -If you start putting | 0:05:01 | 0:05:04 | |
little circles of light in there, you're going to make the whole | 0:05:04 | 0:05:08 | |
-of this floor... -No, you won't. You want spotlights. | 0:05:08 | 0:05:10 | |
I don't like circles on the ground, it's wrong. | 0:05:10 | 0:05:13 | |
They're looking at the clothes, not the ground. | 0:05:13 | 0:05:16 | |
It would be all right in an ironmongers' shop or something | 0:05:16 | 0:05:19 | |
but not in a ladies' dress shop. You want to have spots. | 0:05:19 | 0:05:22 | |
Hidden lighting, concealed lighting. | 0:05:22 | 0:05:24 | |
Keith and I will discuss this | 0:05:24 | 0:05:26 | |
and it will be a decision between ourselves. | 0:05:26 | 0:05:29 | |
-I think Keith agrees with us actually. -Does he? -Yes. | 0:05:29 | 0:05:31 | |
You're going to have to get your head round it, | 0:05:31 | 0:05:34 | |
-and that's what we'll do. -I disagree entirely. | 0:05:34 | 0:05:36 | |
-I am not going... -Oh, come on, David, don't be so stupid! | 0:05:36 | 0:05:39 | |
No, I'm not going to. | 0:05:39 | 0:05:41 | |
Well, we'll continue this... | 0:05:41 | 0:05:43 | |
THEY LAUGH | 0:05:43 | 0:05:45 | |
'Leonie was looking forward to David's retirement | 0:05:45 | 0:05:48 | |
'because it meant she could make these changes to the shop. | 0:05:48 | 0:05:52 | |
'And Keith was looking forward to David's retirement | 0:05:53 | 0:05:56 | |
'because it meant he could run the business the way he wanted to. | 0:05:56 | 0:06:00 | |
'He'd already taken over | 0:06:01 | 0:06:02 | |
'the nerve centre of the blind fitting business, David's desk. | 0:06:02 | 0:06:06 | |
'And he was planning an overhaul | 0:06:06 | 0:06:08 | |
'of David's old-fashioned paperwork system.' | 0:06:08 | 0:06:11 | |
The filing's not quite up to scratch, is that right? | 0:06:11 | 0:06:13 | |
It's not what I would do... | 0:06:13 | 0:06:15 | |
Basically we have a system here with paper clips. | 0:06:17 | 0:06:20 | |
We've got furnishings, blinds, carpets, loose covers and curtains | 0:06:20 | 0:06:25 | |
being made, items awaiting delivery, and then jobs to be worked out. | 0:06:25 | 0:06:30 | |
It's a system that I suppose David's dad used, which | 0:06:30 | 0:06:34 | |
David's used and adopted and probably hasn't changed since then. | 0:06:34 | 0:06:38 | |
That's out, that's out, that's out... | 0:06:38 | 0:06:41 | |
'Keith had made sure that in the six months before he retired, | 0:06:41 | 0:06:44 | |
'David would be out of the way on the road, | 0:06:44 | 0:06:47 | |
'constantly fitting blinds and curtains.' | 0:06:47 | 0:06:50 | |
-Is Keith working very hard these days? -Yes, of course he is. | 0:06:50 | 0:06:53 | |
He's in the office. | 0:06:53 | 0:06:54 | |
I'm the one that's doing the legwork outside at the moment. | 0:06:54 | 0:06:57 | |
I quite enjoy doing the legwork outside, | 0:06:57 | 0:06:59 | |
it keeps me occupied. I'm not ready for retiring yet... | 0:06:59 | 0:07:03 | |
Right! | 0:07:03 | 0:07:04 | |
'That was strange. | 0:07:04 | 0:07:06 | |
'It hadn't occurred to me that David didn't want to retire.' | 0:07:06 | 0:07:11 | |
He just said that he's not ready for retirement yet. | 0:07:11 | 0:07:14 | |
'David had been driving around the Dales for 40 years, | 0:07:21 | 0:07:25 | |
'fitting blinds and curtains. | 0:07:25 | 0:07:27 | |
'Today, he was heading to the village of Harmby. | 0:07:27 | 0:07:30 | |
'But as always, he was running late.' | 0:07:30 | 0:07:33 | |
I don't know what time, but Keith put morning and that's basically... | 0:07:33 | 0:07:37 | |
I thought, well, she's taken the day off, | 0:07:37 | 0:07:40 | |
she's not going to worry too much if we're a few minutes late. | 0:07:40 | 0:07:43 | |
'David thought Marge, the customer, | 0:07:43 | 0:07:45 | |
'wouldn't mind him turning up an hour late. | 0:07:45 | 0:07:48 | |
'But he was wrong.' | 0:07:48 | 0:07:49 | |
I've taken the day off work for this, David. | 0:07:49 | 0:07:52 | |
'He had a whole house to fit with blinds and curtains. | 0:07:52 | 0:07:55 | |
'But after an hour, he'd only put up one pole. | 0:07:55 | 0:07:58 | |
'Mind you, he'd built his business proudly on the premise | 0:07:58 | 0:08:02 | |
'that good timekeeping was not important.' | 0:08:02 | 0:08:05 | |
I was never really on time. | 0:08:05 | 0:08:06 | |
I was always known for being a little bit on the late side. | 0:08:06 | 0:08:09 | |
But in the Dales you don't worry too much about it. | 0:08:09 | 0:08:12 | |
If they know you're coming for the carpet, they'll expect you. | 0:08:12 | 0:08:15 | |
Oh look, have I made that a bit tosh? | 0:08:15 | 0:08:17 | |
I've just realised, there's that flaming box in the corner. | 0:08:17 | 0:08:21 | |
I forgot it was there. I didn't look at it. | 0:08:23 | 0:08:25 | |
It's the same colour. Argh! Sod's Law! | 0:08:25 | 0:08:28 | |
-Oh, Marge! -What? -There's a box in the corner. | 0:08:28 | 0:08:32 | |
I've started at the wrong window. | 0:08:32 | 0:08:34 | |
-Sorry? -I'm just putting the job back a little bit. | 0:08:34 | 0:08:36 | |
I'll keep on going till we're finished. | 0:08:36 | 0:08:39 | |
-It's going to be midnight by the time you've finished! -Don't worry. | 0:08:39 | 0:08:42 | |
I am not happy. | 0:08:42 | 0:08:44 | |
'Marge's fears were well founded. | 0:08:44 | 0:08:46 | |
'By the end of the day, David had not finished the job. | 0:08:46 | 0:08:49 | |
'A couple of nights later in Leyburn, | 0:08:52 | 0:08:54 | |
'the four directors of Milners got together for a board meeting | 0:08:54 | 0:08:57 | |
'in the unlikely setting of Leonie's kitchen.' | 0:08:57 | 0:09:00 | |
How are you doing? | 0:09:00 | 0:09:01 | |
Those who can do the job, do it. | 0:09:01 | 0:09:03 | |
'Here, they were planning the handover of the business | 0:09:03 | 0:09:06 | |
'from David to his daughter and Keith in five months' time. | 0:09:06 | 0:09:10 | |
'But on this occasion, David came under attack | 0:09:10 | 0:09:13 | |
'for his late timekeeping with Marge.' | 0:09:13 | 0:09:15 | |
I specifically booked an AM appointment | 0:09:16 | 0:09:19 | |
because she knows what you're like. | 0:09:19 | 0:09:21 | |
An AM appointment. Then I get a phone call, "Where is he?" | 0:09:21 | 0:09:24 | |
She was all right when I got down to see her. | 0:09:24 | 0:09:26 | |
-But David, cause you sweet talk her. -That's right. | 0:09:26 | 0:09:29 | |
So what do I say to them on the phone at the time? | 0:09:29 | 0:09:31 | |
"I shall see if I can find Mr Milner for you", and just leave it at that. | 0:09:31 | 0:09:35 | |
Excuse me, | 0:09:35 | 0:09:37 | |
that is the last thing I would do. | 0:09:37 | 0:09:39 | |
She looks at me, does this one, as if I should not be doing this. | 0:09:39 | 0:09:42 | |
I've run the business for 40 years. | 0:09:42 | 0:09:44 | |
-You're going back to the past, aren't you? -No, I'm not. | 0:09:44 | 0:09:47 | |
We've always dealt with them. | 0:09:47 | 0:09:49 | |
It goes back to the days when I used to do a whole village, | 0:09:49 | 0:09:53 | |
and I had 14, 15 customers. | 0:09:53 | 0:09:55 | |
And they knew that I would arrive sometime during the day. | 0:09:55 | 0:09:59 | |
But that was 40 years ago! | 0:09:59 | 0:10:02 | |
It's not now. We're not living in the 19th century. | 0:10:02 | 0:10:05 | |
We're in the time of the internet now, | 0:10:05 | 0:10:07 | |
not the time of the cart and horse. | 0:10:07 | 0:10:08 | |
People have things they have to do. | 0:10:08 | 0:10:10 | |
If a customer says they've got to be somewhere at 10 o'clock... | 0:10:10 | 0:10:13 | |
This is why I've got a big strong back, isn't it? | 0:10:13 | 0:10:16 | |
No, it's not. It's not. You're rude. You're thick-skinned and it's rude. | 0:10:16 | 0:10:20 | |
I know for having lived with it for...for 40 years. | 0:10:20 | 0:10:25 | |
It really is infuriating to be standing around | 0:10:25 | 0:10:28 | |
when somebody saunters up. | 0:10:28 | 0:10:31 | |
This is why I don't want to go to church with you anymore, | 0:10:31 | 0:10:34 | |
because I hate walking in late. | 0:10:34 | 0:10:36 | |
'The battle between old and new at Milners | 0:10:47 | 0:10:50 | |
'was not just being waged against David. | 0:10:50 | 0:10:52 | |
'A few days later, Leonie and the window dresser, Margaret, | 0:10:52 | 0:10:56 | |
