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Thieves will steal our cars, our valuables, | 0:00:03 | 0:00:06 | |
just about anything they can get their hands on. | 0:00:06 | 0:00:09 | |
To cut down on crime and antisocial behaviour, | 0:00:11 | 0:00:13 | |
the police and other agencies are using new tactics and technology | 0:00:13 | 0:00:17 | |
where the bad guys are getting caught in the act. | 0:00:17 | 0:00:19 | |
The CCTV was vital. You can see they are definitely the people there. | 0:00:19 | 0:00:23 | |
The camera doesn't lie. | 0:00:23 | 0:00:24 | |
Local councils, shops and businesses are laying some traps of their own. | 0:00:24 | 0:00:28 | |
There's a eureka moment when you get that evidence. | 0:00:28 | 0:00:30 | |
And the general public too can help unsuspecting crooks | 0:00:30 | 0:00:33 | |
get their comeuppance. | 0:00:33 | 0:00:35 | |
People won't stand by. | 0:00:35 | 0:00:37 | |
I couldn't sit back and do nothing. | 0:00:37 | 0:00:39 | |
Yes! We've got her! | 0:00:39 | 0:00:40 | |
So, anyone who's up to no good had better think twice. | 0:00:40 | 0:00:45 | |
They might just get caught red-handed. | 0:00:45 | 0:00:48 | |
Today... | 0:00:52 | 0:00:53 | |
This man's a jewellery snatcher, | 0:00:53 | 0:00:54 | |
not just once, or twice or ten times. | 0:00:54 | 0:00:57 | |
So far, he's got away with nearly 40 snatch-and-grabs | 0:00:57 | 0:01:01 | |
from jewellery shops. | 0:01:01 | 0:01:03 | |
It was in excess of ?200,000 of thefts. | 0:01:03 | 0:01:06 | |
This thief takes what he can | 0:01:06 | 0:01:07 | |
but he also leaves a couple of things behind - | 0:01:07 | 0:01:10 | |
clues for the police. | 0:01:10 | 0:01:12 | |
Also today, look out - | 0:01:12 | 0:01:14 | |
there's a thief in the kitchen...in broad daylight. | 0:01:14 | 0:01:17 | |
My goodness. | 0:01:17 | 0:01:18 | |
To have her look in my eye, talking to me, | 0:01:18 | 0:01:21 | |
knowing she was stealing from my mother... | 0:01:21 | 0:01:23 | |
Absolutely can't get over that. | 0:01:23 | 0:01:25 | |
I just don't know how she did it. | 0:01:25 | 0:01:26 | |
And... Who's a good boy, then? | 0:01:28 | 0:01:30 | |
Well, not this guy. | 0:01:30 | 0:01:32 | |
They're not his dogs and this is not his house. | 0:01:32 | 0:01:35 | |
The City of London. | 0:01:45 | 0:01:47 | |
A customer in a jewellery shop appears to be tempted by a watch... | 0:01:47 | 0:01:51 | |
And he is... | 0:01:51 | 0:01:53 | |
But he just doesn't intend to pay for it. | 0:01:53 | 0:01:56 | |
This man's a one-man crimewave, | 0:01:58 | 0:02:00 | |
stealing over and over and over again, smooth talking his way in. | 0:02:00 | 0:02:05 | |
He's very convincing. I think he would fool anybody. | 0:02:05 | 0:02:07 | |
And they're happy to pass him over items worth thousands | 0:02:07 | 0:02:10 | |
and thousands of pounds. | 0:02:10 | 0:02:12 | |
But he makes mistakes, leaving behind valuable clues. | 0:02:12 | 0:02:15 | |
Eureka, the feel-good moment, | 0:02:15 | 0:02:17 | |
to actually identify one particular individual. | 0:02:17 | 0:02:19 | |
The City of London is the UK's most important financial district. | 0:02:27 | 0:02:31 | |
With so much money around, it's not surprising that the City | 0:02:31 | 0:02:35 | |
also has a number of high-end jewellery shops. | 0:02:35 | 0:02:37 | |
But they occasionally attract the wrong sort of client. | 0:02:39 | 0:02:43 | |
It's early summer when Detective Constable Geoff Holbrook | 0:02:44 | 0:02:48 | |
gets a call about an attempted jewellery snatch. | 0:02:48 | 0:02:51 | |
I received a report of an incident that had occurred | 0:02:51 | 0:02:54 | |
at a jewellers in Fleet Street in the City of London. | 0:02:54 | 0:02:56 | |
The jewellers had CCTV which covered the whole incident in its entirety. | 0:02:57 | 0:03:02 | |
Geoff and his colleagues collect the recorded footage of the incident, | 0:03:03 | 0:03:07 | |
unaware at this stage that this is the start | 0:03:07 | 0:03:10 | |
of an extensive investigation. | 0:03:10 | 0:03:12 | |
It's just before lunchtime when a customer walks in. | 0:03:14 | 0:03:17 | |
His demeanour is to gain the trust of the staff there. | 0:03:17 | 0:03:21 | |
He's put his bag out. He's...playing with his wallet. | 0:03:21 | 0:03:24 | |
Relaxed and chatting, he asks to look at a gold chain. | 0:03:24 | 0:03:28 | |
He doesn't look like a person that is there to steal | 0:03:28 | 0:03:31 | |
or there to run away. | 0:03:31 | 0:03:33 | |
Claiming he needs to check the window display, | 0:03:34 | 0:03:36 | |
the man is buzzed out by the sales assistant. | 0:03:36 | 0:03:39 | |
He returns a few moments later. | 0:03:40 | 0:03:43 | |
At this point, the male can be seen. | 0:03:43 | 0:03:44 | |
