
Browse content similar to 7/7: One Day in London. Check below for episodes and series from the same categories and more!
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I came to London for the first time in 1961. 1961. | 0:00:29 | 0:00:33 | |
My husband thinks I should actually have some sort of pearly outfit. | 0:00:33 | 0:00:39 | |
I'm from York, so North Yorkshire, | 0:00:39 | 0:00:44 | |
so the sort of hardest part of Yorkshire. | 0:00:44 | 0:00:49 | |
All of my family are Arsenal supporters. | 0:00:49 | 0:00:51 | |
Myself and my youngest son Harry, | 0:00:51 | 0:00:53 | |
we're the black sheep of the family, we follow Spurs. | 0:00:53 | 0:00:56 | |
My first memories of London were coming to London for the weekend, | 0:00:56 | 0:01:03 | |
and the family would kind of, | 0:01:03 | 0:01:05 | |
we'd have a weekend down in the city, where the main event | 0:01:05 | 0:01:09 | |
was to go and see a show in the West End, | 0:01:09 | 0:01:11 | |
which I was always very, very excited about. | 0:01:11 | 0:01:14 | |
It's just too congested, it's just too much noise, | 0:01:14 | 0:01:18 | |
there's just too much going on. | 0:01:18 | 0:01:21 | |
London to me was all about Duran Duran, | 0:01:21 | 0:01:27 | |
and tea and biscuits, probably the Royal family. | 0:01:27 | 0:01:30 | |
In London you can lose your identity | 0:01:30 | 0:01:32 | |
and be anybody you want to be, I suppose. | 0:01:32 | 0:01:35 | |
To move to a city like London, which is so accepting and, you know, | 0:01:40 | 0:01:45 | |
there's huge diversity, it seemed like an ideal place for me to go | 0:01:45 | 0:01:49 | |
and set up my life, really. | 0:01:49 | 0:01:51 | |
HE LAUGHS | 0:01:51 | 0:01:52 | |
The International Olympic Committee has the honour of announcing | 0:02:04 | 0:02:07 | |
that the Games of the 30th Olympiad in 2012 | 0:02:07 | 0:02:13 | |
are awarded to the City of London! | 0:02:13 | 0:02:17 | |
WILD CHEERING | 0:02:17 | 0:02:20 | |
Well, that day, I travelled to my local station, | 0:02:34 | 0:02:39 | |
and my daughter was with me, | 0:02:39 | 0:02:41 | |
she was about 12 at that time, | 0:02:41 | 0:02:43 | |
and normally she would walk to school. | 0:02:43 | 0:02:45 | |
But because we were so excited about the Olympics, | 0:02:45 | 0:02:47 | |
she said, "Mum, I'll see you to the train." | 0:02:47 | 0:02:49 | |
I just thought, "Oh, I could do with | 0:02:49 | 0:02:51 | |
"another ten minutes in bed," | 0:02:51 | 0:02:53 | |
so I reset my alarm and thought | 0:02:53 | 0:02:55 | |
I'd just get the later train, | 0:02:55 | 0:02:58 | |
the overground train. | 0:02:58 | 0:03:00 | |
My habit has always been to arrive early. | 0:03:00 | 0:03:02 | |
I don't like being late. | 0:03:02 | 0:03:04 | |
Perhaps it's a personality defect. | 0:03:04 | 0:03:06 | |
I can't do it. | 0:03:06 | 0:03:08 | |
It's only myself and my daughter in the mornings, | 0:03:08 | 0:03:10 | |
but it's just chaos in our home. | 0:03:10 | 0:03:13 | |
I managed to get her up | 0:03:13 | 0:03:14 | |
with a bit of shouting, | 0:03:14 | 0:03:16 | |
managed to get breakfast down her, | 0:03:16 | 0:03:18 | |
and then we left out together, | 0:03:18 | 0:03:20 | |
because her school wasn't far from the station that I go in to. | 0:03:20 | 0:03:23 | |
It was just a typical morning for me | 0:03:23 | 0:03:25 | |
except that I had a lot on my mind | 0:03:25 | 0:03:27 | |
because I knew we were going to start | 0:03:27 | 0:03:30 | |
this big move of the library following day. | 0:03:30 | 0:03:33 | |
So I came in half an hour earlier than I normally do. | 0:03:33 | 0:03:36 | |
So she walked me to the station, and I saw a train the station, | 0:03:36 | 0:03:40 | |
and I thought, "I'm not running for that one, I'll get the next one. | 0:03:40 | 0:03:43 | |
"It can wait." So I was talking to her, I said goodbye to her, | 0:03:43 | 0:03:46 | |
and I caught the next train into work. | 0:03:46 | 0:03:48 | |
I've been commuting for 10, 15 years, or more, now. | 0:03:52 | 0:03:56 | |
Generally people don't talk very much to their fellow commuters. | 0:03:56 | 0:04:02 | |
Sometimes you get a group of people chatting to each other, | 0:04:02 | 0:04:06 | |
and then you'll notice other commuters looking over at them, | 0:04:06 | 0:04:11 | |
wishing that they would be quiet. | 0:04:11 | 0:04:12 | |
Because they just want to tuck into their newspaper or book. | 0:04:12 | 0:04:16 | |
It's just like, "Excuse me. Excuse me. Excuse me!" | 0:04:16 | 0:04:20 | |
You know, I mean, nine times out of ten | 0:04:20 | 0:04:21 | |
they're usually a tourist anyway, | 0:04:21 | 0:04:23 | |
so they don't understand the etiquette of tube behaviour. | 0:04:23 | 0:04:28 | |
So I would look around, and try and get a smile out of someone, | 0:04:28 | 0:04:31 | |
or give someone a smile - something like that anyway. Yeah. | 0:04:31 | 0:04:36 | |
Sometimes some people think you're a bit weird. | 0:04:36 | 0:04:40 | |
I suppose they're all people going somewhere. | 0:04:51 | 0:04:55 | |
I have no painting skills whatsoever, but I love doing this. | 0:04:59 | 0:05:03 | |
I love colours, I love bright colours. | 0:05:03 | 0:05:05 | |
Here's the people going somewhere, again. | 0:05:05 | 0:05:09 | |
I think there's this thing in me that, | 0:05:14 | 0:05:16 | |
I don't really want to be counselled out of where I am at the moment. | 0:05:16 | 0:05:23 | |
It may sound a bit odd, you know, but I don't want to... | 0:05:23 | 0:05:28 | |
It's as if I'm going to be counselled out of not... | 0:05:28 | 0:05:34 | |
thinking about my son, | 0:05:34 | 0:05:37 | |
you understand? | 0:05:37 | 0:05:40 | |
So I tend to... I tend to do it this way. | 0:05:40 | 0:05:44 | |
For me, this is the best way to do it. | 0:05:44 | 0:05:47 | |
It's almost, I still want to hold on to part of the anger as well. | 0:05:50 | 0:05:55 | |
The angry feeling of my son being taken away. | 0:05:55 | 0:06:00 | |
You know, and it's like I need that part of it as well, | 0:06:00 | 0:06:07 | |
to keep me going. | 0:06:07 | 0:06:09 | |
Got off the Victoria line at King's Cross | 0:06:36 | 0:06:38 | |
and I made my way to the Piccadilly line. | 0:06:38 | 0:06:41 | |
And then an announcement was made | 0:06:41 | 0:06:44 | |
that there was going to be delays, | 0:06:44 | 0:06:47 | |
and in that space of a few minutes, | 0:06:47 | 0:06:50 | |
loads of people now started to make their way onto the platform, | 0:06:50 | 0:06:55 | |
and then before I knew it, the platform was heaving with people, | 0:06:55 | 0:06:59 | |
and the train still hadn't come in. | 0:06:59 | 0:07:01 | |
So yeah, ran straight to the top, | 0:07:04 | 0:07:06 | |
and the way that Moorgate tube station is, | 0:07:06 | 0:07:08 | |
the escalator's at the top, | 0:07:08 | 0:07:10 | |
and then I did a right and then you're immediately on the platform. | 0:07:10 | 0:07:14 | |
And then...a tube was coming into the platform, | 0:07:14 | 0:07:19 | |
and I thought, "What a result!" | 0:07:19 | 0:07:22 | |
And then at 8:48, the train came in. | 0:07:23 | 0:07:26 | |
Couldn't get a seat. | 0:07:26 | 0:07:29 | |
So I sort of went to the right and stood in front of the chairs, | 0:07:29 | 0:07:33 | |
but just a little way from the doors. | 0:07:33 | 0:07:37 | |
TRAIN HISSES | 0:07:37 | 0:07:40 | |
It's only one or two stops to travel like this, | 0:07:40 | 0:07:42 | |
where I couldn't raise my hands. | 0:07:42 | 0:07:45 | |
I think the bag I was carrying was trapped | 0:07:45 | 0:07:48 | |
somewhere two or three feet away from me, | 0:07:48 | 0:07:51 | |
so my left arm was probably stretched out | 0:07:51 | 0:07:54 | |
and caught between two other people. | 0:07:54 | 0:07:56 | |
I mean, I'd travelled on the underground at that time | 0:07:56 | 0:07:59 | |
for about 17 or 18 years, and I'd never been on a train that packed. | 0:07:59 | 0:08:02 | |
I was looking round the other passengers | 0:08:02 | 0:08:04 | |
because there was a chap sitting opposite me, | 0:08:04 | 0:08:07 | |
James, I believe his name was, who had caught my eye, | 0:08:07 | 0:08:11 | |
and so I was just looking at the other passengers. | 0:08:11 | 0:08:16 | |
I'd finished reading the newspaper, I wasn't listening to an iPod. | 0:08:18 | 0:08:22 | |
And the train pulled out into the tunnel. | 0:08:22 | 0:08:25 | |
RUSHING AIR | 0:08:25 | 0:08:27 | |
I remember the eastbound train coming in the other direction, | 0:08:27 | 0:08:31 | |
on the tracks alongside us. | 0:08:31 | 0:08:34 | |
I was still reading the Metro newspaper... | 0:08:34 | 0:08:37 | |
and I remember there was suddenly a very loud bang. | 0:08:40 | 0:08:46 | |
SILENCE | 0:08:46 | 0:08:49 | |
This is a book which we were asked to contribute, each family, | 0:08:58 | 0:09:02 | |
some photographs and some words. | 0:09:02 | 0:09:04 | |
There we go. There's a picture of David. | 0:09:06 | 0:09:08 | |
And we just wrote a couple of pages | 0:09:08 | 0:09:12 | |
talking about him growing up at school, | 0:09:12 | 0:09:15 | |
-and the holidays. -Holidays. | 0:09:15 | 0:09:18 | |
He was a bit sensitive - you know, if anyone said to him, | 0:09:18 | 0:09:22 | |
"Your hair is stuck up," or anything like that... | 0:09:22 | 0:09:24 | |
He took to wearing this cap, | 0:09:24 | 0:09:26 | |
because he had lovely thick hair and he'd wear a cap. | 0:09:26 | 0:09:29 | |
He wore that cup, we couldn't get it off him, could we? | 0:09:29 | 0:09:32 | |
But he had a Goth phase in his teens, which was quite... | 0:09:32 | 0:09:34 | |
-That was quite funny. -..Funny, wasn't it? | 0:09:34 | 0:09:37 | |
Him and his girlfriend at the time, Jenny. | 0:09:37 | 0:09:40 | |
I always tell the story, I came home one day when he was 15, | 0:09:40 | 0:09:43 | |
and he was putting on Jill's mascara. | 0:09:43 | 0:09:46 | |
And I remember thinking, "Oh, my God, what have we got here?" | 0:09:46 | 0:09:49 | |
And of course he was just going through the goth phase. | 0:09:49 | 0:09:52 | |
-He took to big, black baggy trousers. -The whole black outfit. | 0:09:52 | 0:09:55 | |
-Black cap, black top. -Dyed his hair black. -Dyed his hair black. | 0:09:55 | 0:09:58 | |
I mean, David was... | 0:09:58 | 0:10:00 | |
He was fun, you know? | 0:10:00 | 0:10:02 | |
-I can't talk about it. You'll have to do it. -All right. | 0:10:02 | 0:10:07 | |
You have to remember, David was 22. | 0:10:07 | 0:10:09 | |
And we'd spent 22 years guiding him | 0:10:09 | 0:10:14 | |
and trying to get him ready for the world. | 0:10:14 | 0:10:17 | |
And in fact, we kind of... | 0:10:17 | 0:10:21 | |
When he started this job that took him to London, | 0:10:21 | 0:10:24 | |
we kind of breathed sigh of relief, didn't we, cos we thought... | 0:10:24 | 0:10:26 | |
-"We got him through his teens." -Job done. | 0:10:26 | 0:10:28 | |
-We've got him through his teens. -No drugs, nothing to worry about. | 0:10:28 | 0:10:31 | |
-He's never been arrested. -No trouble. | 0:10:31 | 0:10:33 | |
We just thought, "Thank God for that." And then he started this job, | 0:10:33 | 0:10:37 | |
and we thought, "Absolutely fantastic, job done." | 0:10:37 | 0:10:39 | |
There was a flash, and lights, and lots of buzzing. | 0:10:56 | 0:11:03 | |