'were preparing the shop's swish new frontage. | 0:10:56 | 0:10:58 | |
'Leonie wanted to use the displays | 0:10:58 | 0:11:01 | |
'to change the fuddy duddy image of Milners.' | 0:11:01 | 0:11:04 | |
I suppose when I was growing up, | 0:11:04 | 0:11:06 | |
Milners had a bit of a stigma about it. | 0:11:06 | 0:11:08 | |
It had really. It's probably been a bit old fashioned. | 0:11:08 | 0:11:11 | |
That was the word, yes. | 0:11:11 | 0:11:13 | |
Whereas me coming into the business now, I can actually prove to people | 0:11:13 | 0:11:19 | |
that that's not what we're about. | 0:11:19 | 0:11:21 | |
That's partly what we're about, | 0:11:21 | 0:11:23 | |
but we are trying to bring it up to date and I can do that personally. | 0:11:23 | 0:11:27 | |
So do you two not always see eye to eye? | 0:11:27 | 0:11:29 | |
Not always. Not always. Leonie probably thinks so, but I don't. | 0:11:29 | 0:11:34 | |
I tend to eat humble pie a little bit and don't say a lot. | 0:11:34 | 0:11:38 | |
I could just walk out, you see. | 0:11:38 | 0:11:40 | |
It doesn't worry me whether I work or I don't. | 0:11:40 | 0:11:43 | |
So I'm at a good advantage. | 0:11:43 | 0:11:45 | |
If she says go, I would walk out and no questions asked. | 0:11:45 | 0:11:48 | |
But I wouldn't say go, would I, Margaret? | 0:11:48 | 0:11:50 | |
She's been here... She's part of the furniture here, aren't you, Margaret? | 0:11:50 | 0:11:54 | |
Part of the family. | 0:11:54 | 0:11:55 | |
I mean would that go over... | 0:11:55 | 0:11:57 | |
'When they did disagree, Margaret could depend | 0:11:57 | 0:12:00 | |
'on the support of one person in particular.' | 0:12:00 | 0:12:03 | |
-I don't think it goes. -It doesn't go. -You're outnumbered, Leonie. | 0:12:03 | 0:12:06 | |
That goes with it, but that doesn't. | 0:12:06 | 0:12:09 | |
No, I wasn't thinking that with that. | 0:12:09 | 0:12:11 | |
-You were! -Was I? | 0:12:11 | 0:12:12 | |
-Yes. -Yes, you were. Yes, you were. | 0:12:12 | 0:12:14 | |
Can I just have a quiet word with you dear, please? | 0:12:14 | 0:12:17 | |
Not on camera! | 0:12:17 | 0:12:19 | |
Because I wasn't terribly enthused about it. | 0:12:19 | 0:12:23 | |
Because it's young, I was told. | 0:12:23 | 0:12:25 | |
-It's Margaret's job to do it. -I know! -She's good with colours. | 0:12:25 | 0:12:29 | |
She doesn't need telling, and it rather offends her when you do that. | 0:12:29 | 0:12:32 | |
So please, let her do it. | 0:12:32 | 0:12:34 | |
She's done it for years. Don't teach your grandmother to suck eggs. | 0:12:34 | 0:12:37 | |
They're our staff and we value them... | 0:12:37 | 0:12:40 | |
-I know! -..so please don't offend. -OK. | 0:12:40 | 0:12:45 | |
'I could see that Linda's interference | 0:12:45 | 0:12:47 | |
'had infuriated her daughter, and Leonie had a fight on her hands | 0:12:47 | 0:12:50 | |
'with the older generation to make her mark.' | 0:12:50 | 0:12:53 | |
Nobody else knows the stock as well as me, because I buy it. | 0:12:53 | 0:12:56 | |
When it comes in, I open it up, I price it up, | 0:12:56 | 0:12:59 | |
I get on the shop floor. | 0:12:59 | 0:13:00 | |
There's nobody else who knows it as well as I do. | 0:13:00 | 0:13:04 | |
So, surely then it's up to me to sell it. | 0:13:04 | 0:13:08 | |
-Is it spongy? -Oh, yeah. | 0:13:08 | 0:13:12 | |
Yes, it's very comfortable. Isn't it? | 0:13:12 | 0:13:15 | |
It is, yes. | 0:13:15 | 0:13:17 | |
Did you like that one? | 0:13:17 | 0:13:19 | |
Yeah. Oh, it's lovely. Yes. | 0:13:19 | 0:13:21 | |
And you like that one, do you? | 0:13:21 | 0:13:23 | |
Yes. | 0:13:23 | 0:13:25 | |
Yes. It's quite good. | 0:13:25 | 0:13:27 | |
I think that one's got a lever on it, hasn't it? | 0:13:27 | 0:13:30 | |
Oh, this has a whatsit, yes. Oh! | 0:13:30 | 0:13:32 | |
THEY LAUGH | 0:13:32 | 0:13:34 | |
Do you prefer that? | 0:13:38 | 0:13:41 | |
Yes. It's quite... | 0:13:41 | 0:13:43 | |
It's comfy. | 0:13:43 | 0:13:45 | |
It's stuck. I can't get it down! | 0:13:45 | 0:13:51 | |
Which way do you do it? | 0:13:51 | 0:13:53 | |
'Upstairs at Milners, Keith had appointed a trainee called James. | 0:13:57 | 0:14:01 | |
'James had given up working as a postman | 0:14:03 | 0:14:05 | |
'because he wanted to do something a bit more demanding.' | 0:14:05 | 0:14:08 | |
How have you made the transition from being a postman | 0:14:11 | 0:14:14 | |
to working here? | 0:14:14 | 0:14:17 | |
In terms of the actual hours I'm working, it's a fairly big change. | 0:14:17 | 0:14:24 | |
So, just getting used to the... | 0:14:24 | 0:14:27 | |
Working all afternoon has been a bit of a... you know, | 0:14:27 | 0:14:31 | |
a steep learning curve, I suppose. | 0:14:31 | 0:14:33 | |
'Keith had asked him to learn all there was to know about carpets.' | 0:14:34 | 0:14:39 | |
If you've got a tighter twist, which means there's more... | 0:14:39 | 0:14:42 | |
there's more of these in closer proximity, it means that the chance, | 0:14:44 | 0:14:51 | |
the chance of wearing is less. | 0:14:51 | 0:14:55 | |
Whereas if you've got less of these, | 0:14:55 | 0:14:57 | |
you've got a twist that's not as tight, then your chance of... | 0:14:57 | 0:15:02 | |
The abrasion will cause it to wear more quickly. | 0:15:04 | 0:15:09 | |
It's so detailed, isn't it? | 0:15:09 | 0:15:10 | |
Well, exactly. | 0:15:10 | 0:15:12 | |
'Keith's plan over the coming months was to train James up | 0:15:13 | 0:15:17 | |
'in the art of carpet fitting, as well as blinds and curtains.' | 0:15:17 | 0:15:21 | |
Has it been reverse rolled? | 0:15:21 | 0:15:22 | |
-Yes, it is, isn't it? Sorry, no, it's not, no. -No? | 0:15:22 | 0:15:25 | |
-Sure about that? -No, sorry, no, it's not. -Are you sure about that? | 0:15:25 | 0:15:29 | |
I'm sure. Yeah. Well, let's have a think about this. | 0:15:29 | 0:15:32 | |
If it's gonna go up like that... | 0:15:32 | 0:15:33 | |
-That's not reverse rolled then, is it? -No. | 0:15:33 | 0:15:36 | |
'When David retired in April, James would take over his job.' | 0:15:36 | 0:15:41 | |
Sorry about this being in here, I'm doing another job. | 0:15:44 | 0:15:48 | |
'While out on another job, | 0:15:48 | 0:15:50 | |
'I asked David what he thought about James, the new trainee.' | 0:15:50 | 0:15:54 | |
I'm not too worried. | 0:15:54 | 0:15:56 | |
It's Keith who's going to have to deal with him. | 0:15:56 | 0:15:58 | |
I'm just the dogsbody now. I'm quite happy. | 0:15:58 | 0:16:01 | |
Keith's got to work out the finances of whether he's... | 0:16:01 | 0:16:04 | |
justified...to have him. | 0:16:04 | 0:16:08 | |
I mean, Keith and I can manage quite well on our own. | 0:16:08 | 0:16:10 | |
I can do all the outside work. | 0:16:10 | 0:16:12 | |
I've got all the tools, I've got all the gear. | 0:16:12 | 0:16:14 | |
-Yeah, but you are meant to be retiring. -I know. | 0:16:14 | 0:16:17 | |
But you've got to have someone who can do the work that I'm doing. | 0:16:17 | 0:16:21 | |
I very much hope that it'll work out, | 0:16:21 | 0:16:23 | |
but it isn't a five-minute transition period. | 0:16:23 | 0:16:27 | |
I'm going to have to wait | 0:16:27 | 0:16:28 | |
till he comes in here with his muck spreader. | 0:16:28 | 0:16:31 | |
'Once again, David had indicated to me that he wouldn't be retiring | 0:16:31 | 0:16:36 | |
'on his 65th birthday. | 0:16:36 | 0:16:37 | |
'Maybe he thought he just couldn't be replaced. | 0:16:37 | 0:16:40 | |
'Most lunchtimes, David headed back to his house | 0:16:50 | 0:16:54 | |
'for a ritual of bread and cheese and homemade chutney.' | 0:16:54 | 0:16:57 | |
So do you often prepare something for David | 0:16:57 | 0:16:59 | |
when he comes home for lunch? | 0:16:59 | 0:17:01 | |
Well, if I don't prepare it, who else will? | 0:17:01 | 0:17:03 | |
-So he's not left to fend for himself? -Oh, no... | 0:17:03 | 0:17:06 | |
GENTLE BUZZING | 0:17:06 | 0:17:07 | |
He's an old fashioned man. | 0:17:07 | 0:17:08 | |
He waits for me to do it. | 0:17:10 | 0:17:11 | |
What's that noise? | 0:17:11 | 0:17:13 | |
David's cushion. | 0:17:13 | 0:17:15 | |
That. It's a vibrator. | 0:17:15 | 0:17:16 | |
-What?! -It's a vibrator. | 0:17:18 | 0:17:20 | |
It's a vibrating cushion! | 0:17:20 | 0:17:22 | |
Inside there, there's a battery. | 0:17:22 | 0:17:25 | |
