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Thieves will steal our cars, our valuables, just about anything they can get their hands on. | 0:00:02 | 0:00:09 | |
To cut down on crime and antisocial behaviour, police and other agencies use new technology and tactics | 0:00:09 | 0:00:15 | |
-when the bad guys are getting caught in the act. -I see him commit the robbery. Lovely. | 0:00:15 | 0:00:22 | |
Local councils, shops and businesses are laying some traps of their own. | 0:00:22 | 0:00:26 | |
Why should we feel frightened? | 0:00:26 | 0:00:29 | |
And the general public can help crooks get their comeuppance. | 0:00:29 | 0:00:34 | |
-No way are you getting away. -We did it for everyone. | 0:00:34 | 0:00:37 | |
-We will name and shame you. -So anyone up to no good had better think twice. | 0:00:37 | 0:00:43 | |
They might just get caught red-handed. | 0:00:43 | 0:00:47 | |
Today: at first this man seems friendly, but suddenly the charm turns to harm. | 0:00:51 | 0:00:58 | |
-He's about to pull out a knife. -He'd gained the girl's trust | 0:00:58 | 0:01:02 | |
and to then suddenly pull a knife... | 0:01:02 | 0:01:05 | |
He aims to rob a safe, but he has many cameras aiming at him. | 0:01:05 | 0:01:11 | |
Also today: airport bag snatching. | 0:01:11 | 0:01:15 | |
He was becoming Heathrow's most prolific offender. | 0:01:15 | 0:01:19 | |
We needed to ramp up our efforts. | 0:01:19 | 0:01:22 | |
The tricky task of bagging a Heathrow master thief. | 0:01:22 | 0:01:26 | |
And it's hardly smash and grab. | 0:01:26 | 0:01:29 | |
This gang of three take nearly three hours to break in. | 0:01:29 | 0:01:33 | |
8.15 in the morning in Sutton, South London. | 0:01:46 | 0:01:49 | |
We're looking at the recorded footage from CCTV cameras set up to watch over a casino arcade | 0:01:52 | 0:01:58 | |
that's open 24 hours a day. | 0:01:58 | 0:02:02 | |
The young manageress in the office is getting on with her paperwork. | 0:02:02 | 0:02:06 | |
A man wearing casual clothes walks in. He may not look threatening, | 0:02:07 | 0:02:12 | |
but in his bag he is carrying a large knife. The young woman goes out to see what he wants. | 0:02:12 | 0:02:19 | |
He concocts a story, telling her he was in here last night | 0:02:19 | 0:02:24 | |
and he had somehow lost his favourite ring. They start a search. | 0:02:24 | 0:02:29 | |
After a few minutes, the manager goes out to the office, unaware that this man is about to turn violent. | 0:02:29 | 0:02:37 | |
At first, he waits outside. | 0:02:37 | 0:02:40 | |
Then suddenly... he pulls out the knife. | 0:02:41 | 0:02:45 | |
His true intention is to rob the safe. | 0:02:47 | 0:02:51 | |
To be confronted with a guy wielding a massive knife, | 0:02:51 | 0:02:55 | |
-words can't describe how horrified you must be. -It's a callous crime. | 0:02:55 | 0:03:00 | |
She must have been scared for her life. She would not have known what he was going to do next. | 0:03:00 | 0:03:06 | |
Although what unfolds is terrifying for the young woman, | 0:03:06 | 0:03:10 | |
we'll see shortly how her brave actions set in motion a sequence of events that lead to the capture | 0:03:10 | 0:03:16 | |
of a callous criminal. | 0:03:16 | 0:03:19 | |
Across the UK in 2012, police recorded more than 15,000 robberies that involved a knife. | 0:03:23 | 0:03:30 | |
A cold statistic about a crime that's on the increase, | 0:03:30 | 0:03:34 | |
but behind the statistic are real people, | 0:03:34 | 0:03:37 | |
more than 15,000 victims, all of whom must have felt for a few terrifying seconds | 0:03:37 | 0:03:42 | |
that their lives were literally on a knife edge. | 0:03:42 | 0:03:47 | |
When he pulled the knife on me, it was just fear. All I could think of. | 0:03:47 | 0:03:52 | |
