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This programme contains some strong language and scenes viewers may find disturbing. | 0:00:00 | 0:00:06 | |
Forensic science is at the forefront of every major criminal investigation in the UK. | 0:00:06 | 0:00:09 | |
Detective work and science in general are very much the same. | 0:00:09 | 0:00:12 | |
With exclusive access to a scenes of crime unit, | 0:00:12 | 0:00:17 | |
our cameras go behind the police tape. | 0:00:17 | 0:00:19 | |
The reason that forensic science is so powerful is that it's almost impossible | 0:00:19 | 0:00:24 | |
to argue with what we've got. | 0:00:24 | 0:00:26 | |
We follow the trail of evidence as the forensic experts piece together the hidden puzzle, | 0:00:26 | 0:00:31 | |
unlock the secrets of the crime, and get inside the minds of criminals. | 0:00:31 | 0:00:35 | |
Where we're standing now is where the shot's gone in from. | 0:00:35 | 0:00:39 | |
We see how science and detective work come together. | 0:00:39 | 0:00:43 | |
Our victim got a good beating in here, and was lucky he didn't die. | 0:00:43 | 0:00:47 | |
To bring the guilty to justice. | 0:00:47 | 0:00:50 | |
'Move forward, please, move forward.' | 0:00:50 | 0:00:52 | |
PHONE RINGS | 0:01:04 | 0:01:05 | |
'Police, emergency. What's happened?' | 0:01:05 | 0:01:08 | |
'Someone's shot the front and back of my house with a gun.' | 0:01:08 | 0:01:12 | |
'Right, OK, when did that happen?' | 0:01:12 | 0:01:15 | |
'Just now, literally a couple of seconds ago.' | 0:01:15 | 0:01:18 | |
'And explain to me why you think it was a gun. What's actually happened?' | 0:01:18 | 0:01:22 | |
'Well, there's a big blast hole through my front door, might be one to look at(!)' | 0:01:22 | 0:01:26 | |
'OK, and you think it was the front and the back of your house?' | 0:01:26 | 0:01:31 | |
'Yeah, the front door is completely obliterated. Fucking bastards. | 0:01:31 | 0:01:36 | |
'I've got two children in the house, do you know what I mean? | 0:01:36 | 0:01:40 | |
'This is fucking ridiculous. It ain't got nothing to do with us.' | 0:01:40 | 0:01:43 | |
-'Are you OK?' -'Yeah. | 0:01:43 | 0:01:45 | |
I'm not to touch anything, am I? Just leave it exactly how it is, yeah?' | 0:01:45 | 0:01:49 | |
-'No, just leave it as it is.' -'OK.' -'OK.' | 0:01:49 | 0:01:53 | |
Within minutes of the call being made, police arrive at the house. | 0:01:53 | 0:01:56 | |
They're closely followed by officers | 0:01:56 | 0:01:59 | |
from the Bedfordshire and Hertfordshire Scientific services unit. | 0:01:59 | 0:02:05 | |
It's around about quarter past six on Saturday morning, | 0:02:05 | 0:02:09 | |
and I've been called out to reports | 0:02:09 | 0:02:12 | |
that someone's shot into someone's house, | 0:02:12 | 0:02:16 | |
so I'm here, in Luton, at this hour in the morning. | 0:02:16 | 0:02:19 | |
Let's see what we've got. | 0:02:19 | 0:02:21 | |
Just getting protective clothing on, | 0:02:22 | 0:02:25 | |
largely so that we don't take any of our fibres or any bits of evidence | 0:02:25 | 0:02:30 | |
that we've picked up at other crime scenes into this crime scene. | 0:02:30 | 0:02:33 | |
This is the fourth shooting in Luton that Mark and his team have had to investigate in the last two months. | 0:02:35 | 0:02:41 | |
You can see in the front door of the house, there's a very large hole. | 0:02:41 | 0:02:45 | |
It's consistent with someone having shot a shotgun into that house. | 0:02:45 | 0:02:49 | |
We're thinking about what sort of parts | 0:02:49 | 0:02:51 | |
would have been left behind from firing that shot. | 0:02:51 | 0:02:55 | |
Shotguns are unique amongst weapons | 0:02:55 | 0:02:57 | |
because when fired, they leave distinctive clues behind. | 0:02:57 | 0:03:01 | |
This is the sort of damage I'd expect to see from a shotgun | 0:03:01 | 0:03:05 | |
that's been fired, probably from around about the pavement, | 0:03:05 | 0:03:10 | |
thereabouts. | 0:03:10 | 0:03:11 | |
Basically, what you have is a column of pellets | 0:03:11 | 0:03:15 | |
that's exiting the barrel of the gun, roughly the size and shape of my finger. | 0:03:15 | 0:03:19 | |
All it would have needed is someone to be stood behind or walking past the front door | 0:03:19 | 0:03:24 | |
at the time the shot went in, and they would have got almost all of the shot from that shotgun cartridge, | 0:03:24 | 0:03:29 | |
plus bits of the door flying as shrapnel, you know... | 0:03:29 | 0:03:32 | |
So yeah, someone could have died here. | 0:03:32 | 0:03:35 | |
When the shot exits the gun barrel, it begins to scatter. | 0:03:40 | 0:03:44 | |
The further away from the target, the wider the scatter of pellets. | 0:03:45 | 0:03:50 | |
Looking closely at the hole in the door, | 0:03:53 | 0:03:56 | |
there is more of an angle to the shot than we'd first seen, | 0:03:56 | 0:03:59 | |
so it is possible that we've actually got someone shooting from over here. | 0:03:59 | 0:04:04 | |
With an idea of where the gunman may have been standing in the attack, | 0:04:07 | 0:04:12 | |
Mark goes on to comb the muddy ground in search of footprints. | 0:04:12 | 0:04:16 | |
Over here, we've got... | 0:04:16 | 0:04:18 | |
..a footwear pattern. | 0:04:20 | 0:04:21 | |
So we'll capture that, as it's got some potential to be | 0:04:21 | 0:04:26 | |
the person who's been here and done what they've done, | 0:04:26 | 0:04:30 | |
and we'll see if it continues further up, | 0:04:30 | 0:04:33 | |
because we know another gunshot's gone into the back of the house. | 0:04:33 | 0:04:37 | |
