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This programme contains some violent scenes from the start and some bad language. | 0:00:02 | 0:00:06 | |
Violence on the streets of the UK. | 0:00:06 | 0:00:08 | |
But this time, it's girls fighting in Belfast. | 0:00:08 | 0:00:12 | |
Police have appealed for an end to prearranged teenage fights | 0:00:12 | 0:00:16 | |
organised on social media. | 0:00:16 | 0:00:18 | |
SHOUTING | 0:00:18 | 0:00:20 | |
It happened right here in the middle of the city centre | 0:00:20 | 0:00:22 | |
and had been plastered all over Facebook. | 0:00:22 | 0:00:25 | |
Something like 200 people turned up to watch. | 0:00:25 | 0:00:28 | |
I live only about half a mile from the scene of that fight. | 0:00:31 | 0:00:34 | |
But it's not just a local problem. | 0:00:37 | 0:00:39 | |
These scenes were filmed in north-east London in October. | 0:00:40 | 0:00:44 | |
BLEEP | 0:00:44 | 0:00:45 | |
BLEEP | 0:00:45 | 0:00:46 | |
No fighting, come on. Peace. | 0:00:46 | 0:00:49 | |
No fighting. | 0:00:49 | 0:00:51 | |
Fights between girls broke out at festivals. | 0:00:51 | 0:00:54 | |
'Let's start today with this video...' | 0:00:55 | 0:00:57 | |
Even celebs seem to be getting in on the action. | 0:00:57 | 0:01:01 | |
'..which appears to show Jay Z being hit | 0:01:01 | 0:01:03 | |
'and kicked by Beyonce's sister in a lift.' | 0:01:03 | 0:01:06 | |
In this film, I'm setting out to meet some of Britain's violent women, | 0:01:09 | 0:01:14 | |
to find out what's provoking them. | 0:01:14 | 0:01:16 | |
Are us girls getting angrier? | 0:01:17 | 0:01:19 | |
And if so, why? | 0:01:21 | 0:01:24 | |
Fight, fight, fight. Oh! | 0:01:24 | 0:01:27 | |
Yeah! | 0:01:27 | 0:01:29 | |
I'll talk to women who've used knives. | 0:01:29 | 0:01:32 | |
I don't even like saying it. Um, I stabbed my own sister. | 0:01:32 | 0:01:35 | |
I'll see if I can get a taste for fighting. | 0:01:37 | 0:01:40 | |
-You were going out three nights a week and you were ending up in a police cell three nights a week? -Yes. | 0:01:40 | 0:01:45 | |
And I'll speak to a man whose wife is on trial for stabbing him. | 0:01:45 | 0:01:50 | |
The sensation, it was like just an instant heat on my arm sort of thing, | 0:01:50 | 0:01:53 | |
and you could feel it sort of running down your arm. | 0:01:53 | 0:01:55 | |
-Did you know what had happened? -No, no, I said, "What have you done? What have you done?" | 0:01:55 | 0:01:59 | |
We've got a verdict. It's tense, very tense. | 0:02:01 | 0:02:05 | |
Whoo! | 0:02:20 | 0:02:21 | |
My first stop is Leeds. | 0:02:23 | 0:02:26 | |
A typical UK party city. | 0:02:28 | 0:02:30 | |
The peak time for violence in the city centre | 0:02:31 | 0:02:34 | |
is between midnight and 5am. | 0:02:34 | 0:02:37 | |
If you're out on a night like tonight and you're really drunk, | 0:02:37 | 0:02:40 | |
you are much more likely to get a punch or even to throw one. | 0:02:40 | 0:02:43 | |
And more and more women are getting involved in the fighting. | 0:02:49 | 0:02:53 | |
The rings on their fingers, they've spun them round and slapped people. | 0:02:54 | 0:02:58 | |
-Really? -And then tore the cheek. Scratched the cheek, drew blood. | 0:02:58 | 0:03:02 | |
-A woman tried to bite my thumb off. -Tried to bite your thumb off? -Yes. | 0:03:02 | 0:03:05 | |
What's the worst kind of girl violence thing you've seen? | 0:03:08 | 0:03:11 | |
I think it was my mate getting a stiletto stuck in his head. | 0:03:11 | 0:03:13 | |
-He got a stiletto in the head? -Yes. | 0:03:13 | 0:03:16 | |
Was he damaged, injured...badly? | 0:03:16 | 0:03:18 | |
Oh, he had to go to hospital and get some stitches. | 0:03:18 | 0:03:21 | |
It was actually hanging out of his head. | 0:03:21 | 0:03:23 | |
I've had fights where I've split girls up | 0:03:25 | 0:03:28 | |
and they're still trying to smack each other, and I've been smacked. | 0:03:28 | 0:03:31 | |
Some of the stuff I have seen, for females to be doing that, | 0:03:31 | 0:03:34 | |
I think it is absolutely disgusting. | 0:03:34 | 0:03:36 | |
Two of the most experienced door staff in Leeds are women. | 0:03:39 | 0:03:43 | |
You see lots of violent domestics, I've noticed in Leeds, | 0:03:45 | 0:03:49 | |
you know, with women hitting the bloke. | 0:03:49 | 0:03:51 | |
I've seen that quite a few times. | 0:03:51 | 0:03:53 | |
In fact, I had one a couple of weeks ago when I was working up the top. | 0:03:53 | 0:03:56 | |
She was actually knocking seven bells out of him, | 0:03:56 | 0:03:59 | |
-but people were just walking past. -No-one stopped? | 0:03:59 | 0:04:01 | |
No, because I think people just assume, | 0:04:01 | 0:04:04 | |
because it is a girl, it is not going to hurt. | 0:04:04 | 0:04:06 | |
# S Club | 0:04:06 | 0:04:08 | |
# There ain't no party like an S Club party | 0:04:08 | 0:04:10 | |
# We're gonna show you how... # | 0:04:10 | 0:04:12 | |
And if things are getting worse, there's one obvious factor to blame. | 0:04:12 | 0:04:17 | |
More of us girls are drinking heavily | 0:04:18 | 0:04:20 | |
and the bars have become far smarter when it comes to selling us booze. | 0:04:20 | 0:04:25 | |
I'm here to see how they do it. | 0:04:28 | 0:04:30 | |
'It is great fun, but there's no doubt about it, | 0:04:32 | 0:04:35 | |
'that place is set up for drinking. | 0:04:35 | 0:04:37 | |
'Every screen in the place has two-for-one offers.' | 0:04:37 | 0:04:40 | |
But...the most notable thing was | 0:04:40 | 0:04:43 | |
there was a girl on the dance floor with a tray of Jagerbombs, selling them. | 0:04:43 | 0:04:47 | |
So I didn't even have to leave the dance floor to be able to get drunk. | 0:04:47 | 0:04:51 | |
'For Izzy Sorley, getting drunk and getting into fights | 0:04:57 | 0:05:00 | |
'has become a way of life. | 0:05:00 | 0:05:02 | |
'She's only 24, but she reckons she's got around 30 convictions for | 0:05:04 | 0:05:08 | |
'alcohol-related offences, including six assaults on police officers. | 0:05:08 | 0:05:13 | |
'And it all started here in Leeds when she was a student.' | 0:05:17 | 0:05:22 | |
On a normal night, when you're in full flight as a student, | 0:05:22 | 0:05:26 | |
what were you drinking? | 0:05:26 | 0:05:28 | |
Well, I would preload before I went out. | 0:05:28 | 0:05:30 | |
-So I would normally have a litre of vodka. -How much? -A litre of vodka. | 0:05:30 | 0:05:33 | |
-A full litre of vodka? -Yeah, yeah. | 0:05:33 | 0:05:37 | |
Or, like, I don't know, cider or stuff like that. | 0:05:37 | 0:05:41 | |
And then it would just be literally what was ever cheapest | 0:05:41 | 0:05:43 | |
at the bar. | 0:05:43 | 0:05:45 | |
Izzy's nights always ended up here on Call Lane. | 0:05:48 | 0:05:51 | |
-Have you ever been on Call Lane when you're sober? -No. | 0:05:53 | 0:05:56 | |
Normally be, like, staggering everywhere, | 0:05:56 | 0:05:59 | |
not being able to stand, throwing up, just trying to get in to as many bars as possible. | 0:05:59 | 0:06:03 | |
-Really? -It is really weird being here sober. | 0:06:03 | 0:06:06 | |
I think everyone has a night where they totally overdo it, | 0:06:08 | 0:06:11 | |
they end up being sick and going home early or forgetting the night, | 0:06:11 | 0:06:15 | |
-but not every night. -I know. That was the really bad thing. | 0:06:15 | 0:06:18 | |
I just couldn't seem to break that cycle of waking up in a police cell. | 0:06:18 | 0:06:23 | |
I would obviously intend to go home. | 0:06:23 | 0:06:25 | |
I'd be, "Right, I'm actually making it to my bed tonight," | 0:06:25 | 0:06:27 | |
but it never happened. | 0:06:27 | 0:06:29 | |
Because every time I went out, I was getting arrested. | 0:06:29 | 0:06:32 | |
'Izzy was eventually banned from all pubs and clubs in Leeds. | 0:06:35 | 0:06:39 | |
'She graduated and moved back home to Newcastle. | 0:06:39 | 0:06:43 | |
'But she didn't stop drinking | 0:06:43 | 0:06:45 | |
'and her crimes were about to hit the headlines.' | 0:06:45 | 0:06:49 | |
Isabella Sorley, who is 23, | 0:06:49 | 0:06:51 | |
