Browse content similar to Episode 19. Check below for episodes and series from the same categories and more!
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Thieves will steal our cars, our valuables, | 0:00:02 | 0:00:04 | |
just about anything they can get their hands on. | 0:00:04 | 0:00:08 | |
To cut down on crime and antisocial behaviour, | 0:00:08 | 0:00:11 | |
the police and other agencies are using new tactics and technology | 0:00:11 | 0:00:15 | |
so the bad guys get caught in the act. | 0:00:15 | 0:00:18 | |
The CCTV is gold dust. | 0:00:18 | 0:00:20 | |
-Great evidence for the police. -Got to have him stopped. | 0:00:20 | 0:00:23 | |
Local councils, shops and businesses are laying some traps of their own. | 0:00:23 | 0:00:27 | |
The eureka moment when you get that evidence. | 0:00:27 | 0:00:29 | |
And the general public, too, | 0:00:29 | 0:00:31 | |
can help unsuspecting crooks get their comeuppance. | 0:00:31 | 0:00:34 | |
People won't stand by. | 0:00:34 | 0:00:35 | |
-I couldn't sit back and do nothing. -Yes! We've got her! | 0:00:35 | 0:00:39 | |
So anyone who's up to no good had better think twice. | 0:00:39 | 0:00:43 | |
They might just get caught red-handed. | 0:00:43 | 0:00:46 | |
Today, she's thankful for some help. | 0:00:50 | 0:00:54 | |
But this man doesn't want her thanks. | 0:00:54 | 0:00:56 | |
He wants her purse. | 0:00:56 | 0:00:58 | |
He rips it roughly out of her hands and runs. | 0:00:58 | 0:01:02 | |
To me, it's just one of the worst crimes you can have. | 0:01:02 | 0:01:04 | |
He preys on elderly people. | 0:01:04 | 0:01:06 | |
He even targets the same victim twice. | 0:01:06 | 0:01:09 | |
When I came back, my money was gone. | 0:01:09 | 0:01:12 | |
I went to see her, and I said, | 0:01:12 | 0:01:14 | |
"Marion, I cannot believe that this has happened to you again." | 0:01:14 | 0:01:18 | |
Also today, in Shakespeare's Stratford, | 0:01:18 | 0:01:21 | |
a real-life Shakespearean plot of intrigue and betrayal. | 0:01:21 | 0:01:25 | |
We couldn't believe it, really. | 0:01:25 | 0:01:26 | |
You just don't expect someone to be that dishonest with you. | 0:01:26 | 0:01:30 | |
At a Tudor museum, all's not well and doesn't end well | 0:01:30 | 0:01:34 | |
for a trusted friend. | 0:01:34 | 0:01:35 | |
And where's the best place to park a stolen car? | 0:01:37 | 0:01:41 | |
Next to these two other cars? | 0:01:41 | 0:01:42 | |
Well, maybe not. | 0:01:42 | 0:01:44 | |
The thieves haven't yet noticed that those two cars are... | 0:01:44 | 0:01:48 | |
police cars. | 0:01:48 | 0:01:49 | |
Well, they will soon. | 0:01:49 | 0:01:50 | |
A CCTV camera view of a busy street in the City of London. | 0:02:00 | 0:02:05 | |
A woman in her late nineties is walking home from the shops. | 0:02:05 | 0:02:09 | |
Just behind her, a man is heading the same way. | 0:02:11 | 0:02:14 | |
Although the woman's walking slowly, the man never seems to catch up. | 0:02:15 | 0:02:20 | |
Why does he keep stopping, looking around, etc? | 0:02:20 | 0:02:22 | |
He's not checking a map on a phone or anything like this. | 0:02:22 | 0:02:26 | |
He's acting in a suspicious nature. | 0:02:26 | 0:02:28 | |
This man is, in fact, stalking the elderly woman. | 0:02:28 | 0:02:32 | |
He preys on defenceless victims | 0:02:32 | 0:02:35 | |
and he is following his latest victim home to steal her handbag. | 0:02:35 | 0:02:39 | |
It's absolutely despicable | 0:02:39 | 0:02:40 | |
that a person deliberately targets vulnerable elderly people. | 0:02:40 | 0:02:44 | |
90-year-old Marion also falls prey to this deceitful burglar's tricks. | 0:02:44 | 0:02:49 | |
I really couldn't believe how somebody could con you into that. | 0:02:49 | 0:02:54 | |
The City of London Police | 0:02:54 | 0:02:56 | |
are determined to catch this callous thief. | 0:02:56 | 0:02:59 | |
The Square Mile of the city | 0:03:07 | 0:03:09 | |
is better known for its skyscrapers and financial offices. | 0:03:09 | 0:03:12 | |
But thousands of people live here, too. | 0:03:14 | 0:03:16 | |
PC Christine Phillips has been walking this beat for six years. | 0:03:17 | 0:03:21 | |
A lot of people, | 0:03:21 | 0:03:23 | |
they think about the City of London, it's just the financial district | 0:03:23 | 0:03:26 | |
where everybody comes into work and they go home at the end of the day. | 0:03:26 | 0:03:29 | |
But we also have about 8,000 residents who live in the city. | 0:03:29 | 0:03:32 | |
Being a Neighbourhood Officer, | 0:03:32 | 0:03:34 | |
you are actually part of that community. | 0:03:34 | 0:03:36 | |
People know you, I get to walk out, I patrol the area. | 0:03:36 | 0:03:39 | |
One of the city's residents | 0:03:39 | 0:03:41 | |
is 90-year-old grandmother Marion, who lives in sheltered housing. | 0:03:41 | 0:03:46 | |
