Browse content similar to Episode 1. Check below for episodes and series from the same categories and more!
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Across Britain, you're capturing the evidence. | 0:00:02 | 0:00:04 | |
I felt enough was enough. | 0:00:04 | 0:00:06 | |
You're setting the traps. | 0:00:06 | 0:00:08 | |
She took the first possible opportunity that she had on that day | 0:00:08 | 0:00:11 | |
to come and steal money from my wallet. | 0:00:11 | 0:00:13 | |
And you're even confronting the bad guys. | 0:00:13 | 0:00:16 | |
There's no time to think that you have to stop him. | 0:00:16 | 0:00:19 | |
There's no other way, really. | 0:00:19 | 0:00:21 | |
This series is all about the part you, | 0:00:21 | 0:00:23 | |
the Great British public, are playing in the fight against crime. | 0:00:23 | 0:00:26 | |
It's someone else's phone. Put it back! | 0:00:26 | 0:00:29 | |
Whether it's catching car thieves or exposing career criminals... | 0:00:29 | 0:00:33 | |
And immediately the till's open and he's taken the money. | 0:00:33 | 0:00:36 | |
The audacity to do that. | 0:00:36 | 0:00:38 | |
..we'll show you how you're turning the tables on the law breakers. | 0:00:38 | 0:00:42 | |
And helping the police catch the crooks. | 0:00:42 | 0:00:45 | |
Welcome to Fightback Britain. | 0:00:45 | 0:00:47 | |
This week a gang of armed robbers are taken on by OAPs not once, but twice. | 0:00:59 | 0:01:05 | |
As he was going past at speed, that's when I grabbed hold of him. | 0:01:05 | 0:01:09 | |
The team carry out a prank on me to see if I cut the mustard | 0:01:09 | 0:01:12 | |
as a witness to a bag snatch. | 0:01:12 | 0:01:15 | |
We'll get them. We'll find them. | 0:01:15 | 0:01:17 | |
You're OK, basically. You're fine. | 0:01:17 | 0:01:20 | |
And Shane from Boyzone - yes, that is the former boy band star - | 0:01:20 | 0:01:23 | |
seeks help when his 80 grand supercar is nicked. | 0:01:23 | 0:01:27 | |
Within 48 hours, we had 25,000 new followers | 0:01:27 | 0:01:31 | |
just looking for the Subaru. | 0:01:31 | 0:01:33 | |
Now, it's understandable that not all bystanders get involved | 0:01:37 | 0:01:40 | |
when they see a crime, because of the risks involved. | 0:01:40 | 0:01:42 | |
And we would always recommend following police advice. | 0:01:42 | 0:01:45 | |
But that doesn't stop some folk risking their own safety | 0:01:45 | 0:01:49 | |
or even their own lives. | 0:01:49 | 0:01:50 | |
Paul Read and Adrian Couzens were managing two bike stores | 0:01:52 | 0:01:56 | |
in St James's Road, Croydon. | 0:01:56 | 0:01:58 | |
A street full of bikes, bikes and more bikes. | 0:01:58 | 0:02:02 | |
It's kind of a community place for bikers to come and meet up and... | 0:02:02 | 0:02:06 | |
and chew the fat, really. | 0:02:06 | 0:02:07 | |
We all work together | 0:02:07 | 0:02:08 | |
and help out each other when and where we can. | 0:02:08 | 0:02:11 | |
But last year community spirit was tested to the limit | 0:02:11 | 0:02:14 | |
when they came under attack. | 0:02:14 | 0:02:16 | |
It started on a warm Monday afternoon, | 0:02:18 | 0:02:20 | |
when Paul was about to shut up his shop. | 0:02:20 | 0:02:23 | |
Six lads turned up on sports bikes, which is nothing unusual. | 0:02:23 | 0:02:26 | |
They come in, crash helmets on. | 0:02:26 | 0:02:28 | |
Wouldn't take them off, which kind of put my back up a little bit. | 0:02:28 | 0:02:31 | |
Just hanging around the sports bikes and the Panigales especially. | 0:02:32 | 0:02:35 | |
There was a kind of sense of unease | 0:02:36 | 0:02:38 | |
because we don't normally get en masse | 0:02:38 | 0:02:40 | |
and they won't take the crash helmets off. | 0:02:40 | 0:02:42 | |
You normally get a couple, but not en masse like they were. | 0:02:42 | 0:02:45 | |
When they left I felt a bit of relief because they'd gone. | 0:02:46 | 0:02:49 | |
I'd hoped it'd be the last I'd see of them, | 0:02:49 | 0:02:51 | |
but obviously as events transpired the next day, it wasn't. | 0:02:51 | 0:02:55 | |
The following day, it was business as usual. | 0:02:55 | 0:02:58 | |
It'd been a reasonably busy day. | 0:02:58 | 0:02:59 | |
A few lookers would come in near the end of the day, | 0:02:59 | 0:03:02 | |
so I was just getting a fax off the fax machine. | 0:03:02 | 0:03:04 | |
But at quarter to five, Paul's customers from the previous day | 0:03:07 | 0:03:10 | |
were back, and today they'd come with a shopping list. | 0:03:10 | 0:03:13 | |
Heard the door buzzer go, voices. | 0:03:13 | 0:03:15 | |
Stuck my head round the door | 0:03:15 | 0:03:18 | |
and there's two guys helping themselves to two Panigales. | 0:03:18 | 0:03:21 | |
It was obvious that they wanted the bikes | 0:03:21 | 0:03:24 | |
without putting an order in first, really. | 0:03:24 | 0:03:26 | |