The size of the damage to the patio doors is enough to give a good idea of where the gun was fired from. | 0:04:37 | 0:04:43 | |
So what we've got on the back French doors, here, of the house, | 0:04:43 | 0:04:46 | |
is a very different pattern, but still a shotgun. | 0:04:46 | 0:04:49 | |
Whereas on the front door, we had a quite close discharge into the doors, | 0:04:49 | 0:04:54 | |
here, the shot has gone in from quite a long way away. | 0:04:54 | 0:04:58 | |
So what's happened is you've gone from a little ball of shot, like my fist, coming towards the door, | 0:04:58 | 0:05:03 | |
to that ball spreading out and becoming quite a big cone | 0:05:03 | 0:05:07 | |
and, as you can see from the damage, it's a cone about a metre across, | 0:05:07 | 0:05:12 | |
so where we're standing now is pretty much where the shot's gone in from. | 0:05:12 | 0:05:17 | |
Yeah, you've got someone coming down here, officer. | 0:05:18 | 0:05:22 | |
I have been at scenes where we've had three lines, | 0:05:22 | 0:05:25 | |
three cordoned lines, all with that tape up, | 0:05:25 | 0:05:28 | |
and still people have gone through and got in to the inner cordon | 0:05:28 | 0:05:32 | |
because they're just... | 0:05:32 | 0:05:34 | |
..people. | 0:05:36 | 0:05:38 | |
The nature of the shooting suggests it was designed to send the occupants of the house a warning. | 0:05:41 | 0:05:46 | |
We're aware that it's feuds that generally spark these sort of incidents, | 0:05:46 | 0:05:51 | |
so it's about either recovering money, | 0:05:51 | 0:05:53 | |
or making someone do something that the other side want them to do. | 0:05:53 | 0:05:58 | |
If you wanted to kill someone with a shotgun, it would be very easy to do so. | 0:05:58 | 0:06:01 | |
What they're doing here is actually damaging the property | 0:06:01 | 0:06:04 | |
as a scare tactic. | 0:06:04 | 0:06:06 | |
The team move inside the house to look for any physical evidence related to the attack. | 0:06:09 | 0:06:13 | |
What they want is the actual gunshot that was fired. | 0:06:13 | 0:06:17 | |
What we've got here are some of the pellets | 0:06:17 | 0:06:21 | |
that have been discharged by the shotgun. | 0:06:21 | 0:06:24 | |
We'll take a representative sample of pellets, | 0:06:24 | 0:06:26 | |
just so the scientists can give us some information about the type of cartridge that's been used. | 0:06:26 | 0:06:33 | |
We're looking for a piece that comes out from the shotgun cartridge called a wadding. | 0:06:33 | 0:06:38 | |
It should be in there somewhere. | 0:06:38 | 0:06:39 | |
We need to try and find that, because that could be something we could link to the gun, potentially. | 0:06:39 | 0:06:45 | |
The wadding is a light packing inside the gun cartridge | 0:06:45 | 0:06:47 | |
that separates the shot from the gun powder. | 0:06:47 | 0:06:50 | |
When a gun is fired, the wadding follows the shot out of the barrel. | 0:06:50 | 0:06:54 | |
If found, it can often be matched to the weapon it was fired from. | 0:06:55 | 0:07:00 | |
We've just found the wadding. | 0:07:00 | 0:07:03 | |
It's come through the door, | 0:07:03 | 0:07:05 | |
so we have got that, it could tell us the type of ammunition that's been used, | 0:07:05 | 0:07:08 | |
if it's been fired from a modified gun, so one that's had the barrel shortened by sawing it off, | 0:07:08 | 0:07:14 | |
a sawn-off shotgun. | 0:07:14 | 0:07:17 | |
The little burrs that are created in sawing off the barrel | 0:07:17 | 0:07:21 | |
will leave marks on the wadding as it comes out of the end, | 0:07:21 | 0:07:23 | |
and those marks are unique to that barrel, to that gun, | 0:07:23 | 0:07:27 | |
so we're hopeful that maybe it is a sawn-off shotgun that's been used | 0:07:27 | 0:07:31 | |
and we'll be able to link that wadding to that gun. | 0:07:31 | 0:07:34 | |
CID now have a race against the clock to track the culprits down | 0:07:36 | 0:07:40 | |
and stop them disposing of the weapon. | 0:07:40 | 0:07:42 | |
Back over at Luton police station, | 0:07:42 | 0:07:45 | |
every available officer is assisting in the hunt for the gunman. | 0:07:45 | 0:07:50 | |
Because a firearms incident in the town | 0:07:51 | 0:07:53 | |
has got potential to be really worrying for the vast majority of people, | 0:07:53 | 0:07:58 | |
then we need to put the right level of resourcing into it. | 0:07:58 | 0:08:01 | |
The suspects have been classified as armed and dangerous, | 0:08:01 | 0:08:05 | |
so a firearms team have been placed on standby to make any arrests. | 0:08:05 | 0:08:09 | |
It's not long before the police get a tip-off. | 0:08:10 | 0:08:13 | |
We've had some information that has directly implicated someone. | 0:08:13 | 0:08:18 | |
If this person can be found by the police, | 0:08:18 | 0:08:21 | |
Mark's forensic evidence from the scene will be crucial to the investigation. | 0:08:21 | 0:08:25 | |
It's always very important to me to get the person that did it. | 0:08:26 | 0:08:30 | |
Because ultimately that's what I'm paid for, but also that's the real kudos that you get | 0:08:30 | 0:08:36 | |
out of doing any of these jobs. | 0:08:36 | 0:08:38 | |
Otherwise, why do them? | 0:08:38 | 0:08:40 | |
The 62 officers who work at the Beds & Herts unit are on call 24/7. | 0:08:42 | 0:08:46 | |
And there's no let-up today as a call comes in about a vicious attack. | 0:08:48 | 0:08:52 | |
There's a man in the underpass at Crawley Green Road who's being attacked. | 0:08:52 | 0:08:57 | |
The police get down there, and there is a man | 0:08:57 | 0:09:00 | |
