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November 1864, London's most notorious prison. | 0:00:02 | 0:00:06 | |
Inside, at the far end of the Dead Man's Walk... | 0:00:08 | 0:00:11 | |
..Franz Muller, a 24-year-old German immigrant, | 0:00:13 | 0:00:17 | |
was being readied for the scaffold. | 0:00:17 | 0:00:20 | |
It was a scene that gave a thorough wrench to my nerves. | 0:00:20 | 0:00:23 | |
It was horrid. | 0:00:24 | 0:00:25 | |
Muller had been convicted of a crime that shook Victorian Britain | 0:00:28 | 0:00:32 | |
to the core - the first murder on a train. | 0:00:32 | 0:00:35 | |
This was a crime which aroused an almost | 0:00:38 | 0:00:41 | |
instinctive spirit of vengeance. | 0:00:41 | 0:00:43 | |
This one act of extreme violence had brought to the surface the anxieties | 0:00:45 | 0:00:50 | |
Victorians had about the iron roads spreading across the land. | 0:00:50 | 0:00:54 | |
Muller had come to personify all that seemed | 0:00:57 | 0:00:59 | |
dangerous about the new world of steam and speed. | 0:00:59 | 0:01:02 | |
But was he even guilty? | 0:01:03 | 0:01:05 | |
I knew Mr Muller for about six months. He was kind. | 0:01:08 | 0:01:12 | |
That was how Franz was. | 0:01:12 | 0:01:14 | |
We now reopen the railway murder case, | 0:01:14 | 0:01:18 | |
an investigation which becomes a journey into the Victorian mind | 0:01:18 | 0:01:22 | |
at the dawn of the railway age. | 0:01:22 | 0:01:24 | |
21st-century London, | 0:01:39 | 0:01:41 | |
its streets shiny with glass and steel. | 0:01:41 | 0:01:45 | |
Also a city where the past is everywhere. | 0:01:45 | 0:01:48 | |
This film brings Victorian London back to life. | 0:01:53 | 0:01:56 | |
We recreate documents and images from the first railway murder. | 0:01:56 | 0:02:00 | |
We meet the people who became caught up in this sensational crime. | 0:02:02 | 0:02:06 | |
The words they speak are taken from court transcripts, | 0:02:08 | 0:02:11 | |
letters and reportage, their own testimony | 0:02:11 | 0:02:15 | |
and that of other 19th-century witnesses. | 0:02:15 | 0:02:17 | |
Frederick Wicks was then a young journalist. | 0:02:20 | 0:02:23 | |
His search for the truth inspired him | 0:02:23 | 0:02:25 | |
to follow this story right to the end. | 0:02:25 | 0:02:28 | |
Now, Wicks is our guide, | 0:02:30 | 0:02:33 | |
helping us to travel from the present day back to the 1800s. | 0:02:33 | 0:02:38 | |
STEAM TRAIN WHISTLES | 0:02:38 | 0:02:39 | |
As news of the murder spread, a feverish fear emerged. | 0:02:41 | 0:02:45 | |
It was said that no-one knew when they opened a carriage door | 0:02:45 | 0:02:48 | |
that they might not find blood on the cushion, | 0:02:48 | 0:02:51 | |
that not a parent would entrust his daughter to the train | 0:02:51 | 0:02:54 | |
without a horrid anxiety. | 0:02:54 | 0:02:56 | |
That not a traveller took his seat | 0:02:56 | 0:02:58 | |
without feeling how he runs his chance. | 0:02:58 | 0:03:01 | |
DOG BARKS | 0:03:09 | 0:03:11 | |
Our investigation begins in Hackney, East London. | 0:03:12 | 0:03:17 | |
In the 19th century, a railway ran between this terrace | 0:03:17 | 0:03:20 | |
and the main road behind. | 0:03:20 | 0:03:22 | |
In 1864, on Saturday 9th July, at 10:10pm, | 0:03:25 | 0:03:30 | |
the crime was first discovered right here, | 0:03:30 | 0:03:34 | |
as train driver Alfred Ekin later testified. | 0:03:34 | 0:03:38 | |
I was on me way and my attention was caught by something on the line. | 0:03:52 | 0:03:59 | |
I stopped the engine as soon as possible, | 0:04:01 | 0:04:04 | |
and backed to the spot where the body was lying. | 0:04:04 | 0:04:07 | |
He was lying on 'is back, | 0:04:07 | 0:04:10 | |
with 'is head towards Hackney. | 0:04:10 | 0:04:14 | |
He was alive... | 0:04:14 | 0:04:17 | |
at the time. | 0:04:17 | 0:04:18 | |
Victorian train drivers were the aristocrats of the | 0:04:20 | 0:04:23 | |
new steam-powered world. Railwaymen like Ekin were also resourceful. | 0:04:23 | 0:04:30 | |
The victim was quickly moved to the nearest available shelter. | 0:04:30 | 0:04:34 | |
I found four or five people to help carry the... | 0:04:34 | 0:04:40 | |
the body. Several other persons also came to help | 0:04:40 | 0:04:43 | |
besides those who carried the body. | 0:04:43 | 0:04:45 | |
I suppose there must have been a dozen altogether. | 0:04:45 | 0:04:51 | |
The body was carried to the public house, | 0:04:51 | 0:04:55 | |
the bottom of the railway embankment. | 0:04:55 | 0:04:58 | |
Then called the Mitford Castle, | 0:05:01 | 0:05:03 | |
the pub has since been renamed and remodelled. | 0:05:03 | 0:05:06 | |
But behind the bar is a small room that has been left as it was | 0:05:11 | 0:05:15 | |
150 years ago. | 0:05:15 | 0:05:17 | |
He was lying on the table. I made an examination. | 0:05:24 | 0:05:28 | |
His shirt was rumpled and his hat was gone. | 0:05:28 | 0:05:33 | |
It was clear that the unfortunate man's skull was broken, | 0:05:33 | 0:05:36 | |
and he had a severe wound on the side of his head. | 0:05:36 | 0:05:41 | |
He was still living, but groaning. He was perfectly unconscious. | 0:05:41 | 0:05:45 | |
-Did you send for help? -A medical man was sent for. | 0:05:46 | 0:05:50 | |
Nobody knew who the body was, nor where he'd come from. | 0:05:58 | 0:06:02 | |
Just up the line at Hackney Station, | 0:06:09 | 0:06:12 | |
the Victorian tracks are still in use. | 0:06:12 | 0:06:15 | |
Here, another discovery was made at the same time as | 0:06:17 | 0:06:21 | |
the bloodied body was found on the tracks. | 0:06:21 | 0:06:23 | |
A suburban train pulled in to Hackney Station. | 0:06:26 | 0:06:30 | |
One of the carriages was empty but stained with blood. | 0:06:30 | 0:06:33 | |
From the appearance of the compartment, there had been | 0:06:33 | 0:06:35 | |
a foul crime, there could be no doubt. | 0:06:35 | 0:06:37 | |
What conclusion was drawn from the blood-stained carriage | 0:06:37 | 0:06:40 | |
when put together with the body that Ekin found? | 0:06:40 | 0:06:43 | |
The unfortunate victim had been assaulted on the train | 0:06:43 | 0:06:46 | |
that had pulled in here. | 0:06:46 | 0:06:48 | |
He had then been thrown onto the line by his assailant, | 0:06:48 | 0:06:51 | |
or had struggled and fallen from the carriage in his endeavour to escape. | 0:06:51 | 0:06:55 | |
STEAM TRAIN PUFFS | 0:06:55 | 0:06:58 | |
The world's first steam locomotive had been built in Cornwall | 0:07:02 | 0:07:07 | |
just 60 years earlier. | 0:07:07 | 0:07:08 | |
The 1820s had seen the first passenger trains. | 0:07:10 | 0:07:13 | |
By the mid-19th century, thousands of miles of track had been laid. | 0:07:18 | 0:07:22 | |
Railway mania had created a network across the whole country. | 0:07:22 | 0:07:27 | |
Speed, once a luxury for the few, had become commonplace. | 0:07:29 | 0:07:33 | |
Journeys that once took days now took hours. The iron roads | 0:07:33 | 0:07:38 | |
were changing how people saw their world. | 0:07:38 | 0:07:41 | |
We feel we are approaching almost to the final extinction | 0:07:46 | 0:07:50 | |
of space and distance. | 0:07:50 | 0:07:51 | |
The surface of our country is shrivelling in size. | 0:07:52 | 0:07:57 | |