With no-one on hand to help, Paul's best option was to let them | 0:03:26 | 0:03:30 | |
leave with the goods. | 0:03:30 | 0:03:31 | |
But with a rush of blood to the head, | 0:03:31 | 0:03:33 | |
he single-handedly tries to stop the gang of six. | 0:03:33 | 0:03:36 | |
I just had to act. | 0:03:36 | 0:03:38 | |
It was just purely a case of, "I've got to get involved. | 0:03:38 | 0:03:40 | |
"This isn't happening. Not today." | 0:03:40 | 0:03:43 | |
The odds weren't looking good. | 0:03:43 | 0:03:44 | |
But events hadn't gone unnoticed by Adrian in his shop across the road. | 0:03:46 | 0:03:50 | |
I looked over and I could see that the front wheel was | 0:03:50 | 0:03:53 | |
starting to come out. | 0:03:53 | 0:03:54 | |
My first thought was, "Where's Paul?" | 0:03:54 | 0:03:57 | |
Adrian sensibly triggers an alarm to the police | 0:03:57 | 0:04:00 | |
and then sets off to help his friend. | 0:04:00 | 0:04:02 | |
The next thing I know I see a flash of white come running past | 0:04:03 | 0:04:06 | |
the door with an arm out, which was Adrian coming to my rescue. | 0:04:06 | 0:04:09 | |
It was just a reaction | 0:04:11 | 0:04:13 | |
and there wasn't really a thought process behind... | 0:04:13 | 0:04:16 | |
"This could happen, that could happen, | 0:04:16 | 0:04:18 | |
"they could be carrying weapons." | 0:04:18 | 0:04:20 | |
Cos then I noticed a guy sat on the forecourt on the scooter. | 0:04:21 | 0:04:25 | |
I started to push him off the scooter to try and keep him here | 0:04:25 | 0:04:28 | |
while the police are on their way. | 0:04:28 | 0:04:30 | |
With Adrian coming running across there was a kind of... | 0:04:30 | 0:04:33 | |
"Good, I'm not on my own. Maybe we can sort this out. | 0:04:33 | 0:04:36 | |
"Maybe we can handle this." | 0:04:36 | 0:04:37 | |
But that wasn't the end of it. | 0:04:37 | 0:04:39 | |
That's when the hammers and metal bars came out. So it was, er... | 0:04:40 | 0:04:44 | |
We're unarmed, they're armed. | 0:04:44 | 0:04:46 | |
I kind of, like, stepped back to try and, you know, | 0:04:46 | 0:04:48 | |
not get our heads beaten in. | 0:04:48 | 0:04:51 | |
At one point when the guy comes at me with a metal bar | 0:04:51 | 0:04:54 | |
and you see me back off, the reason I went to where I did was | 0:04:54 | 0:04:57 | |
because I knew there was an alleyway that I could get down. | 0:04:57 | 0:05:00 | |
Paul and Adrian were now in serious danger. | 0:05:00 | 0:05:04 | |
But watch the top left of your screen. | 0:05:04 | 0:05:06 | |
Two guys from a third bike shop sprinted over to lend a hand. | 0:05:08 | 0:05:12 | |
When I saw them coming I did feel relieved, | 0:05:12 | 0:05:15 | |
cos we're back to three, four people on our side | 0:05:15 | 0:05:18 | |
against the six of them, | 0:05:18 | 0:05:20 | |
and some of them have already started to flee the scene. | 0:05:20 | 0:05:23 | |
As the gang make their escape, and with still no sign of the police, | 0:05:23 | 0:05:26 | |
Adrian tries to slow them down. | 0:05:26 | 0:05:28 | |
I went back after the guy that had got back onto his scooter | 0:05:28 | 0:05:31 | |
and pushed him off for a second time. | 0:05:31 | 0:05:33 | |
Unknown to me, the first time I'd actually pushed him off | 0:05:33 | 0:05:36 | |
I broke my wrist. | 0:05:36 | 0:05:38 | |
And as they're leaving, I get a metal bar thrown at me, | 0:05:39 | 0:05:43 | |
which hits me across the back of the shoulder | 0:05:43 | 0:05:44 | |
and the back of the head, which knocks me down, basically. | 0:05:44 | 0:05:49 | |
The boys from the bike shops had prevented the theft of £50,000 worth | 0:05:49 | 0:05:53 | |
of motorcycles. But it could've ended in tragedy. | 0:05:53 | 0:05:56 | |
It wasn't until later that you kind of get a sense of, | 0:05:56 | 0:06:00 | |
"I've actually been lucky here. | 0:06:00 | 0:06:02 | |
"Someone's been looking out for me here cos it could've been me | 0:06:02 | 0:06:04 | |
"in a hospital bed somewhere or being fed through a tube." | 0:06:04 | 0:06:08 | |
The boys know their actions were risky, but they're grateful | 0:06:08 | 0:06:11 | |
they could count on each other when it mattered most. | 0:06:11 | 0:06:14 | |
I would definitely stick up for my friends again. No questions asked. | 0:06:17 | 0:06:21 | |
There's not many bikers around, | 0:06:22 | 0:06:24 | |
but you do get a sense of they'll all help each other, | 0:06:24 | 0:06:27 | |
whether it's at the side of the road with a puncture | 0:06:27 | 0:06:30 | |
or whether it's trying to stop some thieving little oiks. | 0:06:30 | 0:06:32 | |
Just to be clear - we're not advocating swinging your handbag | 0:06:35 | 0:06:38 | |
or walking stick at armed robbers. | 0:06:38 | 0:06:40 | |
In fact, there is an equally valuable and infinitely safer way | 0:06:40 | 0:06:44 | |
