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Thieves will steal our cash, our cars, our valuables, | 0:00:02 | 0:00:05 | |
just about anything they can get their hands on. | 0:00:05 | 0:00:07 | |
But now, the police are using cutting-edge technology | 0:00:09 | 0:00:12 | |
to catch the bad guys. | 0:00:12 | 0:00:14 | |
CCTV is gold dust. | 0:00:14 | 0:00:16 | |
-Great evidence for the police. -Going to have him stopped. | 0:00:16 | 0:00:19 | |
Local councils, shops and businesses are fighting crime | 0:00:19 | 0:00:22 | |
with their own tricks and traps. | 0:00:22 | 0:00:24 | |
There's a Eureka moment when you get that evidence. | 0:00:24 | 0:00:27 | |
And the public are using secret cameras | 0:00:27 | 0:00:29 | |
to make sure crooks get their comeuppance. | 0:00:29 | 0:00:33 | |
It makes me feel so angry. | 0:00:33 | 0:00:35 | |
He's paid the price. He's been dealt with. | 0:00:35 | 0:00:37 | |
Yes, we've got her! | 0:00:37 | 0:00:39 | |
So, anyone who's up to no good had better think twice. | 0:00:39 | 0:00:43 | |
They might just get caught red-handed. | 0:00:43 | 0:00:45 | |
Today, | 0:00:51 | 0:00:53 | |
a burglar who doesn't care whose flat he's breaking into. | 0:00:53 | 0:00:57 | |
My drawers were wide-open, it just felt really creepy. | 0:00:57 | 0:01:01 | |
I almost felt like there was a presence in there. | 0:01:01 | 0:01:03 | |
But the villain made a serious mistake | 0:01:03 | 0:01:06 | |
because Andrea is a criminologist | 0:01:06 | 0:01:08 | |
and knows a thing or two about catching thieves. | 0:01:08 | 0:01:11 | |
Also today, just after Christmas, | 0:01:13 | 0:01:16 | |
a callous intruder raids a pub and plunders its storeroom | 0:01:16 | 0:01:19 | |
without a thought for anyone else. | 0:01:19 | 0:01:22 | |
Young bar manager Liam is left feeling he's the guilty one. | 0:01:22 | 0:01:26 | |
It was just horrific, to be fair. | 0:01:26 | 0:01:28 | |
I just can't believe I didn't hear anything at all. | 0:01:28 | 0:01:30 | |
And a sports car driver slams on his brakes suddenly | 0:01:32 | 0:01:36 | |
and for no reason at all. | 0:01:36 | 0:01:39 | |
So, the innocent woman in the van behind can't avoid hitting him. | 0:01:39 | 0:01:43 | |
It's exactly what the sports car driver wanted | 0:01:44 | 0:01:47 | |
because this is no accident, this is crash for cash. | 0:01:47 | 0:01:50 | |
To be a lone female in a tunnel and being shouted at | 0:01:51 | 0:01:54 | |
is not a nice situation to be in. | 0:01:54 | 0:01:56 | |
Look down any street and you will see | 0:02:02 | 0:02:05 | |
there are an increasing number of homes with CCTV. | 0:02:05 | 0:02:08 | |
But there are also a lot of hidden cameras around that you can't see. | 0:02:08 | 0:02:12 | |
The London Borough of Croydon. | 0:02:17 | 0:02:19 | |
Home to criminology lecturer Andrea. | 0:02:20 | 0:02:23 | |
She lives in a block of flats with her teenage son | 0:02:23 | 0:02:26 | |
who goes to a nearby college. | 0:02:26 | 0:02:28 | |
I live in a nice neighbourhood. | 0:02:28 | 0:02:30 | |
You do kind of look out for each other. | 0:02:30 | 0:02:33 | |
If anything does happen, we all come out in support. | 0:02:33 | 0:02:37 | |
And when, one day, Andrea's neighbours complained about | 0:02:37 | 0:02:40 | |
someone smoking in the communal hallway, | 0:02:40 | 0:02:42 | |
their landlord sent round some men | 0:02:42 | 0:02:44 | |
to secretly install a camera disguised as a smoke alarm | 0:02:44 | 0:02:47 | |
to help him catch the culprit. | 0:02:47 | 0:02:49 | |
There were two guys out there and they were doing | 0:02:50 | 0:02:53 | |
a little bit too much work for it to be a smoke alarm. | 0:02:53 | 0:02:57 | |
So, I said, "Is that a smoke alarm?" | 0:02:57 | 0:02:59 | |
And they said, "Yes, it's a smoke alarm, definitely a smoke alarm." | 0:02:59 | 0:03:03 | |
I was like, "No, it's not, it's a camera. | 0:03:03 | 0:03:05 | |
They said, "No, no, it's definitely a smoke alarm." | 0:03:05 | 0:03:07 | |
When we came in, we'd dance in front of it and smile and wave at it | 0:03:07 | 0:03:11 | |
because we thought it was quite entertaining. | 0:03:11 | 0:03:14 | |
Not much gets past Andrea. | 0:03:14 | 0:03:16 | |
That's a criminologist for you. | 0:03:16 | 0:03:18 | |
She originally decided to study the world of crime | 0:03:18 | 0:03:21 | |
after landing a job in a solicitor's office. | 0:03:21 | 0:03:24 | |
I ended up going to my local college, where I met this teacher | 0:03:24 | 0:03:29 | |
who told me about criminology and encouraged me to go to university. | 0:03:29 | 0:03:34 | |
I thought, "OK, well, you know, | 0:03:34 | 0:03:36 | |
