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Thieves will steal our cash, our cars, our valuables - | 0:00:02 | 0:00:05 | |
just about anything they can get their hands on. | 0:00:05 | 0:00:07 | |
But now, the police are using cutting-edge technology to catch the bad guys. | 0:00:09 | 0:00:13 | |
We want to make sure we've got a concrete case. | 0:00:13 | 0:00:15 | |
Enough evidence to convict at court. | 0:00:15 | 0:00:17 | |
Local councils, shops and businesses are fighting crime | 0:00:17 | 0:00:21 | |
with their own tricks and traps. | 0:00:21 | 0:00:23 | |
It is just unbelievable that she thinks she can get away with this. | 0:00:23 | 0:00:27 | |
And the public are using secret cameras... | 0:00:27 | 0:00:29 | |
to make sure the crooks get their comeuppance. | 0:00:29 | 0:00:32 | |
Fair means or foul, I was going to get rid of him. | 0:00:32 | 0:00:35 | |
I thought, "We've got her!" | 0:00:35 | 0:00:36 | |
And I was so happy! Thank God! | 0:00:36 | 0:00:40 | |
So anyone who is up to no good had better think twice, | 0:00:40 | 0:00:44 | |
they might just get Caught Red Handed. | 0:00:44 | 0:00:47 | |
Today... | 0:00:51 | 0:00:52 | |
Just a few days after Sylvia has had to cope with the funeral | 0:00:52 | 0:00:55 | |
of her beloved husband, Tony, | 0:00:55 | 0:00:57 | |
her peace of mind is further shattered | 0:00:57 | 0:00:59 | |
when a burglar makes off with her valuables, | 0:00:59 | 0:01:02 | |
in the bag which had contained her husband's ashes. | 0:01:02 | 0:01:05 | |
I would have thought even a thief would have felt some remorse. | 0:01:05 | 0:01:09 | |
He must have realised that whoever lived there was grieving. | 0:01:09 | 0:01:13 | |
He was quite prepared to remove the ashes | 0:01:13 | 0:01:15 | |
and use the bag to take away the stolen goods. | 0:01:15 | 0:01:18 | |
But this burglar may come to share Sylvia's view, | 0:01:18 | 0:01:21 | |
that her husband's spirit is watching over that bag | 0:01:21 | 0:01:24 | |
and over Sylvia, too. | 0:01:24 | 0:01:26 | |
Also today... | 0:01:28 | 0:01:29 | |
Printing business owner Kevin cannot believe it | 0:01:29 | 0:01:32 | |
when he discovers an intruder has crept in | 0:01:32 | 0:01:34 | |
and stolen valuable equipment from right under his nose. | 0:01:34 | 0:01:38 | |
It was brazen. It's daylight robbery. | 0:01:39 | 0:01:41 | |
They were just metres away, really. I felt sick. | 0:01:41 | 0:01:44 | |
But Kevin doesn't get mad, he gets printing. | 0:01:44 | 0:01:47 | |
This slippery customer is about to become the poster boy | 0:01:47 | 0:01:51 | |
in a catch-a-thief campaign. | 0:01:51 | 0:01:53 | |
Also later... | 0:01:56 | 0:01:57 | |
Proving there is no art in thievery, | 0:01:57 | 0:01:59 | |
this chap struggles to steal a portrait that is bigger than he is. | 0:01:59 | 0:02:03 | |
But he has been framed himself, | 0:02:03 | 0:02:05 | |
and he has missed the best picture of all - | 0:02:05 | 0:02:08 | |
the one this camera is taking of him. | 0:02:08 | 0:02:10 | |
There is no such thing as sentimental value to a burglar. | 0:02:16 | 0:02:20 | |
They see people's cherished belongings, like jewellery, | 0:02:20 | 0:02:23 | |
medals and ornaments, purely as pounds and pence. | 0:02:23 | 0:02:27 | |
But to their unlucky victims, the loss can be heartbreaking. | 0:02:27 | 0:02:31 | |
On the outskirts of Doncaster in South Yorkshire, | 0:02:36 | 0:02:39 | |
Sylvia lives in her bungalow. | 0:02:39 | 0:02:41 | |
She came to the area with her husband, Tony, in 2014. | 0:02:42 | 0:02:46 | |
But sadly, three years later, after suffering a series of illnesses, | 0:02:46 | 0:02:50 | |
Tony passed away. | 0:02:50 | 0:02:52 | |
Sylvia and Tony met in 1976. | 0:02:53 | 0:02:57 | |
I needed to find a little bit of extra money, | 0:02:57 | 0:02:59 | |
so I had been offered a job doing a bit of bar-maiding on a night | 0:02:59 | 0:03:02 | |
and I met Tony, because he came into the pub. | 0:03:02 | 0:03:05 | |
He was a really pleasant person and it just progressed from there. | 0:03:05 | 0:03:09 | |
We just could not imagine life without each other. | 0:03:09 | 0:03:11 | |
Tony worked in the prison service, but after he retired, | 0:03:13 | 0:03:16 | |
his health started to deteriorate rapidly. | 0:03:16 | 0:03:20 | |
He fought heart disease and cancer for over a decade | 0:03:20 | 0:03:23 | |
and defied the odds until he reached the age of 79. | 0:03:23 | 0:03:27 | |
In the end, they actually told him... | 0:03:27 | 0:03:28 | |
..we can't do any more for you. | 0:03:29 | 0:03:32 | |