Can you hear? | 0:17:25 | 0:17:26 | |
Let me feel that. | 0:17:28 | 0:17:32 | |
Oh. Crikey. | 0:17:32 | 0:17:33 | |
'David wanted to show me his plans | 0:17:33 | 0:17:36 | |
'for a six-week holiday of a lifetime to Canada with Linda. | 0:17:36 | 0:17:40 | |
'And it was booked for just a few weeks after his 65th birthday.' | 0:17:40 | 0:17:44 | |
This is the holiday which we have...got planned. | 0:17:44 | 0:17:49 | |
Leaving Manchester at 11.25 on 18th May. Flying into Vancouver... | 0:17:49 | 0:17:55 | |
'David had planned it with all the precision | 0:17:55 | 0:17:58 | |
'of a well organised military exercise.' | 0:17:58 | 0:18:01 | |
..100 Mile House, William Lake... | 0:18:01 | 0:18:04 | |
'As he described the trip to me, I felt a bit confused. | 0:18:04 | 0:18:07 | |
'If he wasn't going to retire, why plan such a long holiday? | 0:18:07 | 0:18:12 | |
'Was the trip just an elaborate ruse | 0:18:12 | 0:18:14 | |
'to make Linda think he would retire?' | 0:18:14 | 0:18:17 | |
Do you get the feeling David's not embracing the idea of retirement | 0:18:17 | 0:18:20 | |
as much as he should do? | 0:18:20 | 0:18:21 | |
I think David does not quite know WHAT he wants. | 0:18:21 | 0:18:25 | |
I do! I want to go, but I want to make sure that what I'm leaving | 0:18:25 | 0:18:28 | |
is on a good footing. | 0:18:28 | 0:18:30 | |
But, you see, when will it be on a good footing? | 0:18:30 | 0:18:33 | |
Who's going to be able to say that? | 0:18:33 | 0:18:35 | |
When we are away... I mean, we have sat, | 0:18:35 | 0:18:38 | |
having a cup of coffee in France, | 0:18:38 | 0:18:41 | |
out in the sun, and he said, | 0:18:41 | 0:18:43 | |
"Oh, I do wish we didn't have to go home, I do wish I was retired, | 0:18:43 | 0:18:46 | |
"I'm going to retire." | 0:18:46 | 0:18:48 | |
And then when he gets back here... it's plan B. | 0:18:49 | 0:18:53 | |
-Which is? -"I won't retire". | 0:18:53 | 0:18:55 | |
I mean, this house needs a lot of work doing to it. | 0:18:57 | 0:19:02 | |
I mean, we've been here 25 years and it's not finished yet. | 0:19:02 | 0:19:07 | |
-What? -I shouldn't say that. -Well. | 0:19:07 | 0:19:10 | |
'I'd been at Milners now for a month, | 0:19:10 | 0:19:12 | |
'and preparations were beginning for the busiest time of year, Christmas. | 0:19:12 | 0:19:16 | |
CHRISTMAS CHOIR MUSIC | 0:19:16 | 0:19:20 | |
'The festive season is make or break for any retailer, | 0:19:20 | 0:19:24 | |
'but Leonie and Keith had increased sales by 20% since taking over. | 0:19:24 | 0:19:29 | |
'There was a sense of optimism in Milners. | 0:19:29 | 0:19:33 | |
'The store was busy. | 0:19:33 | 0:19:35 | |
'And their new recruit was beginning to find his feet. | 0:19:39 | 0:19:42 | |
'James had been trained by Keith | 0:19:45 | 0:19:48 | |
'and also by David, albeit a bit reluctantly. | 0:19:48 | 0:19:51 | |
-It's about there. -It isn't, the bath fits in the reveal. | 0:19:51 | 0:19:54 | |
'James was proving very good with customers.' | 0:19:54 | 0:19:58 | |
Remind me what we have to do. | 0:19:58 | 0:20:00 | |
'But at times he was easily distracted.' | 0:20:00 | 0:20:05 | |
That is damn precision. | 0:20:05 | 0:20:07 | |
Ah! | 0:20:11 | 0:20:12 | |
'But the highlight of this time of year, for the Milner family | 0:20:18 | 0:20:21 | |
'and all the shop's staff was its annual Christmas dinner. | 0:20:21 | 0:20:26 | |
I knocked it over. | 0:20:28 | 0:20:31 | |
'Spirits were high. | 0:20:31 | 0:20:33 | |
'David was eulogising to me about married life with Linda.' | 0:20:33 | 0:20:38 | |
As long as she keeps on making my dinners for me | 0:20:38 | 0:20:41 | |
and lying next to me in bed, that's all right. | 0:20:41 | 0:20:45 | |
-Do you know, you are going to be taken outside and thumped. -Am I? | 0:20:45 | 0:20:48 | |
HE LAUGHS | 0:20:48 | 0:20:50 | |
'Each year, David makes a speech.' | 0:20:50 | 0:20:53 | |
Well, can I start and say how lovely all your ladies | 0:20:53 | 0:20:56 | |
are looking this evening in their fine attire. | 0:20:56 | 0:20:59 | |
'Surely in this year's speech he would have to mention | 0:20:59 | 0:21:03 | |
'his impending retirement.' | 0:21:03 | 0:21:05 | |
Linda and I are looking for more time to do what we want to do | 0:21:05 | 0:21:09 | |
and it will be nice not to work the six days a week which | 0:21:09 | 0:21:12 | |
I have done for the last 40 years. | 0:21:12 | 0:21:15 | |
I would like to thank all my members of staff for | 0:21:15 | 0:21:17 | |
the very hard work, help and support and I hope the business in Leyburn | 0:21:17 | 0:21:23 | |
and you will continue under the new leadership of Keith and Leoni. | 0:21:23 | 0:21:27 | |
-Can we clap? -If you want to. | 0:21:27 | 0:21:29 | |
'But it wasn't quite as clear cut as that.' | 0:21:30 | 0:21:34 | |
It was there from the horse's mouth then, you will be going? | 0:21:34 | 0:21:37 | |
Apparently so... I read it. | 0:21:37 | 0:21:40 | |
You wrote it, didn't you? | 0:21:40 | 0:21:42 | |
Yes, I wrote it, of course I wrote it. | 0:21:42 | 0:21:45 | |
Who else writes for me? | 0:21:45 | 0:21:47 | |
The words were yours. | 0:21:50 | 0:21:53 | |
-Did you write it, Linda? -Well, who do you think writes it? | 0:21:53 | 0:21:57 | |
He wrote his own last night. | 0:21:57 | 0:21:58 | |
'Linda then read David's speech | 0:21:58 | 0:22:00 | |
'which she'd banned him from delivering.' | 0:22:00 | 0:22:03 | |
"It is the annual staff dinner time again and I wish to say | 0:22:03 | 0:22:05 | |
"a few words to express my thoughts." | 0:22:05 | 0:22:07 | |
'It was very different in tone.' | 0:22:07 | 0:22:10 | |
'More descriptive of David's achievements and seemed to point | 0:22:10 | 0:22:13 | |
'to a Milners of the future that could not operate without him.' | 0:22:13 | 0:22:17 | |
"It will be hard for the first few years for them to get to know | 0:22:17 | 0:22:20 | |
"their way around but I shall be on hand to give any advice. | 0:22:20 | 0:22:24 | |
"We both realised that he was going to be on a steep learning curve | 0:22:24 | 0:22:28 | |
"but the fact that I have 40 years of local knowledge of the area | 0:22:28 | 0:22:32 | |
"and know so many people up and down the Dales and I'm able | 0:22:32 | 0:22:36 | |
"to pass on this information to him should be of great help to him." | 0:22:36 | 0:22:41 | |
The last bit he's told you, because that was in his. | 0:22:41 | 0:22:45 | |
-Right? -That was good. That's what we like. | 0:22:45 | 0:22:47 | |
-Down-to-earth. -Well done. -Well done, mate. | 0:22:47 | 0:22:50 | |
'As the evening came to an end I was left wondering | 0:22:51 | 0:22:54 | |
'if David really was going to retire.' | 0:22:54 | 0:22:58 | |
'In the new year, I headed back to Yorkshire. | 0:23:03 | 0:23:07 | |
'I'd arranged to meet Leoni and her mother Linda at a hotel, | 0:23:07 | 0:23:11 | |
'just off the A1 near Wetherby. | 0:23:11 | 0:23:14 | |
'They'd come to a clothes fair where they were buying the fashions | 0:23:14 | 0:23:18 | |
'for the next season in the shop. Leonie was hoping to tempt | 0:23:18 | 0:23:22 | |
'her loyal, older customers with something | 0:23:22 | 0:23:25 | |
'a bit younger, which she would then showcase with a special fashion show | 0:23:25 | 0:23:29 | |
'in the spring.' | 0:23:29 | 0:23:30 | |
We haven't got enough tops at the moment. | 0:23:30 | 0:23:33 | |
Let's look at the trousers first. One, two, three. | 0:23:33 | 0:23:35 | |
There's a cord... there's a soft... | 0:23:35 | 0:23:38 | |
That one sells well. | 0:23:38 | 0:23:40 | |
-We need... -We need some bingo trousers. | 0:23:40 | 0:23:43 | |
Do you want to explain to Richard what bingo trousers are? | 0:23:43 | 0:23:46 | |
What the old ladies who go playing bingo would wear. | 0:23:46 | 0:23:49 | |
They're just pull-on trousers. | 0:23:49 | 0:23:52 | |
Do you play bingo? | 0:23:52 | 0:23:55 | |
I would not answer that question. | 0:23:55 | 0:23:57 | |
I should think it would be obvious! | 0:23:57 | 0:23:59 | |
Not many of us play bingo because there's nowhere in Leyburn to play. | 0:23:59 | 0:24:02 | |
What was your mum like about clothes when you were a teenager? | 0:24:02 | 0:24:06 | |
-Oh, God, she wouldn't let me wear anything. -Really? | 0:24:06 | 0:24:08 | |