He opens his bag and he gets some paper out. | 0:03:44 | 0:03:47 | |
He's just placed one of the bits of paper to his side | 0:03:47 | 0:03:50 | |
and just leaves it on the table. | 0:03:50 | 0:03:52 | |
Suddenly the man changes his mind about wanting a necklace | 0:03:52 | 0:03:55 | |
and asks to see a watch that's worth ?12,500. | 0:03:55 | 0:03:59 | |
And that's the watch that he eventually tries to steal | 0:03:59 | 0:04:02 | |
and then what you will see is the male stand up | 0:04:02 | 0:04:07 | |
cos he says he wants to look at some cufflinks. | 0:04:07 | 0:04:09 | |
You can see him gesturing towards his cuff there. | 0:04:09 | 0:04:11 | |
The cufflinks are also in the front window display. | 0:04:11 | 0:04:14 | |
The man asks for the door to be opened again so he can take a look, | 0:04:14 | 0:04:18 | |
but the shop assistant is beginning to have his doubts. | 0:04:18 | 0:04:20 | |
I think it's at this point that he's getting a bit suspicious. | 0:04:21 | 0:04:24 | |
The man's been in there 50 minutes | 0:04:24 | 0:04:26 | |
and he's looking at too many different items. | 0:04:26 | 0:04:28 | |
You will see the member of staff puts his left hand on the release | 0:04:28 | 0:04:31 | |
button but he's also pulling the tray away. | 0:04:31 | 0:04:34 | |
The salesman's instinct is correct. | 0:04:34 | 0:04:36 | |
It's all over in a flash. | 0:04:38 | 0:04:39 | |
The would-be thief escapes without any loot thanks to the | 0:04:41 | 0:04:44 | |
quick reactions of the salesman. | 0:04:44 | 0:04:46 | |
But remember that piece of paper. | 0:04:47 | 0:04:49 | |
In the thief's rush to escape, he's left it behind on the desk. | 0:04:49 | 0:04:54 | |
It's valuable evidence. | 0:04:54 | 0:04:56 | |
I think he's either forgotten that he's put it there or he's | 0:04:56 | 0:04:58 | |
in such a hurry to get away because he needs to get out that door, | 0:04:58 | 0:05:02 | |
he lets it go - he's going to be locked inside. | 0:05:02 | 0:05:05 | |
Hoping to identify the man, Geoff takes stills from the video | 0:05:05 | 0:05:08 | |
and circulates them to colleagues. | 0:05:08 | 0:05:11 | |
He sends the piece of paper away for forensic analysis. | 0:05:11 | 0:05:14 | |
The very next day, Geoff's colleague, PC Mike O'Sullivan, | 0:05:15 | 0:05:19 | |
is on duty when news of another jewellery snatch comes in. | 0:05:19 | 0:05:22 | |
We received a report of a high-value theft from jewellers | 0:05:22 | 0:05:26 | |
on Liverpool Street. | 0:05:26 | 0:05:28 | |
A man had grabbed a diamond ring worth ?4,500. | 0:05:28 | 0:05:32 | |
It had been very clear from the description that was given | 0:05:32 | 0:05:35 | |
and the way the male acted | 0:05:35 | 0:05:36 | |
that this was the same male as the day before. | 0:05:36 | 0:05:39 | |
Straight away, we knew we were dealing with a serial offender. | 0:05:39 | 0:05:43 | |
It is now a police priority to stop this man, | 0:05:43 | 0:05:46 | |
not just because of the goods stolen, | 0:05:46 | 0:05:49 | |
but because of the effects on shop staff. | 0:05:49 | 0:05:51 | |
Staff were quite shaken, simply just the way the male had acted, | 0:05:51 | 0:05:54 | |
almost like a confidence trickster. | 0:05:54 | 0:05:56 | |
Mike visits the shop where the ring's been snatched. | 0:05:56 | 0:05:59 | |
Small jewellers... It's a massive loss to them. | 0:05:59 | 0:06:02 | |
But the culprit has been careless. | 0:06:02 | 0:06:04 | |
Mike finds some potential evidence that may show fingerprints. | 0:06:04 | 0:06:08 | |
One was a counter where he'd had his hand before he ran out. | 0:06:08 | 0:06:12 | |
Er...another was a jacket that he'd left behind | 0:06:12 | 0:06:15 | |
and a rucksack containing a drinks bottle. | 0:06:15 | 0:06:18 | |
And in one of the jacket pockets, | 0:06:19 | 0:06:21 | |
Mike finds a SIM card for a mobile phone. | 0:06:21 | 0:06:24 | |
I took that it straight back to the office | 0:06:24 | 0:06:26 | |
and used a special computer | 0:06:26 | 0:06:29 | |
and it'll give you the telephone number | 0:06:29 | 0:06:30 | |
that the SIM is associated with. | 0:06:30 | 0:06:32 | |
It's a breakthrough in the investigation. | 0:06:33 | 0:06:36 | |
With the number, Mike can find out from the phone's network | 0:06:36 | 0:06:39 | |
provider who the thief's been talking to. | 0:06:39 | 0:06:42 | |
The rest of the seized evidence is sent to forensics for analysis. | 0:06:42 | 0:06:45 | |
Later... | 0:06:46 | 0:06:47 | |
The jewellery snatcher continues his rampage, | 0:06:48 | 0:06:51 | |
striking again in London's Square Mile... | 0:06:51 | 0:06:54 | |
On the third offence, ?7,500 worth of jewellery. | 0:06:54 | 0:06:57 | |
..and again. | 0:06:57 | 0:06:58 | |
On the fourth offence, | 0:06:58 | 0:07:00 | |
