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-Come on. -On the run... | 0:00:02 | 0:00:04 | |
-Get back here! -..and over here. | 0:00:04 | 0:00:06 | |
Hands out now, hands out. | 0:00:06 | 0:00:09 | |
When foreign criminals flee their home countries, | 0:00:09 | 0:00:11 | |
many hide out in the UK... | 0:00:11 | 0:00:13 | |
Give me your hands. | 0:00:13 | 0:00:15 | |
..but if they think they're safe, they're wrong. | 0:00:15 | 0:00:17 | |
They know they're wanted. | 0:00:17 | 0:00:19 | |
A lot of these people are waiting for that knock on the door. | 0:00:19 | 0:00:22 | |
But the traffic in fugitives isn't all one-way. | 0:00:22 | 0:00:26 | |
Across Europe, there are hundreds of British criminals | 0:00:26 | 0:00:29 | |
also trying to escape justice. | 0:00:29 | 0:00:31 | |
From the sun-drenched Costas | 0:00:32 | 0:00:34 | |
to the busy streets of the Dutch capital, | 0:00:34 | 0:00:38 | |
this is how the police take down the fugitives... | 0:00:38 | 0:00:42 | |
You're under arrest under the Extradition Act 2003. | 0:00:42 | 0:00:44 | |
Police officer! | 0:00:44 | 0:00:45 | |
..both at home, and abroad. | 0:00:45 | 0:00:48 | |
On today's programme... | 0:00:54 | 0:00:56 | |
Get down, now. Tom! | 0:00:56 | 0:00:58 | |
..the criminal who thought he'd found | 0:00:58 | 0:01:00 | |
the perfect place to dodge the law, | 0:01:00 | 0:01:03 | |
and Spanish police pay a surprise visit to a Merseyside gangster | 0:01:03 | 0:01:08 | |
who'd gone to extreme lengths to stay on the run for 13 years. | 0:01:08 | 0:01:13 | |
He was obviously very well-resourced, | 0:01:13 | 0:01:15 | |
he was obviously very well-prepared, | 0:01:15 | 0:01:17 | |
and he was determined to stay hidden. | 0:01:17 | 0:01:19 | |
London, home to almost nine million people. | 0:01:26 | 0:01:29 | |
Hidden amongst them, | 0:01:31 | 0:01:32 | |
fugitives wanted for crimes committed across the world. | 0:01:32 | 0:01:36 | |
It's the job of a specialist team of detectives | 0:01:38 | 0:01:40 | |
to find them and bring them to justice. | 0:01:40 | 0:01:43 | |
This is the Metropolitan Police Extradition Unit. | 0:01:45 | 0:01:48 | |
The unit is a manhunt unit, | 0:01:48 | 0:01:50 | |
trying to track down people that are wanted in foreign countries | 0:01:50 | 0:01:54 | |
for a wide range of serious crime. | 0:01:54 | 0:01:57 | |
It's valuable work because it makes a difference | 0:01:57 | 0:01:59 | |
and takes dangerous people off the streets. | 0:01:59 | 0:02:02 | |
Over a period of more than a year, we filmed them | 0:02:02 | 0:02:05 | |
as they tracked down fugitives who thought they could escape the law. | 0:02:05 | 0:02:08 | |
Right, can we just run through these jobs we've got for this evening? | 0:02:14 | 0:02:17 | |
The first one we're going to go out on is Kamil Borkowski, | 0:02:17 | 0:02:20 | |
who's wanted for a murder in Poland. | 0:02:20 | 0:02:22 | |
Detective Sergeant Pete Rance and DC Jamie Derby | 0:02:23 | 0:02:26 | |
are planning an operation in south-west London. | 0:02:26 | 0:02:29 | |
The target is a man they've arrested before, | 0:02:32 | 0:02:34 | |
but who was subsequently released. | 0:02:34 | 0:02:36 | |
He's since been convicted in his absence of murder by a Polish court. | 0:02:37 | 0:02:42 | |
The last time we were there, he was hiding under some stairs or... | 0:02:43 | 0:02:46 | |
-He was hiding in a cupboard. -So when we get there, me and you | 0:02:46 | 0:02:49 | |
make the approach to the door with Christophe, | 0:02:49 | 0:02:52 | |
and if you guys can cover the back, | 0:02:52 | 0:02:54 | |
