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This programme contains some scenes which some viewers may find upsetting | 0:00:02 | 0:00:07 | |
This programme contains some strong language | 0:00:07 | 0:00:12 | |
I'm David Gillanders. | 0:00:15 | 0:00:17 | |
I'm a documentary photographer and film-maker. | 0:00:17 | 0:00:20 | |
Over a decade ago, prompted by my own experiences, I began a | 0:00:22 | 0:00:26 | |
photographic project documenting the violence in my hometown of Glasgow. | 0:00:26 | 0:00:30 | |
Back then, the press referred to Glasgow | 0:00:56 | 0:00:58 | |
as THE murder capital of Europe. | 0:00:58 | 0:01:00 | |
And a 2005 United Nations report named Scotland the most | 0:01:00 | 0:01:05 | |
violent country in the developed world. | 0:01:05 | 0:01:07 | |
The photographic project took me seven years to finish. | 0:01:14 | 0:01:18 | |
I used it as an educational tool through youth groups and in schools | 0:01:18 | 0:01:22 | |
and, as a result, met a small army of people working to change | 0:01:22 | 0:01:25 | |
the culture of violence I had encountered. | 0:01:25 | 0:01:28 | |
Ten years on, what I want to know is - | 0:01:33 | 0:01:36 | |
has anything fundamentally changed for Glasgow and for Scotland? | 0:01:36 | 0:01:39 | |
SIREN WAILS | 0:01:45 | 0:01:47 | |
At the moment, the only information we've got is that we're | 0:01:47 | 0:01:50 | |
going for a 25-year-old female. | 0:01:50 | 0:01:52 | |
It's coming down as a dangerous haemorrhage. | 0:01:52 | 0:01:56 | |
However, on the phone the controllers | 0:01:56 | 0:01:58 | |
have stated that maybe she's been slashed. | 0:01:58 | 0:02:00 | |
So, we're basically going to just need to wait | 0:02:02 | 0:02:04 | |
and see when we get there as to what we've got. | 0:02:04 | 0:02:07 | |
What time is it? | 0:02:07 | 0:02:10 | |
It is currently 0805. | 0:02:10 | 0:02:12 | |
Breakfast time! | 0:02:12 | 0:02:13 | |
Before some of us have had breakfast! | 0:02:15 | 0:02:17 | |
Someone's been slashed. | 0:02:17 | 0:02:18 | |
You're OK my side. SIREN WAILS | 0:02:22 | 0:02:25 | |
Still OK. | 0:02:25 | 0:02:27 | |
I'm halfway through six months of filming with | 0:02:30 | 0:02:33 | |
the paramedics of Glasgow East Ambulance Station. | 0:02:33 | 0:02:36 | |
I photographed much of the original project with these crews | 0:02:36 | 0:02:39 | |
and here, at the front line, is where I hope to find out | 0:02:39 | 0:02:43 | |
if anything has changed in the past ten years. | 0:02:43 | 0:02:46 | |
So, can you remember everything that happened? | 0:02:57 | 0:03:00 | |
Aye... | 0:03:00 | 0:03:02 | |
-OK. So you weren't knocked out or anything like that? -No. -OK. | 0:03:02 | 0:03:05 | |
Is my face that bad? | 0:03:05 | 0:03:07 | |
OK. Don't worry, the police are out there. | 0:03:07 | 0:03:10 | |
They'll deal with whoever it is out there. | 0:03:10 | 0:03:12 | |
Don't you worry about that, OK? | 0:03:12 | 0:03:13 | |
We'll get you sorted first, all right? | 0:03:13 | 0:03:15 | |
And then we'll get you out to the ambulance | 0:03:15 | 0:03:17 | |
and get a proper look at you, OK? | 0:03:17 | 0:03:20 | |
She's obviously going to need to go and get this stitched, | 0:03:20 | 0:03:23 | |
so we'll take her out and get a proper look at her, get it | 0:03:23 | 0:03:27 | |
cleaned up out there and we'll leave you to it. | 0:03:27 | 0:03:29 | |
You put your hand up to stop this, I take it? | 0:03:29 | 0:03:32 | |
Aye, nae bother. | 0:03:33 | 0:03:34 | |
-Get my fags out the cupboard. -Get your fags out the cupboard? | 0:03:35 | 0:03:38 | |
We'll leave that just now, OK, and we'll get you sorted. | 0:03:38 | 0:03:40 | |
All right, pal? | 0:03:40 | 0:03:42 | |
Come on, we'll get you outside and get you seen to. | 0:03:42 | 0:03:45 | |
There you go, pal. All the way round here. | 0:03:45 | 0:03:47 | |
OK. | 0:03:47 | 0:03:49 | |
I've no' got anything, Crawford. Oh, you've got... Sorry. | 0:03:49 | 0:03:52 | |
Am I gonnae be scarred for life? | 0:03:52 | 0:03:54 | |
The plastic surgeons are great up there, OK? | 0:03:54 | 0:03:57 | |
What we're going to do is... Let me see this for a wee second. | 0:03:57 | 0:04:01 | |
Just take your time. SHE GROANS | 0:04:01 | 0:04:02 | |
No, no, no. Keep your finger there. | 0:04:02 | 0:04:05 | |
Was it big glasses of vodka? | 0:04:05 | 0:04:07 | |
No, it was the small ones. | 0:04:07 | 0:04:09 | |
Just small ones. | 0:04:09 | 0:04:10 | |
It's only been small glasses of vodka. | 0:04:10 | 0:04:13 | |
I'm going to just give you a wee clean up a bit, OK. | 0:04:13 | 0:04:15 | |
I'm going to clean your hands, OK, pal? | 0:04:15 | 0:04:17 | |
SHE MOANS | 0:04:23 | 0:04:25 | |
Let me have a look. | 0:04:25 | 0:04:26 | |
Right, pal. | 0:04:31 | 0:04:32 | |
Put your hand over for me, pal. | 0:04:34 | 0:04:36 | |
Watch the dried blood. | 0:04:36 | 0:04:38 | |
You going to sleep on me? | 0:04:38 | 0:04:40 | |
Who done your eyelashes? | 0:04:40 | 0:04:42 | |
-Eh... -You? | 0:04:42 | 0:04:45 | |
You're no very good at it, are you? | 0:04:45 | 0:04:46 | |
INDISTINCT | 0:04:46 | 0:04:48 | |
All right, no bother. | 0:04:48 | 0:04:49 | |
So where were you last night? | 0:04:53 | 0:04:54 | |
In my house. | 0:04:54 | 0:04:56 | |
I hope to fuck they get him. | 0:04:56 | 0:04:58 | |
-I'm sure they will. -I'm sure they will. | 0:05:00 | 0:05:02 | |
I take it you know who done it? | 0:05:02 | 0:05:04 | |
-Aye. -Did you tell the police that? -Uh-huh. | 0:05:04 | 0:05:07 | |
-Well, they'll get him then. -They won't, but. | 0:05:07 | 0:05:09 | |
Erm, I've got an ASBO out, it's just... | 0:05:11 | 0:05:13 | |
-You've got an ASBO? -I have. | 0:05:13 | 0:05:16 | |
-You been a naughty lassie? -Mm. | 0:05:17 | 0:05:19 | |
Joe, are you OK? | 0:05:19 | 0:05:21 | |
Right, that's us going to head to the hospital, OK? | 0:05:24 | 0:05:27 | |
How long you stayed up here? | 0:05:28 | 0:05:29 | |
-Too long. -You born and bred here? | 0:05:31 | 0:05:34 | |
Eh... | 0:05:34 | 0:05:35 | |
-Eh? -I stayed in Stirling for two and half years. | 0:05:38 | 0:05:42 | |
-Stirling? -Aye. | 0:05:42 | 0:05:44 | |
How was that? | 0:05:44 | 0:05:46 | |
-In the jail. -Oh, in the jail?! | 0:05:46 | 0:05:49 | |
You cannae exactly say you stayed in Stirling for a wee two | 0:05:49 | 0:05:51 | |
and a half years and you were in the hoose! | 0:05:51 | 0:05:53 | |
Naw, but I've been good noo. | 0:05:53 | 0:05:55 | |
You keep that there. | 0:05:55 | 0:05:56 | |
Two and a half years in the jail? | 0:05:58 | 0:06:00 | |
INDISTINCT No bother. | 0:06:00 | 0:06:02 | |
We'll get that sorted. | 0:06:02 | 0:06:04 | |
-Aye. -How did you find that? | 0:06:04 | 0:06:06 | |
Erm... | 0:06:06 | 0:06:07 | |
Very, erm... | 0:06:07 | 0:06:09 | |
Very therapeutic. | 0:06:11 | 0:06:12 | |
Therapeutic? | 0:06:12 | 0:06:14 | |
I've never heard of the jail being described as therapeutic | 0:06:14 | 0:06:17 | |
in my life before. | 0:06:17 | 0:06:18 | |
I'm just going to pop a wee dressing on this to stop it bleeding away, OK? | 0:06:22 | 0:06:26 | |
There you go. | 0:06:26 | 0:06:28 | |
Is that why you've...? | 0:06:29 | 0:06:30 | |
Well, when did you get out the jail? | 0:06:30 | 0:06:32 | |
Eight year ago. | 0:06:32 | 0:06:34 | |
And you've got an ASBO again? | 0:06:34 | 0:06:36 | |
-I'm freezing. Can I get my jacket? -Right. | 0:06:41 | 0:06:44 | |
Right. | 0:06:46 | 0:06:47 | |
We'll get it sorted. I'm going to give you a blanket. | 0:06:49 | 0:06:51 | |
We need to get you on here first. | 0:06:51 | 0:06:53 | |
-Just turn yourself round, have a wee seat in there. -You look much better. | 0:06:53 | 0:06:56 | |
-There you go. -Come on. Watch out. | 0:06:58 | 0:07:00 | |
Put your bum straight on, there you go. | 0:07:00 | 0:07:04 | |
-We'll get you covered up, OK, pal? -I'm freezing. | 0:07:04 | 0:07:07 | |
Here. Just take that. All right, guys? | 0:07:07 | 0:07:10 | |