and he's very badly injured. | 0:09:00 | 0:09:02 | |
He's scooted off to the hospital at Luton, and is being cared for. | 0:09:04 | 0:09:10 | |
He's got serious head injuries. | 0:09:10 | 0:09:12 | |
He appears to have been burnt with some sort of liquid. | 0:09:12 | 0:09:17 | |
He's also, as we investigate further, got a stab wound. | 0:09:19 | 0:09:23 | |
And various other injuries about his person. | 0:09:24 | 0:09:27 | |
Assisted by fellow officer Caroline Morgans, | 0:09:29 | 0:09:32 | |
Mark heads straight to the crime scene. | 0:09:32 | 0:09:35 | |
A bedsit, close to where the victim was found, | 0:09:35 | 0:09:39 | |
is reported to be covered with blood. | 0:09:39 | 0:09:41 | |
The essence of our job is looking at that crime scene | 0:09:42 | 0:09:45 | |
and saying, what has gone on here, can we show through the blood that's at the scene | 0:09:45 | 0:09:50 | |
who's been attacked and who's been responsible for it? | 0:09:50 | 0:09:53 | |
The reason that forensic science is so powerful | 0:09:53 | 0:09:56 | |
is that it's almost impossible to argue with what we've got. | 0:09:56 | 0:10:01 | |
There's a trail of blood from the pavement | 0:10:06 | 0:10:09 | |
where the victim was found leading into the building. | 0:10:09 | 0:10:13 | |
There's a spot of blood on the doorstep here. | 0:10:15 | 0:10:18 | |
The first thing a Scenes of Crime Officer, a SOCO, | 0:10:18 | 0:10:21 | |
does at a crime scene is to visually map out the area. | 0:10:21 | 0:10:23 | |
First things first. Let's see what we've got. | 0:10:23 | 0:10:26 | |
Then we'll start to put ourselves | 0:10:26 | 0:10:28 | |
in the mindset of the persons that have been in here and what's gone on. | 0:10:28 | 0:10:32 | |
You've got to start by finding all the things to be found. | 0:10:32 | 0:10:35 | |
Mark is looking to isolate the areas | 0:10:35 | 0:10:38 | |
that immediately stand out as hotspots. | 0:10:38 | 0:10:41 | |
In the corner of the tiny one-room flat, | 0:10:41 | 0:10:44 | |
there's an armchair covered in blood. | 0:10:44 | 0:10:47 | |
A small table is littered with potential evidence. | 0:10:48 | 0:10:51 | |
And on the floor, a broken kitchen chair, also covered in blood. | 0:10:51 | 0:10:56 | |
Of the three main hotspots, Mark starts with the kitchen sink, | 0:10:56 | 0:11:03 | |
which is crammed with seemingly innocent household items. | 0:11:03 | 0:11:06 | |
It's possible they may have been used as weapons. | 0:11:06 | 0:11:09 | |
We know our victim has a nasty injury on the top of his head, and there's another one slightly further back. | 0:11:09 | 0:11:14 | |
And they're circular, or at least part of a circle. | 0:11:14 | 0:11:18 | |
And if you look here, | 0:11:18 | 0:11:19 | |
at the bottom of this oven cleaner, you can see it's covered in blood. | 0:11:19 | 0:11:23 | |
And also, you can see, it's slightly deformed. | 0:11:23 | 0:11:26 | |
These aerosol cans are meant to take a lot of internal pressure, | 0:11:26 | 0:11:31 | |
so they don't buckle easily. | 0:11:31 | 0:11:33 | |
And to make it buckle like that, | 0:11:33 | 0:11:35 | |
that's taken quite some physical force to do that. | 0:11:35 | 0:11:38 | |
One of our initial queries was, where did he get injured? | 0:11:38 | 0:11:42 | |
Well, it's looking increasingly like he got injured in here. | 0:11:42 | 0:11:45 | |
One of his other injuries is a very sharply angled triangle, | 0:11:45 | 0:11:50 | |
a mark on his chest. | 0:11:50 | 0:11:53 | |
Well, the iron's missing its base plate. | 0:11:53 | 0:11:57 | |
If we can find that, that just further adds | 0:11:57 | 0:12:00 | |
to what we're already seeing, | 0:12:00 | 0:12:02 | |
evidence that it happened here. | 0:12:02 | 0:12:07 | |
And there looks like spattered blood. Can you see right up inside there? | 0:12:07 | 0:12:11 | |
So it looks like whatever's gone on | 0:12:11 | 0:12:14 | |
has continued to go on after that bit's come off. | 0:12:14 | 0:12:17 | |
And then, the caustic soda bottle, covered in blood. | 0:12:20 | 0:12:24 | |
Our victim has got burns, and they don't appear to be burns | 0:12:24 | 0:12:28 | |
from a flaming source, they appear to be chemical burns. | 0:12:28 | 0:12:32 | |
And caustic soda is corrosive | 0:12:32 | 0:12:34 | |
and very, very nasty if you get it on your skin. | 0:12:34 | 0:12:38 | |
The extreme violence of the crime | 0:12:38 | 0:12:41 | |
has left an overwhelming amount of potential evidence. | 0:12:41 | 0:12:45 | |
It may take days to gather it all. | 0:12:45 | 0:12:47 | |
On the other side of Luton, there's been a dramatic development | 0:12:49 | 0:12:52 | |
in the hunt for the gunmen involved in the shooting. | 0:12:52 | 0:12:55 | |
Two men wanted in connection with the attack have been tracked down. | 0:12:55 | 0:12:59 | |
They have been named as brothers Zahir and Waseem Baig. | 0:12:59 | 0:13:03 | |
The firearms team is closing in. | 0:13:03 | 0:13:07 | |
After giving up peacefully, both brothers are arrested | 0:14:13 | 0:14:16 | |
on suspicion of carrying out the shooting. | 0:14:16 | 0:14:18 | |
In the bedsit, | 0:14:21 | 0:14:22 | |
the team have spent several hours sifting through the room. | 0:14:22 | 0:14:26 | |
More blood on that. | 0:14:32 | 0:14:34 | |
In fact, they've gone as far as to break it into parts | 0:14:34 | 0:14:37 | |
to make it sharp to make it more of a weapon. | 0:14:37 | 0:14:39 | |
It's significant that we're getting no comment | 0:14:39 | 0:14:41 | |
from the people that have been detained. | 0:14:41 | 0:14:44 | |