he gets away with ?21,500 worth of necklaces | 0:07:00 | 0:07:04 | |
and this man needs to be stopped. | 0:07:04 | 0:07:06 | |
Now, "Every dog has its day" | 0:07:11 | 0:07:14 | |
may or may not be true | 0:07:14 | 0:07:15 | |
but here's a shaggy dog story that really takes the biscuit. | 0:07:15 | 0:07:19 | |
The woman who owns this house has fixed up a camera to keep | 0:07:24 | 0:07:27 | |
an eye on her two young dogs while she's at work. | 0:07:27 | 0:07:31 | |
Normally, it's just unexciting shots of her two pooches mooching. | 0:07:31 | 0:07:35 | |
But today, she gets a sudden shock. | 0:07:37 | 0:07:41 | |
There's a stranger in her house and she's horrified to watch | 0:07:41 | 0:07:44 | |
on live video as he casually goes walkies around her house. | 0:07:44 | 0:07:49 | |
Uh-oh... It looks like he's seen the camera. | 0:07:50 | 0:07:53 | |
But hang on, what's he doing? | 0:07:53 | 0:07:55 | |
He's feeding her dogs treats! | 0:07:55 | 0:07:57 | |
Oh, yes. This fun-loving criminal plays with his new best friends. | 0:07:59 | 0:08:04 | |
OK, these aren't the greatest guard dogs, | 0:08:04 | 0:08:07 | |
but while they keep the intruder amused, | 0:08:07 | 0:08:09 | |
their owner has time to call the police, | 0:08:09 | 0:08:12 | |
who soon surround the property. | 0:08:12 | 0:08:13 | |
The cops send in a scary police Alsatian | 0:08:15 | 0:08:17 | |
and the intruder is hounded out | 0:08:17 | 0:08:20 | |
into the arms of the police. | 0:08:20 | 0:08:22 | |
He's well and truly collared. | 0:08:22 | 0:08:24 | |
So, as break-ins go, this one's been a bit of a dog's dinner. | 0:08:24 | 0:08:28 | |
Coming up... | 0:08:33 | 0:08:34 | |
Hard to believe anybody would miss THIS, | 0:08:34 | 0:08:37 | |
but when a pub gargoyle is taken, the owners are outraged. | 0:08:37 | 0:08:42 | |
The barefaced cheek of it. | 0:08:42 | 0:08:44 | |
So, they turn to social media to try and get their gnome back home. | 0:08:44 | 0:08:48 | |
Keeping ourselves from being caught out by crooks and conmen | 0:08:52 | 0:08:54 | |
is a matter of staying on our guard, | 0:08:54 | 0:08:56 | |
but looking after the interests of others is a bit more difficult, | 0:08:56 | 0:09:00 | |
particularly when they're vulnerable. | 0:09:00 | 0:09:02 | |
You don't want another one? | 0:09:09 | 0:09:10 | |
These pictures are from hidden cameras in a South London kitchen. | 0:09:10 | 0:09:13 | |
This carer is making lunch for elderly grandmother Monica | 0:09:14 | 0:09:18 | |
in the room next door. | 0:09:18 | 0:09:20 | |
Monica's cashbox is also in this cupboard. | 0:09:20 | 0:09:23 | |
Money's been disappearing, so Monica's daughter Anne-Marie | 0:09:23 | 0:09:27 | |
has set up a camera to find out what's going on | 0:09:27 | 0:09:30 | |
and she makes a shocking discovery. | 0:09:30 | 0:09:33 | |
I didn't think for a minute it was somebody who had our trust | 0:09:33 | 0:09:37 | |
and I thought I heard her take the cashbox. | 0:09:37 | 0:09:39 | |
And then I thought... "It's her." | 0:09:39 | 0:09:42 | |
I was in shock. | 0:09:43 | 0:09:44 | |
Anne-Marie thinks she's found the thief. | 0:09:44 | 0:09:46 | |
But can she get the proof? | 0:09:47 | 0:09:49 | |
Monica is a sprightly 91-year-old, but suffers from Alzheimer's. | 0:09:55 | 0:09:59 | |
Daughter Anne-Marie feels it's important to tell their story. | 0:10:01 | 0:10:04 | |
My mum's lovely. She's a very kind person, very generous. | 0:10:06 | 0:10:10 | |
She loves going out, actually. | 0:10:10 | 0:10:12 | |
We take her out to the theatre quite a lot. | 0:10:12 | 0:10:14 | |
She really, really enjoys musical theatre. | 0:10:14 | 0:10:16 | |
Monica grew up in Manchester | 0:10:17 | 0:10:19 | |
and she met Tom through friends at a church social club. | 0:10:19 | 0:10:22 | |
He always made her laugh a lot. | 0:10:23 | 0:10:25 | |
They fell in love and married after the war. | 0:10:25 | 0:10:28 | |
They went on to have four children and six grandchildren | 0:10:29 | 0:10:32 | |
until, after 60 years of marriage, Tom passed away at the age of 90. | 0:10:32 | 0:10:38 | |
When my dad died, it was obviously a shock for everybody. | 0:10:38 | 0:10:41 | |
Erm... But really, what we didn't realise was he'd been covering up | 0:10:41 | 0:10:45 | |
quite a lot about my mum's illness and so that's when | 0:10:45 | 0:10:48 | |
we went to the doctor and eventually she was diagnosed with Alzheimer's. | 0:10:48 | 0:10:51 | |
Monica moves to a sheltered flat in London | 0:10:52 | 0:10:55 | |
so she can live near Anne-Marie and some of her other children. | 0:10:55 | 0:10:59 | |
It was just suitable all round, so much as we could all see her more | 0:10:59 | 0:11:02 | |
regularly than we would have done if she'd have stayed where she was. | 0:11:02 | 0:11:05 | |