Thank you. | 0:07:10 | 0:07:12 | |
-There we go. -Try and look a bit sick, right? | 0:07:12 | 0:07:14 | |
Girls do get attacked unfortunately. | 0:07:28 | 0:07:31 | |
In the main, statistically, it's young men who are victims of | 0:07:31 | 0:07:37 | |
assaults, but, no, it can be anyone, | 0:07:37 | 0:07:40 | |
any range of age - anything at all. | 0:07:40 | 0:07:43 | |
It brings it home a wee bit more, she was only a young girl, | 0:07:44 | 0:07:48 | |
and she's now marked for life. | 0:07:48 | 0:07:50 | |
In three months of filming with the paramedics, | 0:07:55 | 0:07:57 | |
this is the first truly violent incident I've attended. | 0:07:57 | 0:08:00 | |
Ten years ago, incidents like this, and much worse, | 0:08:02 | 0:08:05 | |
happened several times a week and sometimes, several times a day. | 0:08:05 | 0:08:09 | |
CHATTER ON WARD | 0:08:26 | 0:08:28 | |
'Unfortunately, Glasgow's always had a reputation for a culture | 0:08:30 | 0:08:34 | |
'of violence,' | 0:08:34 | 0:08:35 | |
and I think that here at The Royal Infirmary, we've probably | 0:08:35 | 0:08:38 | |
seen more of it, due to the deprived areas that are within our catchment. | 0:08:38 | 0:08:46 | |
Erm... | 0:08:46 | 0:08:47 | |
When I first started as a consultant and as a senior registrar, | 0:08:47 | 0:08:51 | |
I was on a one in three rota at the weekends, | 0:08:51 | 0:08:54 | |
and I can honestly say that every weekend, | 0:08:54 | 0:08:56 | |
I would be called in late at night | 0:08:56 | 0:08:57 | |
because somebody had been stabbed through the chest | 0:08:57 | 0:09:00 | |
and required to have their chest opened | 0:09:00 | 0:09:02 | |
in the resuscitation room. | 0:09:02 | 0:09:04 | |
I remember, one night, coming in and the nurses telling me | 0:09:04 | 0:09:07 | |
that resus was a bit busy with some stabbings, and I came in to find that | 0:09:07 | 0:09:10 | |
the patient in the first cubicle was already undergoing | 0:09:10 | 0:09:13 | |
a thoracotomy - having their chest opened - | 0:09:13 | 0:09:16 | |
and the cardiothoracic team were in attendance. | 0:09:16 | 0:09:19 | |
The patient in the next cubicle had a sword sticking out of his eye, | 0:09:19 | 0:09:23 | |
and the patient in the third cubicle - | 0:09:23 | 0:09:26 | |
all three were from separate incidents - | 0:09:26 | 0:09:28 | |
had suffered a horrific number of machete | 0:09:28 | 0:09:32 | |
wounds all over his body and unfortunately he died. | 0:09:32 | 0:09:36 | |
In fact, all three of them died. | 0:09:36 | 0:09:39 | |
I recall one where two brothers arrived | 0:09:41 | 0:09:44 | |
simultaneously from the same gang fight. | 0:09:44 | 0:09:48 | |
Typically, they both had the injury which we very often see, | 0:09:48 | 0:09:52 | |
which is a fairly small one to two centimetre length wound, | 0:09:52 | 0:09:56 | |
usually on the left side of the chest, | 0:09:56 | 0:09:59 | |
and they both had an identical wound in virtually identical places, | 0:09:59 | 0:10:04 | |
on the left side of the chest. | 0:10:04 | 0:10:07 | |
One of them had a collapsed lung, and the other one was dead. | 0:10:07 | 0:10:11 | |
They were in separate rooms. | 0:10:12 | 0:10:14 | |
I think the hardest bit was | 0:10:16 | 0:10:18 | |
when the brother who was not dead was asking me how his brother was. | 0:10:18 | 0:10:22 | |
And all I could really say was, "He's next door." | 0:10:22 | 0:10:26 | |
Erm... | 0:10:26 | 0:10:27 | |
Eventually, of course, you have to break it to them, | 0:10:27 | 0:10:31 | |
but very difficult. | 0:10:31 | 0:10:33 | |
It's always difficult when it's young people. | 0:10:35 | 0:10:38 | |
Erm... | 0:10:38 | 0:10:39 | |
One of the hardest bits of the job is telling any family member that | 0:10:39 | 0:10:43 | |
an another family member has died. | 0:10:43 | 0:10:45 | |
It's difficult enough telling a young person that a parent or | 0:10:45 | 0:10:49 | |
a grandparent has died, | 0:10:49 | 0:10:50 | |
but it's really difficult telling a parent that a child has died. | 0:10:50 | 0:10:55 | |
Erm... | 0:10:55 | 0:10:56 | |
Just have to do it. | 0:11:01 | 0:11:03 | |
So much of the violence I saw ten years ago was a tragic | 0:11:09 | 0:11:12 | |
waste of young life. | 0:11:12 | 0:11:13 | |
In 2007, I photographed the location of one such incident. | 0:11:15 | 0:11:20 | |
I had just finished night shift, actually, | 0:11:28 | 0:11:30 | |
I had just finished night shift at the Queen Mother's Hospital. | 0:11:30 | 0:11:35 | |
My sister lives facing me, so she lives across the road. | 0:11:35 | 0:11:40 | |
And she came running, about 20 past 12, I think, | 0:11:40 | 0:11:45 | |
and shouted that James had been stabbed. | 0:11:45 | 0:11:48 | |
So we drove, frantically, and got to the street that it was on and | 0:11:50 | 0:11:56 | |
knew instinctively that that's where he was, because the crowd of people, | 0:11:56 | 0:12:00 | |
and lots of screaming and James lying in the street, | 0:12:00 | 0:12:05 | |
with somebody behind him holding a towel, | 0:12:05 | 0:12:08 | |
and two police hovering over him. | 0:12:08 | 0:12:10 | |
And, I think, screaming at them, "What's happened to him?" | 0:12:11 | 0:12:17 | |
And at that point, somebody said that he'd been stabbed. | 0:12:17 | 0:12:20 | |
I didnae know where, didnae know how many times. | 0:12:20 | 0:12:23 | |
And I think I automatically must have went into nurse mode and was just | 0:12:24 | 0:12:29 | |
thinking, "Oh, my God, he's injured." I knew by his face - he was pale, | 0:12:29 | 0:12:35 | |
and his eyes were rolling slightly. | 0:12:35 | 0:12:37 | |
I couldn't find a pulse at first. | 0:12:37 | 0:12:40 | |
I remember that, I remember feeling his neck and thinking, | 0:12:40 | 0:12:43 | |
"He's got to have a pulse cos I can see his eyes." | 0:12:43 | 0:12:46 | |
But I think it was just me, my adrenaline was too high | 0:12:46 | 0:12:50 | |
and I definitely... | 0:12:50 | 0:12:54 | |
I look back at that now and I think, "Where was my instincts as a mother? | 0:12:54 | 0:12:59 | |
"Should I just have taken him in my arms and let him | 0:13:01 | 0:13:05 | |
"know I was there as his mum?" | 0:13:05 | 0:13:07 | |
And I never. I totally went into nurse mode and... | 0:13:07 | 0:13:10 | |
If I could stabilise him in any way, or anything we could have done, | 0:13:12 | 0:13:15 | |
so I know my brain switched to some automatic mode that somebody's | 0:13:15 | 0:13:21 | |
injured and I need to help them. | 0:13:21 | 0:13:22 | |
Five times he stabbed him. | 0:13:27 | 0:13:30 | |
He stabbed him in the clavicle, I think. | 0:13:30 | 0:13:33 | |
I think a rib. | 0:13:34 | 0:13:35 | |
And he stabbed him in the back, | 0:13:35 | 0:13:38 | |
which went through his aorta, so he stabbed him in the big, | 0:13:38 | 0:13:41 | |
major aortic artery of the heart. | 0:13:41 | 0:13:45 | |
And that's why he bled and bled and that's what killed him, | 0:13:45 | 0:13:48 | |
the last stabbing was the one that killed him. | 0:13:48 | 0:13:50 | |
That's why he collapsed where he fell. | 0:13:50 | 0:13:53 | |
And then fortunately someone came and got us, and took us to the Royal. | 0:13:55 | 0:13:59 | |
I just had this belief that they'll save him, | 0:13:59 | 0:14:04 | |
and things started to get better and he started to become more stable | 0:14:04 | 0:14:08 | |
and they were moving him, and everybody left, | 0:14:08 | 0:14:11 | |
and when everybody left, it's like a sigh of relief. | 0:14:11 | 0:14:14 | |
"If all these important people don't need to be there, he's fine." | 0:14:14 | 0:14:20 | |
And I remember the picture of a lone nurse over him, | 0:14:20 | 0:14:23 | |
taking off the machines, as I left. | 0:14:23 | 0:14:27 | |
And within seconds of leaving, | 0:14:29 | 0:14:31 | |
she came and he had went into cardiac arrest | 0:14:31 | 0:14:35 | |
and somebody's over him doing CPR, | 0:14:35 | 0:14:39 | |