I think my mum wanted two boys because she wouldn't let me | 0:24:08 | 0:24:12 | |
grow my hair and she would dress me like a little boy, until I was 16. | 0:24:12 | 0:24:15 | |
How many little boys have you seen in dresses? | 0:24:15 | 0:24:19 | |
I can show you photographs of her in dresses. She lies. | 0:24:19 | 0:24:24 | |
What was she like as a teenager, then? | 0:24:24 | 0:24:27 | |
She could get a bit bolshie | 0:24:27 | 0:24:28 | |
but then they all can, but I think generally she was... | 0:24:28 | 0:24:32 | |
fairly good. Except... Except... | 0:24:32 | 0:24:36 | |
No, no, no. You don't need to... | 0:24:36 | 0:24:38 | |
-She was one for the boys. -Was she? | 0:24:38 | 0:24:41 | |
She liked the boys, yes. | 0:24:41 | 0:24:42 | |
And what's wrong with liking the boys? | 0:24:43 | 0:24:45 | |
Well, nothing as long as you get on with your work as well. | 0:24:45 | 0:24:48 | |
You're not using that at all. | 0:24:48 | 0:24:50 | |
What, liking boys? | 0:24:50 | 0:24:52 | |
Yeah, you're not using it though. | 0:24:52 | 0:24:54 | |
Oh, it's you two again, is it? | 0:24:55 | 0:24:58 | |
Hi, Richard. How do? | 0:24:58 | 0:25:00 | |
Right, excuse me if I dash. | 0:25:00 | 0:25:01 | |
'In the soft furnishings department of Milners, | 0:25:03 | 0:25:06 | |
'things were getting very busy but they were not going smoothly. | 0:25:06 | 0:25:09 | |
'The busy Christmas period had left David with a backlog of curtains | 0:25:09 | 0:25:13 | |
'and blinds to fit. He was getting angry about mistakes | 0:25:13 | 0:25:16 | |
'with the order book and he felt Keith was to blame.' | 0:25:16 | 0:25:19 | |
-Is Keith there? -Yeah. | 0:25:19 | 0:25:20 | |
He's made a bill out... | 0:25:26 | 0:25:29 | |
it doesn't say he's made a bill out. | 0:25:29 | 0:25:30 | |
Do you want me to pass it on? | 0:25:30 | 0:25:32 | |
I don't need that. I need that. | 0:25:32 | 0:25:34 | |
But basically you want to finish that off, | 0:25:34 | 0:25:36 | |
make sure that it's finished off. Right. | 0:25:36 | 0:25:39 | |
Make sure before all the paperwork comes to me that everything | 0:25:39 | 0:25:42 | |
has actually been finished and it's all clear. | 0:25:42 | 0:25:45 | |
Yeah, I will. | 0:25:45 | 0:25:47 | |
Keith, sorry. | 0:25:49 | 0:25:51 | |
'Watching David, I couldn't help thinking | 0:25:53 | 0:25:55 | |
'that he wanted Keith and James to fail. | 0:25:55 | 0:25:58 | |
'He seemed to be keen to show that they couldn't function without him.' | 0:25:58 | 0:26:02 | |
-Finished? -What's wrong with it? | 0:26:03 | 0:26:05 | |
You haven't actually made that you've entered it. You have, haven't you? | 0:26:05 | 0:26:09 | |
I have now but that was written before. | 0:26:09 | 0:26:11 | |
You hadn't done anything relating to where the order had come from either. | 0:26:11 | 0:26:15 | |
So it's just that bit? | 0:26:15 | 0:26:16 | |
It's all paperwork. You've got to remember, Keith, that is important. | 0:26:16 | 0:26:20 | |
-The important part of doing these. -I'm not the only one though, am I? | 0:26:20 | 0:26:25 | |
No, but I did it for 30 years without any problems. | 0:26:25 | 0:26:28 | |
It seems that we've three people, we can't do it now. | 0:26:28 | 0:26:31 | |
It's not wrong, but I think it's a bit petty at times, but there we go. | 0:26:35 | 0:26:40 | |
'But before he left, David was determined to have the last word.' | 0:26:40 | 0:26:44 | |
You're not putting the facts and the date you're ordering them. | 0:26:44 | 0:26:47 | |
I think it's important. I mean, I'm going to be out shortly but... | 0:26:47 | 0:26:50 | |
What I'm saying is that I'm not the only one. | 0:26:50 | 0:26:53 | |
No, but you should be the leader and make sure | 0:26:53 | 0:26:55 | |
that it's right if you're going to take over and do this job. | 0:26:55 | 0:26:58 | |
Point made? | 0:26:58 | 0:27:00 | |
'This was just one of several clashes over the paperwork.' | 0:27:03 | 0:27:08 | |
There's that jacket. | 0:27:08 | 0:27:09 | |
It looked quite... Oh. | 0:27:12 | 0:27:14 | |
Yeah. | 0:27:14 | 0:27:17 | |
What's funny about that jacket? | 0:27:17 | 0:27:19 | |
Nothing. We saw it in the window but it's not what we wanted. | 0:27:19 | 0:27:23 | |
Are you two sisters? | 0:27:23 | 0:27:25 | |
No! We're always getting asked that but we're not. | 0:27:25 | 0:27:29 | |
Friends. Yeah. | 0:27:30 | 0:27:33 | |
Oh, now, that's quite nice. | 0:27:33 | 0:27:36 | |
Yeah, I saw that jacket. | 0:27:36 | 0:27:38 | |
It's rather nice. | 0:27:38 | 0:27:39 | |
'A few days after the argument with David, James had his appraisal. | 0:27:39 | 0:27:45 | |
'Keith was anxious not to give David any more room | 0:27:45 | 0:27:47 | |
'to criticise him over the paperwork.' | 0:27:47 | 0:27:50 | |
So how do you feel about things? | 0:27:50 | 0:27:51 | |
Pretty good, over all. | 0:27:51 | 0:27:53 | |
The paperwork you're getting to grips with, but you must discipline, | 0:27:53 | 0:27:57 | |
it's the most fundamental part of the business. | 0:27:57 | 0:27:59 | |
If David can't find something that should be in a file or something, | 0:27:59 | 0:28:03 | |
we're stuffed. | 0:28:03 | 0:28:04 | |
I find it a bit stressful at times when we've got a lot going on | 0:28:04 | 0:28:07 | |
and David's throwing blame here, there and everywhere. | 0:28:07 | 0:28:10 | |
I find that quite difficult, cos, you know... | 0:28:10 | 0:28:13 | |
-You handle that very well. -Yeah, and I find sometimes | 0:28:13 | 0:28:15 | |
David can be a bit, erm... well... erratic in his behaviour | 0:28:15 | 0:28:21 | |
and sometimes can take things out a bit on people but you know, | 0:28:21 | 0:28:25 | |
that's the way he is and I accept that. | 0:28:25 | 0:28:27 | |
With my grandmother being ill for such long time it's put a... | 0:28:27 | 0:28:30 | |
'James felt he was making good progress, | 0:28:30 | 0:28:33 | |
'but the recent death of his grandmother | 0:28:33 | 0:28:35 | |
'had taken his mind off the job.' | 0:28:35 | 0:28:36 | |
I suppose at times I've not given everything I might have done. | 0:28:36 | 0:28:40 | |
A few days I've been just, yeah... | 0:28:40 | 0:28:44 | |
I mean from my perspective, | 0:28:44 | 0:28:45 | |
-just work on the things we've talked about. -OK. | 0:28:45 | 0:28:48 | |
'Keith felt James's progress meant he was on course to replace David | 0:28:48 | 0:28:52 | |
'in three months' time.' | 0:28:52 | 0:28:54 | |
Your personality, when you come into a room, you will light up a room. | 0:28:54 | 0:28:57 | |
-Yeah. -You have that type of personality. In general, mate, | 0:28:57 | 0:29:01 | |
-fantastic start. Well done. -Thanks very much indeed. | 0:29:01 | 0:29:03 | |
-Cheers, man. Thank you. -Good start. -Cheers, mate. | 0:29:03 | 0:29:06 | |
Oh, excuse me while I... let my coffee go down. | 0:29:06 | 0:29:12 | |
I don't know whether James is up to actually being given | 0:29:13 | 0:29:17 | |
fabric and told go and see Mrs so-and-so because he can't drive, | 0:29:17 | 0:29:20 | |
he doesn't know the area and there's so much you need to know about this. | 0:29:20 | 0:29:24 | |
Learning curtains is a ten-year apprenticeship. | 0:29:24 | 0:29:29 | |
Anyway. | 0:29:29 | 0:29:32 | |
-I shall be out. -Do you think Keith is fully appreciative | 0:29:32 | 0:29:36 | |
of, I suppose, the subtleties of what you do in your profession? | 0:29:36 | 0:29:41 | |
I mean, he's acquired the skills obviously, but... | 0:29:41 | 0:29:43 | |
He's an engineer, electrician. | 0:29:43 | 0:29:46 | |
'It was February in the Yorkshire Dales. | 0:29:49 | 0:29:51 | |
'But the organisation of the Milners fashion show | 0:29:51 | 0:29:55 | |
'was already getting underway. | 0:29:55 | 0:29:57 | |
'Even though it was Leonie's event, | 0:29:57 | 0:29:59 | |
'I wasn't surprised to find Linda taking charge of things.' | 0:29:59 | 0:30:03 | |
Dear, dear. | 0:30:03 | 0:30:04 | |
So you're co-ordinating the fashion show with your daughter, | 0:30:04 | 0:30:08 | |
is that right? | 0:30:08 | 0:30:09 | |
Yes, I do the... | 0:30:09 | 0:30:12 | |
I decide on what they wear... But obviously | 0:30:12 | 0:30:16 | |
I run them past her to make sure she agrees. | 0:30:16 | 0:30:19 | |
Then I do the commentary and... Oh, dear, dear. | 0:30:19 | 0:30:23 | |
And sort out the models and...whatever. | 0:30:26 | 0:30:30 | |