It will soon become not much bigger than one immense city. | 0:07:57 | 0:08:01 | |
In 1864, the power of steam was a thrilling phenomenon. | 0:08:03 | 0:08:07 | |
It was also terrifying. | 0:08:08 | 0:08:10 | |
In the early hours of Sunday 10th July, | 0:08:18 | 0:08:21 | |
the condition of the victim in Hackney worsened. | 0:08:21 | 0:08:25 | |
From letters found in his pocket, he was identified | 0:08:30 | 0:08:32 | |
as Thomas Briggs. This is his photograph. | 0:08:32 | 0:08:36 | |
He was nearly 70. | 0:08:36 | 0:08:38 | |
He had a wife and four children. | 0:08:39 | 0:08:42 | |
His son was also called Thomas. | 0:08:42 | 0:08:45 | |
I was sent for at two o'clock on Sunday morning, the 10th July. | 0:08:47 | 0:08:50 | |
A police constable called. | 0:08:50 | 0:08:52 | |
I was told my father was then gravely injured | 0:08:52 | 0:08:55 | |
and in the back room of a public house called the Mitford Castle. | 0:08:55 | 0:08:58 | |
Naturally, I went there directly. | 0:08:58 | 0:09:00 | |
My father was then in a state of insensibility, | 0:09:02 | 0:09:06 | |
covered with a blanket, his shirt open at the neck. | 0:09:06 | 0:09:09 | |
Despite the best efforts of a local doctor, | 0:09:11 | 0:09:14 | |
old Thomas Briggs died without regaining consciousness. | 0:09:14 | 0:09:18 | |
There was no final farewell for his son. | 0:09:18 | 0:09:21 | |
He was affectionate and kind, | 0:09:21 | 0:09:25 | |
pleasant, courteous. | 0:09:25 | 0:09:28 | |
A fine man, highly respected. | 0:09:28 | 0:09:30 | |
With Briggs's death, this was a murder, | 0:09:47 | 0:09:50 | |
the highest and rarest criminal incident. | 0:09:50 | 0:09:53 | |
Now, even this had happened in a railway carriage. | 0:09:53 | 0:09:56 | |
Though the railway carriage was covered with blood, | 0:10:13 | 0:10:16 | |
there was no forensic science to analyse the crime scene, | 0:10:16 | 0:10:20 | |
not even fingerprinting. | 0:10:20 | 0:10:21 | |
Victorian police had to work with no more evidence than what | 0:10:21 | 0:10:24 | |
they could see with their own eyes. | 0:10:24 | 0:10:27 | |
The police investigation was led by an up-and-coming detective. | 0:10:34 | 0:10:38 | |
Inspector Richard Tanner was described by his colleagues | 0:10:38 | 0:10:41 | |
as brilliant. | 0:10:41 | 0:10:43 | |
I went first thing to the works of the North London Line. | 0:10:49 | 0:10:53 | |
In a shed there was the railway carriage. | 0:10:53 | 0:10:56 | |
The door handle was bloody. | 0:10:56 | 0:10:59 | |
And what about the inside of the compartment? | 0:10:59 | 0:11:02 | |
A large quantity of blood appeared to have flowed profusely | 0:11:02 | 0:11:05 | |
from the corner seat. | 0:11:05 | 0:11:07 | |
There was also a small quantity of blood on the window, | 0:11:08 | 0:11:11 | |
two spots, like splashes. | 0:11:11 | 0:11:14 | |
They were about the size of sixpences, | 0:11:15 | 0:11:17 | |
and they contained particles of brain matter. | 0:11:17 | 0:11:20 | |
I inferred that Mr Briggs had been sitting in this corner, | 0:11:20 | 0:11:23 | |
and that he'd fallen asleep resting his head against the window, | 0:11:23 | 0:11:29 | |
and that he'd been struck by someone on the opposite side | 0:11:29 | 0:11:31 | |
to the left temple. | 0:11:31 | 0:11:33 | |
This murder appeared to be a sudden | 0:11:35 | 0:11:37 | |
and unprovoked attack on a sleeping man. | 0:11:37 | 0:11:40 | |
The police also had the medical notes of the doctor | 0:11:45 | 0:11:48 | |
who'd tried to save Briggs. | 0:11:48 | 0:11:49 | |
There was a jagged wound across the left ear. | 0:11:53 | 0:11:55 | |
In front of that ear, there was another jagged wound. | 0:11:57 | 0:12:01 | |
There were also two deep wounds to the temple. | 0:12:01 | 0:12:04 | |
The medical notes suggested to the police how Briggs had | 0:12:06 | 0:12:09 | |
ended up on the railway tracks. | 0:12:09 | 0:12:11 | |
A distinction was made between the wounds on the side of the head | 0:12:12 | 0:12:17 | |
and those to the temple. | 0:12:17 | 0:12:20 | |
Those up above were attributed to some blunt instrument. | 0:12:20 | 0:12:23 | |
I think that those wounds on the side of the head | 0:12:23 | 0:12:26 | |
were owing to a fall. | 0:12:26 | 0:12:28 | |
You're saying he fell, so it could have been an accident? | 0:12:28 | 0:12:32 | |
Appearances would indicate that the murderer took Mr Briggs | 0:12:32 | 0:12:36 | |
to the door and threw him out. | 0:12:36 | 0:12:38 | |
The first railway murder immediately captured | 0:12:44 | 0:12:46 | |
the imagination of the public and the press. | 0:12:46 | 0:12:51 | |
It was one of the foulest murders of our time. | 0:12:51 | 0:12:54 | |
A thrill of horror ran through the whole country | 0:12:54 | 0:12:57 | |
at news of this murder. | 0:12:57 | 0:12:59 | |
Within seconds, would have come the crushing blow. | 0:12:59 | 0:13:02 | |
It was the rapidity of the incident, | 0:13:02 | 0:13:05 | |
done on a frequented line, that caused alarm in the public mind. | 0:13:05 | 0:13:09 | |
We were face to face with a fact which brought home to our mind | 0:13:11 | 0:13:14 | |
with the utmost force the perils of railway travelling. | 0:13:14 | 0:13:18 | |
The new rail network meant that for the first time, | 0:13:22 | 0:13:25 | |
newspapers were available all over the country. | 0:13:25 | 0:13:27 | |
Huge press empires were being created, | 0:13:31 | 0:13:34 | |
and new readerships were often built on the back of true-life whodunnits. | 0:13:34 | 0:13:39 | |
A new reading public sprang up under the stimulus of this curiosity. | 0:13:43 | 0:13:48 | |
People had to have their papers and learn, even in the farthest | 0:13:49 | 0:13:53 | |
village of the United Kingdom, how the case was going. | 0:13:53 | 0:13:56 | |
The mainline terminus at the heart of the railway murder case | 0:14:01 | 0:14:05 | |
was the City of London's Fenchurch Street. | 0:14:05 | 0:14:07 | |
150 years ago, this was the start of a new suburban route | 0:14:10 | 0:14:15 | |
called the North London Line. | 0:14:15 | 0:14:16 | |
And here, old Thomas Briggs had boarded the train on which | 0:14:18 | 0:14:22 | |
he'd ridden to his death. | 0:14:22 | 0:14:23 | |
Trains leave Fenchurch Street under a covered way. | 0:14:29 | 0:14:33 | |
This was originally to prevent horses taking fright from the noise | 0:14:33 | 0:14:36 | |
and smoke of the steam engines. | 0:14:36 | 0:14:38 | |
Soon after emerging into the open, | 0:14:42 | 0:14:44 | |
the Victorian tracks turned north, away from the city. | 0:14:44 | 0:14:48 | |
This stretch of the line has now been ripped up. | 0:14:50 | 0:14:54 | |
But we do have an eyewitness account from the time. | 0:14:54 | 0:14:57 | |
We pass through fields to Bow Common. | 0:15:02 | 0:15:05 | |
We get to breathe a bit more freely. | 0:15:08 | 0:15:11 | |
We've left behind the smoke of the chimneys. | 0:15:11 | 0:15:14 | |
We find ourselves in deep countryside. | 0:15:19 | 0:15:22 | |
We've got extensive views right over the Hackney Marshes. | 0:15:25 | 0:15:28 | |
Then, on the right, rises the tower of the old Hackney church. | 0:15:33 | 0:15:38 | |
We have arrived at Hackney Station. | 0:15:45 | 0:15:47 | |
TRAIN WHISTLES | 0:15:52 | 0:15:53 | |
Hackney Station, where the blood-stained carriage was found, | 0:16:01 | 0:16:06 | |