We're very lucky to live here, | 0:03:46 | 0:03:49 | |
because you're safe as houses, | 0:03:49 | 0:03:53 | |
and I've been here for ten years. | 0:03:53 | 0:03:56 | |
Marion has had no experience of crime here | 0:03:58 | 0:04:01 | |
until one summer's day, when one particular man comes to call. | 0:04:01 | 0:04:05 | |
A CCTV camera covers the front door of Marion's building. | 0:04:07 | 0:04:11 | |
It's mid-afternoon, | 0:04:11 | 0:04:12 | |
and one of the other elderly residents is returning home. | 0:04:12 | 0:04:16 | |
She has a key to let herself in. | 0:04:16 | 0:04:18 | |
But now this man appears. | 0:04:20 | 0:04:22 | |
He holds the door open before it closes, | 0:04:22 | 0:04:24 | |
for another resident to come out. | 0:04:24 | 0:04:27 | |
It's Marion. | 0:04:27 | 0:04:28 | |
She's only popped out for a few moments | 0:04:28 | 0:04:30 | |
for some medicines to be delivered, | 0:04:30 | 0:04:32 | |
and she's left her flat door unlocked. | 0:04:32 | 0:04:35 | |
The man continues on into the building. | 0:04:35 | 0:04:38 | |
The chemist is supposed to deliver my pills. | 0:04:38 | 0:04:41 | |
So I went outside and sat on the ledge just outside the door. | 0:04:41 | 0:04:47 | |
Marion patiently waits for her delivery. | 0:04:48 | 0:04:51 | |
Five minutes later, the same man, now without his T-shirt, | 0:04:51 | 0:04:55 | |
walks out of the building, straight past Marion. | 0:04:55 | 0:04:59 | |
Eventually, she returns to her flat. | 0:04:59 | 0:05:02 | |
And when I came back, my money was gone. | 0:05:02 | 0:05:05 | |
Marion's shocked when she realises her handbag must have been stolen. | 0:05:07 | 0:05:11 | |
I felt very vulnerable. | 0:05:11 | 0:05:14 | |
And it made me realise you should lock the door, | 0:05:14 | 0:05:18 | |
and everybody then here locked their doors. | 0:05:18 | 0:05:22 | |
The police check for fingerprints and DNA, | 0:05:22 | 0:05:25 | |
but the burglar has left no evidence behind. | 0:05:25 | 0:05:28 | |
PC Christine Phillips goes to see Marion. | 0:05:28 | 0:05:31 | |
She didn't let on how upset she was, distressed, but you know it is, | 0:05:31 | 0:05:34 | |
and so you do actually offer support to the person. | 0:05:34 | 0:05:37 | |
But, fortunately for her, she does have family around that visit, | 0:05:37 | 0:05:40 | |
so she's not there by herself, panicking. | 0:05:40 | 0:05:43 | |
Christine examines the CCTV footage. | 0:05:43 | 0:05:46 | |
Unfortunately, only the side and back of the man's head can be seen. | 0:05:46 | 0:05:50 | |
Out comes our suspect. | 0:05:50 | 0:05:52 | |
He's now not wearing that top that he had on. | 0:05:52 | 0:05:55 | |
It's covering Marion's handbag as he's walking outside. | 0:05:55 | 0:05:59 | |
The police don't know who the man is. | 0:05:59 | 0:06:01 | |
But then, some weeks later, | 0:06:03 | 0:06:04 | |
Christine hears about a burglary in another housing estate. | 0:06:04 | 0:06:08 | |
Here, too, an elderly woman has had her handbag stolen from her flat. | 0:06:08 | 0:06:12 | |
But this time, the burglar finds a different way to con his way in. | 0:06:12 | 0:06:16 | |
She told me that a person had come up to the door of her flat | 0:06:16 | 0:06:19 | |
saying that he was working on some repairs in the flat next to her, | 0:06:19 | 0:06:22 | |
could he borrow a pen and a piece of paper | 0:06:22 | 0:06:25 | |
to leave a note for the people there? | 0:06:25 | 0:06:27 | |
The woman lets the man in and goes to get the pen and paper. | 0:06:27 | 0:06:30 | |
As he went, she looked and, straightaway, | 0:06:30 | 0:06:32 | |
she realised her handbag had been stolen. | 0:06:32 | 0:06:35 | |
Again, there's no forensic evidence or CCTV from this crime scene. | 0:06:35 | 0:06:38 | |
But Christine suspects there may be a link with a series of thefts | 0:06:38 | 0:06:42 | |
in a neighbouring area of London. | 0:06:42 | 0:06:44 | |
There had been a spate of burglaries with a similar method, | 0:06:44 | 0:06:47 | |
also targeting elderly, vulnerable people. | 0:06:47 | 0:06:50 | |
She contacts the officers investigating those burglaries | 0:06:50 | 0:06:53 | |
and looks at their CCTV evidence. | 0:06:53 | 0:06:56 | |
This is footage from one of those crimes. | 0:06:57 | 0:07:00 | |
A man pretends to help an elderly woman with a shopping trolley | 0:07:00 | 0:07:03 | |
through her building's front door. | 0:07:03 | 0:07:05 | |
He keeps his hands covered so he doesn't leave any fingerprints. | 0:07:05 | 0:07:09 | |
Now he dupes the woman into getting out her purse, | 0:07:09 | 0:07:13 | |
then just wrenches it out of her hands and runs. | 0:07:13 | 0:07:18 | |
The footage is poor quality, | 0:07:18 | 0:07:20 | |
but Christine's convinced it's the same man. | 0:07:20 | 0:07:22 | |