And you know what he did? | 0:03:32 | 0:03:34 | |
He shook the doctor's hand and said, "Thank you, Doctor." | 0:03:34 | 0:03:37 | |
He died at home and it was very peaceful in the end. | 0:03:38 | 0:03:42 | |
Sylvia and her daughters made sure Tony got the wonderful send-off he deserved. | 0:03:43 | 0:03:48 | |
We said, we want everybody to laugh. | 0:03:48 | 0:03:50 | |
We are going to celebrate his life, | 0:03:51 | 0:03:52 | |
because he had a big life and he had lots of people in it. | 0:03:52 | 0:03:55 | |
And it was absolutely fantastic. | 0:03:55 | 0:03:58 | |
Sylvia collected Tony's ashes a few days after the service | 0:03:58 | 0:04:01 | |
and took them home. | 0:04:01 | 0:04:03 | |
She decided to keep them in a bag by her bed | 0:04:03 | 0:04:05 | |
until she could build a memorial to him in the garden. | 0:04:05 | 0:04:08 | |
It's like having Tony back home again. | 0:04:09 | 0:04:12 | |
So, every night, I used to take him out of the bag. | 0:04:12 | 0:04:15 | |
I used to put him on the bedside table, at his side of the bed, | 0:04:15 | 0:04:17 | |
and I'd have a right chat to him. | 0:04:17 | 0:04:19 | |
People think you shouldn't be talking to a dead person, | 0:04:19 | 0:04:21 | |
but it helps you to get over the initial stage | 0:04:21 | 0:04:25 | |
of losing your partner. | 0:04:25 | 0:04:26 | |
But just a week after bringing Tony's ashes home, | 0:04:27 | 0:04:30 | |
Sylvia faces further heartbreak, when a burglar targets her bungalow. | 0:04:30 | 0:04:35 | |
What he takes, and the way he takes it, adds greatly to her grief. | 0:04:35 | 0:04:39 | |
It is a Sunday afternoon in the summer | 0:04:44 | 0:04:46 | |
and Sylvia is arriving home after visiting an Open Gardens event, | 0:04:46 | 0:04:50 | |
looking for ideas for Tony's memorial. | 0:04:50 | 0:04:53 | |
I came in and I thought, I'll take my shoes and coat off. | 0:04:54 | 0:04:58 | |
She goes to her bedroom. | 0:04:58 | 0:05:00 | |
As I opened the bedroom door, the first thing that hit me was, | 0:05:00 | 0:05:03 | |
how cold it was. | 0:05:03 | 0:05:04 | |
It was like opening the door to a freezer. | 0:05:04 | 0:05:06 | |
And I looked and I thought, "Where's my window?" | 0:05:06 | 0:05:10 | |
And I also saw, on the floor, was a jewellery box | 0:05:10 | 0:05:14 | |
and I just thought, "I've been burgled!" | 0:05:14 | 0:05:16 | |
It was quite... I don't know. | 0:05:16 | 0:05:19 | |
Somebody had invaded my home and I felt really vulnerable. | 0:05:19 | 0:05:23 | |
Sylvia phones 999 and walks to a neighbour's house to wait for the police to arrive. | 0:05:24 | 0:05:29 | |
This police officer came and she said, "Right", she said, | 0:05:31 | 0:05:34 | |
"I'll go with you, we'll have a look in the bedroom | 0:05:35 | 0:05:37 | |
"and if you can just explain to me what you think has happened." | 0:05:37 | 0:05:41 | |
And as I walked in, I went, "Oh... | 0:05:41 | 0:05:43 | |
"..is my husband's wallet still there?" | 0:05:44 | 0:05:45 | |
There was about £400 in it. | 0:05:45 | 0:05:48 | |
And she said, "Which drawer?" And I said, "The middle one." | 0:05:48 | 0:05:50 | |
And she opened it. | 0:05:50 | 0:05:51 | |
And she had a look, she said, "There's no wallet in here." | 0:05:51 | 0:05:54 | |
That was the worst thing, really, | 0:05:54 | 0:05:55 | |
because that wallet had been Tony's wallet for years. | 0:05:55 | 0:05:59 | |
Some of Sylvia's jewellery has also been stolen. | 0:05:59 | 0:06:03 | |
Then I remembered I had the cameras. | 0:06:03 | 0:06:05 | |
And I said to them, "I've also got CCTV cameras." | 0:06:05 | 0:06:09 | |
Tony had arranged for high-spec security cameras to be installed | 0:06:09 | 0:06:12 | |
when they first moved in. | 0:06:12 | 0:06:14 | |
Sylvia and the police officers view the recorded footage. | 0:06:15 | 0:06:18 | |
We just sat watching it. | 0:06:18 | 0:06:20 | |
And it was like... | 0:06:20 | 0:06:22 | |
He just took his time. Sunday afternoon. | 0:06:22 | 0:06:26 | |
Broad daylight. | 0:06:26 | 0:06:27 | |
Sylvia is horrified as she watches the man approach her bungalow | 0:06:27 | 0:06:31 | |
and casually walk up the drive to her front door. | 0:06:31 | 0:06:35 | |
He stood there and he rang my doorbell and I just thought, | 0:06:35 | 0:06:38 | |
"What would have happened if Tony had still been alive | 0:06:38 | 0:06:40 | |
"and he had been in bed poorly, while I had gone out?" | 0:06:40 | 0:06:43 | |
You know, it just didn't bear thinking about. | 0:06:43 | 0:06:45 | |
The man prowls around the bungalow. | 0:06:45 | 0:06:48 | |