The questions they can put in further interviews are around | 0:14:44 | 0:14:47 | |
"Why is the broom handle broken in pieces, with blood all over it? | 0:14:47 | 0:14:51 | |
"Why is the iron broken in pieces, with blood all over it? | 0:14:51 | 0:14:54 | |
Whilst the people in custody don't have to answer, | 0:14:54 | 0:14:56 | |
they don't have to incriminate themselves, | 0:14:56 | 0:14:59 | |
if they chose not to comment at that stage, | 0:14:59 | 0:15:02 | |
well, what does that say to a jury? | 0:15:02 | 0:15:04 | |
There's a silver, curved bar over in the far corner | 0:15:05 | 0:15:09 | |
in the area of all that blood over there. | 0:15:09 | 0:15:11 | |
And it's apparent that it's the missing leg from this chair. | 0:15:11 | 0:15:18 | |
That's got some really interesting blood patterns on it. | 0:15:19 | 0:15:22 | |
This chair, we're going to take away | 0:15:22 | 0:15:24 | |
to have a look at in the laboratory, | 0:15:24 | 0:15:26 | |
because we could be looking at fingerprints, | 0:15:26 | 0:15:29 | |
we could be looking at DNA, we could be looking at blood pattern. | 0:15:29 | 0:15:33 | |
So it looks as if this has been deliberately unscrewed | 0:15:33 | 0:15:36 | |
and then taken and used as a weapon. | 0:15:36 | 0:15:38 | |
The SOCO team keep up a constant dialogue | 0:15:38 | 0:15:40 | |
with the detectives heading up the case, | 0:15:40 | 0:15:42 | |
as they are not allowed inside until the team | 0:15:42 | 0:15:45 | |
have gathered all potential evidence. | 0:15:45 | 0:15:47 | |
When we're doing this, we don't let anyone else in to the crime scene. | 0:15:47 | 0:15:50 | |
We don't want to contaminate it | 0:15:50 | 0:15:52 | |
before we've got the forensic science evidence out. | 0:15:52 | 0:15:54 | |
You've got to be mindful that there could be stuff here | 0:15:54 | 0:15:57 | |
that could let the detectives | 0:15:57 | 0:15:59 | |
go and follow a line of enquiry that's new | 0:15:59 | 0:16:02 | |
and could lead them to something good. | 0:16:02 | 0:16:05 | |
So whilst we're going around poking, looking for blood | 0:16:05 | 0:16:08 | |
and things like that, we'd also be looking to see | 0:16:08 | 0:16:11 | |
if there's something that will give us a name for someone who might have been here, | 0:16:11 | 0:16:15 | |
or might give a reason why this has happened. | 0:16:15 | 0:16:17 | |
It looks as though any household appliance | 0:16:17 | 0:16:20 | |
that came to hand may have been used as a weapon. | 0:16:20 | 0:16:23 | |
Now I've taken it out of the wall, I can see that there's blood | 0:16:25 | 0:16:28 | |
on one of the pins. So this has clearly been plugged into that wall | 0:16:28 | 0:16:32 | |
after our assault started | 0:16:32 | 0:16:34 | |
or, you know, after our victim started bleeding. | 0:16:34 | 0:16:39 | |
The fact that it's now bare ends of the wire | 0:16:39 | 0:16:42 | |
just makes it even more sinister. | 0:16:42 | 0:16:44 | |
Mark is still looking for the knife | 0:16:46 | 0:16:48 | |
that may have been used to wound the victim. | 0:16:48 | 0:16:51 | |
Well, it hasn't got obvious blood on it, has it? | 0:16:54 | 0:16:58 | |
It's not the one that's been used to stab our man in the chest. | 0:16:58 | 0:17:02 | |
Mark and Caroline have already identified | 0:17:02 | 0:17:05 | |
and catalogued 17 pieces of evidence. | 0:17:05 | 0:17:09 | |
But the sheer volume of material means the team will return tomorrow to continue their investigation. | 0:17:09 | 0:17:14 | |
We've had a good day. | 0:17:17 | 0:17:18 | |
Got a load of exhibits, a lot of very good exhibits. | 0:17:18 | 0:17:22 | |
Time now, really, to take it back to the police station. | 0:17:22 | 0:17:26 | |
Some of it, we'll take in the laboratory | 0:17:26 | 0:17:28 | |
and start work on it, and the rest of it, we'll use | 0:17:28 | 0:17:31 | |
with the detectives to see what the detainees have got to say about it. | 0:17:31 | 0:17:34 | |
A policeman will stand guard at the property overnight. | 0:17:38 | 0:17:42 | |
At the Baig brothers' house, a major search is underway. | 0:17:44 | 0:17:48 | |
CID have made a discovery in the boot of a car on the driveway, | 0:17:48 | 0:17:52 | |
and SOCO Ruth Precious has been called in to investigate. | 0:17:52 | 0:17:56 | |
We think we may have some firearms in the boot of the vehicle, | 0:17:56 | 0:17:59 | |
but until they've been photographed, they obviously can't be recovered. | 0:17:59 | 0:18:03 | |
I can't recover them if they're loaded. | 0:18:03 | 0:18:07 | |
So we have to give the firearm officers the equipment | 0:18:07 | 0:18:11 | |
to actually do the recovery. | 0:18:11 | 0:18:13 | |
Lying in the boot is a Beretta 12 gauge shotgun, | 0:18:13 | 0:18:16 | |
-designed for shooting pheasants. -Excellent news. | 0:18:16 | 0:18:21 | |
This one has been modified for use by the underworld, | 0:18:21 | 0:18:25 | |
with both its barrels crudely sawn off. | 0:18:25 | 0:18:28 | |
Alongside the gun is a plastic carrier bag, filled with cartridges. | 0:18:31 | 0:18:36 | |
When it goes off to the laboratory, | 0:18:42 | 0:18:44 | |
they'll be able to say when it was fired | 0:18:44 | 0:18:46 | |
and whether that matches the other incident that we've got connected. | 0:18:46 | 0:18:50 | |
I believe this morning, | 0:18:50 | 0:18:52 | |
the actual damage it did to the front door was quite, | 0:18:52 | 0:18:57 | |
quite bad, so it could have been a person | 0:18:57 | 0:19:00 | |
and it'd have been a body we were going to, | 0:19:00 | 0:19:02 | |
not just a recovery of a firearm. So it's nice to get one off the streets. | 0:19:02 | 0:19:06 | |