"I'm pretty smart, let me go and do it." | 0:03:36 | 0:03:39 | |
So, I ended up doing criminology | 0:03:39 | 0:03:40 | |
and I was inspired by one of my lecturers to become a teacher. | 0:03:40 | 0:03:44 | |
But little did Andrea know, | 0:03:44 | 0:03:46 | |
she'd soon have her very own crime case to study. | 0:03:46 | 0:03:48 | |
It's 10am on a week day, | 0:03:52 | 0:03:54 | |
and while Andrea is out teaching about crime at college, | 0:03:54 | 0:03:58 | |
there's a burglar trying to break into her home. | 0:03:58 | 0:04:01 | |
Even though Andrea's door is reinforced, he doesn't give up. | 0:04:03 | 0:04:07 | |
20 minutes later, he's in, and along with an accomplice, | 0:04:09 | 0:04:12 | |
looting her possessions. | 0:04:12 | 0:04:14 | |
At college, Andrea is in the middle of teaching | 0:04:16 | 0:04:19 | |
and normally, mobile phones are banned in class. | 0:04:19 | 0:04:21 | |
I was quite shocked when my own phone started ringing. | 0:04:22 | 0:04:25 | |
I made a bit of a joke at first and I said, | 0:04:25 | 0:04:27 | |
"That's one of you lot's phone, I'm not going to tell you again." | 0:04:27 | 0:04:31 | |
And we all chuckled about it. | 0:04:31 | 0:04:32 | |
But the laughing stopped when Andrea finds it's her son calling | 0:04:32 | 0:04:36 | |
to tell her they've been burgled. | 0:04:36 | 0:04:39 | |
I just felt my legs buckle, I felt as if... | 0:04:39 | 0:04:42 | |
I just didn't get it. | 0:04:43 | 0:04:45 | |
It was almost as if somebody had taken my breath away | 0:04:45 | 0:04:47 | |
and I just didn't know what else to do. | 0:04:47 | 0:04:49 | |
Andrea races to her house, dreading what she will find. | 0:04:49 | 0:04:53 | |
I just don't remember the car journey home. | 0:04:54 | 0:04:56 | |
I was still quite dazed, | 0:04:56 | 0:04:58 | |
so I was quite glad that my neighbour was there. | 0:04:58 | 0:05:00 | |
She records the scene of devastation on her phone. | 0:05:01 | 0:05:04 | |
I just thought, "Well, what's gone on here?" | 0:05:06 | 0:05:08 | |
Because they took the whole door off, including the frame. | 0:05:08 | 0:05:11 | |
It was an awful feeling. | 0:05:11 | 0:05:14 | |
This is my home, this is where I live and I love it here. | 0:05:14 | 0:05:17 | |
And somebody has come in and they've taken that feeling of warmth, | 0:05:17 | 0:05:21 | |
my community feeling away from me, | 0:05:21 | 0:05:23 | |
because I felt this was no longer my home. | 0:05:23 | 0:05:26 | |
A large television is missing from the lounge, and that's not all. | 0:05:26 | 0:05:31 | |
A laptop that my previous employer had given me | 0:05:31 | 0:05:34 | |
had gone and it had lots of memories on it. | 0:05:34 | 0:05:37 | |
As Andrea walks into her bedroom, her heart sinks. | 0:05:37 | 0:05:40 | |
I just felt really, really sick | 0:05:42 | 0:05:45 | |
because I noticed my drawers were wide open. | 0:05:45 | 0:05:48 | |
Not all of my drawers, mainly my underwear drawer. | 0:05:48 | 0:05:51 | |
My bed was just all dishevelled because they'd taken my quilt cover. | 0:05:51 | 0:05:55 | |
It just felt really creepy. | 0:05:55 | 0:05:57 | |
I almost felt like there was a presence in there. | 0:05:57 | 0:06:01 | |
Andrea's jewellery box, containing a ring her mother gave her, has gone. | 0:06:01 | 0:06:05 | |
Every time I would look at that ring, | 0:06:06 | 0:06:09 | |
it would just remind me of my mum. | 0:06:09 | 0:06:11 | |
And that broke my heart. | 0:06:11 | 0:06:13 | |
It was just so personal to me. | 0:06:13 | 0:06:15 | |
If they had asked me, they could have had the rest, | 0:06:15 | 0:06:18 | |
just not that one. | 0:06:18 | 0:06:19 | |
But Andrea soon switches back into criminologist mode | 0:06:21 | 0:06:25 | |
and remembers the hidden camera in the hallway. | 0:06:25 | 0:06:27 | |
I said to the police, "Oh, my gosh, that's a camera." | 0:06:29 | 0:06:31 | |
He said, "It's a fire alarm." | 0:06:31 | 0:06:33 | |
"No, no, it's a camera, it's actually a camera. | 0:06:33 | 0:06:35 | |
"Look." He was like, "Well, where's the lens?" | 0:06:35 | 0:06:38 | |
I said, "Look, it's right there," and I showed him. | 0:06:38 | 0:06:40 | |
He said, "OK, who's got the footage?" | 0:06:40 | 0:06:42 | |
I said, "My landlord's got the footage. | 0:06:42 | 0:06:44 | |
"I'm going to phone them." | 0:06:44 | 0:06:45 | |
Andrea's vigilance proves to be a breakthrough. | 0:06:45 | 0:06:48 | |
The police get hold of the footage and can't believe their eyes. | 0:06:50 | 0:06:54 | |
The burglar is caught in the act and so is his accomplice. | 0:06:54 | 0:06:58 | |