and other people start to come back again, | 0:14:39 | 0:14:43 | |
and you still don't believe, | 0:14:43 | 0:14:46 | |
and you're watching them, and... | 0:14:46 | 0:14:49 | |
..the next minute, everybody stops, | 0:14:50 | 0:14:53 | |
and his heart stops, | 0:14:53 | 0:14:55 | |
his life stops and your life stops somewhere then as well. | 0:14:55 | 0:15:00 | |
And he then becomes part of a crime scene, | 0:15:00 | 0:15:04 | |
and you're thrown into something | 0:15:04 | 0:15:07 | |
that is the most unimaginable process you'll ever experience. | 0:15:07 | 0:15:12 | |
And... | 0:15:12 | 0:15:13 | |
..they quite easily take off all the drips | 0:15:14 | 0:15:18 | |
and take off all the machines | 0:15:18 | 0:15:20 | |
and you're left with James, but it's no' James. | 0:15:20 | 0:15:25 | |
Nothing's ever the same again, I suppose. | 0:15:28 | 0:15:30 | |
Part of your heart stops when his stops. | 0:15:32 | 0:15:35 | |
The murder of Joyce's son James | 0:16:04 | 0:16:06 | |
wasn't an uncommon event in the Glasgow of that time, | 0:16:06 | 0:16:09 | |
and the level of serious violence I encountered only a decade ago | 0:16:09 | 0:16:13 | |
was truly horrific. | 0:16:13 | 0:16:14 | |
That violence is still out there, | 0:16:16 | 0:16:18 | |
only now it seems it's happening much less frequently. | 0:16:18 | 0:16:21 | |
SIREN WAILS | 0:16:23 | 0:16:26 | |
Just before I finished filming with the Glasgow paramedics, | 0:16:27 | 0:16:30 | |
we were called to a serious assault involving a bladed weapon. | 0:16:30 | 0:16:34 | |
It was only the second incident of its type | 0:16:34 | 0:16:36 | |
I had witnessed in six months. | 0:16:36 | 0:16:39 | |
We're responding to... | 0:16:39 | 0:16:42 | |
We're responding to a call just now | 0:16:42 | 0:16:45 | |
where it's reported that two males have been stabbed at an address. | 0:16:45 | 0:16:51 | |
It appears one of them may not still be alive at this point in time. | 0:16:51 | 0:16:57 | |
All we're being told is that the place is covered in blood | 0:16:57 | 0:17:01 | |
and someone is either unconscious or in cardiac arrest. | 0:17:01 | 0:17:05 | |
Right, onto the couch. Come on. | 0:17:23 | 0:17:26 | |
-All right, I'm going. -Come on up. -Go and get a wee seat. | 0:17:26 | 0:17:30 | |
Come on, you're losing a lot of blood. Sit up on the couch, eh? | 0:17:32 | 0:17:35 | |
We'd never harm each other in any way. | 0:17:35 | 0:17:38 | |
Right, so what happened tonight, then? | 0:17:38 | 0:17:41 | |
His wife left him, eh... four months ago. | 0:17:41 | 0:17:46 | |
-What's happened to your hand? -I don't know. He attacked me with a knife. | 0:17:46 | 0:17:50 | |
-He attacked you with a knife? Where is the knife? -I've no idea. | 0:17:50 | 0:17:54 | |
Do what the guy tells you! | 0:17:55 | 0:17:58 | |
Do what the person tells you. | 0:17:58 | 0:18:00 | |
Do as the paramedics are telling you, they've got a job to do, right? | 0:18:00 | 0:18:04 | |
There was a difference between you and your pal. | 0:18:04 | 0:18:06 | |
I don't even know if I've got pressure on where it is, John. | 0:18:06 | 0:18:09 | |
Where is it? | 0:18:09 | 0:18:10 | |
Is it his thumb? OK. | 0:18:15 | 0:18:18 | |
I can't feel the thumb. | 0:18:18 | 0:18:20 | |
I'm not surprised. | 0:18:20 | 0:18:21 | |
It's a bit severed. You know? | 0:18:23 | 0:18:26 | |
-You're joking. -We can see your bone. | 0:18:26 | 0:18:28 | |
Oh, no. | 0:18:28 | 0:18:30 | |
-Up. Stand up. -What are you doing? -You need to stand up. OK? | 0:18:30 | 0:18:33 | |
Everything is absolutely covered. | 0:18:33 | 0:18:36 | |
MAN WHIMPERS | 0:18:39 | 0:18:42 | |
You're gonnae be fine. | 0:18:42 | 0:18:44 | |
HE TALKS, MUFFLED THROUGH OXYGEN MASK | 0:18:44 | 0:18:46 | |
You're going to be fine, right? | 0:18:46 | 0:18:49 | |
You've lost an awful lot of blood, pet. | 0:18:49 | 0:18:52 | |
You're just going to feel a sharp scratch in the back of your hand. | 0:18:52 | 0:18:55 | |
-Why did he do that? -I don't know. | 0:18:55 | 0:18:58 | |
I need you to sit nice and still for me. | 0:18:58 | 0:19:00 | |
-Nice and still. -OK. | 0:19:00 | 0:19:02 | |
Well done. | 0:19:02 | 0:19:03 | |
-You've had an awful lot to drink tonight, eh? -Yeah. | 0:19:03 | 0:19:08 | |
But I don't know what happened to him. | 0:19:08 | 0:19:11 | |
He just turned psychotic. | 0:19:11 | 0:19:14 | |
A lot of blood. | 0:19:17 | 0:19:19 | |
Do you see this wee chair here? | 0:19:21 | 0:19:23 | |
That's what you're going to need to sit on, pal. | 0:19:24 | 0:19:28 | |
You keep your arm up. Can you manage to stand? | 0:19:28 | 0:19:31 | |
Watch. It's awful slippy, right? | 0:19:31 | 0:19:34 | |
-One step forward. -Right. | 0:19:34 | 0:19:36 | |
I know, these things happen when you're least expecting it. | 0:19:40 | 0:19:43 | |
Hello, GRI. Just to advise you, we're bringing a stand-by in. | 0:19:55 | 0:19:58 | |
It's a male in his 50s, knife wounds to his right hand. | 0:19:58 | 0:20:03 | |
He's lost quite an extensive amount of blood on the scene. | 0:20:03 | 0:20:07 | |
He is conscious but intoxicated, | 0:20:07 | 0:20:10 | |
still bleeding at the moment. | 0:20:10 | 0:20:12 | |
ETA, four minutes. | 0:20:12 | 0:20:13 | |
RADIO CRACKLES | 0:20:16 | 0:20:20 | |
He's GCS 15, saturating at 99, | 0:20:20 | 0:20:23 | |
pulse of 88, blood pressure 106/91. | 0:20:23 | 0:20:27 | |
Roger. | 0:20:31 | 0:20:32 | |
-Watch the swing. -Watch your toes. | 0:20:32 | 0:20:34 | |
Awful high up, so keep the seat... | 0:20:34 | 0:20:38 | |
-You watch what you're doing. -On you go. | 0:20:38 | 0:20:41 | |
You can have situations some nights in this job | 0:20:58 | 0:21:01 | |
where four, five, six ambulances are all off-loading one after the other. | 0:21:01 | 0:21:08 | |
And each person, each patient | 0:21:11 | 0:21:13 | |
that's being brought into the casualty department, | 0:21:13 | 0:21:18 | |
in some shape or form, | 0:21:18 | 0:21:20 | |
has arrived there due to the amount of alcohol they've consumed. | 0:21:20 | 0:21:25 | |
Either they've injured themselves | 0:21:25 | 0:21:29 | |
or they've become unwell or they've been involved in a violent incident, | 0:21:29 | 0:21:36 | |
they've got into a fight, but in some shape or form... | 0:21:36 | 0:21:40 | |
..the root cause of it is the misuse of alcohol or the overuse of alcohol. | 0:21:41 | 0:21:46 | |
Can you bend the tip of it down? | 0:21:51 | 0:21:53 | |
An awful lot of times... | 0:21:57 | 0:21:59 | |
..what I find hardest to deal with is mindless violence, | 0:22:01 | 0:22:06 | |
I tend to call it mindless violence, | 0:22:06 | 0:22:09 | |
where there's just no motive, there's no reason for it, | 0:22:09 | 0:22:14 | |
but for some reason, | 0:22:14 | 0:22:17 | |
a violent incident has taken place, someone is seriously injured, | 0:22:17 | 0:22:23 | |
someone's lost their life and just for no apparent reason. | 0:22:23 | 0:22:28 | |
Back when I started the original project, | 0:22:32 | 0:22:34 | |
none of the violence I encountered seemed to make sense either. | 0:22:34 | 0:22:38 | |
And for once, it seemed the press weren't sensationalising the situation. | 0:22:41 | 0:22:46 | |
In fact, many incidents went unreported. | 0:22:46 | 0:22:48 | |
But fast-forward ten years | 0:22:50 | 0:22:52 | |
and I've only encountered two serious knife assaults | 0:22:52 | 0:22:55 | |
in six months of filming. | 0:22:55 | 0:22:57 | |
It seems to me that the city has had enough, and something is changing. | 0:22:57 | 0:23:01 | |
I think as a city, we've moved on significantly. | 0:23:03 | 0:23:06 | |
See, with Easterhouse, one of our local housing schemes, | 0:23:08 | 0:23:12 | |
there used to be... well, there still is, | 0:23:12 | 0:23:15 | |
but gangs and areas up there that were defined by gangs. | 0:23:15 | 0:23:20 | |
And now, I mean, I was born and bred in Easterhouse, | 0:23:20 | 0:23:24 | |