pleaded guilty to sending the messages in July last year. | 0:06:51 | 0:06:54 | |
It resulted in a 12-week prison sentence | 0:06:55 | 0:06:58 | |
under the Malicious Communications Act. | 0:06:58 | 0:07:00 | |
Izzy was prosecuted for her part in the online harassment | 0:07:01 | 0:07:05 | |
of a feminist campaigner. | 0:07:05 | 0:07:07 | |
'At 2.25am, she tweeted to Caroline Criado-Perez, | 0:07:09 | 0:07:12 | |
'"Fuck off and die, you worthless piece of crap. | 0:07:12 | 0:07:15 | |
'"You're pathetic, kill yourself before I do. Go die. | 0:07:15 | 0:07:20 | |
'"Rape?! I'd do a lot worse things than rape you."' | 0:07:20 | 0:07:23 | |
What Izzy said on Twitter to that campaigner | 0:07:27 | 0:07:31 | |
is unimaginably vicious and heartless, | 0:07:31 | 0:07:36 | |
and when you read them, or when I read them, | 0:07:36 | 0:07:39 | |
you'd imagine that these are from a violent, dangerous man. | 0:07:39 | 0:07:42 | |
And they weren't. She's a young girl in her twenties. | 0:07:42 | 0:07:45 | |
And...I'm really keen just to hear | 0:07:45 | 0:07:49 | |
what she has to say | 0:07:49 | 0:07:51 | |
and how she can explain doing something like that. | 0:07:51 | 0:07:54 | |
Izzy says she was drunk and doesn't remember posting the abuse. | 0:07:58 | 0:08:03 | |
She found out the morning after when she checked her Twitter account. | 0:08:04 | 0:08:08 | |
I've done some bad stuff before, drunk. | 0:08:10 | 0:08:12 | |
But when it's typed down, you've got evidence of what you've said. | 0:08:12 | 0:08:15 | |
I was disgusted and I had to go back and think, | 0:08:15 | 0:08:18 | |
"Oh, dear, I've sent that." | 0:08:18 | 0:08:19 | |
I was violently sick. | 0:08:19 | 0:08:20 | |
It was either down to too much alcohol the night before or a mixture of both, | 0:08:20 | 0:08:24 | |
the fact that I'd sent those vile stuff to another woman. | 0:08:24 | 0:08:27 | |
But Izzy's involved in physical violence, too. | 0:08:27 | 0:08:30 | |
Just two weeks ago, she was arrested | 0:08:31 | 0:08:33 | |
for racially aggravated assault of a hospital security guard. | 0:08:33 | 0:08:37 | |
-You woke up in a police cell? -I woke up in a police cell, yes. | 0:08:37 | 0:08:40 | |
And what did they say to you? Did you know why you were there? | 0:08:40 | 0:08:43 | |
I had no idea. I didn't even know what police station I was at until I asked them. | 0:08:43 | 0:08:47 | |
They sort of said, "You're here for racially aggravated assault," and I was like, "What?" | 0:08:47 | 0:08:51 | |
I couldn't have been more surprised. | 0:08:51 | 0:08:53 | |
I said, "I can't emphasise enough, I am not racist." | 0:08:53 | 0:08:56 | |
I wouldn't purposely go up to someone and hit someone. | 0:08:56 | 0:08:59 | |
I am not really a violent person in that way. | 0:08:59 | 0:09:01 | |
I don't know if you can say, "I'm not a violent person," | 0:09:01 | 0:09:03 | |
when you have got a string of assaults against police officers. | 0:09:03 | 0:09:07 | |
One morning you could wake up in a cell and they'll say, | 0:09:07 | 0:09:10 | |
"Izzy, this time you killed someone." | 0:09:10 | 0:09:12 | |
That's the worrying part. | 0:09:12 | 0:09:14 | |
That I could kill someone or I could be killed on a night out. | 0:09:14 | 0:09:18 | |
Unfortunately, alcohol just turns us. | 0:09:18 | 0:09:20 | |
I'm trying to deal with the psychopath that is inside me when alcohol is there. | 0:09:20 | 0:09:25 | |
But is alcohol really powerful enough | 0:09:27 | 0:09:29 | |
to change someone's personality in the way that Izzy claims? | 0:09:29 | 0:09:33 | |
I've decided to find out with a home experiment. | 0:09:40 | 0:09:44 | |
What affect does alcohol have on me? | 0:09:46 | 0:09:49 | |
And does it make me more inclined to fight? | 0:09:49 | 0:09:52 | |
I'll be taking my blood before and after alcohol | 0:09:54 | 0:09:58 | |
and sending it off for testing to see what science has to say. | 0:09:58 | 0:10:02 | |
It's just after 9.30am in the morning | 0:10:02 | 0:10:04 | |
and I've done my first test, blood test, of the day. | 0:10:04 | 0:10:07 | |
But in preparation for the next one, | 0:10:07 | 0:10:11 | |
I have to drink two 35ml measures of whisky. | 0:10:11 | 0:10:16 | |
My body is like, "What's going on?" | 0:10:30 | 0:10:32 | |
Last bit. | 0:10:37 | 0:10:38 | |
Two shots later and I'm feeling the effects. | 0:10:43 | 0:10:45 | |
I definitely feel slightly dulled. Slightly warmer. | 0:10:46 | 0:10:50 | |
We should go to a disco, though! | 0:10:53 | 0:10:55 | |
But no disco for me. I'm going straight to the fight. | 0:11:03 | 0:11:06 | |
After my whisky breakfast, I'm mad enough to agree | 0:11:11 | 0:11:14 | |
to get in a ring with Leah McCourt, a trained cage fighter. | 0:11:14 | 0:11:18 | |
First, a quick blood test to see how my body has reacted to the alcohol. | 0:11:22 | 0:11:26 | |
No matter how much I drink, | 0:11:39 | 0:11:41 | |
I'm pretty sure this will never be my sport. | 0:11:41 | 0:11:44 | |
OK. | 0:11:55 | 0:11:56 | |
Finally. | 0:11:58 | 0:12:00 | |
The results are in. | 0:12:07 | 0:12:09 | |
I discover that what's changed in my body is the level of testosterone. | 0:12:10 | 0:12:14 | |
This is a hormone which is higher in boys than in girls | 0:12:15 | 0:12:19 | |
and scientists link it to aggressive behaviour. | 0:12:19 | 0:12:22 | |
The first line is my normal level, | 0:12:27 | 0:12:29 | |
based on tests from the day before with no alcohol. | 0:12:29 | 0:12:32 | |
But look what happens when I drink. | 0:12:34 | 0:12:36 | |
The expectation was that my level of testosterone might go up | 0:12:37 | 0:12:41 | |
even further when I fought Leah but, in fact, it went down. | 0:12:41 | 0:12:45 | |
Proof that I'm basically a terrible fighter. | 0:12:45 | 0:12:47 | |
And there's an extra hit for some girls. | 0:12:53 | 0:12:55 | |
If you're on the pill, | 0:12:57 | 0:12:59 | |
alcohol causes an even greater rise in testosterone. | 0:12:59 | 0:13:01 | |
-I need my arm back. -What? | 0:13:04 | 0:13:06 | |
It's pretty clear to me that Izzy needs to stop drinking | 0:13:13 | 0:13:16 | |
if she wants to stop getting into fights. | 0:13:16 | 0:13:19 | |
How was your night last night? | 0:13:21 | 0:13:23 | |
Do you know, I'd just let in these four big blokes... | 0:13:23 | 0:13:27 | |
I've asked two bouncers I met in Leeds to help me out. | 0:13:27 | 0:13:31 | |
..five foot one, weighing about three stone, starts chomping | 0:13:31 | 0:13:34 | |
because he's been kicked out. | 0:13:34 | 0:13:36 | |
These two deal with binge drinkers like Izzy every day. | 0:13:36 | 0:13:40 | |
So can they persuade her off the booze? | 0:13:46 | 0:13:49 | |
-Hi, how are you? -I'm good. You? -Good. You know the score for now, who we're going to meet? | 0:13:50 | 0:13:54 | |
Yes. Two bouncers from Leeds. | 0:13:54 | 0:13:56 | |
Have you met them sober before? Or any bouncers sober before? | 0:13:56 | 0:13:59 | |
-I don't think I've ever encountered a bouncer sober. -Really? How are you feeling about it? | 0:13:59 | 0:14:03 | |
-Really apprehensive, especially about one of them. -Why is that? | 0:14:03 | 0:14:07 | |
We have definitely encountered each other before. | 0:14:07 | 0:14:09 | |
Whether she remembers me, I don't know. But I remember her. | 0:14:09 | 0:14:12 | |
-OK. Let's see how we get on. -Cool. | 0:14:12 | 0:14:14 | |
That fight last night was quite entertaining. | 0:14:17 | 0:14:20 | |
You didn't do any headlocks, did you? Cos they're illegal now. | 0:14:20 | 0:14:23 | |
-Hello. -This is Izzy. | 0:14:26 | 0:14:28 | |
-Hi. -This is Terry and Tracey. | 0:14:28 | 0:14:30 | |
Even when outnumbered and the smallest person in the room, | 0:14:30 | 0:14:33 | |
Izzy comes out fighting. | 0:14:33 | 0:14:35 | |
-Remember the time you smacked us in the face? -Mm? | 0:14:36 | 0:14:38 | |
You and another lad dragged me from the courtyard... | 0:14:38 | 0:14:42 | |
I didn't smack you in the head. | 0:14:42 | 0:14:44 | |
How long did you take me off my job? | 0:14:44 | 0:14:46 | |
That's not the point, though, is it. | 0:14:46 | 0:14:48 | |