make sure there's nothing going on round the back, all right? | 0:02:54 | 0:02:57 | |
Everyone happy with their roles when we get to the first address? | 0:02:57 | 0:03:01 | |
-Yes. -Everyone good to go? | 0:03:01 | 0:03:03 | |
-Yes. -Smashing. | 0:03:03 | 0:03:05 | |
Pete and Jamie are part of a team of more than 20 detectives | 0:03:05 | 0:03:08 | |
who make up the Extradition Unit. | 0:03:08 | 0:03:10 | |
They've been tracking Kamil Borkowski for years. | 0:03:11 | 0:03:16 | |
We've had the job a little while. | 0:03:16 | 0:03:17 | |
He was initially accused of the murder, | 0:03:17 | 0:03:20 | |
he's now been convicted of the murder, | 0:03:20 | 0:03:22 | |
he's got three years to serve, | 0:03:22 | 0:03:24 | |
so we've refreshed our intelligence checks on it, and... | 0:03:24 | 0:03:27 | |
..we're pretty confident that he's going to be at the address | 0:03:28 | 0:03:31 | |
where he's registered as living at the moment. | 0:03:31 | 0:03:34 | |
The identified address we're looking at is a ground floor flat. | 0:03:34 | 0:03:38 | |
We'll deploy shortly around the rear, just to see if there's | 0:03:39 | 0:03:41 | |
any chance of having a look inside the property from outside. | 0:03:41 | 0:03:44 | |
Somebody that's wanted for murder in a foreign jurisdiction... | 0:03:45 | 0:03:49 | |
..it goes without saying that that person presents a risk to... | 0:03:50 | 0:03:52 | |
..to us in the United Kingdom. | 0:03:52 | 0:03:55 | |
They quickly check the area, and confirm they have the right flat. | 0:04:01 | 0:04:05 | |
Hearing him. | 0:04:15 | 0:04:16 | |
-Hello. -Hello. -We're from the police. -Yeah. | 0:04:21 | 0:04:23 | |
-Is it OK to come in? Sorry? Is it OK to come in? -Yes, of course. | 0:04:23 | 0:04:26 | |
-OK, thank you. -What's happened? | 0:04:26 | 0:04:28 | |
Nothing, nothing to worry about. | 0:04:28 | 0:04:31 | |
With one of the team covering escape routes, | 0:04:34 | 0:04:37 | |
the others search the property, knowing that their man, | 0:04:37 | 0:04:40 | |
who is already convicted for murder at home, | 0:04:40 | 0:04:43 | |
has good reason to hide. | 0:04:43 | 0:04:45 | |
The police are told that Borkowski has moved out | 0:04:49 | 0:04:52 | |
and men's clothes found in the bedroom belong to a friend. | 0:04:52 | 0:04:55 | |
Pete is not altogether convinced. | 0:04:57 | 0:04:59 | |
She could be telling the truth, it may be that she's got rid of him. | 0:05:00 | 0:05:03 | |
It could be that we're just a little bit too early in... | 0:05:03 | 0:05:06 | |
..visiting the address, so we'll have to have a rethink. | 0:05:07 | 0:05:10 | |
The wanted murderer seems to have evaded capture for now, | 0:05:15 | 0:05:19 | |
but these detectives are determined they will get their man, | 0:05:19 | 0:05:22 | |
however long it takes. | 0:05:22 | 0:05:24 | |
Hello? | 0:05:24 | 0:05:26 | |
The hunt never stops, even crossing international borders | 0:05:30 | 0:05:33 | |
to ensure bad guys are brought to book. | 0:05:33 | 0:05:36 | |
When Spanish police raided this fortified villa near Malaga, | 0:05:39 | 0:05:44 | |
they were searching for a Merseyside drug baron | 0:05:44 | 0:05:47 | |
who'd been on the run for more than a decade... | 0:05:47 | 0:05:49 | |
..this man, Mark Lilley... | 0:05:52 | 0:05:54 | |
..a dangerous gangster with a reputation for violence. | 0:05:55 | 0:05:58 | |
He was one of Britain's most wanted, | 0:06:01 | 0:06:04 | |
and for 13 years no-one could find him. | 0:06:04 | 0:06:07 | |
He managed to stay one step ahead of us and he was obviously | 0:06:08 | 0:06:11 | |