and where Briggs would have got off the train | 0:16:06 | 0:16:08 | |
if he'd lived to complete his journey. | 0:16:08 | 0:16:11 | |
Nearby Clapton Square was the Briggs family home. | 0:16:17 | 0:16:21 | |
In the 1860s, this was one of the smartest addresses in East London. | 0:16:23 | 0:16:27 | |
My father arrived in London from Lancashire as a teenager | 0:16:29 | 0:16:32 | |
and got a job in a City bank. | 0:16:32 | 0:16:34 | |
And he'd made a success of his life in London? | 0:16:35 | 0:16:38 | |
He was a gentleman, greatly trusted and respected by his employers, | 0:16:38 | 0:16:43 | |
and held in high esteem by a large circle of friends. | 0:16:43 | 0:16:46 | |
From his home here in suburban Hackney, Thomas Briggs had | 0:16:50 | 0:16:54 | |
travelled daily to his banking job in the City. | 0:16:54 | 0:16:57 | |
He'd been one of London's very first railway commuters. | 0:17:00 | 0:17:03 | |
One aspect of Briggs's commute reveals a great deal | 0:17:09 | 0:17:12 | |
about life in Victorian London. | 0:17:12 | 0:17:15 | |
He'd always travelled first class, sitting in a private compartment | 0:17:17 | 0:17:21 | |
that couldn't be accessed from the rest of the train. | 0:17:21 | 0:17:24 | |
In the 19th century, the division between classes | 0:17:25 | 0:17:29 | |
was meant to be impenetrable. | 0:17:29 | 0:17:30 | |
The condition we live in is justly regarded as one of the strangest | 0:17:32 | 0:17:35 | |
ever seen in the world. We have more riches than any other nation | 0:17:35 | 0:17:40 | |
and London is full of wealth of every kind. | 0:17:40 | 0:17:43 | |
But here, there are also those steeped in the most abject poverty, | 0:17:43 | 0:17:47 | |
sinking into the deepest degradation. | 0:17:47 | 0:17:49 | |
Victorian London had no safety net. | 0:17:51 | 0:17:54 | |
For those who fell, it was a long way down, to a separate world. | 0:17:54 | 0:17:59 | |
There is no intercourse, and no sympathy between rich and poor. | 0:18:01 | 0:18:05 | |
They are fed by different foods, | 0:18:05 | 0:18:07 | |
they are ordered by different manners, | 0:18:07 | 0:18:09 | |
and they are as ignorant of each other's habits, | 0:18:09 | 0:18:12 | |
thoughts and feelings as if they were dwellers on different planets. | 0:18:12 | 0:18:16 | |
One can only wonder that the whole crazy fabric still hangs together. | 0:18:17 | 0:18:21 | |
The murder of Thomas Briggs suggested a new fear - | 0:18:22 | 0:18:26 | |
that the train was crashing through class barriers. | 0:18:26 | 0:18:30 | |
If we can be murdered thus, | 0:18:30 | 0:18:32 | |
travelling first class for a mere step of a journey, | 0:18:32 | 0:18:36 | |
we could be slain in our pew at church | 0:18:36 | 0:18:39 | |
or assassinated at our dinner table. | 0:18:39 | 0:18:41 | |
Panic was coursing along the rails. | 0:18:43 | 0:18:45 | |
Central London's Great Scotland Yard, | 0:18:53 | 0:18:56 | |
the original headquarters of the Metropolitan Police. | 0:18:56 | 0:18:59 | |
Here, the pressure was on to find the killer as soon as possible. | 0:18:59 | 0:19:03 | |
The police investigation of the crime scene | 0:19:21 | 0:19:23 | |
produced a promising lead. | 0:19:23 | 0:19:26 | |
Inspector Tanner reckoned he had the killer's hat. | 0:19:26 | 0:19:29 | |
We took from the train compartment a bag, a stick and a hat. | 0:19:30 | 0:19:35 | |
The bag and stick were both recognised as having belonged | 0:19:36 | 0:19:39 | |
to Mr Briggs, but the hat was not his. | 0:19:39 | 0:19:42 | |
Mr Briggs had been wearing a tall hat, and that had disappeared. | 0:19:43 | 0:19:47 | |
While this hat, found in the carriage, | 0:19:47 | 0:19:49 | |
is a black beaver hat, and lower in the crown than the high hat | 0:19:49 | 0:19:53 | |
that Mr Briggs was in the habit of wearing. | 0:19:53 | 0:19:55 | |
The hat's crushed, as if it's been trodden upon in a struggle. | 0:19:58 | 0:20:01 | |
And the conclusion appeared to me inevitable that the murderer, | 0:20:01 | 0:20:04 | |
in hurry and excitement, took the wrong hat. | 0:20:04 | 0:20:06 | |
He took Mr Briggs's hat with him and left his own. | 0:20:06 | 0:20:09 | |
Though inexpensive, the hat was a new look, | 0:20:10 | 0:20:13 | |
with a distinctive striped lining, which revealed the maker's name. | 0:20:13 | 0:20:18 | |
Eager to find the owner of the half-crushed beaver hat, | 0:20:23 | 0:20:27 | |
the police offered a huge reward. | 0:20:27 | 0:20:29 | |
£300 was about five years' wages for a working man. | 0:20:29 | 0:20:33 | |
I thought if I could discover the person who wore this hat | 0:20:35 | 0:20:38 | |
on that night, I'd have found the murderer. | 0:20:38 | 0:20:42 | |
Initially, the police's handling of the railway murder case | 0:20:42 | 0:20:45 | |
was highly praised. | 0:20:45 | 0:20:48 | |
In 1864, the Metropolitan Police's detective branch was newly | 0:20:48 | 0:20:52 | |
established, so their investigative skills were a novelty. | 0:20:52 | 0:20:57 | |
The acuteness displayed by these detectives | 0:20:57 | 0:20:59 | |
in following the threads of intricate plots was very striking. | 0:20:59 | 0:21:04 | |
But days passed by and nobody came forward to identify | 0:21:05 | 0:21:09 | |
the owner of the killer's hat, despite the huge reward. | 0:21:09 | 0:21:13 | |
It was another Victorian fashion accessory | 0:21:17 | 0:21:20 | |
that gave the police their next breakthrough, | 0:21:20 | 0:21:23 | |
a small gold stud. | 0:21:23 | 0:21:25 | |
It was found attached to the victim's waistcoat. | 0:21:25 | 0:21:28 | |
On it is a broken hook | 0:21:30 | 0:21:32 | |
from where Mr Briggs had once anchored his gold watch and chain. | 0:21:32 | 0:21:35 | |
It seems that Thomas Briggs was a victim of petty crime. | 0:21:37 | 0:21:41 | |
This beloved old man was killed for a watch. | 0:21:41 | 0:21:44 | |
At least this gave the investigation a trail to follow. | 0:21:47 | 0:21:51 | |
Anyone familiar with Victorian London | 0:21:57 | 0:21:59 | |
knew where the stolen jewellery would probably be fenced. | 0:21:59 | 0:22:03 | |
Cheapside. | 0:22:03 | 0:22:04 | |
On the edge of the City banking district, | 0:22:07 | 0:22:09 | |
it's now lined with glass-fronted office blocks. | 0:22:09 | 0:22:12 | |
150 years ago, it was full of shops. | 0:22:14 | 0:22:17 | |
Cheapside is one mass of life, | 0:22:28 | 0:22:32 | |
the greatest, busiest street in London, perhaps the world. | 0:22:32 | 0:22:37 | |
It is as full of activity as a nest of vipers. | 0:22:37 | 0:22:41 | |
There are tailors, shirt makers, tobacconists | 0:22:41 | 0:22:46 | |
and, above all, jewellers. | 0:22:46 | 0:22:49 | |
Most jewellers were also pawnbrokers. | 0:22:49 | 0:22:53 | |
They exchanged valuables for cash, no questions asked. | 0:22:53 | 0:22:57 | |
Here was the nucleus of Victorian London's black economy. | 0:22:59 | 0:23:03 | |
It was Tanner's job to know Cheapside | 0:23:14 | 0:23:17 | |
and the world that surrounded it. | 0:23:17 | 0:23:19 | |
He put out word of the missing watch and chain. | 0:23:19 | 0:23:23 | |
A Cheapside dealer, | 0:23:23 | 0:23:25 | |
with a not inappropriate name, | 0:23:25 | 0:23:28 | |
came forward with critical evidence. | 0:23:28 | 0:23:30 | |