The train shuddered to a halt. | 0:11:03 | 0:11:05 | |
And I remember seeing in the window opposite me | 0:11:08 | 0:11:12 | |
a white flash with a mushrooming, fiery cloud around it. | 0:11:14 | 0:11:21 | |
And then before I had hardly even registered that, | 0:11:23 | 0:11:27 | |
I was just engulfed in the blast. | 0:11:27 | 0:11:32 | |
Just a huge blast of wind and fire. | 0:11:32 | 0:11:37 | |
It was so ferocious, you wouldn't be able to imagine it | 0:11:37 | 0:11:40 | |
unless you'd actually been there. | 0:11:40 | 0:11:42 | |
I just remember this light, | 0:11:42 | 0:11:43 | |
this white light that was just | 0:11:43 | 0:11:47 | |
completely in front of my face. | 0:11:47 | 0:11:50 | |
We were sort of all enveloped in this light, | 0:11:50 | 0:11:54 | |
and it was a sort of feeling of pressure, | 0:11:54 | 0:11:58 | |
it just wouldn't sort of, it wouldn't go away. | 0:11:58 | 0:12:03 | |
The force was such that I really thought that my head | 0:12:03 | 0:12:06 | |
was no longer attached to my shoulders, | 0:12:06 | 0:12:08 | |
and I remember hearing the screams, | 0:12:08 | 0:12:10 | |
which of course doesn't make any sense | 0:12:10 | 0:12:12 | |
cos if I didn't have a head | 0:12:12 | 0:12:14 | |
I wouldn't be able to hear anything, | 0:12:14 | 0:12:16 | |
but I remember hearing the screams | 0:12:16 | 0:12:18 | |
and I just thought that everybody was screaming at me. | 0:12:18 | 0:12:20 | |
I thought this was just an isolated event that had happened to me. | 0:12:20 | 0:12:23 | |
The blast seemed to go on...forever. | 0:12:23 | 0:12:27 | |
I expect it was only a few seconds. | 0:12:27 | 0:12:30 | |
But it seemed to go on and on. | 0:12:30 | 0:12:33 | |
I was sure I was going to die at that point. | 0:12:33 | 0:12:37 | |
And I can remember just thinking of my children, and thinking, | 0:12:37 | 0:12:43 | |
"I don't want to leave my children now, they're not grown up. | 0:12:44 | 0:12:48 | |
"I haven't finished the job I'm doing as a mother." | 0:12:48 | 0:12:51 | |
I just started to see this light smoke, | 0:12:53 | 0:12:57 | |
sort of like... | 0:12:57 | 0:12:58 | |
coming, like, past me. | 0:13:00 | 0:13:02 | |
And then I felt quite light. | 0:13:04 | 0:13:06 | |
And then just I thought to myself, | 0:13:06 | 0:13:09 | |
oh, that I was now beginning to float. | 0:13:09 | 0:13:12 | |
And then I just said to myself, | 0:13:12 | 0:13:14 | |
"How embarrassing, I feel like I'm going to faint." | 0:13:14 | 0:13:17 | |
And that was it, I just went into darkness. | 0:13:20 | 0:13:23 | |
Just went into darkness. | 0:13:25 | 0:13:27 | |
PHONE RINGS | 0:13:33 | 0:13:35 | |
PHONE RINGS | 0:13:35 | 0:13:40 | |
-Duty manager. -Tony, it's Darren. -Hello, Darren. | 0:13:40 | 0:13:43 | |
What's happening, mate, do you know? | 0:13:43 | 0:13:44 | |
204, apparently, has reported hearing an explosion on his train. | 0:13:44 | 0:13:50 | |
-Explosion on train, yeah? -Or a bang on his train. | 0:13:50 | 0:13:53 | |
Hello, pips? | 0:13:53 | 0:13:54 | |
Hello, pip controller here, | 0:13:54 | 0:13:57 | |
just to let you know we've got a T op, 0850 at Russell Square. | 0:13:57 | 0:14:00 | |
CC information, hello? | 0:14:00 | 0:14:02 | |
I'm assistant manager at Aldgate, we've just had a big explosion, | 0:14:02 | 0:14:05 | |
there appears to be something ahead of the train in the track. | 0:14:05 | 0:14:08 | |
Has anyone been injured at all? | 0:14:08 | 0:14:10 | |
-We're not aware that anybody's been injured as yet, no. -OK. | 0:14:10 | 0:14:14 | |
-But there is smoke. -Yeah? -We've lost all power as well. | 0:14:14 | 0:14:19 | |
No power? OK. | 0:14:19 | 0:14:21 | |
Now, you're not the only one who's actually had this done, | 0:14:21 | 0:14:23 | |
so I'm going to confirm with my manager, | 0:14:23 | 0:14:26 | |
-and we, we'll be in touch with you in a sec, all right? -OK, yes. | 0:14:26 | 0:14:30 | |
Cos I don't know what, whether anything's been called out. | 0:14:30 | 0:14:33 | |
Soon as I know, I'll ring you back, all right? | 0:14:33 | 0:14:35 | |
-OK, thanks. -Thanks, bye. | 0:14:35 | 0:14:36 | |
No, it won't be that one, I don't think. | 0:14:46 | 0:14:48 | |
Well, I wrote to Tony Blair about 11 days... | 0:14:51 | 0:14:57 | |
I suppose, it must have been, after Emily had been identified. | 0:14:57 | 0:15:04 | |
And I wrote to him and said, | 0:15:04 | 0:15:05 | |
"I utterly blame you and George Bush for the death of my daughter." | 0:15:05 | 0:15:09 | |
I suppose, "yours sincerely, Sarah Jenkins." | 0:15:10 | 0:15:14 | |
And heard nothing. | 0:15:14 | 0:15:16 | |
And was incensed, and wrote again, and heard nothing. | 0:15:16 | 0:15:20 | |
On the third time of writing, I put a stamped, addressed envelope in, | 0:15:20 | 0:15:24 | |
because I felt he might be short of envelopes, really, and nothing. | 0:15:24 | 0:15:30 | |
And then the next occasion I wrote and put a biro in | 0:15:30 | 0:15:33 | |
and a stamped, addressed envelope, and heard nothing. | 0:15:33 | 0:15:37 | |
And on the fourth occasion I wrote with a stamped, addressed envelope, | 0:15:37 | 0:15:41 | |
another biro, | 0:15:41 | 0:15:43 | |
and just scribbled on the back, "If on holiday, please forward." | 0:15:43 | 0:15:47 | |
I've got it here. | 0:15:50 | 0:15:51 | |
"I'm writing on behalf of the Prime Minister | 0:15:51 | 0:15:54 | |
"to thank you for your further letter of the 13th of August. | 0:15:54 | 0:15:57 | |
"I'm enclosing a copy of the Prime Minister's reply to your letter | 0:15:57 | 0:16:00 | |
"of the 22nd of July, | 0:16:00 | 0:16:01 | |
"which crosses with your letter of the 13th of August." | 0:16:01 | 0:16:04 | |
"Dear Mrs Jenkins, | 0:16:07 | 0:16:08 | |
"I'm desperately sorry to hear about | 0:16:08 | 0:16:10 | |
"the death of Emily Rose, your daughter. | 0:16:10 | 0:16:11 | |
"It is impossible for anyone | 0:16:11 | 0:16:13 | |
"who has not lost a child in terrible circumstances | 0:16:13 | 0:16:16 | |
"to understand the agony you must be suffering. | 0:16:16 | 0:16:18 | |
"I don't think it would be sensible to go over the arguments | 0:16:18 | 0:16:21 | |
"about the causes behind the explosions on the 7th of July. | 0:16:21 | 0:16:25 | |
"I continue to believe, however, that the people to blame | 0:16:25 | 0:16:28 | |
"for taking the life of your daughter and so many others | 0:16:28 | 0:16:30 | |
"were those that planned and carried out the bombings | 0:16:30 | 0:16:33 | |
"in London on that day. | 0:16:33 | 0:16:35 | |
"I also recognise there is nothing I can say | 0:16:35 | 0:16:37 | |
"which will help ease your pain or grief. | 0:16:37 | 0:16:40 | |
"Yours sincerely, Tony Blair." | 0:16:40 | 0:16:43 | |
Do you think he feels responsible? | 0:16:46 | 0:16:48 | |
I don't know what he feels in the middle of the night. | 0:16:50 | 0:16:53 | |
No, I expect, I expect Mr Blair doesn't feel responsible, | 0:16:55 | 0:16:58 | |
wouldn't you? | 0:16:58 | 0:17:00 | |
As the smoke cleared, I could see a little around the carriage. | 0:17:26 | 0:17:32 | |
And I realised, there had just been a huge amount of devastation. | 0:17:34 | 0:17:39 | |
The doors were blown off, | 0:17:39 | 0:17:42 | |
there were great pieces of buckled and twisted metal lying around. | 0:17:42 | 0:17:48 | |
All the windows were blown out. | 0:17:48 | 0:17:52 | |
I realised my shoulders and hair were covered in glass. | 0:17:52 | 0:17:56 | |
I couldn't believe I had survived, | 0:17:59 | 0:18:01 | |
I think it's given me a huge respect | 0:18:01 | 0:18:04 | |
for the resilience of the human body, | 0:18:04 | 0:18:07 | |
that any of us could have survived that, | 0:18:07 | 0:18:11 | |
when you saw what it had done to the carriage. | 0:18:11 | 0:18:15 | |
The first thought that went through my mind | 0:18:16 | 0:18:18 | |
was that I was at home in bed having a nightmare, | 0:18:18 | 0:18:20 | |
you know, those nightmares you get when you're in that position, | 0:18:20 | 0:18:24 | |
you either daren't move, or you can't move | 0:18:24 | 0:18:27 | |
because something's frozen you in that space of time. | 0:18:27 | 0:18:30 | |
I thought, "Oh, it's one of those," | 0:18:30 | 0:18:32 | |
then I thought, "I don't like this very much, go back to sleep, | 0:18:32 | 0:18:35 | |
"and when I wake up it might be different." | 0:18:35 | 0:18:37 | |
But, of course, when I came to again it wasn't different, | 0:18:37 | 0:18:40 | |
I was, it was still dark. | 0:18:40 | 0:18:42 | |
I could smell smoke, | 0:18:42 | 0:18:46 | |
and then I woke up | 0:18:46 | 0:18:49 | |
and found myself lying on a train track, | 0:18:49 | 0:18:53 | |
um, beside a train, | 0:18:53 | 0:18:56 | |
and I could see that we were at a platform, | 0:18:56 | 0:18:59 | |
because I could see, "Aldgate" written on the other side. | 0:18:59 | 0:19:03 | |
I could see the platform on the other side. | 0:19:03 | 0:19:05 | |
So, there was a train, there was myself, | 0:19:05 | 0:19:07 | |
train tracks, and then platform. | 0:19:07 | 0:19:10 | |
I thought I had fallen out, | 0:19:10 | 0:19:11 | |
and almost like, nobody had noticed, sort of thing. | 0:19:11 | 0:19:16 | |
You know, "Trust me to lean on the door," | 0:19:16 | 0:19:19 | |
and, "What idiot would lean on the door?" | 0:19:19 | 0:19:22 | |
"Something's bound to happen at some point." | 0:19:22 | 0:19:24 | |
Um, and it didn't occur to me that there had been an explosion | 0:19:24 | 0:19:29 | |
or anything like that. | 0:19:29 | 0:19:31 | |
You know, it just wouldn't cross your mind. | 0:19:31 | 0:19:33 | |
I could see this white thing, and I thought, "What's that?" | 0:19:33 | 0:19:37 | |
And then I looked up and it was my new trainer, | 0:19:37 | 0:19:41 | |
that, I'd only worn them that morning, | 0:19:41 | 0:19:44 | |
and I know this sounds so, uh, not shallow, but... | 0:19:44 | 0:19:49 | |
It was my new, sort of, Adidas, shell-toe trainers, white. | 0:19:49 | 0:19:54 | |
You know, it was mid-summer, wasn't it, | 0:19:54 | 0:19:56 | |
I'd just worn them for the first time that morning. | 0:19:56 | 0:20:01 | |
And I could see it on the top of this, the metal, | 0:20:01 | 0:20:05 | |
and, with, like, blood all over it, | 0:20:05 | 0:20:07 | |
and I just thought, "That's my trainer, | 0:20:07 | 0:20:10 | |
"what's that doing up there?" | 0:20:10 | 0:20:13 | |
You know, um, again, not really realising that, you know... | 0:20:13 | 0:20:19 | |
I know now what extent my injuries were, you know. | 0:20:19 | 0:20:23 | |
But not realising that actually, my leg was up there, | 0:20:24 | 0:20:27 | |
it was still attached to my leg. | 0:20:27 | 0:20:30 | |
People were screaming out that they can't feel their legs, | 0:20:40 | 0:20:43 | |
they can't feel their arms, do you know what I mean, they were in pain. | 0:20:43 | 0:20:48 | |
It was so much... | 0:20:48 | 0:20:50 | |
It was just chaos down there, it was just madness. | 0:20:52 | 0:20:55 | |
There was limbs, you could see parts of peoples arms. | 0:20:57 | 0:21:02 | |
Oh. | 0:21:04 | 0:21:05 | |
Some people scared me cos they just looked so scary, | 0:21:07 | 0:21:10 | |
I just felt that I couldn't even reach out to them | 0:21:10 | 0:21:12 | |
and ask them if they were all right. | 0:21:12 | 0:21:14 | |