to help, and that's by being a good witness for the police. | 0:06:44 | 0:06:47 | |
But just to show you how hard it can be to make the grade | 0:06:47 | 0:06:50 | |
as a good witness, I'm going to use Julia as a guinea pig. | 0:06:50 | 0:06:54 | |
I'm playing a prank on her. | 0:06:54 | 0:06:56 | |
She thinks she's here to film a link, | 0:06:56 | 0:06:58 | |
but actually she's going to witness a crime. | 0:06:58 | 0:07:01 | |
She just doesn't know it. | 0:07:01 | 0:07:03 | |
Unfortunately for her, everyone in here is an actor. | 0:07:03 | 0:07:08 | |
And this guy is about to snatch a handbag right in front of her eyes. | 0:07:08 | 0:07:12 | |
So, will Julia be any good as a witness? | 0:07:12 | 0:07:15 | |
Standing by. | 0:07:15 | 0:07:16 | |
Everyone's briefed. The crew and actors get into position, and... | 0:07:18 | 0:07:22 | |
Action. | 0:07:22 | 0:07:23 | |
The criminal justice system simply cannot work without witnesses... | 0:07:23 | 0:07:26 | |
While Julia delivers her piece to camera here, | 0:07:26 | 0:07:29 | |
our would-be bag-snatcher hovers directly in her eye-line | 0:07:29 | 0:07:32 | |
and is about to give her a bit of a shock. | 0:07:32 | 0:07:35 | |
..A reliable eye-witness statement can make the difference | 0:07:35 | 0:07:38 | |
between a criminal getting away with it and a criminal... | 0:07:38 | 0:07:42 | |
WOMAN SCREAMS | 0:07:42 | 0:07:43 | |
No! | 0:07:49 | 0:07:50 | |
Great. Julia's taken in hook, like and sinker. | 0:07:50 | 0:07:54 | |
-Are you all right? -No! | 0:07:54 | 0:07:56 | |
This bloke just came up to us and snatched her bag. | 0:07:56 | 0:07:59 | |
My husband's not here and my keys are in there. | 0:07:59 | 0:08:02 | |
-My car keys and my house keys. -We'll get them. We'll find them. | 0:08:02 | 0:08:07 | |
You're OK, basically. You're fine. | 0:08:07 | 0:08:09 | |
Very impressive, Julia. | 0:08:09 | 0:08:11 | |
Clearly a woman who can handle a crisis. | 0:08:11 | 0:08:14 | |
Time to put her in the picture. | 0:08:14 | 0:08:15 | |
Hi there, you join us at a bad moment. | 0:08:18 | 0:08:21 | |
-You're lost for words? -Why? | 0:08:21 | 0:08:24 | |
-Are you OK? -I'm fine. -Are you sure? -Yes, I'm fine. Is it... | 0:08:24 | 0:08:27 | |
Are we being set up? | 0:08:27 | 0:08:29 | |
Oh, well! | 0:08:29 | 0:08:30 | |
-A confession to make. -No, you have not! | 0:08:30 | 0:08:32 | |
-There has been no crime. -You are such a little... | 0:08:32 | 0:08:36 | |
There's been no crime. | 0:08:40 | 0:08:42 | |
It was all a big set up. | 0:08:42 | 0:08:44 | |
I'm pleased that she's all right! | 0:08:44 | 0:08:46 | |
We did it for a bigger purpose, | 0:08:46 | 0:08:47 | |
and that was to find out what kind of witness you're going to make. | 0:08:47 | 0:08:51 | |
Later in the show we'll see | 0:08:53 | 0:08:54 | |
if her description bears any resemblance to the bag-snatcher, | 0:08:54 | 0:08:57 | |
and discover how you can be a better witness yourself. | 0:08:57 | 0:09:00 | |
We all hope that if we were unfortunate enough to find | 0:09:05 | 0:09:08 | |
ourselves a victim of crime, a Good Samaritan would come to our aid, | 0:09:08 | 0:09:11 | |
from a passer-by calling the police, | 0:09:11 | 0:09:13 | |
to a witness remembering key information. | 0:09:13 | 0:09:16 | |
But as our next story shows, some of you go way beyond the call of duty | 0:09:16 | 0:09:20 | |
when it comes to helping others. | 0:09:20 | 0:09:22 | |
Our story starts one February morning in Northampton. | 0:09:25 | 0:09:28 | |
The town centre was busy with Monday morning shoppers when this happened. | 0:09:30 | 0:09:34 | |
Ben Jacobson happened to be filming for a documentary | 0:09:37 | 0:09:40 | |
when he caught this robbery on camera. | 0:09:40 | 0:09:43 | |
The robbers were trying to | 0:09:43 | 0:09:44 | |
smash their way into the jeweller's window with sledgehammers, | 0:09:44 | 0:09:48 | |
and three more were waiting on mopeds as getaway. | 0:09:48 | 0:09:51 | |
My instinct was to press record...erm, | 0:09:53 | 0:09:56 | |
primarily to help the police out with their enquiries. | 0:09:56 | 0:10:00 | |
But as Ben continued filming from a safe distance, | 0:10:00 | 0:10:03 | |
a flash of red in his viewfinder showed that not everyone | 0:10:03 | 0:10:06 | |
had decided to hold back. | 0:10:06 | 0:10:08 | |
What happened next was a complete surprise to everybody. | 0:10:09 | 0:10:13 | |
A lady with red hair | 0:10:13 | 0:10:14 | |
and red coat coming running across the street and getting involved. | 0:10:14 | 0:10:18 | |
Grandmother Ann Timson had seen red | 0:10:19 | 0:10:23 | |
and let loose with her handbag. | 0:10:23 | 0:10:25 | |
My understanding was that she was mistaken as to what was going on | 0:10:27 | 0:10:30 | |