very well-resourced, he was obviously very well-prepared, | 0:06:11 | 0:06:14 | |
and he was determined to stay hidden. | 0:06:14 | 0:06:16 | |
The investigation into Lilley began all the way back in 1998, | 0:06:18 | 0:06:22 | |
when the north-west Regional Crime Squad launched a covert operation | 0:06:22 | 0:06:27 | |
to take down Merseyside's biggest drug dealers. | 0:06:27 | 0:06:30 | |
One of the officers on that job still works in surveillance, | 0:06:33 | 0:06:37 | |
so we can't reveal his identity. | 0:06:37 | 0:06:39 | |
Mark Lilley was well-known within the St Helens area | 0:06:41 | 0:06:44 | |
to be a bit of a bully. | 0:06:44 | 0:06:46 | |
His core business was making a lot of money from drugs importation | 0:06:46 | 0:06:51 | |
and distribution. He was a major player within quite a large group | 0:06:51 | 0:06:55 | |
of drug dealers, him being at the top, | 0:06:55 | 0:06:58 | |
and he did instruct and intimidate people to do his bidding. | 0:06:58 | 0:07:02 | |
The police operation filmed Lilley's every move and installed secret | 0:07:05 | 0:07:09 | |
microphones to gather the evidence they needed to bring him in. | 0:07:09 | 0:07:13 | |
We decided that we would have audio placed within his flat, | 0:07:20 | 0:07:27 | |
and cameras outside, which proved a great asset for us | 0:07:27 | 0:07:31 | |
in relation to intelligence that we were gathering from that flat. | 0:07:31 | 0:07:36 | |
There was a lot of drug users and drug dealers that were arriving | 0:07:36 | 0:07:41 | |
at that flat on a daily basis. | 0:07:41 | 0:07:43 | |
The impression I got of him, he was a big guy. | 0:07:49 | 0:07:52 | |
Could be quite intimidating, a bit of a show-off, | 0:07:52 | 0:07:55 | |
and liked to brag quite a bit about what he was doing. | 0:07:55 | 0:08:00 | |
The surveillance operation had Lilley banged to rights. | 0:08:01 | 0:08:05 | |
Police raided his houses, uncovering his cache of drugs and firearms | 0:08:05 | 0:08:09 | |
and the gangster was arrested. | 0:08:09 | 0:08:12 | |
He was in bed at the time. | 0:08:15 | 0:08:17 | |
Got out of bed, went down on his knees, | 0:08:17 | 0:08:19 | |
put his hands behind his head. | 0:08:19 | 0:08:21 | |
He was quite cool, calm and collected... | 0:08:21 | 0:08:24 | |
and in a joking mood, cracking jokes with the searching officers. | 0:08:24 | 0:08:29 | |
Lilley clearly believed he would have the last laugh. | 0:08:30 | 0:08:33 | |
He was out on bail when he went to trial | 0:08:35 | 0:08:37 | |
and, before the verdict was reached, he did a runner. | 0:08:37 | 0:08:40 | |
Lilley attended the majority of his trial and then absconded | 0:08:40 | 0:08:44 | |
as it was coming to an end. | 0:08:44 | 0:08:45 | |
The trial continued in his absence and he was given a conviction, | 0:08:45 | 0:08:49 | |
so he knew that when he was on the run, if he was arrested, | 0:08:49 | 0:08:51 | |
he would be coming back to serve a 23-year sentence. | 0:08:51 | 0:08:54 | |
Lilley stayed hidden for years, | 0:08:55 | 0:08:58 | |
but sightings of him trickled in | 0:08:58 | 0:09:00 | |
and the trail seemed to lead to one country in particular. | 0:09:00 | 0:09:03 | |
We had indications that Lilley was in Spain. | 0:09:05 | 0:09:08 | |
We had him linked to several other countries, as well, | 0:09:08 | 0:09:10 | |
but Spain was always the main one | 0:09:10 | 0:09:11 | |
and that was where we were focused on, really. | 0:09:11 | 0:09:14 | |
It was then just a case of | 0:09:14 | 0:09:15 | |
actually narrowing down exactly where he was. | 0:09:15 | 0:09:17 | |