What exactly is left for Leonie? | 0:30:31 | 0:30:33 | |
Well, she's been busy pricing things up. | 0:30:35 | 0:30:38 | |
'It turned out that Leonie was returning from a long lunch break | 0:30:40 | 0:30:44 | |
'with a sales rep from Playtex called Phil. | 0:30:44 | 0:30:47 | |
'Evidently, Leonie had a soft spot for Phil.' | 0:30:47 | 0:30:50 | |
I don't know what she sees in him. | 0:30:52 | 0:30:54 | |
I don't see anything in him. I've only got eyes for my husband. | 0:30:54 | 0:30:58 | |
Look at this, eh? Guilty conscience that is, isn't it? | 0:30:58 | 0:31:01 | |
What do you think, Linda? | 0:31:01 | 0:31:03 | |
I think she thinks he's wonderful. | 0:31:03 | 0:31:05 | |
When she went to the, eh, whatsit exhibition... | 0:31:05 | 0:31:08 | |
-Just walk this way, there's Gary. There's Gary! -He's not called Gary. | 0:31:08 | 0:31:12 | |
-What? -He's not called Gary -I thought he was Gary. -Philip. -Phil. | 0:31:12 | 0:31:15 | |
'Just at that moment, | 0:31:15 | 0:31:16 | |
'Phil from Playtex walked in with his samples.' | 0:31:16 | 0:31:21 | |
-What? -Nothing! | 0:31:24 | 0:31:26 | |
Do you know...? Hello, Phil. | 0:31:30 | 0:31:32 | |
Hello, how are you? | 0:31:32 | 0:31:35 | |
He takes her out to lunch. He knows he's got easy sales with Leonie. | 0:31:35 | 0:31:40 | |
He just buys her a cup-a-soup and she's putty in his hands. | 0:31:40 | 0:31:43 | |
-What? -I was just saying that if Phil buys you a cup-a-soup, | 0:31:43 | 0:31:46 | |
you're putty in his hands, aren't you? | 0:31:46 | 0:31:48 | |
Touchy subject. Cos I tease her. | 0:31:52 | 0:31:55 | |
'Towards the end of the day, | 0:32:05 | 0:32:06 | |
'David set off to fit some blinds at a house in the valley. | 0:32:06 | 0:32:10 | |
'At closing time, I had gone round to Linda's for a cup of tea. | 0:32:10 | 0:32:15 | |
'While I was there, Keith turned up. | 0:32:15 | 0:32:17 | |
'There had been another bust-up over the paperwork but this time, | 0:32:17 | 0:32:21 | |
'it was between David and James.' | 0:32:21 | 0:32:24 | |
..and David said, "Come back, don't you walk away from me. Come back." | 0:32:24 | 0:32:27 | |
And James just lost it. | 0:32:27 | 0:32:31 | |
"How dare you talk to me like that? | 0:32:31 | 0:32:34 | |
And David was saying, "Well, it's my shop. | 0:32:34 | 0:32:37 | |
"I can talk to who I want, how I want in my shop." | 0:32:37 | 0:32:39 | |
He says, "You're not talking to me like that." | 0:32:39 | 0:32:41 | |
David turned round to me and said, "Keith, give him his notice." | 0:32:41 | 0:32:45 | |
And then James turned around to me and said, | 0:32:47 | 0:32:49 | |
"Don't care, you can swivel on your job." | 0:32:49 | 0:32:52 | |
So James has come downstairs, | 0:32:52 | 0:32:54 | |
he says "I'm getting out, I've got to go," | 0:32:54 | 0:32:56 | |
And I said, "You're coming up for a coffee". | 0:32:56 | 0:32:58 | |
By that time, he's calmed down a bit, "I'm really sorry". I said, | 0:32:58 | 0:33:01 | |
"James, you've done the right thing. This has been brewing for a while." | 0:33:01 | 0:33:06 | |
This is what David can't get his head round. | 0:33:06 | 0:33:08 | |
He thinks I should be tipping my cap to him all the time. | 0:33:08 | 0:33:11 | |
I've a lot of respect for your dad, but don't knock my staff down. | 0:33:11 | 0:33:15 | |
-No, exactly. He's got to let you deal with staff. -James is my bloke. | 0:33:15 | 0:33:18 | |
All right? I told James that this afternoon. I can't lose James. | 0:33:18 | 0:33:22 | |
No, I know you can't. | 0:33:22 | 0:33:23 | |
James feels that he doesn't want to come into work and I'm stuffed. | 0:33:23 | 0:33:27 | |
Yes, you see, if James goes, then you're one down so David won't go. | 0:33:27 | 0:33:33 | |
David then has got a reason to stay because, "Keith needs me." | 0:33:33 | 0:33:39 | |
No, I don't. Because I won't work on that basis. | 0:33:39 | 0:33:42 | |
I'm not having that... I'm not having it. | 0:33:42 | 0:33:47 | |
-Sorry... -Go on. -Do you feel like quitting? | 0:33:47 | 0:33:50 | |
Seem like you're a bit, kind-of... | 0:33:50 | 0:33:51 | |
I felt like walking out because it's totally undermined | 0:33:51 | 0:33:54 | |
everything I've been building in the last few months. | 0:33:54 | 0:33:57 | |
I just get to the stage where I just think... | 0:33:57 | 0:34:00 | |
if I'm going to have all the good work undone in five minutes | 0:34:00 | 0:34:04 | |
I've been building on the last six months, I'll walk away from it. | 0:34:04 | 0:34:07 | |
'I could see that Keith and Linda were now really worried | 0:34:07 | 0:34:10 | |
'that David might not retire. | 0:34:10 | 0:34:12 | |
'They had to make sure James did not quit. | 0:34:12 | 0:34:16 | |
'The next day, I found James in menswear. | 0:34:20 | 0:34:23 | |
'He seemed uncertain about his future now in the shop.' | 0:34:23 | 0:34:27 | |
I don't want to upset David because he's a good man and | 0:34:27 | 0:34:30 | |
if he's going to feel awkward and upset in his own environment, | 0:34:30 | 0:34:36 | |
then I don't think I should be here to make him feel that way, | 0:34:36 | 0:34:41 | |
-if you see what I mean. -Right, yeah. | 0:34:41 | 0:34:43 | |
I sense he's a bit nervy and I don't want to... | 0:34:43 | 0:34:46 | |
So, I feel like I'm... | 0:34:46 | 0:34:50 | |
a bit of a... | 0:34:50 | 0:34:53 | |
I don't know. | 0:34:53 | 0:34:54 | |
-I feel like I might... -You feel like you might be making things worse. | 0:34:54 | 0:34:59 | |
Perhaps, I might be making | 0:34:59 | 0:35:01 | |
a situation which is already difficult for David more so, | 0:35:01 | 0:35:05 | |
if you like. I don't want to do that. | 0:35:05 | 0:35:09 | |
'Keith started to try and reassure James | 0:35:10 | 0:35:13 | |
'to make sure he didn't hand his notice in.' | 0:35:13 | 0:35:16 | |
So, what happens when he goes in April? | 0:35:16 | 0:35:19 | |
-Yeah. -Who's running the business? -Yeah, you, mate, sorry. | 0:35:19 | 0:35:25 | |
Who do I need to help me run the business? | 0:35:25 | 0:35:28 | |
Yeah, me, but still. | 0:35:28 | 0:35:29 | |
It's a terrible atmosphere at the moment. | 0:35:29 | 0:35:32 | |
It's not you, it's me and it's the business and it's the retirement. | 0:35:34 | 0:35:38 | |
I told you, I'm looking after you, you're my man, I'll sort you out. | 0:35:38 | 0:35:42 | |
-OK? -Yeah. -Off you go, then. -All right, see you. | 0:35:42 | 0:35:46 | |
'James went back to his desk... | 0:35:46 | 0:35:52 | |
'but spent most of the day unhappy and unable to focus. | 0:35:52 | 0:35:56 | |
'Then in the afternoon, Keith found him in the stockroom | 0:36:07 | 0:36:11 | |
'in tears.' | 0:36:12 | 0:36:14 | |
-We're going to over... -What time are we going? | 0:36:25 | 0:36:29 | |
When David gets back, we'll go. | 0:36:29 | 0:36:32 | |
-All right? -Yeah, all right. I should sort myself out a bit. | 0:36:32 | 0:36:36 | |
He's very delicate at the moment. | 0:36:38 | 0:36:40 | |
'Later that night, Keith got the other three directors together | 0:36:40 | 0:36:43 | |
'for an emergency meeting.' | 0:36:43 | 0:36:45 | |
James's biggest concern is having a shouting match like that again. | 0:36:45 | 0:36:50 | |
I don't want him to feel like that. | 0:36:50 | 0:36:52 | |
I want him to come out with me and learn and I want him to not... | 0:36:52 | 0:36:55 | |
he's put a barrier up now. | 0:36:55 | 0:36:56 | |
I think the next time that David finds something has gone missing | 0:36:56 | 0:37:01 | |
and James has got him, before he goes berserk, he ought to say, | 0:37:01 | 0:37:06 | |
"Have I ever done this myself?" For instance, last Friday, | 0:37:06 | 0:37:10 | |
I went over to the fire extinguisher and I took one of these from there | 0:37:10 | 0:37:15 | |
and I said to Keith, "What's this doing here?" | 0:37:15 | 0:37:17 | |
-He said, "Don't know, your husband put it there." -What was it? | 0:37:17 | 0:37:22 | |
It was one of those, stuck on top of the fire extinguisher. | 0:37:22 | 0:37:26 | |
-Filed. Filed. -Filed on the fire extinguisher. | 0:37:26 | 0:37:31 | |
-Isn't that so? -Yes. | 0:37:34 | 0:37:38 | |
I would have probably found it. | 0:37:38 | 0:37:40 | |
That's not the point! It's the same thing as James. | 0:37:40 | 0:37:44 | |
