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This programme contains scenes which some viewers may find upsetting. | 0:00:02 | 0:00:07 | |
PHONE RINGS | 0:00:09 | 0:00:13 | |
I just remember thinking, "Oh, my gosh, like, I've lost my face. | 0:00:38 | 0:00:42 | |
"My skin is burnt and my eyes, like, I can't see." | 0:00:42 | 0:00:46 | |
Naomi Oni says that when she saw her injured face for the first time, she | 0:00:46 | 0:00:50 | |
-didn't want to live. -A happy and confident young woman permanently | 0:00:50 | 0:00:55 | |
disfigured in a deliberate, wicked and devastating act. | 0:00:55 | 0:00:59 | |
I was 20 years old when I was attacked | 0:01:02 | 0:01:04 | |
and you don't know anything at 20 years old. | 0:01:04 | 0:01:08 | |
You're so naive. | 0:01:09 | 0:01:11 | |
Like, you wouldn't think someone can do the worst to you. | 0:01:11 | 0:01:15 | |
My story is one of betrayal and loss, | 0:01:17 | 0:01:20 | |
and it's only now, five years on, | 0:01:20 | 0:01:23 | |
that I'm ready to talk about it. | 0:01:23 | 0:01:24 | |
Since my attack, I've had to do this journey to the hospital a lot. | 0:01:41 | 0:01:46 | |
I have laser treatments three times a year | 0:01:46 | 0:01:48 | |
and then I have to see my surgeon as well. | 0:01:48 | 0:01:50 | |
-ANNOUNCEMENT: -We are now approaching Stratford. | 0:01:53 | 0:01:56 | |
It is very weird, especially passing Stratford to get to the hospital. | 0:01:56 | 0:02:00 | |
Like, it's just like, "Wow. | 0:02:00 | 0:02:01 | |
"I used to work here." | 0:02:01 | 0:02:03 | |
Someone was able to just follow me all the way from Stratford, home to | 0:02:04 | 0:02:08 | |
throw acid in my face. | 0:02:08 | 0:02:09 | |
Yeah. | 0:02:09 | 0:02:11 | |
Are you ready? | 0:02:13 | 0:02:14 | |
Yeah? I'm starting on your forehead now. | 0:02:15 | 0:02:18 | |
-How's that feel? -OK. -OK? | 0:02:18 | 0:02:21 | |
I think I'm at the stage of acceptance, which oddly enough | 0:02:23 | 0:02:28 | |
feels like the most difficult stage of the whole situation. | 0:02:28 | 0:02:33 | |
Most uncomfortable. | 0:02:33 | 0:02:34 | |
-Would you like a bit of ice? -Yes, please. | 0:02:34 | 0:02:36 | |
Because you've had the moment to grieve, | 0:02:36 | 0:02:38 | |
you've had that moment of resentment, you've had that moment of anger, | 0:02:38 | 0:02:41 | |
and now you're just left with you. | 0:02:41 | 0:02:43 | |
I'm very grateful that they've... | 0:02:45 | 0:02:47 | |
you know, they've taken the time out to actually be gentle with me. | 0:02:47 | 0:02:51 | |
Like, you know, they get, like, I'm a young girl and it's a lot to deal | 0:02:51 | 0:02:55 | |
with. Like, your physical... | 0:02:55 | 0:02:56 | |
Especially your face. | 0:02:56 | 0:02:57 | |
Your face. That is so much, like, to deal with and... | 0:02:57 | 0:03:02 | |
Yeah. | 0:03:04 | 0:03:06 | |
But five years ago, when I was 20, life was very different. | 0:03:12 | 0:03:16 | |
I'd just got my first job. | 0:03:16 | 0:03:18 | |
It was at Victoria's Secret, Westfield in Stratford. | 0:03:18 | 0:03:21 | |
MUSIC: Titanium by David Guetta feat. Sia | 0:03:21 | 0:03:26 | |
When I did get the job, I was like, "Oh, they do beauty there." | 0:03:28 | 0:03:31 | |
"You guys have to put me on beauty, because that's what I like." | 0:03:31 | 0:03:35 | |
So they put me on the beauty section. | 0:03:35 | 0:03:37 | |
I had a boyfriend. | 0:03:38 | 0:03:40 | |
I just felt like, yeah, "I'm becoming a young adult. | 0:03:40 | 0:03:44 | |
"I'm getting there." | 0:03:44 | 0:03:45 | |
I had Naomi on the 11th | 0:03:47 | 0:03:51 | |
of February 1992. | 0:03:51 | 0:03:53 | |
I was so happy. I wanted a girl. | 0:03:55 | 0:03:57 | |
I wasn't expecting her to be pretty | 0:04:00 | 0:04:03 | |
like that. She was very pretty. Yeah. | 0:04:03 | 0:04:07 | |
My mum, she's lovely. | 0:04:07 | 0:04:11 | |
Her name is Marion. | 0:04:11 | 0:04:12 | |
She's albino, so she's very fair in complexion. | 0:04:12 | 0:04:19 | |
It can affect their eyes as well, | 0:04:19 | 0:04:21 | |
so I had to be her carer because of her eyesight. | 0:04:21 | 0:04:24 | |
And especially because I'm her only child as well, | 0:04:24 | 0:04:26 | |
so I've always had that, like, "I have to look out for my mum." | 0:04:26 | 0:04:29 | |
MUSIC: Pretty Hurts by Beyonce | 0:04:29 | 0:04:34 | |
My mum has always gone out of her way to make sure I feel comfortable | 0:04:36 | 0:04:39 | |
about my physical appearance, | 0:04:39 | 0:04:41 | |
because I can only imagine how she probably would have felt being a young woman | 0:04:41 | 0:04:46 | |
and having people treat you according to the way you look | 0:04:46 | 0:04:49 | |
physically. So, she's always wanted me to be smart, to be clever, | 0:04:49 | 0:04:55 | |
to be well-spoken. | 0:04:55 | 0:04:56 | |
Because when you do look different, | 0:04:56 | 0:05:00 | |
the way you come across becomes more important than your physical | 0:05:00 | 0:05:04 | |
appearance and it has to be, because it's how you're going to get through life. | 0:05:04 | 0:05:08 | |
My name's Vida | 0:05:14 | 0:05:16 | |
and I know Naomi because we are school friends. | 0:05:16 | 0:05:18 | |
I just remember us being told off a lot by the teachers for not actually | 0:05:20 | 0:05:25 | |
listening in class, but | 0:05:25 | 0:05:26 | |
-it was fun. -My name is Phyllis. | 0:05:26 | 0:05:30 | |
I went to school with Naomi, secondary school. | 0:05:30 | 0:05:32 | |
She was just a normal girl. | 0:05:32 | 0:05:34 | |
We had a lot of common interests, like music and fashion | 0:05:34 | 0:05:38 | |
-and celebrities and all that stuff. -Phyllis, | 0:05:38 | 0:05:41 | |
Vida, and then there was another girl called Mary, | 0:05:41 | 0:05:44 | |
were my closest friends. | 0:05:44 | 0:05:46 | |
But I noticed that other girls would try and find every way to make you | 0:05:46 | 0:05:49 | |
feel bad about yourself. | 0:05:49 | 0:05:51 | |
Girls were just mean, if I'm honest. | 0:05:52 | 0:05:56 | |
Girls were very mean. | 0:05:56 | 0:05:59 | |
I mean, from face value it was easy to assume it didn't bother her, | 0:05:59 | 0:06:03 | |
but myself and Phyllis, Mary, we were more | 0:06:03 | 0:06:07 | |
aware of how insecure she was. | 0:06:07 | 0:06:09 | |
So, during break times, people might say, "Oh, look at her hair." | 0:06:09 | 0:06:13 | |
Or, "Too much make-up," and she would just be like, | 0:06:13 | 0:06:15 | |