But for a period of time he managed to stay one step of ahead of us | 0:09:17 | 0:09:20 | |
and he was probably moving quite regularly, at that point, | 0:09:20 | 0:09:23 | |
to evade detection. | 0:09:23 | 0:09:24 | |
In the years since Lilley fled, cooperation between British | 0:09:24 | 0:09:28 | |
and Spanish law enforcement had increased considerably. | 0:09:28 | 0:09:31 | |
By the time Inspector Olga Lizana took over | 0:09:31 | 0:09:35 | |
as head of the Spanish National Police's Fugitives Unit, | 0:09:35 | 0:09:38 | |
Lilley had already been on the run for more than a decade. | 0:09:38 | 0:09:42 | |
Well, at the beginning I thought we were not going to find this guy, | 0:09:42 | 0:09:46 | |
because he was in Spain for, at that time, for around ten years. | 0:09:46 | 0:09:50 | |
So it's like there's... | 0:09:50 | 0:09:53 | |
a fugitive can change a lot. | 0:09:53 | 0:09:57 | |
But then, a breakthrough. | 0:09:57 | 0:09:59 | |
Olga discovered five houses in the area Lilley had bought and paid for, | 0:09:59 | 0:10:04 | |
even though they weren't in his name. | 0:10:04 | 0:10:06 | |
She put them all under surveillance. | 0:10:08 | 0:10:10 | |
The neighbours didn't know who he was or his real name. | 0:10:12 | 0:10:16 | |
But it was like he was always driving luxury cars. | 0:10:16 | 0:10:20 | |
He'd just leave the house at night and come early in the morning | 0:10:22 | 0:10:25 | |
or late at night, but he doesn't have much relation | 0:10:25 | 0:10:29 | |
with the neighbours, so I knew it was him. | 0:10:29 | 0:10:33 | |
Olga tracked him to this villa, | 0:10:35 | 0:10:37 | |
high in the hills above Malaga and surrounded by a ten-foot-high wall. | 0:10:37 | 0:10:41 | |
It was time to strike. | 0:10:43 | 0:10:45 | |
You always think, OK, we're going to have just one opportunity | 0:10:46 | 0:10:49 | |
to get him, so you want the right moment for that. | 0:10:49 | 0:10:53 | |
And maybe it's the last opportunity for us | 0:10:53 | 0:10:55 | |
so, OK, this is it. | 0:10:55 | 0:10:57 | |
But, as more than 40 armed officers prepared for an early-morning raid, | 0:10:59 | 0:11:04 | |
not everything would go according to plan. | 0:11:04 | 0:11:07 | |
There are extradition teams working across the UK. | 0:11:15 | 0:11:18 | |
One of the busiest is here in West Yorkshire. | 0:11:19 | 0:11:22 | |
Hello, police. | 0:11:22 | 0:11:24 | |
In the past six years, | 0:11:24 | 0:11:26 | |
they've arrested more than 400 foreign criminals. | 0:11:26 | 0:11:29 | |
Contact. | 0:11:31 | 0:11:33 | |
And this is the team on duty tonight - | 0:11:33 | 0:11:36 | |
PC Dave Lockwood... | 0:11:36 | 0:11:37 | |
I've just confirmed it is the wanted person. | 0:11:37 | 0:11:40 | |
..and his colleague PC Tom Allen. | 0:11:40 | 0:11:42 | |
-Move on to the next one? -Yep. | 0:11:42 | 0:11:44 | |
Tonight, they've got a new case that's just come in. | 0:11:44 | 0:11:48 | |
Oh, it's fresh, very fresh. | 0:11:50 | 0:11:52 | |
It's a European Arrest Warrant issued for this man. | 0:11:52 | 0:11:55 | |
We've just had a new one drop into our mailbox we've received | 0:11:56 | 0:11:59 | |
from the National Crime Agency. | 0:11:59 | 0:12:01 | |
And I think we've got, as of two months ago, a solid address for him. | 0:12:01 | 0:12:06 | |
I think it will be a good one for us to go for tonight. | 0:12:06 | 0:12:09 | |
Ladislav Ziga has a prison sentence waiting for him | 0:12:09 | 0:12:12 | |
in the Czech Republic for assault, robbery and theft. | 0:12:12 | 0:12:15 | |