He was just pretending to be a normal person, | 0:06:49 | 0:06:51 | |
going for a walk on the footpath. | 0:06:51 | 0:06:54 | |
But he is obviously sussing out | 0:06:54 | 0:06:56 | |
how he is going to come into the property. | 0:06:56 | 0:06:58 | |
The intruder next appears in the back garden | 0:06:58 | 0:07:01 | |
and begins pulling out Sylvia's hosepipe. | 0:07:01 | 0:07:04 | |
She asks the police officers what they think he is up to. | 0:07:04 | 0:07:07 | |
They said, "Well, if anybody had confronted him, | 0:07:07 | 0:07:10 | |
"maybe seen him or heard him on your property, | 0:07:10 | 0:07:12 | |
"his excuse would have been, | 0:07:12 | 0:07:14 | |
"'I'm actually watering the plants for them while they're out.'" | 0:07:14 | 0:07:17 | |
The man walks over to one of the rear windows near the shed. | 0:07:18 | 0:07:21 | |
I had locked all my windows, locked all my doors. | 0:07:22 | 0:07:25 | |
He has no tools with him he can use to break in, | 0:07:25 | 0:07:28 | |
so the man levers open the shed door to see what he can find. | 0:07:28 | 0:07:32 | |
It is like he comes to your house to burgle you | 0:07:33 | 0:07:35 | |
equipped with nothing but a pair of rubber gloves. | 0:07:35 | 0:07:38 | |
The man tries a number of tools to open a window. | 0:07:38 | 0:07:41 | |
But it proves too difficult. | 0:07:43 | 0:07:44 | |
So, he goes to another window, which is just out of the camera's view. | 0:07:47 | 0:07:51 | |
The man still can't break in, so he gets different tools from the shed. | 0:07:52 | 0:07:57 | |
His actions are shielded from passer-bys on the footpath | 0:07:57 | 0:07:59 | |
by the tall fence. | 0:07:59 | 0:08:01 | |
And it just amazes me that there's people walk up and down that path all the time, | 0:08:02 | 0:08:07 | |
and he doesn't seem to rush. | 0:08:07 | 0:08:09 | |
Out of view, the man finally breaks through a window | 0:08:09 | 0:08:12 | |
and steals a selection of Sylvia's valuables. | 0:08:12 | 0:08:15 | |
When he emerges, she is shocked to see what he is using | 0:08:15 | 0:08:18 | |
to carry the stolen goods. | 0:08:18 | 0:08:20 | |
I saw the bag and straightaway, I said, | 0:08:20 | 0:08:22 | |
"That's the bag my husband's ashes was in." | 0:08:22 | 0:08:24 | |
The man callously removed the clearly-labelled box | 0:08:24 | 0:08:27 | |
containing Tony's ashes, so he could use the bag. | 0:08:27 | 0:08:30 | |
Terrible. The thought that he had actually handled Tony's ashes. | 0:08:31 | 0:08:34 | |
I would have thought even a thief would have felt some remorse. | 0:08:35 | 0:08:39 | |
He must have realised that whoever lived there was grieving. | 0:08:39 | 0:08:43 | |
He was quite prepared to remove the ashes | 0:08:43 | 0:08:45 | |
and use the bag to take away the stolen goods. | 0:08:45 | 0:08:47 | |
The burglar leaves by leaping over the fence. | 0:08:48 | 0:08:51 | |
And no-one is any the wiser. | 0:08:52 | 0:08:54 | |
Or so he thinks. | 0:08:54 | 0:08:56 | |
Later... | 0:08:59 | 0:09:00 | |
The bag that had held Tony's ashes becomes a key piece of evidence. | 0:09:00 | 0:09:03 | |
Thanks to police technology and, Sylvia believes, | 0:09:03 | 0:09:07 | |
some special extra help. | 0:09:07 | 0:09:09 | |
I just thought to myself, "You did it, Tony. | 0:09:10 | 0:09:12 | |
"He was violating you by moving your ashes, | 0:09:12 | 0:09:15 | |
"but you was going to get him." | 0:09:15 | 0:09:17 | |
Now, here's a really blatant bit of daylight thievery. | 0:09:27 | 0:09:30 | |
This man enters a restaurant, but he is not here to take away food. | 0:09:32 | 0:09:35 | |
For some reason, he wants to get his hands on this large wall portrait. | 0:09:38 | 0:09:42 | |
Checking no staff are watching, | 0:09:43 | 0:09:45 | |
he tries to wrench the artwork off the wall. | 0:09:45 | 0:09:48 | |
But he can't seem to lift it. | 0:09:49 | 0:09:51 | |
That is because this 3-D artwork weighs around 30kg, | 0:09:53 | 0:09:57 | |
that's just under 5st. | 0:09:57 | 0:09:59 | |
But the thief doesn't let this hang-up get in his way. | 0:10:00 | 0:10:03 | |
He tries again and this time he manages to get it out the door. | 0:10:03 | 0:10:08 | |
But he doesn't get far. | 0:10:08 | 0:10:09 | |
Outside, the weighty work of art proves too much for him | 0:10:09 | 0:10:12 | |
and he has to dump it in nearby bushes. | 0:10:12 | 0:10:15 | |
What's more, the picture-perfect CCTV images of this artless thief | 0:10:16 | 0:10:21 | |
had put him well and truly in the frame. | 0:10:21 | 0:10:24 | |