Two hours. You would not listen. | 0:14:48 | 0:14:51 | |
You are the worst person I have ever met in drink. | 0:14:51 | 0:14:54 | |
I remember once you'd just been sick. | 0:14:54 | 0:14:56 | |
You did shots at the bar and you just vomited all over the floor. | 0:14:57 | 0:15:02 | |
In the bar? | 0:15:02 | 0:15:03 | |
See, I can't even remember that. | 0:15:03 | 0:15:05 | |
The mood changes and Izzy begins to open up | 0:15:07 | 0:15:11 | |
about her problems with drink. | 0:15:11 | 0:15:13 | |
My crimes have escalated since Leeds. | 0:15:13 | 0:15:16 | |
In Leeds, it was just drunk and disorderly. | 0:15:16 | 0:15:19 | |
In Newcastle, it has turned into assaults. | 0:15:19 | 0:15:21 | |
You have to stop drinking. | 0:15:21 | 0:15:23 | |
You need to get some help. | 0:15:23 | 0:15:25 | |
Like, not one or two. You can't do one or two. | 0:15:25 | 0:15:27 | |
Same as I can't do one or two cigs | 0:15:27 | 0:15:30 | |
or I'm going to smoke 40 at the end of the week. | 0:15:30 | 0:15:33 | |
You can't do one or two drinks. It's got to be no drinks. | 0:15:33 | 0:15:36 | |
I've lost four jobs now through alcohol. I lost my flat. I nearly ended up being homeless. | 0:15:36 | 0:15:40 | |
If I didn't have social support and family, I would have been on the streets. | 0:15:40 | 0:15:44 | |
You can turn it round, though. You don't have to be like that. | 0:15:44 | 0:15:46 | |
I just hope that you don't go away from this opportunity | 0:15:46 | 0:15:51 | |
and throw yourself back into where you were, | 0:15:51 | 0:15:54 | |
because clearly you've got a lot more about you | 0:15:54 | 0:15:56 | |
than you seem to think you have. | 0:15:56 | 0:15:58 | |
I feel a lot calmer now. I feel better now. | 0:15:58 | 0:16:01 | |
I apologise for how much of a twat I was. | 0:16:01 | 0:16:04 | |
-I'm not an enemy. -I know. | 0:16:04 | 0:16:06 | |
Despite the good advice, I wonder if Izzy really can stay off the booze. | 0:16:15 | 0:16:21 | |
The difficult thing with Izzy is that she says all the right things | 0:16:21 | 0:16:24 | |
and then she makes the same mistake again. | 0:16:24 | 0:16:29 | |
Next week, she's going to find out | 0:16:30 | 0:16:32 | |
whether or not she's going to be charged with a violent crime | 0:16:32 | 0:16:35 | |
that could mean, if she's guilty, she goes down for two years. | 0:16:35 | 0:16:39 | |
And I don't think she gets how serious it is. | 0:16:39 | 0:16:42 | |
I don't think she's actually let herself think about | 0:16:42 | 0:16:46 | |
how much trouble she could be in. | 0:16:46 | 0:16:48 | |
It's not just drunken fistfights | 0:16:58 | 0:17:00 | |
where girls can get into serious trouble. | 0:17:00 | 0:17:03 | |
In the last 12 months to April, police recorded 13% more assaults | 0:17:03 | 0:17:08 | |
with knives than in the previous year in England and Wales. | 0:17:08 | 0:17:12 | |
Girls who are involved in the worst kind of crimes, | 0:17:17 | 0:17:20 | |
the kind of crimes that have guns or knives involved, | 0:17:20 | 0:17:23 | |
tend not to talk about it, for pretty obvious reasons. | 0:17:23 | 0:17:26 | |
But the girl I'm about to meet now has written a book | 0:17:26 | 0:17:28 | |
about what she did when she was younger, about 13 or 14 onwards. | 0:17:28 | 0:17:32 | |
She lived on this estate and from what I've read, | 0:17:32 | 0:17:35 | |
she terrorised people. | 0:17:35 | 0:17:37 | |
"What's it like stabbing someone? It's like this. | 0:17:39 | 0:17:42 | |
"You can feel yourself breaking the skin. That's the moment. | 0:17:44 | 0:17:47 | |
"That's the moment that matters. | 0:17:47 | 0:17:49 | |
"Until then, it's just like prodding a piece of meat. | 0:17:49 | 0:17:52 | |
"When you poke it, you can't feel anything back. | 0:17:52 | 0:17:54 | |
"It takes some force to get beyond that. You'd be surprised." | 0:17:54 | 0:17:58 | |
A lot of memories... | 0:18:02 | 0:18:03 | |
..that I've kept from this particular place. | 0:18:05 | 0:18:07 | |
Not particularly good ones. | 0:18:07 | 0:18:10 | |
Tracey had a difficult childhood. | 0:18:10 | 0:18:12 | |
Her father was jailed for rape. | 0:18:14 | 0:18:16 | |
Her mum was a manic depressive. | 0:18:16 | 0:18:18 | |
Her violence started in the home. | 0:18:20 | 0:18:22 | |
I'm ashamed about everything, but this... | 0:18:24 | 0:18:26 | |
Seriously, I never like saying it. I stabbed my own sister. | 0:18:28 | 0:18:31 | |
-You stabbed your sister? -Yes. | 0:18:31 | 0:18:33 | |
The thing is, when you grow up in a household that's got violence in it, | 0:18:35 | 0:18:40 | |
as siblings when you start warring with each other, | 0:18:40 | 0:18:43 | |
you almost dismiss the fact that you're family | 0:18:43 | 0:18:46 | |
and you take it really serious. | 0:18:46 | 0:18:48 | |
Like, you'd actually bring your sibling out | 0:18:48 | 0:18:51 | |
and offer them a full fight. | 0:18:51 | 0:18:53 | |
Fisticuffs. | 0:18:53 | 0:18:55 | |
My sister, while my brother had me in a headlock, | 0:18:56 | 0:18:59 | |
she bit me on my side. | 0:18:59 | 0:19:01 | |
That hurt. | 0:19:01 | 0:19:02 | |
I'm now not fighting or anything. | 0:19:02 | 0:19:04 | |
I'm in a position where I can't really move and you've taken a big bite out of my side. | 0:19:04 | 0:19:08 | |
So I was like, right, cool. | 0:19:08 | 0:19:10 | |
I just remember thinking, let me give her time, because I know where she's going. | 0:19:10 | 0:19:13 | |
Let me give her time to walk to the bus stop, make her way home, | 0:19:13 | 0:19:16 | |
and I just got a knife from the kitchen drawer and I just skipped down after her and I stabbed her. | 0:19:16 | 0:19:21 | |
Who else did you stab? How many people, do you think? | 0:19:21 | 0:19:25 | |
I would say about... | 0:19:34 | 0:19:36 | |
..three. | 0:19:37 | 0:19:38 | |
It wasn't long before Tracey graduated to serious organised crime. | 0:19:40 | 0:19:45 | |
Do you think it was easier or harder being a girl that was violent, | 0:19:47 | 0:19:52 | |
badly behaved, getting in trouble with the court and the police? | 0:19:52 | 0:19:55 | |
Yes, it's definitely easier to be a girl living the lifestyle of crime | 0:19:55 | 0:19:59 | |
because people don't expect it from you. | 0:19:59 | 0:20:02 | |
As women, you are looked upon as people to, I guess, | 0:20:02 | 0:20:05 | |
have kids, create a home and nurture. | 0:20:05 | 0:20:07 | |
So, yes, from what I can remember, | 0:20:08 | 0:20:11 | |
being placed in front of a judge, they used to look down | 0:20:11 | 0:20:14 | |
and read what was said against me and look at me like, "Really?" | 0:20:14 | 0:20:18 | |
I feel like I used to get away with a lot because I was a girl. | 0:20:18 | 0:20:21 | |
Statistics show that across all crimes, | 0:20:23 | 0:20:26 | |
girls get off lightly compared to boys. | 0:20:26 | 0:20:28 | |
Women account for 15% of arrests in England and Wales, | 0:20:30 | 0:20:34 | |
but less than 5% of the prison population. | 0:20:34 | 0:20:37 | |
I want to find out why. | 0:20:38 | 0:20:41 | |
Do we really take violence by women less seriously than violence by men? | 0:20:44 | 0:20:49 | |
RAISED VOICES | 0:20:50 | 0:20:53 | |
Don't walk away from me! | 0:20:53 | 0:20:55 | |
Just show it to me! Just show it to me! Come on! | 0:20:55 | 0:20:57 | |
I've organised an experiment to test public reaction | 0:20:57 | 0:21:01 | |
to violence by men and women. | 0:21:01 | 0:21:03 | |
You've got something to hide! | 0:21:03 | 0:21:05 | |
-I've had enough! -Show me your phone! | 0:21:05 | 0:21:07 | |
These two actors are going to stage a violent confrontation | 0:21:07 | 0:21:11 | |
to see how people react. | 0:21:11 | 0:21:13 | |
Show me the phone! | 0:21:13 | 0:21:15 | |
Just leave me alone, OK? | 0:21:15 | 0:21:16 | |
-It looks good, guys. -Do you want to do it the other way round? | 0:21:16 | 0:21:19 | |
Yeah, I think you need to try that. | 0:21:19 | 0:21:22 | |
-I want to know who texted you. -Why? What...? -Because I want to know! | 0:21:22 | 0:21:25 | |
Bystanders will have to believe they are a real couple. | 0:21:25 | 0:21:28 | |