Albie was attacked by a robber with a knife in an incident unrelated to the one in Sutton. | 0:03:52 | 0:03:58 | |
He was working at a convenience store when an armed man burst in and slashed at him. | 0:03:58 | 0:04:02 | |
As I stood back as he attacked me, he just caught my left shoulder, but he was going for my neck. | 0:04:02 | 0:04:09 | |
A robber escaped with cash from the till and Albie escaped with his life, but the shock stayed with him. | 0:04:09 | 0:04:16 | |
I went through a state. The next day after the day it happened, I didn't want to get out of bed. | 0:04:16 | 0:04:22 | |
It must have been all the stress and pressure of the previous day. | 0:04:22 | 0:04:27 | |
It took him months off work to get over the ordeal. | 0:04:27 | 0:04:31 | |
I'm back in the shop, still working there and what doesn't kill you makes you stronger. I'm more confident, | 0:04:31 | 0:04:37 | |
but I know in a situation like that money ain't worth getting killed. | 0:04:37 | 0:04:42 | |
But, sadly, there are plenty of criminals who believe money IS worth threatening to kill over. | 0:04:42 | 0:04:48 | |
But back to the events at the Sutton arcade. | 0:04:48 | 0:04:52 | |
One of the more unusual aspects is that when the man first walked in, | 0:04:52 | 0:04:56 | |
he doesn't look threatening at all. | 0:04:56 | 0:04:59 | |
I don't think you would have thought anything of it to see him. | 0:04:59 | 0:05:03 | |
He actually looks quite presentable. He's got a bag over his shoulder. He's quite trendy, really. | 0:05:03 | 0:05:09 | |
Not somebody that would generally fit the profile of this type of offence. | 0:05:09 | 0:05:16 | |
Both Detective Constables Emily Marshall and Mark Turner were involved in solving this crime | 0:05:16 | 0:05:23 | |
and both examined the shocking footage. | 0:05:23 | 0:05:26 | |
It's around eight in the morning. | 0:05:26 | 0:05:28 | |
The man comes up to the door and walks in. | 0:05:28 | 0:05:32 | |
The young manageress, working alone, sees him arrive on a TV monitor. | 0:05:32 | 0:05:37 | |
She leaves the protection of her locked office and goes to see what he wants. | 0:05:37 | 0:05:42 | |
He was asking if she'd seen a ring that had been lost the day before. | 0:05:42 | 0:05:47 | |
-Perfectly plausible reason to be in the venue. -The helpful manageress starts to scour the place | 0:05:47 | 0:05:53 | |
for the missing jewellery. All the time, the two chat. | 0:05:53 | 0:05:58 | |
She seems particularly trusting of him and spends a good bit of time with him, trying to help him out. | 0:05:58 | 0:06:04 | |
That in itself is fairly unusual. He's trying to build some sort of rapport with his victim, | 0:06:04 | 0:06:10 | |
which in this type of robbery you wouldn't expect that to happen. | 0:06:10 | 0:06:15 | |
In fact, the man is coldly planning at some stage to turn violently against this helpful young woman, | 0:06:15 | 0:06:22 | |
but for now he gives nothing away. | 0:06:22 | 0:06:26 | |
He goes out the back to where the toilets are. He says, "Can I have a look?" | 0:06:26 | 0:06:31 | |
He's possibly casing the joint for want of a better phrase. | 0:06:31 | 0:06:35 | |
He's looking where he might hide and commit the offence. | 0:06:35 | 0:06:39 | |
Now the man finds a way to get the manageress to open up the office, | 0:06:39 | 0:06:44 | |
-where he thinks the cash is kept. -He says, "Can I leave my address | 0:06:44 | 0:06:48 | |
"so that if my ring turns up you can let me know." | 0:06:48 | 0:06:52 | |
-She's now going into the door. -She tells him you can't come in here. Staff area. | 0:06:52 | 0:06:57 | |
But he puts his foot in the opening to keep the door from shutting. | 0:06:57 | 0:07:01 | |
He reaches down to the bag. | 0:07:01 | 0:07:03 | |
He gets hold of the large knife he has hidden, then for a brief moment he seems to hesitate. | 0:07:03 | 0:07:10 | |