He is currently being displayed in the police rogues' gallery. | 0:10:24 | 0:10:27 | |
And although he failed to enjoy the work of this particular artist, | 0:10:28 | 0:10:32 | |
pretty soon he'll be receiving a constable instead. | 0:10:32 | 0:10:35 | |
This burglar casually strolls in through the back door | 0:10:42 | 0:10:45 | |
of a printing business. | 0:10:45 | 0:10:47 | |
While staff work a few feet away, | 0:10:48 | 0:10:50 | |
he helps himself to expensive equipment. | 0:10:50 | 0:10:52 | |
He is an habitual thief. | 0:10:54 | 0:10:56 | |
But he's made a big mistake picking on a printers. | 0:10:57 | 0:11:00 | |
They have ways of making sure his face is seen all over town. | 0:11:00 | 0:11:04 | |
In the city of Southampton, | 0:11:10 | 0:11:12 | |
Kevin owns a professional printing business. | 0:11:12 | 0:11:15 | |
He has been in this line of work all his life, | 0:11:15 | 0:11:17 | |
after the mighty metal printing presses of the past | 0:11:17 | 0:11:20 | |
made an early impression on him. | 0:11:20 | 0:11:22 | |
I started printing when I was 18 and I just love print, | 0:11:22 | 0:11:26 | |
print is in my blood. | 0:11:26 | 0:11:28 | |
When I first started, it was letterpress, | 0:11:30 | 0:11:32 | |
so you put metal blocks into the machines, printed onto paper. | 0:11:32 | 0:11:36 | |
But nowadays, it is more digital, faster turnaround, | 0:11:36 | 0:11:40 | |
so you can do things the same day. | 0:11:40 | 0:11:42 | |
It is always changing. | 0:11:42 | 0:11:43 | |
Kevin opened this printing shop 14 years ago. | 0:11:44 | 0:11:48 | |
We are totally independent, it's just the one branch, | 0:11:48 | 0:11:51 | |
and we have just grown it since. | 0:11:51 | 0:11:52 | |
We print everything from business cards, we do brochures, | 0:11:54 | 0:11:57 | |
we do flyers for local events | 0:11:57 | 0:11:59 | |
and they rely on us to give them a really good service. | 0:11:59 | 0:12:02 | |
But Kevin's print shop is about to get a visit from a barefaced thief, | 0:12:03 | 0:12:07 | |
whose actions threaten to stop the press. | 0:12:07 | 0:12:10 | |
It is first thing in the morning on a summer weekday. | 0:12:15 | 0:12:18 | |
Kevin and his staff are opening up. | 0:12:18 | 0:12:20 | |
The office is at the back of the shop, went through, | 0:12:21 | 0:12:24 | |
I put my laptop on my desk, like I normally do, and the work starts. | 0:12:24 | 0:12:28 | |
By the afternoon, the staff are busy printing customers' orders. | 0:12:30 | 0:12:34 | |
As it is a hot day, the temperature inside the office is sweltering. | 0:12:34 | 0:12:38 | |
The machines that we use, they get very hot, | 0:12:39 | 0:12:42 | |
so we need to keep it fairly cool, if we can. | 0:12:42 | 0:12:45 | |
So we had the door open at the back | 0:12:45 | 0:12:47 | |
and we had a fan blowing the air back through | 0:12:47 | 0:12:50 | |
and it was causing a nice breeze. | 0:12:50 | 0:12:52 | |
But an unwanted visitor is about to breeze in through that door. | 0:12:53 | 0:12:57 | |
The shop has a camera covering the rear of the store and the office. | 0:12:58 | 0:13:02 | |
Just out of shot to the left, staff are busy serving customers, | 0:13:03 | 0:13:07 | |
when this intruder enters through the back door, bold as brass. | 0:13:07 | 0:13:12 | |
He carefully steps over the fan... | 0:13:13 | 0:13:15 | |
..and then leans into Kevin's office, | 0:13:16 | 0:13:18 | |
where he starts searching through a bag. | 0:13:18 | 0:13:21 | |
While he rummages around, | 0:13:24 | 0:13:26 | |
he keeps an eye on the front of the store to check no-one is coming. | 0:13:26 | 0:13:30 | |
After nearly a minute, he has found nothing. | 0:13:33 | 0:13:35 | |
So, the shameless thief gets even bolder and steps inside the office. | 0:13:36 | 0:13:42 | |
He comes out with a laptop in his right hand... | 0:13:44 | 0:13:46 | |
..and a camera in his left. | 0:13:48 | 0:13:49 | |
After checking again that nobody is coming from the front of the shop, | 0:13:51 | 0:13:55 | |
this blatant burglar hurdles over the fan | 0:13:55 | 0:13:58 | |
and escapes through the back door into the street beyond. | 0:13:58 | 0:14:02 | |
Two hours later, it is closing time and Kevin is getting ready to leave. | 0:14:05 | 0:14:09 | |
I went to put my laptop into my bag, it wasn't there. | 0:14:10 | 0:14:14 | |
Couldn't find it anywhere. | 0:14:14 | 0:14:16 | |
You just know, it's gone. | 0:14:17 | 0:14:18 | |
Kevin checks the day's footage recorded by the shop's cameras. | 0:14:20 | 0:14:24 | |
He can't believe his eyes. | 0:14:24 | 0:14:26 | |