-Why are you being so paranoid? -Am I not allowed to ask? | 0:21:28 | 0:21:31 | |
-I don't understand! -Am I not allowed to ask? | 0:21:31 | 0:21:33 | |
If someone steps in and says, "Mate, you know, you've got to calm down," | 0:21:33 | 0:21:36 | |
you say, "All right." | 0:21:36 | 0:21:38 | |
I mean, you have to diffuse it straightaway. | 0:21:38 | 0:21:40 | |
"You're right. I'm sorry." And just step down. | 0:21:40 | 0:21:43 | |
We do have someone nearby in case it kicks off. | 0:21:43 | 0:21:47 | |
Our stage will be a busy park | 0:21:54 | 0:21:56 | |
and people have started to gather to eat their lunch, | 0:21:56 | 0:22:00 | |
unaware that they're being filmed. | 0:22:00 | 0:22:03 | |
-Who are you texting? -I'm not texting anyone! | 0:22:03 | 0:22:05 | |
-I said, who are you texting?! -I'm not texting anybody! | 0:22:05 | 0:22:08 | |
-Who are you texting?! -I just got a message. | 0:22:08 | 0:22:09 | |
-Don't lie to me! -I'm not lying to you! -Don't lie to me! | 0:22:09 | 0:22:12 | |
-It was my boss... -I want to see! -Don't be so paranoid! | 0:22:12 | 0:22:14 | |
Don't be paranoid?! | 0:22:14 | 0:22:16 | |
-Oi! -Oi! Don't you dare call me paranoid! | 0:22:16 | 0:22:18 | |
-I can't believe... -Don't you dare call me paranoid! | 0:22:18 | 0:22:20 | |
-I can't believe you just...! -Where are you going?! | 0:22:20 | 0:22:23 | |
It's obvious that people are disturbed by what they've seen. | 0:22:24 | 0:22:28 | |
And, as our couple walk out of the park | 0:22:29 | 0:22:31 | |
and out of our camera's view, they are followed. | 0:22:31 | 0:22:34 | |
The first to intervene was this woman. | 0:22:36 | 0:22:38 | |
Thank you. | 0:22:45 | 0:22:46 | |
-I'm sorry. -Thank you. | 0:22:48 | 0:22:50 | |
As they were walking off, I thought, | 0:22:50 | 0:22:52 | |
"I don't know where they're going, I don't know if she's all right," | 0:22:52 | 0:22:54 | |
so I just thought, "I've got to make sure she's all right, really." | 0:22:54 | 0:22:57 | |
So I just legged it. Like, left all my stuff here. | 0:22:57 | 0:23:00 | |
Meanwhile, others have followed the actors to a locked courtyard, | 0:23:01 | 0:23:06 | |
and a second woman steps in. | 0:23:06 | 0:23:08 | |
We're sitting down and then I'm assuming the couple | 0:23:19 | 0:23:22 | |
had an argument and then the guy just slapped her. | 0:23:22 | 0:23:24 | |
And at that point, I was going to say, "Oi," | 0:23:24 | 0:23:26 | |
but I thought I was going to get stopped by someone here. | 0:23:26 | 0:23:29 | |
It was a surreal moment, actually. | 0:23:29 | 0:23:31 | |
-I didn't quite believe what was happening. -In public... | 0:23:31 | 0:23:33 | |
And then when you guys went around a corner, | 0:23:33 | 0:23:35 | |
-we thought, "OK, something could happen." -What's going to happen? | 0:23:35 | 0:23:38 | |
-That's when we decided... -We followed. -Yeah. | 0:23:38 | 0:23:40 | |
We were going to come and see what was happening. | 0:23:40 | 0:23:43 | |
But what will happen when the roles are reversed, | 0:23:43 | 0:23:48 | |
when a woman hits a man? | 0:23:48 | 0:23:49 | |
-Show me. Who is it? -It's just someone at work. | 0:23:49 | 0:23:51 | |
-Show me your phone! -It's fine. -I want to see your phone! | 0:23:51 | 0:23:54 | |
-Stop being so paranoid. -Show me your phone! Paranoid, am I? | 0:23:54 | 0:23:57 | |
I'm not being paranoid. I want to see your phone. Show it to me now! | 0:23:57 | 0:24:00 | |
-Just show it to me! -This time, there was almost no reaction. | 0:24:00 | 0:24:05 | |
But why? | 0:24:05 | 0:24:06 | |
It crossed my mind that it was getting a bit out of hand, | 0:24:06 | 0:24:09 | |
but I kind of just thought to sort of turn away and ignore. | 0:24:09 | 0:24:14 | |
It was a minor skirmish and, yeah, she pushed him around. | 0:24:15 | 0:24:19 | |
That's what I noticed. | 0:24:19 | 0:24:21 | |
Because the other way around, yes, it would have felt awkward. | 0:24:21 | 0:24:25 | |
-I'm in shock still. -Really? -Yeah. -Why? | 0:24:26 | 0:24:29 | |
Um...the fact is that, from a guy's point of view... | 0:24:29 | 0:24:33 | |
no-one helped. No-one helped at all when I got slapped. | 0:24:33 | 0:24:36 | |
It's great that a lot of people came to my aid, | 0:24:36 | 0:24:39 | |
but it's really appalling that nobody came to Luke's aid. | 0:24:39 | 0:24:43 | |
Because it was the same...you know, the same strength of slap, | 0:24:43 | 0:24:47 | |
the same wording, everything. | 0:24:47 | 0:24:48 | |
It was just black and white, the reactions between the two. | 0:24:51 | 0:24:54 | |
And I suppose it just goes to show that that's what we all think, | 0:24:54 | 0:24:58 | |
really, isn't it? | 0:24:58 | 0:24:59 | |
We think men are the aggressive ones, women aren't aggressive, | 0:24:59 | 0:25:05 | |
or if they are, it's kind of not a threat, or maybe even a joke. | 0:25:05 | 0:25:10 | |
But if those attitudes are common, they might not be justified. | 0:25:14 | 0:25:18 | |
Studies of domestic violence have found that | 0:25:19 | 0:25:22 | |
when it comes to low-level abuse, like punching, slapping | 0:25:22 | 0:25:25 | |
and kicking, women are just as involved as men. | 0:25:25 | 0:25:29 | |
Today, over a third of all domestics | 0:25:43 | 0:25:45 | |
reported to the Crime Survey for England and Wales | 0:25:45 | 0:25:49 | |
involve a violent woman. | 0:25:49 | 0:25:51 | |
But it's a different story when you look at prosecutions. | 0:25:53 | 0:25:56 | |
Less than 8% of defendants are female. | 0:25:56 | 0:25:59 | |
I've come to Portsmouth, because in the court in the city, | 0:26:02 | 0:26:04 | |
there's a particularly nasty case of domestic violence | 0:26:04 | 0:26:07 | |
being heard in front of a jury. | 0:26:07 | 0:26:09 | |
Simon Smith was married to his wife Crystal for about four years. | 0:26:09 | 0:26:13 | |
And, to most people, it was a perfectly normal marriage. | 0:26:13 | 0:26:17 | |
Until that idea was totally shattered. | 0:26:17 | 0:26:19 | |
-You all right? -Hi. How are you? -I'm all right. | 0:26:32 | 0:26:34 | |
For Simon Smith and his girlfriend Crystal, | 0:26:36 | 0:26:39 | |
things had started out normally. | 0:26:39 | 0:26:41 | |
He had a steady job in the Navy | 0:26:43 | 0:26:44 | |
and the couple were married within two years. | 0:26:44 | 0:26:47 | |
Quite a sort of fast relationship. | 0:26:48 | 0:26:51 | |
Most people in the Navy you sort of see do have... | 0:26:51 | 0:26:56 | |
not fast relationships, but it's difficult because, like you say, | 0:26:56 | 0:26:59 | |
you only see them at weekends | 0:26:59 | 0:27:01 | |
or for a two-week stint when you're on leave. | 0:27:01 | 0:27:04 | |
When did you start to notice that something was wrong? | 0:27:04 | 0:27:07 | |
I was cooking a roast dinner back in Grimsby | 0:27:07 | 0:27:10 | |
and she asked me to make gravy from sort of the meat juices | 0:27:10 | 0:27:14 | |
and stuff, but I'd never done it before. | 0:27:14 | 0:27:16 | |
So she told me where it was in this book, but I'd got it wrong. | 0:27:16 | 0:27:20 | |
And she just, like I say, just an instant sort of anger came. | 0:27:20 | 0:27:23 | |
And she just threw this tray of gravy everywhere | 0:27:23 | 0:27:26 | |
and some of the dishes went. | 0:27:26 | 0:27:28 | |
I was sort of a bit, | 0:27:28 | 0:27:29 | |
"OK, that's a bit... that's a bit of an overreaction," | 0:27:29 | 0:27:32 | |
but then I was sort of very apologetic, | 0:27:32 | 0:27:34 | |
sort of trying to sort of, "Yeah, sorry, calm down." | 0:27:34 | 0:27:37 | |
And then there was just more and more occasions | 0:27:37 | 0:27:39 | |
as sort of time went on, really. | 0:27:39 | 0:27:42 | |
Simon put up with a series of low-level physical attacks. | 0:27:43 | 0:27:47 | |
But he never imagined what was to come on a night out. | 0:27:47 | 0:27:50 | |
As the night went on, Crystal had more and more to drink, | 0:27:53 | 0:27:55 | |
she got louder... | 0:27:55 | 0:27:57 | |
um...and towards the end, as I say, when we went to leave, | 0:27:57 | 0:28:01 | |