Whilst the gun is sent to the lab, the car it was found in | 0:19:06 | 0:19:10 | |
is sent to the police station for fingerprinting. | 0:19:10 | 0:19:13 | |
What I'm going to do is a fingerprint examination | 0:19:14 | 0:19:18 | |
of the vehicle, starting off with the boot area. | 0:19:18 | 0:19:23 | |
Now that all the DNA sampling has been done, | 0:19:23 | 0:19:26 | |
I can do the fingerprinting. | 0:19:26 | 0:19:28 | |
We always do the DNA examination first, | 0:19:28 | 0:19:32 | |
so we don't contaminate the DNA with our fingerprint powder. | 0:19:32 | 0:19:37 | |
As you can see, the vehicle's quite dirty, so that kind of limits | 0:19:38 | 0:19:42 | |
our chances of finding fingerprints, but it's always still worth a try. | 0:19:42 | 0:19:48 | |
Fingerprint powder is made of aluminium dust. | 0:19:48 | 0:19:51 | |
Effective on a variety of surfaces, the fine metal particles | 0:19:51 | 0:19:54 | |
attach themselves to the ridges of even the faintest fingerprint. | 0:19:54 | 0:19:58 | |
There's some ridge detail in that print there, | 0:19:58 | 0:20:01 | |
so what I'm going to do is lift that. | 0:20:03 | 0:20:06 | |
I can see some characteristics in that mark there, | 0:20:06 | 0:20:10 | |
so it's still worth me lifting it | 0:20:10 | 0:20:12 | |
and I'll let the fingerprint experts make the decision. | 0:20:12 | 0:20:16 | |
It's always quite rewarding when you find a little bit of evidence, | 0:20:16 | 0:20:21 | |
knowing that it might identify somebody. | 0:20:21 | 0:20:24 | |
It's like playing a game of Cluedo, but it's actually the real thing. | 0:20:24 | 0:20:28 | |
The suspects Zahir and Waseem Baig | 0:20:30 | 0:20:32 | |
are offering no information to the police. | 0:20:32 | 0:20:34 | |
This means that Ruth needs to try | 0:20:34 | 0:20:36 | |
and prove the Baig brothers handled the weapon. | 0:20:36 | 0:20:40 | |
Ruth starts swabbing down the gun | 0:20:45 | 0:20:48 | |
and its case, looking for any traces of DNA. | 0:20:48 | 0:20:52 | |
Whoever pulled the trigger will leave their DNA on here, | 0:20:52 | 0:20:55 | |
but also fingerprints. | 0:20:55 | 0:20:57 | |
Maybe more than one person may have handled it. | 0:20:57 | 0:21:00 | |
Vijay has finished dusting the car, and has now moved on | 0:21:00 | 0:21:03 | |
to testing the cartridges | 0:21:03 | 0:21:05 | |
and the carrier bags they were found in. | 0:21:05 | 0:21:08 | |
The whole purpose of fingerprinting these carrier bags | 0:21:08 | 0:21:11 | |
and DNA swabbing those cartridges is to try and determine | 0:21:11 | 0:21:14 | |
who's had contact with the carrier bags and the ammunition. | 0:21:14 | 0:21:18 | |
It's always quite reassuring when you get things like this | 0:21:18 | 0:21:21 | |
being submitted for examination. | 0:21:21 | 0:21:23 | |
You know you've actually taken these cartridges off the street, | 0:21:23 | 0:21:26 | |
and that firearm as well. | 0:21:26 | 0:21:28 | |
Potentially, they could have been used for anything. | 0:21:28 | 0:21:30 | |
The SOCO team have carried out as much work | 0:21:34 | 0:21:36 | |
as they can on the retrieved items, with only limited results. | 0:21:36 | 0:21:40 | |
For more definite answers, | 0:21:40 | 0:21:42 | |
items are sent to the high-tech scientific services lab | 0:21:42 | 0:21:45 | |
at Police HQ in Welwyn Garden City. | 0:21:45 | 0:21:49 | |
Over 6,000 items of evidence are examined here | 0:21:51 | 0:21:54 | |
every year, making it one of the busiest in the world. | 0:21:54 | 0:21:59 | |
Technician Jamie Haworth sets to work | 0:22:00 | 0:22:02 | |
by putting the gun in a fuming chamber. | 0:22:02 | 0:22:05 | |
We place a small amount of superglue in this foil tray. | 0:22:09 | 0:22:13 | |
The heating plate will warm up and vaporise the superglue. | 0:22:13 | 0:22:18 | |
The fuming process relies | 0:22:18 | 0:22:20 | |
on the vapours released from heating the glue | 0:22:20 | 0:22:22 | |
spreading around the chamber. | 0:22:22 | 0:22:24 | |
The sticky fumes then attach themselves to any sweat or grease | 0:22:24 | 0:22:28 | |
left behind in a fingerprint. | 0:22:28 | 0:22:31 | |
You're always fully aware in the lab what part we play | 0:22:35 | 0:22:40 | |
within an investigation, | 0:22:40 | 0:22:42 | |
and how important our jobs are every single day. | 0:22:42 | 0:22:45 | |
There's some ridges here, | 0:22:54 | 0:22:57 | |
so we'll have to have a closer look. | 0:22:57 | 0:23:00 | |
Ridges are the contours that create a unique fingerprint. | 0:23:00 | 0:23:04 | |
Any mark Jamie finds needs to have sufficient detail within the ridges | 0:23:04 | 0:23:10 | |
for them to be of any use in making a positive ID. | 0:23:10 | 0:23:14 | |
It could be, obviously, | 0:23:14 | 0:23:16 | |
that somebody's touched it, | 0:23:16 | 0:23:18 | |
but they've probably touched it so many times | 0:23:18 | 0:23:21 | |
that any kind of ridge detail has just been swamped. | 0:23:21 | 0:23:24 | |
OK, so the gun's negative. There's nothing on that. | 0:23:24 | 0:23:28 | |
So the best chance of linking the Baigs to the shooting | 0:23:28 | 0:23:32 | |
lies with the gun case, | 0:23:32 | 0:23:33 | |
or the carrier bags the ammunition was stowed in. | 0:23:33 | 0:23:36 | |
Jamie has subjected both to the superglue chamber for treatment. | 0:23:38 | 0:23:42 | |
Seeing some marks that could be prints, | 0:23:42 | 0:23:44 | |
Jamie uses a high intensity magnetic laser light known as a quasar. | 0:23:44 | 0:23:48 | |
The light creates a fluorescent effect | 0:23:48 | 0:23:51 | |