"Shut up and leave me alone." | 0:06:15 | 0:06:16 | |
But then in class she would get teary. | 0:06:16 | 0:06:18 | |
So, Mary, | 0:06:20 | 0:06:21 | |
she mentioned that she was quite bullied by the girls in the year above | 0:06:21 | 0:06:24 | |
and, like, I kind of saw that in her, | 0:06:24 | 0:06:27 | |
so I kind of felt protective over her and maybe sometimes she felt | 0:06:27 | 0:06:30 | |
like the way people treated me was quite unfair. | 0:06:30 | 0:06:33 | |
I just felt for her and it was just, like, | 0:06:33 | 0:06:36 | |
natural of me to want to feel like I should protect her or be her friend. | 0:06:36 | 0:06:40 | |
But I think Mary and Naomi both sought validation from each other because | 0:06:40 | 0:06:45 | |
they had this common ground of, "No-one really gets me," almost, | 0:06:45 | 0:06:48 | |
and they just got each other. | 0:06:48 | 0:06:50 | |
Knowing that I was loved and accepted by my friends is something that I took for granted, | 0:06:54 | 0:06:59 | |
but that all changed on December 29th 2012. | 0:06:59 | 0:07:04 | |
I remember that day, December the 29th. | 0:07:30 | 0:07:33 | |
It was Christmas time. I was just like, "Damn, everyone is at home. | 0:07:33 | 0:07:38 | |
"My mum is cooking and I'm going to work. Really?" | 0:07:38 | 0:07:42 | |
And I remember that day. | 0:07:42 | 0:07:43 | |
I bought myself - because they were doing like Christmas sales - | 0:07:43 | 0:07:46 | |
I bought myself a really nice pink, big, like, | 0:07:46 | 0:07:49 | |
fluffy pink Victoria's Secret robe. | 0:07:49 | 0:07:51 | |
-ANNOUNCEMENT: -The store will be closing in five minutes. | 0:07:56 | 0:07:59 | |
I remember being at work, closing up, thinking, "Oh, yeah, | 0:07:59 | 0:08:04 | |
"I'm happy to be going home." | 0:08:04 | 0:08:06 | |
Everybody seemed to be in a good mood. | 0:08:06 | 0:08:09 | |
I... | 0:08:19 | 0:08:20 | |
I... | 0:08:21 | 0:08:23 | |
I did my normal journey. | 0:08:23 | 0:08:24 | |
Stratford to West Ham, | 0:08:28 | 0:08:30 | |
and then from West Ham, I would get the train to Barking. | 0:08:30 | 0:08:33 | |
-TUBE ANNOUNCEMENT: -The next station is Barking. | 0:08:38 | 0:08:41 | |
Change for London Overground and National Rail Services. | 0:08:41 | 0:08:44 | |
And then from Barking, I would just about get the last bus home. | 0:08:44 | 0:08:47 | |
I finished work at 11.30, so I probably got to Barking, like, after 12. | 0:08:49 | 0:08:52 | |
I remember coming out of Barking Station and I remember I was hungry. | 0:08:59 | 0:09:04 | |
Like, I remember being very hungry. | 0:09:04 | 0:09:06 | |
So, I was like, "OK, let me just get some chicken wings and chips | 0:09:06 | 0:09:10 | |
"and I'll eat them when I get home." | 0:09:10 | 0:09:12 | |
I got on my bus and while I was doing this journey, I was on the phone to my ex-boyfriend, | 0:09:18 | 0:09:24 | |
just talking. I was thinking, I need the company, | 0:09:24 | 0:09:26 | |
especially when it was late. | 0:09:26 | 0:09:28 | |
The bus took me to my bus stop, just opposite my house, Bromhall Road. | 0:09:31 | 0:09:37 | |
I just remember getting off the bus and I don't know, | 0:09:39 | 0:09:41 | |
something just caught my attention. | 0:09:41 | 0:09:43 | |
I just felt like startled a little bit. | 0:09:43 | 0:09:45 | |
I looked to the side of me and I remember seeing someone in just black. | 0:09:46 | 0:09:50 | |
I just remember seeing black and I remember the person's face being covered. | 0:09:50 | 0:09:55 | |
It was a very cold stare, just a complete cold stare. | 0:09:55 | 0:09:59 | |
And I just remember thinking, "Whoa," like, "OK. | 0:09:59 | 0:10:03 | |
"Just cross the road and go to your house." | 0:10:03 | 0:10:06 | |
Before I knew it, | 0:10:10 | 0:10:12 | |
I just felt a hu-u-uge | 0:10:12 | 0:10:16 | |
splash, and I just remember... | 0:10:16 | 0:10:20 | |
SHE GASPS | 0:10:20 | 0:10:22 | |
Like, literally like that, and I remember I immediately screamed. | 0:10:22 | 0:10:29 | |
Screamed. I clenched onto my stuff. | 0:10:29 | 0:10:31 | |
I was on the phone and I was screaming, like, running down my road. | 0:10:31 | 0:10:35 | |
I did not look back | 0:10:35 | 0:10:37 | |
and I remember getting to my door and banging on my door. | 0:10:37 | 0:10:40 | |
BANGING | 0:10:40 | 0:10:41 | |
Screaming, screaming, screaming. | 0:10:41 | 0:10:43 | |
I was like, "It's burning! It's burning! | 0:10:43 | 0:10:45 | |
"Acid, acid, acid." | 0:10:45 | 0:10:46 | |
And my mum opened the door and I just saw my mum's face like... | 0:10:48 | 0:10:52 | |
I went upstairs and at this time, she was in the bathroom. | 0:10:58 | 0:11:03 | |
I just knew straight away that it was acid, | 0:11:03 | 0:11:06 | |
and it was strong acid because of the way it smelt. | 0:11:06 | 0:11:08 | |
To me, I thought my skin was dissolving. | 0:11:08 | 0:11:11 | |
Like, I was just going to, I don't know, corrode away. | 0:11:11 | 0:11:15 | |
So we opened the shower and just doused her in water. | 0:11:15 | 0:11:19 | |
I looked down and I realised that her jeans were falling apart. | 0:11:20 | 0:11:25 | |
And then I thought, "Wow. | 0:11:25 | 0:11:27 | |
-"This is everywhere." -And I could just feel the splashes of water, | 0:11:27 | 0:11:32 | |
my skin is burnt. | 0:11:32 | 0:11:34 | |
I just felt like, I don't know, just... | 0:11:34 | 0:11:38 | |
How can I explain? You know when you put | 0:11:38 | 0:11:42 | |
hot water in a glass and then you run it under a cold tap and it cracks? | 0:11:42 | 0:11:47 | |
Like, it starts to break. | 0:11:47 | 0:11:49 | |
That's how I felt. | 0:11:49 | 0:11:51 | |
I just thought, "When can the ambulance and the police get here, | 0:11:53 | 0:11:56 | |
"because I could be doing something wrong," but I just thought, "You can't go wrong with water and acid." | 0:11:56 | 0:12:01 | |
Anything to dilute it. | 0:12:01 | 0:12:02 | |
I just remember mucus just flowing down my face, | 0:12:04 | 0:12:08 | |
like, my face was like purply, pink, green. | 0:12:08 | 0:12:10 | |
I don't even know, it was just multicoloured. | 0:12:10 | 0:12:12 | |
So I just remember literally | 0:12:12 | 0:12:17 | |
humming, just humming in my head, trying to, like... | 0:12:17 | 0:12:21 | |
not freak out, and I remember when the ambulance came | 0:12:21 | 0:12:25 | |
and... | 0:12:25 | 0:12:26 | |
SHE SIGHS | 0:12:26 | 0:12:29 | |
I just remember seeing my mum so frozen. | 0:12:38 | 0:12:41 | |