You can almost see the thought. "Do I pull the knife out or not?" He's made that decision. | 0:07:10 | 0:07:17 | |
From his point of view, there's no going back. He has to do it. | 0:07:17 | 0:07:21 | |
That's the most shocking thing, seeing that large kitchen knife. | 0:07:21 | 0:07:26 | |
He'd gained the girl's trust and to then suddenly pull a knife out of his bag and charge in. | 0:07:26 | 0:07:32 | |
He forcefully barges in and pushes the young manageress to the floor. | 0:07:32 | 0:07:38 | |
This poor girl, she's just come in for a day's work. | 0:07:38 | 0:07:42 | |
-Complete shock and fear. -You can see her shaking. I found that quite disturbing. | 0:07:42 | 0:07:49 | |
He then tells her, "Open the safe and look away from me." | 0:07:49 | 0:07:54 | |
The woman's fear is heightened as she can't see what he's up to. | 0:07:54 | 0:07:59 | |
She must have been scared for her life. She would not have known what he would do next. | 0:07:59 | 0:08:05 | |
What he does do while the young manageress is shaking in terror | 0:08:05 | 0:08:09 | |
is empty pots of money from the safe into his bag. | 0:08:09 | 0:08:13 | |
It wasn't very much money he's actually got away with | 0:08:13 | 0:08:17 | |
for the effort and the fear he's put her through. | 0:08:17 | 0:08:20 | |
She's a female on her own and this man is considerably bigger than her, yet he still felt the need | 0:08:20 | 0:08:26 | |
-to pull out a knife. -Once he has emptied the safe of cash - it's estimated to be about £1,800 - | 0:08:26 | 0:08:33 | |
he gets ready to leave. And he issues one more frightening threat. | 0:08:33 | 0:08:38 | |
He tells her, "Don't call the police. There's somebody watching outside." | 0:08:38 | 0:08:43 | |
-And then he just casually exits. -He walks out onto the street, | 0:08:43 | 0:08:47 | |
blends into the crowd. You wouldn't know he'd committed this robbery. | 0:08:47 | 0:08:52 | |
But the police ARE going to learn about it sooner rather than later | 0:08:52 | 0:08:57 | |
because back in the casino office, the young manageress bravely dials 999. | 0:08:57 | 0:09:04 | |
-Emily is one of those that goes to investigate. -The girl was very distressed, | 0:09:04 | 0:09:10 | |
but she was really good and helped us, gave us some really useful information. | 0:09:10 | 0:09:16 | |
Crucially, she also gives Emily the camera footage. | 0:09:16 | 0:09:20 | |
We don't see CCTV as clear as that, generally, certainly not seeing the actual weapon | 0:09:20 | 0:09:25 | |
and the reactions to what happened. Getting such a good facial image was brilliant. | 0:09:25 | 0:09:31 | |
Later, back at the station, the armed robber's face is scrutinised to see | 0:09:31 | 0:09:37 | |
if anyone knows who he is. Detective Constable Mark Turner sees the footage. | 0:09:37 | 0:09:43 | |
I thought, "I know this guy from somewhere." And it just came to me. A flash of light! | 0:09:43 | 0:09:49 | |
As we'll see shortly, it's now this villain's turn to be scared. | 0:09:49 | 0:09:54 | |
Now to a less violent type of crime. A shop break-in by a gang of night-time raiders. | 0:09:58 | 0:10:05 | |
It's 3am and this store has some unwelcome, out-of-hours customers. | 0:10:10 | 0:10:15 | |
They have one main item on their shopping list - Mulberry handbags, | 0:10:15 | 0:10:19 | |
worth around £600 each. This man nabs eight of them. | 0:10:19 | 0:10:24 | |
Another raider arrives. The alarm is sounding and they're now rushing to get out fast, | 0:10:24 | 0:10:30 | |
which is ironic because, as we'll see, they just spent half the night trying to get in. | 0:10:30 | 0:10:37 | |
Cavells is an upmarket shop in the town of Oakham in the Midlands. | 0:10:38 | 0:10:44 | |
It sells a lot of designer clothes, handbags and shoes. | 0:10:44 | 0:10:48 | |