she was just, again, an instant mood change. | 0:28:01 | 0:28:06 | |
-Because she was getting really angry with you? -Yeah. | 0:28:06 | 0:28:09 | |
She was obviously saying that she believed I'd slept with prostitutes | 0:28:09 | 0:28:12 | |
and believed that I'd been unfaithful, which I never had been. | 0:28:12 | 0:28:16 | |
Um... | 0:28:16 | 0:28:18 | |
And like I say, I mean, I just sort of switched off and... | 0:28:19 | 0:28:22 | |
-And you didn't react. -No. And that's what I tended to do. | 0:28:22 | 0:28:25 | |
I'd just try and shut it out and hope that she'd calm down. | 0:28:25 | 0:28:29 | |
But that night, Crystal's violence reached an horrific level. | 0:28:31 | 0:28:36 | |
She got a knife and stabbed him. | 0:28:36 | 0:28:39 | |
The sensation was like an instant heat on my arm sort of thing | 0:28:39 | 0:28:42 | |
and you could feel it sort of running down your arm. | 0:28:42 | 0:28:44 | |
-Did you know what had happened? -No, no. I said, "What have you done?" | 0:28:44 | 0:28:48 | |
I didn't really know. But, obviously, the blood squirted up. | 0:28:48 | 0:28:51 | |
-You could've died. -Yeah. There was a chance. | 0:28:57 | 0:29:00 | |
I think if, um...sort of the neighbour didn't do what he did | 0:29:00 | 0:29:04 | |
and I didn't do what I did, | 0:29:04 | 0:29:06 | |
there was a possibility I would've bled to death, yeah. | 0:29:06 | 0:29:08 | |
I had to have, I think six blood transfusions in all. | 0:29:08 | 0:29:11 | |
And, I mean, you only have eight pints in your body, | 0:29:11 | 0:29:13 | |
so I only had two of my own left. | 0:29:13 | 0:29:15 | |
-And you have other injuries on your back? -Yeah. | 0:29:15 | 0:29:18 | |
-So that's the exit wound... -That's the exit?! -..of that. | 0:29:18 | 0:29:23 | |
But, again, that's been extended. | 0:29:23 | 0:29:25 | |
The original wound was just sort of in the armpit. | 0:29:25 | 0:29:27 | |
-So, it went right through your arm? -It went right through my arm | 0:29:27 | 0:29:29 | |
and came out sort of...the point of the blade came out there. | 0:29:29 | 0:29:32 | |
-So it went straight through the sort of fleshy part, as it were. -Mm. | 0:29:32 | 0:29:36 | |
Simon was also stabbed in the back. | 0:29:39 | 0:29:41 | |
All this damage was caused by a woman with a kitchen knife. | 0:29:44 | 0:29:47 | |
His wife Crystal is now on trial for attempted murder. | 0:29:49 | 0:29:53 | |
-OK, thank you, Simon. -It's all right. | 0:29:56 | 0:29:58 | |
'And I'll be back to hear the verdict.' | 0:29:58 | 0:30:00 | |
In Newcastle, Izzy is due to be sentenced for assault | 0:30:15 | 0:30:18 | |
and racial harassment. | 0:30:18 | 0:30:20 | |
Charges which could see her go to jail. | 0:30:20 | 0:30:24 | |
PHONE RINGS | 0:30:24 | 0:30:27 | |
Hello? | 0:30:28 | 0:30:29 | |
Hi, you're there. Whereabouts will I meet you? | 0:30:31 | 0:30:33 | |
Yeah. OK, I know it. | 0:30:36 | 0:30:38 | |
OK. See you then, Izzy. Bye. | 0:30:38 | 0:30:40 | |
OK, so the reason that we are in a hotel room and not outside the court | 0:30:44 | 0:30:48 | |
is that Izzy has asked us to keep a wide berth this morning. | 0:30:48 | 0:30:52 | |
I think the last time she was in court during the Twitter trial, | 0:30:52 | 0:30:56 | |
all the media outside kind of freaked her out a bit. | 0:30:56 | 0:30:59 | |
So she's asked us to stay away with the cameras, | 0:30:59 | 0:31:03 | |
but I'm going to go and meet her, go to court | 0:31:03 | 0:31:05 | |
and, depending on the outcome of the case, | 0:31:05 | 0:31:09 | |
hopefully bring her back here later today. | 0:31:09 | 0:31:11 | |
Izzy has waited nine weeks for a judgment in this case | 0:31:19 | 0:31:22 | |
and so has her victim. | 0:31:22 | 0:31:24 | |
But it isn't to be. | 0:31:25 | 0:31:27 | |
-Hey. -Hiya. | 0:31:33 | 0:31:35 | |
-So, slightly unexpected, wasn't it? -Yeah. | 0:31:35 | 0:31:40 | |
My head's, like, all over the place. | 0:31:40 | 0:31:42 | |
I mean, the bottom line is, we don't know what's happening. | 0:31:42 | 0:31:44 | |
We turned up to the court and Izzy's name wasn't on the list. | 0:31:44 | 0:31:48 | |
-Solicitor said it might have been dropped. -Yeah. | 0:31:48 | 0:31:52 | |
Hiya. I was due in court today and I went to the court. | 0:31:53 | 0:31:58 | |
It's for the racial thing. | 0:31:58 | 0:32:00 | |
And the court said they had, like, no paperwork or anything. | 0:32:00 | 0:32:03 | |
Just wondering if it had been dropped or not. | 0:32:03 | 0:32:05 | |
Izzy rings the police to try to find out what's going on. | 0:32:05 | 0:32:09 | |
Is it likely to have been dropped? | 0:32:09 | 0:32:11 | |
Oh. | 0:32:13 | 0:32:15 | |
Oh. I was hoping for that, like, to be honest. | 0:32:15 | 0:32:18 | |
All right, OK. | 0:32:18 | 0:32:20 | |
All right. Thank you. | 0:32:20 | 0:32:21 | |
All right. Cool. All right, see you later. Bye. | 0:32:21 | 0:32:24 | |
She's baffled. | 0:32:24 | 0:32:26 | |
I was prepared to go to jail. Obviously, I brung my clothes. | 0:32:28 | 0:32:31 | |
Because the last time, I had nothing | 0:32:31 | 0:32:33 | |
and I'm not wearing the skanky prison clothes again. | 0:32:33 | 0:32:36 | |
How are you feeling about it all? | 0:32:36 | 0:32:38 | |
Eager to get it over with so you could deal with what was coming. | 0:32:38 | 0:32:41 | |
You can't deal with not knowing. | 0:32:41 | 0:32:43 | |
Um...but now I'm back in the unknown. So... | 0:32:43 | 0:32:48 | |
Since we last met, Izzy hasn't touched alcohol | 0:32:53 | 0:32:56 | |
and she's got help from a counsellor. | 0:32:56 | 0:32:58 | |
But she still feels the urge to drink. | 0:32:58 | 0:33:01 | |
I'm not going to lie, I would love to go to the pub | 0:33:01 | 0:33:04 | |
and just get absolutely drunk, away from all this. | 0:33:04 | 0:33:07 | |
But I know I'd probably get arrested again | 0:33:07 | 0:33:09 | |
and it just adds to the stress. | 0:33:09 | 0:33:12 | |
I heard later that the paperwork for Izzy's case | 0:33:18 | 0:33:20 | |
had been temporarily mislaid. | 0:33:20 | 0:33:23 | |
A new trial date will be set. | 0:33:23 | 0:33:25 | |
I leave her hoping that she can resist the temptation to drink. | 0:33:28 | 0:33:32 | |
Some girls do manage to escape the cycle of violence. | 0:33:40 | 0:33:44 | |
But that doesn't mean they aren't scarred by what they've done. | 0:33:46 | 0:33:49 | |
# There's nowhere to run | 0:33:52 | 0:33:53 | |
# There's nowhere to hide | 0:33:53 | 0:33:56 | |
# I've lost my sanity | 0:33:56 | 0:33:57 | |
# Vision's blurred, I'm losing sight | 0:33:57 | 0:34:00 | |
# And there's a little girl who's crying... # | 0:34:00 | 0:34:03 | |
Adena Thomson is 26. She's moved on from her violent past. | 0:34:03 | 0:34:08 | |
# Trying to escape But no sense of direction | 0:34:08 | 0:34:12 | |
# She's so filled up with pain... # | 0:34:12 | 0:34:14 | |
She's written her own music for years. | 0:34:14 | 0:34:16 | |
Today, she's getting a chance to record a track | 0:34:16 | 0:34:20 | |
with a professional producer. | 0:34:20 | 0:34:22 | |
Can we go again? Sorry. | 0:34:24 | 0:34:25 | |
-SHE CLEARS HER THROAT -We'll get there. -OK. | 0:34:25 | 0:34:28 | |
Channel all the good vibes, all the bad vibes, I guess, | 0:34:28 | 0:34:31 | |
-all the emotions. -Exactly. | 0:34:31 | 0:34:33 | |
Music is so important to me because it gives me a chance to reflect | 0:34:33 | 0:34:38 | |
and it gives me a chance to feel everything. | 0:34:38 | 0:34:40 | |
Whereas from day to day, you try to block out some of your past, | 0:34:40 | 0:34:44 | |
or you try to block out experiences that happen, | 0:34:44 | 0:34:47 | |
but with music, it's almost impossible not to feel | 0:34:47 | 0:34:51 | |
what you're experiencing, or what you've gone through. | 0:34:51 | 0:34:54 | |
# ..Inside me Trapped beneath the bruises | 0:34:54 | 0:34:56 | |
# No make-up can disguise these... # | 0:34:56 | 0:34:59 | |
But Adena's past as a violent teenager never really goes away. | 0:35:03 | 0:35:07 | |
Some of her best friends today were victims of her aggression | 0:35:15 | 0:35:19 | |