It's absolutely despicable | 0:07:22 | 0:07:24 | |
that a person deliberately targets vulnerable people, | 0:07:24 | 0:07:27 | |
not to have any regard for the consequences on those people | 0:07:27 | 0:07:31 | |
frightened in their home, maybe have medical implications, etc. | 0:07:31 | 0:07:34 | |
To me, it's just one of the worst crimes you can have. | 0:07:34 | 0:07:37 | |
Then there's yet another burglary in Christine's area. | 0:07:37 | 0:07:40 | |
And, incredibly, it's Marion | 0:07:40 | 0:07:42 | |
who becomes a victim for the second time. | 0:07:42 | 0:07:45 | |
CCTV images show the man at her building's front door. | 0:07:45 | 0:07:49 | |
My intercom went | 0:07:49 | 0:07:52 | |
and I said, "Who is it?" | 0:07:52 | 0:07:55 | |
So they said, "I can't get any answer from number five. | 0:07:55 | 0:08:00 | |
"Do you think I could come in | 0:08:00 | 0:08:03 | |
"and borrow a pen and paper?" | 0:08:03 | 0:08:06 | |
Marion kindly offers her help. | 0:08:06 | 0:08:09 | |
He came in. | 0:08:09 | 0:08:11 | |
He sat there. | 0:08:11 | 0:08:12 | |
The man asks for a drink of water. | 0:08:12 | 0:08:15 | |
I went just to get the glass. | 0:08:15 | 0:08:17 | |
Then he was gone. | 0:08:20 | 0:08:22 | |
Marion is shocked to discover two handbags have been stolen. | 0:08:22 | 0:08:26 | |
And the bag that I had there was gone | 0:08:26 | 0:08:30 | |
and I had a bag there, and that was gone. | 0:08:30 | 0:08:34 | |
I couldn't believe it, how somebody could con you into that. | 0:08:34 | 0:08:39 | |
He surely must have a conscience. | 0:08:39 | 0:08:41 | |
As well as personal items in the bags, | 0:08:42 | 0:08:45 | |
Marion's lost bank cards and £350 in cash. | 0:08:45 | 0:08:49 | |
Christine is dismayed to hear the news. | 0:08:49 | 0:08:51 | |
I went to see her and I said, | 0:08:51 | 0:08:53 | |
"Marion, I cannot believe that this has happened to you again." | 0:08:53 | 0:08:56 | |
You know, "It's just awful. We've just got to have him stopped." | 0:08:56 | 0:08:59 | |
Christine and her colleagues in the City of London | 0:08:59 | 0:09:02 | |
intensify their search for the burglar. | 0:09:02 | 0:09:04 | |
But they still don't have a clear image of his face. | 0:09:04 | 0:09:08 | |
Then he strikes yet again on Christine's beat. | 0:09:08 | 0:09:11 | |
An elderly woman has her bag stolen after she arrives home. | 0:09:11 | 0:09:15 | |
She was late nineties, very limited eyesight, | 0:09:15 | 0:09:19 | |
and he'd picked her as a target. | 0:09:19 | 0:09:20 | |
Believing the burglar may have followed his victim home, | 0:09:20 | 0:09:24 | |
Christine checks CCTV footage from cameras on the woman's route | 0:09:24 | 0:09:28 | |
and sees this man. | 0:09:28 | 0:09:30 | |
Why does he never actually catch up with a person of that age | 0:09:30 | 0:09:33 | |
who's walking very, very slowly? | 0:09:33 | 0:09:35 | |
Why does he keep stopping, looking around, etc? | 0:09:35 | 0:09:38 | |
He's not checking a map on a phone or anything like this. | 0:09:38 | 0:09:41 | |
He's stalking the woman. | 0:09:41 | 0:09:43 | |
And this footage provides a breakthrough for Christine. | 0:09:43 | 0:09:46 | |
She now has a clear image to share with other officers and the public. | 0:09:46 | 0:09:49 | |
I decided to go around the area and make some local enquiries, | 0:09:49 | 0:09:52 | |
show the images to a few people to see if anybody recognised the male. | 0:09:52 | 0:09:56 | |
Several shop workers and market traders | 0:09:56 | 0:09:58 | |
think they've seen the man before. | 0:09:58 | 0:10:00 | |
Christine asks them to keep watch | 0:10:00 | 0:10:02 | |
and to ring the police if he reappears. | 0:10:02 | 0:10:05 | |
Two weeks later, one of her lookouts phones in. | 0:10:06 | 0:10:10 | |
He called up and said, "He's here, I know he's wanted for this crime." | 0:10:10 | 0:10:13 | |
Operators in the control room swung the cameras round in that direction | 0:10:13 | 0:10:17 | |
and they could see him walking behind an elderly lady | 0:10:17 | 0:10:19 | |
who, in a similar manner, was on her way home to the neighbouring estate. | 0:10:19 | 0:10:23 | |
Officers got to the scene to actually do a stop on him. | 0:10:23 | 0:10:27 | |
The man is arrested. | 0:10:27 | 0:10:29 | |
He's 43-year-old William Beggs. | 0:10:29 | 0:10:31 | |
He protests his innocence, | 0:10:31 | 0:10:34 | |
but Christine and her colleagues set out to prove otherwise. | 0:10:34 | 0:10:37 | |
They examine data from his mobile phone to track his movements. | 0:10:37 | 0:10:41 | |
They also search his home. | 0:10:41 | 0:10:43 | |
And they actually found, when they searched the premises, | 0:10:43 | 0:10:46 | |
the jacket that he had been seen wearing on the CCTV footage | 0:10:46 | 0:10:49 | |