But they can't be with their mum all the time, | 0:11:05 | 0:11:08 | |
so they arrange visits from carers through an agency. | 0:11:08 | 0:11:11 | |
The carers basically are there to keep an eye on her, really, | 0:11:11 | 0:11:15 | |
and to give her her medicine, so they will come and have a chat | 0:11:15 | 0:11:18 | |
with her and make her a sandwich, make her some food | 0:11:18 | 0:11:20 | |
and the housekeeping as well. | 0:11:20 | 0:11:22 | |
The family also take care of Monica's day-to-day expenses. | 0:11:22 | 0:11:26 | |
Money is kept in a locked cashbox in the kitchen cupboard. | 0:11:26 | 0:11:30 | |
The key is kept nearby, | 0:11:30 | 0:11:31 | |
as the box is topped up by the family to ?60 a week. | 0:11:31 | 0:11:35 | |
We'd send each other e-mails because we don't always see each other, | 0:11:35 | 0:11:39 | |
usually to say, "I spent ?30 on food, groceries, | 0:11:39 | 0:11:42 | |
"I bought this, this and this, there's ?20 left in the box." | 0:11:42 | 0:11:45 | |
The money doesn't always add up, but at first, Anne-Marie isn't worried. | 0:11:45 | 0:11:49 | |
We wouldn't always send the e-mail and we'd forget | 0:11:49 | 0:11:52 | |
or one e-mail might have said, "There's ?20 left." | 0:11:52 | 0:11:54 | |
And I would check it and look and say, | 0:11:55 | 0:11:57 | |
"Oh, there's only ?10 left." | 0:11:57 | 0:11:59 | |
So, my sister might say, "Oh, did I say 20? Maybe I meant 10." | 0:11:59 | 0:12:02 | |
And then there would be a complete confusion. | 0:12:02 | 0:12:04 | |
As time goes by, she notices that cash is regularly missing. | 0:12:04 | 0:12:09 | |
I started going back through e-mails and checking | 0:12:10 | 0:12:13 | |
and slowly there seemed to be a little bit of a pattern forming | 0:12:13 | 0:12:16 | |
that money was actually going. | 0:12:16 | 0:12:18 | |
It's an upsetting moment. | 0:12:19 | 0:12:21 | |
I was distraught. | 0:12:21 | 0:12:22 | |
I just thought, "How can anybody | 0:12:22 | 0:12:24 | |
"come into this lovely old lady's house | 0:12:24 | 0:12:27 | |
"and steal from her?" | 0:12:27 | 0:12:28 | |
I didn't feel like we were protecting her enough. | 0:12:28 | 0:12:30 | |
I think that's what made me upset. | 0:12:30 | 0:12:32 | |
Anne-Marie is sure an outsider must be responsible. | 0:12:32 | 0:12:36 | |
I didn't think for a minute it was somebody who had our trust | 0:12:36 | 0:12:41 | |
and if someone is going into my mum's flat | 0:12:41 | 0:12:43 | |
or if my mum is letting somebody in, | 0:12:43 | 0:12:45 | |
we need to know and so that's | 0:12:45 | 0:12:47 | |
when we started looking into the idea of hidden cameras. | 0:12:47 | 0:12:50 | |
She phones an expert for advice. | 0:12:51 | 0:12:54 | |
I actually burst out crying and the person on the end of the line | 0:12:54 | 0:12:57 | |
calmed me down and said, | 0:12:57 | 0:12:58 | |
"Don't worry. We'll catch them." | 0:12:58 | 0:13:00 | |
She doesn't want to upset her mum by telling her about her | 0:13:00 | 0:13:03 | |
suspicions, so investigates in secret. | 0:13:03 | 0:13:06 | |
First, she hides a camera in a bunch of flowers on top of the fridge, | 0:13:07 | 0:13:11 | |
but unfortunately, it doesn't work. | 0:13:11 | 0:13:13 | |
So, I tried it again and there was nothing and it was just very | 0:13:15 | 0:13:17 | |
frustrating, yet money was going during this time. | 0:13:17 | 0:13:20 | |
Next, she tries a different camera disguised as a small battery charger. | 0:13:20 | 0:13:25 | |
It triggers when it senses motion and also records sound. | 0:13:25 | 0:13:29 | |
She hides it in the cupboard containing the cashbox. | 0:13:30 | 0:13:33 | |
I soon realised actually that it probably wasn't the best | 0:13:33 | 0:13:37 | |
location for it, | 0:13:37 | 0:13:38 | |
but the first indication of who this might be | 0:13:38 | 0:13:43 | |
was when it was in the cupboard | 0:13:43 | 0:13:45 | |
and the cupboard opened and I saw the face of the carer. | 0:13:45 | 0:13:48 | |
Almost straight away, the carer looks directly at the camera | 0:13:50 | 0:13:53 | |
but doesn't think anything of it. | 0:13:53 | 0:13:56 | |
But on the recording, there is a distinctive sound. | 0:13:56 | 0:13:59 | |
BRIEF RATTLE | 0:13:59 | 0:14:00 | |
I thought I heard her take the cashbox | 0:14:00 | 0:14:03 | |
and then I sort of thought... "It's her." | 0:14:03 | 0:14:06 | |
The metallic rattle of the cashbox being moved | 0:14:06 | 0:14:09 | |
provides Anne-Marie with her prime suspect. | 0:14:09 | 0:14:12 | |
She checks back over dates when money seemed to go missing. | 0:14:13 | 0:14:17 | |
Her suspicions are confirmed. | 0:14:17 | 0:14:20 | |
My goodness. | 0:14:20 | 0:14:21 | |
I...I was in shock, really. | 0:14:21 | 0:14:23 | |