And that hurts me, because I felt... | 0:21:14 | 0:21:18 | |
Because I knew I needed help, | 0:21:18 | 0:21:20 | |
and I just felt like I couldn't help them. | 0:21:20 | 0:21:23 | |
Sometimes you can't even find | 0:21:26 | 0:21:27 | |
the words to describe what went on down there. | 0:21:27 | 0:21:29 | |
Everything was just black and white, and the only thing that was in... | 0:21:29 | 0:21:33 | |
Oh, it was like a horror movie, | 0:21:33 | 0:21:36 | |
the only thing that was in colour was the blood. | 0:21:36 | 0:21:38 | |
It was just horrible. | 0:21:38 | 0:21:39 | |
Just really horrible. | 0:21:41 | 0:21:43 | |
I didn't check myself over because I knew I hadn't been injured, | 0:21:44 | 0:21:49 | |
seriously injured, I hadn't been hit by anything or struck by anything. | 0:21:49 | 0:21:53 | |
But James, the chap that was sitting opposite me, he stood up, | 0:21:53 | 0:21:57 | |
and was getting very agitated, I think he was very concerned. | 0:21:57 | 0:22:01 | |
Well, I thought I was going to die, | 0:22:01 | 0:22:03 | |
and I was upset because I wanted to go to college still. | 0:22:03 | 0:22:07 | |
Cos I was expected to go to college, still. | 0:22:07 | 0:22:10 | |
And I was just worried and nervous and anxious, | 0:22:12 | 0:22:17 | |
and not very happy. | 0:22:17 | 0:22:20 | |
He mentioned to us that he was autistic | 0:22:20 | 0:22:23 | |
and needed to get to his father, I think it was, | 0:22:23 | 0:22:27 | |
and just, you know, wanted his father. | 0:22:27 | 0:22:30 | |
So, we just had to keep reassuring him that we would be OK, | 0:22:32 | 0:22:35 | |
and we would get out. | 0:22:35 | 0:22:37 | |
Come on, Bibi, come on, Sally, you coming? | 0:22:56 | 0:23:02 | |
This is Sally, | 0:23:06 | 0:23:08 | |
she's named after Lee and Sam. | 0:23:08 | 0:23:11 | |
And we had her in the October after it happened, | 0:23:12 | 0:23:18 | |
so, she's named after Sam and Lee. | 0:23:18 | 0:23:21 | |
So, Sally. | 0:23:21 | 0:23:23 | |
They had been together for 14 years, | 0:23:24 | 0:23:26 | |
they would have still been together now. | 0:23:26 | 0:23:29 | |
Move all these, these are my next things to put into my files. | 0:23:39 | 0:23:43 | |
Yeah, yeah, so... | 0:23:44 | 0:23:47 | |
As you can see, I am a terrible hoarder. | 0:23:48 | 0:23:52 | |
Loads and loads of bits and pieces. | 0:23:52 | 0:23:56 | |
And...I don't know what else I've got in here. | 0:23:56 | 0:23:59 | |
All these photographs, there's Lee. Dancing away. Not knowing what to do. | 0:23:59 | 0:24:05 | |
He was like a dad before he got to be a dad, | 0:24:06 | 0:24:09 | |
you know, like an older dad. | 0:24:09 | 0:24:10 | |
-He danced like a dad? -Yeah. -Embarrassing dancing? | 0:24:10 | 0:24:13 | |
Yeah, embarrassing dancing, yes. Terribly. | 0:24:13 | 0:24:16 | |
There's Sammy, doing her dance and her jig. | 0:24:17 | 0:24:21 | |
And this is all Lee's stuff that we've kept together. | 0:24:22 | 0:24:26 | |
His coat...and some clothes. | 0:24:28 | 0:24:31 | |
There's his, er... | 0:24:31 | 0:24:34 | |
..beige trousers. | 0:24:37 | 0:24:38 | |
And his shirt, that he used to wear. | 0:24:40 | 0:24:44 | |
He just...isn't with us. | 0:24:47 | 0:24:50 | |
So that I can touch any more, but all this stuff, I can touch. | 0:24:53 | 0:24:59 | |
This is his, his things. | 0:24:59 | 0:25:01 | |
It just means that I've got him. Here. | 0:25:01 | 0:25:07 | |
I need... | 0:25:07 | 0:25:08 | |
..to cling onto something that is him. | 0:25:10 | 0:25:13 | |
I can't hold him any more, but I can hold his things. | 0:25:16 | 0:25:20 | |
This was taken by a newspaper. | 0:25:23 | 0:25:26 | |
I saw this the day after it happened, and didn't believe it. | 0:25:28 | 0:25:32 | |
Didn't want to believe it. | 0:25:32 | 0:25:35 | |
But that's my Lee. | 0:25:35 | 0:25:37 | |
Taken... | 0:25:39 | 0:25:41 | |
That's my Lee, trying to be resus-ed. | 0:25:43 | 0:25:46 | |
TEARFULLY: That's my boy. | 0:25:46 | 0:25:48 | |
My handsome man. | 0:25:50 | 0:25:53 | |
RAPID BEEPING | 0:26:05 | 0:26:07 | |
Nobody in my carriage was hurt, | 0:26:27 | 0:26:29 | |
we weren't knocked over or anything like that. | 0:26:29 | 0:26:32 | |
And then we noticed that smoke was coming in through the end door, | 0:26:32 | 0:26:35 | |
of the carriage. | 0:26:35 | 0:26:37 | |
So I got my warrant card out. I said, "I'm a police officer, let me through." | 0:26:37 | 0:26:42 | |
So I left my carriage, walked through to the next carriage. | 0:26:42 | 0:26:45 | |
And then it became apparent that something quite bad had happened, | 0:26:45 | 0:26:48 | |
because people were coming towards me with blood on them, | 0:26:48 | 0:26:53 | |
shaking, very slow, covered in dirt. | 0:26:53 | 0:26:56 | |
I thought, "Oh, we've had an accident. We've hit something." | 0:26:56 | 0:26:59 | |
I thought I was going into a train crash. | 0:26:59 | 0:27:01 | |
That's when I remember this figure coming towards us, | 0:27:01 | 0:27:07 | |
um, from that carriage. | 0:27:07 | 0:27:09 | |
And then...I just remember these piercing blue eyes, | 0:27:11 | 0:27:16 | |
'of this lady, and I just saw her, and all I kept saying to her was,' | 0:27:16 | 0:27:21 | |
'"My name is Martine Wright, please tell my mum and dad I'm OK, | 0:27:21 | 0:27:24 | |
'"my name's Martine Wright." | 0:27:24 | 0:27:26 | |
'She said, "Help me, help me.' | 0:27:26 | 0:27:28 | |
"I think my gut's hanging out," I think's what she said. | 0:27:28 | 0:27:31 | |
And I said, "Yes, I'll help you, you're going to be all right. | 0:27:31 | 0:27:35 | |
"you're going to be all right. Help's coming." | 0:27:35 | 0:27:38 | |
And then she gave me something. | 0:27:38 | 0:27:40 | |
She said, "Put that round your left leg." | 0:27:40 | 0:27:43 | |
And again, it's one of those sort of... | 0:27:45 | 0:27:48 | |
It's quite vivid, my memory of that is quite vivid. | 0:27:48 | 0:27:51 | |
And I just kept thinking, this is out of a Western. | 0:27:51 | 0:27:56 | |
This is out of a Western film. | 0:27:56 | 0:27:58 | |
I remember being a kid and watching Westerns with John Wayne and stuff. | 0:27:58 | 0:28:03 | |
Someone had been shot in the leg, and then you'd get a belt | 0:28:03 | 0:28:06 | |
and tie it around, tourniquet round your leg to stop the bleeding. | 0:28:06 | 0:28:11 | |
I just remember just pulling it so tight, so tight, | 0:28:11 | 0:28:16 | |
and just... And not remembering the pain, I don't remember the pain. | 0:28:16 | 0:28:20 | |
PHONE RINGS | 0:28:25 | 0:28:26 | |
'Network operations manager. | 0:28:26 | 0:28:28 | |
'Darren, I don't know what's gone on down there, | 0:28:28 | 0:28:30 | |
'but people are coming up here with blackened faces, | 0:28:30 | 0:28:33 | |
'all blood in their faces and they're very distressed. | 0:28:33 | 0:28:35 | |
'So it definitely looks like an explosion, yeah? | 0:28:35 | 0:28:38 | |
'Something's gone badly wrong down there. | 0:28:38 | 0:28:41 | |
'We really don't know at the moment, we just had a loud bang. | 0:28:41 | 0:28:45 | |
-'People are coming with cuts, all covered in shit. -All right. | 0:28:45 | 0:28:49 | |
'Is there any more casualties than just the one you know? | 0:28:49 | 0:28:52 | |
'No, just walking wounded at the moment, | 0:28:52 | 0:28:54 | |
'and the one we know that's under the train with legs missing. | 0:28:54 | 0:28:57 | |
-'All I know at the moment. -All right, OK. | 0:28:57 | 0:28:59 | |
'We've still seen no ambulances here. | 0:28:59 | 0:29:01 | |
'They're on their way, obviously, we've... | 0:29:01 | 0:29:04 | |
'You need to make them aware it is a big incident, we want a few. | 0:29:04 | 0:29:07 | |
-'Yeah, OK. -Cheers.' -LINE CUTS OFF | 0:29:07 | 0:29:09 | |
'I could see people in the carriage alongside,' | 0:29:16 | 0:29:21 | |
and they were frantically trying to pull open the doors on their carriage. | 0:29:21 | 0:29:26 | |
The people in the train beside us started smashing the windows, | 0:29:26 | 0:29:29 | |
to try and help. | 0:29:29 | 0:29:31 | |
People were passing over bottles of water. | 0:29:31 | 0:29:34 | |
But obviously there wasn't a huge amount they could do. | 0:29:34 | 0:29:36 | |
There was one or two people climbed over, | 0:29:36 | 0:29:38 | |
I think they had first aid skills. | 0:29:38 | 0:29:41 | |
We did start shouting across saying, "We need some help here, | 0:29:41 | 0:29:44 | |
"first-aiders or people with medical knowledge, training. | 0:29:44 | 0:29:48 | |
"We need some help here." | 0:29:48 | 0:29:50 | |
I was aware that there was quite a lot of attention | 0:29:50 | 0:29:53 | |
around the middle of the carriage. | 0:29:53 | 0:29:56 | |
There was a guy who looked like he was wedged in a hole, | 0:29:56 | 0:30:00 | |
trying very, very vigorously to get out. | 0:30:00 | 0:30:03 | |
So we tried to help him get out, I suppose, without thinking, | 0:30:03 | 0:30:07 | |
that's what you do. | 0:30:07 | 0:30:09 | |
He wasn't well. Um... | 0:30:10 | 0:30:12 | |
He wasn't well, I knew, because he wasn't moving. | 0:30:12 | 0:30:17 | |
His limbs that I could see, his arms were not flailing around. | 0:30:17 | 0:30:20 | |
But he had facial expression, um... | 0:30:20 | 0:30:23 | |
As I walked towards him, again, I said who I was. | 0:30:25 | 0:30:28 | |
I did ask him his name but he wasn't able to tell me a name. | 0:30:28 | 0:30:32 | |
'He said nothing in a verbal sense, | 0:30:32 | 0:30:35 | |
'but it was comforting to him to have somebody talking to him. | 0:30:35 | 0:30:38 | |
'I climbed out of...beyond him to the far side of the train,' | 0:30:39 | 0:30:43 | |
telling him I was going underneath the train surface to see why he was, | 0:30:43 | 0:30:46 | |
could I release him from whatever was keeping him trapped in there. | 0:30:46 | 0:30:50 | |
'And what I found was the lower half of Stan's body | 0:30:51 | 0:30:55 | |
'was no longer attached to the top half.' | 0:30:55 | 0:30:58 | |
And his torso had been severed in that way, | 0:31:01 | 0:31:06 | |
by being blasted into the floor from his seated position, | 0:31:06 | 0:31:11 | |
and obviously, it acted in a very sort of knife-like way. | 0:31:11 | 0:31:15 | |
Very soon, and I don't think I can even give you | 0:31:15 | 0:31:19 | |
a measure of 30 seconds, a minute and a half, I don't know, | 0:31:19 | 0:31:23 | |
a very short space of time, um... his life ended. | 0:31:23 | 0:31:28 | |
He stopped breathing, and as you do that, | 0:31:28 | 0:31:32 | |
and the brain starts to shut down and your muscles relax, | 0:31:32 | 0:31:35 | |
and I was able to lower Stan to the track. | 0:31:35 | 0:31:40 | |
I did it for... partly selfish reasons | 0:31:42 | 0:31:46 | |
for my own comfort, that I'd done what I could | 0:31:46 | 0:31:48 | |
and he wasn't left in that foul position, | 0:31:48 | 0:31:51 | |
and also, because, um... | 0:31:51 | 0:31:55 | |
I just felt it would be, er, | 0:31:55 | 0:31:58 | |
the right thing to do. | 0:31:58 | 0:32:01 | |
I noted also that his eyes were still open, | 0:32:01 | 0:32:04 | |
and I do remember actually closing his eyelids, because... | 0:32:04 | 0:32:08 | |
For one real positive reason, it felt wrong to me, incongruous, | 0:32:08 | 0:32:12 | |
to be still looking at a world that he was no longer part of. | 0:32:12 | 0:32:16 | |