under which even the faintest trace of a fingerprint will glow. | 0:23:51 | 0:23:55 | |
There's kind of a series of five or six fingerprints. | 0:23:55 | 0:23:59 | |
You can see that there's some ridge detail, | 0:23:59 | 0:24:03 | |
with some characteristics and beginnings of a pattern. | 0:24:03 | 0:24:09 | |
The vital find is photographed, | 0:24:09 | 0:24:12 | |
so that it can be sent to an independent examiner. | 0:24:12 | 0:24:15 | |
Richard Luckcraft is one of the UK's leading dactyloscopists, | 0:24:15 | 0:24:19 | |
or fingerprint experts. His job | 0:24:19 | 0:24:22 | |
is to test the lab prints | 0:24:22 | 0:24:23 | |
against those provided by the Baig brothers to see if there's a match. | 0:24:23 | 0:24:27 | |
It's an old-fashioned machine, but very effective | 0:24:27 | 0:24:30 | |
in that it does the job. | 0:24:30 | 0:24:32 | |
The technology he is using may appear antiquated, | 0:24:32 | 0:24:36 | |
but the results mean that it remains | 0:24:36 | 0:24:38 | |
at the forefront of any forensic investigation. | 0:24:38 | 0:24:42 | |
No two fingerprints are the same. | 0:24:43 | 0:24:46 | |
Computer evidence for fingerprints is inadmissible in court. | 0:24:46 | 0:24:50 | |
A positive fingerprint identification | 0:24:50 | 0:24:52 | |
still has to be made by eye. | 0:24:52 | 0:24:54 | |
We're just looking for the quality of the characteristics. | 0:24:54 | 0:24:58 | |
As soon as we're satisfied | 0:24:58 | 0:25:01 | |
that the ridge characteristics agree with, are in the same position, | 0:25:01 | 0:25:05 | |
the same relationship to each other, | 0:25:05 | 0:25:08 | |
in both the mark and the print, then we're happy, | 0:25:08 | 0:25:11 | |
we're satisfied it's an identification. | 0:25:11 | 0:25:13 | |
No-one else in the world has this type of formation of characteristics. | 0:25:17 | 0:25:22 | |
Yep. I'm satisfied that that's an identification. | 0:25:25 | 0:25:28 | |
Richard's work will be checked by two further independent experts, | 0:25:28 | 0:25:33 | |
as a confirmed fingerprint on an illegal weapon | 0:25:33 | 0:25:36 | |
is enough to send someone to jail. | 0:25:36 | 0:25:39 | |
He passes his findings to the detectives leading the investigation | 0:25:39 | 0:25:43 | |
who are now confident Zahir Baig has handled the gun. | 0:25:43 | 0:25:47 | |
Clearly now what we have, evidentially, is that | 0:25:47 | 0:25:50 | |
Zahir Baig is in contact with the bag that held the ammunition | 0:25:50 | 0:25:56 | |
and the gun in the case, or the case that held the gun. | 0:25:56 | 0:26:00 | |
What we need to prove now is that gun is responsible for discharging the round | 0:26:00 | 0:26:05 | |
cos then we can prove not only possession of a prohibited weapon, | 0:26:05 | 0:26:10 | |
we can also prove their involvement in discharging a firearm | 0:26:10 | 0:26:13 | |
with, you know, intent to endanger life, | 0:26:13 | 0:26:16 | |
so it is a very important step still in the inquiry. | 0:26:16 | 0:26:20 | |
GUNSHOT | 0:26:20 | 0:26:22 | |
Dr Philip Alexander is a forensic firearms expert. | 0:26:23 | 0:26:27 | |
With over 25 years' experience, he's worked on over 5,000 cases. | 0:26:27 | 0:26:32 | |
Detective work and science in general are very much the same. | 0:26:33 | 0:26:38 | |
He links ammunition and casings from a crime scene | 0:26:38 | 0:26:41 | |
to the guns that fired them. | 0:26:41 | 0:26:43 | |
No two weapons will ever be the same. | 0:26:43 | 0:26:47 | |
The test on the range is designed to prove that the wadding | 0:26:47 | 0:26:51 | |
found on the crime scene has the same markings as the wadding | 0:26:51 | 0:26:55 | |
left behind from any cartridge fired in the lab. | 0:26:55 | 0:26:58 | |
At this point you might want to turn the volume down on your instrument | 0:26:58 | 0:27:02 | |
to prevent any damage. | 0:27:02 | 0:27:04 | |
These are on laboratory ammunition fired in the case gun. | 0:27:04 | 0:27:08 | |
Stand back. Firing. | 0:27:12 | 0:27:15 | |
GUNSHOT | 0:27:15 | 0:27:17 | |
And there's the fired plastic wad that was part of the cartridge. | 0:27:17 | 0:27:21 | |
The theory is that the sawn-off barrel of the weapon | 0:27:21 | 0:27:24 | |
places tiny unique tear marks in the fabric of the wadding | 0:27:24 | 0:27:27 | |
as it passes out of the barrel | 0:27:27 | 0:27:29 | |
and could be used to prove there is a direct match. | 0:27:29 | 0:27:32 | |
Recovered from the crime scene itself were these four items. | 0:27:34 | 0:27:39 | |
Two 12-gauge plastic cup wads | 0:27:39 | 0:27:41 | |
and two samples from separate locations | 0:27:41 | 0:27:45 | |
of impact-damaged lead shot pellets. | 0:27:45 | 0:27:48 | |
You can see that we have a particular type of 12-gauge wadding, | 0:27:48 | 0:27:54 | |
and I've examined these cartridges | 0:27:54 | 0:27:56 | |
and I have noted that this one has that type of wadding loaded within it | 0:27:56 | 0:28:00 | |
and it's a very unusual cartridge because it's a tracer cartridge. | 0:28:00 | 0:28:04 | |
It contains a single tracer bulb. | 0:28:04 | 0:28:10 | |
Tracer cartridges are often used as a training aid for clay-pigeon shooting. | 0:28:10 | 0:28:14 | |
The tracer bulb creates a visual trail when the gun is fired, | 0:28:14 | 0:28:18 | |
enabling the marksman to perfect his shot. | 0:28:18 | 0:28:21 | |
Because I had never seen this before in a criminal cartridge case, | 0:28:22 | 0:28:26 | |
the fact the materials recovered from the crime scene | 0:28:26 | 0:28:29 | |
are the same as the materials recovered in this cartridge, | 0:28:29 | 0:28:33 | |