Unfortunately for Corry, the owner, thieves - possibly the same gang - | 0:10:48 | 0:10:53 | |
have targeted the shop three times in just seven months. | 0:10:53 | 0:10:58 | |
In the hope of putting burglars off trying their luck again, | 0:10:58 | 0:11:02 | |
Corry has updated his security, including 16 CCTV cameras. | 0:11:02 | 0:11:08 | |
But tonight the arrival of these hooded figures shows that, despite the increased security, | 0:11:08 | 0:11:14 | |
they'll still try to break in. | 0:11:14 | 0:11:16 | |
As they approach the rear of the building, a security light comes on. | 0:11:16 | 0:11:20 | |
One of the gang climbs up and smashes the bulb. | 0:11:20 | 0:11:24 | |
But the cameras still have night vision. | 0:11:24 | 0:11:28 | |
The gang find some metal in an outdoor store cupboard and head for a window. | 0:11:28 | 0:11:34 | |
They try to prise it open with a pole, but only succeed in tripping another security light. | 0:11:34 | 0:11:40 | |
The pole is used to smash the bulb instead. | 0:11:40 | 0:11:44 | |
Next, they try to lever off the new security bars from another window, but they're not budging. | 0:11:44 | 0:11:52 | |
After a bit more scouting about, they spot a possible way in - | 0:11:52 | 0:11:57 | |
an air vent just off camera, high up on an exterior wall. | 0:11:57 | 0:12:01 | |
One of them fetches a wheelie bin so they can reach it. | 0:12:01 | 0:12:05 | |
The vent has been bricked up, but they start to chip away at it | 0:12:05 | 0:12:10 | |
in the hope that eventually they will make a breakthrough. | 0:12:10 | 0:12:14 | |
Perseverance is not something these three lack. | 0:12:14 | 0:12:17 | |
They chisel away at those bricks for two and a half hours. | 0:12:17 | 0:12:21 | |
Finally, they make an opening big enough to get through. | 0:12:22 | 0:12:26 | |
The pace of the raid gets much faster - grabbing expensive bags, carrying and throwing them out | 0:12:26 | 0:12:33 | |
through the hole onto some sacking. They manage to steal 50 bags. | 0:12:33 | 0:12:37 | |
It's a haul worth £30,000. | 0:12:37 | 0:12:40 | |
Police arrive just minutes later. | 0:12:43 | 0:12:45 | |
It looks like the thieves have got away with it, but the CCTV pictures alert police to the methods | 0:12:45 | 0:12:51 | |
this gang uses and a little time later police catch a set of burglars who were tried and put in prison. | 0:12:51 | 0:12:58 | |
Since then, Corry has had no more burglaries. | 0:12:58 | 0:13:02 | |
To make sure things stay like that, he has reinforced his defences again, especially the air vent. | 0:13:02 | 0:13:09 | |
Coming up on Caught Red-Handed: a different type of bag snatcher - at an airport. | 0:13:14 | 0:13:20 | |
You could steal one bag with thousands in it. | 0:13:20 | 0:13:24 | |
Special visual tracking plus the sharp eyes of a child help catch a notorious thief. | 0:13:24 | 0:13:31 | |
But first we're back in Sutton, South London. Detective Constable Emily Marshall is part of a team | 0:13:38 | 0:13:44 | |
that goes to investigate the robbery at knifepoint in a casino arcade. | 0:13:44 | 0:13:49 | |
Anybody who does commit these kind of offences, | 0:13:49 | 0:13:53 | |
we'll look to target them because it has a huge impact on victims of these crimes, | 0:13:53 | 0:14:00 | |
but also the community in general. We'll throw everything at it. | 0:14:00 | 0:14:04 | |
They have clear CCTV footage of the crime from inside the building. | 0:14:04 | 0:14:08 | |
As the casino is on the high street, Emily can check if council street cameras picked anything up. | 0:14:08 | 0:14:15 | |
We've got some camera footage from outside on the high street | 0:14:15 | 0:14:19 | |
and that shows him leaving | 0:14:19 | 0:14:22 | |
and getting into a cab outside the British Rail station. | 0:14:22 | 0:14:28 | |