I said, "Please, Mum, go with the rest of them." | 0:12:41 | 0:12:44 | |
And I told my aunt, "You need to come into the ambulance with me." | 0:12:44 | 0:12:47 | |
I did not want my mum to come | 0:12:48 | 0:12:50 | |
because I didn't want my mum to freak out. | 0:12:50 | 0:12:53 | |
They were like, "OK, we are transferring her to Broomfield Hospital, | 0:12:57 | 0:13:00 | |
"it's a burns unit." | 0:13:00 | 0:13:02 | |
I was just like, "A burns unit?" | 0:13:02 | 0:13:05 | |
I gave up. I don't know if my body just shut down. | 0:13:05 | 0:13:09 | |
I remember coming into the hospital. | 0:13:10 | 0:13:13 | |
It was like an episode of ER. | 0:13:14 | 0:13:17 | |
I don't know if I was on the bed, I don't know if I was on the table. | 0:13:18 | 0:13:22 | |
I just was getting poked and touched. | 0:13:22 | 0:13:24 | |
And I could just hear voices in the background. | 0:13:25 | 0:13:28 | |
"Burns," something, something "degree burns." | 0:13:28 | 0:13:32 | |
My name is Naguib El-Muttardi, | 0:13:36 | 0:13:38 | |
I am a consultant plastic reconstructive and burn surgeon, | 0:13:38 | 0:13:42 | |
St Andrews Centre, Broomfield Hospital in Chelmsford. | 0:13:42 | 0:13:45 | |
When we saw Naomi, the injuries were mainly on | 0:13:45 | 0:13:51 | |
the right side of the face, | 0:13:51 | 0:13:53 | |
the front of the scalp, the middle of the scalp, | 0:13:53 | 0:13:56 | |
on the side of the nose, upper lip, part of the neck, | 0:13:56 | 0:14:00 | |
the right forearm and hand | 0:14:00 | 0:14:04 | |
and on the left thigh. | 0:14:04 | 0:14:06 | |
So that was the extent of the injury. | 0:14:06 | 0:14:09 | |
We usually see these attacks in young men, | 0:14:09 | 0:14:13 | |
so at that time, it is not that common to have it in girls, | 0:14:13 | 0:14:18 | |
but, unfortunately, she was one of those victims. | 0:14:18 | 0:14:23 | |
From the beginning we knew that it is very deep. | 0:14:26 | 0:14:29 | |
We knew that it is a full thickness damage to the skin, | 0:14:29 | 0:14:33 | |
and she needs lots of surgeries to heal it and reconstruct it. | 0:14:33 | 0:14:36 | |
So if you come across somebody who's been attacked with acid, | 0:14:37 | 0:14:41 | |
I think the first thing we should do is remove any clothes | 0:14:41 | 0:14:45 | |
which are soaked with the acid. | 0:14:45 | 0:14:49 | |
You should cut it rather than pull it over, | 0:14:49 | 0:14:51 | |
and straight away we should be starting the irrigation with water. | 0:14:51 | 0:14:57 | |
This is really important in minimising the contact. | 0:14:57 | 0:15:00 | |
Preventing the penetration of the acid | 0:15:00 | 0:15:03 | |
should be done within ten seconds. | 0:15:03 | 0:15:06 | |
The injury which acid can inflict is much more serious than a knife, | 0:15:08 | 0:15:13 | |
I think. | 0:15:13 | 0:15:15 | |
I think it is both physically and psychologically distressing, | 0:15:15 | 0:15:20 | |
because it's a disfiguring injury. | 0:15:20 | 0:15:22 | |
The one who is attempting to assault with acid, he doesn't want to kill, | 0:15:22 | 0:15:27 | |
but he wants to disfigure and make permanent marks on that person. | 0:15:27 | 0:15:31 | |
I can't understand why anybody would do what they did. | 0:15:33 | 0:15:38 | |
I think that's when I started to actually realise the severity of | 0:15:38 | 0:15:42 | |
what had actually been done to me. | 0:15:42 | 0:15:44 | |
My face was... I felt like my face was literally ten times the size and my eyes were so swollen. | 0:15:44 | 0:15:49 | |
I just remember mucus was always running. | 0:15:49 | 0:15:52 | |
It wasn't even tears. I just remember sometimes I would have to wipe, | 0:15:52 | 0:15:55 | |
like, mucus, mucus, mucus, mucus, mucus. | 0:15:55 | 0:15:57 | |
That's all it was. Pus, yellow stuff just coming out of my eyes. | 0:15:57 | 0:16:01 | |
I think that's when I realised it's burning my eyes. | 0:16:01 | 0:16:04 | |
They said, "There's a lot of it in your eyes and we're going to have to | 0:16:04 | 0:16:08 | |
"wash it out with saline." | 0:16:08 | 0:16:11 | |
So, they then have to touch my skin, | 0:16:11 | 0:16:14 | |
stretch my eyes open to wash a corrosive substance out of my eyes with the | 0:16:14 | 0:16:19 | |
rest of my face burned. | 0:16:19 | 0:16:21 | |
And I just remembered water, like, in my eye, in my eye, in my eye, | 0:16:21 | 0:16:26 | |
in my eye, in my eye, | 0:16:26 | 0:16:27 | |
and I'm trying to blink, but at the same time open my eyes, because I don't | 0:16:27 | 0:16:31 | |
want to go blind. Like, I don't want to be blind. Like... | 0:16:31 | 0:16:35 | |
that's not my portion. | 0:16:35 | 0:16:37 | |
"I don't want to be blind," that's what I keep thinking. | 0:16:37 | 0:16:41 | |
From the way she talks about it now, I think nobody expected that she was | 0:16:41 | 0:16:44 | |
going to get her sight back. | 0:16:44 | 0:16:46 | |
The prognosis for one of the eyes was really bad and they said she | 0:16:46 | 0:16:50 | |
would have SOME in the other eye, I think. | 0:16:50 | 0:16:53 | |
And it was only then I realised, "God, the acid... | 0:16:53 | 0:16:57 | |
"it just kind of worked its way through." | 0:16:57 | 0:16:59 | |
After the attack, I had two major facial reconstruction surgeries. | 0:17:06 | 0:17:09 | |
They took skin from my thighs to replace skin damaged on my arm, shoulder, | 0:17:11 | 0:17:16 | |
other thigh and almost half of my face. | 0:17:16 | 0:17:18 | |
No-one actually really showed me how to put make-up on as a burn survivor. | 0:17:21 | 0:17:26 | |
I kind of had to practise, practise, practise as I went along. | 0:17:26 | 0:17:29 | |
So, this is like the most important process of my make-up, because | 0:17:31 | 0:17:35 | |
obviously it helps | 0:17:35 | 0:17:37 | |
bring my complexion. | 0:17:37 | 0:17:39 | |
I try to match my | 0:17:39 | 0:17:42 | |
foundation as close to my neck as possible. | 0:17:42 | 0:17:45 | |
When you're rubbing it, you have to be careful because it's not like skin, is it? | 0:17:48 | 0:17:52 | |
It's skin that was taken from my thigh to be put on my face, | 0:17:52 | 0:17:55 | |
so if you cut your skin it's not going to grow back. | 0:17:55 | 0:17:59 | |
I lost my eyelids, | 0:18:04 | 0:18:06 | |
so they had to take skin from behind my ears to create an eyelid. | 0:18:06 | 0:18:11 | |
I don't know if you can see that round shape. | 0:18:11 | 0:18:14 | |
They kind of had to create eyelids for me. | 0:18:14 | 0:18:17 | |