I was just completely in shock, | 0:14:23 | 0:14:25 | |
to actually know someone. | 0:14:25 | 0:14:26 | |
To have her look in my eye, talking to me, | 0:14:26 | 0:14:29 | |
knowing she was stealing from my mother, | 0:14:29 | 0:14:31 | |
absolutely can't get over that. | 0:14:31 | 0:14:33 | |
I just don't know how she did it. | 0:14:33 | 0:14:34 | |
But the sound of the cashbox opening isn't enough | 0:14:34 | 0:14:37 | |
evidence for the police to bring charges yet. | 0:14:37 | 0:14:40 | |
Anne-Marie needs pictures of the carer stealing money. | 0:14:40 | 0:14:43 | |
She is determined to catch the thief, not just for her mum's sake. | 0:14:43 | 0:14:47 | |
I wanted it stopped. | 0:14:47 | 0:14:48 | |
I didn't want her going into anybody else's house | 0:14:48 | 0:14:51 | |
and stealing or taking or taking advantage. | 0:14:51 | 0:14:53 | |
Over the next few frustrating weeks, Anne-Marie moves the camera | 0:14:55 | 0:15:00 | |
around the kitchen hunting for the right angle. | 0:15:00 | 0:15:02 | |
There were different bits of clips that didn't show up | 0:15:03 | 0:15:07 | |
in the right position, but I kept hearing my dad's voice | 0:15:07 | 0:15:09 | |
all the way through this, saying, don't give up. | 0:15:09 | 0:15:12 | |
Just carry on, you'll get her. | 0:15:12 | 0:15:14 | |
And she does. | 0:15:14 | 0:15:16 | |
The camera is sitting on top of the fridge. | 0:15:19 | 0:15:22 | |
The carer's making a sandwich for Monica. | 0:15:22 | 0:15:25 | |
She rips the clingfilm with her teeth and delivers lunch. | 0:15:29 | 0:15:32 | |
A moment later, she's back | 0:15:34 | 0:15:36 | |
and rummages for the key that opens the cashbox. | 0:15:36 | 0:15:39 | |
Chatting to Monica at the same time, she takes out the box, | 0:15:40 | 0:15:44 | |
unlocks it and steals a ?10 note. | 0:15:44 | 0:15:49 | |
She puts the box and key back where she found them. | 0:15:51 | 0:15:55 | |
And stuffs the money into her top. | 0:15:55 | 0:15:57 | |
Finally, Anne-Marie has the evidence she needs. | 0:16:00 | 0:16:03 | |
I did sort of go, "Yes, we've got her!" | 0:16:03 | 0:16:07 | |
I was appalled, but actually I was quite relieved | 0:16:07 | 0:16:09 | |
because I was exhausted. | 0:16:09 | 0:16:11 | |
The police watch the incriminating video and arrest the woman. | 0:16:11 | 0:16:15 | |
She denies everything. | 0:16:15 | 0:16:17 | |
Then they showed her the footage | 0:16:17 | 0:16:18 | |
and that's when she went into panic mode, | 0:16:18 | 0:16:21 | |
saying, yes, I had to get the client some goods. | 0:16:21 | 0:16:24 | |
They said, OK, which shop did you have to go to? | 0:16:24 | 0:16:26 | |
She said, "Oh, I think it was Sainsbury's". | 0:16:26 | 0:16:28 | |
They said, "OK, we'll get the CCTV footage from Sainsbury's | 0:16:28 | 0:16:31 | |
"at this time and it will show you". | 0:16:31 | 0:16:33 | |
Then she cried again and realised basically she'd been rumbled. | 0:16:33 | 0:16:37 | |
In court, the woman is found guilty of two counts of theft and sentenced | 0:16:39 | 0:16:44 | |
to do unpaid community work | 0:16:44 | 0:16:46 | |
and pay ?700 in costs and compensation. | 0:16:46 | 0:16:50 | |
The sentence brings some relief to Anne-Marie after a difficult year. | 0:16:52 | 0:16:56 | |
It's been a bit of a rollercoaster. | 0:16:56 | 0:16:59 | |
It wasn't a pleasant time to go through, but when he said guilty, | 0:16:59 | 0:17:02 | |
that was it, that was exactly what I wanted to hear. | 0:17:02 | 0:17:05 | |
Monica now has some new carers and the family are very happy with them. | 0:17:06 | 0:17:10 | |
She's got some absolutely lovely carers. | 0:17:10 | 0:17:13 | |
They are aware of what's happened. | 0:17:13 | 0:17:15 | |
I made them aware of what's happened and they are glad that I did that | 0:17:15 | 0:17:19 | |
because they say people like this person gave them all a bad name. | 0:17:19 | 0:17:23 | |
So the best outcome of this is | 0:17:23 | 0:17:26 | |
one person won't be taking advantage of old people any more. | 0:17:26 | 0:17:30 | |
Yeah, it was worth it. | 0:17:30 | 0:17:32 | |
The thing is, you can't go through life mistrusting everyone, can you? | 0:17:36 | 0:17:40 | |
It's hard to know where to draw the line and what to watch out for. | 0:17:40 | 0:17:44 | |
You should always trust your instincts. | 0:17:44 | 0:17:47 | |
If you're a little bit uncertain about someone | 0:17:47 | 0:17:49 | |
that you've got in your home, | 0:17:49 | 0:17:50 | |
then there might be a good reason for that. | 0:17:50 | 0:17:52 | |
If you do think things are going missing, make a note, | 0:17:52 | 0:17:55 | |
keep a record of them and that will help the police as well | 0:17:55 | 0:17:58 | |
as anybody else who is looking into any suspicions you may have. | 0:17:58 | 0:18:00 | |