when he stole the handbag from Marion, | 0:10:49 | 0:10:51 | |
which was absolutely fantastic news. | 0:10:51 | 0:10:53 | |
I had good news to take back to my victims at last. | 0:10:53 | 0:10:56 | |
After all the evidence is collated, | 0:10:56 | 0:10:58 | |
Beggs is charged with a total of 17 burglaries. | 0:10:58 | 0:11:02 | |
In court, he is sentenced to ten years in prison. | 0:11:05 | 0:11:08 | |
The City of London's residents can rest easier | 0:11:09 | 0:11:12 | |
now this thief is off their streets. | 0:11:12 | 0:11:14 | |
I was really pleased we finally found this person | 0:11:14 | 0:11:17 | |
who is deliberately targeting vulnerable people. | 0:11:17 | 0:11:20 | |
It's really good that he's been put away for quite a long time. | 0:11:20 | 0:11:23 | |
And Marion's also pleased the man's behind bars. | 0:11:23 | 0:11:26 | |
I was relieved that he couldn't do that to anybody else. | 0:11:26 | 0:11:31 | |
Now I take heed not to be conned and coerced by a conman. | 0:11:31 | 0:11:38 | |
Most people who come knocking at the door are honest and trustworthy. | 0:11:45 | 0:11:49 | |
But, sadly, as Marion found out, some aren't. | 0:11:49 | 0:11:53 | |
But there are steps we can take to help keep ourselves | 0:11:53 | 0:11:55 | |
and vulnerable friends and neighbours safe. | 0:11:55 | 0:11:58 | |
Often, people will try and pretend to be somebody that they're not. | 0:11:58 | 0:12:01 | |
If they are from a legitimate company or a service provider, | 0:12:01 | 0:12:05 | |
they will have identification | 0:12:05 | 0:12:06 | |
and they'll be quite happy to wait while you check out who they are. | 0:12:06 | 0:12:09 | |
It's OK to tell them to come back at a scheduled date and time | 0:12:09 | 0:12:12 | |
when you can perhaps have a friend or family there. | 0:12:12 | 0:12:15 | |
You don't even have to open the door. | 0:12:15 | 0:12:17 | |
If you look through the viewfinder and you don't feel happy, | 0:12:17 | 0:12:19 | |
don't open the door. | 0:12:19 | 0:12:20 | |
You can be rude in such circumstances. | 0:12:20 | 0:12:23 | |
There are some basic things that you can do which aren't expensive. | 0:12:23 | 0:12:26 | |
Most doors can come with door viewers. You can put chain locks on. | 0:12:26 | 0:12:29 | |
It creates that little bit of distance | 0:12:29 | 0:12:31 | |
between you and the person knocking on the door. | 0:12:31 | 0:12:33 | |
This is about protecting you, | 0:12:33 | 0:12:35 | |
so if it doesn't feel right, it probably isn't. | 0:12:35 | 0:12:37 | |
If there was a contest for Britain's dumbest criminals, | 0:12:43 | 0:12:46 | |
these car thieves in Greater Manchester | 0:12:46 | 0:12:49 | |
would score pretty highly. | 0:12:49 | 0:12:50 | |
It's nearly 2am. | 0:12:55 | 0:12:56 | |
A couple of thieves have stolen a Mercedes | 0:12:56 | 0:12:59 | |
and have decided to stash it overnight in this car park. | 0:12:59 | 0:13:03 | |
But they're having trouble getting in. | 0:13:03 | 0:13:05 | |
Maybe they should have paused | 0:13:05 | 0:13:06 | |
to wonder why the gate has such a complicated security system. | 0:13:06 | 0:13:10 | |
You see, this is no ordinary car park, | 0:13:10 | 0:13:14 | |
and the cars in it aren't ordinary cars. | 0:13:14 | 0:13:17 | |
They're police cars, because it's a police station car park. | 0:13:17 | 0:13:21 | |
And at this point, a police van comes up behind them. | 0:13:22 | 0:13:26 | |
Now, who knows? They might have got away with just driving calmly off. | 0:13:26 | 0:13:30 | |
But no. These two completely lose their marbles. | 0:13:30 | 0:13:34 | |
They lurch forward and get stuck on a grass verge | 0:13:34 | 0:13:37 | |
before jumping out, running across a main road | 0:13:37 | 0:13:41 | |
and diving into a river. | 0:13:41 | 0:13:43 | |
Not surprisingly, the police in the van | 0:13:43 | 0:13:45 | |
find all this more than a little suspicious. | 0:13:45 | 0:13:48 | |
The men are chased, caught and arrested. | 0:13:48 | 0:13:51 | |
It makes life a lot easier for the police | 0:13:51 | 0:13:54 | |
when criminals in stolen vehicles | 0:13:54 | 0:13:56 | |
actually bring themselves to the station. | 0:13:56 | 0:13:59 | |
And as for the thieves, | 0:13:59 | 0:14:00 | |
when they're brought back to the police car park, | 0:14:00 | 0:14:03 | |
this time, it's a lot easier getting past the gate. | 0:14:03 | 0:14:06 | |
A man runs amok on a rampage of mindless vandalism | 0:14:11 | 0:14:14 | |
and smashes his way into a shop. | 0:14:14 | 0:14:16 | |
Came round the corner to be faced with four broken windows. | 0:14:16 | 0:14:19 | |
I just couldn't believe what I was seeing. | 0:14:19 | 0:14:21 | |
I was thinking, "Why is he doing that?" It was just sheer madness. | 0:14:21 | 0:14:24 | |
But when he runs outside again, | 0:14:24 | 0:14:26 | |