It's like you come flying in going, "I'm late, I'm late! | 0:37:44 | 0:37:47 | |
"I need all the stuff, where is it?" | 0:37:47 | 0:37:49 | |
Then you say, "I presume it's all done..." | 0:37:49 | 0:37:52 | |
That's what puts anxiety on to James. | 0:37:52 | 0:37:55 | |
I think it's very funny, this. | 0:37:55 | 0:37:57 | |
The fact you're discussing putting me under scrutiny. | 0:37:57 | 0:38:00 | |
It's the hour-and-a-half lunches | 0:38:00 | 0:38:04 | |
that you used to have and going to sleep. | 0:38:04 | 0:38:06 | |
I didn't go, I've never had an hour. | 0:38:06 | 0:38:08 | |
When I was out travelling, I was out all day every day, | 0:38:08 | 0:38:10 | |
working hard, carrying cases... from farmhouse to farmhouse. | 0:38:10 | 0:38:16 | |
He says he wants to give up. | 0:38:16 | 0:38:18 | |
Deep down, somewhere inside, there's a little bug that is saying | 0:38:18 | 0:38:23 | |
"They're taking over, they're taking this that was yours off you" | 0:38:23 | 0:38:28 | |
and somehow the fact that James also has a desk there, | 0:38:28 | 0:38:32 | |
this little thing in his head is saying that as well to him. | 0:38:32 | 0:38:36 | |
'I think Linda could see that even if he wanted to retire, | 0:38:36 | 0:38:40 | |
'there was something stopping David from doing so. | 0:38:40 | 0:38:43 | |
'For some reason, he couldn't let go of the business. | 0:38:43 | 0:38:46 | |
'The next day, David was in Milners early. | 0:38:49 | 0:38:52 | |
'He'd been thinking about the previous night's meeting | 0:38:52 | 0:38:55 | |
'and was particularly hurt by what Linda had said.' | 0:38:55 | 0:38:58 | |
She's supposed to be an intelligent person and she came over last night | 0:38:58 | 0:39:02 | |
as not an intelligent person by saying what she did. | 0:39:02 | 0:39:04 | |
-What did she say? -You remember, it's all on your tape... | 0:39:04 | 0:39:08 | |
What I mean is, what specific things? | 0:39:08 | 0:39:10 | |
That I couldn't organise things and I was incapable | 0:39:10 | 0:39:14 | |
of running a business. She made comments somewhere along that line. | 0:39:14 | 0:39:19 | |
What makes you thinks that's not an intelligent thing to say? | 0:39:19 | 0:39:23 | |
Because she can't run it herself. | 0:39:23 | 0:39:25 | |
If you can't run it yourself, you don't criticise somebody else. | 0:39:25 | 0:39:28 | |
Right, but she thinks she can run it. | 0:39:28 | 0:39:30 | |
Of course she could run this with both hands tied behind her back. | 0:39:30 | 0:39:33 | |
That's what she thinks? | 0:39:33 | 0:39:36 | |
You know Linda... You know Linda. | 0:39:36 | 0:39:40 | |
Just to clarify, then, so in your relationship with Linda | 0:39:40 | 0:39:44 | |
you assume the power by actually rather cleverly pretending | 0:39:44 | 0:39:48 | |
not to have the power and that she has got it? | 0:39:48 | 0:39:50 | |
Mmm. | 0:39:50 | 0:39:53 | |
But she wouldn't know that? | 0:39:53 | 0:39:54 | |
Oh, she probably... I think she's cute enough to realise it. | 0:39:54 | 0:39:58 | |
She knows that I'm doing this, | 0:39:58 | 0:40:00 | |
but she can't really do much about it, can she? | 0:40:00 | 0:40:02 | |
It's a little cat and mouse game! I quite enjoy it at times, | 0:40:02 | 0:40:06 | |
and I... you know? | 0:40:06 | 0:40:08 | |
It's very psychological, isn't it? | 0:40:08 | 0:40:10 | |
It is. Oh, yes. I'm really enjoying it, actually, at the moment. | 0:40:10 | 0:40:14 | |
Actually, that was why I wanted the BBC to come, | 0:40:14 | 0:40:17 | |
because I thought, I can play you all along at this | 0:40:17 | 0:40:19 | |
and I can see if I could do a similar thing with you, | 0:40:19 | 0:40:22 | |
but I think you're a little bit more intelligent than she is, | 0:40:22 | 0:40:26 | |
cos you can see through me. | 0:40:26 | 0:40:27 | |
And I can sort of see that you're a very similar person to myself. | 0:40:27 | 0:40:31 | |
-Am I? -I think you would... | 0:40:31 | 0:40:33 | |
You'd be a bit devious as well. | 0:40:33 | 0:40:36 | |
-Do you think you're devious? -No, I'm not devious, | 0:40:36 | 0:40:39 | |
but I think you might be. I think you'd slip off | 0:40:39 | 0:40:41 | |
and not tell your wife and do certain things that she wouldn't know about. | 0:40:41 | 0:40:45 | |
-You have that look about you. -Do I?! -Pardon? | 0:40:45 | 0:40:48 | |
You have the eyes. By looking at your eyes, | 0:40:48 | 0:40:50 | |
there's something in your eyes that tells me that | 0:40:50 | 0:40:52 | |
you might have a couple of women about somewhere. | 0:40:52 | 0:40:55 | |
RICHARD LAUGHS | 0:40:55 | 0:40:57 | |
-You think that of me?! -Yes. | 0:40:57 | 0:40:58 | |
-Yes, Richard. -You don't! -You're young enough to do it. | 0:40:58 | 0:41:01 | |
I'm old now, I never got round, | 0:41:01 | 0:41:03 | |
cos I've never had the opportunity, living in Leyburn all my life. | 0:41:03 | 0:41:06 | |
Just think of the opportunities in Manchester and Leeds, | 0:41:06 | 0:41:09 | |
with all these brothels and all these... | 0:41:09 | 0:41:11 | |
I mean, with the internet now and all this stuff, you probably... | 0:41:11 | 0:41:15 | |
Yeah, but that's quite... That's quite... | 0:41:15 | 0:41:17 | |
That's quite scathing of me, to say that. | 0:41:17 | 0:41:22 | |
Is it? You don't mind though, do you? | 0:41:22 | 0:41:24 | |
'I was surprised by this turn of events. | 0:41:24 | 0:41:27 | |
'But I was getting a clearer picture now of a man | 0:41:29 | 0:41:31 | |
'who liked to be in control... | 0:41:31 | 0:41:33 | |
Has the bill been made out for that? | 0:41:33 | 0:41:35 | |
'And enjoyed psychological games. | 0:41:35 | 0:41:39 | |
'Maybe I was just getting mixed up in all of that. | 0:41:39 | 0:41:42 | |
'Perhaps David had actually manipulated the bust up with James. | 0:41:42 | 0:41:48 | |
'The next day, Keith took a call from James. | 0:41:48 | 0:41:51 | |
'He had decided to resign.' | 0:41:51 | 0:41:54 | |
Do do do do do do do. | 0:41:54 | 0:41:56 | |
'I happened to be on a trip fitting blinds with David | 0:41:56 | 0:42:00 | |
'and I wanted to know if he had any regrets | 0:42:00 | 0:42:03 | |
'about the incident with James.' | 0:42:03 | 0:42:05 | |
How do you feel now about what happened between you and James? | 0:42:06 | 0:42:10 | |
I'm not worried about it in the slightest. | 0:42:10 | 0:42:13 | |
It was just a hiccup, which you always get in any relationship. | 0:42:13 | 0:42:17 | |
-When you were James's age, were you are sensitive as him? -I don't know. | 0:42:17 | 0:42:21 | |
I can't remember, it's so long ago. I wouldn't have thought so. | 0:42:21 | 0:42:24 | |
You did as you're told in those days, | 0:42:28 | 0:42:30 | |
we just did as we were told and we got on with it. | 0:42:30 | 0:42:34 | |
I think, nowadays, people tend to sort of talk back to people | 0:42:34 | 0:42:38 | |
if they feel that they're grieved in any way. | 0:42:38 | 0:42:41 | |
'Four weeks before David was due to retire, | 0:42:46 | 0:42:49 | |
'Milners was hosting its fashion show.' | 0:42:49 | 0:42:52 | |
Usually, we get people who sit in front of the... on the stool. | 0:42:52 | 0:42:56 | |
'As ever, Linda was running the show | 0:42:56 | 0:42:58 | |
'and she had her window dresser, Margaret, helping her.' | 0:42:58 | 0:43:02 | |
-That's a good idea... -'In three hours time they would | 0:43:02 | 0:43:05 | |
'have to cram over 100 people into the downstairs of the shop. | 0:43:05 | 0:43:09 | |
'In many ways, I think Leonie and Keith saw this event | 0:43:10 | 0:43:14 | |
'as a chance to stake their claim on Milners, announce to the world | 0:43:14 | 0:43:18 | |
'what their plans for the shop would be.' | 0:43:18 | 0:43:21 | |
This is the way we are losing our "stigma", | 0:43:21 | 0:43:25 | |
that I feel that we've had for a lot of years. | 0:43:25 | 0:43:28 | |
You know, it's all part of the... Well, the new culture, isn't it? | 0:43:28 | 0:43:32 | |
Leonie is now, you know, firmly in control of this floor. | 0:43:32 | 0:43:36 | |
'As if to prove a point, Leonie started adjusting the seating... | 0:43:36 | 0:43:41 | |
and this upset Margaret.' | 0:43:41 | 0:43:44 | |
What you doing?! | 0:43:44 | 0:43:46 | |
-I'm just shoving them up a bit! -We've done it, Leonie! | 0:43:46 | 0:43:49 | |
-There isn't not enough legroom. -We know, we've worked it out. | 0:43:49 | 0:43:53 | |