I said a short prayer for Stan, | 0:32:17 | 0:32:19 | |
whether he was a man of a religious following or not, | 0:32:19 | 0:32:23 | |
that I felt I wished him a safe journey to wherever it was | 0:32:23 | 0:32:27 | |
that he believed he was going next, | 0:32:27 | 0:32:30 | |
as I closed his eyes. | 0:32:30 | 0:32:32 | |
A very... | 0:32:35 | 0:32:36 | |
A very hard moment, very hard moment indeed. | 0:32:38 | 0:32:41 | |
"Stan Brewster, 1953-2005." | 0:32:54 | 0:32:57 | |
"Construction of this unique walkway was led by Stan Brewster, | 0:32:58 | 0:33:01 | |
"chartered civil engineer of Derbyshire county council, | 0:33:01 | 0:33:04 | |
"tragically lost his life in the London bombings of July 7th, 2005. | 0:33:04 | 0:33:10 | |
"Stan took a special pride in this project, | 0:33:10 | 0:33:12 | |
"and the walkway now stands as a permanent reminder of his professional life and work." | 0:33:12 | 0:33:17 | |
Half site, half was built on, like, stilts. As you can see. | 0:33:21 | 0:33:27 | |
And then this part... | 0:33:27 | 0:33:29 | |
This part was, like, cantilevered off this wall. | 0:33:29 | 0:33:33 | |
I couldn't, I couldn't build something like this! | 0:33:36 | 0:33:39 | |
When you're young, I don't think you appreciate your dad, like, | 0:33:42 | 0:33:45 | |
you know what I mean? Until you grow older. | 0:33:45 | 0:33:48 | |
And that's what, that's what I kind of miss now. | 0:33:48 | 0:33:51 | |
I kind of miss when you're that age and your dad says, | 0:33:51 | 0:33:53 | |
"Let's go out and do something together," and it's like... | 0:33:53 | 0:33:56 | |
at that age, you don't really feel like doing it with him, do you know what I mean? | 0:33:56 | 0:34:02 | |
And that's what I kind of miss now. | 0:34:02 | 0:34:04 | |
I'd love to go and play golf with him, | 0:34:04 | 0:34:06 | |
love to go and have a pint with him, it's things like that... | 0:34:06 | 0:34:09 | |
-Oh! -How you doing? -I'm all right, yeah. | 0:34:11 | 0:34:13 | |
I think it's easier when you, like, I don't know. | 0:34:13 | 0:34:16 | |
I think it's easier when you ask me questions. | 0:34:16 | 0:34:19 | |
It's hard, it all messes up in your head, it's hard to get it out. | 0:34:19 | 0:34:23 | |
'The day after we knew what had happened to Stan,' | 0:34:26 | 0:34:29 | |
'Mark, he was just 17, and he'd got his driving test.' | 0:34:29 | 0:34:34 | |
And I can remember sitting on the back lawn, | 0:34:34 | 0:34:37 | |
and there was loads of people here, and I said, | 0:34:37 | 0:34:41 | |
"Mark, I don't think you're up for this, to do your driving test." | 0:34:41 | 0:34:44 | |
And he walked up the garden and said, "Mum, I'm going to do it | 0:34:44 | 0:34:46 | |
"cos I want to do it to make you smile again." | 0:34:46 | 0:34:50 | |
And off he went and did his driving test, and he came back and passed. | 0:34:50 | 0:34:54 | |
He ran up the garden, crying. | 0:34:54 | 0:34:57 | |
And I was crying as well, and he said, "I've done it, Mum." | 0:34:57 | 0:35:00 | |
And I said to him, "Dad would have been proud of you." | 0:35:00 | 0:35:03 | |
But he said, "I've done it to make you smile again. | 0:35:03 | 0:35:05 | |
"I just want you to smile again." | 0:35:05 | 0:35:07 | |
People always said, like, you've got to be strong for your mum | 0:35:09 | 0:35:13 | |
and your sister and that. | 0:35:13 | 0:35:14 | |
It's happened now. It's the way you deal with it, I think. | 0:35:19 | 0:35:22 | |
You got to get on with life, like... | 0:35:24 | 0:35:25 | |
There'd be no point living if you... | 0:35:27 | 0:35:29 | |
You've just got to enjoy what you've got. | 0:35:29 | 0:35:32 | |
I mean, my dad wouldn't want me to just curl up in a ball, no way. | 0:35:35 | 0:35:40 | |
It'd be wrong to do that. | 0:35:40 | 0:35:42 | |
PHONE RINGS | 0:35:52 | 0:35:59 | |
-Hello, Pic. -Hello there. | 0:36:00 | 0:36:02 | |
We heard a loud bang in the region of Russell Square | 0:36:02 | 0:36:05 | |
on Russell Square westbound platform. | 0:36:05 | 0:36:08 | |
Then our TT tripped. I've had the DSM go down at Russell Square. | 0:36:08 | 0:36:13 | |
He could find no damage to the platform area but there's something, | 0:36:13 | 0:36:17 | |
I can't get in contact with anyone at King's Cross | 0:36:17 | 0:36:20 | |
but customers are detraining themselves from West 311 | 0:36:20 | 0:36:25 | |
-which is over the crossover just west of King's Cross. -Yeah. | 0:36:25 | 0:36:28 | |
They're walking east and detraining themselves onto the westbound platform. | 0:36:28 | 0:36:32 | |
All right, look after whatever you can | 0:36:32 | 0:36:34 | |
and I'm going to get a decision now on what we're going to do. | 0:36:34 | 0:36:37 | |
All right, I'll come back to you, Gary. | 0:36:37 | 0:36:39 | |
We need ambulances and water to Russell... To King's Cross. | 0:36:39 | 0:36:42 | |
-I understand what you're saying. -And Russell Square. | 0:36:42 | 0:36:44 | |
Yeah, we'll get what we can to you. | 0:36:44 | 0:36:46 | |
PHONE HANGS UP | 0:36:46 | 0:36:48 | |
At Russell Square, it's one of the deepest parts of the Piccadilly Line | 0:36:49 | 0:36:53 | |
and it's quite a way down. | 0:36:53 | 0:36:56 | |
I believe there's about 179 steps | 0:36:56 | 0:36:58 | |
on the emergency stairs at Russell Square. | 0:36:58 | 0:37:01 | |
I went down to have a look to see if there was anything untoward. | 0:37:02 | 0:37:06 | |
It's a single-track tunnel and it's very dusty, it's quite humid | 0:37:07 | 0:37:13 | |
and it's very compact. | 0:37:13 | 0:37:16 | |
Once the train's in there and moving, | 0:37:16 | 0:37:19 | |
there's not no space for anything else. | 0:37:19 | 0:37:21 | |
Throughout this, | 0:37:25 | 0:37:27 | |
you read the stories of people who acted in a heroic way that day, | 0:37:27 | 0:37:33 | |
but I can't count myself amongst them | 0:37:33 | 0:37:36 | |
because the only thought in my mind | 0:37:36 | 0:37:38 | |
was to get off that train and get home to my family. | 0:37:38 | 0:37:43 | |
My daughter would have been...six... five-and-a-half or six years old | 0:37:44 | 0:37:50 | |
so I certainly didn't, you know, | 0:37:50 | 0:37:53 | |
I didn't want to let my daughter grow up without a father | 0:37:53 | 0:37:58 | |
so my only, my only aim was to get off that train | 0:37:58 | 0:38:02 | |
and get home safely to my family. | 0:38:02 | 0:38:04 | |
All of a sudden I heard this very commanding voice that said... | 0:38:04 | 0:38:09 | |
The driver said that once he's checked that the power is off, | 0:38:11 | 0:38:17 | |
I want all those who can to walk to the front of the carriage. | 0:38:17 | 0:38:21 | |
There wasn't many of us... | 0:38:21 | 0:38:23 | |
that walked, that, you know... listened to the train driver | 0:38:25 | 0:38:32 | |
or that was able to leave the...the carriage. | 0:38:32 | 0:38:36 | |
Everybody was quite polite, surprisingly. | 0:38:36 | 0:38:40 | |
So there was a line of people in front of me, | 0:38:40 | 0:38:42 | |
just people walking quite slowly in front of me | 0:38:42 | 0:38:44 | |
and I had my hand on the person in front of me | 0:38:44 | 0:38:46 | |
because I was bleeding quite a lot from my head | 0:38:46 | 0:38:49 | |
and I was worried about fainting | 0:38:49 | 0:38:51 | |
and we didn't know if the tracks were going to be live | 0:38:51 | 0:38:53 | |
so I didn't want to, I didn't want to fall over. | 0:38:53 | 0:38:56 | |
There was a guy that had been screaming for some considerable time | 0:38:56 | 0:39:00 | |
and he was immediately behind me, but he kept falling over, | 0:39:00 | 0:39:04 | |
so I turned around and said to this guy, | 0:39:04 | 0:39:07 | |
"Hold onto the back of my jacket, when you're going to fall," | 0:39:07 | 0:39:11 | |
which he did, and occasionally... | 0:39:11 | 0:39:14 | |
It took about 10, 12 minutes to walk to Russell Square, | 0:39:14 | 0:39:18 | |
he fell and the guy behind him picked him up | 0:39:18 | 0:39:21 | |
and he held the back of my coat again. | 0:39:21 | 0:39:24 | |
And we walked towards Russell Square. | 0:39:24 | 0:39:26 | |
When I was walking round checking the track, | 0:39:26 | 0:39:28 | |
I noticed a light in the westbound tunnel | 0:39:28 | 0:39:33 | |
by the east end of the platform | 0:39:33 | 0:39:35 | |
and the light got closer and closer | 0:39:35 | 0:39:38 | |
and whilst this was happening, I realised there was something wrong. | 0:39:38 | 0:39:41 | |
When the light got to me, | 0:39:41 | 0:39:45 | |
it was the driver of train 311 | 0:39:45 | 0:39:49 | |
with about 12 to 15 seriously, some seriously injured customers | 0:39:49 | 0:39:55 | |
bleeding very heavily, very traumatised. | 0:39:55 | 0:39:59 | |
We helped them up onto the platform. | 0:39:59 | 0:40:02 | |
I asked the driver, "What's happened?" | 0:40:03 | 0:40:05 | |
And he said, "I don't know, | 0:40:05 | 0:40:07 | |
"but there's people down there that need help." | 0:40:07 | 0:40:09 | |
And after that, I jumped down onto the track | 0:40:11 | 0:40:15 | |
and made my way into the tunnel towards the train. | 0:40:15 | 0:40:18 | |
MUEZZIN CALL TO PRAYER | 0:40:27 | 0:40:32 | |
ALARM BEEPING | 0:43:55 | 0:43:57 | |
We've had reports of explosions at Edgware Road, Liverpool Street. | 0:44:08 | 0:44:13 | |
I've just spoken to the Pic. | 0:44:13 | 0:44:15 | |
-They believe they've had an explosion at Russell Square. -Right. | 0:44:15 | 0:44:19 | |
We're trying to establish what all lines have got | 0:44:19 | 0:44:21 | |
and what they're doing as we speak. | 0:44:21 | 0:44:23 | |
That's all I've got, but it looks like all lines are having problems | 0:44:23 | 0:44:26 | |
-and people are self-detraining. -Three separate incidents? -Three, yeah. | 0:44:26 | 0:44:30 | |
-Code Amber? -Code Amber? -Yeah. -Hold on one second. | 0:44:30 | 0:44:34 | |
Code Amber the whole network? | 0:44:37 | 0:44:39 | |
Code Amber the whole network. We're going to stop the whole network. | 0:44:39 | 0:44:42 | |
-All right, darling. -Code Amber, get them into stations and stand by? | 0:44:42 | 0:44:46 | |
-Yeah, that's all we're going to do. -OK. -All right, mate. Cheers. -Bye. | 0:44:46 | 0:44:50 | |
I could see people coming out of Edgware road with bandages on, | 0:44:59 | 0:45:04 | |
black faces, you know, soot, blood, | 0:45:04 | 0:45:06 | |
there was a guy at the ticket barriers, some underground staff, | 0:45:06 | 0:45:10 | |
and I said, "Are there many more people down there?" | 0:45:10 | 0:45:13 | |
And he said, "Oh, yeah, loads. The train was full." | 0:45:13 | 0:45:15 | |
So I said, "Well... | 0:45:15 | 0:45:17 | |
"What are we talking about?" | 0:45:18 | 0:45:20 | |
He said, "There's quite a few dead down there." | 0:45:20 | 0:45:22 | |
And I thought, "Right, OK. Are you certain about that?" | 0:45:22 | 0:45:25 | |
"Yeah, yeah, there's quite a few dead." | 0:45:25 | 0:45:27 | |
And I thought, "Right, OK, well, | 0:45:27 | 0:45:30 | |
"I need to get down there now and find out what is going on." | 0:45:30 | 0:45:33 | |
So I went through the barriers | 0:45:37 | 0:45:39 | |
and I was trying to use my radio all the time and it just, | 0:45:39 | 0:45:43 | |
when you try and transmit, and it's not communicating, | 0:45:43 | 0:45:46 | |