Death stated a man called at his shop selling a gold watch chain. | 0:23:35 | 0:23:41 | |
It matched the watch chain worn by Mr Briggs | 0:23:44 | 0:23:48 | |
on the night of his murder. | 0:23:48 | 0:23:50 | |
But Death didn't know the name of the man | 0:23:55 | 0:23:58 | |
who fenced Briggs's watch and chain. | 0:23:58 | 0:24:00 | |
The jeweller could barely provide a description of him. | 0:24:00 | 0:24:04 | |
Tanner's foray into Cheapside had left him chasing shadows. | 0:24:04 | 0:24:08 | |
Briggs had now been dead for a week. | 0:24:10 | 0:24:12 | |
The early promise of the investigation | 0:24:12 | 0:24:14 | |
seemed to have led the police into a dead end. | 0:24:14 | 0:24:18 | |
The press grew impatient. | 0:24:18 | 0:24:20 | |
It was made clear that no stone could be left unturned, | 0:24:20 | 0:24:23 | |
no agency unemployed, | 0:24:23 | 0:24:26 | |
to bring to justice the perpetrator of this crime. | 0:24:26 | 0:24:29 | |
Then, after more days of silence, | 0:24:30 | 0:24:34 | |
someone came forward to claim the £300 reward. | 0:24:34 | 0:24:38 | |
A cab driver called Jonathan Matthews | 0:24:40 | 0:24:42 | |
said he knew whose hat Tanner had found. | 0:24:42 | 0:24:45 | |
I had a new hat, | 0:25:07 | 0:25:09 | |
and this friend, he saw my hat, | 0:25:09 | 0:25:10 | |
and said that he would like to have one like it. | 0:25:10 | 0:25:13 | |
Did he look at it? | 0:25:13 | 0:25:15 | |
Yes, he put it on his head, and said it was too small for him. | 0:25:15 | 0:25:19 | |
But he said he should like one like it, | 0:25:19 | 0:25:21 | |
and I said I would get him one if he wished it. | 0:25:21 | 0:25:24 | |
And you got him one? | 0:25:24 | 0:25:26 | |
Yes. | 0:25:26 | 0:25:27 | |
-At what shop? -At the same. | 0:25:27 | 0:25:30 | |
What same, what shop? | 0:25:30 | 0:25:32 | |
At the hatter's. | 0:25:32 | 0:25:33 | |
Of course, but where? | 0:25:33 | 0:25:35 | |
Mr Walker's, Crawford Street, Marylebone. | 0:25:37 | 0:25:39 | |
Matthews identified the owner of the hat | 0:25:43 | 0:25:46 | |
as a young German immigrant called Franz Muller. | 0:25:46 | 0:25:49 | |
He was working for a brother-in-law and came to dinner frequently. | 0:25:50 | 0:25:54 | |
Twice or three times in a month. | 0:25:54 | 0:25:56 | |
After one of these dinners, | 0:26:00 | 0:26:01 | |
Muller had even given Matthews' family a portrait of himself. | 0:26:01 | 0:26:05 | |
Calling cards with photos on were then the latest fashion. | 0:26:05 | 0:26:10 | |
Tanner now had a name and a photo of a suspect. | 0:26:12 | 0:26:16 | |
But along with it came disappointing news. | 0:26:16 | 0:26:19 | |
This bird had flown. | 0:26:19 | 0:26:21 | |
Matthews said he didn't know where Muller was gone, | 0:26:23 | 0:26:26 | |
but that Muller had told Mrs Matthews, the cabman's wife, | 0:26:26 | 0:26:29 | |
that he was going to America. | 0:26:29 | 0:26:31 | |
Matthews' account didn't entirely add up. | 0:26:32 | 0:26:36 | |
He hadn't contacted the police until after Muller had disappeared. | 0:26:36 | 0:26:40 | |
Matthews later claimed | 0:26:43 | 0:26:44 | |
it was because he hadn't heard about the Briggs murder, | 0:26:44 | 0:26:47 | |
despite it having been the talk of the town for a whole week. | 0:26:47 | 0:26:51 | |
When you are about in your cab, | 0:26:52 | 0:26:54 | |
do you ever take a break? | 0:26:54 | 0:26:56 | |
Yes, occasionally, when I want something to eat. | 0:26:56 | 0:27:00 | |
Do you ever go into a public house? | 0:27:00 | 0:27:02 | |
Perhaps I may go there sometimes. | 0:27:04 | 0:27:07 | |
There's no harm in going into a public house to have a glass of ale. | 0:27:07 | 0:27:10 | |
Every day? | 0:27:10 | 0:27:11 | |
Yes, sir. | 0:27:13 | 0:27:14 | |
I've got to loiter about for hours, in all weathers, | 0:27:14 | 0:27:16 | |
so I'm none the worse for drinking a pint of beer. | 0:27:16 | 0:27:20 | |
Yet, you never heard about the murder of Mr Briggs? | 0:27:20 | 0:27:23 | |
No. | 0:27:23 | 0:27:24 | |
Do you take in a newspaper? | 0:27:25 | 0:27:28 | |
Sometimes I do. | 0:27:28 | 0:27:29 | |
Did you not see a paper from the 9th until the 15th of July? | 0:27:29 | 0:27:35 | |
Not to bring the murder into my mind, no. | 0:27:35 | 0:27:37 | |
They are great readers of newspapers, the cabmen, | 0:27:51 | 0:27:54 | |
and, in this, they devote themselves first of all to the police reports. | 0:27:54 | 0:27:59 | |
I find it almost impossible to believe | 0:27:59 | 0:28:02 | |
that Matthews is telling the truth | 0:28:02 | 0:28:03 | |
when he says he knew nothing whatever about this before Friday. | 0:28:03 | 0:28:07 | |
Matthews was a shadowy character. | 0:28:15 | 0:28:18 | |
In his trade, survival depended on being ruthless and cunning. | 0:28:18 | 0:28:22 | |
Because the economy of the Victorian streets | 0:28:24 | 0:28:28 | |
was an energetic free for all. | 0:28:28 | 0:28:30 | |
If a cabman sometimes overcharges a passenger, | 0:28:32 | 0:28:35 | |
a passenger quite often underpays a cabman. | 0:28:35 | 0:28:38 | |
I find ladies the worst passengers. | 0:28:38 | 0:28:40 | |
They're timid and obstinate, | 0:28:40 | 0:28:42 | |
and run into houses and send out their servants. | 0:28:42 | 0:28:45 | |
We cabmen are neither worse than anybody else, nor yet better. | 0:28:46 | 0:28:50 | |
There's good and bad amongst us, like in any basket of eggs. | 0:28:50 | 0:28:53 | |
Perhaps Matthews was just spinning a yarn to get the £300 reward. | 0:28:54 | 0:29:00 | |
For a Victorian cabman, money was always tight. | 0:29:00 | 0:29:04 | |
As to our earnings, that depends. | 0:29:04 | 0:29:08 | |
The best day is one with a fine morning and a wet afternoon. | 0:29:08 | 0:29:12 | |
The people come out and are caught. | 0:29:12 | 0:29:14 | |
Mind, if a day begins wet, it's bad for cabs. | 0:29:14 | 0:29:18 | |
Why, in the winter time, I had ten hours of it | 0:29:18 | 0:29:20 | |
without so much as a single oat for myself. | 0:29:20 | 0:29:23 | |
Reading Matthews was extremely difficult for Inspector Tanner. | 0:29:27 | 0:29:31 | |
Matthews's manner appeared mysterious. | 0:29:34 | 0:29:38 | |
There didn't appear any truth in him. | 0:29:38 | 0:29:41 | |
But one element of Matthews' story did ring true. | 0:29:43 | 0:29:46 | |
He said that Franz Muller had come to visit after the Briggs murder, | 0:29:48 | 0:29:52 | |
bearing a gift - a decorative box from Death, the jeweller. | 0:29:52 | 0:29:56 | |
This linked the young German to the stolen watch and chain. | 0:30:00 | 0:30:04 | |
So Tanner felt there had to be something in the cabman's story. | 0:30:04 | 0:30:07 | |
The police soon established | 0:30:14 | 0:30:15 | |
that Muller had boarded a ship called the Victoria. | 0:30:15 | 0:30:18 | |
Part of the fleet that crossed the Atlantic | 0:30:18 | 0:30:21 | |
carrying emigrants from Europe | 0:30:21 | 0:30:22 | |
hoping to make a fresh start in New York. | 0:30:22 | 0:30:25 | |
I reported to the Commissioner of the Metropolitan Police, | 0:30:28 | 0:30:31 | |
my ultimate superior, | 0:30:31 | 0:30:33 | |
that Muller was indeed a suspect. | 0:30:33 | 0:30:35 | |
Then, I left Euston Station for Liverpool. | 0:30:36 | 0:30:39 | |
I sailed from there to New York. | 0:30:40 | 0:30:42 | |