I used to look in the mirror and I would just feel so hurt. | 0:18:21 | 0:18:25 | |
So, so hurt that... | 0:18:25 | 0:18:26 | |
..this thing is so destructive, | 0:18:28 | 0:18:30 | |
it's actually made me look unrecognisable. | 0:18:30 | 0:18:33 | |
Initially my face was quite flat. | 0:18:36 | 0:18:38 | |
I remember my nose and under my eye were literally the same level. | 0:18:38 | 0:18:42 | |
So when I had to do my make-up, I'd have to do so much contouring to | 0:18:44 | 0:18:47 | |
basically make my face more 3D. | 0:18:47 | 0:18:49 | |
So, yeah, I would say I've come a very long way. | 0:18:52 | 0:18:55 | |
A week after the attack, I was still in hospital, | 0:19:04 | 0:19:07 | |
not knowing who had done this to me and not being able to see. | 0:19:07 | 0:19:10 | |
But then my eyes started to open a bit. | 0:19:11 | 0:19:13 | |
My vision became like patches, like little dots, | 0:19:16 | 0:19:20 | |
and I think there was a day where, | 0:19:20 | 0:19:22 | |
you know, when your screen is black and I was picking it up to use it, | 0:19:22 | 0:19:25 | |
and I remember I caught my reflection | 0:19:25 | 0:19:28 | |
and I was just like... | 0:19:28 | 0:19:29 | |
I was a bit scared. I was like, "That does not look like me." | 0:19:32 | 0:19:37 | |
So, at this point, it was the local police officers | 0:19:37 | 0:19:40 | |
who were trying to find out who had done this to me. | 0:19:40 | 0:19:43 | |
The police were even asking me, | 0:19:43 | 0:19:44 | |
like, "Have you ever been threatened that somebody was going | 0:19:44 | 0:19:47 | |
"to throw acid at you in the past?" And I said... | 0:19:47 | 0:19:49 | |
"Funny enough," I said, "Yeah, | 0:19:51 | 0:19:53 | |
"like, someone actually has weirdly enough threatened to throw acid at me in the past." | 0:19:53 | 0:19:59 | |
And I explained to them, I said, | 0:19:59 | 0:20:01 | |
"Oh, one time, me and my friend Mary, we fell out. | 0:20:01 | 0:20:04 | |
"And she threatened that she was going to throw acid at me," but I was like, | 0:20:04 | 0:20:07 | |
"That was so long ago." I explained to the officer | 0:20:07 | 0:20:10 | |
that Mary had messaged me to see how I was and she's been calling me, like, | 0:20:10 | 0:20:13 | |
since I've been in the hospital. So I was, like, she's completely concerned, | 0:20:13 | 0:20:16 | |
like, that I'm in the hospital. | 0:20:16 | 0:20:18 | |
Like, that's a friend, because that's how a friend reacts. | 0:20:18 | 0:20:20 | |
It happens the day before New Year's Eve, | 0:20:23 | 0:20:26 | |
when resources are low in any case. | 0:20:26 | 0:20:28 | |
And Naomi was the only witness to the offence. | 0:20:29 | 0:20:32 | |
It is not an easy investigation for the officers to deal with | 0:20:34 | 0:20:38 | |
and this went to the local police. | 0:20:38 | 0:20:40 | |
There was extensive house to house done. | 0:20:41 | 0:20:43 | |
But there was nobody that saw anything | 0:20:43 | 0:20:46 | |
apart from Naomi screaming down the street | 0:20:46 | 0:20:50 | |
as a result of this attack. | 0:20:50 | 0:20:52 | |
So, trying to prove who actually carried out this offence is very | 0:20:53 | 0:20:59 | |
difficult. The identification goes out the window. | 0:20:59 | 0:21:02 | |
We're talking about an incident that happens in the middle of the night, | 0:21:02 | 0:21:05 | |
you have street lighting to rely on | 0:21:05 | 0:21:08 | |
and the suspect was wearing a full niqab, | 0:21:08 | 0:21:12 | |
which only allowed the... | 0:21:12 | 0:21:16 | |
the eyes to be shown. | 0:21:16 | 0:21:17 | |
It was six weeks after I was attacked that Mary | 0:21:19 | 0:21:22 | |
was brought in for questioning. | 0:21:22 | 0:21:26 | |
The time now is 13.29 on February 22nd 2013. | 0:21:26 | 0:21:33 | |
Eventually, local officers arrested Mary. | 0:21:33 | 0:21:36 | |
They had arrested her on the basis that Naomi had said her friend had | 0:21:36 | 0:21:41 | |
-threatened her before. -Do you want to tell me how you know Naomi? | 0:21:41 | 0:21:45 | |
Yeah, I've know Naomi since secondary school. | 0:21:46 | 0:21:49 | |
How would you describe your relationship with Naomi? | 0:21:49 | 0:21:52 | |
Yeah, I think we're quite close, like, we speak regularly on the phone. | 0:21:52 | 0:21:55 | |
The officer did point out that she said something, | 0:21:55 | 0:21:58 | |
we had an argument over a year ago. | 0:21:58 | 0:22:00 | |
And she says in the argument | 0:22:00 | 0:22:01 | |
that you said you wanted to throw acid in her face. | 0:22:01 | 0:22:04 | |
Acid? No. | 0:22:05 | 0:22:07 | |
Because that's a very particular... | 0:22:07 | 0:22:09 | |
-It's... -..thing, I mean, acid attacks over here, especially, are very rare, | 0:22:09 | 0:22:15 | |
so why pick a comment like that? | 0:22:15 | 0:22:18 | |
I cannot remember saying that. | 0:22:18 | 0:22:21 | |
I know when she told me this happened to her, I was just, like... | 0:22:21 | 0:22:23 | |
why? Why would...? | 0:22:23 | 0:22:25 | |
Why? I just don't understand. | 0:22:25 | 0:22:27 | |
She said they had had disagreements in the past, | 0:22:27 | 0:22:31 | |
but it's like friends and they fall in, fall out | 0:22:31 | 0:22:34 | |
and there wasn't any other evidence to really tie Mary into it | 0:22:34 | 0:22:38 | |
from the borough perspective. | 0:22:38 | 0:22:40 | |
She was released from the police station. | 0:22:41 | 0:22:44 | |
She was given a bail date, | 0:22:44 | 0:22:45 | |
so I can understand how frustrated the family were. | 0:22:45 | 0:22:49 | |
Two months and really, | 0:22:49 | 0:22:51 | |
there's nothing that you could hang your hat on | 0:22:51 | 0:22:54 | |
for progress in that investigation. | 0:22:54 | 0:22:57 | |
I just remember thinking, "Oh, I've lost my face. | 0:22:59 | 0:23:03 | |
"I'm going to be bald. | 0:23:03 | 0:23:05 | |
"I'm not going to have eyebrows | 0:23:05 | 0:23:07 | |
"and I'm going to have thighs for a face." | 0:23:07 | 0:23:09 | |
And I remember when, like, people would ask me, like, | 0:23:11 | 0:23:13 | |
"It must be somebody close to you, somebody close to you, | 0:23:13 | 0:23:15 | |
"somebody close to you." And I was like, "People I know, like, | 0:23:15 | 0:23:18 | |
"wouldn't do anything like that to me." | 0:23:18 | 0:23:20 | |
Anyone that knows me, I don't think is crazy enough. | 0:23:20 | 0:23:22 | |
People just ask, "Was she rowing about a boy?" | 0:23:23 | 0:23:26 | |