I have done it. If you want to alter what I have done, | 0:43:55 | 0:43:58 | |
you will end up doing this fashion show on your own tonight, | 0:43:58 | 0:44:01 | |
because I will go out. | 0:44:01 | 0:44:03 | |
-Now stop it! -Look, I'm not doing anything! | 0:44:03 | 0:44:05 | |
All I'm doing is putting another chair in there, | 0:44:05 | 0:44:08 | |
because you had space for at least two more chairs. | 0:44:08 | 0:44:10 | |
I've just moved them up slightly | 0:44:10 | 0:44:12 | |
-so that you can get another chair in there. -Stop it! | 0:44:12 | 0:44:15 | |
We have just proved that the people who are sat there, | 0:44:15 | 0:44:17 | |
are they the blind people, the three people sat here? | 0:44:17 | 0:44:21 | |
Because "they can't see a thing in the shop when they're sat here!" | 0:44:21 | 0:44:24 | |
Well, there weren't any chairs there. I left that blank. | 0:44:24 | 0:44:27 | |
Yeah, but why? We've always had people here, | 0:44:27 | 0:44:30 | |
so why are you suddenly gonna leave a big gap? | 0:44:30 | 0:44:32 | |
Because...the people can see. | 0:44:32 | 0:44:35 | |
If they are sitting there they have... | 0:44:35 | 0:44:38 | |
Who wants to sit behind a pillar?! | 0:44:38 | 0:44:40 | |
Mum, you can still see all the way up there, you can see | 0:44:40 | 0:44:43 | |
when they come round here, and you can see down there. | 0:44:43 | 0:44:45 | |
I've proved it. I even got the BBC to sit there, | 0:44:45 | 0:44:48 | |
to see whether they can see, and they can. | 0:44:48 | 0:44:50 | |
I will tell you something, you will lose your staff, because... | 0:44:50 | 0:44:53 | |
D'you know, sometimes I don't care. | 0:44:53 | 0:44:56 | |
It's a case of respect. | 0:44:56 | 0:44:57 | |
You treat them well, they will do anything for you. | 0:44:57 | 0:45:00 | |
Yeah? Well I treat them well, but the staff don't treat me well, so... | 0:45:00 | 0:45:03 | |
It's about authority. | 0:45:03 | 0:45:05 | |
You have been out fannying about all morning. | 0:45:05 | 0:45:07 | |
I saw you, ten minutes you spent with Helen Jackson. | 0:45:07 | 0:45:10 | |
Have you got ten minutes to spend talking to Helen Jackson? | 0:45:10 | 0:45:13 | |
You haven't. But you were over there, yack, yack, yack. | 0:45:13 | 0:45:16 | |
We've been in here working. Then you come back and you change everything. | 0:45:16 | 0:45:20 | |
-I don't... -Well, we don't like that. | 0:45:20 | 0:45:22 | |
-How do I change everything? -Margaret, Debs and I have got | 0:45:22 | 0:45:25 | |
the intelligence to sort it out ourselves, thank you very much. | 0:45:25 | 0:45:28 | |
Certain members do. | 0:45:28 | 0:45:30 | |
And that's three chairs. That's a big gap, there. | 0:45:33 | 0:45:36 | |
Well, I hope that three extra chairs is worth two good members of staff. | 0:45:36 | 0:45:44 | |
I don't think Margaret would... take that... | 0:45:44 | 0:45:46 | |
Margaret was hurt. Margaret was hurt, then. She's just said to me. | 0:45:46 | 0:45:50 | |
It annoyed me when... | 0:45:50 | 0:45:51 | |
I've only put one extra chair in the row at the front | 0:45:51 | 0:45:54 | |
and the row at the back, and I've put three extra chairs there. | 0:45:54 | 0:45:57 | |
You ought to consider, is one extra chair worth the aggro | 0:45:57 | 0:46:02 | |
that you are causing for other people? | 0:46:02 | 0:46:04 | |
Unfortunately, Leonie, you're a Milner. You're a Milner. | 0:46:04 | 0:46:08 | |
OK, but in the bigger picture, | 0:46:08 | 0:46:09 | |
I think it's worth getting the people in | 0:46:09 | 0:46:12 | |
rather than turning them away. | 0:46:12 | 0:46:15 | |
And I can see the bigger picture. | 0:46:15 | 0:46:17 | |
'I felt sorry for Leonie. After all, this was her event.' | 0:46:20 | 0:46:25 | |
Problems in t'mill? | 0:46:28 | 0:46:30 | |
Who's up for the sarnies? | 0:46:32 | 0:46:34 | |
'I'd seen mother and daughter argue before | 0:46:37 | 0:46:40 | |
'but never a row as big as this.' | 0:46:40 | 0:46:43 | |
Too late, she cried. | 0:46:45 | 0:46:46 | |
'But then, | 0:46:46 | 0:46:47 | |
'just as they were preparing to go home and get changed, | 0:46:47 | 0:46:50 | |
'Leonie sought her mother out for reconciliation.' | 0:46:50 | 0:46:53 | |
-Yes? -I don't think we've ever been this organised. | 0:46:53 | 0:46:56 | |
We?! We?! | 0:46:56 | 0:46:57 | |
We. Come on, we. We. | 0:46:57 | 0:47:00 | |
-Well, I'm always organised, aren't I? -I better take a... | 0:47:00 | 0:47:05 | |
It's called age. | 0:47:05 | 0:47:06 | |
'Later that evening, the shop filled up with loyal customers. | 0:47:08 | 0:47:13 | |
'Wine and nibbles | 0:47:13 | 0:47:14 | |
'were offered round. | 0:47:14 | 0:47:16 | |
'By eight o'clock all 104 seats were taken.' | 0:47:16 | 0:47:21 | |
Ladies? Shhh. Good evening. | 0:47:24 | 0:47:28 | |
ALL: Good evening. | 0:47:28 | 0:47:30 | |
My husband would like to say a few words. | 0:47:30 | 0:47:32 | |
Welcome, ladies. It's my pleasure to welcome you all here tonight... | 0:47:32 | 0:47:36 | |
'At the start, David made a speech.' | 0:47:36 | 0:47:38 | |
..Most of you will know me... | 0:47:38 | 0:47:40 | |
'And just like at the staff Christmas party, | 0:47:40 | 0:47:43 | |
'he told the audience he was about to retire.' | 0:47:43 | 0:47:45 | |
As I am now approaching 65, | 0:47:45 | 0:47:48 | |
I have decided to hand over the business to my daughter, Leonie... | 0:47:48 | 0:47:51 | |
'Then again, maybe this was just another case of David reading out | 0:47:51 | 0:47:55 | |
'what Linda wanted him to say.' | 0:47:55 | 0:47:58 | |
Now I would like to hand over to Linda, | 0:47:58 | 0:48:00 | |
-who is ready to start the fashion show. -Thank you, dear. | 0:48:00 | 0:48:05 | |
Well, it's wonderful to see so many of you, | 0:48:05 | 0:48:09 | |
and I hope you'll all find... | 0:48:09 | 0:48:11 | |
'Then Linda compered the show... | 0:48:11 | 0:48:14 | |
'Which went on for nearly two hours.' | 0:48:14 | 0:48:16 | |
..So, we're going to start with Jo... | 0:48:16 | 0:48:19 | |
'Linda may have been in charge | 0:48:19 | 0:48:20 | |
'but this was Leonie's moment of reckoning. | 0:48:20 | 0:48:23 | |
'What would the ladies of the Yorkshire Dales | 0:48:23 | 0:48:26 | |
'make of her spring collection?' | 0:48:26 | 0:48:28 | |
..Sizes 12 to 22, at £45.25... | 0:48:28 | 0:48:31 | |
..Charcoal striped jacket... | 0:48:33 | 0:48:36 | |
..Viscose and elastic, small to extra large at £34.95... | 0:48:38 | 0:48:46 | |
..100% polyester... Adjustable strap... | 0:48:48 | 0:48:51 | |
Now we have a bit of a change for this next round. | 0:48:57 | 0:49:01 | |
There is a title to it... | 0:49:01 | 0:49:03 | |
And it would suit my husband, because he's going to sleep! | 0:49:03 | 0:49:07 | |
AUDIENCE LAUGHS | 0:49:07 | 0:49:11 | |
It is called "And So To Bed." | 0:49:11 | 0:49:15 | |
Poppy motif, they're 100% cotton and they are made in England. | 0:49:25 | 0:49:33 | |
AUDIENCE CHEERS | 0:49:33 | 0:49:35 | |
Small to large £36.25. | 0:49:35 | 0:49:38 | |
Can I ask all the models to come down? | 0:49:38 | 0:49:40 | |
'When the show finally ended, there was no denying how much | 0:49:44 | 0:49:47 | |
'the audience had enjoyed themselves. | 0:49:47 | 0:49:50 | |
'I hoped Leonie felt vindicated. | 0:49:53 | 0:49:55 | |
'Afterwards, | 0:50:02 | 0:50:03 | |
'the shop was a sea of customers and the tills were ringing. | 0:50:03 | 0:50:06 | |
'I asked David whether he thought the evening had been a success.' | 0:50:09 | 0:50:13 | |
What are you thinking when you survey the room now | 0:50:13 | 0:50:16 | |
and see all these people? | 0:50:16 | 0:50:17 | |
I think it's been a good night. | 0:50:17 | 0:50:19 | |
Can you see me walking away from a situation like this? | 0:50:19 | 0:50:23 | |
I mean, it's official, I'm 65. | 0:50:23 | 0:50:24 | |
You see, Keith hasn't got a replacement for me. | 0:50:24 | 0:50:27 | |
You can't look after the inside of the shop upstairs with everything | 0:50:27 | 0:50:31 | |
that we sell and go out and fit curtains and carpets and blinds. | 0:50:31 | 0:50:34 | |
It's impossible. | 0:50:34 | 0:50:36 | |
Where is the trailer? | 0:50:36 | 0:50:38 | |
'By now I had got used to David telling me | 0:50:38 | 0:50:40 | |
'he wasn't going to retire. | 0:50:40 | 0:50:42 | |