you just get this beeping noise, like a "beeeep," | 0:45:46 | 0:45:49 | |
and that's all I was getting all the time I was trying to use this radio | 0:45:49 | 0:45:52 | |
and then I was trying to use my mobile phone. | 0:45:52 | 0:45:54 | |
I was getting nothing on that and I'm thinking, | 0:45:54 | 0:45:57 | |
"I'm not really going to be able to do too much on my own down here," | 0:45:57 | 0:46:00 | |
you know, I've got one bandage with me and that's all I had, really. | 0:46:00 | 0:46:04 | |
But the further I got down, the less able I was to turn around. | 0:46:05 | 0:46:09 | |
So I just went further down the track | 0:46:11 | 0:46:14 | |
and eventually got to the carriage. | 0:46:14 | 0:46:17 | |
Everything was unrecognisable, | 0:46:17 | 0:46:19 | |
you know, the inside of the carriage, the seats all seemed to be gone, | 0:46:19 | 0:46:24 | |
you know, the post, the glass, everything was gone. | 0:46:24 | 0:46:26 | |
It was just like a tube with blood and twisted metal just thrown in, | 0:46:26 | 0:46:33 | |
thrown on the ceiling, thrown up the walls, just everywhere, | 0:46:33 | 0:46:37 | |
it was everywhere, and you just couldn't make out what had gone on. | 0:46:37 | 0:46:40 | |
And a guy was laying there on his back, just looking up at the ceiling, | 0:46:40 | 0:46:45 | |
and I looked at him and I spoke to him and I said, "Are you all right?" | 0:46:45 | 0:46:49 | |
Obviously a bit, "Are you all right?" "No, I'm not all right." | 0:46:49 | 0:46:53 | |
And he kind of said something along the lines of, "What's happened?" | 0:46:53 | 0:46:59 | |
You know, "What's happened?" | 0:46:59 | 0:47:00 | |
Right, you know, I thought, "Well, if he doesn't know, I don't know." | 0:47:00 | 0:47:04 | |
Erm... | 0:47:04 | 0:47:06 | |
So I just said, "Can you walk?" And he said, "No, I can't move." | 0:47:07 | 0:47:12 | |
So I got down and started to deal with him, really. | 0:47:12 | 0:47:15 | |
PHONE RINGS | 0:47:17 | 0:47:20 | |
-Duty office manager. -Yeah, hello there, it's Lee Osbourne in the NTC. | 0:47:21 | 0:47:24 | |
Hello there. I've been trying to get hold of you. | 0:47:24 | 0:47:26 | |
We've heard desperate shouts from both ends | 0:47:26 | 0:47:29 | |
at Aldgate and Praed Street and Edgware Road. | 0:47:29 | 0:47:32 | |
They're still desperately waiting for emergency services. | 0:47:32 | 0:47:35 | |
We've got two major incidents. | 0:47:35 | 0:47:36 | |
The emergency services have declared they're on their way down there. | 0:47:36 | 0:47:40 | |
-We're issuing a systemwide Code Amber. -Right... | 0:47:40 | 0:47:43 | |
My main concern were the ones, the people that were alive, | 0:47:45 | 0:47:49 | |
to try and pacify them, speak to them | 0:47:49 | 0:47:53 | |
and just let them know that we were there to help | 0:47:53 | 0:47:56 | |
and help was on its way | 0:47:56 | 0:47:57 | |
and hopefully we'd get them out of there as soon as we could. | 0:47:57 | 0:48:00 | |
Sometimes I felt as if my mind was just separating out from my body. | 0:48:00 | 0:48:06 | |
As if I was coming apart, and then I would just have to focus | 0:48:07 | 0:48:10 | |
and think, "No, I've got to just hold on, I've got to stay conscious | 0:48:10 | 0:48:16 | |
"and just hold on. They'll come. They'll rescue us." | 0:48:16 | 0:48:19 | |
It was a long period of just waiting. | 0:48:20 | 0:48:24 | |
This is the bedroom that James used to sleep in. | 0:48:37 | 0:48:40 | |
Where that bed is now, there was a bunk bed, | 0:48:40 | 0:48:44 | |
but it had a desk. | 0:48:44 | 0:48:47 | |
It was bought for him while he was at school doing his homework | 0:48:47 | 0:48:51 | |
so he had the desk there and got up into the bunk bed. | 0:48:51 | 0:48:55 | |
Yes, so nothing, not a great deal has changed, | 0:48:55 | 0:48:58 | |
but there's none of his personal stuff in here. | 0:48:58 | 0:49:02 | |
So what did you do with James's personal stuff? | 0:49:02 | 0:49:05 | |
His letters and things, I shredded them. I destroyed them, basically. | 0:49:05 | 0:49:11 | |
I... Other people may find that a strange thing to do | 0:49:11 | 0:49:14 | |
but I just thought it was important. | 0:49:14 | 0:49:16 | |
I just bought that we had no right to pry into certain things. | 0:49:16 | 0:49:20 | |
It just didn't seem the right thing to do, to me, and it still doesn't. | 0:49:20 | 0:49:23 | |
I still think that it wouldn't have... | 0:49:23 | 0:49:25 | |
I mean, I obviously had to look through them, | 0:49:25 | 0:49:27 | |
but I...no, I just couldn't. | 0:49:27 | 0:49:29 | |
I couldn't just keep them. It didn't... | 0:49:29 | 0:49:31 | |
We had enough things to remember, photographs and that sort of thing, | 0:49:31 | 0:49:34 | |
it just didn't seem to be the right thing to do. | 0:49:34 | 0:49:38 | |
-That was taken about... -It was Dan. -Yeah, four days before... | 0:49:38 | 0:49:41 | |
-It wasn't, it was two days, it was Monday evening. -That was in Prague. | 0:49:41 | 0:49:44 | |
-The week he was killed. -He was in Prague, with his friends. | 0:49:44 | 0:49:48 | |
When it happened, it kind of, you wait for the phone to ring, | 0:49:48 | 0:49:52 | |
you're kind of hoping and praying | 0:49:52 | 0:49:55 | |
and on the... I think it was the Saturday, | 0:49:55 | 0:49:58 | |
I'd come here, to Mum and Dad's on the Friday evening | 0:49:58 | 0:50:02 | |
and they just needed to do something | 0:50:02 | 0:50:05 | |
so we did, we made the posters and we went to King's Cross and stuff, | 0:50:05 | 0:50:09 | |
putting up the posters and seeing the other people that were up there | 0:50:09 | 0:50:12 | |
and thinking, "I can't believe that I'm doing this. | 0:50:12 | 0:50:15 | |
"This is... I don't, why is this me? | 0:50:15 | 0:50:18 | |
"Why am I having to do this? | 0:50:18 | 0:50:20 | |
"Why am I having to put pictures of my brother up?" | 0:50:20 | 0:50:22 | |
And for other people to be able to walk past and go, | 0:50:22 | 0:50:25 | |
"God, that's really awful." I want to be one of them. | 0:50:25 | 0:50:27 | |
I want to be one of those people walking past | 0:50:27 | 0:50:29 | |
going, "That's really awful, that's really sad," | 0:50:29 | 0:50:32 | |
and be able to empathise from afar. I don't want to be embroiled in this. | 0:50:32 | 0:50:35 | |
I want my life back. Please give me my life back. | 0:50:35 | 0:50:37 | |
Please let me know, and I remember standing on the Mile End Road | 0:50:37 | 0:50:40 | |
and just saying, "Just let it stop. | 0:50:40 | 0:50:43 | |
"Please let everything stop till I know." | 0:50:43 | 0:50:45 | |
But, yeah. | 0:50:50 | 0:50:51 | |
It's OK. | 0:50:56 | 0:50:58 | |
Well, I'm just literally stuck in another traffic jam | 0:51:18 | 0:51:21 | |
outside King's Cross. What I did see was at least half a dozen people | 0:51:21 | 0:51:26 | |
who have blackened faces and in some cases I saw head wounds, | 0:51:26 | 0:51:31 | |
in fact, I've just seen one young man who was being treated | 0:51:31 | 0:51:35 | |
had a huge bandage put around his head. | 0:51:35 | 0:51:38 | |
I remembered one thing hitting me that makes you think, | 0:51:38 | 0:51:41 | |
"What am I doing?" is that you're heading toward something | 0:51:41 | 0:51:45 | |
that so many people are trying to get away from, | 0:51:45 | 0:51:49 | |
so you're fighting through the crowds of hundreds | 0:51:49 | 0:51:52 | |
to get to the point that they're trying to leave. | 0:51:52 | 0:51:54 | |
As soon as I got out of the ambulance, | 0:51:54 | 0:51:56 | |
I made the decision that I'd go downstairs to see what was going on. | 0:51:56 | 0:52:00 | |
As you're going down, you could start to get a spell of burning | 0:52:00 | 0:52:04 | |
and the air has got, like, a taste to it, almost, | 0:52:04 | 0:52:08 | |
of burnt plastic and things | 0:52:08 | 0:52:10 | |
and then you start getting close to the platform | 0:52:10 | 0:52:14 | |
and then it sort of hits you that this is actually quite real. | 0:52:14 | 0:52:16 | |
The smoke you can now see billowing down the dark track, | 0:52:16 | 0:52:21 | |
and it's a black hole. You're looking down a black hole | 0:52:21 | 0:52:24 | |
and you've just got these little miners' lamps, almost | 0:52:24 | 0:52:27 | |
and you can then hear screaming and shouting | 0:52:27 | 0:52:31 | |
and the hairs on the back of your neck sort of stand on end. | 0:52:31 | 0:52:34 | |
Although we're ambulance people, paramedics or whatever, | 0:52:34 | 0:52:38 | |
we're still human, and I just... | 0:52:38 | 0:52:39 | |
You know, the impulse is to run away with everybody else. | 0:52:39 | 0:52:42 | |
I didn't particularly want to go down that train. | 0:52:42 | 0:52:44 | |
I didn't particularly want to see the things that I saw | 0:52:44 | 0:52:48 | |
or deal with the things I dealt with. | 0:52:48 | 0:52:50 | |
And then the emergency services and the paramedics, | 0:52:50 | 0:52:53 | |
they just arrived like a wave coming through the train. | 0:52:53 | 0:52:56 | |
Fireman, policemen, ambulance, everywhere, | 0:52:56 | 0:52:59 | |
you know, literally swamped. | 0:52:59 | 0:53:00 | |
I was relieved to see them, but also very angry. | 0:53:00 | 0:53:05 | |
I'd been there for quite an amount of time. | 0:53:05 | 0:53:07 | |
I didn't know it was 40 minutes at the time, | 0:53:07 | 0:53:10 | |
but it seemed like an eternity I'd been there. | 0:53:10 | 0:53:12 | |
And they brought in these emergency lights | 0:53:12 | 0:53:16 | |
and I thought I'd been leaning on a bundle of rags | 0:53:16 | 0:53:19 | |
or, you know, a bag or something like that | 0:53:19 | 0:53:22 | |
and I looked over and it was... | 0:53:22 | 0:53:24 | |
It was like a big piece of someone, with a bone sticking out of it. | 0:53:24 | 0:53:29 | |
And I looked at the sleeve of my shirt, cos everything was now light | 0:53:29 | 0:53:33 | |
and it was just red with blood, | 0:53:33 | 0:53:36 | |
from above the elbow to the bottom. | 0:53:36 | 0:53:40 | |
When the paramedics eventually did come through | 0:53:40 | 0:53:44 | |
and I decided now was the time for me to leave | 0:53:44 | 0:53:47 | |
because the experts were here | 0:53:47 | 0:53:49 | |
and I was only going to get in their way, | 0:53:49 | 0:53:52 | |
erm, I walked back through the empty train... | 0:53:52 | 0:53:54 | |
and it was empty cos everyone else had left. | 0:53:54 | 0:53:58 | |
And that's when I started to shake. | 0:53:58 | 0:54:00 | |
You know, that's when the shock really hit me. | 0:54:00 | 0:54:03 | |
I had to hold on to the handrails to get myself out of the train | 0:54:03 | 0:54:07 | |
because I was shaking so much. | 0:54:07 | 0:54:10 | |
'It's chaos everywhere. | 0:54:11 | 0:54:13 | |
'I've just come past Russell Square, they've closed it off.' | 0:54:13 | 0:54:16 | |
-'Say again. You just came past where?' -'Russell Square Station.' | 0:54:16 | 0:54:19 | |
'They've closed it all off. D'you think it's a major disaster?' | 0:54:19 | 0:54:23 | |
'Well, let's not speculate...' | 0:54:23 | 0:54:24 | |
'Scotland Yard says that at approximately 8.50 this morning, | 0:54:24 | 0:54:28 | |
'they were called to Aldgate, London Transport Station, | 0:54:28 | 0:54:32 | |
'to assist the City of London Police and...' | 0:54:32 | 0:54:34 | |