that is evidentially significant. | 0:28:33 | 0:28:35 | |
The evidence against the Baig brothers appears to be overwhelming. | 0:28:35 | 0:28:39 | |
Both are charged with the attack and kept in custody. | 0:28:39 | 0:28:43 | |
In the bedsit case, | 0:28:43 | 0:28:45 | |
the forensic team are spending their second day in the flat. | 0:28:45 | 0:28:49 | |
Three suspects are now in custody. | 0:28:50 | 0:28:53 | |
Tenant Jennifer Collins, her friend Jackie Kerr | 0:28:53 | 0:28:56 | |
and her neighbour Barry Medlock. | 0:28:56 | 0:28:58 | |
The trio claim they had nothing to do with the attack | 0:28:58 | 0:29:00 | |
and that the victim came to the flat seeking first aid. | 0:29:00 | 0:29:03 | |
What we're hoping to achieve today is that | 0:29:07 | 0:29:10 | |
number one, we'll have been able to prove | 0:29:10 | 0:29:13 | |
whether the victim was assaulted in the flat at Crawley Green Road | 0:29:13 | 0:29:17 | |
or whether that's somewhere he's gone to after he's been attacked. | 0:29:17 | 0:29:21 | |
They need to work fast because the bedsit presents a health hazard. | 0:29:21 | 0:29:25 | |
There's a blue bottle that's come in | 0:29:25 | 0:29:29 | |
and they're attracted by the smell of the decaying blood. | 0:29:29 | 0:29:33 | |
And they'll actually start to lay their eggs very shortly, I would think. | 0:29:34 | 0:29:39 | |
Analysis of blood markings is one of the SOCO's key skills. | 0:29:39 | 0:29:44 | |
When blood is spilled, it can leave crucial evidence behind. | 0:29:44 | 0:29:47 | |
Not only relating to who the victim was, but how the attack evolved. | 0:29:47 | 0:29:52 | |
Someone with blood on their hands has put their hand against this door | 0:29:52 | 0:29:58 | |
and their hands, because it's got so much blood on it, has slipped. | 0:29:58 | 0:30:02 | |
That's why you've got these marks here. | 0:30:02 | 0:30:05 | |
So either it's our victim, | 0:30:05 | 0:30:08 | |
he's got blood on his hands, he's trying to escape, | 0:30:08 | 0:30:11 | |
he's stumbled, or perhaps it's an offender who's done the same thing, | 0:30:11 | 0:30:15 | |
who's slipped and put their hand against the door frame. | 0:30:15 | 0:30:19 | |
Swabs are taken of the door markings | 0:30:23 | 0:30:25 | |
for any DNA that may have been left behind. | 0:30:25 | 0:30:28 | |
The analysis moves onto other patches and specks of blood, | 0:30:29 | 0:30:32 | |
which are all around the room. | 0:30:32 | 0:30:35 | |
Mark is looking for what is known in the trade as blood-spatter patterns. | 0:30:35 | 0:30:40 | |
It would appear that that is a spatter pattern. | 0:30:41 | 0:30:45 | |
That's someone who's been bleeding already | 0:30:45 | 0:30:47 | |
and has then been repeatedly hit with something, | 0:30:47 | 0:30:50 | |
causing the blood to just flick off in spatters, just like that. | 0:30:50 | 0:30:55 | |
And hit on the wall in these characteristic sort of arcs. | 0:30:56 | 0:31:01 | |
On the previous visit, | 0:31:02 | 0:31:03 | |
Mark identified a chair with a leg broken off. | 0:31:03 | 0:31:07 | |
His theory is that the leg may have been used as a club | 0:31:11 | 0:31:14 | |
to beat the victim about the body and the head. | 0:31:14 | 0:31:17 | |
Looking at this sofa more and more, | 0:31:20 | 0:31:22 | |
that really looks to me like someone's head. | 0:31:22 | 0:31:26 | |
Given his injuries - he's got one stab wound here, | 0:31:26 | 0:31:30 | |
side of his left chest. | 0:31:30 | 0:31:31 | |
Most of the rest of it is his head, | 0:31:31 | 0:31:35 | |
and head wounds bleed really heavily, really quickly, | 0:31:35 | 0:31:39 | |
and so my judgement at the moment | 0:31:40 | 0:31:42 | |
is that that is where his head's been for quite a sustained attack. | 0:31:42 | 0:31:48 | |
The direction of the blood flying upwards and sideways across the wall | 0:31:48 | 0:31:52 | |
directly correlates to the way blood would spray | 0:31:52 | 0:31:55 | |
had repeated blows been rained upon the victim's head. | 0:31:55 | 0:31:58 | |
The DNA is certainly going to give them a lot of questions | 0:31:58 | 0:32:01 | |
that they've got to answer, as to why there's so much | 0:32:01 | 0:32:04 | |
of the victim's blood deposited - if it is the victim's blood - | 0:32:04 | 0:32:07 | |
on the wall in that pattern. | 0:32:07 | 0:32:09 | |
At the end of the day, our victim got a good beating in here | 0:32:09 | 0:32:12 | |
and was lucky that he didn't die, | 0:32:12 | 0:32:14 | |
so I'm satisfied that we've got a lot of evidence | 0:32:14 | 0:32:17 | |
that can help find out who did it. | 0:32:17 | 0:32:20 | |
Mark's hoping that now the delicate forensic evidence has been gathered | 0:32:21 | 0:32:25 | |
he can make a final search for the missing knife. | 0:32:25 | 0:32:29 | |
We're carrying on the bits we haven't already searched | 0:32:29 | 0:32:31 | |
because they were inaccessible or we didn't want to move other stuff. | 0:32:31 | 0:32:35 | |
Just seeing what we've got, really. | 0:32:35 | 0:32:38 | |
Well, that might be it. | 0:32:43 | 0:32:44 | |
It's a Stanley knife, down the side of the bed. | 0:32:44 | 0:32:48 | |
Shall we get a blood test? | 0:32:50 | 0:32:52 | |
It's not got a very long blade. It's a very sharp blade | 0:32:52 | 0:32:55 | |
and without the medical notes to say exactly how deep his stab wound is... | 0:32:55 | 0:33:00 | |
That would fit with some of the other wounds he's got, | 0:33:00 | 0:33:03 | |
particularly across his fingers. | 0:33:03 | 0:33:05 | |
We're trying to see whether the stains we can see on the blade, | 0:33:05 | 0:33:08 | |