he meets his comeuppance coming round the corner. | 0:14:26 | 0:14:29 | |
Surely no-one would stoop so low as to steal from a friend. | 0:14:34 | 0:14:38 | |
But, sadly, there are people out there | 0:14:38 | 0:14:41 | |
who will betray the trust of people they know well. | 0:14:41 | 0:14:43 | |
Stratford-upon-Avon, Warwickshire. | 0:14:49 | 0:14:52 | |
The owners of a Tudor museum, John and Janet, are living their own | 0:14:52 | 0:14:55 | |
Shakespearean-style tale of treachery. | 0:14:55 | 0:14:58 | |
They suspect one of their staff is stealing from them. | 0:14:59 | 0:15:03 | |
It wasn't so much the money. It was the principle. | 0:15:03 | 0:15:05 | |
The betrayal is the thing that hurt. | 0:15:05 | 0:15:07 | |
Visitor numbers are up, but takings are down. | 0:15:07 | 0:15:11 | |
We felt quite angry. It was quite traitorous, really. | 0:15:11 | 0:15:13 | |
With the help of a camera, | 0:15:13 | 0:15:15 | |
the couple hope to discover whether there's a thief in their midst | 0:15:15 | 0:15:19 | |
or if it's all much ado about nothing. | 0:15:19 | 0:15:21 | |
The medieval market town of Stratford-upon-Avon | 0:15:30 | 0:15:33 | |
is a popular tourist destination, | 0:15:33 | 0:15:35 | |
largely thanks to its connection with William Shakespeare. | 0:15:35 | 0:15:39 | |
Its historic status attracts thousands of visitors every year. | 0:15:39 | 0:15:44 | |
John and Janet run one of Stratford's many museums | 0:15:44 | 0:15:47 | |
dedicated to Tudor Britain. | 0:15:47 | 0:15:49 | |
Tudor World is an independent museum in the heart of Stratford-upon-Avon | 0:15:49 | 0:15:54 | |
within a 16th-century property. | 0:15:54 | 0:15:56 | |
It was a tavern called the Three Tunns, owned by William Rogers, | 0:15:56 | 0:15:59 | |
whose nephew was Shakespeare's godson. | 0:15:59 | 0:16:02 | |
You can sit at the table of William Shakespeare, | 0:16:02 | 0:16:04 | |
you can sit on the throne, you can try hats on, | 0:16:04 | 0:16:07 | |
you can smell what it was like. | 0:16:07 | 0:16:09 | |
If you fall down on those cobblestones outside, | 0:16:09 | 0:16:12 | |
you can be safe in the knowledge | 0:16:12 | 0:16:13 | |
you've fallen over on the same cobblestones as William Shakespeare | 0:16:13 | 0:16:16 | |
when he's had too many beers. | 0:16:16 | 0:16:18 | |
As well as being open to the public, | 0:16:18 | 0:16:20 | |
the museum hosts school excursions by day | 0:16:20 | 0:16:23 | |
and, by night, they run a special ghost tours. | 0:16:23 | 0:16:26 | |
Taking over the museum was a midsummer night's dream come true | 0:16:26 | 0:16:30 | |
for former council worker John and ex-teacher Janet. | 0:16:30 | 0:16:33 | |
We both love history, | 0:16:33 | 0:16:35 | |
so we gave up proper jobs to take over this place, | 0:16:35 | 0:16:38 | |
and now we dress in costumes, we do acting, the accounts, | 0:16:38 | 0:16:43 | |
we do everything between us. | 0:16:43 | 0:16:45 | |
The two history buffs can now live each day | 0:16:45 | 0:16:47 | |
in the era they're so passionate about. | 0:16:47 | 0:16:50 | |
If you look back historically, | 0:16:50 | 0:16:51 | |
it's probably one of the most eventful periods. | 0:16:51 | 0:16:54 | |
-Intrigue. -Spies. | 0:16:54 | 0:16:56 | |
-Marriages. -Adultery. | 0:16:56 | 0:16:58 | |
Births, deaths, executions. | 0:16:58 | 0:16:59 | |
Everything's there. It's just brilliant. | 0:16:59 | 0:17:02 | |
But then a drama of their own begins to play out, | 0:17:02 | 0:17:05 | |
a tale of deception, | 0:17:05 | 0:17:07 | |
when the couple suspect a thief is pilfering from the museum gift shop. | 0:17:07 | 0:17:11 | |
We started to notice money was going missing. | 0:17:11 | 0:17:14 | |
Sometimes, it seemed like it was really busy, | 0:17:14 | 0:17:16 | |
and then when you check the takings later in the day, | 0:17:16 | 0:17:18 | |
you think, "Well, it's actually not what we should be taking." | 0:17:18 | 0:17:21 | |
Their staff are fellow enthusiasts, so John and Janet can't believe | 0:17:21 | 0:17:25 | |
one of these trusted colleagues could be stealing from them. | 0:17:25 | 0:17:28 | |
You just don't expect someone to be that dishonest with you. | 0:17:28 | 0:17:33 | |
To catch the thief in the act, | 0:17:33 | 0:17:35 | |
John turns to a very 21st-century method of detection. | 0:17:35 | 0:17:39 | |
I decided that we would install CCTV. | 0:17:39 | 0:17:42 | |
I went off and bought a kit. | 0:17:42 | 0:17:44 | |
We had it pointed straight down | 0:17:44 | 0:17:46 | |
so you could see any transactions with the till. | 0:17:46 | 0:17:49 | |
You could see people handing money over, change being returned. | 0:17:49 | 0:17:52 | |
It's a Sunday morning, and the camera is recording. | 0:17:54 | 0:17:58 | |