'There's no sense that this is in any way terrorist-related. | 0:54:34 | 0:54:40 | |
'There's no signs of anyone imagining that there might be | 0:54:40 | 0:54:43 | |
'any further danger in this area.' | 0:54:43 | 0:54:47 | |
I took a cup of tea in to watch the television. | 0:54:48 | 0:54:51 | |
I was watching the news, news programmes, | 0:54:51 | 0:54:54 | |
and then saw this thing unfolding and... | 0:54:54 | 0:54:58 | |
..of course, nobody knew what it was, | 0:54:59 | 0:55:01 | |
it was a power surge, no suggestion it was terrorism. | 0:55:01 | 0:55:04 | |
And Anat was on the phone to me from a mobile, | 0:55:04 | 0:55:08 | |
telling me the problems she was having on the journey | 0:55:08 | 0:55:11 | |
and I was saying, "Well, this has happened and this has happened." | 0:55:11 | 0:55:15 | |
Yeah, we were keeping in touch, and she got to Euston Station | 0:55:15 | 0:55:18 | |
and said, "Oh, the trains have stopped." | 0:55:18 | 0:55:21 | |
She said, "I'm outside Euston." And she said, "There's a great crowd. | 0:55:21 | 0:55:26 | |
"You know... | 0:55:26 | 0:55:27 | |
"I need to get a bus, what am I going to do?" | 0:55:27 | 0:55:30 | |
And to my eternal regret, I said, "Well, be smart. Walk back. | 0:55:31 | 0:55:36 | |
"Get on the stop before Euston." | 0:55:37 | 0:55:40 | |
So she did that and then eventually phoned back and said, | 0:55:40 | 0:55:44 | |
"Oh, that worked." She said, "I've got a seat on a number 30." | 0:55:44 | 0:55:48 | |
I learned by listening to the radio that the tubes had come to a halt | 0:55:51 | 0:55:55 | |
and that a lot of people were getting off the tubes, | 0:55:55 | 0:55:58 | |
getting onto buses | 0:55:58 | 0:55:59 | |
and the traffic was getting really heavy at that time. | 0:55:59 | 0:56:03 | |
We started work and one of the employers come down called Roger, | 0:56:03 | 0:56:06 | |
saw the laughter and said, | 0:56:06 | 0:56:08 | |
"Pointless making sandwiches today, the tube lines have all broken down. | 0:56:08 | 0:56:13 | |
"No-one can get in at the moment." | 0:56:13 | 0:56:15 | |
There were so many people at the bus stop, | 0:56:15 | 0:56:18 | |
so I was wondering what happened. | 0:56:18 | 0:56:21 | |
I thought it was just a busy day. | 0:56:21 | 0:56:24 | |
I entered Tavistock Square, | 0:56:24 | 0:56:26 | |
and drove on the side opposite to BMA House, around the square. | 0:56:26 | 0:56:34 | |
In the queue of traffic coming down was a bus. | 0:56:34 | 0:56:38 | |
And we carried on talking, | 0:56:38 | 0:56:40 | |
she told me about the bus being diverted down | 0:56:40 | 0:56:43 | |
towards Tavistock Square, | 0:56:43 | 0:56:45 | |
and because I was involved in a local amenity group, | 0:56:45 | 0:56:49 | |
involved with their newsletter, | 0:56:49 | 0:56:51 | |
Anat said, "Well, whatever's happening, | 0:56:51 | 0:56:55 | |
"this should make something for your newsletter." | 0:56:55 | 0:56:59 | |
And as soon as she said, "newsletter," | 0:56:59 | 0:57:01 | |
I heard terrible screams in the background. | 0:57:01 | 0:57:07 | |
Nothing from Annette. | 0:57:07 | 0:57:09 | |
Not an "Oh, my God," | 0:57:09 | 0:57:10 | |
not a breath, nothing at all, and then her phone went dead. | 0:57:10 | 0:57:14 | |
And I knew then that... | 0:57:17 | 0:57:19 | |
..something terrible had happened. | 0:57:21 | 0:57:23 | |
I knew that, you know, if she'd had any possibility | 0:57:23 | 0:57:26 | |
of communicating with me, she would have done. | 0:57:26 | 0:57:29 | |
If I hadn't have been so damn smart and said to her, | 0:57:31 | 0:57:34 | |
"Oh, beat the queues," you know. | 0:57:34 | 0:57:37 | |
But to actually have directed her onto that bus... | 0:57:37 | 0:57:42 | |
I heard what sounded like a firecracker, | 0:57:53 | 0:57:58 | |
that went right across from left to right, | 0:57:58 | 0:58:00 | |
and the next thing I remember was lots of noises | 0:58:00 | 0:58:05 | |
and I couldn't open my eyes. | 0:58:05 | 0:58:08 | |
The ceiling of the bus, erm... | 0:58:08 | 0:58:12 | |
..crashed onto my shoulder. | 0:58:14 | 0:58:17 | |
And it must have pushed me down and maybe instinctively | 0:58:17 | 0:58:21 | |
I held my hands in front of my eyes, | 0:58:21 | 0:58:24 | |
which was lucky because I had some bad wounds on my left hand. | 0:58:24 | 0:58:30 | |
I just heard the sound, and after the sound I didn't know where I was. | 0:58:30 | 0:58:35 | |
I was on the floor. | 0:58:35 | 0:58:37 | |
I saw some people are dead, | 0:58:37 | 0:58:39 | |
some people with blood coming from their eyes, | 0:58:39 | 0:58:43 | |
some people with blood coming from their heads. | 0:58:43 | 0:58:45 | |
People don't normally get that close to large explosions | 0:58:45 | 0:58:49 | |
and don't know what they look like. | 0:58:49 | 0:58:52 | |
It was loud, but it was a black centre with smoke around it, | 0:58:52 | 0:58:56 | |
and everything seemed to shoot out of it, | 0:58:56 | 0:58:59 | |
including, as I fell down to the seat, | 0:58:59 | 0:59:02 | |
a person that was flying up in the air | 0:59:02 | 0:59:05 | |
with a complete look of shock and surprise on her face. | 0:59:05 | 0:59:09 | |
In that second and a half, so much goes through your mind | 0:59:09 | 0:59:16 | |
and goes in and is trapped there...this is a bomb, | 0:59:16 | 0:59:20 | |
I'm too close, I could be killed in the next instant. | 0:59:20 | 0:59:24 | |
And people have been injured. | 0:59:25 | 0:59:27 | |
Everything sort of goes into your mind and stays there. | 0:59:27 | 0:59:30 | |
I just want to say something about Neetu. | 0:59:36 | 0:59:41 | |
-OK. -Shall I start it? | 0:59:43 | 0:59:45 | |
-Yeah. -Yeah. | 0:59:45 | 0:59:47 | |
"Neetu was my youngest daughter, who was killed on 7th of July, | 0:59:47 | 0:59:52 | |
"year 2005, due to a bus explosion in London. | 0:59:52 | 0:59:57 | |
"I always see Neetu, smiling and laughing, | 0:59:57 | 1:00:00 | |
"and never saw any disappointment on her face. | 1:00:00 | 1:00:03 | |
"Neetu was a very special gift from God. | 1:00:03 | 1:00:07 | |
"As a child, she loved school very much. She was very happy." | 1:00:07 | 1:00:12 | |
Our friend Milan is an officer. He brought to us Neetu's purse. | 1:00:25 | 1:00:31 | |
This item in my hand is her London Transport travel card, | 1:00:33 | 1:00:38 | |
because she was travelling from Hendon Central | 1:00:38 | 1:00:42 | |
to Old Street every day. | 1:00:42 | 1:00:44 | |
If she's running short of money, | 1:00:44 | 1:00:49 | |
she can get money from any till machine. | 1:00:49 | 1:00:52 | |
And if she wants to borrow a book from the library, | 1:00:52 | 1:00:55 | |
she also have a library card here. | 1:00:55 | 1:00:58 | |
She will go, on her way back home, | 1:00:58 | 1:01:01 | |
she will go to the library and get a book. | 1:01:01 | 1:01:04 | |
The damage was the pockets. See the pockets? | 1:01:06 | 1:01:09 | |
These are all damaged because of the explosion here. | 1:01:09 | 1:01:12 | |
And the outside | 1:01:12 | 1:01:14 | |
is all damaged in here. | 1:01:14 | 1:01:19 | |
Detective Sergeant arranged to clean it when he brought it to us. | 1:01:19 | 1:01:23 | |
He said it was all filled with blood. | 1:01:23 | 1:01:27 | |
Everywhere was blood, but he clean it and brought it to us, | 1:01:27 | 1:01:32 | |
because it is her personal possession, you know. | 1:01:32 | 1:01:36 | |
So I'm keeping it here. | 1:01:36 | 1:01:38 | |
The only thing was missing was her mobile telephone. | 1:01:38 | 1:01:42 | |
When I was ringing her on 7th of July, | 1:01:43 | 1:01:47 | |
I only used to get the message, "Neetu speaking. | 1:01:47 | 1:01:51 | |
"I'll come back to you as soon as possible." | 1:01:51 | 1:01:54 | |
We visited all hospital around London. There were 12 hospitals. | 1:01:54 | 1:01:59 | |
No, we couldn't get any clue. | 1:01:59 | 1:02:03 | |
After waiting seven days and nights, desperately and anxiously, | 1:02:03 | 1:02:09 | |
there came the day of 14th July, when two detective officers | 1:02:09 | 1:02:14 | |
gave us this heartbreaking news | 1:02:14 | 1:02:17 | |
that Neetu's body has been positively identified. | 1:02:17 | 1:02:22 | |
What can I say now? | 1:02:23 | 1:02:25 | |
I...I remember somebody saying that they were trying | 1:02:39 | 1:02:42 | |
to deal with people in order of urgency. | 1:02:42 | 1:02:45 | |
A couple of chaps came over to me, | 1:02:45 | 1:02:48 | |
and one of them shone his torch in my face. | 1:02:48 | 1:02:52 | |
And I remember him saying, you know, "This one's gone." | 1:02:52 | 1:02:55 | |
Erm, and then they sort of moved on, and I just...you know, | 1:02:55 | 1:03:00 | |
it's almost sort of like anger, outrage really. | 1:03:00 | 1:03:04 | |
You know...cos I wanted to attract their attention, | 1:03:04 | 1:03:08 | |
and I couldn't get the energy to do it then, it was so difficult | 1:03:08 | 1:03:12 | |
to breathe and difficult to move and I think that's when I really | 1:03:12 | 1:03:15 | |
got the sort of adrenaline rush or whatever that I needed to get up. | 1:03:15 | 1:03:22 | |
Opposite where the bomb went off, | 1:03:22 | 1:03:24 | |
there were two quite severely injured people with lower leg, | 1:03:24 | 1:03:28 | |
traumatic lower leg amputations. | 1:03:28 | 1:03:30 | |
She was blown sort of sideways, with her legs, what was left of her legs | 1:03:30 | 1:03:35 | |
wrapped round the handrail, I think, outside the train as well. | 1:03:35 | 1:03:39 | |
Martine, I don't think, really knew the extent of her injuries. | 1:03:39 | 1:03:44 | |
I'd like to think she didn't. | 1:03:44 | 1:03:45 | |
So we had to unwrap her legs without any anaesthetic. | 1:03:45 | 1:03:49 | |
I was at the head end, | 1:03:49 | 1:03:50 | |
sort of supporting her shoulders as we got onto the stretcher. | 1:03:50 | 1:03:55 | |
And I'll never forget it. She just looked right up into my eyes | 1:03:55 | 1:03:59 | |
and the torch I had was shining in her face | 1:03:59 | 1:04:01 | |
so her whole face was illuminated, looked right into my eyes, | 1:04:01 | 1:04:04 | |
let out this horrendous scream and just reached up | 1:04:04 | 1:04:08 | |
and dug her nails into my arms and scratched all the way down. | 1:04:08 | 1:04:12 | |
Because I'm sure she was in so much pain, | 1:04:12 | 1:04:15 | |
she just needed to have some sort of release. | 1:04:15 | 1:04:18 | |
I think that was what that was about, but it was... | 1:04:18 | 1:04:21 | |
..it was quite a horrendous thing to see. | 1:04:21 | 1:04:23 | |
I'd never heard a scream like that before. | 1:04:23 | 1:04:26 | |
No, don't remember... | 1:04:26 | 1:04:28 | |
..anything, really, erm, | 1:04:29 | 1:04:32 | |
until I woke up in hospital, | 1:04:32 | 1:04:35 | |
which I think was about ten days later or nine days later. | 1:04:35 | 1:04:39 | |
I can remember that as vividly now as I could an hour after the incident. | 1:04:39 | 1:04:45 | |
It's...I'll never forget it. | 1:04:45 | 1:04:48 | |
There was an element of sort of handing myself over to these guys. | 1:04:48 | 1:04:51 | |
They were helping me and I had, | 1:04:51 | 1:04:53 | |
I could sort of take a bit of a step back and let them get on with it. | 1:04:53 | 1:04:57 | |
People were in their pants and socks, | 1:04:57 | 1:04:59 | |