I lived my life there, and when I was growing up in the '70s and '80s, | 0:23:24 | 0:23:29 | |
there was a lot of gang culture, | 0:23:29 | 0:23:32 | |
but now you go up, you go back and you speak to some of these folk, | 0:23:32 | 0:23:36 | |
or you go into one of the surgeries to speak | 0:23:36 | 0:23:39 | |
and you mention the name of any gang, and it's frowned upon. | 0:23:39 | 0:23:43 | |
It's like, "No, we don't talk about gangs here any more." | 0:23:43 | 0:23:46 | |
I mean, you could name loads of different initiatives there | 0:23:47 | 0:23:50 | |
that are all chipping away | 0:23:50 | 0:23:53 | |
and collectively, they're making a big difference. | 0:23:53 | 0:23:56 | |
Since you were last in doing the photographic projects, | 0:24:03 | 0:24:06 | |
violence has reduced. | 0:24:06 | 0:24:09 | |
We've been counting it, and we are able to demonstrate | 0:24:09 | 0:24:14 | |
an actual reduction in the number of violent attenders. | 0:24:14 | 0:24:18 | |
I think the work of the Violence Reduction Unit has been key | 0:24:18 | 0:24:22 | |
and I think information sharing we had been involved with earlier on | 0:24:22 | 0:24:27 | |
allowed them to target specific areas where violence was occurring. | 0:24:27 | 0:24:31 | |
Furthermore, I think the Medics Against Violence initiative | 0:24:31 | 0:24:36 | |
where doctors have been going into schools | 0:24:36 | 0:24:39 | |
and speaking to young schoolchildren | 0:24:39 | 0:24:41 | |
and showing them the devastating effect on individuals and families | 0:24:41 | 0:24:48 | |
of violent activities. Added to that, I think | 0:24:48 | 0:24:51 | |
the courts are taking a much tougher line with knife carrying, | 0:24:51 | 0:24:54 | |
and I can only assume that all these things combined | 0:24:54 | 0:24:57 | |
and other community projects | 0:24:57 | 0:24:59 | |
and the work of the youth groups working with young people | 0:24:59 | 0:25:03 | |
has all combined to have a positive effect, | 0:25:03 | 0:25:06 | |
and I can definitely say that we are seeing a difference. | 0:25:06 | 0:25:09 | |
Back when violence in Glasgow was at its worst, | 0:25:13 | 0:25:16 | |
a body was set up to devise a strategy for murder reduction | 0:25:16 | 0:25:19 | |
in the city, and it became known as the Violence Reduction Unit. | 0:25:19 | 0:25:23 | |
The VRU has largely been responsible for a complete overhaul | 0:25:24 | 0:25:28 | |
in the way violent crime is tackled in Glasgow today, | 0:25:28 | 0:25:31 | |
and violence prevention has become its key objective. | 0:25:31 | 0:25:35 | |
John Carnochan, a former murder detective, | 0:25:35 | 0:25:38 | |
was involved in setting the unit up. | 0:25:38 | 0:25:40 | |
Criminal justice is the service of last resort. | 0:25:41 | 0:25:44 | |
By the time it comes to policing and prisons, it's all over. | 0:25:44 | 0:25:47 | |
I heard a great expression | 0:25:47 | 0:25:50 | |
the other day when someone said, | 0:25:50 | 0:25:52 | |
"Building more prisons to deal with violence | 0:25:52 | 0:25:55 | |
"is like building more graveyards to deal with AIDS." | 0:25:55 | 0:25:59 | |
It's absolutely stupid and it doesn't make sense. | 0:25:59 | 0:26:02 | |
Changing attitudes to violence amongst young people | 0:26:03 | 0:26:06 | |
is at the heart of what the VRU is doing, | 0:26:06 | 0:26:09 | |
and amongst many schemes started by the unit | 0:26:09 | 0:26:11 | |
is the Community Initiative to Reduce Violence, or CIRV. | 0:26:11 | 0:26:16 | |
CIRV was founded in 2008 | 0:26:16 | 0:26:18 | |
initially to target gang violence in the East End of Glasgow. | 0:26:18 | 0:26:23 | |
We decided to speak to the gang members | 0:26:23 | 0:26:25 | |
because we knew who they were. | 0:26:25 | 0:26:26 | |
We decided to tell them to stop doing it because we'd had enough | 0:26:26 | 0:26:29 | |
and they were having a bad effect on their committees, | 0:26:29 | 0:26:32 | |
and we decided to offer them alternatives, | 0:26:32 | 0:26:35 | |
and that was the simple message with CIRV. | 0:26:35 | 0:26:39 | |
Of course, the complication was, | 0:26:39 | 0:26:41 | |
we had to get all the partners around the table to coordinate | 0:26:41 | 0:26:44 | |
the services they delivered, and that was a challenge, | 0:26:44 | 0:26:49 | |
but we managed it with most of the partners. | 0:26:49 | 0:26:51 | |
And as a result, you know, | 0:26:53 | 0:26:56 | |
gang fighting in the East End of Glasgow at the end of CIRV | 0:26:56 | 0:26:59 | |
was evaluated by the University of St Andrews and Peter Donald's team. | 0:26:59 | 0:27:03 | |
It was down 53%. 53%! | 0:27:03 | 0:27:06 | |
The CIRV initiative wouldn't have been a success | 0:27:13 | 0:27:16 | |
without the involvement of a host of organisations | 0:27:16 | 0:27:18 | |
and individuals striving to change the culture of violence in Glasgow. | 0:27:18 | 0:27:22 | |
Over the past ten years, I've had the privilege of working closely | 0:27:24 | 0:27:28 | |
with a number of such groups across the city. | 0:27:28 | 0:27:30 | |
The Argo Boxing Club is one such organisation, | 0:27:32 | 0:27:35 | |
based in Drumchapel and run by Davey Savage and his team. | 0:27:35 | 0:27:39 | |
Another is FARE - Family Action in Rogerfield and Easterhouse. | 0:27:41 | 0:27:46 | |
Founded 25 years ago, FARE was started by local people to provide | 0:27:47 | 0:27:51 | |
social amenities in a neighbourhood that previously had none. | 0:27:51 | 0:27:55 | |
In 2003, aided by a grant from Comic Relief, | 0:27:57 | 0:28:01 | |
FARE took the unprecedented step of creating a position | 0:28:01 | 0:28:04 | |
for someone to explicitly target the issue of gang violence. | 0:28:04 | 0:28:08 | |
That someone was Jimmy Wilson. | 0:28:08 | 0:28:10 | |
When the council built these houses in the '50s, | 0:28:12 | 0:28:15 | |
they were fantastic houses, | 0:28:15 | 0:28:17 | |
but there's more to building a community than just houses. | 0:28:17 | 0:28:20 | |
About 80,000 people moved from the slums of Glasgow | 0:28:22 | 0:28:26 | |
into Easterhouse with absolutely no amenities, | 0:28:26 | 0:28:29 | |
nothing that could bring them together as a community. | 0:28:29 | 0:28:34 | |
There was no youth clubs, there was no churches. | 0:28:34 | 0:28:37 | |
The police station wasn't built until the '70s, | 0:28:38 | 0:28:41 | |
the Shandwick Shopping Centre wasn't built until the '70s, | 0:28:41 | 0:28:45 | |
there was no employment, people had nothing to do, | 0:28:45 | 0:28:48 | |
youths had nothing to do, | 0:28:48 | 0:28:51 | |
they would get bored and therefore territorial divides were raised. | 0:28:51 | 0:28:57 | |
And the territorial divides have plagued not only Easterhouse | 0:28:57 | 0:29:01 | |
but other areas of the West of Scotland and beyond for decades. | 0:29:01 | 0:29:06 | |
It's the reason why FARE is here, because there was nothing to do | 0:29:08 | 0:29:11 | |
and the local residents wanted something within their community, | 0:29:11 | 0:29:15 | |
to have and hold, to be a community. | 0:29:15 | 0:29:19 | |
However, by that time, the gangs were already here, | 0:29:21 | 0:29:24 | |
and generation after generation got involved in the gangs | 0:29:24 | 0:29:28 | |
and unfortunately, many, many, many young people lost their lives | 0:29:28 | 0:29:32 | |
through knife crime and various other forms of violence. | 0:29:32 | 0:29:35 | |
SEAGULLS CAW | 0:29:37 | 0:29:39 | |
FARE engage with young people in a variety of different ways. | 0:29:49 | 0:29:53 | |
In addition to school programmes, youth clubs and residentials, | 0:29:53 | 0:29:57 | |
FARE also work closely with housing and police | 0:29:57 | 0:30:00 | |
to target specific areas and groups of troubled youths. | 0:30:00 | 0:30:03 | |
My involvement with FARE has been to run photographic workshops | 0:30:06 | 0:30:10 | |
with groups of young people. | 0:30:10 | 0:30:12 | |