when she was younger. | 0:35:19 | 0:35:21 | |
I'd had, like, a fight. I wasn't really a fighter, to be honest. | 0:35:21 | 0:35:24 | |
I had... | 0:35:24 | 0:35:26 | |
two-and-a-half fights in my whole life. | 0:35:26 | 0:35:28 | |
And, um...the girl who I had a fight with, Adena knew. | 0:35:30 | 0:35:35 | |
But, yeah, you was, like, | 0:35:35 | 0:35:37 | |
"Oh, yeah, I heard you had a fight with my friend, da-da-da-da-da. | 0:35:37 | 0:35:40 | |
"Why are you having a fight with her?" | 0:35:40 | 0:35:42 | |
I'm, like, "What's it got to do with you?" And she's like... | 0:35:42 | 0:35:45 | |
"That's my young girl. Why you touching her?" | 0:35:46 | 0:35:49 | |
So I think... Basically, I think you used it as an excuse to, | 0:35:49 | 0:35:53 | |
like, get all your anger out at me. | 0:35:53 | 0:35:55 | |
And I'm just, like, "OK, let's do this." | 0:35:55 | 0:35:57 | |
I was trying to put on a brave face. | 0:35:57 | 0:35:58 | |
And then, yeah, basically, you beat me up. | 0:35:58 | 0:36:00 | |
I think I put on a good fight, but I left with a black eye | 0:36:00 | 0:36:03 | |
and you didn't leave with a black eye. | 0:36:03 | 0:36:05 | |
-Do you remember it at all? -I don't. -Not at all? | 0:36:05 | 0:36:08 | |
Even now that she's talking about it? | 0:36:08 | 0:36:09 | |
There were guys there. There were two guys there. | 0:36:09 | 0:36:12 | |
I think it was the guys that... we had a mutual love interest. | 0:36:12 | 0:36:15 | |
-Yeah. -That got it going, basically. | 0:36:15 | 0:36:19 | |
It's shocking to know that I did that to you. | 0:36:19 | 0:36:22 | |
Because, like, all these years we've known each other and... | 0:36:22 | 0:36:26 | |
-You proper didn't know? -I proper... | 0:36:26 | 0:36:28 | |
-completely did not know that's what I did. -I can't believe... | 0:36:28 | 0:36:31 | |
It makes me reflect, thinking, "Am I still perceived as a bad person, | 0:36:31 | 0:36:35 | |
"or do people really think that they can't trust me now?" | 0:36:35 | 0:36:38 | |
I just see a different person, like... | 0:36:38 | 0:36:41 | |
Genuinely, I've told you this. Like, you're not that same person. | 0:36:41 | 0:36:44 | |
You're probably thinking, "What's she talking about?" | 0:36:44 | 0:36:46 | |
But seriously, like, you're more self-aware, | 0:36:46 | 0:36:48 | |
you're more able to think about, like, other perspectives. | 0:36:48 | 0:36:53 | |
Looking back now, what I did to you was unacceptable. | 0:36:53 | 0:36:57 | |
There's no justification for what I did to you. | 0:36:57 | 0:37:00 | |
Just because a young person had a fight with you | 0:37:00 | 0:37:03 | |
and I might have been close to that young person, | 0:37:03 | 0:37:06 | |
that doesn't excuse it and justify why I then targeted you. | 0:37:06 | 0:37:10 | |
So please accept my apology. | 0:37:10 | 0:37:13 | |
THEY CHUCKLE | 0:37:13 | 0:37:15 | |
You're such a cutie. | 0:37:16 | 0:37:18 | |
The violence, I think, especially for Adena, | 0:37:18 | 0:37:20 | |
has totally formed who she is. | 0:37:20 | 0:37:22 | |
And it's clearly still with her. | 0:37:22 | 0:37:26 | |
Quite a bit still with her. Um... | 0:37:26 | 0:37:30 | |
And I don't know, can you shake that? Can you ever shake that | 0:37:30 | 0:37:33 | |
when you've been involved in such a violent...environment? | 0:37:33 | 0:37:38 | |
Do you ever walk away from that? | 0:37:38 | 0:37:40 | |
# Make these wings so I can fly | 0:37:43 | 0:37:47 | |
# Will someone give me wings? | 0:37:47 | 0:37:50 | |
# I just want to be loved | 0:37:50 | 0:37:52 | |
# Just want to be touched | 0:37:52 | 0:37:54 | |
# Feeling comfortable in my skin... # | 0:37:54 | 0:37:59 | |
I'm blessed. | 0:38:01 | 0:38:03 | |
I've... Although I don't wish none of my experiences on anyone | 0:38:03 | 0:38:07 | |
and I know I was misfortunate to go through so much stuff, | 0:38:07 | 0:38:12 | |
I feel like I've got a purpose now. | 0:38:12 | 0:38:14 | |
When you have friends that you know from schooldays and they say, | 0:38:14 | 0:38:17 | |
"Oh, my gosh, you've changed so much, like, I'm so proud of you," | 0:38:17 | 0:38:21 | |
it just makes you think, "What type of person was you?" | 0:38:21 | 0:38:25 | |
Like, I was so numb to my actions and what I was doing, | 0:38:25 | 0:38:30 | |
I didn't realise the impact it was having on other people around me. | 0:38:30 | 0:38:33 | |
But what was it in Adena's past that caused all that anger? | 0:38:40 | 0:38:44 | |
For her, there was one particular event that drove her to fight. | 0:38:49 | 0:38:53 | |
-I was sexually exploited at the age of 12. -By one person, or...? | 0:38:58 | 0:39:03 | |
No, it was by a group of boys. | 0:39:03 | 0:39:05 | |
This was kind of just before I went to secondary school. | 0:39:05 | 0:39:08 | |
And during that summer holidays, | 0:39:09 | 0:39:12 | |
nobody really knew what took place or what had happened to me, but... | 0:39:12 | 0:39:15 | |
I got a really bad...I got a really bad reputation from it, and... | 0:39:15 | 0:39:20 | |
-You got a reputation for what happened to you? -Yeah. | 0:39:20 | 0:39:23 | |
I had girls calling me names, like, "Shiners! You're a hoe." | 0:39:26 | 0:39:31 | |
Really derogatory names. And...I'd fight them. | 0:39:31 | 0:39:35 | |
I'd punch them, I'd pull their hair. We'd get into a physical fight. | 0:39:35 | 0:39:38 | |
Behind nearly every violent woman, | 0:39:41 | 0:39:43 | |
there is a story of low self-respect and often self-harm. | 0:39:43 | 0:39:48 | |
# Ya-yo, ya-yo | 0:39:50 | 0:39:52 | |
# Bitch, better have my money | 0:39:52 | 0:39:54 | |
# Y'all should know me well enough | 0:39:54 | 0:39:57 | |
# Bitch, better have my money... # | 0:39:57 | 0:39:59 | |
But you wouldn't know that from the popular image | 0:39:59 | 0:40:01 | |
of girl-on-girl violence. | 0:40:01 | 0:40:04 | |
# Ballin' bigger than LeBron | 0:40:04 | 0:40:07 | |
# Bitch, give me your money... # | 0:40:07 | 0:40:09 | |
This Rihanna video shows her as a confident, | 0:40:09 | 0:40:11 | |
glamorous leader of a violent girl gang. | 0:40:11 | 0:40:15 | |
# And it's all on me, nigga You just bought a shot. # | 0:40:15 | 0:40:17 | |
But the reality for girls in gangs is very different, | 0:40:25 | 0:40:30 | |
as I'm about to discover. | 0:40:30 | 0:40:32 | |
I've arranged to meet Sheree Johnson, | 0:40:35 | 0:40:37 | |
who works with girls who have been at the centre of gang violence. | 0:40:37 | 0:40:42 | |
A lot of people kind of think | 0:40:42 | 0:40:45 | |
that women don't engage in serious violence, that it's not... | 0:40:45 | 0:40:50 | |
It's not what girls do. | 0:40:50 | 0:40:52 | |
Is that nonsense? | 0:40:52 | 0:40:54 | |
Yes. I was going to use another terminology | 0:40:54 | 0:40:57 | |
and I just remembered, that is absolute rubbish. | 0:40:57 | 0:41:00 | |
Serious violence, violence is part of women's make-up. | 0:41:00 | 0:41:03 | |
So a lot of these women, it's second nature, a lot of these women, | 0:41:03 | 0:41:06 | |
it's been taught to them in their cultural perspective. | 0:41:06 | 0:41:09 | |
So, for example, if he hits you, hit him back. That's the norm. | 0:41:09 | 0:41:13 | |
If you don't hit back, you're seen as a woman who is weak | 0:41:13 | 0:41:16 | |
and who is there to be defeated and walked upon. | 0:41:16 | 0:41:18 | |
So if you want to make a statement, | 0:41:18 | 0:41:20 | |
you're going to have to use violence. | 0:41:20 | 0:41:22 | |
But I think even with some of the prevention work that we do | 0:41:22 | 0:41:25 | |
with the young women, we hear terminologies like, | 0:41:25 | 0:41:28 | |
"I'm going to smash your face in," | 0:41:28 | 0:41:29 | |
very easily available, used regularly by young people. | 0:41:29 | 0:41:33 | |
It's just out there. Violence is just there. | 0:41:33 | 0:41:36 | |
It's not about your sex any more, | 0:41:36 | 0:41:38 | |
it's literally, who can incite the most violence? | 0:41:38 | 0:41:41 | |
-How serious does it get? -Pretty serious. | 0:41:41 | 0:41:43 | |
Some of our women that we work with | 0:41:43 | 0:41:45 | |