When you get someone knocking at the door, you've got time | 0:18:00 | 0:18:03 | |
to check the references, but you've also got time to send them away. | 0:18:03 | 0:18:06 | |
Think about it. | 0:18:06 | 0:18:08 | |
A good conman will give you the telephone number of a friend | 0:18:08 | 0:18:11 | |
or family member, so do a bit of research first. | 0:18:11 | 0:18:14 | |
If you don't feel able to do it yourself, | 0:18:14 | 0:18:16 | |
perhaps use a friend who is good on social media to find out | 0:18:16 | 0:18:19 | |
who that referee is and that it is a reputable person. | 0:18:19 | 0:18:22 | |
But it's also important to listen to your family, friends, neighbours, | 0:18:22 | 0:18:26 | |
if they are a little bit uncertain about these people as well. | 0:18:26 | 0:18:29 | |
If the person is being really pushy, | 0:18:29 | 0:18:31 | |
then they're probably not the person you want to employ. | 0:18:31 | 0:18:33 | |
Back to the City of London now, | 0:18:37 | 0:18:39 | |
where police are looking for a thief | 0:18:39 | 0:18:41 | |
who's stolen jewellery worth over ?200,000. | 0:18:41 | 0:18:44 | |
DC Geoff Holbrook and PC Mike O'Sullivan | 0:18:51 | 0:18:54 | |
are hunting a serial jewellery thief. | 0:18:54 | 0:18:57 | |
Pretending to be a customer, he then snatches and runs. | 0:18:57 | 0:19:01 | |
He's come in, he's engaging with staff and gaining their trust. | 0:19:01 | 0:19:05 | |
But the police are on his trail. | 0:19:05 | 0:19:07 | |
The thief has made mistakes. | 0:19:07 | 0:19:09 | |
He leaves behind paper at one of the crime scenes and a bottle | 0:19:09 | 0:19:13 | |
and a jacket at the second. | 0:19:13 | 0:19:15 | |
A mobile phone SIM card is discovered | 0:19:15 | 0:19:18 | |
in the pocket of the jacket. | 0:19:18 | 0:19:19 | |
The evidence is sent to forensics | 0:19:19 | 0:19:21 | |
for analysis by Paul Dainty and his team. | 0:19:21 | 0:19:24 | |
First, they work on the piece of paper. | 0:19:24 | 0:19:26 | |
The technicians subject it to a number of chemical treatments | 0:19:26 | 0:19:30 | |
to actually make those invisible fingerprints become visible. | 0:19:30 | 0:19:34 | |
We found the suspect had left some trace evidence. | 0:19:34 | 0:19:36 | |
His sweat had been absorbed back into the paperwork | 0:19:36 | 0:19:39 | |
which revealed his fingerprints to us. | 0:19:39 | 0:19:42 | |
A positive result. | 0:19:42 | 0:19:43 | |
They compare them to prints from the second crime scene | 0:19:43 | 0:19:46 | |
found on the shop's glass counter. | 0:19:46 | 0:19:50 | |
And the plastic bottle. | 0:19:50 | 0:19:52 | |
It turns out all the marks are from the same fingers. | 0:19:52 | 0:19:56 | |
Eureka! | 0:19:56 | 0:19:57 | |
That's the feel-good moment, that's where we think, actually, | 0:19:57 | 0:20:00 | |
we're going to be able to do some good here. | 0:20:00 | 0:20:03 | |
Running the prints through the police database, | 0:20:03 | 0:20:05 | |
they get the match they hoped for. | 0:20:05 | 0:20:08 | |
The suspect has been arrested by the police before | 0:20:08 | 0:20:11 | |
and now they have a name - | 0:20:11 | 0:20:13 | |
27-year-old Jermaine Fofana. | 0:20:13 | 0:20:15 | |
So we'd pass information to the investigating officers | 0:20:16 | 0:20:19 | |
and when we do get a positive result, we can't wait to tell them. | 0:20:19 | 0:20:22 | |
Geoff and Mike get the news. | 0:20:22 | 0:20:25 | |
So now we've got a name, which is fantastic news for us. | 0:20:25 | 0:20:27 | |
The problem now being, we don't know where this person is. | 0:20:27 | 0:20:31 | |
Fofana has no fixed address in London. | 0:20:31 | 0:20:33 | |
He's only visible when he raids a shop | 0:20:33 | 0:20:35 | |
and leaves his image behind on the CCTV footage. | 0:20:35 | 0:20:39 | |
This shop in the City is his next target. | 0:20:39 | 0:20:42 | |
He's doing the same thing. | 0:20:42 | 0:20:44 | |
He's come in, he's engaging with staff, gaining their trust. | 0:20:44 | 0:20:47 | |
The shop has an open front door for a quick escape. | 0:20:47 | 0:20:52 | |
He gets out four items of jewellery and places them on the tray | 0:20:52 | 0:20:55 | |
on the counter there and this is in excess of ?7,500 worth of items. | 0:20:55 | 0:21:00 | |
A member of staff will go away from where he's standing | 0:21:00 | 0:21:02 | |
and then you'll see that he just grabs the item, | 0:21:02 | 0:21:05 | |
turns his back and runs. | 0:21:05 | 0:21:06 | |
And he vanishes with thousands of pounds' worth of jewellery. | 0:21:07 | 0:21:12 | |
Another day and here he is again | 0:21:12 | 0:21:14 | |
in another City jewellery shop. | 0:21:14 | 0:21:16 | |
On the fourth and final offence in the City, | 0:21:17 | 0:21:19 | |
he gets away with ?21,500 worth of necklaces. | 0:21:19 | 0:21:24 | |