The villain wears gloves to avoid leaving fingerprints. | 0:07:04 | 0:07:06 | |
The camera shows how he checks no-one's around | 0:07:08 | 0:07:11 | |
that can hear him break in. | 0:07:11 | 0:07:12 | |
He uses a crowbar to try to lever open Andrea's sturdy front door. | 0:07:14 | 0:07:18 | |
DCI Mick Neville from the Met's forensic image team | 0:07:22 | 0:07:25 | |
realises he's dealing with an experienced thief. | 0:07:25 | 0:07:29 | |
What was unusual about this case | 0:07:29 | 0:07:30 | |
was the determination of the burglar to get in. | 0:07:30 | 0:07:33 | |
Normally, the burglar will try and crowbar the door, | 0:07:33 | 0:07:36 | |
and if that fails, may move on, but for whatever reason, | 0:07:36 | 0:07:38 | |
he really did attack this door | 0:07:38 | 0:07:40 | |
and took some substantial amount of time to access the premises. | 0:07:40 | 0:07:44 | |
This is no casual criminal. | 0:07:44 | 0:07:46 | |
He takes a full 20 minutes to rip off the door frame, piece by piece. | 0:07:46 | 0:07:51 | |
It's rare for a burglar to go to such lengths. | 0:07:53 | 0:07:55 | |
He forces the door open and heads straight for Andrea's belongings. | 0:08:00 | 0:08:03 | |
The thief had gone through all the drawers in the victim's bedroom. | 0:08:04 | 0:08:08 | |
I think that's a real violation of privacy | 0:08:08 | 0:08:10 | |
and it really does make people frightened. | 0:08:10 | 0:08:13 | |
And this is why burglary is such a wicked crime. | 0:08:13 | 0:08:15 | |
The thief uses Andrea's duvet to carry off his ill-gotten gains. | 0:08:15 | 0:08:19 | |
The footage is sent to a special police video unit in Croydon | 0:08:21 | 0:08:24 | |
where it is analysed and then dispatched to other boroughs. | 0:08:24 | 0:08:28 | |
At the Metropolitan Police, | 0:08:29 | 0:08:30 | |
we're very good at dealing with CCTV images, | 0:08:30 | 0:08:32 | |
and particularly passing them across police borders. | 0:08:32 | 0:08:35 | |
Because you can have the best CCTV image in the world, | 0:08:35 | 0:08:38 | |
but unless the right officer, or member of the public, | 0:08:38 | 0:08:41 | |
looks at it and makes an identification, it's little use. | 0:08:41 | 0:08:44 | |
All over London, police officers examine the footage | 0:08:46 | 0:08:50 | |
to see if they can identify the felon. | 0:08:50 | 0:08:52 | |
At home, Andrea is struggling to come to terms with the intrusion. | 0:08:54 | 0:08:58 | |
She fears she was deliberately targeted by the burglars. | 0:08:58 | 0:09:02 | |
It was just really difficult for me to grasp the fact that | 0:09:03 | 0:09:06 | |
I didn't understand why they'd gone into my room. | 0:09:06 | 0:09:08 | |
I guess I thought it was personal at that point. | 0:09:08 | 0:09:11 | |
It was the fear of the unknown. | 0:09:11 | 0:09:13 | |
But soon, Andrea will be able to rest easy. | 0:09:13 | 0:09:16 | |
There's been a further breakthrough in her case. | 0:09:16 | 0:09:19 | |
An officer in Lambeth has identified the crook | 0:09:19 | 0:09:22 | |
and the police pounce. | 0:09:22 | 0:09:24 | |
By the very next morning, they had a warrant, | 0:09:24 | 0:09:27 | |
they raided his home address, | 0:09:27 | 0:09:29 | |
he was quickly arrested and taken to Croydon Police Station. | 0:09:29 | 0:09:32 | |
It's a massive relief for Andrea. | 0:09:32 | 0:09:35 | |
Finding out it was somebody completely random | 0:09:35 | 0:09:39 | |
made me feel so much better about it. | 0:09:39 | 0:09:41 | |
I realised that it wasn't personal. | 0:09:41 | 0:09:45 | |
It was a burglary, and it happens to many people. | 0:09:45 | 0:09:50 | |
But I had to come to that conclusion by myself. | 0:09:50 | 0:09:52 | |
It didn't matter what my friends were telling me. | 0:09:52 | 0:09:54 | |
I had to feel it for myself. | 0:09:54 | 0:09:56 | |
In court, the man pleaded guilty to burglary | 0:09:58 | 0:10:01 | |
and admitted to 18 other offences. | 0:10:01 | 0:10:04 | |
His sentence, four years in prison. | 0:10:04 | 0:10:06 | |
His accomplice pleaded guilty to trespass and theft | 0:10:08 | 0:10:12 | |
and received a youth rehabilitation order. | 0:10:12 | 0:10:14 | |
Andrea, working out that the smoke alarm was nothing of the sort, | 0:10:16 | 0:10:20 | |
and telling the police it was a hidden camera, | 0:10:20 | 0:10:22 | |
was vital in cracking the case. | 0:10:22 | 0:10:24 | |
Without that CCTV evidence, | 0:10:24 | 0:10:26 | |
it's very unlikely that the suspect would have been ever arrested. | 0:10:26 | 0:10:29 | |
But just that chance of the camera there | 0:10:29 | 0:10:31 | |
really did enable us to catch a quite prolific burglar. | 0:10:31 | 0:10:34 | |