And I said, "Not that I know of." | 0:23:26 | 0:23:28 | |
I thought, "Do you know what? She's just a normal kid." | 0:23:28 | 0:23:32 | |
There was nothing way out. | 0:23:32 | 0:23:35 | |
The police were even asking me, like, "Oh, have you ever been in a gang?" | 0:23:35 | 0:23:39 | |
And that's when I started to think "Oh..." | 0:23:39 | 0:23:43 | |
Like, things are just making a turn for the worse. | 0:23:43 | 0:23:45 | |
It became, "Tell us the truth. | 0:23:45 | 0:23:47 | |
"Have you ever been in a gang?" | 0:23:47 | 0:23:49 | |
So when the police came and asked certain questions, | 0:23:49 | 0:23:53 | |
it was hard not to think they were fishing for information, but again, | 0:23:53 | 0:24:00 | |
I tried to be objective and thought, "You know what? | 0:24:00 | 0:24:03 | |
"They have to pursue all their lines of inquiry." | 0:24:03 | 0:24:06 | |
I had been in hospital for weeks and I was just about to be discharged. | 0:24:08 | 0:24:13 | |
The police had taken my laptop and found some of my Google searches | 0:24:13 | 0:24:16 | |
on Katie Piper and eyelid surgery. | 0:24:16 | 0:24:18 | |
So, the police found these things | 0:24:19 | 0:24:21 | |
and that led them to, like, investigating me. | 0:24:21 | 0:24:25 | |
Like, if I did it, if I threw acid on myself. | 0:24:25 | 0:24:29 | |
My uncle just said, "The way it's looking, it's not looking good. | 0:24:29 | 0:24:32 | |
"They're not coming to us with any information, | 0:24:32 | 0:24:34 | |
"so let us go to the press." | 0:24:34 | 0:24:38 | |
What I can't believe is that you | 0:24:39 | 0:24:40 | |
were just discharged a week and a half ago. | 0:24:40 | 0:24:42 | |
I mean, you've had such an ordeal. | 0:24:42 | 0:24:45 | |
How many operations have you had? | 0:24:45 | 0:24:47 | |
I had two within four weeks. | 0:24:47 | 0:24:49 | |
This person is still out there? | 0:24:50 | 0:24:52 | |
-Yes. -And police don't know who they are? | 0:24:52 | 0:24:54 | |
-No. -What the motive was? | 0:24:54 | 0:24:56 | |
There's no clue as to the motive? | 0:24:56 | 0:24:57 | |
-No. -So they have to remain open-minded | 0:24:57 | 0:25:00 | |
about what happened that night? | 0:25:00 | 0:25:02 | |
Yes. | 0:25:02 | 0:25:04 | |
What do you say to them, if they happen to be watching? | 0:25:04 | 0:25:07 | |
Just, I just want them to realise the pain | 0:25:07 | 0:25:10 | |
they've put myself and my family through. | 0:25:10 | 0:25:12 | |
And I hope they don't do this to anybody else, | 0:25:12 | 0:25:15 | |
and I just want them to know that whatever they tried to do to me, | 0:25:15 | 0:25:18 | |
they failed in doing what they were doing and actually they made me a | 0:25:18 | 0:25:22 | |
stronger person. | 0:25:22 | 0:25:23 | |
I'm actually happy. | 0:25:23 | 0:25:26 | |
And whoever they are, if they can just come out | 0:25:26 | 0:25:28 | |
and just reveal themselves, | 0:25:28 | 0:25:30 | |
I'd like to know, you know, why? I don't hate them. | 0:25:30 | 0:25:32 | |
-I just want to know why. -Oh, gosh... | 0:25:32 | 0:25:35 | |
-Come over here. -Come here. -Oh, dear. | 0:25:35 | 0:25:37 | |
-SOBBING: Thank you. -Oh, not at all. | 0:25:37 | 0:25:38 | |
You sit there like that and hopefully, at some stage, | 0:25:38 | 0:25:41 | |
you'll be able to get some sort of an answer as to why this happened and why they did this to you. | 0:25:41 | 0:25:44 | |
-I hope so, too. -And hopefully someone will catch them so they don't do it to | 0:25:44 | 0:25:47 | |
-anybody else. -Exactly. I don't want them to do it to anyone else. | 0:25:47 | 0:25:50 | |
I don't want other girls or other people having to go through what I've gone through. | 0:25:50 | 0:25:54 | |
At Scotland Yard there's big media type rooms there, | 0:25:55 | 0:25:59 | |
where they monitor television... | 0:25:59 | 0:26:02 | |
constantly. | 0:26:02 | 0:26:04 | |
And this came up on a morning show, I believe, | 0:26:04 | 0:26:08 | |
Philip Schofield-type thing. | 0:26:08 | 0:26:11 | |
And you have a young lady on there that's clearly been the subject of an attack, | 0:26:11 | 0:26:17 | |
and then that rings alarm bells at Scotland Yard. | 0:26:17 | 0:26:21 | |
And it just so happened that when the request came in | 0:26:21 | 0:26:24 | |
from Scotland Yard for this particular case to be reviewed, | 0:26:24 | 0:26:28 | |
it was my team that was on-call. | 0:26:28 | 0:26:31 | |
I do feel like the press interest made the police up their game | 0:26:31 | 0:26:34 | |
and relook into the situation, and that this situation is, you know, | 0:26:34 | 0:26:40 | |
for it to go to the homicide team, that's pretty serious. | 0:26:40 | 0:26:43 | |
After my attack, I didn't really get in touch with my friends. | 0:26:47 | 0:26:51 | |
I didn't want to talk to many people. | 0:26:51 | 0:26:53 | |
Vida and Phyllis were out of London at university, | 0:26:53 | 0:26:56 | |
so they only found out when I went public. | 0:26:56 | 0:26:58 | |
Naomi Oni - a happy and confident young woman, | 0:27:02 | 0:27:05 | |
who dreamed of working in the beauty industry, | 0:27:05 | 0:27:08 | |
permanently disfigured in a | 0:27:08 | 0:27:10 | |
deliberate, wicked and devastating act. | 0:27:10 | 0:27:13 | |
I remember it very clearly. | 0:27:14 | 0:27:16 | |
I was on the way home. My phone is always on vibrate. | 0:27:16 | 0:27:18 | |
-I just remember my phone kind of... -SHE BUZZES | 0:27:18 | 0:27:21 | |
..all the time. | 0:27:21 | 0:27:22 | |
And then I got a call from my cousin. | 0:27:22 | 0:27:24 | |
And he's like, "Why haven't you looked at my WhatsApp? | 0:27:24 | 0:27:27 | |
"You haven't said anything." I said "Why? Why?" | 0:27:27 | 0:27:29 | |
"Look at WhatsApp." I looked at my WhatsApp | 0:27:29 | 0:27:31 | |
and there was, literally, message after message. It just said, "Victoria's Secret." | 0:27:31 | 0:27:34 | |
It was like a link and it said, "Victoria's Secret." | 0:27:34 | 0:27:36 | |
And I kind of thought, "What is this?" | 0:27:36 | 0:27:38 | |
And I clicked on it. And I just remember seeing the image | 0:27:38 | 0:27:41 | |
and thinking, "Oh, my God. | 0:27:41 | 0:27:44 | |
"Oh, my God." | 0:27:44 | 0:27:45 | |
I saw the pictures that came out when she was in hospital | 0:27:47 | 0:27:49 | |
and it was still black. | 0:27:49 | 0:27:51 | |
I was thinking, "No-one deserves that." | 0:27:51 | 0:27:54 | |
Like, I wouldn't even wish that on my enemy, | 0:27:54 | 0:27:56 | |