But the police are closing in. | 0:21:25 | 0:21:27 | |
A mobile phone SIM card that Mike found at the second crime scene | 0:21:27 | 0:21:31 | |
helps the detectives to narrow their search. | 0:21:31 | 0:21:34 | |
The service provider gave us | 0:21:34 | 0:21:36 | |
a list of phone calls that this phone had been calling. | 0:21:36 | 0:21:39 | |
Through further interrogation of those numbers, | 0:21:39 | 0:21:42 | |
we were able to get locations for them | 0:21:42 | 0:21:44 | |
based on the calls he's been making and where he's making them to. | 0:21:44 | 0:21:48 | |
Those locations are dotted around the rest of London | 0:21:48 | 0:21:51 | |
where Fofana has been raiding yet more shops. | 0:21:51 | 0:21:54 | |
Hence why we called upon our colleagues | 0:21:54 | 0:21:56 | |
in the Metropolitan Police to assist in that. | 0:21:56 | 0:21:59 | |
The net is tightening. | 0:21:59 | 0:22:00 | |
Officers investigate each address. | 0:22:00 | 0:22:03 | |
Then they strike lucky. | 0:22:03 | 0:22:05 | |
A location is identified through one of the numbers, | 0:22:05 | 0:22:07 | |
so officers went to that address and they essentially staked it out. | 0:22:07 | 0:22:12 | |
They were sat outside, on the hope that he actually turned up. | 0:22:12 | 0:22:16 | |
And lo and behold, he does actually attend and is arrested. | 0:22:16 | 0:22:19 | |
They've got him. | 0:22:19 | 0:22:21 | |
Fofana eventually owns up to many more crimes across Greater London. | 0:22:21 | 0:22:25 | |
Approximately 40 offences. | 0:22:25 | 0:22:27 | |
And it was in excess of ?200,000 that he had been able to steal. | 0:22:27 | 0:22:31 | |
In court, Fofana is sentenced to 5? years in prison. | 0:22:35 | 0:22:40 | |
Police haven't yet recovered all the jewellery, but they hope to. | 0:22:42 | 0:22:45 | |
And meanwhile, they are pleased that a prolific thief is | 0:22:45 | 0:22:49 | |
now off the streets. For us, this was a great result. | 0:22:49 | 0:22:51 | |
What seemed like just a small, isolated incident | 0:22:51 | 0:22:56 | |
had obviously grew to a much larger, broader scale of thefts that | 0:22:56 | 0:23:00 | |
were occurring, so for the police, it was a great result. | 0:23:00 | 0:23:04 | |
Everywhere you look these days, you see people posting messages | 0:23:08 | 0:23:11 | |
and texts on their phones. | 0:23:11 | 0:23:13 | |
You see, social media is a great way to spread news fast, | 0:23:13 | 0:23:17 | |
particularly if you've lost property, an animal... | 0:23:17 | 0:23:21 | |
or even a gargoyle. | 0:23:21 | 0:23:22 | |
The pretty village of Hawarden, in the Welsh countryside, provides | 0:23:30 | 0:23:34 | |
a picturesque backdrop...to something a little grotesque, | 0:23:34 | 0:23:38 | |
when one day this gargoyle, affectionately known as Julian, | 0:23:38 | 0:23:42 | |
is abducted. | 0:23:42 | 0:23:43 | |
I thought, "You cheeky sod." | 0:23:43 | 0:23:45 | |
I thought, "That's ridic... That's just pure theft." | 0:23:45 | 0:23:48 | |
But the ugly deed is caught on camera and the owners decide to launch | 0:23:48 | 0:23:52 | |
a social media campaign to find who took their gnome away from home. | 0:23:52 | 0:23:58 | |
The power of social media is phenomenal. | 0:23:58 | 0:24:01 | |
Stuart and his business partner, also, mmm, Stuart, | 0:24:06 | 0:24:09 | |
took over and refurbished the Crown and Liver in Hawarden six years ago. | 0:24:09 | 0:24:14 | |
It's a bit of a different pub, really. | 0:24:14 | 0:24:15 | |
Everyone's welcome, as long as everyone's well-behaved. | 0:24:15 | 0:24:18 | |
The two Stus have updated the menu, | 0:24:18 | 0:24:21 | |
the decor and the technology, | 0:24:21 | 0:24:23 | |
including a CCTV system. | 0:24:23 | 0:24:26 | |
Our CCTV has become my infatuation. | 0:24:26 | 0:24:29 | |
We started out with two cameras and a nasty little monitor, | 0:24:29 | 0:24:32 | |
to what we've got now, which is a 25-camera system. | 0:24:32 | 0:24:35 | |
And they've set about raising their online profile. | 0:24:35 | 0:24:38 | |
Social media plays a massive, important part in what we do. | 0:24:38 | 0:24:41 | |
We try to put ourselves out there as being a fun and decent venue. | 0:24:41 | 0:24:46 | |
And to help them, they've hired some highly skilled staff, | 0:24:46 | 0:24:49 | |
including, as their new head of entertainment, Julian. | 0:24:49 | 0:24:53 | |
He was found at a shop down the road. | 0:24:53 | 0:24:55 | |
On a shelf, on his own, he looked a bit sorry for himself | 0:24:55 | 0:24:58 | |
so we decided to purchase him. It was about ten quid, | 0:24:58 | 0:25:01 | |
and it was at a time when we were sort of separating from a partner | 0:25:01 | 0:25:04 | |
that had been involved with us, who wanted to move on to other things. | 0:25:04 | 0:25:06 | |