Within half an hour, the police can see how the man got away. | 0:14:28 | 0:14:32 | |
Wearing a distinctive black hat, he can be picked out as he walks past a bus stop and gets in a cab. | 0:14:32 | 0:14:39 | |
Officers have waited at the station for that taxi to return and they've spoken to the driver. | 0:14:39 | 0:14:46 | |
That vehicle has been taken back to the police station to be examined for forensics. | 0:14:46 | 0:14:52 | |
The cameras inside the casino also help speed up the process of gathering evidence. | 0:14:52 | 0:14:58 | |
A forensic examiner saw the CCTV so they could see what he'd done | 0:14:58 | 0:15:03 | |
and where he'd emptied the pots and things. | 0:15:03 | 0:15:06 | |
-From those again we managed to get good fingerprints. -It's unclear why the robber chose not to wear gloves | 0:15:06 | 0:15:13 | |
or hide his face from the cameras. Maybe he thinks he's anonymous to the police | 0:15:13 | 0:15:18 | |
and that without a name they won't be able to catch him. | 0:15:18 | 0:15:22 | |
Back at the police station, Emily gets other officers to view the crime to see if anyone knows him. | 0:15:22 | 0:15:29 | |
Detective Constable Mark Turner has just started his shift. | 0:15:29 | 0:15:33 | |
I was made aware of this nasty knifepoint robbery. | 0:15:33 | 0:15:36 | |
In the office, people wanted to know who this guy was, so I asked to look at the footage. | 0:15:36 | 0:15:42 | |
To avoid mistakes and ensure identifications are legally valid, officers follow a strict procedure. | 0:15:42 | 0:15:49 | |
If an officer makes an identification from CCTV, they must do it alone. | 0:15:49 | 0:15:55 | |
You need to be viewing where you won't be disturbed by other people. | 0:15:55 | 0:15:59 | |
Mark's worked in Sutton for seven years and has banked up a lot of images of faces. | 0:15:59 | 0:16:05 | |
I just thought, "I know this guy!" I needed to rack my brains as to where I'd seen him before. | 0:16:05 | 0:16:12 | |
And that was it, really. And it came to me, like a flash of light. | 0:16:12 | 0:16:17 | |
Just over four hours after the unknown armed robber walked in to the casino, they know who he is. | 0:16:19 | 0:16:26 | |
The man's name is Daniel Morris. | 0:16:26 | 0:16:29 | |
Over a year earlier, Mark had sat in on a police interview with him. | 0:16:29 | 0:16:35 | |
He actually struck me as quite a charming individual. | 0:16:35 | 0:16:39 | |
He could talk quite freely and openly, very eloquent. And he does have boyish looks | 0:16:39 | 0:16:44 | |
-that you don't often see on this sort of footage. -One other thing made Morris stand out. | 0:16:44 | 0:16:51 | |
After the interview, there were references to films that he likes, in particular Catch Me If You Can, | 0:16:51 | 0:16:57 | |
which stars Leonardo di Caprio, and the film talks about somebody who is one step ahead of the police. | 0:16:57 | 0:17:05 | |
It seemed to be the type of image Mr Morris was trying to convey to police officers at the time. | 0:17:05 | 0:17:11 | |
Now the case turns into a manhunt. | 0:17:11 | 0:17:13 | |
A crime squad is despatched to play real-life catch me if you can with Morris | 0:17:13 | 0:17:18 | |
and catch him they do. | 0:17:18 | 0:17:21 | |
He was charged that same day that he was arrested. | 0:17:24 | 0:17:28 | |
He didn't give an account or tell us anything. | 0:17:28 | 0:17:31 | |
While awaiting his court case, Morris has time to mull things over | 0:17:33 | 0:17:37 | |
and, not surprisingly, ends up pleading guilty. | 0:17:37 | 0:17:41 | |
The fact that the CCTV footage is so clear and we did have fingerprints | 0:17:41 | 0:17:46 | |
both in the taxi and the pots, it's really hard to try and put a defence forward for that. | 0:17:46 | 0:17:51 | |
Daniel Morris gets sentenced to eight years in prison for armed robbery | 0:17:53 | 0:17:58 | |