and she thought it was some youths attacking some other youth. | 0:10:30 | 0:10:34 | |
Erm... | 0:10:34 | 0:10:36 | |
But I guess once she was there | 0:10:36 | 0:10:39 | |
she kind of had to deal with it and she tried to push them away. | 0:10:39 | 0:10:42 | |
Tried to swing her handbag at them. | 0:10:42 | 0:10:44 | |
Whilst others watched on, | 0:10:45 | 0:10:46 | |
71-year-old Ann forced the gang to abandon their smash and grab. | 0:10:46 | 0:10:50 | |
But as they made their escape, one of the robbers fell off his scooter. | 0:10:51 | 0:10:55 | |
The last one left and was right next to Ann, | 0:10:55 | 0:10:58 | |
and when he turned around he almost lifted his sledgehammer to hit her. | 0:10:58 | 0:11:03 | |
There was a collective gasp from the crowd of passers-by | 0:11:04 | 0:11:07 | |
who had obviously stopped. | 0:11:07 | 0:11:09 | |
PEOPLE SHOUTING | 0:11:09 | 0:11:11 | |
And at that moment, they got involved. | 0:11:14 | 0:11:16 | |
At the time, I was concentrating so much on making sure | 0:11:21 | 0:11:23 | |
I was capturing it as evidence, as interesting footage, whatever. | 0:11:23 | 0:11:26 | |
The full extent of how strange an event it was | 0:11:26 | 0:11:30 | |
didn't really dawn on me till a few hours later. | 0:11:30 | 0:11:32 | |
Ann's impulsive actions put an end to this extraordinary robbery, | 0:11:33 | 0:11:37 | |
and one of the gang was even arrested on the spot. | 0:11:37 | 0:11:40 | |
She became a global sensation, and in an interview said... | 0:11:42 | 0:11:45 | |
A brave, if pretty risky, thing to do. | 0:11:50 | 0:11:52 | |
But this story wasn't over. | 0:11:56 | 0:11:58 | |
Three weeks later, another part of the country. | 0:11:58 | 0:12:01 | |
Another street full of shoppers. | 0:12:01 | 0:12:04 | |
But this time in the market town of Bury St Edmunds in Suffolk. | 0:12:04 | 0:12:07 | |
70-year-old retired sales manager Michael Graver | 0:12:08 | 0:12:11 | |
and his wife Penny were out shopping for a family wedding | 0:12:11 | 0:12:15 | |
when they became the focus | 0:12:15 | 0:12:16 | |
of the next stage in this extraordinary tale. | 0:12:16 | 0:12:19 | |
It began as they approached the corner of High Baxter Street. | 0:12:21 | 0:12:24 | |
Two scooters with four men on board came roaring up, | 0:12:24 | 0:12:27 | |
nearly knocking Penny over. | 0:12:27 | 0:12:29 | |
I was quite angry. | 0:12:29 | 0:12:31 | |
-To ride recklessly at her like that, that was... -He did stop. | 0:12:31 | 0:12:35 | |
He did stop in the end, but it was close. It was very close. | 0:12:35 | 0:12:39 | |
So that got me very angry. | 0:12:39 | 0:12:41 | |
Events now take a dramatic turn. | 0:12:41 | 0:12:44 | |
One scooter rams the jeweller's door, | 0:12:44 | 0:12:46 | |
while the others smash their way through the shop. | 0:12:46 | 0:12:48 | |
We don't expect that sort of thing on a Monday morning in Bury, | 0:12:50 | 0:12:54 | |
so it takes a moment or two of shock to realise there's a robbery | 0:12:54 | 0:12:59 | |
going on right under your nose. | 0:12:59 | 0:13:01 | |
That was when it became very serious and something had to be done. | 0:13:01 | 0:13:07 | |
Without realising these were hardened criminals, | 0:13:08 | 0:13:11 | |
an already enraged Michael decided to act. | 0:13:11 | 0:13:14 | |
The scooter was right along beside me, | 0:13:14 | 0:13:16 | |
so I pushed really hard to try and dislodge him, | 0:13:16 | 0:13:19 | |
push the scooter over, but they weren't having any of that, | 0:13:19 | 0:13:23 | |
so that's when I turned and thought I'd get into the shop. | 0:13:23 | 0:13:26 | |
Michael tries to enter the shop, | 0:13:26 | 0:13:29 | |
but comes face to face with a sledgehammer. | 0:13:29 | 0:13:32 | |
He held the sledgehammer up and I thought, "Oh, it's brand new." | 0:13:32 | 0:13:35 | |
And I was thinking, "I really would like a new sledgehammer." | 0:13:35 | 0:13:39 | |
As the confrontation spills out onto the street, a horrified Penny | 0:13:39 | 0:13:43 | |
watches as Michael dodges hammer blows. | 0:13:43 | 0:13:46 | |
It was so menacing to have the thought of him | 0:13:46 | 0:13:50 | |
being bashed with a sledgehammer. I was quite terrified. | 0:13:50 | 0:13:53 | |
As Michael continues to sidestep the sledgehammer, | 0:13:53 | 0:13:56 | |
the final robber flees the shop with his loot. | 0:13:56 | 0:13:58 | |
As he went past that's when I tried to grab hold of him. | 0:13:58 | 0:14:02 | |
I sort of got his arm, | 0:14:02 | 0:14:04 | |
but as he was going past at speed my hands were just slipping down. | 0:14:04 | 0:14:08 | |
The only thing I could get a grip on was the bag. | 0:14:08 | 0:14:11 | |
Remarkably, Michael snatches the bag and the robbers flee empty-handed. | 0:14:11 | 0:14:17 | |
Inside are watches worth over £20,000. | 0:14:17 | 0:14:21 | |