In costume, one of John and Janet's most loyal employees, | 0:17:58 | 0:18:02 | |
and a close friend, is behind the till. | 0:18:02 | 0:18:04 | |
We didn't initially see anything happening, and we thought, | 0:18:04 | 0:18:07 | |
"Oh, dear, I feel really bad now," to, you know, have been suspicious. | 0:18:07 | 0:18:11 | |
And then we saw it. | 0:18:11 | 0:18:13 | |
Wearing his black hat, | 0:18:15 | 0:18:16 | |
their black-hearted friend pockets a £10 note. | 0:18:16 | 0:18:20 | |
The camera above his head sees him start stealing | 0:18:20 | 0:18:23 | |
just ten minutes into his shift. | 0:18:23 | 0:18:26 | |
And it doesn't stop there. | 0:18:26 | 0:18:28 | |
Some tourists enter. | 0:18:28 | 0:18:30 | |
He takes the entry fee, but doesn't ring up the sale at the till. | 0:18:30 | 0:18:34 | |
He leaves the cash on top of the draw. | 0:18:34 | 0:18:36 | |
As soon as the visitors go into the museum, | 0:18:36 | 0:18:39 | |
he stashes the cash in his doublet. | 0:18:39 | 0:18:42 | |
It's heartbreaking for John and Janet. | 0:18:42 | 0:18:44 | |
Obviously, the betrayal is the thing that hurt. | 0:18:44 | 0:18:47 | |
And your emotions go from shock to anger. | 0:18:47 | 0:18:52 | |
He's been with us for years. | 0:18:52 | 0:18:53 | |
He'd had his wedding here, you know, | 0:18:53 | 0:18:55 | |
and he always said how much he loved the job, | 0:18:55 | 0:18:58 | |
and we couldn't believe it, really. | 0:18:58 | 0:19:00 | |
Other visitors pay for souvenirs on sale in the shop. | 0:19:00 | 0:19:04 | |
Leaving the till open after another customer and another sale, | 0:19:04 | 0:19:08 | |
he builds up a pile of notes on top of the till drawer. | 0:19:08 | 0:19:11 | |
He hands out change. | 0:19:11 | 0:19:13 | |
Then, when alone, he folds the cash and stuffs it into his pouch. | 0:19:13 | 0:19:17 | |
Janet's astounded. This is her livelihood. | 0:19:17 | 0:19:20 | |
There we go. | 0:19:20 | 0:19:21 | |
We're making a whole sort of £2.50 on the tea towel | 0:19:21 | 0:19:26 | |
whilst losing £20 there! | 0:19:26 | 0:19:27 | |
Brilliant. | 0:19:27 | 0:19:29 | |
Over his seven-hour shift, the stealing goes on and on and on. | 0:19:29 | 0:19:35 | |
Then, when for a few minutes there are no customers, | 0:19:36 | 0:19:40 | |
he takes a moment to gloat and count his takings. | 0:19:40 | 0:19:43 | |
He decided this would be a perfect opportunity, | 0:19:43 | 0:19:46 | |
on our time, in our shop, with our money, | 0:19:46 | 0:19:50 | |
to count it up, | 0:19:50 | 0:19:52 | |
just to make sure, you know, he's doing quite well. | 0:19:52 | 0:19:55 | |
I couldn't believe the cheek he had and just be so blatant. | 0:19:55 | 0:20:00 | |
By the end of the day, the thief has stolen £190. | 0:20:00 | 0:20:04 | |
Without the footage, there's no way I could have confronted him. | 0:20:04 | 0:20:08 | |
I knew that I'd have to take action. | 0:20:08 | 0:20:11 | |
I wasn't even so much... At the time, it wasn't so much the money. | 0:20:12 | 0:20:16 | |
It was the principle. | 0:20:16 | 0:20:17 | |
John hands the evidence to the police | 0:20:17 | 0:20:19 | |
before finally confronting his friend. | 0:20:19 | 0:20:22 | |
We then called him in a couple of days later, | 0:20:22 | 0:20:25 | |
where I told him that I was letting him go for stealing. | 0:20:25 | 0:20:29 | |
And when I told him that, he looked completely shocked. | 0:20:31 | 0:20:35 | |
And then he turned on the big doggy eyes like he was going to cry. | 0:20:35 | 0:20:39 | |
"John, I would never steal from you. I'm your friend." | 0:20:39 | 0:20:42 | |
Which I just said... | 0:20:42 | 0:20:45 | |
"I have the evidence | 0:20:45 | 0:20:47 | |
"and this matter's been reported to the police." | 0:20:47 | 0:20:50 | |
And he was then asked to leave the premises. | 0:20:50 | 0:20:53 | |
It's the final act in this costume drama. | 0:20:56 | 0:20:59 | |
The police pay the false friend a visit. | 0:20:59 | 0:21:02 | |
He admits his guilt and is given a conditional caution. | 0:21:02 | 0:21:05 | |
He has to pay back the money to John and Janet. | 0:21:05 | 0:21:08 | |
The whole experience has left them feeling betrayed. | 0:21:10 | 0:21:13 | |
There was so many times that he would come to us | 0:21:13 | 0:21:15 | |
and ask for money in advance because he was doing badly. | 0:21:15 | 0:21:19 | |
We'd always give him a sub. | 0:21:19 | 0:21:20 | |
And the same when he had his wedding here. | 0:21:20 | 0:21:22 | |
Obviously, we didn't charge them. | 0:21:22 | 0:21:24 | |
We just wanted them to have a nice day. | 0:21:24 | 0:21:26 | |
However, at the museum, | 0:21:26 | 0:21:28 | |
the couple can now get back to the business of enjoying a rosy future | 0:21:28 | 0:21:32 | |
living life in the past. | 0:21:32 | 0:21:34 | |
We are so passionate about it. | 0:21:34 | 0:21:36 | |