and a further two years for another offence. | 0:17:58 | 0:18:02 | |
There's more serious features to robbery, the knife being one. | 0:18:02 | 0:18:07 | |
That obviously would come into play on such a serious sentence, | 0:18:07 | 0:18:11 | |
which is a really good result. | 0:18:11 | 0:18:13 | |
Obviously, I was satisfied, really pleased. It's premeditated. | 0:18:13 | 0:18:18 | |
He's turned up with a knife with the intention of causing absolute fear and horror | 0:18:18 | 0:18:24 | |
for that lady, that individual. It's heinous, it's horrible. | 0:18:24 | 0:18:28 | |
Anybody that is thinking of going out and doing something like this, | 0:18:28 | 0:18:32 | |
they need to be aware that we'll be there and think twice. | 0:18:32 | 0:18:36 | |
The police will find out who you are and will come down on you. | 0:18:36 | 0:18:40 | |
People will be brought to justice that carry knives. | 0:18:40 | 0:18:45 | |
Now to a different sort of criminal. A master bag snatcher at Heathrow Airport. | 0:18:47 | 0:18:52 | |
Heathrow Airport, Terminal Four departure hall. | 0:18:59 | 0:19:03 | |
After the stress of getting here on time, passengers anxiously look to check-in their luggage. | 0:19:03 | 0:19:10 | |
But camouflaged amidst the hustle and bustle, some people are checking out the passengers' bags | 0:19:13 | 0:19:19 | |
for a very different reason - to steal them. | 0:19:19 | 0:19:22 | |
Sometimes a CCTV camera catches one of them in action, like this man. | 0:19:25 | 0:19:30 | |
He's already clocked his target. | 0:19:30 | 0:19:33 | |
It's a small rucksack hanging on the handle of a passenger's trolley. | 0:19:33 | 0:19:37 | |
The thief heads past it off-screen and positions himself to swoop in from a better angle. | 0:19:38 | 0:19:44 | |
And when the passenger is distracted enough, he pounces | 0:19:46 | 0:19:50 | |
and disappears into the crowd. | 0:19:51 | 0:19:54 | |
He was rapidly becoming Heathrow's most prolific offender and we needed to ramp up our efforts to catch him. | 0:19:54 | 0:20:01 | |
The name of this infamous thief is Feti Rabal. | 0:20:01 | 0:20:05 | |
The Metropolitan Police use their special video unit called VIIDO to sift and cross-refer footage | 0:20:05 | 0:20:11 | |
from many cameras at the airport to get the evidence they need to send this bag snatcher to jail. | 0:20:11 | 0:20:18 | |
Heathrow Airport is one of the busiest in the world, with thousands of travellers every day. | 0:20:25 | 0:20:32 | |
Where there are lots of people, there are lots of bags. | 0:20:32 | 0:20:36 | |
Thieves like to come to the airport | 0:20:36 | 0:20:38 | |
because they know people carry a lot of cash with them in transit | 0:20:38 | 0:20:42 | |
and will have valuables in their hand luggage. | 0:20:42 | 0:20:45 | |
You could steal one bag and get £50 in it. | 0:20:45 | 0:20:49 | |
The next bag, you could be very lucky and have thousands of pounds. | 0:20:49 | 0:20:52 | |
It's not just the amount of loot that draws thieves here. It's also the large number of opportunities. | 0:20:52 | 0:21:00 | |
People are more vulnerable. They're distracted by checking in | 0:21:00 | 0:21:04 | |
or just the busy, frenetic environment. | 0:21:04 | 0:21:07 | |
Airports are always busy. Thieves blend in with the crowd as they look for easy pickings. | 0:21:07 | 0:21:14 | |
This passenger is engaged in the online booking-in process. | 0:21:14 | 0:21:18 | |
His attention is exclusively on the screen in front and he has no awareness of his bag behind him. | 0:21:18 | 0:21:24 | |
That would be a good opportunity for a professional bag thief. | 0:21:24 | 0:21:28 | |
Passports, money, valuables, gadgets could all be gone in seconds. | 0:21:28 | 0:21:34 | |