We were able to publish the gratifying intelligence | 0:30:46 | 0:30:49 | |
that the police were, beyond any doubt, | 0:30:49 | 0:30:52 | |
on the track of the murderer of Mr Briggs. | 0:30:52 | 0:30:55 | |
It took a load of apprehension off a lot of minds. | 0:30:55 | 0:30:58 | |
Although he had a head start, | 0:30:59 | 0:31:01 | |
Muller's ship, the Victoria, was wind-powered | 0:31:01 | 0:31:05 | |
and would take over a month to reach America. | 0:31:05 | 0:31:08 | |
He was about to be caught up by the Industrial Revolution. | 0:31:08 | 0:31:12 | |
By 1864, there were steam-powered ships, | 0:31:19 | 0:31:22 | |
which crossed the Atlantic | 0:31:22 | 0:31:23 | |
in a fraction of the time it took a sailing ship. | 0:31:23 | 0:31:26 | |
Though he'd left after Muller, | 0:31:32 | 0:31:34 | |
Tanner steamed into New York weeks before him. | 0:31:34 | 0:31:37 | |
Now, Tanner lay in wait for his prey. | 0:31:39 | 0:31:41 | |
Muller made many mistakes. | 0:31:47 | 0:31:49 | |
But his greatest was taking passage on a sailing ship. | 0:31:49 | 0:31:52 | |
Even he must have known | 0:31:52 | 0:31:54 | |
that if the police had alighted on the broad trail he'd left behind, | 0:31:54 | 0:31:58 | |
that steam would frustrate his escape. | 0:31:58 | 0:32:01 | |
Back in London, Muller, up till now an enigma, | 0:32:06 | 0:32:10 | |
was becoming better known. | 0:32:10 | 0:32:12 | |
A report sent to the Yard by the police in Germany | 0:32:15 | 0:32:18 | |
states, "Reflecting on his character and conduct, | 0:32:18 | 0:32:22 | |
"nothing whatever has transpired to his disadvantage." | 0:32:22 | 0:32:27 | |
But after coming to Britain, | 0:32:27 | 0:32:29 | |
Muller slid almost to the bottom | 0:32:29 | 0:32:31 | |
of Victorian London's steep social pyramid. | 0:32:31 | 0:32:36 | |
It seems that Muller was apprenticed as a gunsmith in his native country. | 0:32:36 | 0:32:41 | |
He came over to England | 0:32:41 | 0:32:42 | |
about two years before the murder of Mr Briggs | 0:32:42 | 0:32:45 | |
and, failing to find work as a gunsmith, he'd turned tailor. | 0:32:45 | 0:32:50 | |
Johan Hoffa was also a German immigrant. | 0:32:55 | 0:32:58 | |
He'd once worked alongside Muller, | 0:32:58 | 0:33:00 | |
and so was interviewed by the police. | 0:33:00 | 0:33:02 | |
A German tailor's testimony | 0:33:04 | 0:33:06 | |
gives us a glimpse of the life that Muller endured | 0:33:06 | 0:33:09 | |
in what were unforgiving streets. | 0:33:09 | 0:33:12 | |
The German tailors in the eastern part of London | 0:33:13 | 0:33:16 | |
are not that well-off. | 0:33:16 | 0:33:17 | |
It's a piece-work system in the clothing factories, | 0:33:17 | 0:33:20 | |
and production is incredibly cheap. | 0:33:20 | 0:33:23 | |
We make these coats for eight pence each. | 0:33:23 | 0:33:26 | |
Trousers and waistcoats are made for three to four pence. | 0:33:26 | 0:33:29 | |
I very often have to work all night, but slave as hard as I might | 0:33:31 | 0:33:34 | |
I never can get out of debt. | 0:33:34 | 0:33:36 | |
What is to become of a society | 0:33:38 | 0:33:40 | |
in which it is not possible for the hard-working worker | 0:33:40 | 0:33:42 | |
to support himself, let alone a family? | 0:33:42 | 0:33:45 | |
It's not surprising | 0:33:47 | 0:33:48 | |
that people who live such an existence despair of their future. | 0:33:48 | 0:33:53 | |
You talk of despair. | 0:33:53 | 0:33:55 | |
Might this have driven Franz Muller to murder? | 0:33:55 | 0:33:58 | |
Franz was always very well conducted, in every respect. | 0:33:58 | 0:34:02 | |
I never heard of him getting into rows or committing any assaults. | 0:34:02 | 0:34:06 | |
He was kind. | 0:34:09 | 0:34:10 | |
Across the Atlantic, Muller breezed into New York harbour, | 0:34:14 | 0:34:17 | |
on the 25th August. | 0:34:17 | 0:34:19 | |
He'd no idea the police were lying in wait for him. | 0:34:19 | 0:34:23 | |
I found Muller on board the Victoria. | 0:34:23 | 0:34:26 | |
I remember he said to me, "What's the matter?" | 0:34:26 | 0:34:29 | |
And then what? | 0:34:29 | 0:34:30 | |
The American police officer I was with said, | 0:34:30 | 0:34:34 | |
"You are charged with the murder of Mr Briggs." | 0:34:34 | 0:34:36 | |
And I followed up with, "Yes, on the North London Railway, | 0:34:36 | 0:34:39 | |
"between Hackney and Bow, on the 9th of July." | 0:34:39 | 0:34:42 | |
Muller said, "I never was on that line." | 0:34:44 | 0:34:47 | |
Then, I took possession of the effects of the prisoner. | 0:34:47 | 0:34:50 | |
In particular, I took hold of a hat. | 0:34:50 | 0:34:52 | |
I asked Muller, "Is this your hat?" | 0:34:53 | 0:34:56 | |
He said, "Yes." | 0:34:56 | 0:34:58 | |
This is the hat. | 0:34:59 | 0:35:00 | |
It was not a hat a poor tailor would wear, | 0:35:01 | 0:35:04 | |
but a gentleman's topper made from silk. | 0:35:04 | 0:35:06 | |
What's more, it tied Muller | 0:35:08 | 0:35:10 | |
even closer to the crime scene. | 0:35:10 | 0:35:12 | |
The topper matched the description | 0:35:12 | 0:35:14 | |
of the one taken from Briggs | 0:35:14 | 0:35:16 | |
on the night of his murder. | 0:35:16 | 0:35:18 | |
I asked him, "How long have you possessed it?" | 0:35:18 | 0:35:21 | |
He said, "About 12 months." | 0:35:21 | 0:35:23 | |
What did you say in reply? | 0:35:23 | 0:35:25 | |
I told him I should have to hold him as a prisoner. | 0:35:26 | 0:35:29 | |
The hat from the crime scene had made Muller a police suspect. | 0:35:31 | 0:35:35 | |
The hat in his luggage seemed to confirm his guilt | 0:35:35 | 0:35:38 | |
in the public mind. | 0:35:38 | 0:35:39 | |
The hat of the murdered man! | 0:35:39 | 0:35:42 | |
If it was true that the hat of the murdered man | 0:35:42 | 0:35:45 | |
had actually been found on the prisoner's person, | 0:35:45 | 0:35:47 | |
it would have been idle | 0:35:47 | 0:35:49 | |
to entertain any doubt as to his criminality. | 0:35:49 | 0:35:52 | |
So far as anything that is done in secret can be certain, | 0:35:52 | 0:35:55 | |
we were certain that Muller committed this crime. | 0:35:55 | 0:35:58 | |
Tanner and Muller embarked for home together on an ocean liner. | 0:36:01 | 0:36:06 | |
The two men shared quarters, | 0:36:06 | 0:36:08 | |
and seem to have got to know each other on the 15-day passage. | 0:36:08 | 0:36:12 | |
I told him that it was usual | 0:36:12 | 0:36:14 | |
to place prisoners of his class in irons, | 0:36:14 | 0:36:17 | |
but that I didn't wish to put him to any discomfort. | 0:36:17 | 0:36:20 | |
If, therefore, he would promise to comply with my requests, | 0:36:20 | 0:36:23 | |
I should not iron him. | 0:36:23 | 0:36:24 | |
I supplied him with books to pass away the time. | 0:36:25 | 0:36:28 | |
I lent him first Mr Dickens' hilarious Pickwick Papers. | 0:36:28 | 0:36:32 | |
Then, two volumes of David Copperfield. | 0:36:32 | 0:36:35 | |
Muller behaved himself well. | 0:36:36 | 0:36:37 | |
He could not have been a better-conducted prisoner. | 0:36:37 | 0:36:40 | |
Tanner and Muller's ship docked at Liverpool, | 0:36:40 | 0:36:44 | |
from where they took the train south. | 0:36:44 | 0:36:46 | |
Muller's imminent arrival at London's Euston Station | 0:36:54 | 0:36:58 | |
was somehow discovered beforehand. | 0:36:58 | 0:37:00 | |