Through photography, they are encouraged to articulate | 0:30:12 | 0:30:16 | |
the positive and negative aspects of their lives. | 0:30:16 | 0:30:19 | |
I see it as a positive. | 0:30:23 | 0:30:25 | |
-The bridge. -The bridge. | 0:30:25 | 0:30:27 | |
THEY LAUGH | 0:30:29 | 0:30:31 | |
Berry. | 0:30:32 | 0:30:34 | |
Berry's ma! | 0:30:34 | 0:30:36 | |
That's both. | 0:30:39 | 0:30:40 | |
-Gangs? -Why's it both? | 0:30:40 | 0:30:42 | |
Because you get into trouble. | 0:30:42 | 0:30:44 | |
-What's this? -That's cool, man. | 0:30:46 | 0:30:49 | |
-That's brilliant. -Wicked. -Wicky-wicked! | 0:30:50 | 0:30:54 | |
Keep that in there for another wee... | 0:30:54 | 0:30:57 | |
STAPLER CLICKS | 0:30:57 | 0:30:58 | |
THEY LAUGH | 0:30:58 | 0:31:00 | |
-Staple that onto him. -No, don't fucking staple it on! | 0:31:00 | 0:31:04 | |
That'd be funny. | 0:31:04 | 0:31:06 | |
Hey, can I put it in there now? | 0:31:06 | 0:31:08 | |
-Is that about a minute? -That's about three minutes. | 0:31:08 | 0:31:11 | |
-Can I? -Put it into the stop bath, then. -12, 11, | 0:31:11 | 0:31:14 | |
ten, nine, eight, seven, five, four, three, two, one, is that it? | 0:31:14 | 0:31:17 | |
Is that it? | 0:31:17 | 0:31:19 | |
You take your printout first. | 0:31:19 | 0:31:21 | |
I just sat on that. What if it burns me? | 0:31:21 | 0:31:23 | |
-Can I hairdry it? -Yeah, go for it. | 0:31:33 | 0:31:36 | |
Looks good. | 0:31:42 | 0:31:44 | |
So what is the significance of the bridge, then? | 0:31:44 | 0:31:47 | |
-What's the signifisence... -Significance! | 0:31:47 | 0:31:50 | |
HE COUGHS | 0:31:50 | 0:31:51 | |
What does it mean? I'll tell you. | 0:31:51 | 0:31:53 | |
The bridge? Why did you photograph the bridge? | 0:31:53 | 0:31:56 | |
Because it's a negative. | 0:31:56 | 0:31:57 | |
-Why is it negative? -Because people fight on it. | 0:31:57 | 0:32:00 | |
Some of the young people we've worked with over the years | 0:32:05 | 0:32:08 | |
have come from nothing short of horrendous backgrounds | 0:32:08 | 0:32:11 | |
and one of the main issues that FARE have as an organisation | 0:32:11 | 0:32:15 | |
is that if a young person is involved in gang violence, | 0:32:15 | 0:32:20 | |
then society only see the tip of that, | 0:32:20 | 0:32:25 | |
ie they see that the actual violence which is going on that | 0:32:25 | 0:32:29 | |
that young person is involved in. | 0:32:29 | 0:32:32 | |
What society potentially don't see is the horrendous life and background | 0:32:32 | 0:32:38 | |
that that young person has come from. | 0:32:38 | 0:32:40 | |
My name's Dean Crawford | 0:32:59 | 0:33:01 | |
and I'm just going to tell you a bit about my life. | 0:33:01 | 0:33:03 | |
When I was obviously just a baba and I had a stable family, | 0:33:03 | 0:33:09 | |
a mum and dad, my three big sisters, everything was fine. | 0:33:09 | 0:33:13 | |
I had a house, my family was brilliant. | 0:33:13 | 0:33:17 | |
When I turned three, it was my First Communion | 0:33:17 | 0:33:21 | |
and we all went to my auntie's house, had a big party and things. | 0:33:21 | 0:33:25 | |
Stuff just kicked off outside. | 0:33:25 | 0:33:27 | |
My dad went out to try and sort it, and things just went upside-down | 0:33:27 | 0:33:32 | |
and my dad got murdered that night. | 0:33:32 | 0:33:34 | |
Ever since then, things just had a bad cycle, kept going worse | 0:33:34 | 0:33:39 | |
and worse and worse, so when I was starting school and things, | 0:33:39 | 0:33:43 | |
I started to notice that my mum was drinking every day | 0:33:43 | 0:33:46 | |
and it was getting worse, soon she was waking up, | 0:33:46 | 0:33:49 | |
there was a bottle of vodka beside her on the couch | 0:33:49 | 0:33:52 | |
and things like that, and I started to realise this | 0:33:52 | 0:33:55 | |
and I started to realise that she wasnae stable enough to get up | 0:33:55 | 0:33:59 | |
and check me for hings and stop me frae doing hings, | 0:33:59 | 0:34:02 | |
so I just thought I could be bad all the time and get away with it. | 0:34:02 | 0:34:06 | |
One of the things that FARE do is that once we get to know a group, | 0:34:09 | 0:34:13 | |
and we get to see who maybe the leader is of that group, | 0:34:13 | 0:34:17 | |
we try and recruit him. | 0:34:17 | 0:34:19 | |
We were running a Friday night, Friday and Saturday night project | 0:34:19 | 0:34:24 | |
called Op Phoenix, and I was running that one night | 0:34:24 | 0:34:27 | |
and in walked the bold Dean. | 0:34:27 | 0:34:29 | |
And when he walked in, he had everybody walking behind him, | 0:34:31 | 0:34:34 | |
so he was quite clearly one of the main dudes. | 0:34:34 | 0:34:38 | |
I was in primary seven, and I was away on a residential for a week, | 0:34:39 | 0:34:44 | |
and we went away on the Monday and on the Wednesday, my mum had died | 0:34:44 | 0:34:48 | |
with obviously alcohol and things, | 0:34:48 | 0:34:50 | |
and I came back to my auntie's house and everybody was in, | 0:34:50 | 0:34:54 | |
and I thought they were all there to see me, but they werenae. | 0:34:54 | 0:34:58 | |
It was just to tell me that obviously my mum had died. | 0:34:58 | 0:35:01 | |
I just thought the best thing to do was just hang about with my pals | 0:35:01 | 0:35:06 | |
and cause fights with everybody else, | 0:35:06 | 0:35:08 | |
and it was just constant children's panels, children's panels, | 0:35:08 | 0:35:12 | |
getting involved with the polis, getting suspended frae school. | 0:35:12 | 0:35:16 | |
Going into fourth year, just afore my exams, | 0:35:16 | 0:35:19 | |
and the teachers, just going, "Aye, yeah," the way I was with them, | 0:35:19 | 0:35:22 | |
and trying to pick fights with them and things, | 0:35:22 | 0:35:25 | |
and they just had enough of me and they kicked me out. | 0:35:25 | 0:35:28 | |
When you're walking through the gorge, | 0:35:32 | 0:35:35 | |
it's very important that you face the wall... | 0:35:35 | 0:35:37 | |
Jimmy found out that I'd been kicked out of school, | 0:35:37 | 0:35:41 | |
and phoned me up and asked me if I wanted to come and work for FARE. | 0:35:41 | 0:35:46 | |
He sat me down afore it, | 0:35:46 | 0:35:48 | |
and he said to me, "Look, you've got to just | 0:35:48 | 0:35:53 | |
"think about all the things that you're doing and let them all go." | 0:35:53 | 0:35:56 | |
He said, "You can't do it any more, you're going to be a role model, | 0:35:56 | 0:36:00 | |
"to, obviously, the younger kids that you're going to work with." | 0:36:00 | 0:36:04 | |
And he was like that, "I'll give you half an hour to think about it. | 0:36:04 | 0:36:08 | |
"Go and take a walk, and then | 0:36:08 | 0:36:10 | |
"come back to me and tell me if you want to continue on with it." | 0:36:10 | 0:36:13 | |
My heid was going 90 | 0:36:15 | 0:36:17 | |
just trying to figure out how is this going to be possible | 0:36:17 | 0:36:21 | |
to stay out of trouble, and things like that. | 0:36:21 | 0:36:24 | |
But I went back and I said, "Aye, I'll take it." | 0:36:24 | 0:36:28 | |
I went in for the interview and I was successful in it. | 0:36:28 | 0:36:32 | |
And I had got the job, | 0:36:32 | 0:36:35 | |
and that's just when my life started to get better. | 0:36:35 | 0:36:40 | |
Look at Andrew. | 0:36:40 | 0:36:42 | |
THEY LAUGH | 0:36:42 | 0:36:43 | |
Andrew! | 0:36:44 | 0:36:46 | |
No, no! | 0:36:47 | 0:36:48 | |
JIMMY: He was close to taking the wrong road. | 0:36:50 | 0:36:53 | |
He's had a bit of a rough ride in his life, | 0:36:53 | 0:36:57 | |
and he's now using that rough ride to work with young people... | 0:36:57 | 0:37:04 | |
Oh, my babby. | 0:37:04 | 0:37:06 | |
..and help them in their lives. And a couple of months ago, | 0:37:06 | 0:37:11 | |
he won the Unsung Hero Award from the Sunday Mail | 0:37:11 | 0:37:14 | |
for the whole of Scotland, which was fantastic for him, you know, | 0:37:14 | 0:37:18 | |
he got dressed up in a kilt, had a really, really nice night. | 0:37:18 | 0:37:21 | |