And it sort of reminded us of him, so that's why we bought it. | 0:25:06 | 0:25:09 | |
Julian fulfils various roles in the pub, | 0:25:09 | 0:25:12 | |
some more successfully than others. | 0:25:12 | 0:25:14 | |
Well, gargoyles are supposed to ward off bad spirits, but Julian is quite | 0:25:14 | 0:25:19 | |
partial to the odd tipple, and I've never seen him ward off any spirits. | 0:25:19 | 0:25:24 | |
The customers love him. Julian is a bit of a character. | 0:25:24 | 0:25:27 | |
You often see people having their picture taken with it, | 0:25:27 | 0:25:30 | |
or taking it into the toilets, it's been known before. | 0:25:30 | 0:25:33 | |
Girls, mainly. | 0:25:33 | 0:25:34 | |
Being made of solid concrete, he's best at being a doorman. | 0:25:34 | 0:25:38 | |
Well, doorstop, actually. | 0:25:38 | 0:25:40 | |
And that's the task he's putting his full weight behind on one | 0:25:40 | 0:25:44 | |
ill-fated Friday night. | 0:25:44 | 0:25:47 | |
A few hours into the evening, | 0:25:47 | 0:25:48 | |
a customer notices that the front door is shut. | 0:25:48 | 0:25:51 | |
So we went to investigate it and realised Julian had gone missing. | 0:25:51 | 0:25:55 | |
We thought it was a prank. | 0:25:55 | 0:25:57 | |
You know, we're going to get a ransom note, | 0:25:57 | 0:25:59 | |
we're going to find it on a beach in Majorca, or something ridiculous. | 0:25:59 | 0:26:02 | |
But three days go by and there's no news. | 0:26:02 | 0:26:05 | |
So Stuart turns to his extensive CCTV system. | 0:26:05 | 0:26:08 | |
He watches the footage from the night Julian disappears. | 0:26:10 | 0:26:14 | |
It's 7:20 when this man with a small dog walks into the doorway. | 0:26:14 | 0:26:19 | |
The dog is an innocent party, so we've also obscured ITS identity. | 0:26:19 | 0:26:24 | |
The man looks at his phone, then stealthily gives Julian | 0:26:24 | 0:26:28 | |
a nudge with his foot, presumably to check how much he weighs. | 0:26:28 | 0:26:33 | |
After another good study of his phone to make sure the street's clear, | 0:26:33 | 0:26:37 | |
he wrestles the defenceless little fellow into his clothing... | 0:26:37 | 0:26:41 | |
..and disappears. | 0:26:43 | 0:26:44 | |
Stuart's gobsmacked. I thought, "You cheeky sod." | 0:26:47 | 0:26:50 | |
I thought, "That's ridic... That's just pure theft." | 0:26:50 | 0:26:53 | |
That is the barefaced cheek of it. | 0:26:53 | 0:26:56 | |
Now he's figured out what's happened, | 0:26:56 | 0:26:58 | |
he acts quickly to try and get the word out. | 0:26:58 | 0:27:01 | |
All I did was film it with my phone | 0:27:01 | 0:27:03 | |
and quickly put it out on to social media. | 0:27:03 | 0:27:07 | |
The video instantly makes an impact. | 0:27:07 | 0:27:10 | |
And the community felt really strongly about it. | 0:27:10 | 0:27:13 | |
And whether it's ?10 or ?1,000, it's still theft, | 0:27:13 | 0:27:15 | |
and it's somebody else's. And it took 20 minutes to get an answer, | 0:27:15 | 0:27:19 | |
20 minutes for somebody to message me and say. And then subsequently had seven or eight different people | 0:27:19 | 0:27:24 | |
again who came back and told me, name and address of the person, | 0:27:24 | 0:27:27 | |
who it was. As more people get to see the video, | 0:27:27 | 0:27:30 | |
Stuart decides to give the man a chance to do the right thing. | 0:27:30 | 0:27:33 | |
And once it got sort of 20,000 views, I was pretty... | 0:27:33 | 0:27:37 | |
Within a day, I was pretty sure it was going to come back. | 0:27:37 | 0:27:40 | |
And he's right. Later that same day... | 0:27:40 | 0:27:44 | |
A man comes along, same guy, same coat, tips it out, | 0:27:44 | 0:27:48 | |
a big heavy object out of his coat again. | 0:27:48 | 0:27:50 | |
And puts him just behind the door. And walks off. | 0:27:50 | 0:27:53 | |
Back home, sweet gnome. | 0:27:53 | 0:27:55 | |
And it's taken just six hours from when the video was posted. | 0:27:55 | 0:27:59 | |
Yes, I was made up. I thought it was fantastic. | 0:27:59 | 0:28:01 | |
It was brilliant. Brilliant. | 0:28:01 | 0:28:04 | |
The power of social media. | 0:28:04 | 0:28:06 | |
So, as gnomes go, Julian has been pretty lucky. Well, maybe not pretty. | 0:28:06 | 0:28:10 | |
I think he's more popular than he ever was before, to be honest. | 0:28:10 | 0:28:13 | |
He's enjoying all the attention. | 0:28:13 | 0:28:15 | |
He's like the local celebrity. | 0:28:15 | 0:28:18 | |
It is fantastic. | 0:28:18 | 0:28:20 | |
And as for the man who borrowed him, | 0:28:20 | 0:28:22 | |
hopefully he will keep HIS nose clean, too. | 0:28:22 | 0:28:25 | |
That's it for today. | 0:28:30 | 0:28:31 | |
Join us next time when police and the public catch more criminals red-handed. | 0:28:31 | 0:28:35 |