A mob turned out to greet the young German. | 0:37:05 | 0:37:08 | |
Muller's arrival here was a tumult. | 0:37:13 | 0:37:17 | |
Two months before, | 0:37:17 | 0:37:18 | |
there had been scarcely a human being in our vast metropolis more unknown | 0:37:18 | 0:37:22 | |
than this waif and stray from a foreign land. | 0:37:22 | 0:37:24 | |
Poor Muller. | 0:37:28 | 0:37:30 | |
To wake up one morning and find oneself famous. | 0:37:30 | 0:37:33 | |
By strange fortune, this is what befell this obscure German tailor. | 0:37:34 | 0:37:38 | |
This was also the first time the press set their eyes on Muller. | 0:37:41 | 0:37:45 | |
A dull-looking young man | 0:37:45 | 0:37:48 | |
with a mouth like a slit cut into wood | 0:37:48 | 0:37:51 | |
and eyes sunk deep under a low forehead. | 0:37:51 | 0:37:54 | |
On 17th September, two months after the murder of Thomas Briggs, | 0:37:57 | 0:38:02 | |
Franz Muller was back in London under arrest. | 0:38:02 | 0:38:06 | |
This was the end of Inspector Tanner's involvement | 0:38:06 | 0:38:09 | |
in the first railway murder. | 0:38:09 | 0:38:11 | |
It seemed that the case was closed. | 0:38:11 | 0:38:13 | |
We didn't know the precise circumstances of the deed, | 0:38:15 | 0:38:18 | |
but that Franz Muller committed it | 0:38:18 | 0:38:20 | |
was more certain than any human conclusion can be. | 0:38:20 | 0:38:23 | |
These London backstreets were where Muller was imprisoned | 0:38:35 | 0:38:39 | |
while he awaited his trial. | 0:38:39 | 0:38:41 | |
It was scheduled for a month after his return. | 0:38:41 | 0:38:44 | |
Though a pariah to many, | 0:38:47 | 0:38:49 | |
Muller's predicament meant he did attract some supporters. | 0:38:49 | 0:38:53 | |
I considered Mr Muller to be innocent of the crime | 0:38:53 | 0:38:56 | |
and resolved to save no trouble or expense | 0:38:56 | 0:38:59 | |
to prove him being not guilty. | 0:38:59 | 0:39:01 | |
Gottfried Kinkel was another German immigrant. | 0:39:02 | 0:39:06 | |
He too had done time. | 0:39:06 | 0:39:08 | |
He'd been imprisoned in his home country | 0:39:08 | 0:39:11 | |
for rebelling against Germany's autocratic rulers. | 0:39:11 | 0:39:14 | |
He'd escaped and had fled to Britain, | 0:39:15 | 0:39:18 | |
where he'd become as well known as his fellow radical Karl Marx. | 0:39:18 | 0:39:23 | |
Kinkel now became a leading figure | 0:39:23 | 0:39:26 | |
in a group of influential Germans who tried to help Muller. | 0:39:26 | 0:39:30 | |
I first met Muller in here. | 0:39:43 | 0:39:44 | |
I explained that we were undertaking his defence, that he had friends. | 0:39:46 | 0:39:50 | |
When I told him a change of clothes had been provided for him, | 0:39:51 | 0:39:54 | |
his lips quivered forth an expression of thanks | 0:39:54 | 0:39:59 | |
as his eyes filled with tears. | 0:39:59 | 0:40:01 | |
Things were very bad for him. | 0:40:02 | 0:40:04 | |
Muller's whole demeanour was not that of a man | 0:40:05 | 0:40:08 | |
who is guilty of murder. | 0:40:08 | 0:40:10 | |
His natural kindliness of temper never was seen to change. | 0:40:10 | 0:40:14 | |
Yet, it was supposed that this poor tailor | 0:40:14 | 0:40:17 | |
got into a first-class carriage | 0:40:17 | 0:40:18 | |
able to murder or rob someone in a minute or two. | 0:40:18 | 0:40:22 | |
Such a hypothesis was fallacious. | 0:40:22 | 0:40:25 | |
Muller's German supporters claimed the case against him | 0:40:25 | 0:40:28 | |
was based on prejudice. | 0:40:28 | 0:40:30 | |
Germans had initially been welcomed to Britain. | 0:40:31 | 0:40:35 | |
By the 1860s, they were the second largest immigrant group in London. | 0:40:35 | 0:40:39 | |
But in February 1864, | 0:40:40 | 0:40:43 | |
Denmark, a British ally, | 0:40:43 | 0:40:45 | |
had been invaded by Germany. | 0:40:45 | 0:40:48 | |
Then, attitudes had changed. | 0:40:48 | 0:40:51 | |
Muller was a German. | 0:40:51 | 0:40:52 | |
And Englishmen of those days | 0:40:52 | 0:40:54 | |
had been reading often enough in their papers | 0:40:54 | 0:40:56 | |
that the war that we were carrying on was nothing better than burglary. | 0:40:56 | 0:41:01 | |
So a German, in English eyes, was more likely to be a robber than not. | 0:41:01 | 0:41:05 | |
Muller's bad character was by now deeply etched into the public mind. | 0:41:05 | 0:41:10 | |
Calling the case against him "anti-German prejudice" | 0:41:10 | 0:41:14 | |
appears to have backfired. | 0:41:14 | 0:41:16 | |
With extraordinary obtuseness of feeling, | 0:41:16 | 0:41:19 | |
Muller's defence was treated | 0:41:19 | 0:41:21 | |
as one in which German honour was also on trial. | 0:41:21 | 0:41:24 | |
And every sensible unprejudiced man, | 0:41:24 | 0:41:26 | |
be he a foreigner or an Englishman, | 0:41:26 | 0:41:29 | |
must have considered this as impertinence. | 0:41:29 | 0:41:31 | |
If some of the Germans residing in England were not happy with that, | 0:41:32 | 0:41:36 | |
they had much better stay at home. | 0:41:36 | 0:41:38 | |
On 27th October, three months after Briggs was killed, | 0:41:44 | 0:41:49 | |
Franz Muller stood trial for the first railway murder | 0:41:49 | 0:41:52 | |
at London's Old Bailey, | 0:41:52 | 0:41:54 | |
the most famous criminal court in Britain. | 0:41:54 | 0:41:57 | |
A Victorian courtroom contained little that looks like justice | 0:42:01 | 0:42:05 | |
to 21st-century eyes. | 0:42:05 | 0:42:08 | |
In the 1860s, someone accused of murder wasn't allowed | 0:42:11 | 0:42:15 | |
to say a word in their own defence other than to enter their plea. | 0:42:15 | 0:42:19 | |
Muller's plea was not guilty. | 0:42:19 | 0:42:22 | |
And the punishment Muller faced if convicted was death by hanging, | 0:42:22 | 0:42:26 | |
in public. | 0:42:26 | 0:42:28 | |
If ever there are cases | 0:42:35 | 0:42:36 | |
in which care and caution need to be exercised, | 0:42:36 | 0:42:39 | |
it's cases like this was, | 0:42:39 | 0:42:41 | |
where life or death hung upon the balance. | 0:42:41 | 0:42:45 | |
The jury had the transcendent power | 0:42:45 | 0:42:46 | |
to bid that young man to live or to die. | 0:42:46 | 0:42:49 | |
John Parry was Muller's lawyer. | 0:42:51 | 0:42:54 | |
He'd made a name for himself by winning sensational trials. | 0:42:54 | 0:42:57 | |
So Gottfried Kinkel had raised the money to pay Parry to defend Muller. | 0:42:59 | 0:43:03 | |
In court, Parry tore into the case against the young tailor. | 0:43:05 | 0:43:10 | |
The prosecution relied mainly | 0:43:10 | 0:43:12 | |
upon three pieces of evidence. | 0:43:12 | 0:43:15 | |
The watch and chain, | 0:43:15 | 0:43:16 | |
exchanged at Mr Death's. | 0:43:16 | 0:43:18 | |
The hat found in the railway carriage. | 0:43:18 | 0:43:21 | |
Next, upon the hat found with the prisoner. | 0:43:21 | 0:43:23 | |
Now, | 0:43:25 | 0:43:27 | |
as regard the watch and chain, | 0:43:27 | 0:43:29 | |
Muller never denied having been at Mr Death's. | 0:43:29 | 0:43:32 | |
But it does not follow he knew anything of the murder. | 0:43:32 | 0:43:35 | |
He said he purchased those articles at the docks. | 0:43:35 | 0:43:38 | |
Either the murderer or an agent of the murderer | 0:43:38 | 0:43:41 | |
must have sold them to him. | 0:43:41 | 0:43:43 | |
And the hat that is supposed to belong to Mr Briggs... | 0:43:44 | 0:43:47 | |