'But I wasn't sure the shop couldn't survive without him. | 0:50:42 | 0:50:45 | |
'My time in the Dales was coming to an end, | 0:50:48 | 0:50:51 | |
'and yet I still felt there was a part of David I hadn't got to know. | 0:50:51 | 0:50:55 | |
'That part that made him refuse to let go of his business.' | 0:50:55 | 0:50:59 | |
Are you all right down there? | 0:50:59 | 0:51:01 | |
'So I talked to the person who knew him best... Linda.' | 0:51:01 | 0:51:05 | |
You know your way around. | 0:51:05 | 0:51:06 | |
I think David is anxious now... about going. | 0:51:06 | 0:51:12 | |
This has been his...baby, if you like, for 40-odd years. | 0:51:12 | 0:51:19 | |
And to let it go...is difficult... I mean, even to family. | 0:51:19 | 0:51:27 | |
It would be the same | 0:51:27 | 0:51:28 | |
even if Keith was his son, rather than his son-in-law. | 0:51:28 | 0:51:31 | |
Just to let it go, he... | 0:51:31 | 0:51:34 | |
'Then Linda mentioned David's father.' | 0:51:35 | 0:51:39 | |
He didn't treat David as a son... for my way of thinking. | 0:51:40 | 0:51:45 | |
He was just... another member of staff. | 0:51:45 | 0:51:49 | |
Sad to say, but it rankles with me to this day. | 0:51:54 | 0:51:59 | |
And I think it's caused David a lot of problems. | 0:51:59 | 0:52:03 | |
David is still trying to prove himself worthy... | 0:52:03 | 0:52:09 | |
and I don't think he has any need to, because... | 0:52:09 | 0:52:12 | |
he has built up this business. | 0:52:12 | 0:52:14 | |
How do you think his father damaged David? | 0:52:14 | 0:52:18 | |
Well, he wasn't a father as such. | 0:52:21 | 0:52:25 | |
I never knew them to speak of anything...except business. | 0:52:25 | 0:52:31 | |
There was none, "Did you see the match on Saturday?" | 0:52:33 | 0:52:38 | |
Or, "How about coming out for a game?", | 0:52:38 | 0:52:40 | |
because they both played golf, | 0:52:40 | 0:52:41 | |
"how about coming out for a game of golf?", | 0:52:41 | 0:52:43 | |
Or anything... It was all business. | 0:52:43 | 0:52:47 | |
'A few days before David's birthday, | 0:52:52 | 0:52:54 | |
'I arranged to film with him as he did some drawing in the Dales. | 0:52:54 | 0:52:58 | |
'The view outside his home was breathtaking. | 0:52:58 | 0:53:01 | |
'I wanted to talk to David about his father.' | 0:53:01 | 0:53:05 | |
Do you think he could have been a bit more loving to you as a child? | 0:53:05 | 0:53:08 | |
Probably. He could have been. | 0:53:08 | 0:53:10 | |
He wouldn't sort of... have any nonsense. | 0:53:10 | 0:53:15 | |
He was quite a regimented type. | 0:53:15 | 0:53:19 | |
Linda has suggested to me that she thinks your father | 0:53:19 | 0:53:22 | |
never really gave you the approval that maybe you deserved. | 0:53:22 | 0:53:27 | |
Maybe that's something... He held on to it right until the very end. | 0:53:27 | 0:53:31 | |
-The business? -Yes. I mean, although we were partners, | 0:53:31 | 0:53:34 | |
he knew what he wanted and he wouldn't... | 0:53:34 | 0:53:37 | |
Very rarely would he back down once he made a decision on something. | 0:53:37 | 0:53:40 | |
'David then revealed the death of his father | 0:53:43 | 0:53:46 | |
'had caused him to suffer a deep depression.' | 0:53:46 | 0:53:49 | |
I just felt really, really rotten. I didn't know what it was. | 0:53:49 | 0:53:52 | |
Linda got the doctor in, | 0:53:52 | 0:53:54 | |
I went to the doctors and I went down to see him and he examined me | 0:53:54 | 0:53:59 | |
and said, "You're just under pressure", or stress, or something. | 0:53:59 | 0:54:03 | |
I went to the hospital and they gave me one of those new treatments... | 0:54:03 | 0:54:08 | |
They give you electric shock treatment in your head. | 0:54:08 | 0:54:11 | |
I had six weeks of that. | 0:54:11 | 0:54:12 | |
-Six weeks of THAT? -Yeah, where they put an electrode | 0:54:12 | 0:54:17 | |
on your forehead and they give you a small electric current. | 0:54:17 | 0:54:20 | |
It's a treatment that a lot of people have nowadays. | 0:54:20 | 0:54:24 | |
It's nothing new. | 0:54:24 | 0:54:25 | |
It was three months before I went back. | 0:54:25 | 0:54:30 | |
'Hearing David talk about his depression | 0:54:31 | 0:54:35 | |
'helped me to understand him much more. | 0:54:35 | 0:54:38 | |
'It also made me think about how family-run businesses | 0:54:40 | 0:54:44 | |
'could pass stress on from one generation to another. | 0:54:44 | 0:54:47 | |
'After all, wasn't David refusing to pass on his business to Leonie | 0:54:47 | 0:54:53 | |
'just like his father had with him? | 0:54:53 | 0:54:55 | |
'I decided to ask Leonie about David when we returned to the shop.' | 0:54:57 | 0:55:03 | |
I don't really have a strong father-daughter relationship | 0:55:03 | 0:55:06 | |
with my dad. | 0:55:06 | 0:55:07 | |
My dad seemed to be always here, my dad seemed to be always | 0:55:07 | 0:55:10 | |
chasing the business and growing the business. | 0:55:10 | 0:55:13 | |
And I don't want that to be the centre of...our life | 0:55:13 | 0:55:18 | |
and I don't want the children to turn that...back to us | 0:55:18 | 0:55:23 | |
when we're, they're older and say, | 0:55:23 | 0:55:26 | |
"You were never there for us because you were always at the shop." | 0:55:26 | 0:55:29 | |
And that the girls don't have a relationship with Keith... | 0:55:29 | 0:55:32 | |
..cos he had a relationship with the business. | 0:55:35 | 0:55:40 | |
PHONES RING | 0:55:44 | 0:55:49 | |
'On the day of David's retirement party, | 0:56:06 | 0:56:08 | |
'I bumped into him in the market square.' | 0:56:08 | 0:56:11 | |
Good morning, boys. | 0:56:11 | 0:56:13 | |
Hello. | 0:56:13 | 0:56:14 | |
How did you know I was here? | 0:56:14 | 0:56:17 | |
-We have our ways! -You have your ways, have you? | 0:56:17 | 0:56:21 | |
-How are you? -Very well, thank you very much. | 0:56:21 | 0:56:24 | |
Seen the window? | 0:56:26 | 0:56:27 | |
Yes, it's nice, I saw them, they did it last night. | 0:56:27 | 0:56:31 | |
'I was struck by how relaxed David seemed. | 0:56:31 | 0:56:34 | |
'Which was odd, after all this was the day he was saying goodbye... | 0:56:34 | 0:56:39 | |
'to his beloved shop.' | 0:56:39 | 0:56:41 | |
-Morning, David. -Good morning, all. -Good morning. | 0:56:42 | 0:56:45 | |
-Good morning. -Happy birthday/retirement. -Oh, yes! | 0:56:45 | 0:56:48 | |
'His family had lovingly decorated the store | 0:56:49 | 0:56:53 | |
'with balloons and pictures from the last 40 years.' | 0:56:53 | 0:56:56 | |
Didn't you want me to have a big bang? | 0:56:56 | 0:56:59 | |
'Old friends and customers | 0:56:59 | 0:57:00 | |
were invited in for a glass of champagne.' | 0:57:00 | 0:57:03 | |
Right, David, on behalf of all the girls, | 0:57:03 | 0:57:06 | |
we wish you a very happy retirement and hope you | 0:57:06 | 0:57:08 | |
-had a lovely 65th birthday. On Wednesday. -Thank you very much. | 0:57:08 | 0:57:13 | |
All the best and we'll miss you, | 0:57:13 | 0:57:14 | |
-but I'm sure you'll keep popping back in. -I'm sure I will! | 0:57:14 | 0:57:18 | |
'When I first started making this film, | 0:57:18 | 0:57:21 | |
'I thought it would be the story of a man coming to terms | 0:57:21 | 0:57:23 | |
'with his retirement after a lifetime dedicated to work. | 0:57:23 | 0:57:27 | |
'But now we had reached that point, I realised David's story | 0:57:27 | 0:57:30 | |
'wasn't really about whether or not he retired. | 0:57:30 | 0:57:34 | |
'It was more to do with the fact that, at 65, | 0:57:34 | 0:57:36 | |
'he still felt he had something to prove. | 0:57:36 | 0:57:39 | |
'I hoped that feeling would go once he settled into his retirement, | 0:57:39 | 0:57:43 | |
'but after a couple of hours I noticed David wasn't around.' | 0:57:43 | 0:57:47 | |
Do you know where David is? | 0:57:47 | 0:57:49 | |
Imagine he's gone to the loo. | 0:57:49 | 0:57:51 | |
'No-one knew where he was. But he hadn't left. | 0:57:51 | 0:57:56 | |
'I found him upstairs, taking an order...for some blinds.' | 0:57:56 | 0:58:02 | |
-Are you still working? -Yes, I am. | 0:58:02 | 0:58:05 | |
Aren't you going to retire? | 0:58:05 | 0:58:06 | |
What do you think? | 0:58:06 | 0:58:08 | |
Subtitles by Red Bee Media Ltd | 0:58:33 | 0:58:36 | |
E-mail [email protected] | 0:58:36 | 0:58:39 |