-We were standing there in the doorway holding the bag... -Oh, yes. | 0:14:21 | 0:14:24 | |
-..and we suddenly thought, "Police." -Oh... -"Statements." | 0:14:24 | 0:14:28 | |
-"Bang goes my shopping trip." -"There goes the morning." | 0:14:28 | 0:14:31 | |
But what was most remarkable was that Michael had actually stopped | 0:14:31 | 0:14:35 | |
members of the same gang that fellow pensioner Ann Timson | 0:14:35 | 0:14:38 | |
had thwarted three weeks earlier. | 0:14:38 | 0:14:40 | |
Thanks in part to the actions of these pensioners, | 0:14:41 | 0:14:44 | |
who have a combined age of 141, | 0:14:44 | 0:14:47 | |
ten gang members were jailed for more than 60 years | 0:14:47 | 0:14:50 | |
for their part in these robberies. | 0:14:50 | 0:14:51 | |
Earlier in the show, I played a prank on Julia. | 0:14:57 | 0:14:59 | |
She thought she'd seen a bag snatch, | 0:14:59 | 0:15:01 | |
but it was all a set-up to see how easily your mind can play | 0:15:01 | 0:15:04 | |
tricks on you. | 0:15:04 | 0:15:06 | |
WOMAN SCREAMS | 0:15:06 | 0:15:08 | |
Julia is about to meet Steve Curtis, | 0:15:08 | 0:15:10 | |
a police witness expert. | 0:15:10 | 0:15:12 | |
He's going to find out | 0:15:12 | 0:15:13 | |
if Julia can provide an accurate description of the thief. | 0:15:13 | 0:15:16 | |
Steve, where do we start? | 0:15:17 | 0:15:19 | |
What I'd like you to do is think about that person. | 0:15:19 | 0:15:21 | |
So, it was a male, he was white... | 0:15:21 | 0:15:25 | |
Dark trousers and I don't know whether they were black jeans. | 0:15:25 | 0:15:30 | |
Oh, dear. Julia's making mistakes, but this isn't unexpected. | 0:15:30 | 0:15:34 | |
He had on, I think, a white top. | 0:15:34 | 0:15:36 | |
A white tracksuit top. | 0:15:36 | 0:15:39 | |
Don't know what was underneath it. | 0:15:39 | 0:15:42 | |
Research shows we tend to remember colours as being brighter than | 0:15:42 | 0:15:45 | |
they actually are, | 0:15:45 | 0:15:46 | |
and it's the bright white that Julia's mind has focused on. | 0:15:46 | 0:15:50 | |
I didn't notice any logos on it. | 0:15:50 | 0:15:53 | |
It might have had a stripe down the side of the... | 0:15:53 | 0:15:56 | |
-It might? -It might. | 0:15:56 | 0:15:57 | |
He had dark hair... | 0:15:57 | 0:16:00 | |
and I would describe the forehead slightly receding. | 0:16:00 | 0:16:05 | |
He had dark stubble. | 0:16:05 | 0:16:08 | |
So Julia's following type here. | 0:16:08 | 0:16:10 | |
Most witnesses remember the features in the top half of the face, | 0:16:10 | 0:16:13 | |
like the eyes and hair, better than the lower half. | 0:16:13 | 0:16:16 | |
But will her E-FIT resemble our bag-snatcher? | 0:16:16 | 0:16:19 | |
Yeah, that's about right. | 0:16:26 | 0:16:28 | |
You have got to be joking. | 0:16:28 | 0:16:29 | |
Time to put her out of her misery. | 0:16:30 | 0:16:33 | |
Oh, no! | 0:16:33 | 0:16:35 | |
Would you like to meet a friend of mine? | 0:16:35 | 0:16:37 | |
Hi. I didn't think you had spiky hair, you see. | 0:16:37 | 0:16:39 | |
-Nice to meet you. -Hello. Nice to meet you. | 0:16:39 | 0:16:41 | |
You thief, you. | 0:16:41 | 0:16:43 | |
-Recognise him? -I do recognise him, | 0:16:43 | 0:16:46 | |
but I got the nose wrong and I didn't think he had spiky hair, | 0:16:46 | 0:16:49 | |
but I got the hairline right. | 0:16:49 | 0:16:52 | |
-Chris, look at that. -It's not bad. | 0:16:52 | 0:16:55 | |
-It's like a young Mel Gibson. -How like you is that? | 0:16:55 | 0:16:58 | |
Erm... We could be brothers, I suppose. | 0:16:58 | 0:17:02 | |
Would that be useful? Would that be helpful? | 0:17:02 | 0:17:04 | |
Well, I believe that that's not a bad impression at all | 0:17:04 | 0:17:06 | |
and I think, actually, you've done quite a good job there, Julia. | 0:17:06 | 0:17:09 | |
It's clearly not a spitting image, but Julia's actually done | 0:17:09 | 0:17:12 | |
quite well with the shape of the face and upper features. | 0:17:12 | 0:17:16 | |
And women tend to be much better at remembering faces than men... | 0:17:16 | 0:17:20 | |
so I dread to think how I would have done. | 0:17:20 | 0:17:23 | |
The crucial things to remember are, | 0:17:23 | 0:17:25 | |
focus on permanent details, like height | 0:17:25 | 0:17:28 | |
and skin colour, rather than temporary ones, | 0:17:28 | 0:17:30 | |
like hairstyle that can easily be changed. | 0:17:30 | 0:17:34 | |
And only give details you're absolutely sure of. | 0:17:34 | 0:17:37 | |
Witnesses can be very eager to help and when they do, | 0:17:37 | 0:17:39 | |
sometimes they provide information which is a bit off-track. | 0:17:39 | 0:17:42 | |
It's not actually what happened. | 0:17:42 | 0:17:44 | |
They sort of fill in the gaps themselves. | 0:17:44 | 0:17:46 | |
They fill in the gaps, trying to please, and that can... | 0:17:46 | 0:17:49 | |