Well, there are thousands just like it at the second-hand market. | 0:43:47 | 0:43:51 | |
Muller said he'd had his 12 months. | 0:43:51 | 0:43:53 | |
As regard the hat found in the railway carriage, | 0:43:54 | 0:43:57 | |
Matthews' evidence was entirely unreliable. | 0:43:57 | 0:44:01 | |
Does anyone believe he never heard of the murder for a week | 0:44:01 | 0:44:03 | |
after it was in the newspapers? | 0:44:03 | 0:44:05 | |
Matthews was evidently actuated by a desire to obtain the reward. | 0:44:07 | 0:44:12 | |
That has animated his whole conduct. | 0:44:12 | 0:44:15 | |
The attempt to destroy the prosecution case | 0:44:21 | 0:44:24 | |
hinged on Matthews becoming the villain of this story. | 0:44:24 | 0:44:27 | |
Parry revealed to the jury that the cabman had debts | 0:44:29 | 0:44:32 | |
and had done time for theft. | 0:44:32 | 0:44:35 | |
It was a catastrophic miscalculation of the public mood. | 0:44:37 | 0:44:40 | |
I should be very wicked if I was not to admit | 0:44:42 | 0:44:44 | |
that suspicion has pointed towards Matthews. | 0:44:44 | 0:44:47 | |
But I should be very sorry to see him charged | 0:44:47 | 0:44:50 | |
with being a party to the murder. | 0:44:50 | 0:44:52 | |
What is the imputation against Matthews? | 0:44:53 | 0:44:56 | |
What is the object of advertising a reward | 0:44:56 | 0:45:00 | |
if you do not want anyone to be influenced by them? | 0:45:00 | 0:45:03 | |
And if you are to disbelieve | 0:45:03 | 0:45:04 | |
every man who gives evidence because of a reward, | 0:45:04 | 0:45:07 | |
at once and for ever cease to give rewards | 0:45:07 | 0:45:10 | |
for the purpose of detecting great offences. | 0:45:10 | 0:45:12 | |
Matthews was regarded as a lovable rogue. | 0:45:19 | 0:45:22 | |
His testimony was accepted, and the case against Muller remained strong. | 0:45:22 | 0:45:27 | |
So Parry played his trump card - | 0:45:31 | 0:45:34 | |
an alibi for Muller. | 0:45:34 | 0:45:35 | |
Camberwell, in south London, | 0:45:40 | 0:45:42 | |
was miles away from the scene of the attack on Briggs. | 0:45:42 | 0:45:46 | |
Here, just off Vassall Road, | 0:45:48 | 0:45:51 | |
where there is still a terrace of Victorian cottages, | 0:45:51 | 0:45:54 | |
Muller was seen just minutes before the murder. | 0:45:54 | 0:45:57 | |
Did you know Mr Muller? | 0:46:02 | 0:46:05 | |
Yes. I met him a twelvemonth before. | 0:46:05 | 0:46:09 | |
Did you see him often? | 0:46:09 | 0:46:11 | |
He asks, "Did you see him often?" | 0:46:14 | 0:46:17 | |
Yes. Yes. | 0:46:18 | 0:46:20 | |
Mary Ann Eldred, a young deaf woman, was Muller's sweetheart. | 0:46:23 | 0:46:27 | |
She testified along with her landlady, Elizabeth Jones. | 0:46:29 | 0:46:32 | |
When was the last time you saw him...before the 9th of July? | 0:46:33 | 0:46:37 | |
He says, "When was the last time..." | 0:46:40 | 0:46:42 | |
I met him on the Saturday preceding the 9th of July, in Cheapside. | 0:46:42 | 0:46:47 | |
And did you see him on the 9th? | 0:46:47 | 0:46:49 | |
The night that Thomas Briggs was murdered? | 0:46:49 | 0:46:51 | |
I went out at nine o'clock. | 0:46:51 | 0:46:53 | |
Mary Ann wasn't at home. | 0:46:53 | 0:46:55 | |
She had gone out at nine o'clock, | 0:46:55 | 0:46:57 | |
and she'd been out about half an hour. | 0:46:57 | 0:46:59 | |
Muller called to see her and found she wasn't at home. | 0:46:59 | 0:47:02 | |
He stayed talking with me about five or ten minutes at the door. | 0:47:02 | 0:47:06 | |
I'm quite sure it was as much as half past nine o'clock. | 0:47:06 | 0:47:10 | |
He then left. | 0:47:10 | 0:47:11 | |
Elizabeth Jones's testimony put Muller in south London | 0:47:13 | 0:47:17 | |
only a few minutes before he was alleged to be killing Thomas Briggs | 0:47:17 | 0:47:21 | |
in a train on the North London Line. | 0:47:21 | 0:47:23 | |
I am quite sure it was Saturday evening, the 9th of July, | 0:47:24 | 0:47:27 | |
about half past nine, that I saw that young man. | 0:47:27 | 0:47:30 | |
I thought his name was Miller, | 0:47:31 | 0:47:33 | |
and I used to call him the little Frenchman. | 0:47:33 | 0:47:36 | |
I didn't know he was a German. | 0:47:36 | 0:47:38 | |
Mary Ann used to say that he was a German, | 0:47:38 | 0:47:40 | |
but I used to call him the little Frenchman. | 0:47:40 | 0:47:43 | |
Parry's unveiling of an alibi | 0:47:46 | 0:47:48 | |
was the first glimmer of hope for Muller in many weeks. | 0:47:48 | 0:47:53 | |
But under cross-examination, | 0:47:53 | 0:47:55 | |
another story emerged from behind this tale | 0:47:55 | 0:47:58 | |
of a missed rendezvous with a sweetheart. | 0:47:58 | 0:48:00 | |
Parry's key witness was exposed as a prostitute. | 0:48:00 | 0:48:04 | |
Mary Ann Eldred was what is called an unfortunate girl. | 0:48:04 | 0:48:08 | |
But moral indignation ought not to press too heavily on her head. | 0:48:09 | 0:48:13 | |
We all know well what is going on in all the classes, | 0:48:13 | 0:48:17 | |
from the highest to the lowest. | 0:48:17 | 0:48:19 | |
Victorian London's sex industry was vast. | 0:48:20 | 0:48:25 | |
There were an estimated 55,000 prostitutes, | 0:48:25 | 0:48:29 | |
about one for every 20 adult men. | 0:48:29 | 0:48:32 | |
What drove many women into prostitution was economic necessity. | 0:48:32 | 0:48:38 | |
I had worked at shirt making, | 0:48:38 | 0:48:41 | |
the fine full-fronted white shirts. | 0:48:41 | 0:48:45 | |
I got tuppence each for them. | 0:48:45 | 0:48:47 | |
By working from five o'clock in the morning till midnight each night, | 0:48:49 | 0:48:52 | |
I was able to do seven in the week. | 0:48:52 | 0:48:55 | |
This brought me to a profit of 15 pence. | 0:48:55 | 0:48:58 | |
It stands to reason that no-one can live, pay rent, and find clothes | 0:48:58 | 0:49:02 | |
upon 15 pence a week. | 0:49:02 | 0:49:03 | |
So I was forced to go out at night to make my living. | 0:49:05 | 0:49:08 | |
I can and I will solemnly state that it was the smallness of the price | 0:49:11 | 0:49:15 | |
for my labour that drove me to prostitution for a living. | 0:49:15 | 0:49:18 | |
It's cruel to call them prostitutes. | 0:49:23 | 0:49:25 | |
I know how horrible all this is. | 0:49:27 | 0:49:30 | |
In my heart, I hate it, | 0:49:30 | 0:49:32 | |
my whole nature rebels against it. | 0:49:32 | 0:49:34 | |
And no-one but God... | 0:49:36 | 0:49:38 | |
knows how I struggle to give it up. | 0:49:38 | 0:49:40 | |
Mary Ann Eldred's admission of prostitution was devastating | 0:49:46 | 0:49:49 | |
for the reputation of Elizabeth Jones. | 0:49:49 | 0:49:52 | |
It became clear that Jones was no ordinary landlady, | 0:49:53 | 0:49:57 | |
but was running a house of ill repute. | 0:49:57 | 0:50:00 | |
Mary Ann Eldred... | 0:50:02 | 0:50:04 | |
It was difficult to see her without feeling some compassion | 0:50:04 | 0:50:07 | |
for the situation of life that she was in. | 0:50:07 | 0:50:10 | |
But Mrs Jones... | 0:50:10 | 0:50:12 | |
Someone who is living off the profits of such a calling | 0:50:12 | 0:50:15 | |
is about the most infamous of womankind. | 0:50:15 | 0:50:18 | |
In court, the judge advised the jury | 0:50:20 | 0:50:23 | |
that they shouldn't trust Jones's testimony. | 0:50:23 | 0:50:26 | |