that might be blood, are blood. | 0:33:08 | 0:33:11 | |
And that's indicating that there could well be blood on it. | 0:33:13 | 0:33:18 | |
So we'll package that up and send it off with the other exhibits | 0:33:18 | 0:33:22 | |
to the scientists, to see if we're right. | 0:33:22 | 0:33:25 | |
It's always good to find things that are useful to the inquiry. | 0:33:25 | 0:33:30 | |
Mark has spent two days painstakingly combing the bedsit | 0:33:30 | 0:33:33 | |
for clues and evidence. | 0:33:33 | 0:33:35 | |
He now has a comprehensive picture of what happened. | 0:33:35 | 0:33:38 | |
He thinks that the victim was attacked | 0:33:38 | 0:33:41 | |
while sat in the corner armchair. | 0:33:41 | 0:33:43 | |
There is evidence he was kicked and punched. | 0:33:43 | 0:33:45 | |
The attackers used a variety of clubs in the assault, | 0:33:45 | 0:33:48 | |
which left a series of distinctive blood patterns on the wall. | 0:33:48 | 0:33:53 | |
On top of this, the already bleeding victim was attacked | 0:33:53 | 0:33:56 | |
with a number of items Mark found by the sink. | 0:33:56 | 0:33:59 | |
He was beaten with the iron so hard that it broke, | 0:34:02 | 0:34:05 | |
battered with an aerosol can, | 0:34:05 | 0:34:08 | |
and whipped with a piece of flex. | 0:34:08 | 0:34:11 | |
At some point in the night-long ordeal the beatings turn to torture, | 0:34:11 | 0:34:15 | |
as the victim is covered with caustic soda | 0:34:15 | 0:34:17 | |
and then soaked in water from the kettle, | 0:34:17 | 0:34:20 | |
giving him severe chemical burns. | 0:34:20 | 0:34:22 | |
He was also slashed and stabbed | 0:34:22 | 0:34:24 | |
before being manhandled through the door and left in the road. | 0:34:24 | 0:34:28 | |
His life was saved when a passer-by called the emergency services. | 0:34:28 | 0:34:32 | |
It makes the hard work of the five or six hours we spend in here, | 0:34:32 | 0:34:37 | |
dressed like this, worthwhile. | 0:34:37 | 0:34:41 | |
It's now time for the detectives to make the best use of the evidence | 0:34:44 | 0:34:48 | |
and bring the case to court. | 0:34:48 | 0:34:50 | |
In the case of the intimidation shooting, | 0:34:56 | 0:34:59 | |
fingers were pointed immediately to the Baig brothers | 0:34:59 | 0:35:02 | |
but it was up to Mark and the SOCO team | 0:35:02 | 0:35:04 | |
to prove the brothers carried out the shooting. | 0:35:04 | 0:35:06 | |
The intended victim no longer lives at the address. | 0:35:06 | 0:35:10 | |
Although the weapon found in the Baigs' car was clean, | 0:35:10 | 0:35:13 | |
fingerprints on the gun case were proved be those of Zahir Baig, | 0:35:13 | 0:35:17 | |
and the unique markings on the cartridge wadding | 0:35:17 | 0:35:19 | |
found at the scene, | 0:35:19 | 0:35:20 | |
combined with the unusual tracer ammunition, | 0:35:20 | 0:35:24 | |
proved it was this same gun that had been used in the shooting. | 0:35:24 | 0:35:28 | |
A tip-off placed Waseem Baig at the scene | 0:35:28 | 0:35:31 | |
and faced with all the evidence, he pleaded guilty | 0:35:31 | 0:35:34 | |
to using the shotgun for intimidation, | 0:35:34 | 0:35:36 | |
and two other weapons charges. | 0:35:36 | 0:35:38 | |
He was sent to jail for five and a half years. | 0:35:38 | 0:35:42 | |
His brother Zahir also pleaded guilty to firearms charges | 0:35:42 | 0:35:46 | |
and was sentenced to five years. | 0:35:46 | 0:35:48 | |
Once the full forensic evidence was put to the three suspects | 0:35:48 | 0:35:51 | |
in the torture house, | 0:35:51 | 0:35:53 | |
only one, Barry Medlock, denied his part in the assault. | 0:35:53 | 0:35:58 | |
But he was found guilty of causing grievous bodily harm with intent | 0:35:58 | 0:36:02 | |
by a jury at Luton Crown Court. | 0:36:02 | 0:36:05 | |
Tenant Jennifer Collins and her friend Jacky Kerr | 0:36:05 | 0:36:08 | |
both pleaded guilty to the sustained attack in the bedsit. | 0:36:08 | 0:36:11 | |
A judge said he was satisfied that Kerr had initiated the beating, | 0:36:11 | 0:36:15 | |
kicked, punched and clubbed the victim, | 0:36:15 | 0:36:17 | |
before pouring caustic soda and water over his head and body. | 0:36:17 | 0:36:21 | |
Kerr was sentenced to eleven and a half years in jail | 0:36:21 | 0:36:23 | |
for GBH with intent. | 0:36:23 | 0:36:25 | |
Collins was sentenced to six years and three months. | 0:36:25 | 0:36:29 | |
Medlock was given eleven years. | 0:36:29 | 0:36:31 | |
Though severely traumatised by the attack, | 0:36:31 | 0:36:34 | |
their victim recovered sufficiently from his injuries to give evidence. | 0:36:34 | 0:36:40 | |
In the past 12 months, the Beds and Herts SOCO team | 0:36:40 | 0:36:43 | |
have helped to crack more than 8,000 cases - | 0:36:43 | 0:36:46 | |
almost 20% of all crimes solved in the two counties. | 0:36:46 | 0:36:50 | |
It's always satisfying, as a scenes of crime officer, | 0:36:50 | 0:36:53 | |
to find that the evidence you picked up at that crime scene | 0:36:53 | 0:36:56 | |
and spent hours getting back | 0:36:56 | 0:36:58 | |
has ended up either making someone admit their guilt | 0:36:58 | 0:37:01 | |
or being found guilty. | 0:37:01 | 0:37:03 | |
It's bringing the scene to life for the jury the court, | 0:37:03 | 0:37:06 | |
so that they can understand, in simple terms, | 0:37:06 | 0:37:09 | |
exactly what's gone on and what we, the police, | 0:37:09 | 0:37:13 | |
say the person in the dock is accused of having done. | 0:37:13 | 0:37:17 | |
Subtitles by Red Bee Media Ltd | 0:37:37 | 0:37:40 | |
E-mail [email protected] | 0:37:40 | 0:37:44 |