With the thief safely behind bars, | 0:10:36 | 0:10:38 | |
Andrea's been able to move on with her life. | 0:10:38 | 0:10:41 | |
Oh, my God. Oh, my gosh! | 0:10:42 | 0:10:44 | |
And regard that traumatic time as a valuable learning opportunity. | 0:10:44 | 0:10:48 | |
It gave me an insight into the experience of the victims of crime. | 0:10:48 | 0:10:53 | |
And I guess, in a sense, it enabled me to teach that particular subject | 0:10:53 | 0:10:56 | |
better to my students. | 0:10:56 | 0:10:57 | |
A lot of people's favourite meal is a big Sunday roast. | 0:11:05 | 0:11:09 | |
Looks like this fella agrees. | 0:11:09 | 0:11:10 | |
But if this rather juddery CCTV footage is anything to go by, | 0:11:10 | 0:11:15 | |
his eyes are a little bit bigger than his belly. | 0:11:15 | 0:11:17 | |
This guy has taken himself down to the supermarket | 0:11:24 | 0:11:27 | |
to get the Sunday joint. | 0:11:27 | 0:11:28 | |
But as we're about to see, he isn't too keen on paying for it. | 0:11:28 | 0:11:31 | |
It also looks like the security camera is a bit faulty. | 0:11:33 | 0:11:36 | |
Either that, or this chap is an expert break dancer. | 0:11:36 | 0:11:39 | |
Or maybe he's about to do a belly dance for the cameras, | 0:11:41 | 0:11:44 | |
because this beef thief chooses the biggest portion in the store... | 0:11:44 | 0:11:48 | |
..shoves it up his jumper... | 0:11:49 | 0:11:51 | |
..and skedaddles out of the joint, or with the joint. | 0:11:52 | 0:11:55 | |
And before the security staff can catch him. | 0:11:55 | 0:11:59 | |
But the police are hot on the trail of this man, | 0:11:59 | 0:12:01 | |
who decided to risk it for some brisket. | 0:12:01 | 0:12:05 | |
They've got a bone to pick with him. | 0:12:05 | 0:12:07 | |
We'd all feel terrible if we drove into the back of another motorist, | 0:12:11 | 0:12:14 | |
and our natural reaction would be to take the blame. | 0:12:14 | 0:12:17 | |
But what if it was no accident in the first place, | 0:12:17 | 0:12:20 | |
but a case of crash for cash? | 0:12:20 | 0:12:22 | |
The City Of London Police Headquarters | 0:12:28 | 0:12:30 | |
is in the centre of the capital. | 0:12:30 | 0:12:32 | |
Based here is Detective Constable Kate Sibley. | 0:12:34 | 0:12:37 | |
Kate's investigated fraud for over two decades. | 0:12:37 | 0:12:40 | |
She works in a department specially set up to deal with insurance scams. | 0:12:40 | 0:12:44 | |
Insurance fraud is on the increase. | 0:12:46 | 0:12:48 | |
That makes a big difference in the insurance world | 0:12:48 | 0:12:50 | |
and at the end of the day, it adds money onto policies. | 0:12:50 | 0:12:54 | |
The insurance industry has estimated that premiums in general | 0:12:54 | 0:12:58 | |
go up by at least £50 a year because of fraudsters. | 0:12:58 | 0:13:02 | |
We are all victims of this crime. | 0:13:02 | 0:13:04 | |
That's £50 out of your personal pocket | 0:13:04 | 0:13:06 | |
and that's per insurance policy. | 0:13:06 | 0:13:08 | |
And we all hold a number of insurance policies at home. | 0:13:08 | 0:13:12 | |
Bogus claims can yield millions of pounds. | 0:13:12 | 0:13:15 | |
So, it's no surprise organised criminal gangs are in on the act. | 0:13:15 | 0:13:19 | |
And one type of scam known as crash for cash | 0:13:19 | 0:13:23 | |
can be especially profitable. | 0:13:23 | 0:13:25 | |
Crash for cash is basically an induced accident. | 0:13:25 | 0:13:28 | |
So, you're driving along quite happily as a member of the public, | 0:13:28 | 0:13:31 | |
suddenly someone in front of you slams on their brakes | 0:13:31 | 0:13:34 | |
for no reason whatsoever. | 0:13:34 | 0:13:36 | |
You then hit the rear end of that vehicle. | 0:13:36 | 0:13:39 | |
Claims are then made by the vehicle in front, for personal injury, | 0:13:39 | 0:13:42 | |
which amounts to quite a lot. | 0:13:42 | 0:13:44 | |
Bogus passengers suddenly appear, putting in claims. | 0:13:44 | 0:13:47 | |
You have credit hire, ie hire of another vehicle. | 0:13:47 | 0:13:50 | |
Storage for that damaged vehicle. | 0:13:50 | 0:13:52 | |
And the list goes on and on and on. | 0:13:52 | 0:13:54 | |
Kate's recently dealt with a case that even she finds shocking. | 0:13:56 | 0:14:00 | |
This traffic camera footage is from an underpass | 0:14:00 | 0:14:02 | |
in Doncaster, South Yorkshire. | 0:14:02 | 0:14:04 | |
At first, everything seems normal. | 0:14:05 | 0:14:08 | |
There was traffic ahead, it's moving quite well, it's not braking, | 0:14:09 | 0:14:13 | |
it's not stopping. | 0:14:13 | 0:14:15 | |
But Kate points out a black Porsche sports car, | 0:14:15 | 0:14:18 | |