Muller's alibi was in tatters. | 0:50:27 | 0:50:30 | |
The girl Eldred evidently did her best | 0:50:31 | 0:50:34 | |
to save the life of the young man. | 0:50:34 | 0:50:36 | |
And as she left the court, | 0:50:36 | 0:50:38 | |
Muller looked at her with an expression of sincere gratitude. | 0:50:38 | 0:50:43 | |
The trial lasted just three days. | 0:50:47 | 0:50:51 | |
The verdict of the jury | 0:50:51 | 0:50:52 | |
was that Muller was guilty of murdering Thomas Briggs. | 0:50:52 | 0:50:56 | |
The judge passed a sentence of death by hanging. | 0:50:58 | 0:51:02 | |
Gottfried Kinkel refused to give up the fight for Franz Muller. | 0:51:14 | 0:51:17 | |
A petition was organised | 0:51:18 | 0:51:20 | |
and sent to the Home Secretary begging for mercy. | 0:51:20 | 0:51:23 | |
A delegation of Germans went to the Briggs home in Hackney. | 0:51:30 | 0:51:34 | |
It was hoped that if the victim's family signed the petition, | 0:51:37 | 0:51:41 | |
Muller's death sentence would be overruled. | 0:51:41 | 0:51:43 | |
Refused entry, the Germans persisted. | 0:51:46 | 0:51:50 | |
They waited on the doorstep for 45 minutes. | 0:51:50 | 0:51:54 | |
You cannot doubt that the widow and children of a murdered man | 0:51:54 | 0:51:57 | |
would have been the last to wish to see an innocent man punished. | 0:51:57 | 0:52:01 | |
But I put it to you | 0:52:01 | 0:52:02 | |
we should have been spared so indelicate and ill-timed an appeal. | 0:52:02 | 0:52:06 | |
It was foolish, unwarranted and cruel. | 0:52:06 | 0:52:09 | |
The Briggs family refused to meet the Germans. | 0:52:11 | 0:52:14 | |
And the Home Secretary turned down Kinkel's appeal. | 0:52:17 | 0:52:20 | |
Nothing could now save Muller from the rope. | 0:52:21 | 0:52:25 | |
What had begun in death, by the law which society these days maintains, | 0:52:30 | 0:52:34 | |
also ended in death. | 0:52:34 | 0:52:36 | |
Early on the morning of 14th November, | 0:52:57 | 0:53:00 | |
three months after the death of Thomas Briggs, | 0:53:00 | 0:53:03 | |
Franz Muller was prepared for his execution. | 0:53:03 | 0:53:07 | |
Watched closely by the journalist Frederick Wicks. | 0:53:07 | 0:53:10 | |
I remember it all as if it had occurred last week. | 0:53:11 | 0:53:14 | |
And I believe I shall never forget it. | 0:53:14 | 0:53:17 | |
The hangman was as quick in his movements as he was noiseless. | 0:53:19 | 0:53:23 | |
Muller had his hands down at his sides in the most natural manner, | 0:53:24 | 0:53:29 | |
and in this position they were strapped down | 0:53:29 | 0:53:32 | |
by a pair of leather handcuffs. | 0:53:32 | 0:53:35 | |
The hangman then removed Muller's collar. | 0:53:35 | 0:53:38 | |
With gruesome delicacy, he tucked this into the waistcoat. | 0:53:38 | 0:53:43 | |
It was horrid. | 0:53:44 | 0:53:46 | |
But the horror was only just beginning. | 0:53:51 | 0:53:54 | |
Muller was led out of his prison so that he could be hanged in public. | 0:53:54 | 0:53:58 | |
Wicks, determined to keep on his story, | 0:54:00 | 0:54:03 | |
went with Muller all the way to the scaffold. | 0:54:03 | 0:54:06 | |
It was erected right here - | 0:54:06 | 0:54:08 | |
between the church of St Sepulchre | 0:54:08 | 0:54:10 | |
and the Old Bailey courthouse across the road. | 0:54:10 | 0:54:13 | |
The chaplain led the way to the scaffold, | 0:54:13 | 0:54:16 | |
reading the burial service. | 0:54:16 | 0:54:18 | |
And the hangman then led Muller up a flight of about ten steps. | 0:54:18 | 0:54:23 | |
And I... | 0:54:23 | 0:54:25 | |
..followed. | 0:54:26 | 0:54:27 | |
Perhaps my presence on the scaffold was regarded as an intrusion, | 0:54:30 | 0:54:34 | |
but nothing to me seemed more proper. | 0:54:34 | 0:54:38 | |
From up on the scaffold, | 0:54:40 | 0:54:42 | |
Wicks had a condemned man's view of a judicial slaughter. | 0:54:42 | 0:54:47 | |
50,000 people came to see Muller hang. | 0:54:47 | 0:54:50 | |
The entire space in front of me | 0:54:56 | 0:54:58 | |
presented an unbroken mass of human faces | 0:54:58 | 0:55:02 | |
and every unholy passion that humanity is capable of. | 0:55:02 | 0:55:06 | |
The mouths of all the myriads of dirty yellow faces were open | 0:55:11 | 0:55:18 | |
and all the thousands of eyes upturned upon the spot where I stood. | 0:55:18 | 0:55:24 | |
Meanwhile, the hangman put the rope round Muller's neck, | 0:55:24 | 0:55:28 | |
and tightened the slipknot just under his right ear. | 0:55:28 | 0:55:33 | |
And last of all, he pulled a dirty yellow hood | 0:55:33 | 0:55:36 | |
down over the man's head to his chin. | 0:55:36 | 0:55:39 | |
He then stood aside. | 0:55:40 | 0:55:42 | |
The priest continued to beseech Muller to confess his crimes. | 0:55:42 | 0:55:48 | |
But Muller preserved the same stolid, unimpassioned manner | 0:55:48 | 0:55:52 | |
that had characterised his attitude throughout. | 0:55:52 | 0:55:54 | |
I stood just behind him as... | 0:55:56 | 0:55:58 | |
..the drop fell. | 0:56:03 | 0:56:04 | |
Then a movement - | 0:56:06 | 0:56:08 | |
so slight, it could scarcely be called a movement, | 0:56:08 | 0:56:12 | |
but rather an almost imperceptible muscular flicker | 0:56:12 | 0:56:15 | |
went through Muller's frame. | 0:56:15 | 0:56:17 | |
This was all... | 0:56:19 | 0:56:20 | |
..and Muller had ceased to live. | 0:56:21 | 0:56:24 | |
HE SIGHS | 0:56:27 | 0:56:29 | |
But just before he died, | 0:56:31 | 0:56:33 | |
Muller, up till then silent in this story, had finally spoken. | 0:56:33 | 0:56:38 | |
It was as he was launched into eternity, | 0:56:40 | 0:56:42 | |
that Muller gave his infamous last words. | 0:56:42 | 0:56:45 | |
He spoke in German, | 0:56:45 | 0:56:47 | |
"Ich habe es gethan." | 0:56:47 | 0:56:48 | |
I am told this means... | 0:56:50 | 0:56:52 | |
"I did it." | 0:56:52 | 0:56:54 | |
In a few years, the terror inspired by the first railway murder faded. | 0:57:02 | 0:57:08 | |
The train became part of everyday life. | 0:57:08 | 0:57:10 | |
For Inspector Richard Tanner, | 0:57:16 | 0:57:18 | |
finding and capturing Muller was the highlight of his career. | 0:57:18 | 0:57:22 | |
He died soon after, aged just 41. | 0:57:22 | 0:57:25 | |
Gottfried Kinkel, the former revolutionary, | 0:57:27 | 0:57:29 | |
founded London's only German-language newspaper. | 0:57:29 | 0:57:33 | |
He never returned to his native country. | 0:57:33 | 0:57:36 | |
The cabman, Jonathan Matthews, | 0:57:38 | 0:57:41 | |
got the £300 reward | 0:57:41 | 0:57:42 | |
for providing the information that led to Muller's arrest. | 0:57:42 | 0:57:46 | |
But it was all swallowed up by his creditors. | 0:57:46 | 0:57:50 | |
There is no record of the fate of Mary Ann Eldred. | 0:57:52 | 0:57:56 | |
But the prospects of a Victorian prostitute | 0:57:56 | 0:57:58 | |
were for a short and miserable life. | 0:57:58 | 0:58:01 | |
Frederick Wicks became a notable writer and newspaper owner. | 0:58:03 | 0:58:07 | |
Franz Muller was buried beneath the Old Bailey prison. | 0:58:12 | 0:58:16 | |
It has since been knocked down | 0:58:16 | 0:58:18 | |
and replaced with another court complex. | 0:58:18 | 0:58:21 | |
But perhaps his bones lie here still. | 0:58:21 | 0:58:24 | |
Subtitles by Red Bee Media Ltd | 0:58:53 | 0:58:56 |