Prepared for anything, | 0:12:19 | 0:12:20 | |
they head off to check out a recent address for the wanted man. | 0:12:20 | 0:12:24 | |
It's late, and most of the homes on this street are in darkness, | 0:12:32 | 0:12:36 | |
but in the house they're targeting, | 0:12:36 | 0:12:38 | |
it looks like someone could be awake. | 0:12:38 | 0:12:41 | |
-This here, on the end corner. -Here with the lights on. | 0:12:41 | 0:12:44 | |
Yeah. | 0:12:44 | 0:12:46 | |
They approach the house, checking for signs of movement upstairs. | 0:12:53 | 0:12:57 | |
And sure enough, when Tom knocks on the front door, | 0:13:04 | 0:13:07 | |
a figure comes to the window. | 0:13:07 | 0:13:09 | |
-Contact, first floor, female. -That's them. | 0:13:09 | 0:13:13 | |
But whoever lives here is in no hurry to come to the door. | 0:13:15 | 0:13:18 | |
Looks like that might be a bathroom, | 0:13:18 | 0:13:20 | |
so I don't know if she's been in the shower or something. | 0:13:20 | 0:13:23 | |
-Yeah, yeah. -Might just need a moment. | 0:13:23 | 0:13:24 | |
Who are you, pal? | 0:13:27 | 0:13:29 | |
MUFFLED REPLY | 0:13:29 | 0:13:32 | |
Are you coming to answer the door? | 0:13:32 | 0:13:34 | |
Looking good, Tom. | 0:13:34 | 0:13:36 | |
Hello there, how you doing? | 0:13:39 | 0:13:41 | |
Sorry to get you up. What's your name, pal, please? Surname? | 0:13:42 | 0:13:46 | |
Who else is in the house? | 0:13:46 | 0:13:48 | |
The man at the door looks similar to the person they're chasing. | 0:13:48 | 0:13:52 | |
Date of birth? Do you have an identity card? | 0:13:52 | 0:13:55 | |
But the man they're looking for has a scorpion tattooed on his neck. | 0:13:55 | 0:13:59 | |
-No tattoo on the neck, is there? -No. | 0:13:59 | 0:14:01 | |
A woman comes down the stairs. | 0:14:01 | 0:14:03 | |
She says there's no-one else but children in the house. | 0:14:03 | 0:14:06 | |
-How many others upstairs? -Children. -Children... | 0:14:06 | 0:14:10 | |
-No adults? -No. | 0:14:10 | 0:14:12 | |
OK. | 0:14:12 | 0:14:14 | |
OK, I'm going to look upstairs, do you want to come with me? | 0:14:14 | 0:14:17 | |
-Yeah. -OK. Come on, then, let's go upstairs. | 0:14:17 | 0:14:20 | |
Dave's not taking her at her word. | 0:14:22 | 0:14:24 | |
Why are you here? | 0:14:24 | 0:14:26 | |
Just one room at a time. | 0:14:27 | 0:14:29 | |
At first, it seems the residents are all telling the truth. | 0:14:30 | 0:14:34 | |
Upstairs, all is quiet. | 0:14:34 | 0:14:36 | |
That's dangerous, isn't it? | 0:14:41 | 0:14:43 | |
COUGHING | 0:14:43 | 0:14:45 | |
But then, Dave spots something in a cupboard. | 0:14:47 | 0:14:50 | |
Get down, now! Do not mess about. | 0:14:50 | 0:14:53 | |
In fact, stay there. Tom! | 0:14:53 | 0:14:55 | |
-Come in. -What floor? | 0:14:55 | 0:14:57 | |
Stay there. Stay there now. | 0:14:57 | 0:14:59 | |
With two people desperate not to be found, | 0:14:59 | 0:15:02 | |
it's an unpredictable situation. | 0:15:02 | 0:15:04 | |
Put your hands down. Look, just cuff him straightaway. | 0:15:05 | 0:15:07 | |
See who he is. | 0:15:07 | 0:15:09 | |
Put your hands down. | 0:15:09 | 0:15:11 | |
Give me your hands. | 0:15:11 | 0:15:12 | |
Hand. Have you got your cuffs? | 0:15:12 | 0:15:14 | |
Other hand now. | 0:15:17 | 0:15:19 | |
Stay there. | 0:15:20 | 0:15:22 | |
Just let go of him. | 0:15:22 | 0:15:24 | |
Right. Slowly climb down. | 0:15:24 | 0:15:26 | |
-Stop. Stop it. -No, no, stop shouting. | 0:15:27 | 0:15:30 | |
No, no, stop shouting. | 0:15:30 | 0:15:31 | |
We're dealing with something here. | 0:15:34 | 0:15:36 | |
Right, are you ready? Come on, drop down. Right, stay there. | 0:15:36 | 0:15:39 | |