whose driver is up to no good. | 0:14:18 | 0:14:20 | |
Suddenly, he slams his brakes on, for no reason. | 0:14:20 | 0:14:24 | |
And that van then hits the rear end. | 0:14:24 | 0:14:26 | |
Ouch. | 0:14:28 | 0:14:29 | |
The driver of the white van is a female council worker, | 0:14:29 | 0:14:33 | |
and an ideal victim for the fraudster in the flashy car. | 0:14:33 | 0:14:36 | |
Anybody committing this sort of crime | 0:14:38 | 0:14:40 | |
will tend to go for company vehicles, | 0:14:40 | 0:14:42 | |
because they know they are insured | 0:14:42 | 0:14:44 | |
and they will be covered by insurance. | 0:14:44 | 0:14:46 | |
The sports car and van ease onto a cycle path to allow traffic | 0:14:46 | 0:14:50 | |
to pass more safely. | 0:14:50 | 0:14:51 | |
Then the man gets out and aggressively blames | 0:14:52 | 0:14:55 | |
the totally innocent van driver for the collision. | 0:14:55 | 0:14:57 | |
The victim kept get shouted at by the driver, | 0:14:58 | 0:15:01 | |
"Didn't you see the brake lights? Didn't you see the brake lights?" | 0:15:01 | 0:15:04 | |
And she felt quite intimidated by him | 0:15:04 | 0:15:06 | |
because he was putting the entire blame on her | 0:15:06 | 0:15:10 | |
when it wasn't her fault. | 0:15:10 | 0:15:11 | |
And I think she believed it wasn't her fault, | 0:15:11 | 0:15:13 | |
she knew it wasn't her fault. | 0:15:13 | 0:15:15 | |
But to be a lone female in a tunnel | 0:15:15 | 0:15:17 | |
being shouted at by a Porsche driver | 0:15:17 | 0:15:19 | |
is not a nice situation to be in. | 0:15:19 | 0:15:21 | |
Surprisingly, the sports car isn't as badly damaged as the woman's van, | 0:15:22 | 0:15:26 | |
which has a cracked radiator. | 0:15:26 | 0:15:28 | |
So, the driver sets about wrecking his own car some more. | 0:15:28 | 0:15:31 | |
Saying he wants to get away from the bend in the road, | 0:15:33 | 0:15:36 | |
he careers into the tunnel wall, scraping it along the concrete. | 0:15:36 | 0:15:40 | |
Unbelievable. | 0:15:40 | 0:15:41 | |
The driver of the Porsche stopped and she said to him, | 0:15:43 | 0:15:46 | |
"What are you doing?" | 0:15:46 | 0:15:47 | |
And he said, "You've knackered my steering. | 0:15:48 | 0:15:50 | |
"My steering is knackered | 0:15:50 | 0:15:52 | |
"because of when you hit me in the rear end of the vehicle." | 0:15:52 | 0:15:54 | |
The crook in the car takes the van driver's details | 0:15:54 | 0:15:56 | |
and then makes a rapid exit, | 0:15:56 | 0:15:58 | |
miraculously overcoming his knackered steering. | 0:15:58 | 0:16:01 | |
But little does he realise, | 0:16:03 | 0:16:05 | |
the entire incident has been caught on camera. | 0:16:05 | 0:16:08 | |
This is why it is so important, these cameras. | 0:16:08 | 0:16:11 | |
It could be seen this car was driveable, | 0:16:11 | 0:16:13 | |
he was driving it perfectly fine out of the tunnel. | 0:16:13 | 0:16:15 | |
Soon after he gets home, | 0:16:16 | 0:16:18 | |
the sports car scammer starts a sizeable insurance claim. | 0:16:18 | 0:16:21 | |
And sends the van driver's insurers an engineer's report | 0:16:23 | 0:16:26 | |
and photos of his car. | 0:16:26 | 0:16:28 | |
It now looks like it's been hit by a ten-ton truck, | 0:16:28 | 0:16:31 | |
and surprise, surprise, it's a write-off. | 0:16:31 | 0:16:35 | |
That does not compare to that. | 0:16:35 | 0:16:38 | |
That, to me, looks like somebody's taken a sledgehammer | 0:16:38 | 0:16:41 | |
to the rear end of the car after the accident and caused severe damage, | 0:16:41 | 0:16:46 | |
because there is no way | 0:16:46 | 0:16:48 | |
that was caused from the accident in that tunnel. | 0:16:48 | 0:16:51 | |
The fraudster also sent a £22,000 bill | 0:16:51 | 0:16:55 | |
for hiring a replacement vehicle, | 0:16:55 | 0:16:57 | |
even though his doctored report states he can't drive | 0:16:57 | 0:17:01 | |
because he's so badly injured. | 0:17:01 | 0:17:03 | |
But thanks to Kate and her camera evidence, | 0:17:06 | 0:17:09 | |
the swindler in the sports car | 0:17:09 | 0:17:11 | |
is about to get a crash course in justice. | 0:17:11 | 0:17:14 | |
The suspect was summoned to court and he decided to plead not guilty. | 0:17:14 | 0:17:18 | |
So, he was sent to the Old Bailey for trial. | 0:17:18 | 0:17:21 | |
But on day one of the trial, he decided to plead guilty | 0:17:21 | 0:17:24 | |
to the charges put before him. | 0:17:24 | 0:17:26 | |
And at a later hearing, | 0:17:29 | 0:17:30 | |
he was ordered to pay the insurance company £34,000 in compensation | 0:17:30 | 0:17:35 | |
and more than £7,500 prosecution costs. | 0:17:35 | 0:17:38 | |