I was shocked that somebody would just brazenly walk in, | 0:14:28 | 0:14:31 | |
pick it up and go! | 0:14:31 | 0:14:33 | |
It's daylight robbery. | 0:14:33 | 0:14:35 | |
I felt sick. We were talking to our customers at the counter, | 0:14:37 | 0:14:40 | |
just metres away. | 0:14:40 | 0:14:42 | |
Kevin's employee, Agatha, was one of the staff working that day. | 0:14:42 | 0:14:46 | |
We were just shocked how casual this guy was about the whole thing | 0:14:46 | 0:14:50 | |
and had the courage to just come in when we were here. | 0:14:50 | 0:14:54 | |
I wouldn't want to confront him myself, | 0:14:55 | 0:14:57 | |
because you don't know what his reaction would be. | 0:14:57 | 0:15:00 | |
Kevin is appalled when he sees the outrageous way | 0:15:01 | 0:15:04 | |
the thief just wandered in and made off with his expensive laptop and camera. | 0:15:04 | 0:15:09 | |
The camera was worth about £800 and the laptop was £1,700. | 0:15:09 | 0:15:14 | |
We've never had anybody come through the back door until now. | 0:15:14 | 0:15:18 | |
We assumed it was safe. | 0:15:18 | 0:15:20 | |
Kevin calls the police and then his insurance company, | 0:15:21 | 0:15:24 | |
who give him bad news. | 0:15:24 | 0:15:25 | |
I found out it wasn't covered because there was no forced entry. | 0:15:27 | 0:15:30 | |
Because the door was open, they wouldn't pay out. | 0:15:30 | 0:15:34 | |
Kevin can print most things, but not money, | 0:15:35 | 0:15:38 | |
so he's £2,500 worse off. | 0:15:38 | 0:15:41 | |
What is even more worrying, | 0:15:41 | 0:15:42 | |
the laptop and camera the thief stole | 0:15:42 | 0:15:45 | |
both contained customers' artwork, | 0:15:45 | 0:15:47 | |
which could have been disastrous for the company. | 0:15:47 | 0:15:49 | |
Although we had backed it up, it's just time to get all that back. | 0:15:49 | 0:15:53 | |
It was just a nightmare. | 0:15:54 | 0:15:56 | |
The police forensic team arrives. | 0:15:56 | 0:15:58 | |
But sadly, this thief has left no prints at the printers. | 0:16:00 | 0:16:04 | |
They just basically said, | 0:16:04 | 0:16:06 | |
"There is not a lot we can do to get anybody, | 0:16:06 | 0:16:08 | |
"but we'll put all the footage and all that on social media," | 0:16:08 | 0:16:10 | |
which is what they done. | 0:16:10 | 0:16:12 | |
So, Kevin decides to go after this cheeky criminal | 0:16:12 | 0:16:15 | |
the old-fashioned way. | 0:16:15 | 0:16:16 | |
He does what he knows best and gets printing. | 0:16:16 | 0:16:19 | |
Soon, wanted posters with the thief's mugshot | 0:16:21 | 0:16:23 | |
are flying off the presses. | 0:16:23 | 0:16:25 | |
His face on there, as clear as day, | 0:16:25 | 0:16:28 | |
we done it because we wanted to get him caught. | 0:16:28 | 0:16:30 | |
We put posters up, all the way through Southampton, everywhere, | 0:16:30 | 0:16:34 | |
everywhere we could think of. | 0:16:34 | 0:16:35 | |
The posters have the police's e-mail address | 0:16:36 | 0:16:39 | |
for people to contact with information. | 0:16:39 | 0:16:42 | |
But soon, it seems somebody is not keen on the extra attention. | 0:16:42 | 0:16:46 | |
After I put them up, they were ripped down. | 0:16:46 | 0:16:48 | |
But this rip-off doesn't work. | 0:16:49 | 0:16:52 | |
The publicity and police investigation pay off | 0:16:52 | 0:16:55 | |
when the thief is identified and arrested. | 0:16:55 | 0:16:58 | |
It turns out this overt offender is responsible for a series of crimes | 0:16:58 | 0:17:02 | |
all over Southampton. | 0:17:02 | 0:17:04 | |
Kevin and his printing press have helped put a stop | 0:17:05 | 0:17:08 | |
to this prolific thief. | 0:17:08 | 0:17:10 | |
I was pleased that he was no longer hanging around, | 0:17:11 | 0:17:15 | |
he was in custody and he was off the streets. | 0:17:15 | 0:17:19 | |
And Southampton's businesses can rest a little easier, | 0:17:19 | 0:17:22 | |
knowing this serial offender won't be sneaking up on them | 0:17:22 | 0:17:25 | |
for quite some time. | 0:17:25 | 0:17:27 | |
In court, the 44-year-old man pleaded guilty to nine offences, | 0:17:30 | 0:17:35 | |
including burglary, theft and fraud. | 0:17:35 | 0:17:38 | |
He was given two years and eight months in prison. | 0:17:38 | 0:17:41 | |
In the time since the burglary, the shop security has been upgraded. | 0:17:47 | 0:17:51 | |
From now on, we are just keeping the doors closed, even when it is hot! | 0:17:52 | 0:17:56 | |
We've got alarms on the doors, so if the doors are opened, it goes off. | 0:17:58 | 0:18:03 | |