Victims like Pippa know the loss can be more than just money. Her laptop was stolen | 0:21:34 | 0:21:40 | |
when she flew to Kenya to visit her family for Christmas. | 0:21:40 | 0:21:44 | |
My friend rang to say goodbye. I put my bag on the seat next to me, | 0:21:44 | 0:21:50 | |
put the laptop on top of my bag, took the call | 0:21:50 | 0:21:53 | |
and I wasn't wearing my glasses, so I was squinting at the screens. | 0:21:53 | 0:21:58 | |
When I got up to go, I realised that my laptop was gone. | 0:21:58 | 0:22:02 | |
I felt devastated. | 0:22:02 | 0:22:04 | |
You know, there was just so much on there that was irreplaceable. | 0:22:04 | 0:22:10 | |
Every word I'd ever written for my degree was on that laptop. | 0:22:10 | 0:22:15 | |
So it's just... It's an awful time. | 0:22:15 | 0:22:19 | |
Detective Constable Steve Greig helps catch the criminals that cause so much misery for passengers. | 0:22:21 | 0:22:27 | |
Recently, there was one specific individual who everybody was looking out for. | 0:22:27 | 0:22:33 | |
This particular offender is a professional thief. It's what he does to support himself. | 0:22:33 | 0:22:39 | |
An Algerian national called Feti Rabal. | 0:22:39 | 0:22:43 | |
We have captured and prosecuted him in the past and he's served prison sentences for those offences. | 0:22:43 | 0:22:49 | |
After he's served the prison sentence, he'll perhaps stay away for a period of time, | 0:22:49 | 0:22:54 | |
but then he can't help himself and he will return to the airport and start re-offending here. | 0:22:54 | 0:23:00 | |
This is the prolific Rabal in action again. | 0:23:02 | 0:23:06 | |
With a travel case for a prop, he looks like any other traveller, | 0:23:06 | 0:23:10 | |
but he's just biding his time for the right moment to steal. | 0:23:10 | 0:23:14 | |
This time he's after a bag on the back of this family's trolley. | 0:23:14 | 0:23:18 | |
He targets people who he perceives to be affluent. We know he profiles | 0:23:18 | 0:23:23 | |
middle-aged Asian women, who he perceives will carry a lot of Asian jewellery. | 0:23:23 | 0:23:29 | |
He thinks he's onto a winner here, but the young daughter of the family vigilantly watches the luggage. | 0:23:29 | 0:23:35 | |
He's going to have to wait longer. He grabs a trolley to make his loitering seem less obvious. | 0:23:35 | 0:23:41 | |
One reason he's chosen this family is that they've settled themselves next to his favourite escape route, | 0:23:41 | 0:23:47 | |
the exit for the London Tube. | 0:23:47 | 0:23:50 | |
He doesn't just offend at Heathrow. He's also worked the underground system, the Tube network. | 0:23:50 | 0:23:55 | |
And what we've found is he will offend en route to the airport and even as he is returning home from it. | 0:23:56 | 0:24:04 | |
The family decide to offload some of their luggage by a wall. | 0:24:06 | 0:24:10 | |
The daughter diligently stands guard over it and turns to face Rabal's direction. | 0:24:10 | 0:24:15 | |
He's not keen on this, so heads for a different location out of her view. | 0:24:15 | 0:24:20 | |
The mum with the bag he's after takes the trolley to check in their suitcases. | 0:24:20 | 0:24:26 | |
He knows she's going to return, so sticks around. | 0:24:26 | 0:24:29 | |
When she comes back, she sits on the trolley with her back to the bag. | 0:24:29 | 0:24:33 | |
Things are beginning to look easier for the bag snatcher. There's now just the daughter to contend with. | 0:24:33 | 0:24:40 | |
And a moment later she wanders off camera. | 0:24:40 | 0:24:44 | |
Rabal takes his chance. | 0:24:44 | 0:24:46 | |
He checks his escape route is clear, then circles back round and calmly removes the bag. | 0:24:46 | 0:24:52 | |
The daughter spots him and alerts her mum, but it's too late. He's running for the Tube. | 0:24:55 | 0:25:01 | |