The fraudster was sentenced to six months in jail, | 0:17:41 | 0:17:44 | |
suspended for two years, | 0:17:44 | 0:17:45 | |
and 140 hours of unpaid work in the community. | 0:17:45 | 0:17:48 | |
To us, it was a good result. | 0:17:53 | 0:17:54 | |
Everything was stacked against him. | 0:17:54 | 0:17:56 | |
He didn't really have a leg to stand on. | 0:17:56 | 0:17:59 | |
His sneaky scam to get banged in the back | 0:17:59 | 0:18:02 | |
ended up with him being banged... | 0:18:02 | 0:18:04 | |
..to rights. | 0:18:05 | 0:18:07 | |
Any motorist could be a victim of crash for cash, | 0:18:12 | 0:18:16 | |
so what should someone do if they're involved in an accident which, well, | 0:18:16 | 0:18:21 | |
doesn't seem very accidental? | 0:18:21 | 0:18:23 | |
Anybody involved in a crash is going to be traumatised or upset. | 0:18:24 | 0:18:29 | |
If somebody looks really calm, | 0:18:29 | 0:18:31 | |
you have to ask yourself, "Why is that?" | 0:18:31 | 0:18:33 | |
Crash for cash investigations have shown that it's not just about | 0:18:33 | 0:18:37 | |
the car in front jamming on the brakes, | 0:18:37 | 0:18:39 | |
there are circumstances and cases | 0:18:39 | 0:18:42 | |
where a vehicle has rammed the victim from behind, | 0:18:42 | 0:18:46 | |
or alternatively, they've been sideswiped | 0:18:46 | 0:18:48 | |
as they've gone round a roundabout. | 0:18:48 | 0:18:50 | |
Usually with expensive cars, | 0:18:50 | 0:18:52 | |
people are quite protective of their asset. | 0:18:52 | 0:18:54 | |
If they are driving in an unusual manner, | 0:18:54 | 0:18:56 | |
perhaps swerving in front of you or braking harshly, | 0:18:56 | 0:18:59 | |
then they're not really doing a good job of that, | 0:18:59 | 0:19:01 | |
so alarm bells might start to ring. | 0:19:01 | 0:19:03 | |
If you do feel that you're a victim of crash for cash, | 0:19:03 | 0:19:07 | |
then it's important you call the police as soon as possible. | 0:19:07 | 0:19:10 | |
But there are other, a few things you can do | 0:19:10 | 0:19:12 | |
while waiting for police to attend, | 0:19:12 | 0:19:14 | |
and that could just be recording the mannerisms of the person involved, | 0:19:14 | 0:19:18 | |
or it could be recording any witness details | 0:19:18 | 0:19:21 | |
if they can't wait for police to attend. | 0:19:21 | 0:19:23 | |
If it's a tiny bump | 0:19:23 | 0:19:25 | |
and then somebody suddenly starts falling about | 0:19:25 | 0:19:27 | |
as if they're desperately, badly injured, | 0:19:27 | 0:19:30 | |
you need to wonder what's going on. | 0:19:30 | 0:19:31 | |
If they look like they're acting, they probably are. | 0:19:31 | 0:19:34 | |
The Horse & Jockey pub in Pontypool | 0:19:44 | 0:19:46 | |
has served thirsty locals for hundreds of years. | 0:19:46 | 0:19:49 | |
Its latest owner is experienced landlord Leighton, | 0:19:51 | 0:19:54 | |
who also has another pub close by. | 0:19:54 | 0:19:57 | |
I've been in the pub trade all my life. | 0:19:57 | 0:19:59 | |
A second pub was a challenge I wanted to take on, | 0:19:59 | 0:20:02 | |
and when it was The Horse & Jockey that came up, | 0:20:02 | 0:20:04 | |
it was certainly something I wanted to look into. | 0:20:04 | 0:20:07 | |
It's been a personal favourite of mine since I was old enough | 0:20:07 | 0:20:10 | |
to frequent the premises. | 0:20:10 | 0:20:11 | |
I'm led to believe it's a 15th-century building. | 0:20:11 | 0:20:15 | |
We've got a resident ghost, apparently. | 0:20:15 | 0:20:17 | |
Leighton hired a barman, Liam, who lives above the pub. | 0:20:17 | 0:20:20 | |
Liam isn't scared of ghosts, | 0:20:20 | 0:20:22 | |
and when Leighton asked him to become manager | 0:20:22 | 0:20:24 | |
of The Horse & Jockey, he jumped at the chance. | 0:20:24 | 0:20:27 | |
We sat down and we had a chat and he said, | 0:20:27 | 0:20:29 | |
"Would you like to go up to manager?" | 0:20:29 | 0:20:31 | |
So, I said, "Yeah, I'll have a go." | 0:20:31 | 0:20:34 | |
He's given me a massive opportunity | 0:20:34 | 0:20:36 | |
and massive responsibility of the pub. | 0:20:36 | 0:20:39 | |
It's nice to live upstairs, | 0:20:39 | 0:20:41 | |
it's just walk down the steps and you're in work. | 0:20:41 | 0:20:44 | |
But Liam's managerial career almost fell at the first fence. | 0:20:44 | 0:20:48 | |
It all starts with a somewhat weary Liam waking up at around 10am | 0:20:53 | 0:20:57 | |
on New Year's Day after a big pub party the previous night. | 0:20:57 | 0:21:01 | |
My girlfriend was upstairs with me, so she said, | 0:21:02 | 0:21:05 | |
"Can you go get my handbag?" | 0:21:05 | 0:21:07 | |