but no-one deserves that. | 0:27:56 | 0:27:58 | |
And I thought, "I swear I just saw her, like, less than a month ago. | 0:27:59 | 0:28:02 | |
"And she's like a different person now." | 0:28:02 | 0:28:07 | |
Yeah... | 0:28:09 | 0:28:10 | |
My face was black. | 0:28:10 | 0:28:13 | |
My eyes were swollen. | 0:28:13 | 0:28:15 | |
I was terrified. | 0:28:16 | 0:28:18 | |
And I remember when I came out into the press, | 0:28:18 | 0:28:21 | |
and obviously people had seen, like, on the news and stuff. | 0:28:21 | 0:28:25 | |
And I remember Mary messaging me saying, "Oh, my gosh. | 0:28:25 | 0:28:28 | |
"It doesn't even look like you." | 0:28:28 | 0:28:30 | |
I just kept thinking, "Who would do that?" | 0:28:34 | 0:28:36 | |
Then the press found out that the police had this theory I'd done this to myself | 0:28:38 | 0:28:42 | |
and that was all they seemed to focus on. | 0:28:42 | 0:28:44 | |
I don't understand. | 0:28:46 | 0:28:47 | |
Why am I in the hospital? Why is this happening to me? | 0:28:47 | 0:28:49 | |
You know, why was I even attacked in the first place? Who did this? | 0:28:49 | 0:28:52 | |
Why? Why? Why? Why? Why? Why? Why? Why? | 0:28:52 | 0:28:55 | |
But instead, all the questions | 0:28:55 | 0:28:58 | |
ended up on me. | 0:28:58 | 0:29:00 | |
When they said Naomi did it to herself, like, I just thought, | 0:29:04 | 0:29:08 | |
"I can't believe they're saying that." | 0:29:08 | 0:29:09 | |
Naomi is not the type, she's not, she would never do that herself. | 0:29:09 | 0:29:13 | |
I don't know anyone that would actually do that to themselves. | 0:29:13 | 0:29:16 | |
There was a whole story about some celebrity person | 0:29:16 | 0:29:19 | |
who had acid poured on her face | 0:29:19 | 0:29:21 | |
and people were drawing parallels, and I'm just thinking, "Wow." | 0:29:21 | 0:29:24 | |
You know, where did that all come from? | 0:29:24 | 0:29:27 | |
It was portrayed in the media that, | 0:29:27 | 0:29:30 | |
because she was researching Katie Piper, | 0:29:30 | 0:29:33 | |
then, you know, she almost planned it because she saw, like, the outcome for | 0:29:33 | 0:29:37 | |
Katie Piper's life after and thought, "Oh, maybe if I did this to myself..." | 0:29:37 | 0:29:42 | |
And it's terrible | 0:29:42 | 0:29:44 | |
to say that somebody would attack themselves to look like | 0:29:44 | 0:29:47 | |
or to be like a survivor. | 0:29:47 | 0:29:50 | |
It is not a joke. | 0:29:50 | 0:29:52 | |
It was tough hearing, like, kind of nonsense, can I say, | 0:29:54 | 0:29:57 | |
like, kind of being put out about | 0:29:57 | 0:30:02 | |
who my friend is as a person. | 0:30:02 | 0:30:03 | |
It's like, do you really want to hear my story or are you looking | 0:30:03 | 0:30:08 | |
for a secret that I'm hiding or me to say something extra? | 0:30:08 | 0:30:13 | |
Like, I was attacked on my way home from work. | 0:30:13 | 0:30:16 | |
That's all I know. | 0:30:16 | 0:30:18 | |
Like, I was attacked on my way home from work. | 0:30:18 | 0:30:21 | |
I did not know what somebody else had in store for me. | 0:30:21 | 0:30:23 | |
Two months after the attack, | 0:30:26 | 0:30:27 | |
and the homicide team are now leading the investigation. | 0:30:27 | 0:30:30 | |
We went straight back to the start, | 0:30:31 | 0:30:34 | |
right back to the very beginning, examining every piece of CCTV. | 0:30:34 | 0:30:38 | |
And it was very shortly after we started that, | 0:30:38 | 0:30:42 | |
that we picked Naomi up, coming through Barking Station. | 0:30:42 | 0:30:46 | |
And then you keep watching it, | 0:30:46 | 0:30:47 | |
and then you see a woman walking through the same barriers | 0:30:47 | 0:30:52 | |
ten, 15 seconds behind, wearing a full niqab, following Naomi. | 0:30:52 | 0:30:56 | |
It was almost like we're trying to be detectives. | 0:30:58 | 0:31:00 | |
We were trying to work it out ourselves, | 0:31:00 | 0:31:02 | |
it's like, "Who would do that though? | 0:31:02 | 0:31:04 | |
"Like, is it someone we know?" | 0:31:04 | 0:31:05 | |
Is it this? Is it that? Is it that? | 0:31:05 | 0:31:06 | |
And we just kind of, everyone, every name kind of popped up and then, | 0:31:06 | 0:31:10 | |
a particular name popped up and it was just like, no. | 0:31:10 | 0:31:13 | |
Then, we were kind of silent on the phone, like... | 0:31:13 | 0:31:15 | |
Vida called me. | 0:31:15 | 0:31:18 | |
And we were just talking about the whole situation. | 0:31:18 | 0:31:20 | |
And we just said to each other, "What if it's Mary?" | 0:31:22 | 0:31:24 | |
Without seeing any, without anything. | 0:31:24 | 0:31:27 | |
Mary could be quite unpredictable. | 0:31:27 | 0:31:29 | |
She came from being polite and quite well-spoken to just being quite | 0:31:29 | 0:31:34 | |
passive aggressive and unresponsive almost. | 0:31:34 | 0:31:38 | |
Back in school, like, you'd be scared of Mary. | 0:31:38 | 0:31:41 | |
Not because you're scared that she's going to beat you up or... | 0:31:41 | 0:31:44 | |
It was just, there was just something about her that was just scary. | 0:31:44 | 0:31:48 | |
You then go backwards again to a previous station | 0:31:49 | 0:31:53 | |
and you see her coming out with her friends. | 0:31:53 | 0:31:56 | |
And at a bit more of a distance this time, | 0:31:56 | 0:31:59 | |
you see the same figure in a niqab appearing to mirror Naomi's movements. | 0:31:59 | 0:32:04 | |
And everyone's like, "Oh, it must be her, it must be her." | 0:32:04 | 0:32:07 | |
And it's like, "No, no." But everyone was, like, saying it, | 0:32:07 | 0:32:10 | |
but convincing themselves, "No, no, no. | 0:32:10 | 0:32:11 | |
"We don't want it to be true. | 0:32:11 | 0:32:13 | |
"We don't want it to be true at all." | 0:32:13 | 0:32:15 | |
This person is present at Westfield shopping centre, | 0:32:15 | 0:32:19 | |
all the way through to Barking Station. | 0:32:19 | 0:32:21 | |
And then, they both head off together towards the bus. | 0:32:22 | 0:32:26 | |
So when you piece all this together, | 0:32:26 | 0:32:28 | |
you have verification of what Naomi's been telling us all along. | 0:32:28 | 0:32:31 | |
That lady had a distinctive handbag. | 0:32:32 | 0:32:36 | |
And when we reviewed the custody images | 0:32:37 | 0:32:41 | |
that we had when Mary was originally arrested, | 0:32:41 | 0:32:45 | |
it looked like she had exactly the same bag. | 0:32:45 | 0:32:48 | |
And then you got thinking, "No, no. | 0:32:52 | 0:32:55 | |