who've been hospitalised are young women. | 0:41:45 | 0:41:47 | |
We've had women who have been on life-support machines. | 0:41:47 | 0:41:50 | |
You know, thankfully, we haven't had a young lady | 0:41:50 | 0:41:52 | |
that's walked through our doors who has taken somebody's life, | 0:41:52 | 0:41:55 | |
but I'm sure that is out there, as well. | 0:41:55 | 0:41:57 | |
Sheree agrees to introduce me to two girls she's currently working with. | 0:42:02 | 0:42:06 | |
They're both 18. | 0:42:06 | 0:42:08 | |
They were members of a gang and they need to be anonymous | 0:42:10 | 0:42:13 | |
because they're trying to rebuild their lives. | 0:42:13 | 0:42:16 | |
Every year, it switches up. | 0:42:17 | 0:42:19 | |
So before, it was fists, everyone was fistfighting. | 0:42:19 | 0:42:22 | |
Then next year, everybody's on knives, | 0:42:22 | 0:42:25 | |
then next year, everybody's on guns. | 0:42:25 | 0:42:28 | |
Then the next year, little kids have Tasers. | 0:42:28 | 0:42:30 | |
Do you know what Tasers can do? | 0:42:30 | 0:42:32 | |
They can electrocute you and you'll be knocked out. | 0:42:32 | 0:42:35 | |
And then in that little time you're sleeping, | 0:42:35 | 0:42:37 | |
you could be slapped in a boot. | 0:42:37 | 0:42:39 | |
You could be taken where? You don't know. | 0:42:39 | 0:42:41 | |
Do you know what I mean, like? | 0:42:41 | 0:42:43 | |
Of course you're going to have to carry a weapon, like. | 0:42:43 | 0:42:46 | |
What everyone needs to understand, as well, | 0:42:46 | 0:42:48 | |
is that everyone has soldiers behind them. | 0:42:48 | 0:42:50 | |
So don't ever think when they're having an argument | 0:42:50 | 0:42:53 | |
with one person that it's only that one person. | 0:42:53 | 0:42:56 | |
You're having an argument with the whole crew. | 0:42:56 | 0:42:58 | |
The girls describe one fight between rival gangs | 0:43:00 | 0:43:03 | |
where people were left with life-changing injuries. | 0:43:03 | 0:43:07 | |
Someone getting hammered in the head. | 0:43:07 | 0:43:09 | |
I think that was the most serious one. | 0:43:11 | 0:43:13 | |
Her head was just moving a lot. | 0:43:13 | 0:43:15 | |
From nowhere, she got hit with a hammer. | 0:43:15 | 0:43:18 | |
So I'm assuming she was giving it the mouth | 0:43:18 | 0:43:20 | |
and the attitude that didn't need to be brought to the scene. | 0:43:20 | 0:43:24 | |
Then she just got hammered. | 0:43:24 | 0:43:26 | |
Did they deserve a hammer? | 0:43:26 | 0:43:28 | |
They didn't deserve a hammer, but they had weapons. | 0:43:28 | 0:43:31 | |
So the way I look at it, if we didn't go with no weapons... | 0:43:31 | 0:43:34 | |
Obviously, we went with a bit of weapons, | 0:43:34 | 0:43:36 | |
but if we didn't go with no weapons or take weapons from them, | 0:43:36 | 0:43:39 | |
we would've been the victims and the tables would've turned. | 0:43:39 | 0:43:43 | |
Do you think about the... | 0:43:43 | 0:43:45 | |
-..victims? -No. Do you know why I don't think of them? | 0:43:47 | 0:43:50 | |
Because, obviously, I apologise for what happened to them, | 0:43:50 | 0:43:53 | |
but why I don't think of them | 0:43:53 | 0:43:54 | |
is because I had to go to jail for them. | 0:43:54 | 0:43:57 | |
No, you had to go to jail because of what you did. | 0:43:57 | 0:44:00 | |
Of what I did, fair enough, but, like... I don't know, yeah. | 0:44:00 | 0:44:04 | |
I don't want to sound rude, like, | 0:44:04 | 0:44:06 | |
but this is why I'm patching my words. | 0:44:06 | 0:44:08 | |
Because they started it, they got hurt, and we went to jail. | 0:44:08 | 0:44:12 | |
But why did you start it? This is what I mean. | 0:44:12 | 0:44:15 | |
It makes us look bad again. | 0:44:15 | 0:44:17 | |
With this culture of violence, I wonder how much Sheree | 0:44:19 | 0:44:22 | |
can really do to keep them from doing more damage. | 0:44:22 | 0:44:25 | |
How optimistic are you about the two girls, | 0:44:25 | 0:44:30 | |
that they'll stay out and move on? | 0:44:30 | 0:44:33 | |
70% of me knows they can do it, | 0:44:33 | 0:44:37 | |
30% of me knows that they need extra work and intense support. | 0:44:37 | 0:44:43 | |
What do you do to keep on their case? | 0:44:43 | 0:44:45 | |
I phone them 24/7, I pop up everywhere. | 0:44:45 | 0:44:48 | |
I'm on your Instagram, I'm on your Facebook, I'm on your Snapchat. | 0:44:48 | 0:44:52 | |
I'm everywhere. | 0:44:52 | 0:44:54 | |
So if I can't access you on one angle, | 0:44:54 | 0:44:56 | |
I can still keep my eye on you on another angle. So I'm everywhere. | 0:44:56 | 0:44:59 | |
They just don't have room to breathe. | 0:44:59 | 0:45:01 | |
And they're fully aware of this when they start. I become their mum | 0:45:01 | 0:45:05 | |
until they're able to function in society adequately. | 0:45:05 | 0:45:10 | |
SHOUTS OF ENCOURAGEMENT | 0:45:11 | 0:45:14 | |
Sheree sees more and more girls every year. | 0:45:14 | 0:45:17 | |
It's part of a slow, upward trend in girl crime. | 0:45:19 | 0:45:22 | |
Britain as a whole is becoming less violent. | 0:45:27 | 0:45:30 | |
But women are being arrested for a higher proportion of violent crimes. | 0:45:30 | 0:45:34 | |
SHOUTING | 0:45:34 | 0:45:36 | |
BIRDSONG | 0:45:36 | 0:45:38 | |
In Portsmouth, I've been following the case of Crystal Smith, | 0:45:46 | 0:45:49 | |
who stabbed her husband, Simon. | 0:45:49 | 0:45:51 | |
It's time to find out the verdict. | 0:45:52 | 0:45:55 | |
-Morning. -Morning, Simon. You all right, mate? -Yeah, you? Come in. | 0:45:59 | 0:46:02 | |
You get much sleep last night? | 0:46:05 | 0:46:07 | |
Sergeant Roger Wood will go to court with Simon, his dad and stepmum. | 0:46:07 | 0:46:12 | |
Do you want a drink or anything? | 0:46:12 | 0:46:14 | |
Cup of tea, if you're up for it, that'd be nice. | 0:46:14 | 0:46:16 | |
-They're outside. -Are they outside? | 0:46:18 | 0:46:20 | |
-Morning. -Morning. | 0:46:20 | 0:46:23 | |
-How are you? -I'm all right. You? | 0:46:23 | 0:46:25 | |
-Yeah, feeling a bit... -Bit nervous? -Yeah. | 0:46:25 | 0:46:28 | |
Yeah, that's to be expected. | 0:46:28 | 0:46:30 | |
-Yeah, well, nearly at the end of it now, aren't you? -Nearly at the end. | 0:46:30 | 0:46:35 | |
Just hope it's all finished today. | 0:46:37 | 0:46:39 | |
Hopefully, the jury will go out by about midday-ish. | 0:46:39 | 0:46:42 | |
Sometimes it takes a few minutes, sometimes it takes a few days. | 0:46:42 | 0:46:46 | |
-Just have to wait and see, really. -Ten minutes would be good. | 0:46:46 | 0:46:49 | |
-Yeah, it would, wouldn't it? -THEY LAUGH | 0:46:49 | 0:46:52 | |
Thought about this day ever since it happened, but... | 0:46:58 | 0:47:01 | |
Who knows? The evidence has been given, | 0:47:01 | 0:47:04 | |
it's in the hands of the jury. | 0:47:04 | 0:47:05 | |
I mean, it's up to them to decide what the outcome is. | 0:47:05 | 0:47:08 | |
From her evidence she gave, | 0:47:10 | 0:47:12 | |
she doesn't remember the actual incident now. | 0:47:12 | 0:47:15 | |
She doesn't remember what happened. | 0:47:15 | 0:47:17 | |
Naturally, you would expect the male to be the perpetrator, | 0:47:30 | 0:47:34 | |
but in this case, it's very clear that Simon is entirely innocent. | 0:47:34 | 0:47:38 | |
I think Simon felt | 0:47:41 | 0:47:45 | |
that he had a certain responsibility as a man. | 0:47:45 | 0:47:48 | |
He had a certain responsibility as a member of the armed forces | 0:47:48 | 0:47:52 | |
just to play his part. | 0:47:52 | 0:47:55 | |
And if part of his relationship with his wife | 0:47:55 | 0:47:58 | |
meant that he had to take knocks and verbal abuse and financial abuse | 0:47:58 | 0:48:04 | |
and emotional abuse, which were all the things that she did, | 0:48:04 | 0:48:07 | |
he just saw that as part of his marital duty. | 0:48:07 | 0:48:10 | |
It's in the lap of the gods, really. It's in the hands of the jury. | 0:48:16 | 0:48:19 | |
We can hope that they'll return the verdict | 0:48:19 | 0:48:22 | |
that we think they should return, | 0:48:22 | 0:48:24 | |
but you can never tell with these things. | 0:48:24 | 0:48:26 | |