You'd expect life in a rural town to be all peace and quiet. | 0:21:43 | 0:21:47 | |
But that makes it all the worse if a criminal comes to call. | 0:21:47 | 0:21:50 | |
Truro, Cornwall, in the early hours of the morning. | 0:21:53 | 0:21:57 | |
This man is on a trail of destruction. | 0:21:57 | 0:22:00 | |
He's already vandalised three shops, | 0:22:00 | 0:22:02 | |
and now he's broken into this hardware store. | 0:22:02 | 0:22:05 | |
He was just on a mission to cause mindless criminal damage. | 0:22:05 | 0:22:08 | |
It was just sheer madness. I couldn't believe my eyes. | 0:22:08 | 0:22:12 | |
He causes thousands of pounds worth of damage and misery | 0:22:12 | 0:22:15 | |
for the owners and staff. | 0:22:15 | 0:22:17 | |
He hit each window four or five times. | 0:22:17 | 0:22:20 | |
Lots of shards of glass across the shop. | 0:22:20 | 0:22:23 | |
There was furniture that he smashed up, and it was just... | 0:22:23 | 0:22:26 | |
You know, it was just awful to see that. | 0:22:26 | 0:22:28 | |
But this vandal is about to get his comeuppance. | 0:22:28 | 0:22:31 | |
Truro is officially the only city in Cornwall, | 0:22:37 | 0:22:40 | |
and its busy shopping centre | 0:22:40 | 0:22:42 | |
has attracted a wide variety of independent stores. | 0:22:42 | 0:22:45 | |
Amongst them is this fabric shop, where Sarah works with her family. | 0:22:46 | 0:22:51 | |
Truro Fabrics has been going for just over 30 years. | 0:22:51 | 0:22:54 | |
It was set up by my dad and mum, | 0:22:54 | 0:22:57 | |
with my nan originally on the shop floor as well. | 0:22:57 | 0:23:01 | |
I came in when I was 19, | 0:23:01 | 0:23:03 | |
I was going to help out over the Christmas period, | 0:23:03 | 0:23:06 | |
and I've been here ever since! | 0:23:06 | 0:23:08 | |
No, it was lovely. There's not many people that can say | 0:23:09 | 0:23:12 | |
they've worked with their nan and their parents. | 0:23:12 | 0:23:14 | |
Just around the corner, | 0:23:14 | 0:23:16 | |
this hardware store has been in business even longer. | 0:23:16 | 0:23:18 | |
Thank you very much. | 0:23:18 | 0:23:20 | |
Ina works there as a floor manager. | 0:23:20 | 0:23:23 | |
The shop, actually, has been open for way over a hundred years. | 0:23:23 | 0:23:27 | |
We've got quite a few staff that have been here quite a long time. | 0:23:27 | 0:23:30 | |
People get advice on anything they need | 0:23:30 | 0:23:33 | |
and it's as much for the staff | 0:23:33 | 0:23:35 | |
as it is for the products that we do that people come in. | 0:23:35 | 0:23:38 | |
Truro isn't known as a crime hot spot. | 0:23:38 | 0:23:41 | |
But on one Friday night, | 0:23:41 | 0:23:42 | |
its shopping centre becomes the target | 0:23:42 | 0:23:45 | |
of a man on a wrecking rampage. | 0:23:45 | 0:23:47 | |
It's 2.15am. | 0:23:48 | 0:23:50 | |
The security cameras are recording inside Ina's hardware store | 0:23:51 | 0:23:55 | |
when a man outside throws something at the window. | 0:23:55 | 0:23:58 | |
GLASS SMASHES | 0:23:58 | 0:24:00 | |
It smashes. | 0:24:00 | 0:24:01 | |
He reaches into the shop through the broken window and grabs a chair | 0:24:01 | 0:24:06 | |
and flings it at the window several times | 0:24:06 | 0:24:08 | |
to break the rest of the glass. | 0:24:08 | 0:24:10 | |
He steps into the shop. | 0:24:11 | 0:24:13 | |
The alarm starts to ring. | 0:24:13 | 0:24:15 | |
But he's intent on destruction. | 0:24:15 | 0:24:18 | |
He starts by kicking down a couple of stands. | 0:24:18 | 0:24:21 | |
Seeing a camera, he throws a hammer at it. | 0:24:21 | 0:24:24 | |
But misses. | 0:24:24 | 0:24:25 | |
Even with the alarm sounding, the man appears in no hurry. | 0:24:25 | 0:24:28 | |
But after 20 minutes of random vandalism, | 0:24:29 | 0:24:33 | |
suddenly, something startles him and he breaks into a run. | 0:24:33 | 0:24:36 | |
In the morning, it's 6.50 when Ina arrives to open the store. | 0:24:40 | 0:24:45 | |
Going inside, it's obvious there's been a break-in. | 0:24:45 | 0:24:48 | |
I saw the stands strewn on the floor and whatnot. | 0:24:48 | 0:24:51 | |
I thought, "Oh, God." | 0:24:51 | 0:24:53 | |
When I went to the top of the steps and looked around, | 0:24:53 | 0:24:55 | |
you could see things had been thrown, | 0:24:55 | 0:24:58 | |
things had been knocked over, and it was just... | 0:24:58 | 0:25:00 | |
You know, it was just awful to see that. | 0:25:00 | 0:25:03 | |
Ina is not the only victim. | 0:25:03 | 0:25:05 | |
Nearby, Sarah also makes an unpleasant discovery | 0:25:05 | 0:25:09 | |
when she arrives to open her family's fabric shop. | 0:25:09 | 0:25:11 | |
Came round the corner to be faced with four broken windows. | 0:25:11 | 0:25:15 | |
So I was like, "Oh, great. | 0:25:15 | 0:25:17 | |