"This looks like it's got potential." | 0:32:55 | 0:32:58 | |
When we had her come back in on bail, | 0:33:00 | 0:33:02 | |
this warrant was done at the address | 0:33:02 | 0:33:05 | |
and the bag was recovered and, long story short, | 0:33:05 | 0:33:09 | |
it has traces of damage that is typical of an acidic acid. | 0:33:09 | 0:33:16 | |
And she changed her status on WhatsApp following the attack to Freddy Krueger. | 0:33:16 | 0:33:24 | |
And a, "Who looks like Wrong Turn now?" | 0:33:24 | 0:33:27 | |
Pretty quickly, she removes that, | 0:33:27 | 0:33:30 | |
but not before several people have seen it. | 0:33:30 | 0:33:33 | |
Why would you do that? That just shows you | 0:33:33 | 0:33:35 | |
what a cold, calculating woman she is. | 0:33:35 | 0:33:38 | |
I didn't hear much | 0:33:38 | 0:33:40 | |
and then, all of a sudden, we heard that they might have somebody. | 0:33:40 | 0:33:43 | |
And we thought, "Who?" | 0:33:44 | 0:33:46 | |
And they said it was somebody she knew, it was a friend. | 0:33:46 | 0:33:49 | |
And I thought, "No..." | 0:33:49 | 0:33:51 | |
I can't remember who called me, | 0:33:51 | 0:33:53 | |
and she was like, "Oh, my God! | 0:33:53 | 0:33:55 | |
"You'll never guess who." | 0:33:55 | 0:33:57 | |
I said, "Don't tell me. | 0:33:57 | 0:33:59 | |
"Don't tell me." It's like, "Yeah, it's Mary." | 0:33:59 | 0:34:03 | |
I wasn't shocked at all that it was Mary that did it, | 0:34:03 | 0:34:07 | |
even though it was her friend, but... | 0:34:07 | 0:34:09 | |
I wasn't shocked. | 0:34:09 | 0:34:10 | |
They were, like, "Naomi, we're afraid to tell you that Mary is | 0:34:14 | 0:34:20 | |
"the person behind the niqab." | 0:34:20 | 0:34:23 | |
And I just remember being so distraught. | 0:34:25 | 0:34:27 | |
I thought she was my friend. | 0:34:30 | 0:34:33 | |
And I couldn't understand why she did what she did. | 0:34:33 | 0:34:38 | |
Like, I just... | 0:34:38 | 0:34:39 | |
I couldn't understand it. | 0:34:41 | 0:34:43 | |
The next time I saw Mary was when I had to face her in court. | 0:34:53 | 0:34:56 | |
I wanted to look her in the eyes to know whether she'd really thrown the | 0:34:56 | 0:34:59 | |
acid at me and why. | 0:34:59 | 0:35:01 | |
Realising somebody that you thought was your friend isn't your friend, | 0:35:02 | 0:35:07 | |
it's a grief, yeah. | 0:35:07 | 0:35:08 | |
And actually, like, to be betrayed, like, I was... | 0:35:11 | 0:35:16 | |
For someone to lead you to your destruction basically... | 0:35:17 | 0:35:21 | |
..I was heartbroken. Just, everything all at once. | 0:35:23 | 0:35:27 | |
Mary Konye took the stand. | 0:35:31 | 0:35:34 | |
Her defence formed around a line that had come out in the press about | 0:35:34 | 0:35:38 | |
the self-infliction. | 0:35:38 | 0:35:39 | |
Mary actually threw it because Naomi wanted her to throw it, | 0:35:40 | 0:35:44 | |
so Naomi got publicity. | 0:35:44 | 0:35:46 | |
And she was actually saying it to me, like, in such a strict way. | 0:35:46 | 0:35:48 | |
Like, "You threw it on yourself and you didn't think it would hit your | 0:35:48 | 0:35:52 | |
face." And I just thought, "Is this a joke?" | 0:35:52 | 0:35:56 | |
Like, "Are we all going to act like we're not adults?" | 0:35:56 | 0:35:59 | |
Who in their right mind would pour acid on themselves? | 0:35:59 | 0:36:03 | |
And that's the crux of the matter. | 0:36:03 | 0:36:05 | |
Would you do that to yourself? | 0:36:05 | 0:36:07 | |
She was... There were even times where she said, | 0:36:07 | 0:36:09 | |
"Oh, she remembers that night calling me and we were on the phone. | 0:36:09 | 0:36:13 | |
"And we were making, like, arrangements." | 0:36:13 | 0:36:15 | |
She latched onto certain aspects and certain stories that were in the | 0:36:15 | 0:36:19 | |
press and pieced together a defence around that, | 0:36:19 | 0:36:23 | |
but there was nothing to ever substantiate and support | 0:36:23 | 0:36:27 | |
this type of theory that they had hatched a plot together. | 0:36:27 | 0:36:30 | |
We had to prove that the person that was coming through the gate following | 0:36:33 | 0:36:38 | |
Naomi in the niqab was one and the same person, that was Mary Konye. | 0:36:38 | 0:36:43 | |
Yes, the bag, was one thing, | 0:36:43 | 0:36:45 | |
but there was something else individually specific to Mary Konye. | 0:36:45 | 0:36:50 | |
When I saw the CCTV, I knew straight away that it was Mary. | 0:36:52 | 0:36:56 | |
Mary has a distinctive walk. | 0:36:56 | 0:36:59 | |
She's always had it. It was Mary. | 0:36:59 | 0:37:01 | |
She puts weight on one side of the foot rather than the other | 0:37:02 | 0:37:06 | |
and it gives her a roll. | 0:37:06 | 0:37:08 | |
So we had an expert in gait analysis analyse the imagery that we had from | 0:37:08 | 0:37:15 | |
the CCTV, and comparing it, | 0:37:15 | 0:37:18 | |
the woman in the niqab to the woman in the custody office, | 0:37:18 | 0:37:22 | |
that it was one and the same person. | 0:37:22 | 0:37:23 | |
I think Mary is a very calculating person. | 0:37:26 | 0:37:29 | |
Devoid of any empathy or remorse. | 0:37:30 | 0:37:33 | |
After the incident, she even went to Naomi's birthday party that the | 0:37:34 | 0:37:38 | |
family arranged and she sat there and she's talking to the family, | 0:37:38 | 0:37:42 | |
she's talking to Naomi, | 0:37:42 | 0:37:44 | |
offering her sympathy, and for someone to do that, | 0:37:44 | 0:37:47 | |
you've got to be a very cold and calculating type of person. | 0:37:47 | 0:37:50 | |
I didn't know she was like that. | 0:37:53 | 0:37:54 | |
I was just shocked. I think more than anything, I was shocked. | 0:37:54 | 0:37:57 | |
And I was actually scared. Not even scared of her, | 0:37:57 | 0:38:01 | |
but scared of how I could really think that I knew somebody | 0:38:01 | 0:38:05 | |
for about ten years, to realise that I didn't know them at all. | 0:38:05 | 0:38:10 | |
Like, what is it that I was missing out on? | 0:38:14 | 0:38:16 | |
Like, how could I have avoided this? | 0:38:16 | 0:38:19 | |
There was an intense love. | 0:38:21 | 0:38:24 | |
It was motherly, it was sisterly... | 0:38:24 | 0:38:27 | |
romantically, maybe, at some point? | 0:38:27 | 0:38:29 | |
I don't know. | 0:38:29 | 0:38:31 | |
But then there was something in the middle of it that just was sour. | 0:38:31 | 0:38:36 | |
But it was almost like, when you love something so much, | 0:38:36 | 0:38:39 | |
there's going to be something about it that you hate | 0:38:39 | 0:38:42 | |