That can be false and it can mislead. | 0:17:49 | 0:17:51 | |
You're a nasty man. That poor lady. They were her keys. | 0:17:51 | 0:17:54 | |
She was really upset. | 0:17:54 | 0:17:56 | |
I might just give you a clip round the ear. | 0:17:56 | 0:18:00 | |
Love it or loathe it, the world | 0:18:05 | 0:18:07 | |
now spends an enormous amount of time chatting online. | 0:18:07 | 0:18:10 | |
Many of us social media to stay in touch with friends and family, | 0:18:10 | 0:18:14 | |
but also at the tap of a button you can send a message to a whole | 0:18:14 | 0:18:18 | |
community at lightning speed. | 0:18:18 | 0:18:20 | |
It's also proving to be a fantastic tool in the fight against crime, | 0:18:20 | 0:18:23 | |
as motor racing enthusiast and former boy band member Shane Lynch knows. | 0:18:23 | 0:18:28 | |
Shane Lynch of Boyzone, here on the left | 0:18:30 | 0:18:32 | |
sporting an enormous white collar, | 0:18:32 | 0:18:34 | |
swapped showbiz suits for oily rags and the buzz of motor racing. | 0:18:34 | 0:18:38 | |
If you walk around, what you can see is blood, | 0:18:40 | 0:18:42 | |
sweat and tears in all of these cars. | 0:18:42 | 0:18:45 | |
You can see every last wage packet going into every man's car. | 0:18:45 | 0:18:48 | |
This is their life. | 0:18:48 | 0:18:49 | |
Shane drives this car in drift races for motor team Japspeed. | 0:18:51 | 0:18:55 | |
The team had been exhibiting their cars at a drift racing | 0:19:00 | 0:19:02 | |
event at the Santa Pod Raceway. | 0:19:02 | 0:19:05 | |
The guys in the team had gone for a debrief with the show | 0:19:05 | 0:19:08 | |
organisers, left the car for approximately 20, 30 minutes. | 0:19:08 | 0:19:12 | |
Unbelievably, in broad daylight, surrounded by thousands of fans, | 0:19:14 | 0:19:18 | |
thieves had managed to start the car, drive it off the stand | 0:19:18 | 0:19:21 | |
and out the front gate. | 0:19:21 | 0:19:23 | |
I think a lot of people thought in the beginning it was a joke | 0:19:26 | 0:19:29 | |
because it's such an unheard of thing to do, | 0:19:29 | 0:19:31 | |
to take a car off the stand at an event. It doesn't happen. | 0:19:31 | 0:19:34 | |
The complete disbelief when we found out the car was gone. | 0:19:34 | 0:19:37 | |
They had no fear with getting in that car and driving it | 0:19:37 | 0:19:40 | |
straight past the stewards, and onto the road and down the motorway. | 0:19:40 | 0:19:43 | |
They could have been caught at any point. | 0:19:43 | 0:19:46 | |
It didn't even have any number plates. | 0:19:46 | 0:19:48 | |
These cars are complete one-offs, custom-made, | 0:19:50 | 0:19:53 | |
irreplaceable vehicles, and we had no option when it was stolen. | 0:19:53 | 0:19:57 | |
We had to get that car back. | 0:19:57 | 0:19:58 | |
This £80,000 car that had taken four men | 0:19:58 | 0:20:02 | |
six months to build had disappeared in the blink of an eye. | 0:20:02 | 0:20:06 | |
Paul called the police, but they needed help | 0:20:06 | 0:20:08 | |
if the car was going to be seen again, | 0:20:08 | 0:20:10 | |
so he turned to the social networks. | 0:20:10 | 0:20:13 | |
Obviously, our Facebook fans follow us at these events, | 0:20:13 | 0:20:16 | |
so the immediate thought was to use those fans to help us try | 0:20:16 | 0:20:19 | |
and find the vehicle before it had left the area. | 0:20:19 | 0:20:22 | |
Paul posted that the car had been nicked and within minutes, | 0:20:22 | 0:20:26 | |
keen motoring bloggers spread the word. | 0:20:26 | 0:20:30 | |
Everybody was copying and pasting, re-tweeting on Twitter | 0:20:30 | 0:20:32 | |
and everything. We were getting in touch with different car clubs, | 0:20:32 | 0:20:35 | |
different areas like the Northwest, down in London, up in Scotland. | 0:20:35 | 0:20:39 | |
Usually on the online forums when a post goes up, | 0:20:39 | 0:20:42 | |
whether it's a car sale or something, | 0:20:42 | 0:20:44 | |
you can expect to get ten, maybe 15, posts. | 0:20:44 | 0:20:47 | |
In this particular case, within hours, | 0:20:47 | 0:20:51 | |
the post count was in the hundreds. | 0:20:51 | 0:20:54 | |
Word had spread so fast, it was on forums | 0:20:54 | 0:20:56 | |
that we had never heard of, but they were still there | 0:20:56 | 0:20:58 | |
trying to help us find the car. | 0:20:58 | 0:21:00 | |
Posts were flooding in and soon there were a couple of sightings. | 0:21:00 | 0:21:03 | |
It must have been literally an hour after the car | 0:21:03 | 0:21:07 | |
had initially been stolen, | 0:21:07 | 0:21:09 | |
the reports of it heading south towards Windsor, down the M4. | 0:21:09 | 0:21:15 | |
Within 48 hours, we had 25,000 new followers | 0:21:15 | 0:21:19 | |
just looking for the Subaru that got stolen. | 0:21:19 | 0:21:22 | |