Liam goes downstairs to fetch the handbag she left next to the till, | 0:21:08 | 0:21:12 | |
but it isn't there. | 0:21:12 | 0:21:14 | |
I was like, "Your handbag's not behind the bar. | 0:21:14 | 0:21:17 | |
"It's nowhere to be seen." | 0:21:17 | 0:21:18 | |
She was like, "I left it there last night." | 0:21:18 | 0:21:20 | |
They both go downstairs to look. | 0:21:20 | 0:21:22 | |
She came round and said, "Your fire exit's open." | 0:21:22 | 0:21:25 | |
And my stomach sank a little bit. | 0:21:25 | 0:21:27 | |
I was like, "It shouldn't be." | 0:21:27 | 0:21:30 | |
Before going to bed, | 0:21:30 | 0:21:31 | |
Liam had checked the fire exit and shut all the windows. | 0:21:31 | 0:21:35 | |
But now, two of the back windows are open. | 0:21:35 | 0:21:38 | |
I just felt physically sick. | 0:21:38 | 0:21:40 | |
Of all days, New Year's Day, we've just got broken into. | 0:21:40 | 0:21:43 | |
It was just going through my head, | 0:21:43 | 0:21:45 | |
thinking, "What do I do, what do I do?" | 0:21:45 | 0:21:47 | |
He checks the pub's CCTV recording. | 0:21:48 | 0:21:51 | |
As I was going through it, it went to daylight, more or less. | 0:21:52 | 0:21:57 | |
So, I was like, "Surely no-one could come in here in the daylight?" | 0:21:57 | 0:22:00 | |
Next thing I see, the guy's out the back. | 0:22:00 | 0:22:03 | |
Liam phones his boss to break the news. | 0:22:03 | 0:22:06 | |
The first thing was to make sure Liam was OK | 0:22:07 | 0:22:10 | |
because it's not a good experience to go through. | 0:22:10 | 0:22:12 | |
Then it was, "Jump in the car and just get up here." | 0:22:12 | 0:22:15 | |
Everything's racing through your mind, thinking what's been stolen | 0:22:15 | 0:22:18 | |
and what's been damaged. | 0:22:18 | 0:22:20 | |
When Leighton arrives, | 0:22:20 | 0:22:21 | |
Liam tells him the pub's storage units have been ransacked. | 0:22:21 | 0:22:26 | |
A considerable amount of food stock, spirits, wines, ciders had gone. | 0:22:26 | 0:22:30 | |
Liam's bedroom window looks over the storage units. | 0:22:30 | 0:22:34 | |
Knowing he slept through the burglary has hit him hard. | 0:22:34 | 0:22:38 | |
I just can't believe I didn't hear anything at all. | 0:22:38 | 0:22:41 | |
I was like, "I've just taken this role on," | 0:22:41 | 0:22:44 | |
I think the responsibility is too much for myself, so, to be honest, | 0:22:44 | 0:22:48 | |
I was just going to call it all a day. | 0:22:48 | 0:22:50 | |
It hurt me that badly, it was just horrific, to be fair. | 0:22:50 | 0:22:54 | |
It's a serious blow so early in Liam's pub management career. | 0:22:55 | 0:22:59 | |
His girlfriend is also shellshocked. | 0:22:59 | 0:23:02 | |
Her expensive handbag | 0:23:02 | 0:23:03 | |
had been one of her favourite presents on Christmas Day. | 0:23:03 | 0:23:07 | |
She was so upset. | 0:23:07 | 0:23:09 | |
She had £200 worth of make-up in there. | 0:23:09 | 0:23:12 | |
And for a Christmas present to be gone | 0:23:12 | 0:23:14 | |
five days after you've had it ain't nice. | 0:23:14 | 0:23:16 | |
Leighton knows the burglary has knocked Liam's confidence | 0:23:16 | 0:23:20 | |
but is convinced they can find the intruder. | 0:23:20 | 0:23:22 | |
After alerting the police, | 0:23:22 | 0:23:24 | |
he calls an IT expert friend, James, and asks his advice. | 0:23:24 | 0:23:29 | |
It was a shock because I'd been there the night before | 0:23:29 | 0:23:32 | |
for New Year's Eve and seen what a great success it was. | 0:23:32 | 0:23:37 | |
James rushes round to the pub and closely examines the footage. | 0:23:37 | 0:23:41 | |
I saw the perpetrator drive in initially | 0:23:41 | 0:23:44 | |
with a dark-coloured vehicle. | 0:23:44 | 0:23:46 | |
The burglar enters the car park at 7:50am. | 0:23:46 | 0:23:50 | |
The CCTV cameras only record when they sense motion | 0:23:51 | 0:23:55 | |
and they pick the man up a few moments later in the back yard. | 0:23:55 | 0:23:59 | |
He's arrived with the largest pair of bolt crops | 0:23:59 | 0:24:02 | |
I've seen in a long time. | 0:24:02 | 0:24:04 | |
The intruder seems to know what he's doing. | 0:24:04 | 0:24:07 | |
He was very careful not to make a noise. | 0:24:07 | 0:24:10 | |
The way he used his head to stable the cold storage door. | 0:24:10 | 0:24:15 | |
But the thief makes a crucial error. | 0:24:15 | 0:24:18 | |
He doesn't notice the security cameras overlooking the yard. | 0:24:18 | 0:24:21 | |
Unaware his every move is being filmed, | 0:24:23 | 0:24:26 | |
he starts to steal selectively from the storage unit. | 0:24:26 | 0:24:30 | |
He clearly knew what he was looking for. | 0:24:30 | 0:24:32 | |