Kevin hasn't let this bad experience stop him looking to the future. | 0:18:03 | 0:18:07 | |
I love printing and I will probably carry on for the rest of my life. | 0:18:07 | 0:18:12 | |
We would like to expand the company, watch this space. | 0:18:12 | 0:18:15 | |
We saw there how even if someone is a victim of crime, | 0:18:21 | 0:18:25 | |
their insurance company might not reimburse them | 0:18:25 | 0:18:27 | |
if, for some reason, they are not covered. | 0:18:27 | 0:18:29 | |
So what can people do to avoid being left out of pocket? | 0:18:29 | 0:18:32 | |
You have a duty, as a householder, to take reasonable steps | 0:18:33 | 0:18:36 | |
to secure property. | 0:18:36 | 0:18:37 | |
Insurance companies won't necessarily pay out | 0:18:37 | 0:18:39 | |
if you leave your home unlocked, | 0:18:39 | 0:18:41 | |
if you've asked for an alarm to be a discount on your insurance premium | 0:18:41 | 0:18:44 | |
and you don't set it. | 0:18:44 | 0:18:45 | |
Many policies have a limit for the maximum they will pay out | 0:18:45 | 0:18:49 | |
for an individual item. | 0:18:49 | 0:18:50 | |
It may be that you have laptops, cameras, computers, | 0:18:50 | 0:18:54 | |
televisions, etc... | 0:18:54 | 0:18:55 | |
which are worth more than that limit. | 0:18:55 | 0:18:57 | |
If you do have high-value items within your home address, | 0:18:57 | 0:19:00 | |
I think it is very important you consider investing in a safe. | 0:19:00 | 0:19:04 | |
Some items might not be covered if you take them out of your home, | 0:19:04 | 0:19:07 | |
for instance, a laptop or certain items of jewellery, | 0:19:07 | 0:19:10 | |
so just make sure you know what's on the small print. | 0:19:10 | 0:19:12 | |
Write an inventory down, list down all of those valuable items, | 0:19:12 | 0:19:16 | |
where you bought them from, what the cost was, | 0:19:16 | 0:19:18 | |
so that you're able to tell the police | 0:19:18 | 0:19:20 | |
and also tell your insurance company what has been taken. | 0:19:20 | 0:19:22 | |
That will - one - help us catch people quicker, | 0:19:22 | 0:19:24 | |
recover your property and also allow you to make an insurance claim | 0:19:24 | 0:19:27 | |
a lot easier. | 0:19:27 | 0:19:29 | |
Crime is, of course, never a laughing matter. | 0:19:37 | 0:19:39 | |
But this chap could have a future as a stand-up comic, | 0:19:39 | 0:19:42 | |
if only he could stand up. | 0:19:42 | 0:19:44 | |
He arrives at a convenience store and lurks in the doorway, | 0:19:44 | 0:19:47 | |
clearly worse for wear and rather unsteady on his feet. | 0:19:47 | 0:19:51 | |
Crouching down so he can't be seen, | 0:19:55 | 0:19:57 | |
he gets a packet of loo roll to block the automatic door, | 0:19:57 | 0:20:00 | |
because he's spotted something he wants to steal. | 0:20:00 | 0:20:03 | |
Surprisingly, it is not booze and it is not cigarettes. | 0:20:05 | 0:20:08 | |
Believe it or not, this spaced out shoplifter... | 0:20:08 | 0:20:11 | |
..is after a children's comic. | 0:20:11 | 0:20:13 | |
And a minute later, | 0:20:15 | 0:20:16 | |
this cartoon criminal comes back to steal some more, with his | 0:20:16 | 0:20:20 | |
chimpanzee-grabs-a-banana approach. | 0:20:20 | 0:20:23 | |
A grown man reading kids' comics?! | 0:20:29 | 0:20:32 | |
Maybe this super villain wishes he were a superhero! | 0:20:32 | 0:20:36 | |
And soon he is back again, crawling into the shop like Spider-Man. | 0:20:37 | 0:20:42 | |
But his arch enemy, Cashier Man, suddenly appears, | 0:20:42 | 0:20:45 | |
so he transforms into Mr Freeze and then reaches for one last comic, | 0:20:45 | 0:20:50 | |
before getting battered away. | 0:20:50 | 0:20:52 | |
The next day, the shop owner puts this footage online | 0:20:56 | 0:20:59 | |
to shame the comic crook and it is viewed thousands of times. | 0:20:59 | 0:21:03 | |
Although police are yet to catch up with the thief... | 0:21:03 | 0:21:06 | |
..the fact everybody is laughing at him means he is probably in | 0:21:07 | 0:21:10 | |
an Incredible Sulk somewhere, wishing he was the Invisible Man. | 0:21:10 | 0:21:14 | |
We are back in the outskirts of Doncaster, | 0:21:25 | 0:21:27 | |
where Sylvia's bungalow has just been burgled, | 0:21:27 | 0:21:30 | |
less than a fortnight after her husband Tony's funeral. | 0:21:30 | 0:21:33 | |
The thief took valuables worth hundreds of pounds. | 0:21:33 | 0:21:37 | |
He removed a box containing Tony's ashes | 0:21:37 | 0:21:40 | |
from the bag he used to carry his haul. | 0:21:40 | 0:21:42 | |
My daughter, she came down, and by the time the police went, | 0:21:42 | 0:21:46 | |