Stay there. | 0:15:39 | 0:15:41 | |
-INDISTINCT -Wait, wait. | 0:15:41 | 0:15:45 | |
They've found not one but two people hiding amongst the children's toys. | 0:15:45 | 0:15:50 | |
The unknown man and woman are cuffed and brought out. | 0:15:52 | 0:15:55 | |
In there, please. | 0:15:56 | 0:15:58 | |
Hang on. Wait, wait, wait. Let's go downstairs. | 0:15:59 | 0:16:03 | |
Just, will you relax? Chill out. Relax your arms. | 0:16:03 | 0:16:06 | |
Stop pulling against me. | 0:16:06 | 0:16:09 | |
-We're going to go downstairs and sort things out. -OK. | 0:16:09 | 0:16:11 | |
Right, take a seat, chill out. | 0:16:15 | 0:16:17 | |
Now, they want to know who these two are, | 0:16:17 | 0:16:19 | |
and what exactly they were doing upstairs in a cupboard. | 0:16:19 | 0:16:23 | |
Sit there, please. | 0:16:23 | 0:16:25 | |
Why were you two hiding in the cupboard? | 0:16:29 | 0:16:32 | |
-Start off there. -Because we were scared. | 0:16:32 | 0:16:35 | |
What were you scared of? | 0:16:35 | 0:16:37 | |
INDISTINCT SPEECH | 0:16:37 | 0:16:39 | |
Well, it's not normal for us to come to houses and find people | 0:16:39 | 0:16:42 | |
hiding in cupboards, is it? I'll have a look. Lift your head up. | 0:16:42 | 0:16:45 | |
OK. Thank you. | 0:16:45 | 0:16:48 | |
Tattoo on the neck from the picture. | 0:16:48 | 0:16:50 | |
Birthday? | 0:16:50 | 0:16:51 | |
Another look at the arrest warrant confirms what the officers suspect. | 0:16:51 | 0:16:55 | |
The man with the scorpion tattoo on his neck | 0:16:55 | 0:16:58 | |
is the fugitive they're hunting. | 0:16:58 | 0:17:00 | |
-Is that you? -Yeah. -Yeah? | 0:17:00 | 0:17:02 | |
Ladislav, the Czech authorities, the Czech police, | 0:17:02 | 0:17:07 | |
OK, have issued an arrest warrant for us to detain you. | 0:17:07 | 0:17:12 | |
As Tom arrests the man, | 0:17:12 | 0:17:15 | |
the woman caught hiding with him in the cupboard is released, | 0:17:15 | 0:17:18 | |
but she's having none of it. | 0:17:18 | 0:17:20 | |
You are? | 0:17:22 | 0:17:24 | |
I'll ring NCA. | 0:17:24 | 0:17:25 | |
We'll double-check. | 0:17:25 | 0:17:28 | |
It's not often they get people | 0:17:28 | 0:17:30 | |
asking to be arrested and extradited, | 0:17:30 | 0:17:33 | |
so Dave calls the National Crime Agency | 0:17:33 | 0:17:36 | |
to check out the woman's story. | 0:17:36 | 0:17:38 | |
I just want to know if this lass is wanted, to take her in, as well? | 0:17:38 | 0:17:41 | |
'Do you want me to give you a call-back?' | 0:17:41 | 0:17:44 | |
Yeah, I'm going to remain at the scene, at the address here. | 0:17:44 | 0:17:47 | |
She's packed her bag, ready to go, she's that sure she's wanted, so... | 0:17:47 | 0:17:50 | |
What offence are you wanted for? | 0:17:50 | 0:17:52 | |
-I don't know. -You don't know? | 0:17:52 | 0:17:54 | |
The woman insists she's wanted by police, | 0:17:54 | 0:17:57 | |
even though she doesn't know what she's wanted for. | 0:17:57 | 0:18:00 | |
Tom explains that's not how this works. | 0:18:00 | 0:18:03 | |
If you just stay in here for five minutes, we're just waiting | 0:18:03 | 0:18:06 | |
to check. We're just finding out whether you are wanted. | 0:18:06 | 0:18:09 | |
Until...until the NCA tell us you are, we can't arrest you. | 0:18:11 | 0:18:15 | |
Then, the call comes through. | 0:18:18 | 0:18:20 | |
Hello? | 0:18:22 | 0:18:23 | |
'I've ran that name through, and there's no hit on there.' | 0:18:23 | 0:18:26 | |
-All right. Take care, thanks, see you. Bye. -'Bye.' | 0:18:26 | 0:18:29 | |