He bypassed the chicken nuggets | 0:24:32 | 0:24:33 | |
in order to go for the quite exotic foods. | 0:24:33 | 0:24:36 | |
The thief then raids the second storage unit, | 0:24:36 | 0:24:39 | |
taking more valuable stock. | 0:24:39 | 0:24:41 | |
The cost price to us, around £5,000 worth of food alone. | 0:24:41 | 0:24:44 | |
It was a massive loss to us, | 0:24:44 | 0:24:46 | |
as a new business trying to get our name out there. | 0:24:46 | 0:24:49 | |
We didn't want people to go away and say, | 0:24:49 | 0:24:51 | |
"I just went to The Horse & Jockey and they don't have any stock." | 0:24:51 | 0:24:54 | |
The burglar then vanishes from sight. | 0:24:54 | 0:24:57 | |
But minutes later, reappears inside the pub. | 0:24:59 | 0:25:02 | |
He's got in through one of those small windows. | 0:25:02 | 0:25:05 | |
Immediately, he went straight for the bar. | 0:25:05 | 0:25:07 | |
Recognising the bar had had a big night, good night before perhaps, | 0:25:07 | 0:25:11 | |
quite naively believing | 0:25:11 | 0:25:12 | |
that anybody would keep any money in the till area. | 0:25:12 | 0:25:15 | |
The intruder spots Liam's girlfriend's handbag. | 0:25:15 | 0:25:18 | |
As well as expensive make-up and cash, it contains her car keys. | 0:25:18 | 0:25:23 | |
The burglar goes back to his own vehicle | 0:25:25 | 0:25:28 | |
and drives up to the cars left overnight | 0:25:28 | 0:25:30 | |
to see which one opens with the stolen keys. | 0:25:30 | 0:25:32 | |
Once he identifies the car, he looks inside. | 0:25:34 | 0:25:37 | |
But there's nothing to steal, so he heads off with his ill-gotten gains. | 0:25:37 | 0:25:41 | |
James and Leighton devise a plan to bring him to justice. | 0:25:43 | 0:25:47 | |
Gwent Police have got quite an active social media programme | 0:25:47 | 0:25:51 | |
they call "caught and in court". | 0:25:51 | 0:25:53 | |
And that gave me the idea that we should take advantage | 0:25:53 | 0:25:56 | |
of social media to try and find him. | 0:25:56 | 0:25:59 | |
James thinks he'll have more chance of success if snapshots of the thief | 0:25:59 | 0:26:02 | |
are posted online straightaway. | 0:26:02 | 0:26:05 | |
This was New Year's Day at 5:15 | 0:26:05 | 0:26:08 | |
and by 5:28, the first people had started to reply back. | 0:26:08 | 0:26:13 | |
Soon, there's an avalanche of messages identifying the burglar. | 0:26:13 | 0:26:18 | |
The online feedback was incredible. | 0:26:18 | 0:26:20 | |
By that night, we'd had more than 100 posts, | 0:26:20 | 0:26:23 | |
mainly giving the same name. | 0:26:23 | 0:26:25 | |
The phone didn't stop and it didn't stop the next day | 0:26:25 | 0:26:28 | |
and it was just going and going and going. | 0:26:28 | 0:26:31 | |
The police have the man's name, | 0:26:31 | 0:26:33 | |
but the burglar becomes aware of the online campaign | 0:26:33 | 0:26:36 | |
and goes into hiding. | 0:26:36 | 0:26:38 | |
It was only a matter of time before the police caught up with him. | 0:26:38 | 0:26:41 | |
The suspect is finally found a few weeks later | 0:26:41 | 0:26:45 | |
in a nearby town and arrested. | 0:26:45 | 0:26:47 | |
For Liam, still haunted by the burglary happening | 0:26:47 | 0:26:50 | |
while he's in charge, it's a big relief. | 0:26:50 | 0:26:53 | |
Really good feeling. It was always playing on your mind, | 0:26:53 | 0:26:55 | |
just in case he came back. | 0:26:55 | 0:26:57 | |
And now he's arrested, it's quite a weight lifted off the shoulders. | 0:26:57 | 0:27:01 | |
In court, the thief pleaded guilty to a number of crimes | 0:27:05 | 0:27:08 | |
including the burglary at The Horse & Jockey. | 0:27:08 | 0:27:11 | |
He was sentenced to seven months in prison. | 0:27:11 | 0:27:14 | |
The pub's locals were crucial in helping crack the case. | 0:27:16 | 0:27:19 | |
You can go around believing that you live in a nice place, | 0:27:21 | 0:27:25 | |
but it's not until something like this happens | 0:27:25 | 0:27:28 | |
that brings out the best in communities. | 0:27:28 | 0:27:31 | |
And there's more good news. | 0:27:31 | 0:27:33 | |
Despite his early setback, | 0:27:33 | 0:27:34 | |
Liam's decided to continue holding the reins at The Horse & Jockey. | 0:27:34 | 0:27:38 | |
I just had a sit down with my boss. | 0:27:38 | 0:27:40 | |
We just had a chat and I thought, "I do want it. | 0:27:40 | 0:27:43 | |
"I'll make sure everything is perfect | 0:27:43 | 0:27:46 | |
"and I promise you, it won't happen again." | 0:27:46 | 0:27:48 | |
That's it for today. | 0:27:55 | 0:27:56 | |
And that's it for a few more criminals | 0:27:56 | 0:27:58 | |
who've been caught red-handed. | 0:27:58 | 0:28:00 |