and that hate can just | 0:38:42 | 0:38:44 | |
make you do crazy things, I think. | 0:38:44 | 0:38:46 | |
So, Mary is a dark-skinned girl. | 0:38:47 | 0:38:50 | |
I've always thought she was a beautiful person, | 0:38:51 | 0:38:54 | |
a beautiful girl, but she didn't feel that way. | 0:38:54 | 0:38:57 | |
Her mum's of, like, a lighter-skinned complexion. | 0:38:57 | 0:38:59 | |
Her sisters were of a light-skinned complexion. | 0:38:59 | 0:39:02 | |
So maybe that caused her a lot of frustration. | 0:39:02 | 0:39:04 | |
A lot of black women feel that the lighter you are, | 0:39:05 | 0:39:09 | |
the more better-looking you can be. | 0:39:09 | 0:39:11 | |
Obviously you can't really change your features, but... | 0:39:11 | 0:39:15 | |
people just feel that to look better is to be fairer. | 0:39:15 | 0:39:18 | |
Which I don't think is true. | 0:39:18 | 0:39:20 | |
But I think that probably was a big thing for her. | 0:39:20 | 0:39:23 | |
When I saw Mary, I just... | 0:39:23 | 0:39:26 | |
I'd noticed she'd gone lighter. | 0:39:26 | 0:39:27 | |
Quite lighter, | 0:39:27 | 0:39:30 | |
and Naomi is light-skinned | 0:39:30 | 0:39:32 | |
and I know that they're friends. | 0:39:32 | 0:39:33 | |
So I just assumed that, OK, she's trying to look more like Naomi. | 0:39:33 | 0:39:38 | |
That's what I... That's what I felt. | 0:39:38 | 0:39:40 | |
The court heard Konye had disguised herself | 0:39:40 | 0:39:43 | |
and carried out the attack out of jealousy. | 0:39:43 | 0:39:46 | |
I don't honestly understand her type of person. | 0:39:47 | 0:39:51 | |
I really don't. | 0:39:51 | 0:39:53 | |
To this day, like, even the thought of her boggles my mind. | 0:39:53 | 0:39:57 | |
To me, a friend is somebody who loves you despite your flaws | 0:39:57 | 0:40:03 | |
and that's what friends should be like. | 0:40:03 | 0:40:06 | |
And when I looked at her, I was like, yeah, | 0:40:06 | 0:40:07 | |
like, this is a person who I thought was my friend | 0:40:07 | 0:40:10 | |
and she's just a big coward. | 0:40:10 | 0:40:13 | |
Mary Konye, the suspect, has now been found guilty of the throwing of | 0:40:14 | 0:40:20 | |
a caustic liquid with intent to maim, disfigure. | 0:40:20 | 0:40:24 | |
All resulting from a trivial, insignificant argument that | 0:40:24 | 0:40:30 | |
everybody has in their everyday lives. | 0:40:30 | 0:40:32 | |
But Mary Konye has taken it so far that she has planned this, | 0:40:32 | 0:40:37 | |
disguised herself, | 0:40:37 | 0:40:39 | |
and followed Naomi on that night on the 29th of December 2012. | 0:40:39 | 0:40:46 | |
I wouldn't even want an apology, | 0:40:46 | 0:40:48 | |
because an apology now would be an insult. | 0:40:48 | 0:40:51 | |
What kind of an apology could she possibly give | 0:40:53 | 0:40:56 | |
when she knew what she was doing? | 0:40:56 | 0:40:58 | |
MUSIC: Diamonds by Rihanna | 0:41:02 | 0:41:10 | |
I met up with Naomi, I guess, a couple of months after and, literally, we... | 0:41:11 | 0:41:16 | |
I mean, it was funny, because I think for, like, 30 seconds | 0:41:16 | 0:41:19 | |
I just froze. | 0:41:19 | 0:41:20 | |
I was like, "Hi..." And she was like, "Hey," and hugged me and then we just kind | 0:41:20 | 0:41:25 | |
of stared at each other for like 30 seconds and didn't say anything. | 0:41:25 | 0:41:28 | |
I could hear her voice, I knew it was her. | 0:41:30 | 0:41:32 | |
She smelled the same, | 0:41:32 | 0:41:34 | |
she laughed the same. | 0:41:34 | 0:41:35 | |
It's almost like when I was looking at her face, | 0:41:37 | 0:41:39 | |
I was almost, like, in my mind moulding the Year Eight Naomi I cuddled. | 0:41:39 | 0:41:44 | |
But I just saw her heart still | 0:41:46 | 0:41:48 | |
and I was like, "She's still beautiful to me." | 0:41:48 | 0:41:51 | |
I think I remember writing that on her wall on Facebook. | 0:41:51 | 0:41:53 | |
Like, "You're still one of the most beautiful girls I've ever met." | 0:41:53 | 0:41:57 | |
Hi! | 0:41:57 | 0:41:59 | |
Ah, hi! | 0:42:00 | 0:42:02 | |
-Hi, Doll. -How are you? | 0:42:02 | 0:42:05 | |
I'm good. | 0:42:05 | 0:42:07 | |
Look what I found. | 0:42:09 | 0:42:11 | |
-School pictures. -Yeah, pictures. | 0:42:11 | 0:42:13 | |
Look at my weave. | 0:42:13 | 0:42:14 | |
You guys are not real friends, because this is not nice. | 0:42:14 | 0:42:18 | |
I like this picture. | 0:42:18 | 0:42:19 | |
Look what else I found, this one. | 0:42:20 | 0:42:22 | |
I have some pictures. | 0:42:25 | 0:42:27 | |
This is a picture of me. | 0:42:27 | 0:42:29 | |
You always laugh at this picture! | 0:42:29 | 0:42:31 | |
Every time I show... I used to bring this picture to school | 0:42:31 | 0:42:34 | |
and Phyllis used to be like, "Look at Naomi's cheeks." | 0:42:34 | 0:42:36 | |
-Wow... So cute. -Look. -I like this picture. And then look at this person. | 0:42:36 | 0:42:41 | |
Wow... She's just segregating herself. | 0:42:41 | 0:42:44 | |
And look, even look at the way she's looking at him, like... | 0:42:44 | 0:42:47 | |
-It's weird, isn't it? -I like my outfit. | 0:42:47 | 0:42:49 | |
Yeah, you look cute, girl. | 0:42:49 | 0:42:51 | |
I don't know who I thought I was, but, yeah. | 0:42:51 | 0:42:54 | |
Aw, I love all these pictures. | 0:42:54 | 0:42:55 | |
Yeah, good photos, good photos. | 0:42:57 | 0:42:59 | |
-Memories. -Memories. -Yeah. | 0:42:59 | 0:43:02 | |
MUSIC: Read All About It by Emeli Sande | 0:43:05 | 0:43:09 | |
Every single day is different. | 0:43:17 | 0:43:19 | |
Every single day you learn something new. | 0:43:19 | 0:43:23 | |
Every single day you have to learn, you have to have a different type of | 0:43:23 | 0:43:25 | |
strength in different situations like... | 0:43:25 | 0:43:28 | |
it's hard. It's hard and just knowing the difference of how you're even | 0:43:28 | 0:43:33 | |
being treated when you go out, | 0:43:33 | 0:43:35 | |
and the way people look at you and the way people stare at you. | 0:43:35 | 0:43:37 | |
20 years, I didn't have to deal with that. | 0:43:37 | 0:43:39 | |
Like, and I have to deal with that now. | 0:43:39 | 0:43:42 | |
And no man is an island. | 0:43:42 | 0:43:44 | |
Like, I'm only human. | 0:43:44 | 0:43:48 | |
That's it. Like, I'm only human. | 0:43:48 | 0:43:50 | |
That was a nice conversation. | 0:43:52 | 0:43:53 | |
-Good. -I liked that. | 0:43:54 | 0:43:56 | |
-Good. -Yeah. | 0:43:56 | 0:43:58 | |
I liked that. | 0:43:58 | 0:44:00 |