it was quite late at night and she said to me, | 0:21:46 | 0:21:48 | |
"Do you want to come back to our house?" | 0:21:48 | 0:21:50 | |
And I said, "No, because I will never sleep here again if I do. | 0:21:50 | 0:21:54 | |
"I've got to be here, I've got to face it." | 0:21:54 | 0:21:56 | |
Sylvia finds strength in her late husband's words. | 0:21:56 | 0:22:00 | |
When Tony was alive, he used to say to me, | 0:22:00 | 0:22:02 | |
"You know what's going to happen. I know what's going to happen. | 0:22:02 | 0:22:06 | |
"But you're the one who has got to be brave. | 0:22:06 | 0:22:09 | |
"You've got to be." | 0:22:09 | 0:22:10 | |
And every time something really tough happens, | 0:22:11 | 0:22:14 | |
I always remember them words, "I've got to be brave." | 0:22:14 | 0:22:17 | |
And I'll say to him, "I weren't very brave today, | 0:22:17 | 0:22:19 | |
"because I had a bit of a breakdown." | 0:22:19 | 0:22:22 | |
I feel as though he's still there | 0:22:22 | 0:22:24 | |
and if that is what has been given to me to help me to cope, then, | 0:22:24 | 0:22:27 | |
yeah, it's helping me. | 0:22:27 | 0:22:29 | |
Police Constable Richard Glover is working on the case. | 0:22:31 | 0:22:34 | |
He knows the effect a burglary can have on a victim. | 0:22:34 | 0:22:37 | |
It is an invasion of your personal space. | 0:22:38 | 0:22:40 | |
Your home is where you feel safe, you feel secure, | 0:22:40 | 0:22:43 | |
you build your memories, you've got your family. | 0:22:43 | 0:22:45 | |
And to have somebody walk into your house, | 0:22:45 | 0:22:47 | |
go through all your personal property, | 0:22:47 | 0:22:49 | |
it is not monetary possessions, it is sentimental possessions. | 0:22:49 | 0:22:52 | |
And to touch them or take them... | 0:22:52 | 0:22:55 | |
it can tear your life apart. | 0:22:55 | 0:22:57 | |
I met Sylvia. She was putting on a very brave face, | 0:22:57 | 0:23:00 | |
but you could still see it was a very traumatic experience to go through. | 0:23:00 | 0:23:04 | |
Richard is determined to track down the thief. | 0:23:04 | 0:23:06 | |
And the recording from Sylvia's security cameras | 0:23:08 | 0:23:10 | |
looked to have given his investigation a flying start. | 0:23:10 | 0:23:14 | |
CCTV can be absolutely vital. | 0:23:14 | 0:23:16 | |
When it is of such quality that Sylvia had, | 0:23:16 | 0:23:18 | |
you look at it and you think, "Yeah, we stand a good chance here." | 0:23:18 | 0:23:21 | |
Somebody, somewhere, would be able to name that person. | 0:23:21 | 0:23:24 | |
The CCTV clearly showed the burglar taking the red bag | 0:23:24 | 0:23:28 | |
Sylvia had been using to keep the container | 0:23:28 | 0:23:31 | |
of her late husband's ashes. | 0:23:31 | 0:23:33 | |
I believe it affected Sylvia quite deeply | 0:23:33 | 0:23:35 | |
that somebody had touched something so personal to her | 0:23:35 | 0:23:38 | |
and so raw, at the time, to her. | 0:23:38 | 0:23:40 | |
She identified that bag, so during the area search, | 0:23:40 | 0:23:43 | |
they already knew what items they were looking out for | 0:23:43 | 0:23:47 | |
and a short distance away, this red bag was found, | 0:23:47 | 0:23:49 | |
and it was so distinctive, | 0:23:49 | 0:23:51 | |
it was quite obvious that it was linked to Sylvia's home address. | 0:23:51 | 0:23:54 | |
The bag is sent to a forensic lab | 0:23:54 | 0:23:56 | |
to be examined for finger prints and DNA. | 0:23:56 | 0:23:59 | |
That process to get that work done does take a number of weeks, | 0:24:00 | 0:24:04 | |
but in the back of my mind, it was always there, | 0:24:04 | 0:24:06 | |
are we going to get something from this bag? | 0:24:06 | 0:24:08 | |
Because that would be, more or less, gold dust for us. | 0:24:08 | 0:24:12 | |
Richard circulates still images of the burglar | 0:24:12 | 0:24:14 | |
around the South Yorkshire force, to see if an officer can identify him. | 0:24:14 | 0:24:18 | |
Within two days, a name had been put forward for that offender. | 0:24:20 | 0:24:25 | |
Sylvia's good-quality footage has paid off. | 0:24:25 | 0:24:28 | |
They now have the name of a prime suspect. | 0:24:28 | 0:24:31 | |
Richard issues an arrest warrant. | 0:24:31 | 0:24:33 | |
Within literally a matter of hours, | 0:24:33 | 0:24:35 | |
the Offender Management Team had picked up this suspect | 0:24:35 | 0:24:39 | |
walking through the town centre. | 0:24:39 | 0:24:41 | |
The suspect is brought to the station. | 0:24:42 | 0:24:44 | |
Richard interviews him and shows him Sylvia's CCTV footage. | 0:24:44 | 0:24:48 | |