His three sisters came to the event. It was brilliant. | 0:37:21 | 0:37:24 | |
So it was massive, it was massive for the community. He's from Easterhouse. | 0:37:25 | 0:37:29 | |
He's a local boy from Easterhouse. | 0:37:29 | 0:37:31 | |
There's not many local boys from Easterhouse who can say | 0:37:31 | 0:37:35 | |
they've won the Unsung Hero Award. | 0:37:35 | 0:37:36 | |
In Drumchapel, on the other side of the city, is the Argo Boxing Club. | 0:37:44 | 0:37:48 | |
It's run by Davey Savage and his mate Paul McCann. | 0:37:48 | 0:37:52 | |
I've known Davey for over 30 years, when at the age of ten, | 0:37:55 | 0:37:58 | |
I started boxing, and he was just turning professional. | 0:37:58 | 0:38:02 | |
He's been an Argo club member one way or another | 0:38:02 | 0:38:05 | |
for most of his adult life. | 0:38:05 | 0:38:07 | |
They opened the club up when I was young. I was about 13, 14. | 0:38:08 | 0:38:12 | |
And my first time in the club was to join the dancing, | 0:38:12 | 0:38:15 | |
the Kansas City Rockers. | 0:38:15 | 0:38:17 | |
I was in the Kansas City Rockers for three weeks, but Jimmy Harvey | 0:38:17 | 0:38:21 | |
had opened a boxing club at the same time as well, so I joined the boxing. | 0:38:21 | 0:38:25 | |
Because my dad was a boxer and I always liked boxing, | 0:38:25 | 0:38:29 | |
so I joined the boxing and the dancing. | 0:38:29 | 0:38:32 | |
So either we came to boxing or dancing, and unfortunately, | 0:38:32 | 0:38:35 | |
I stuck to the boxing. | 0:38:35 | 0:38:37 | |
And that has been my life ever since. | 0:38:37 | 0:38:40 | |
This is what is left of the old Argo Centre. | 0:38:47 | 0:38:50 | |
In 2010, council funding was removed | 0:38:50 | 0:38:53 | |
and the club was burnt to the ground shortly afterwards, | 0:38:53 | 0:38:56 | |
depriving the community | 0:38:56 | 0:38:57 | |
of a much-needed amenity for its young people. | 0:38:57 | 0:39:01 | |
That was from 1974 until 2010. It shut down. | 0:39:01 | 0:39:06 | |
And within two weeks, it was set on fire and burnt, | 0:39:06 | 0:39:09 | |
and now it's lying empty. | 0:39:09 | 0:39:10 | |
A big ground lying empty that they could use for youth clubs kids. | 0:39:10 | 0:39:14 | |
And now they've got nothing. | 0:39:14 | 0:39:15 | |
Lack of money on the council, they have. | 0:39:17 | 0:39:20 | |
A lack of trying, the council have! | 0:39:20 | 0:39:22 | |
Davey didn't take the loss of the old Argo Centre lying down. | 0:39:24 | 0:39:28 | |
New premises were leased and eventually, | 0:39:28 | 0:39:31 | |
a new Argo Boxing Club emerged from little more than a burnt-out shell. | 0:39:31 | 0:39:35 | |
Home! | 0:39:38 | 0:39:40 | |
This is the club, this is the building we got when we came in. | 0:39:54 | 0:39:58 | |
So you can see, that it looks pretty good, so this is... | 0:39:58 | 0:40:02 | |
When we came in, there was no ceiling. This is a new build. | 0:40:02 | 0:40:06 | |
New doors, new lighting, new everything. | 0:40:06 | 0:40:09 | |
This was just a shell, | 0:40:09 | 0:40:11 | |
so we've taken over and we've done well with it so far. So... | 0:40:11 | 0:40:15 | |
-It was just brick walls? -It was just brick walls. | 0:40:15 | 0:40:18 | |
Just brick walls, no ceiling. No lighting. No nothing. | 0:40:18 | 0:40:23 | |
There was three inch of water in here, | 0:40:23 | 0:40:25 | |
cos the vandals came in and they had the copper pipes for scrap, | 0:40:25 | 0:40:29 | |
so we managed to get the flooding out and get that sorted. | 0:40:29 | 0:40:33 | |
So, this is coming on good now. It looks the part. | 0:40:33 | 0:40:36 | |
In my early youth, staying in Kendoon, tenements everywhere, | 0:40:43 | 0:40:47 | |
gangs everywhere. | 0:40:47 | 0:40:49 | |
So the boxing gave me an escape to maybe get away from the gangs, | 0:40:49 | 0:40:53 | |
but I did get involved with some young boys | 0:40:53 | 0:40:56 | |
and we did things that young boys done. | 0:40:56 | 0:40:58 | |
When we were about 15, we used to go into the Clydebank and fight | 0:41:00 | 0:41:04 | |
with boys of the Clydebank, and boys of the Clydebank would fight us. | 0:41:04 | 0:41:08 | |
Because I think then, a Friday night, if I wasn't at boxing, | 0:41:08 | 0:41:11 | |
the boxing was on a Monday and Thursday then. | 0:41:11 | 0:41:14 | |
So it was four different gangs in the Drumchapel areas | 0:41:14 | 0:41:18 | |
and a lot of the boys I knew involved with weapons, | 0:41:18 | 0:41:22 | |
and some of them got stabbed, some of them got chipped. | 0:41:22 | 0:41:26 | |
But that was one thing which I was never involved with. | 0:41:26 | 0:41:29 | |
I didn't like weapons, I always used my hands and fought with my hands, | 0:41:29 | 0:41:33 | |
but as I got to about 16, I was getting in more and more fights. | 0:41:33 | 0:41:36 | |
I was getting wee chances of winning championships and that, | 0:41:36 | 0:41:39 | |
so it was the boxing kept me away from a lot of the violence. | 0:41:39 | 0:41:45 | |
It really done me good. | 0:41:45 | 0:41:46 | |
Ten, nine, eight, | 0:41:53 | 0:41:56 | |
seven, six, five, | 0:41:56 | 0:42:00 | |
four, three, two, one. | 0:42:00 | 0:42:04 | |
Go faster! Ten, nine, eight, | 0:42:07 | 0:42:11 | |
seven, six, five, | 0:42:11 | 0:42:15 | |
four, three, two, one. | 0:42:15 | 0:42:19 | |
The kids from Drumchapel, the kids from Clydebank, | 0:42:26 | 0:42:29 | |
kids from Bearsden, kids from Maryhill, | 0:42:29 | 0:42:33 | |
and most importantly, it's to get all these kids involved | 0:42:33 | 0:42:36 | |
with each other, and so they've got pals everywhere. | 0:42:36 | 0:42:39 | |
No enemies, no-one has a fear to go from Drumchapel to | 0:42:39 | 0:42:42 | |
Clydebank to Maryhill. | 0:42:42 | 0:42:44 | |
They've got the confidence, | 0:42:44 | 0:42:45 | |
because they know different people from different areas. | 0:42:45 | 0:42:49 | |
It's Thursday night. Fight night. Fight night Thursday. | 0:42:56 | 0:42:59 | |
That's at the Albion Social Club in Yoker, | 0:42:59 | 0:43:02 | |
they're having an amateur show. | 0:43:02 | 0:43:04 | |
All of these boys, they're all fighting on this show, | 0:43:04 | 0:43:06 | |
so we're just getting them prepared for Thursday. | 0:43:06 | 0:43:10 | |
Hopefully, we'll have four winners or five winners. | 0:43:10 | 0:43:14 | |
One of the boys isn't here yet. Hopefully, five winners. | 0:43:14 | 0:43:18 | |
Keep going! That's it! | 0:43:18 | 0:43:21 | |
Keep going! | 0:43:23 | 0:43:26 | |
An event on this scale means several months of organisation over | 0:43:26 | 0:43:29 | |
and above the coaching commitments of the Argo team. | 0:43:29 | 0:43:32 | |
No-one is paid for what they do, | 0:43:32 | 0:43:34 | |
and it's this hard work at a grassroots level, | 0:43:34 | 0:43:37 | |
here and in other parts of the city, that is making a difference. | 0:43:37 | 0:43:41 | |
Against all odds, the Argo club has not only been rebuilt, | 0:43:43 | 0:43:46 | |
virtually from scratch, | 0:43:46 | 0:43:48 | |
but they have doubled the club's opening hours to five nights a week. | 0:43:48 | 0:43:52 | |
More young people than ever, now benefit from this essential | 0:43:52 | 0:43:55 | |
service to the community. | 0:43:55 | 0:43:57 | |
And across the ring in the red corner, | 0:44:04 | 0:44:06 | |
wearing black shorts with white trim, official weight 43.2 kilos, | 0:44:06 | 0:44:10 | |
boxing right here for the Argo, here's Kieran Smith! | 0:44:10 | 0:44:17 | |
CHEERING AND APPLAUSE | 0:44:17 | 0:44:20 | |
BELL RINGS | 0:44:21 | 0:44:23 | |
SHOUTS OF ENCOURAGEMENT | 0:44:25 | 0:44:28 | |
Come on, Kieran! Fight, Kieran! | 0:44:31 | 0:44:33 | |
The most important thing is for kids to get involved with sport | 0:44:50 | 0:44:53 | |
and get fit. Whether I get a boxer or a football player, | 0:44:53 | 0:44:56 | |
but if I get a kid from the ages of 11 to 15, 16, they are away | 0:44:56 | 0:45:00 | |