and I remember thinking, "Where have their clothes gone?" Erm... | 1:04:59 | 1:05:04 | |
..you know, I hadn't been... | 1:05:05 | 1:05:07 | |
I hadn't witnessed blast injuries before, it's not something I'd seen. | 1:05:07 | 1:05:11 | |
And, er, people's clothes literally get blown off them. | 1:05:11 | 1:05:16 | |
By all accounts, I had my underpants on, one shoe and a sock, | 1:05:16 | 1:05:20 | |
and that was it. | 1:05:20 | 1:05:21 | |
I remember going up the stairs, one of them saying, | 1:05:21 | 1:05:25 | |
complaining how, "Why do we always get the heavy one?" | 1:05:25 | 1:05:28 | |
And I remember, even though I was completely out of it thinking, | 1:05:28 | 1:05:31 | |
"This guy's...time for somebody to crack a joke | 1:05:31 | 1:05:35 | |
"in this sort of situation." | 1:05:35 | 1:05:36 | |
After a while, I just sat down on the floor by the ticket machines | 1:05:38 | 1:05:42 | |
and...because I didn't know what to do, | 1:05:42 | 1:05:46 | |
and then I saw people being brought out of the tunnel. | 1:05:46 | 1:05:53 | |
I was near the lifts, | 1:05:53 | 1:05:55 | |
and what I was seeing coming out of the lifts just broke me. | 1:05:56 | 1:06:00 | |
It's just something you never forget. | 1:06:00 | 1:06:03 | |
I mean, you don't expect to get out of a lift in a ticket hall | 1:06:03 | 1:06:07 | |
of a London Underground station and see what would be considered | 1:06:07 | 1:06:13 | |
a battlefield hospital, working on people, | 1:06:13 | 1:06:17 | |
holding arms and legs up in the air | 1:06:17 | 1:06:20 | |
and saline applications going on. | 1:06:20 | 1:06:24 | |
The fact that they'd come out of the carriage that I was in | 1:06:24 | 1:06:28 | |
made it that much worse. | 1:06:28 | 1:06:31 | |
So I thought, "I've had enough, I'm off." | 1:06:31 | 1:06:34 | |
I remember one particular case. | 1:07:16 | 1:07:18 | |
She was lying right in front of the BMA House, | 1:07:19 | 1:07:23 | |
and she would look at me straight, | 1:07:23 | 1:07:26 | |
the eye contact we'll make, | 1:07:26 | 1:07:27 | |
I will go and sit by her side, hold her hand, | 1:07:27 | 1:07:30 | |
put my hand on her forehead, and she wanted to say something. | 1:07:30 | 1:07:34 | |
Well, she could not say. | 1:07:34 | 1:07:35 | |
She might have just had an injury which could have been dealt with. | 1:07:39 | 1:07:45 | |
But, without the equipment, you can't do anything, you see. | 1:07:45 | 1:07:50 | |
So it was very frustrating. | 1:07:50 | 1:07:52 | |
Azuma, when was the last time you two were...? | 1:07:55 | 1:07:57 | |
The night before. | 1:07:57 | 1:07:59 | |
Erm, she come home from work and me and my brother | 1:07:59 | 1:08:01 | |
sat with her in the front room and she cooked, | 1:08:01 | 1:08:04 | |
and we sat and laughed and giggled and teased her as always. | 1:08:04 | 1:08:08 | |
And I remember she asked me to make her some tea and I was like, "Oh! | 1:08:08 | 1:08:11 | |
"You're just sending me around like your servant." | 1:08:11 | 1:08:14 | |
And she came in the kitchen and really cuddled me, | 1:08:14 | 1:08:17 | |
and then the next day I was supposed to go to my auntie's house, | 1:08:17 | 1:08:21 | |
so I couldn't find my keys that night, | 1:08:21 | 1:08:23 | |
so she stayed up with me looking for my keys. | 1:08:23 | 1:08:25 | |
I ended up being like, "Go to bed. | 1:08:25 | 1:08:27 | |
"You've got to get up at what time? It's now, like, just past 12." | 1:08:27 | 1:08:31 | |
And so, I just said to her, "I'll see you tomorrow." | 1:08:31 | 1:08:34 | |
And she was like, "OK," | 1:08:34 | 1:08:35 | |
and she closed my bedroom door, and that was the last time I saw her. | 1:08:35 | 1:08:39 | |
Seven years almost down the line, I still have dreams of her. | 1:08:41 | 1:08:45 | |
I dream of her quite regularly. Those kind of stuff won't go away. | 1:08:46 | 1:08:51 | |
Just before she died, when I'd finished my GCSEs, | 1:08:58 | 1:09:01 | |
I had my leavers' prom, and I made her take the day off, | 1:09:01 | 1:09:04 | |
and she came and helped me get ready. | 1:09:04 | 1:09:06 | |
We went together to buy my dress. | 1:09:06 | 1:09:07 | |
So, yeah, I kind of had all that with her, | 1:09:09 | 1:09:12 | |
so we were really, really close. | 1:09:12 | 1:09:14 | |
I think that is what is so painful for me now. | 1:09:14 | 1:09:17 | |
Cos my friends are now getting close to their mums, | 1:09:17 | 1:09:19 | |
but my mum's not here anymore. | 1:09:19 | 1:09:21 | |
And I'm not going to have all that stuff with her. | 1:09:27 | 1:09:30 | |
She's not going to be there when I get married | 1:09:30 | 1:09:32 | |
or when I have my own kids. | 1:09:32 | 1:09:34 | |
And I think that's a bit painful. | 1:09:37 | 1:09:39 | |
And that's why I don't think I'll ever get over it, | 1:09:39 | 1:09:42 | |
cos there'll always be things where I feel like | 1:09:42 | 1:09:44 | |
I need her there and she's missing. | 1:09:44 | 1:09:47 | |
Yeah, that's seven years down the line. | 1:09:49 | 1:09:53 | |
It doesn't go away. | 1:09:53 | 1:09:55 | |
SIRENS BLARING | 1:10:03 | 1:10:05 | |
We was met by a policeman who had shut the road off at the time. | 1:10:08 | 1:10:12 | |
He asked me what am I going to, | 1:10:13 | 1:10:15 | |
and cos I had no knowledge of the other incidents going on, | 1:10:15 | 1:10:18 | |
I thought it was a very strange question, | 1:10:18 | 1:10:20 | |
so I just said to him, "The bus," which was in front of me then. | 1:10:20 | 1:10:24 | |
And he said to me, "Right, OK." | 1:10:24 | 1:10:26 | |
He said, "The walking wounded have gone through the arch of the BMA. | 1:10:26 | 1:10:31 | |
"There's dead and dying everywhere, | 1:10:31 | 1:10:33 | |
"and we suspect a secondary device on the bus," | 1:10:33 | 1:10:35 | |
and then he let me through his cordon. | 1:10:35 | 1:10:37 | |
We were confronted with photographers. | 1:10:37 | 1:10:41 | |
It was disturbing because we were there | 1:10:41 | 1:10:43 | |
trying to deal with the casualties, | 1:10:43 | 1:10:45 | |
and they were like little ants all over the place, | 1:10:45 | 1:10:48 | |
quite frenzied around, trying to get the best angle, | 1:10:48 | 1:10:51 | |
get the best shot they could do. | 1:10:51 | 1:10:52 | |
Some people were already dead. | 1:10:52 | 1:10:55 | |
But I managed, God save it, I managed to walk. | 1:10:57 | 1:11:01 | |
In the bus, I was located right behind the bomber. | 1:11:01 | 1:11:06 | |
The one thing that I still can't compute, I suppose, | 1:11:07 | 1:11:10 | |
if compute is the right word, is... | 1:11:10 | 1:11:13 | |
how can anybody survive an explosion | 1:11:13 | 1:11:17 | |
when they were literally centimetres close, next to the bomber? | 1:11:17 | 1:11:22 | |
There was a point when Liz and I | 1:11:32 | 1:11:35 | |
were the only two injured survivors left on the train. | 1:11:35 | 1:11:40 | |
And they started to get's ready to take me out to an ambulance. | 1:11:42 | 1:11:49 | |
They were getting ready to lift me onto a stretcher. | 1:11:49 | 1:11:54 | |
And then they change their minds and one of them said to me, | 1:11:54 | 1:11:58 | |
"I'm sorry, you've drawn the short straw." | 1:11:58 | 1:12:01 | |
And they decided to take Liz instead. | 1:12:01 | 1:12:04 | |
And then I was left in the train for another half an hour or so, I think. | 1:12:04 | 1:12:11 | |
As they were carrying me out of the tunnel on the stretcher... | 1:12:14 | 1:12:19 | |
..I remember, after all that time in the dark, | 1:12:20 | 1:12:24 | |
it seemed as if the station was just glowing with light. | 1:12:24 | 1:12:29 | |
It was a very... emotional moment for me. | 1:12:29 | 1:12:35 | |
Coming up in the daylight, I can remember being carried through | 1:12:35 | 1:12:40 | |
out of the station to the ambulance and just as | 1:12:40 | 1:12:45 | |
they put me into the ambulance, catching a glimpse of the sky. | 1:12:45 | 1:12:49 | |
There's a glass canopy over the entrance to the station | 1:12:49 | 1:12:54 | |
and I remember that glimpse of the class canopy and the summer sky above it. | 1:12:54 | 1:13:00 | |
It was the most wonderful thing I've seen. | 1:13:00 | 1:13:05 | |
Once wed confirmed that there were no more alive people on the train, | 1:13:22 | 1:13:29 | |
it was time to leave. | 1:13:29 | 1:13:31 | |
All these people were standing there, thinking of their own little worlds | 1:13:36 | 1:13:40 | |
at the time of the explosion, or before the explosion. | 1:13:40 | 1:13:43 | |
What they were doing at work, where they were going, | 1:13:43 | 1:13:46 | |
what they've got to do, or not got to do, | 1:13:46 | 1:13:48 | |
what they got for tea, if they've just had an argument. | 1:13:48 | 1:13:52 | |
They're listening to the iPhones, mobile phones, | 1:13:52 | 1:13:54 | |
their Walkman or whatever. | 1:13:54 | 1:13:57 | |
Then all of a sudden, there's an explosion and they all become one. | 1:13:57 | 1:14:01 | |
You know, some days I woke up and I would just not stop crying. | 1:14:31 | 1:14:36 | |
It was what am I going to do? | 1:14:36 | 1:14:38 | |
I remember one day saying to my mum, "What am I going to do? | 1:14:38 | 1:14:44 | |
"I've got no legs, I've got no legs." | 1:14:44 | 1:14:47 | |
And I remember she grabbed my face. | 1:14:47 | 1:14:50 | |
And she said, "Martine, you are still Martine | 1:14:50 | 1:14:55 | |
"and you could have had a really bad knock on the head | 1:14:55 | 1:14:59 | |
"or really bad brain injury and you didn't, | 1:14:59 | 1:15:02 | |
"so you are still Martine and you are still here | 1:15:02 | 1:15:05 | |
"and you can get new legs, you're going to get new legs." | 1:15:05 | 1:15:09 | |
He came to the hospital and I said to him, | 1:15:14 | 1:15:18 | |
he sat on the bed and I said, "Lewis, I've got something to tell you." | 1:15:18 | 1:15:22 | |
And he said, "What?" I usually say, "Don't say what, say pardon." | 1:15:22 | 1:15:27 | |
And I said, "You've got two legs, now I've got some problems, I've only got one." | 1:15:27 | 1:15:32 | |
And I said, "Actually, I've got one and a half, | 1:15:32 | 1:15:35 | |
"so what am I going to do about walking?" | 1:15:35 | 1:15:38 | |
And he turned around and looked me and he says, | 1:15:38 | 1:15:41 | |
"You just have to hop and I just have to help you. | 1:15:41 | 1:15:44 | |
"And let's see who can stand on one leg the longest." | 1:15:44 | 1:15:47 | |
I'm looking at memos my counsellor wrote. | 1:15:47 | 1:15:52 | |
Each counselling session, he wrote down something | 1:15:54 | 1:15:58 | |
and he gave it to me at the end of each session. | 1:15:58 | 1:16:03 | |
I've never talked to the children about it and I don't know | 1:16:03 | 1:16:07 | |
whether they've heard from other people and know anyway. | 1:16:07 | 1:16:11 | |
Um... | 1:16:11 | 1:16:12 | |
..or whether, you know, this will come as a shock to them. | 1:16:14 | 1:16:18 | |
I literally bottled it all up. | 1:16:18 | 1:16:21 | |
I can't remember what I said, | 1:16:21 | 1:16:23 | |
but I just obviously confirmed the fact that I was on that train. | 1:16:23 | 1:16:27 | |
But I didn't mention anything about the casualties that I'd seen | 1:16:27 | 1:16:31 | |
and what had gone on in the carriage. | 1:16:31 | 1:16:34 | |