Throughout the interview, the suspect said, "That's not me, | 0:24:49 | 0:24:53 | |
"it's not me." | 0:24:53 | 0:24:54 | |
Richard is going to have his work cut out proving the man's guilt. | 0:24:54 | 0:24:58 | |
You know that person there is that person on that footage, | 0:24:58 | 0:25:01 | |
you ask him to account for it and they're not accounting, | 0:25:01 | 0:25:03 | |
so you have to think, "Am I missing a trick here? | 0:25:03 | 0:25:06 | |
"Am I missing something?" | 0:25:06 | 0:25:07 | |
But you have to be resolute that you are right. | 0:25:07 | 0:25:09 | |
I had to look at other ways of where I can get the evidence to show, | 0:25:09 | 0:25:13 | |
especially to a jury, that this is this person. | 0:25:13 | 0:25:17 | |
Realising Sylvia's burglar might walk away scot-free, | 0:25:17 | 0:25:21 | |
Richard decides to enlist the hi-tech help | 0:25:21 | 0:25:23 | |
of the force's facial imaging unit. | 0:25:23 | 0:25:26 | |
We take images that we have from the scene, Sylvia's footage, | 0:25:26 | 0:25:30 | |
and took images of the offender himself in our custody suite, | 0:25:30 | 0:25:34 | |
to show the comparisons of the faces of that person. | 0:25:34 | 0:25:37 | |
The facial expert's verdict bolsters Richard's case. | 0:25:37 | 0:25:40 | |
The person on the CCTV footage, the person in custody, | 0:25:42 | 0:25:45 | |
is one and the same person. | 0:25:45 | 0:25:47 | |
But the suspect continues to deny the crime. | 0:25:48 | 0:25:51 | |
It looks like the case will have to go to trial by jury, | 0:25:51 | 0:25:54 | |
an ordeal for Sylvia that Richard is desperate to avoid. | 0:25:54 | 0:25:57 | |
Then, just a day before a pre-trial hearing... | 0:25:59 | 0:26:02 | |
Richard receives an e-mail from the forensic lab about the red bag. | 0:26:02 | 0:26:06 | |
The results say, "We've got fingerprints of the suspect. | 0:26:07 | 0:26:11 | |
"The suspect is named on this bag" | 0:26:11 | 0:26:14 | |
and that does give you a right good feeling. | 0:26:14 | 0:26:17 | |
Richard calls the prosecutors at the court | 0:26:18 | 0:26:21 | |
and they let the suspect know about the new evidence against him. | 0:26:21 | 0:26:24 | |
He finally accepts his fate. | 0:26:24 | 0:26:27 | |
It was a relief at the pre-trial hearing | 0:26:28 | 0:26:31 | |
that the suspect pleaded guilty | 0:26:31 | 0:26:33 | |
and that we got closure for Sylvia, | 0:26:33 | 0:26:35 | |
who is a victim of what is a very traumatic crime. | 0:26:35 | 0:26:38 | |
Richard phones Sylvia to tell her the man has pleaded guilty | 0:26:38 | 0:26:42 | |
and that it was the bag that contained Tony's ashes | 0:26:42 | 0:26:45 | |
that provided a key piece of evidence. | 0:26:45 | 0:26:48 | |
I just thought to myself, "You did it, Tony." | 0:26:48 | 0:26:51 | |
You know, "You did it. | 0:26:51 | 0:26:52 | |
"You was in there, he was violating our home, | 0:26:52 | 0:26:55 | |
"he was violating you by moving your ashes, but you was going to get him. | 0:26:55 | 0:26:59 | |
"And then you did, because, you know, | 0:26:59 | 0:27:01 | |
"your bag was the evidence that he had been in the property." | 0:27:01 | 0:27:05 | |
And I always say that Tony caught him. | 0:27:05 | 0:27:08 | |
In court, the thief was sentenced to six years in prison, | 0:27:11 | 0:27:15 | |
because he is a repeat offender. | 0:27:15 | 0:27:17 | |
Richard is pleased the burglar has been put away for such a long time. | 0:27:21 | 0:27:26 | |
It gives me a good feeling that I've helped Sylvia get closure | 0:27:26 | 0:27:28 | |
and that we're preventing other people from becoming victims as well. | 0:27:28 | 0:27:31 | |
Sylvia has now got over the burglary and is moving forward | 0:27:31 | 0:27:35 | |
with her plans to build a memorial garden that Tony would be proud of. | 0:27:35 | 0:27:40 | |
Tony was an outdoor person and because we both liked being out there, | 0:27:40 | 0:27:44 | |
that was the best place for me to connect with him. | 0:27:44 | 0:27:48 | |
I think he guides me, and until it is doubted to me, | 0:27:48 | 0:27:51 | |
I will still carry on believing. | 0:27:51 | 0:27:53 | |
And I think he is there and that he will always be there, | 0:27:54 | 0:27:56 | |
watching over me. | 0:27:56 | 0:27:57 | |
That is all for today. | 0:28:01 | 0:28:03 | |
You have seen just a few of the thousands of criminals | 0:28:03 | 0:28:05 | |
who are captured on camera every year. | 0:28:05 | 0:28:08 | |
Join us next time to see more villains | 0:28:08 | 0:28:10 | |
who have been caught red-handed. | 0:28:10 | 0:28:12 |