from that drug and alcohol system, and that is the bad age. | 0:45:00 | 0:45:05 | |
From 15 - 14, 15, 16, they are starting to try things | 0:45:05 | 0:45:08 | |
with their pals, alcohol, drink, smoking, drugs. | 0:45:08 | 0:45:12 | |
If you can get them in the club at that age, | 0:45:12 | 0:45:15 | |
get them involved with the sport, get them training, | 0:45:15 | 0:45:19 | |
get them away a couple of weekends, then they know, | 0:45:19 | 0:45:21 | |
there's more to life than drink | 0:45:21 | 0:45:23 | |
and drugs, hundreds of things to do in life. | 0:45:23 | 0:45:26 | |
The plan for this morning is, we're going to run a DVD to show, | 0:45:42 | 0:45:46 | |
really, the bits that we see that possibly you don't see. | 0:45:46 | 0:45:49 | |
The bits that people who have carried out violence, | 0:45:49 | 0:45:53 | |
who have had violence carried out on them, who've had family members | 0:45:53 | 0:45:56 | |
that were affected by violence, professionals trying | 0:45:56 | 0:45:58 | |
to treat people affected by violence, | 0:45:58 | 0:46:01 | |
to show what it looks like. | 0:46:01 | 0:46:02 | |
Medics Against Violence, or MAV, | 0:46:02 | 0:46:05 | |
is another group I've been involved with. | 0:46:05 | 0:46:07 | |
It's a charity set up in 2008 and runs programmes that visit schools | 0:46:07 | 0:46:12 | |
with the aim of educating young people on the impact of violence. | 0:46:12 | 0:46:16 | |
I'm proud to have some of the original project photographs | 0:46:16 | 0:46:19 | |
as part of the programme. | 0:46:19 | 0:46:22 | |
Michael Murray is a consultant anaesthetist who has been | 0:46:22 | 0:46:25 | |
involved with MAV from its outset. | 0:46:25 | 0:46:28 | |
We introduce ourselves, we show a DVD, | 0:46:28 | 0:46:31 | |
and the DVD contains stories of people who have been | 0:46:31 | 0:46:35 | |
involved in violence, you know on the receiving end, | 0:46:35 | 0:46:37 | |
been the perpetrators, | 0:46:37 | 0:46:39 | |
been professionals that have been dealing with violence. | 0:46:39 | 0:46:41 | |
They show the impact it makes. | 0:46:41 | 0:46:43 | |
A 14-year-old boy had taken a bottle of Buckfast from one | 0:46:43 | 0:46:46 | |
of the other gang members, from the opposite gang. | 0:46:46 | 0:46:49 | |
And he took a drink of it. | 0:46:49 | 0:46:51 | |
Therefore, that gang then pulled a screwdriver out on this young | 0:46:51 | 0:46:54 | |
boy and stabbed him several times, | 0:46:54 | 0:46:56 | |
one of which went in the front of him and out the back. | 0:46:56 | 0:47:00 | |
He's screaming for his mum. He just kept saying, I don't want to die. | 0:47:00 | 0:47:05 | |
I don't want to die. And his clothes were soaked with blood. | 0:47:05 | 0:47:08 | |
By that point, we contacted the ambulance and they came | 0:47:08 | 0:47:10 | |
and it was just at that point, it was too late, the wee boy had died. | 0:47:10 | 0:47:14 | |
You know, right in front of my eyes. | 0:47:14 | 0:47:16 | |
Part of the school talks are also to dispel myths that carrying | 0:47:17 | 0:47:21 | |
a knife keeps you safe. | 0:47:21 | 0:47:23 | |
We've probably spoken to something like 13,000 children | 0:47:23 | 0:47:28 | |
across the West of Scotland in particular so far, | 0:47:28 | 0:47:30 | |
but we have covered larger areas as well. | 0:47:30 | 0:47:33 | |
And really, it seems to have had a significant impact. | 0:47:33 | 0:47:36 | |
If you ever go out at night, does your mother ever say, | 0:47:36 | 0:47:39 | |
are you going out, son or hen? Take a machete with you. | 0:47:39 | 0:47:42 | |
Or take a handgun. | 0:47:42 | 0:47:45 | |
You know, mums are usually people that try to keep you safe. | 0:47:45 | 0:47:48 | |
But if you're carrying a weapon, what it does is, | 0:47:48 | 0:47:51 | |
it does the opposite. It makes you... | 0:47:51 | 0:47:52 | |
Carrying a weapon changes your behaviour. | 0:47:52 | 0:47:55 | |
And they put you at risk. | 0:47:55 | 0:47:56 | |
Like many of his colleagues involved with MAV, | 0:48:02 | 0:48:05 | |
Michael's motivation for volunteering in the programme | 0:48:05 | 0:48:07 | |
stems from his personal experiences, | 0:48:07 | 0:48:09 | |
prepping victims of violent assault for surgery. | 0:48:09 | 0:48:12 | |
There was one particular case, a boy had been standing at a bus stop. | 0:48:15 | 0:48:19 | |
Another man had been in a fight earlier, | 0:48:19 | 0:48:22 | |
decided to go out with a baseball bat and get revenge on who | 0:48:22 | 0:48:26 | |
he thought perpetrated the initial incident. | 0:48:26 | 0:48:29 | |
He couldn't find him, | 0:48:29 | 0:48:31 | |
so this boy, who was about 21, 22, was standing at a bus stop | 0:48:31 | 0:48:36 | |
and this guy struck him over the head with a baseball bat. | 0:48:36 | 0:48:40 | |
Just one blow, walked off, the chap was found. | 0:48:40 | 0:48:43 | |
He had died about four or five days later, | 0:48:43 | 0:48:47 | |
and at some point, you suddenly think, this is just insane! | 0:48:47 | 0:48:51 | |
It achieves nothing and it is happening all the time. | 0:48:51 | 0:48:54 | |
When you going to work on a daily basis, and half of your very | 0:48:54 | 0:48:57 | |
expensive to run intensive care unit is full of assault victims | 0:48:57 | 0:49:00 | |
and people who, frankly, are going to need to be | 0:49:00 | 0:49:03 | |
cared for for the rest of your life at enormous cost to the | 0:49:03 | 0:49:07 | |
taxpayer. And at that stage, and a few weeks after that, | 0:49:07 | 0:49:11 | |
Medics Against Violence almost happened to run | 0:49:11 | 0:49:14 | |
their official launch here. And I thought, if we could change | 0:49:14 | 0:49:17 | |
and prevent this from happening, | 0:49:17 | 0:49:20 | |
this would be a much better way to go, so when Medics Against Violence | 0:49:20 | 0:49:23 | |
launched, I thought it seemed like the ideal opportunity | 0:49:23 | 0:49:27 | |
to actually move in to try to stop some of these things happening. | 0:49:27 | 0:49:31 | |
Well, that's eight years since you were here. | 0:49:37 | 0:49:41 | |
And in that eight years, there's a huge leap forward. | 0:49:41 | 0:49:45 | |
That's not saying it won't go back, that we | 0:49:45 | 0:49:47 | |
won't ever have wee spurts, we always will, | 0:49:47 | 0:49:50 | |
but in the main, I think it is going in the right direction. | 0:49:50 | 0:49:54 | |
Medics Against Violence was thought up by a few doctors. | 0:49:56 | 0:50:02 | |
In other words, they were a bit fed up with patching folk up, | 0:50:02 | 0:50:05 | |
young men, patching them up, | 0:50:05 | 0:50:07 | |
sending them out and then the same men are re-presenting again | 0:50:07 | 0:50:11 | |
a few months later with more slashing, stabbing wounds, | 0:50:11 | 0:50:14 | |
anything like that. | 0:50:14 | 0:50:16 | |
In the main, it's just all doctors and us being paramedics, | 0:50:16 | 0:50:20 | |
we were thinking, we're the ones in the forefront of this, | 0:50:20 | 0:50:23 | |
we're the ones that are the first contact that these patients have, | 0:50:23 | 0:50:26 | |
and we thought we have something we could give to this. | 0:50:26 | 0:50:31 | |
And they accepted us, | 0:50:31 | 0:50:32 | |
they put us through the training and we've been going into schools. | 0:50:32 | 0:50:36 | |
Hopefully, that does change people's perceptions. | 0:50:36 | 0:50:40 | |
There's no point talking to adults who walk about with knives, | 0:50:40 | 0:50:45 | |
because you're not going to change all their minds, | 0:50:45 | 0:50:48 | |
they're going to be walking about with knives. | 0:50:48 | 0:50:50 | |
But if you get to youngsters | 0:50:50 | 0:50:52 | |
and change their perceptions young enough, hopefully, they'll grow | 0:50:52 | 0:50:56 | |
up to be sensible young men that won't need | 0:50:56 | 0:50:58 | |
to walk about with a knife. | 0:50:58 | 0:51:00 | |