I'm going to have to disappoint you. | 0:18:31 | 0:18:33 | |
You're not wanted. | 0:18:33 | 0:18:34 | |
Despite her protests, she won't be taken to the police station tonight, | 0:18:34 | 0:18:38 | |
leaving Dave to wonder | 0:18:38 | 0:18:40 | |
why she wanted to be arrested in the first place. | 0:18:40 | 0:18:43 | |
I've never had anybody as insistent as that before, no. | 0:18:43 | 0:18:46 | |
I mean, she got dressed, she got ready. | 0:18:46 | 0:18:48 | |
She were ready to go, weren't she? She were really insistent. | 0:18:48 | 0:18:51 | |
Dave and Tom take Ladislav back to the police station, | 0:18:52 | 0:18:56 | |
where he's processed before being sent to his extradition hearing. | 0:18:56 | 0:19:00 | |
As for the woman hiding in the cupboard with him, | 0:19:03 | 0:19:06 | |
further investigation revealed | 0:19:06 | 0:19:08 | |
she HAD been in trouble in the Czech Republic. | 0:19:08 | 0:19:12 | |
While living in the UK, | 0:19:16 | 0:19:18 | |
she'd been found guilty of theft in a court back home. | 0:19:18 | 0:19:21 | |
But because the sentence was suspended, | 0:19:23 | 0:19:25 | |
there was no arrest warrant. | 0:19:25 | 0:19:27 | |
Her partner will have to go back to the Czech Republic | 0:19:29 | 0:19:32 | |
to face justice by himself. | 0:19:32 | 0:19:34 | |
Detectives from the Metropolitan Police Extradition Unit | 0:19:44 | 0:19:47 | |
are back on the streets of London hunting for a killer. | 0:19:47 | 0:19:51 | |
Kamil Borkowski is a murderer on the run from Poland, | 0:19:54 | 0:19:57 | |
where he was convicted for kicking a man to death. | 0:19:57 | 0:20:01 | |
The detectives suspect he's hiding somewhere in these blocks of flats. | 0:20:01 | 0:20:05 | |
We came back yesterday afternoon | 0:20:06 | 0:20:09 | |
and were able to see the female inside the address, | 0:20:09 | 0:20:12 | |
decided to come back and give it another try this morning. | 0:20:12 | 0:20:15 | |
HE KNOCKS ON DOOR | 0:20:23 | 0:20:25 | |
This time, they won't take no for an answer. | 0:20:27 | 0:20:31 | |
Morning, it's the police, can you open the door, please? | 0:20:31 | 0:20:34 | |
Morning. I can see your feet. | 0:20:36 | 0:20:37 | |
I can see your feet, so you don't need to creep about. | 0:20:40 | 0:20:44 | |
I can see you again, tiptoeing back through to the living room. | 0:20:46 | 0:20:48 | |
Do you want to open the door? | 0:20:48 | 0:20:51 | |
They've spotted the partner of the man they're after | 0:20:51 | 0:20:54 | |
sneaking around inside. | 0:20:54 | 0:20:56 | |
But now, she has nowhere left to hide. | 0:20:56 | 0:21:00 | |
Open the door, please. | 0:21:00 | 0:21:01 | |
She tiptoed into the kitchen... | 0:21:04 | 0:21:05 | |
If she refuses to open the door, | 0:21:05 | 0:21:07 | |
the detectives now have the power to force entry into the property. | 0:21:07 | 0:21:11 | |
Open the door, please, it's the police. | 0:21:18 | 0:21:21 | |
-Pete? Pete? -Yeah. | 0:21:26 | 0:21:28 | |
-There's two people in there. -Yeah, yeah. | 0:21:28 | 0:21:31 | |
Open the door, mate. Kamil, come and open the door. | 0:21:31 | 0:21:34 | |
Pete. | 0:21:37 | 0:21:38 | |
-Just stop screaming, stop -BLEEP. | 0:21:39 | 0:21:42 | |
Police. Is Kamil here? | 0:21:42 | 0:21:44 | |
Where is he? | 0:21:45 | 0:21:46 | |
-All right, come out. Put your hands up. -Hands up. | 0:21:47 | 0:21:50 | |
No, no, no. Stop. | 0:21:50 | 0:21:53 | |
We had a gut feeling that he was still linked to this address | 0:21:56 | 0:21:59 | |
and still with her... | 0:21:59 | 0:22:00 | |
..and that gut feeling has proven to be right. | 0:22:02 | 0:22:04 | |