That's why I never... | 0:48:26 | 0:48:29 | |
-Never say... -For definite. | 0:48:29 | 0:48:31 | |
Yeah, that there's cast-iron guarantees. | 0:48:31 | 0:48:34 | |
Simon and Roger are hoping the jury convict Crystal | 0:48:43 | 0:48:46 | |
of attempted murder. | 0:48:46 | 0:48:49 | |
But they could also go for a lesser charge. | 0:48:49 | 0:48:51 | |
We've got a verdict, | 0:48:56 | 0:48:58 | |
so I think Simon and his family are going to come out quite soon. | 0:48:58 | 0:49:01 | |
It's tense. Very tense. | 0:49:03 | 0:49:06 | |
Crystal has been given nine years in prison | 0:49:11 | 0:49:15 | |
for wounding with intent of grievous bodily harm. | 0:49:15 | 0:49:19 | |
Is that what you'd hoped for? | 0:49:19 | 0:49:21 | |
Well, hoped for the first offence, | 0:49:21 | 0:49:23 | |
but it's the second most that they could have done, | 0:49:23 | 0:49:26 | |
so yeah, I'm happy with that, definitely. | 0:49:26 | 0:49:28 | |
How are you feeling, Elaine? | 0:49:28 | 0:49:30 | |
I want to cry, I want to laugh. | 0:49:31 | 0:49:33 | |
-It's been a long day. -Yeah. | 0:49:36 | 0:49:39 | |
While Simon's family are so relieved | 0:49:44 | 0:49:47 | |
and they can put this behind them, | 0:49:47 | 0:49:50 | |
she's facing a long time in prison, | 0:49:50 | 0:49:53 | |
a long time away from her daughter. | 0:49:53 | 0:49:56 | |
And that's kind of scary, because it's... | 0:49:56 | 0:49:59 | |
That's what happens when violence gets out of control, | 0:49:59 | 0:50:03 | |
and a case like this just shows that, | 0:50:03 | 0:50:07 | |
you know, irrespective of who the perpetrator is, | 0:50:07 | 0:50:10 | |
man or woman, | 0:50:10 | 0:50:13 | |
it just destroys lives. | 0:50:13 | 0:50:15 | |
Last time I was in Newcastle, Izzy was struggling to stay off the drink. | 0:50:29 | 0:50:34 | |
Now I find out she's in trouble again. | 0:50:37 | 0:50:40 | |
So, back in Newcastle today because Izzy is back up in court. | 0:50:42 | 0:50:46 | |
Not only because of the charges that we knew about, but because, | 0:50:46 | 0:50:50 | |
since we last met, she's gone and gotten herself into a whole heap | 0:50:50 | 0:50:54 | |
of trouble, and she's facing four more counts of assault. | 0:50:54 | 0:50:58 | |
With Izzy, I always know how the story begins. | 0:51:05 | 0:51:09 | |
She got drunk. | 0:51:09 | 0:51:10 | |
This time, at a friend's house. | 0:51:10 | 0:51:13 | |
Then she had to travel back through the centre of Newcastle. | 0:51:16 | 0:51:20 | |
She stopped at Central Station, and was smoking a cigarette | 0:51:25 | 0:51:28 | |
when she was approached by police. | 0:51:28 | 0:51:30 | |
The police officer said, "You cannot smoke inside the station. | 0:51:32 | 0:51:36 | |
"You need to put out the cigarette." But Izzy told him to eff off | 0:51:36 | 0:51:39 | |
and then when he came towards her, she kicked him. | 0:51:39 | 0:51:42 | |
He called for backup, and Izzy fought against both of those two as well, | 0:51:42 | 0:51:46 | |
before all three of them carried her out of the station | 0:51:46 | 0:51:49 | |
to a nearby police van. | 0:51:49 | 0:51:51 | |
Even when she got to the police station, | 0:51:54 | 0:51:56 | |
she then attacked the detention officer. | 0:51:56 | 0:51:59 | |
All of this comes on top of the original charge - | 0:52:00 | 0:52:03 | |
the racial abuse and assault of a hospital security guard. | 0:52:03 | 0:52:07 | |
Today, Izzy's appearing in North Tyneside court. | 0:52:17 | 0:52:21 | |
She will plead guilty | 0:52:24 | 0:52:26 | |
and will be sentenced for five charges of assault. | 0:52:26 | 0:52:29 | |
I have spoken to Izzy this morning and, you know, she is... | 0:52:31 | 0:52:34 | |
She's more nervous than usual, and that's totally to be expected. | 0:52:34 | 0:52:39 | |
She also has her bags packed, and she is, in her head, | 0:52:39 | 0:52:42 | |
ready to go to prison. So whether or not she does, | 0:52:42 | 0:52:46 | |
we'll find out in the next couple of hours. | 0:52:46 | 0:52:48 | |
In Izzy's favour, she's seeing an alcohol counsellor. | 0:52:52 | 0:52:56 | |
She's also seeking help with mental health issues. | 0:52:56 | 0:52:59 | |
Well, the long and short of it is, | 0:53:11 | 0:53:14 | |
she's not going to prison. | 0:53:14 | 0:53:16 | |
She got pretty much everything else. | 0:53:16 | 0:53:18 | |
The magistrate came straight out and said, | 0:53:20 | 0:53:24 | |
"Listen, you're very lucky you're not going to prison. | 0:53:24 | 0:53:28 | |
"Next time, you will be going to prison, | 0:53:28 | 0:53:30 | |
"but I think you have potential to sort yourself out." | 0:53:30 | 0:53:35 | |
If Izzy offends in the next 12 months, | 0:53:38 | 0:53:40 | |
she'll face an 18-week prison sentence. | 0:53:40 | 0:53:43 | |
In the short term, she has a tag, a 7pm curfew, | 0:53:45 | 0:53:49 | |
and a ban from all licensed premises. | 0:53:49 | 0:53:53 | |
-You were pretty lucky to get away without going to prison. -Oh, yeah. | 0:53:53 | 0:53:56 | |
-She pretty much did everything except send you to prison. -Yeah. | 0:53:56 | 0:53:59 | |
But she's given us that chance now, that my solicitor pleaded for, | 0:53:59 | 0:54:03 | |
and I'm going to hopefully not prove them wrong | 0:54:03 | 0:54:07 | |
and just prove to them that I am going to change. | 0:54:07 | 0:54:10 | |
Do you really think you're going to change? Cos every time I speak to you, sometimes you say, | 0:54:10 | 0:54:14 | |
"Yeah, I'm going to change," other times you're, like, "Yeah, I'll probably reoffend." | 0:54:14 | 0:54:18 | |
No, no, I think... | 0:54:18 | 0:54:19 | |
I can't go... That's not my life, in and out of court | 0:54:19 | 0:54:22 | |
and in and out of police stations. | 0:54:22 | 0:54:25 | |
It's not my life. I want my old life, so yeah. | 0:54:25 | 0:54:29 | |
I'm not going to at least offend. | 0:54:29 | 0:54:32 | |
I'm going to try and stay abstinent from drink. | 0:54:32 | 0:54:34 | |
-Try. -No drink at all? -No. | 0:54:34 | 0:54:36 | |
-Think that's a good shout. -Yeah. | 0:54:36 | 0:54:39 | |
What are you going to do tonight? | 0:54:39 | 0:54:41 | |
Have a Chinese and watch Big Brother. | 0:54:41 | 0:54:43 | |
THEY LAUGH | 0:54:43 | 0:54:45 | |
Come. | 0:54:51 | 0:54:53 | |
Izzy and the other women I've met for this film | 0:54:54 | 0:54:57 | |
have all done terrible and, in some cases, terrifying things. | 0:54:57 | 0:55:01 | |
# There's nowhere to run There's nowhere to hide | 0:55:01 | 0:55:05 | |
# I've lost my sanity | 0:55:05 | 0:55:07 | |
# Vision's blurred I'm losing sight... # | 0:55:07 | 0:55:09 | |
But they aren't people you could easily dismiss as 100% bad. | 0:55:09 | 0:55:13 | |
# Trapped beneath the bruises No make-up can disguise these | 0:55:13 | 0:55:17 | |
# Crying to sleep No sense of direction... # | 0:55:17 | 0:55:21 | |
Young offenders can leave violence behind and become good parents. | 0:55:21 | 0:55:26 | |
But avoiding fights isn't easy. Sometimes, they find you. | 0:55:29 | 0:55:34 | |
And that's what makes this problem so hard to deal with. | 0:55:34 | 0:55:38 | |
Oh, this is scary for me. Hold on tight, all right? | 0:55:38 | 0:55:42 | |
You know, so much of this girl violence is utterly pointless, | 0:55:42 | 0:55:46 | |
and given that it's actually getting worse, | 0:55:46 | 0:55:48 | |
the chances are that the public and the courts | 0:55:48 | 0:55:51 | |
are going to start getting tougher on women, | 0:55:51 | 0:55:54 | |
which means more and more girls are going to end up | 0:55:54 | 0:55:57 | |
wasting their lives in prison. | 0:55:57 | 0:55:58 | |
# Where do I fit in? Somewhere I must belong | 0:56:01 | 0:56:04 | |
# I'm feeling like an outcast Society did me wrong | 0:56:04 | 0:56:08 | |
# Cos they couldn't see the signs Let me slip through the system | 0:56:08 | 0:56:13 | |
# Now I'm just another statistic | 0:56:13 | 0:56:17 | |
# So I keep a bottle close It's the only friend I know | 0:56:17 | 0:56:21 | |
# Plus, it helps to numb the pain Till the very next day... # | 0:56:21 | 0:56:26 |