We only ever hear about the bad things in Glasgow, | 0:51:04 | 0:51:07 | |
how violent it is, and it is violent. | 0:51:07 | 0:51:10 | |
But it's getting better, and there are so many young, inspirational | 0:51:10 | 0:51:15 | |
people in Scotland, and especially in Glasgow, young men and women that | 0:51:15 | 0:51:22 | |
are making a difference to their lives and other people's lives. | 0:51:22 | 0:51:27 | |
And it's trying to take that forward and just give them a chance, | 0:51:27 | 0:51:31 | |
just let young people have a chance, let them get an education, | 0:51:31 | 0:51:36 | |
let them experience things that are there to be experienced. | 0:51:36 | 0:51:41 | |
And let them live. | 0:51:43 | 0:51:44 | |
And hopefully, let their parents see them | 0:51:44 | 0:51:50 | |
grow up and enjoy them until they're old and grey. | 0:51:50 | 0:51:55 | |
And that is just something I will never have the chance to do. | 0:51:55 | 0:51:58 | |
It's a passion for me, it is | 0:52:10 | 0:52:11 | |
a passion for most of the people that work for FARE. | 0:52:11 | 0:52:14 | |
And it's a little bit of passion for most youth workers. | 0:52:14 | 0:52:17 | |
It's not about the money. | 0:52:17 | 0:52:18 | |
It's very poorly paid, in my opinion, for what we do. | 0:52:18 | 0:52:22 | |
But it is a crucial part of society now, | 0:52:22 | 0:52:25 | |
that youth workers can have an influence on young people's lives | 0:52:25 | 0:52:30 | |
and get them to the next stage in life. | 0:52:30 | 0:52:33 | |
But it's not just about the worker, | 0:52:33 | 0:52:35 | |
it's about that youth worker working in partnership with schools | 0:52:35 | 0:52:38 | |
and education and police and housing and a whole host of other things. | 0:52:38 | 0:52:42 | |
But the young person needs to be able to trust you. | 0:52:42 | 0:52:44 | |
To get the benefit out of the relationship, | 0:52:44 | 0:52:47 | |
the young person needs to be able to trust you. | 0:52:47 | 0:52:49 | |
And young people do like rules in their life. They like boundaries. | 0:52:49 | 0:52:53 | |
Because that is why they try to overstep them. | 0:52:53 | 0:52:56 | |
If there's no boundaries there, then the game is not as fun. | 0:52:56 | 0:53:00 | |
I've had lots of bad days, young people getting killed, | 0:53:07 | 0:53:10 | |
stabbed, wounded. | 0:53:10 | 0:53:12 | |
Having an impact on people, | 0:53:15 | 0:53:17 | |
sometimes it falls on deaf ears, you know, and one of my worst days was | 0:53:17 | 0:53:22 | |
when a young person I worked quite closely with got 17 years for murder. | 0:53:22 | 0:53:27 | |
I found that quite sad that I had the possibility to influence that | 0:53:28 | 0:53:34 | |
young person and yet, when they were 18 years old, | 0:53:34 | 0:53:40 | |
they felt the need to go out and stab somebody. | 0:53:40 | 0:53:45 | |
Quite horrendously, actually. | 0:53:45 | 0:53:48 | |
And that is sad. Pretty sad. | 0:53:50 | 0:53:54 | |
So they're not good days. | 0:53:54 | 0:53:55 | |
We see young people getting on in life and doing really, | 0:54:00 | 0:54:03 | |
really well for themselves. Magic. | 0:54:03 | 0:54:05 | |
They come back to you years later and thank you. Thanks very much. | 0:54:05 | 0:54:11 | |
That's my way of looking at the negatives, | 0:54:11 | 0:54:16 | |
if I look at the negatives, there are far more positives. | 0:54:16 | 0:54:19 | |
So, although sad at the time, you need to get on, | 0:54:19 | 0:54:22 | |
because if you don't get on, | 0:54:22 | 0:54:24 | |
you can't help other young people in future, and that's the way I see it. | 0:54:24 | 0:54:27 | |
Tonight, there's going to be a rave in the Bridge, there's | 0:54:34 | 0:54:37 | |
going to be over 400 young people from how many areas? | 0:54:37 | 0:54:42 | |
-From 16 different areas. -16 different areas. | 0:54:42 | 0:54:45 | |
There's going to be six different, 68 different acts performing. GBX. | 0:54:45 | 0:54:51 | |
-GB Experience! -George Bowie. | 0:54:51 | 0:54:53 | |
The main act, so that's attracting all of these young people. | 0:54:53 | 0:54:58 | |
-What about James Kerr? -Aye, James Kerr. | 0:54:58 | 0:55:01 | |
This is probably about the 10th, 8th, 10th rave? | 0:55:01 | 0:55:05 | |
Numbers have been quite good in the past, | 0:55:05 | 0:55:07 | |
but this is the biggest rave we've had. So... | 0:55:07 | 0:55:09 | |
It will be, it should be good. | 0:55:12 | 0:55:16 | |
These raves that we're going to tonight only started about two | 0:55:16 | 0:55:20 | |
years ago. When I was younger, it was the project raves, | 0:55:20 | 0:55:23 | |
which were very small-scale, compared to these. | 0:55:23 | 0:55:26 | |
You probably had about 30 wee dafties in a wee hall for the one | 0:55:26 | 0:55:29 | |
scheme, sometimes two, | 0:55:29 | 0:55:33 | |
but they are very small compared to what we can do now, | 0:55:33 | 0:55:36 | |
because you couldn't obviously integrate so many rival areas. | 0:55:36 | 0:55:41 | |
HE TOOTS THE BUS HORN | 0:55:41 | 0:55:43 | |
But ten year ago, some of us saw the work that happened | 0:55:43 | 0:55:46 | |
in the past years, we can now bring all these different areas together. | 0:55:46 | 0:55:49 | |
LOUD MUSIC PLAYS | 0:55:49 | 0:55:52 | |
HE LAUGHS AND SINGS | 0:55:56 | 0:55:58 | |
THEY LAUGH | 0:55:58 | 0:56:00 | |
I think it was about 20 organisations, | 0:56:01 | 0:56:04 | |
all working together for the same goal, to ensure that young | 0:56:04 | 0:56:06 | |
people had a great time, and that is what partnership work is about, | 0:56:06 | 0:56:10 | |
and that is the community spirit that we have now | 0:56:10 | 0:56:12 | |
in the north-east about all of these organisations coming together, | 0:56:12 | 0:56:16 | |
for the benefit of the young people | 0:56:16 | 0:56:18 | |
and the communities that we serve in. | 0:56:18 | 0:56:21 | |
DANCE MUSIC PLAYS | 0:56:24 | 0:56:29 | |
What's happening here tonight is amazing. | 0:56:59 | 0:57:02 | |
400 young people are here from 16 different areas of the city, | 0:57:02 | 0:57:06 | |
all having a great time. | 0:57:06 | 0:57:08 | |
Back when I started the knife crime project, an event like this | 0:57:08 | 0:57:12 | |
couldn't have happened without some kind of violence kicking off. | 0:57:12 | 0:57:15 | |
There's no doubt that Glasgow still has its problems, especially | 0:57:17 | 0:57:20 | |
when alcohol and weapons are combined. | 0:57:20 | 0:57:23 | |
But since I have finished the project, | 0:57:23 | 0:57:25 | |
knife attacks in Glasgow have dropped by 57%, | 0:57:25 | 0:57:29 | |
and in the last year, fatal stabbings are down by 23%. | 0:57:29 | 0:57:33 | |
Tonight proves that the interventions | 0:57:33 | 0:57:36 | |
coming from a diverse group of organisations and individuals, | 0:57:36 | 0:57:40 | |
are working better than anyone could have hoped for. | 0:57:40 | 0:57:42 | |
# And I said hey, yeah, yeah, yeah | 0:57:44 | 0:57:48 | |
# Hey, yeah, yeah... # | 0:57:48 | 0:57:50 | |
It was a great night. You know, fantastic night, | 0:57:50 | 0:57:53 | |
and that's what it's about. Young people enjoying themselves. | 0:57:53 | 0:57:56 | |
You don't need to be running about with a knife in your hand | 0:57:56 | 0:57:59 | |
and a brick and a bottle to enjoy yourself. | 0:57:59 | 0:58:02 | |
It's showing young people an alternative to violence. | 0:58:02 | 0:58:05 | |
# I said hey | 0:58:05 | 0:58:07 | |
# What's going on? # | 0:58:07 | 0:58:09 | |
# And I cry sometimes when I'm lying in bed | 0:58:22 | 0:58:25 | |
# Just to get it all out, what's in my head | 0:58:25 | 0:58:28 | |
# And I, I am feeling a little peculiar | 0:58:28 | 0:58:34 | |
# And so I wake in the morning and I step outside | 0:58:35 | 0:58:39 | |
# And I take deep breath and I get real high | 0:58:39 | 0:58:42 | |
# And I scream from the top of my lungs | 0:58:42 | 0:58:45 | |
# What's goin' on?! # | 0:58:45 | 0:58:46 |