The biggest breakthrough came from petrol head John Singleton. | 0:21:22 | 0:21:27 | |
I was driving home from work on the M25 | 0:21:27 | 0:21:29 | |
when I looked in the rear-view mirror and there was this car, | 0:21:29 | 0:21:33 | |
this orange and black car coming out of nowhere, | 0:21:33 | 0:21:36 | |
going at a fair old speed. | 0:21:36 | 0:21:38 | |
And I thought I would get my phone out and record it for a little bit. | 0:21:38 | 0:21:42 | |
# I need a hero... # | 0:21:42 | 0:21:45 | |
This is the stolen Subaru that Paul filmed speeding along the M25. | 0:21:45 | 0:21:51 | |
The video went viral, the whole country knew about the stolen motor | 0:21:51 | 0:21:56 | |
and car fans across Britain had their eyes peeled. | 0:21:56 | 0:21:59 | |
This hot rod was now such hot property | 0:21:59 | 0:22:02 | |
that the thieves would stand little chance of being able to move it | 0:22:02 | 0:22:05 | |
around the country or even sell it on. | 0:22:05 | 0:22:08 | |
Knowing this, Paul decided to lay a sting | 0:22:08 | 0:22:10 | |
and now offered a £10,000 reward for the return of the car. | 0:22:10 | 0:22:15 | |
Out of the blue, Paul gets a phone call. | 0:22:15 | 0:22:18 | |
They said that they knew where the car was | 0:22:18 | 0:22:20 | |
and, with the reward, they would help us get the car back. | 0:22:20 | 0:22:24 | |
The team arranged a meeting with the informant at a service station. | 0:22:24 | 0:22:28 | |
What he didn't know was that the police were in tow. | 0:22:28 | 0:22:31 | |
As soon as the money had been exchanged, | 0:22:31 | 0:22:34 | |
they took us to the garage where it was being held | 0:22:34 | 0:22:37 | |
and caught the gang red-handed. | 0:22:37 | 0:22:39 | |
The car was sat there with the gang stripping it for parts. | 0:22:39 | 0:22:42 | |
When we got a phone call to say they had found the car, | 0:22:42 | 0:22:45 | |
we were absolutely delighted. It was an emotional time, | 0:22:45 | 0:22:47 | |
because we really didn't think we were going to get that car back. | 0:22:47 | 0:22:52 | |
The thieves were part of a gang which stole vehicles | 0:22:52 | 0:22:55 | |
worth almost a quarter of a million pounds. | 0:22:55 | 0:22:57 | |
They were jailed for more than 15 years for burglary, | 0:22:57 | 0:23:00 | |
theft and handling stolen goods. | 0:23:00 | 0:23:03 | |
Without a shadow of a doubt, | 0:23:07 | 0:23:08 | |
if it wasn't for the kind folk of the world, | 0:23:08 | 0:23:11 | |
the people of the United Kingdom, | 0:23:11 | 0:23:13 | |
that car would possibly have never been found again. | 0:23:13 | 0:23:17 | |
It was a fantastic result to get the car back, absolutely, | 0:23:17 | 0:23:20 | |
so we were thrilled that we got it back in one piece | 0:23:20 | 0:23:22 | |
and that we were going to be able to bring the car back to life | 0:23:22 | 0:23:25 | |
for the fans that had helped us find it. | 0:23:25 | 0:23:27 | |
In the past ten years, burglary rates have dropped by almost a third, | 0:23:32 | 0:23:36 | |
but how do you protect yourself from someone you willingly | 0:23:36 | 0:23:39 | |
let into your own home? | 0:23:39 | 0:23:40 | |
In our final story, a group of neighbours | 0:23:40 | 0:23:42 | |
faced suburbia's worst nightmare, | 0:23:42 | 0:23:44 | |
when suspicions were raised about the cleaner. | 0:23:44 | 0:23:48 | |
I found Christina on a Gumtree advertisement, | 0:23:52 | 0:23:56 | |
she came with references. | 0:23:56 | 0:23:59 | |
Christina cleaned for Stephen and Lynne once a week. | 0:23:59 | 0:24:04 | |
She'd come and she'd dust the banisters | 0:24:04 | 0:24:06 | |
and clean inside the fridge and clean inside the cupboards. | 0:24:06 | 0:24:09 | |
We really, really trusted her. | 0:24:09 | 0:24:11 | |
They were so pleased, they even recommended her | 0:24:11 | 0:24:13 | |
to their friend and neighbour, Caroline. | 0:24:13 | 0:24:16 | |
She seemed nice, | 0:24:16 | 0:24:18 | |
Stephen and Lynne had obviously trusted her to be in their home | 0:24:18 | 0:24:21 | |
and I took their recommendation that | 0:24:21 | 0:24:24 | |
they had never had any problems with her. | 0:24:24 | 0:24:27 | |
But earlier this year, Caroline started to notice | 0:24:27 | 0:24:30 | |
all was not quite right. | 0:24:30 | 0:24:32 | |
After the first time she cleaned for us, | 0:24:32 | 0:24:35 | |
there was some money that went missing. | 0:24:35 | 0:24:37 | |
I dismissed it, because... | 0:24:37 | 0:24:40 | |
I just thought that we must have put it somewhere else. | 0:24:40 | 0:24:43 | |
We noticed a second amount of money had gone missing | 0:24:43 | 0:24:46 | |
and at that stage, I sent Stephen a message | 0:24:46 | 0:24:49 | |
just to ask him if he had had any problems with her. | 0:24:49 | 0:24:54 | |