I'd say I wasn't affected, but my wife would disagree with you. | 1:16:34 | 1:16:38 | |
She'd say I was... | 1:16:38 | 1:16:39 | |
..um, argumentative. | 1:16:42 | 1:16:43 | |
She said it was like... How did she describe it? | 1:16:43 | 1:16:47 | |
She said it was like walking on eggshells around me. | 1:16:47 | 1:16:51 | |
That was quite...that was quite sad. | 1:16:51 | 1:16:54 | |
Yes. "I now choose to let go of all my fears about dying on the tube." | 1:16:56 | 1:17:04 | |
I've never felt traumatised by my experience. | 1:17:10 | 1:17:14 | |
It brings home to you that you never know what is around the corner. | 1:17:14 | 1:17:20 | |
Very random decisions can radically change your future. | 1:17:20 | 1:17:24 | |
If I'd been standing up on that train that day, I probably wouldn't be here now. | 1:17:24 | 1:17:29 | |
Because I chose to sit down, I'm still here to tell the tale. | 1:17:29 | 1:17:33 | |
We had an evil act by four people, | 1:17:33 | 1:17:38 | |
but it was met with this huge surge of goodness and kindness... | 1:17:38 | 1:17:45 | |
..that carried a lot of us through. | 1:17:46 | 1:17:49 | |
A lot of my injuries were related to basically human shrapnel. | 1:17:49 | 1:17:54 | |
Part of the bomber's shinbone had gone into my left eye. | 1:17:54 | 1:17:59 | |
It was irreparably damaged from that. | 1:18:00 | 1:18:03 | |
I've been asked a number of times about my feelings about the bomber | 1:18:05 | 1:18:09 | |
and there's just nothing to grab hold of, I don't really have an angle. | 1:18:09 | 1:18:14 | |
It's difficult, it's almost like I'm more angry that I can't be angry about it. | 1:18:15 | 1:18:20 | |
That probably doesn't make any sense, but that's how I feel. | 1:18:20 | 1:18:23 | |
There's just no form to it, | 1:18:23 | 1:18:26 | |
I can't see an angle to my opinion on it really. | 1:18:26 | 1:18:30 | |
I've just had to get on with it, | 1:18:30 | 1:18:32 | |
so my angle really is I've got on with it, recovered a normal life | 1:18:32 | 1:18:39 | |
and we can enjoy stuff that these people didn't want to enjoy. | 1:18:39 | 1:18:44 | |
They say that for every action there is an equal and opposite reaction, | 1:18:50 | 1:18:55 | |
and it seems that 95% of what has happened since then has been positive. | 1:18:55 | 1:18:59 | |
There's been so much fundraising, outpouring of support. | 1:18:59 | 1:19:04 | |
Everyone has their different ways of dealing with | 1:19:04 | 1:19:07 | |
the situation that we found ourselves in. | 1:19:07 | 1:19:10 | |
For us, it was really a sanity saver | 1:19:10 | 1:19:14 | |
to do something constructive in Miriam's memory. | 1:19:14 | 1:19:17 | |
This building is an eye hospital, and the Miriam Hyman | 1:19:19 | 1:19:24 | |
Children's Eye Care Centre is these few rooms down here. | 1:19:24 | 1:19:27 | |
The first patient of the Children's Eye Care Centre | 1:19:29 | 1:19:33 | |
who I was lucky enough to meet. There is with his parents having an assessment. | 1:19:33 | 1:19:39 | |
We know that if we allowed ourselves to go on a downward spiral | 1:19:41 | 1:19:45 | |
into the depths of despair, that it would be | 1:19:45 | 1:19:48 | |
almost an insult to her if we allowed ourselves to also | 1:19:48 | 1:19:51 | |
lose our lives as a result of her losing hers. | 1:19:51 | 1:19:55 | |
Unless you've had your family member blown up in a terrorist attack, | 1:19:55 | 1:19:59 | |
you can't even imagine how it feels. | 1:19:59 | 1:20:01 | |
So it's pointless to try and describe it, | 1:20:01 | 1:20:05 | |
but I think it's much more constructive to talk about how you respond. | 1:20:05 | 1:20:09 | |
Our life is defined by before 7 July 2005 and after the seventh. | 1:20:15 | 1:20:21 | |
It's just like you've got two separate lives - before and after - | 1:20:21 | 1:20:26 | |
and we don't much talk about before, do we? | 1:20:26 | 1:20:29 | |
-No. -Truthful, it's almost as if something stopped then | 1:20:29 | 1:20:32 | |
and it's easy to cope by moving on. | 1:20:32 | 1:20:36 | |
Since David died, we went on a cruise on a holiday, | 1:20:36 | 1:20:39 | |
and for dinner you go down and sit on a table of maybe | 1:20:39 | 1:20:43 | |
five other couples and you don't know each other, | 1:20:43 | 1:20:46 | |
but the one thing you have in common is you talk about your children. | 1:20:46 | 1:20:50 | |
So you are always asked, "Do you have children?" | 1:20:50 | 1:20:52 | |
And you sit there and go, "Yes, we have a son and a daughter." | 1:20:52 | 1:20:56 | |
And then you're asked, "How old are they? What do they do?" | 1:20:56 | 1:21:00 | |
And you're so conscious that you are going to drop the bomb | 1:21:00 | 1:21:04 | |
which is the biggest conversation stopper when you say... | 1:21:04 | 1:21:07 | |
Everybody is on holiday. | 1:21:07 | 1:21:09 | |
-We've stopped... -We don't say, "No, we've only got a daughter." | 1:21:09 | 1:21:14 | |
-We can't say that. -"So you've got a son. What do they do?" "Well, actually... | 1:21:14 | 1:21:19 | |
"he was killed." | 1:21:19 | 1:21:20 | |
I mean, that's a beautiful photograph of her. | 1:21:26 | 1:21:29 | |
Those two are just absolutely lovely. | 1:21:29 | 1:21:32 | |
She had the most beautiful eyes. | 1:21:32 | 1:21:34 | |
The most sparkly, laughy eyes. | 1:21:34 | 1:21:37 | |
And a very dirty laugh. | 1:21:37 | 1:21:40 | |
Where did she get that from? | 1:21:41 | 1:21:43 | |
I'm not sure, but not my side of the family. | 1:21:43 | 1:21:46 | |
And I always keep a rose on the desk for her because she was Emily Rose. | 1:21:46 | 1:21:51 | |
Christian was five years older than me, so a nice age. | 1:21:52 | 1:21:58 | |
Everything I've learned from him. | 1:21:58 | 1:22:02 | |
It was nice, he tried to avoid me at school. | 1:22:02 | 1:22:06 | |
He didn't want to mess up his reputation. | 1:22:06 | 1:22:08 | |
-But at the same time, he tried to protect you. -Yes, he always did. | 1:22:08 | 1:22:11 | |
-Warning off all the boys. -Yeah. | 1:22:11 | 1:22:14 | |
Nanette was born to be a dancer. | 1:22:14 | 1:22:17 | |
She had a dancer's long neck, expressive face, | 1:22:17 | 1:22:20 | |
eloquent hands and abundant vitality. | 1:22:20 | 1:22:25 | |
He was really not practical, he wasn't a practical person. | 1:22:26 | 1:22:30 | |
He found it quite difficult to apply himself to practical things, really. | 1:22:30 | 1:22:33 | |
That is serious attempt at putting on sun cream. | 1:22:33 | 1:22:36 | |
-In fact, I had to teach and how to shave on that holiday. -Pardon? | 1:22:36 | 1:22:41 | |
Don't even go there! | 1:22:41 | 1:22:43 | |
This is the first time we've ever spoken to anybody about it, | 1:22:47 | 1:22:51 | |
because it was always too raw and I just feel like... | 1:22:51 | 1:22:56 | |
Stan was such a lovely man that I wanted to just tell people | 1:22:56 | 1:23:02 | |
how it's affected us and how it still does affect us. | 1:23:02 | 1:23:06 | |
I hate the expression "to move on". People say, "Have you moved on?" | 1:23:06 | 1:23:09 | |
What does that mean? | 1:23:09 | 1:23:11 | |
You can't, I mean, you don't move on, | 1:23:11 | 1:23:14 | |
you learn to live with this enormous hole in your heart that... | 1:23:14 | 1:23:20 | |
that just you know is never going to get better | 1:23:20 | 1:23:23 | |
and it becomes part of you and you get absorbed by... | 1:23:23 | 1:23:26 | |
..by your grief. | 1:23:27 | 1:23:28 | |
But you do operate and you get on with your own life. | 1:23:28 | 1:23:32 | |
But there is always a hole in your heart. | 1:23:33 | 1:23:37 | |
Tonight, in every country in the world, | 1:23:53 | 1:23:57 | |
young men and women and boys and girls | 1:23:57 | 1:24:01 | |
will go to sleep dreaming that in seven years | 1:24:01 | 1:24:05 | |
they will come to this city to run faster and jump higher | 1:24:05 | 1:24:11 | |
and throw farther than anyone has done before. | 1:24:11 | 1:24:14 | |
There are those... | 1:24:16 | 1:24:18 | |
there are those... | 1:24:18 | 1:24:20 | |
who tell the world that we face a clash of civilisations. | 1:24:20 | 1:24:25 | |
I say to them, "Come to London and see the world gathered | 1:24:29 | 1:24:33 | |
"in one city, living in harmony and as an example to all." | 1:24:33 | 1:24:39 | |
I always go to Russell Square station | 1:24:58 | 1:25:01 | |
and I stand in front of the plaque. | 1:25:01 | 1:25:03 | |
I take my flowers and I pay my respects, I pay my respects. | 1:25:03 | 1:25:09 | |
Last year, I was standing in front of the plaque and I was sobbing. | 1:25:11 | 1:25:15 | |
There was this businessman and I was sobbing, | 1:25:15 | 1:25:18 | |
and this businessman was just walking past | 1:25:18 | 1:25:21 | |
and he just put his briefcase down and he said, "You need a hug." | 1:25:21 | 1:25:27 | |
And we just embraced, it was just a nice hug. | 1:25:29 | 1:25:32 | |
10 seconds, it could have been, I don't even know how long it was. | 1:25:34 | 1:25:37 | |
He just said, "Are you all right?" And I just said to him, "Thank you." | 1:25:37 | 1:25:41 | |
And he picked up his case and off he went. | 1:25:41 | 1:25:43 | |
And that was amazing because I've never had that since. | 1:25:45 | 1:25:48 | |
Every time I've gone to the station. | 1:25:49 | 1:25:52 | |
So, if he's ever watching this, I'd like to say thank you. | 1:25:52 | 1:25:57 | |
You know, when I think about Laura, a young lady who unfortunately died | 1:26:30 | 1:26:33 | |
who was very, very close to me at the time, she was the same age as me, | 1:26:33 | 1:26:39 | |
she was in the same profession as me, and just because of | 1:26:39 | 1:26:43 | |
where she was stood and where I was sat, I survived and she didn't. | 1:26:43 | 1:26:49 | |
And I find that quite hard to come to terms with. | 1:26:49 | 1:26:52 | |
But after I had spoken at the inquest, | 1:26:52 | 1:26:56 | |
Laura's brother spoke to me. | 1:26:56 | 1:27:00 | |
And I... | 1:27:07 | 1:27:08 | |
I think he really helped me to pile all those feelings aside | 1:27:08 | 1:27:16 | |
that I had about Laura | 1:27:16 | 1:27:19 | |
and about the fact that I had survived and she hadn't. | 1:27:19 | 1:27:24 | |
And he basically said to me that Laura was such a fun-loving girl | 1:27:24 | 1:27:29 | |
who really made the most of life and, you know, did so much with her life, | 1:27:29 | 1:27:34 | |
she would want you to get on with your life and to really make... | 1:27:34 | 1:27:39 | |
..really make the most of it. | 1:27:41 | 1:27:43 | |
And that really helped a lot because for a long time I'd been carrying that around, | 1:27:44 | 1:27:49 | |
you know, feeling guilty on one side for... | 1:27:49 | 1:27:52 | |
be... | 1:27:52 | 1:27:54 | |
..being here and getting on. | 1:27:56 | 1:27:58 | |
And the fact that, you know, other people hadn't been able to do that. | 1:27:59 | 1:28:03 | |
But it just felt that it was... | 1:28:06 | 1:28:10 | |
it just felt so good to know that if she had been in my place, | 1:28:10 | 1:28:13 | |
that's what she would have done. | 1:28:13 | 1:28:15 | |
She would have really got on with her life as well. | 1:28:15 | 1:28:19 | |
So I'm really grateful that he had that conversation with me. | 1:28:19 | 1:28:22 | |
Subtitles by Red Bee Media Ltd | 1:28:28 | 1:28:31 |