"Mum and Dad are away, what do I do?" | 0:25:17 | 0:25:19 | |
It's just a nightmare when Dad's not around. | 0:25:19 | 0:25:21 | |
He holds all the information. | 0:25:21 | 0:25:23 | |
So it was like, "Ohh, no. Not now, please." | 0:25:23 | 0:25:26 | |
It's clear the damage is deliberate. | 0:25:26 | 0:25:29 | |
He'd hit each window probably at least three, | 0:25:29 | 0:25:32 | |
if not four or five times. | 0:25:32 | 0:25:34 | |
It just seemed so needless. It was mindless criminal damage. | 0:25:34 | 0:25:37 | |
And, unfortunately, he left us a whole mess to sort out. | 0:25:37 | 0:25:40 | |
Although there's been no break-in, | 0:25:40 | 0:25:43 | |
the shop's interior has been badly affected. | 0:25:43 | 0:25:45 | |
The glass, although it hadn't broken, | 0:25:45 | 0:25:48 | |
it had projectiled lots of shards of glass across the shop. | 0:25:48 | 0:25:52 | |
The floor was like it had been covered in frost. | 0:25:52 | 0:25:54 | |
It was just glittery. | 0:25:54 | 0:25:56 | |
So we had to cordon off the shop and stay shut. | 0:25:56 | 0:25:58 | |
Sarah calls the police, | 0:25:58 | 0:26:00 | |
who tell her other places have also been vandalised. | 0:26:00 | 0:26:02 | |
The lady on the end of the phone was saying, | 0:26:02 | 0:26:04 | |
"I'm the police, we'll contact you and come and look at the damage | 0:26:04 | 0:26:07 | |
"and see what the situation is with you as well." | 0:26:07 | 0:26:10 | |
At Ina's hardware store, when she phones the police, | 0:26:10 | 0:26:14 | |
she's surprised to hear they already have a suspect in custody. | 0:26:14 | 0:26:18 | |
When Ina checks back on her CCTV recording, | 0:26:18 | 0:26:21 | |
she sees what's happened. | 0:26:21 | 0:26:23 | |
I just couldn't believe what I was seeing. | 0:26:23 | 0:26:25 | |
I was thinking, "Well, why is he doing that? What...? | 0:26:25 | 0:26:28 | |
"What's he gaining from that?" | 0:26:28 | 0:26:30 | |
It was just sheer madness. | 0:26:30 | 0:26:32 | |
I couldn't believe my eyes. | 0:26:32 | 0:26:33 | |
She watches as the culprit nonchalantly leaves the store. | 0:26:33 | 0:26:38 | |
But in the distance, Ina now sees something that cheers her up a bit. | 0:26:38 | 0:26:42 | |
The man who so casually wrecked her shop | 0:26:42 | 0:26:44 | |
is about to lose his cool. | 0:26:44 | 0:26:46 | |
He looks down the street and then suddenly starts to run. | 0:26:46 | 0:26:50 | |
He's been spotted by a police officer, | 0:26:50 | 0:26:52 | |
who gives chase and nabs him. | 0:26:52 | 0:26:54 | |
That just made me smile, to be quite honest! | 0:26:54 | 0:26:57 | |
I was amazed that that happened, | 0:26:57 | 0:27:00 | |
and the fact that he was caught, you know, | 0:27:00 | 0:27:02 | |
so it was brilliant, absolutely brilliant. | 0:27:02 | 0:27:05 | |
And in her fabric shop nearby, | 0:27:05 | 0:27:07 | |
the police give Sarah the good news that they have caught the man | 0:27:07 | 0:27:10 | |
who has confessed to vandalising her store, too. | 0:27:10 | 0:27:13 | |
That was nice to know that they'd actually got somebody for it | 0:27:13 | 0:27:16 | |
and that he'd actually admitted to having done it. | 0:27:16 | 0:27:19 | |
In both Ina's, Sarah's and other Truro shops, | 0:27:19 | 0:27:22 | |
the cost of replacing expensive windows and damaged stock | 0:27:22 | 0:27:26 | |
runs into thousands of pounds. | 0:27:26 | 0:27:28 | |
Other people have got to clear that up, | 0:27:28 | 0:27:30 | |
other people have got to put right what he's put wrong, | 0:27:30 | 0:27:33 | |
and I couldn't understand why somebody would be like that. | 0:27:33 | 0:27:35 | |
In court, the 24-year-old pleads guilty to one offence of burglary | 0:27:39 | 0:27:43 | |
and five counts of criminal damage. | 0:27:43 | 0:27:45 | |
He is sentenced to eight months in prison and ordered to pay costs. | 0:27:45 | 0:27:49 | |
The hardware store and the fabric shop | 0:27:53 | 0:27:55 | |
have now improved their security, and it's back to business as usual | 0:27:55 | 0:27:59 | |
for the shopkeepers and their customers in Truro. | 0:27:59 | 0:28:02 | |
We had several customers bringing flowers and cards | 0:28:02 | 0:28:04 | |
to say they were sorry | 0:28:04 | 0:28:05 | |
and if we wanted to do a collection towards the windows, | 0:28:05 | 0:28:08 | |
that they would be happy to contribute. | 0:28:08 | 0:28:10 | |
They were surprised that something like that would happen in Truro. | 0:28:10 | 0:28:13 | |
The customers were fantastic. | 0:28:13 | 0:28:15 | |
They were thrilled to bits that he was apprehended and caught | 0:28:15 | 0:28:18 | |
and justice was done. | 0:28:18 | 0:28:20 | |
That's it for today. | 0:28:24 | 0:28:25 | |
Join us next time, | 0:28:25 | 0:28:27 | |
when police and the public catch more criminals red-handed. | 0:28:27 | 0:28:31 |