Caroline raised her concerns with Stephen and Lynne that evening. | 0:24:54 | 0:24:58 | |
So, I thought, "We want to have a sense of justice here, | 0:24:58 | 0:25:01 | |
"we don't want to unjustly dismiss her, | 0:25:01 | 0:25:04 | |
"we want to know one way or another." | 0:25:04 | 0:25:07 | |
IT consultant Stephen decided to act | 0:25:07 | 0:25:09 | |
by setting up a hi tech trap. | 0:25:09 | 0:25:12 | |
Using special software, he reconfigured | 0:25:12 | 0:25:14 | |
his computer's 50 quid webcam to become a motion-activated spy cam. | 0:25:14 | 0:25:19 | |
What I used to capture the images was basically just a laptop, | 0:25:19 | 0:25:24 | |
a webcam and some free open-source software off the web, that was it. | 0:25:24 | 0:25:30 | |
On the day we actually captured the images, | 0:25:30 | 0:25:33 | |
just a normal day, Lynne had gone off to work at about 8:30, | 0:25:33 | 0:25:37 | |
Christina had arrived about 8:45. | 0:25:37 | 0:25:40 | |
I went off to go and have my shower. | 0:25:44 | 0:25:48 | |
But not before leaving some bait on the table. | 0:25:48 | 0:25:53 | |
I came back and got dressed and I thought, "I will check." | 0:25:53 | 0:25:56 | |
Unbelievably, Christina had come into Stephen's office, | 0:25:56 | 0:25:59 | |
picked up his wallet and removed a £20 note. | 0:25:59 | 0:26:03 | |
I think I sat there for a couple of minutes, | 0:26:03 | 0:26:05 | |
just staring at the photos, the sequence of photos, | 0:26:05 | 0:26:07 | |
just going, literally with my jaw open, going, | 0:26:07 | 0:26:10 | |
"Oh, my God, oh, my God." | 0:26:10 | 0:26:13 | |
I printed off one of the copies of the photos | 0:26:13 | 0:26:16 | |
and I went downstairs and I said, "Christina, can I have a word?" | 0:26:16 | 0:26:21 | |
I basically asked for the keys to the house back, | 0:26:21 | 0:26:24 | |
because I wanted to make sure I got the keys back. | 0:26:24 | 0:26:26 | |
I basically said, "How long have you been stealing from us?" | 0:26:26 | 0:26:30 | |
And she sort of went, "What?" | 0:26:30 | 0:26:33 | |
Like, sort of, "What do you mean? | 0:26:33 | 0:26:35 | |
"I don't know what you're talking about." | 0:26:35 | 0:26:37 | |
I literally just laid the photo on the kitchen table | 0:26:37 | 0:26:40 | |
and she took one look at the photo and she just went white. | 0:26:40 | 0:26:44 | |
And I just said, "I think you had better leave." | 0:26:44 | 0:26:48 | |
Christina collected her things and went. | 0:26:48 | 0:26:51 | |
Stephen and Lynne thought that was the end of it, | 0:26:51 | 0:26:53 | |
but felt that they should warn their neighbour, Caroline. | 0:26:53 | 0:26:56 | |
I felt ill, in a way. | 0:26:56 | 0:26:58 | |
I had been letting her into my house | 0:26:58 | 0:27:01 | |
every week and she had been cleaning, | 0:27:01 | 0:27:03 | |
but she had obviously been taking things as well. | 0:27:03 | 0:27:07 | |
My husband Googled her name | 0:27:07 | 0:27:09 | |
and up popped her eBay account, which contained a number of items | 0:27:09 | 0:27:13 | |
that Stephen then recognised as being his own. | 0:27:13 | 0:27:16 | |
She had quite a history as an eBay seller and a lot of feedback | 0:27:16 | 0:27:21 | |
from people that had purchased items, and going through the list, | 0:27:21 | 0:27:24 | |
we started picking up items that were stolen from our home. | 0:27:24 | 0:27:27 | |
The most important item, I suppose, that I noticed | 0:27:27 | 0:27:30 | |
that showed up on her eBay account was a removable hard drive. | 0:27:30 | 0:27:35 | |
All of the photos that I have taken over the last few years | 0:27:35 | 0:27:38 | |
are on that and I don't have those photos any more, | 0:27:38 | 0:27:41 | |
they're gone, I can't get them back. | 0:27:41 | 0:27:43 | |
Police investigations revealed a string of families | 0:27:43 | 0:27:46 | |
had been rinsed by this cleaner. | 0:27:46 | 0:27:48 | |
Christina pleaded guilty to three counts of theft | 0:27:48 | 0:27:51 | |
with a further six taken into consideration. | 0:27:51 | 0:27:54 | |
She was given a 12-week suspended prison sentence. | 0:27:54 | 0:27:57 | |
You implicitly trust the people that you let into your house | 0:28:00 | 0:28:03 | |
and, you know, they've got keys to your house, | 0:28:03 | 0:28:06 | |
they look after your pets, you see them every week. | 0:28:06 | 0:28:09 | |
It's somebody that you've actually made a part of your family. | 0:28:09 | 0:28:16 | |
Yep, it hurts. | 0:28:16 | 0:28:18 | |
That's it for this week. For all those criminals out there, | 0:28:20 | 0:28:23 | |
-you might THINK you're one step ahead... -But watch out, | 0:28:23 | 0:28:25 | |
because the Great British public may well be about to catch you out. | 0:28:25 | 0:28:29 | |
TOGETHER: Good night. | 0:28:29 | 0:28:30 | |
Subtitles by Red Bee Media Ltd | 0:28:32 | 0:28:35 |