The crime is reported and the police ask for footage from the airport's CCTV cameras. | 0:25:03 | 0:25:08 | |
This has to be sifted and that's a task for a special unit. | 0:25:08 | 0:25:13 | |
It's called the Visual Images Identifications and Detections Office. Or VIIDO for short. | 0:25:13 | 0:25:19 | |
In the VIIDO unit, we are expected to look at | 0:25:19 | 0:25:24 | |
any potential area where an event has happened. It could be from an assault, | 0:25:24 | 0:25:29 | |
a bag crime, a shoplifting. | 0:25:29 | 0:25:32 | |
We would investigate that CCTV and put a whole package together which could be produced at court. | 0:25:32 | 0:25:38 | |
With a forensic eye for detail, they also trawl for the clearest image of the criminal on camera. | 0:25:38 | 0:25:45 | |
A job can take three, four, maybe five hours to actually find the best possible image | 0:25:45 | 0:25:51 | |
to make an identification safe. | 0:25:51 | 0:25:54 | |
Rabal's image is sent out to plainclothes officers who patrol the forecourt. | 0:25:56 | 0:26:02 | |
A whole raft of officers would recognise him on sight. Also British Transport Police | 0:26:02 | 0:26:07 | |
were mounting their own patrols | 0:26:07 | 0:26:10 | |
And the intelligence gathered by the VIIDO unit pays off. | 0:26:10 | 0:26:14 | |
The gentleman was caught on the transport network as he was in transit to Heathrow Airport. | 0:26:14 | 0:26:20 | |
He was recognised by a British Transport Police officer who intercepted and arrested him. | 0:26:20 | 0:26:26 | |
Rabal pleads guilty to 11 offences. Six of them were at Heathrow | 0:26:28 | 0:26:33 | |
-and they had netted him a large amount of money. -The cumulative value of the property was £13,000, | 0:26:33 | 0:26:40 | |
which is a significant amount. Perhaps you get an insight into why they would offend here. | 0:26:40 | 0:26:46 | |
In court, he's sentenced to 32 months in prison. | 0:26:46 | 0:26:51 | |
He also gets the maximum ASBO of ten years to keep him away from Heathrow. | 0:26:52 | 0:26:59 | |
His mere presence at the airport would lead to his arrest for breaching that ASBO. | 0:26:59 | 0:27:04 | |
That should be the last they see of him. A good result. | 0:27:04 | 0:27:08 | |
It's chastening when you see people at the check-in desk, distressed because they've had property stolen. | 0:27:08 | 0:27:13 | |
We were very pleased to remove this prolific offender from Heathrow. | 0:27:13 | 0:27:17 | |
And Pippa, who had her laptop stolen, was given an upgrade to comfort her in her time of trouble. | 0:27:17 | 0:27:24 | |
The lovely people at the airline upgraded me to upper class with my own air steward. | 0:27:24 | 0:27:31 | |
It was just so lovely. It did make me feel a little bit better. | 0:27:31 | 0:27:35 | |
There are obvious things we can do to avoid bags being stolen, | 0:27:44 | 0:27:49 | |
like keeping a close watch over them, but sometimes thieves can even get around that | 0:27:49 | 0:27:54 | |
by creating cunning distractions. | 0:27:54 | 0:27:57 | |
One of them would be to drop coins on the floor around the victim. The victim engages in picking them up | 0:27:57 | 0:28:04 | |
and an associate removes the bag. | 0:28:04 | 0:28:07 | |
There's also tactics people use where they spray the victim's coat with a cream-like substance. | 0:28:07 | 0:28:13 | |
Mustard is very common. | 0:28:13 | 0:28:16 | |
They would help the victim in dusting themselves down | 0:28:16 | 0:28:20 | |
and during that maybe an associate would come and remove the bag. | 0:28:20 | 0:28:25 | |
So next time we're jetting away, check that no one's getting away with our luggage. | 0:28:25 | 0:28:31 | |
Join us next time when the police and the public catch more criminals red-handed. | 0:28:31 | 0:28:37 | |
Subtitles by Red Bee Media Ltd | 0:28:50 | 0:28:52 |