This way, this way. | 0:22:06 | 0:22:07 | |
It's taken more than six months, but the team have finally got their man. | 0:22:10 | 0:22:17 | |
OK, mind your head. | 0:22:17 | 0:22:18 | |
Just sit. Stay this side, stay this side. | 0:22:20 | 0:22:21 | |
Going to put your seatbelt on, all right? | 0:22:21 | 0:22:24 | |
All right. | 0:22:24 | 0:22:25 | |
Well done, mate. | 0:22:27 | 0:22:28 | |
We've got to get lucky, and we got lucky this morning again, | 0:22:30 | 0:22:33 | |
although, we've... I suppose, if we were to sort of... | 0:22:33 | 0:22:36 | |
..try and put a positive on it, we'd say we've made our own luck | 0:22:37 | 0:22:40 | |
here today, so, very pleased. | 0:22:40 | 0:22:42 | |
Another dangerous man in custody. | 0:22:43 | 0:22:45 | |
Kamil Borkowski has dodged the law and evaded capture for six years, | 0:22:45 | 0:22:51 | |
but now, the extradition team's persistence has finally paid off. | 0:22:51 | 0:22:55 | |
Caught red-handed with guns and drugs, | 0:23:04 | 0:23:07 | |
dangerous gangster Mark Lilley was sentenced to 23 years behind bars. | 0:23:07 | 0:23:12 | |
But he'd already gone on the run, | 0:23:15 | 0:23:17 | |
and had managed to outwit the law for 13 years. | 0:23:17 | 0:23:21 | |
He was living a life, he was living it under a different name, | 0:23:21 | 0:23:23 | |
different identity. For a period of time, | 0:23:23 | 0:23:26 | |
he managed to stay one step ahead of us, and he was probably | 0:23:26 | 0:23:28 | |
moving quite regularly at that point to evade detection. | 0:23:28 | 0:23:31 | |
But the search for Lilley never stopped, | 0:23:31 | 0:23:34 | |
and all the clues pointed to Spain. | 0:23:34 | 0:23:37 | |
By the time Inspector Olga Lizana took over | 0:23:39 | 0:23:42 | |
as head of the Spanish National Police Fugitives Unit, | 0:23:42 | 0:23:46 | |
Lilley had been in hiding for more than ten years. | 0:23:46 | 0:23:49 | |
You could not imagine how much time it took me to check | 0:23:50 | 0:23:55 | |
all the information, because it was not a new case, it was an old case, | 0:23:55 | 0:24:00 | |
so you have to check everything again. | 0:24:00 | 0:24:02 | |
Olga's diligence paid off when she finally tracked him down | 0:24:04 | 0:24:07 | |
to this hilltop villa. It was surrounded by ten-foot-high walls, | 0:24:07 | 0:24:12 | |
and she had no idea what lay behind them. | 0:24:12 | 0:24:15 | |
We didn't know how many people were in the house. | 0:24:17 | 0:24:20 | |
We were not sure if they'd got guns or not, | 0:24:20 | 0:24:23 | |
so you have to cover all those things | 0:24:23 | 0:24:26 | |
and be prepared for whatever happens. | 0:24:26 | 0:24:29 | |
Olga launched a strike on the compound. | 0:24:29 | 0:24:32 | |
Mobilising a team of more than 40 armed officers with air support, | 0:24:34 | 0:24:38 | |
the villa was surrounded as a tactical unit swarmed over the gate. | 0:24:38 | 0:24:43 | |
Armed police stormed the villa | 0:24:49 | 0:24:51 | |
and smashed in the front door with a battering ram. | 0:24:51 | 0:24:54 | |
Once inside, officers searched the house for the man who now topped | 0:25:02 | 0:25:06 | |
the list of Britain's most wanted. | 0:25:06 | 0:25:09 | |
But there was no sign of him. | 0:25:12 | 0:25:14 | |
The guys there were telling me that Lilley was not in the house. | 0:25:16 | 0:25:20 | |
They had checked the whole house, and they didn't find the guy. | 0:25:20 | 0:25:24 | |
Somehow, the fugitive appeared to have evaded capture once again. | 0:25:26 | 0:25:30 | |
But Olga wasn't giving up. | 0:25:32 | 0:25:34 | |
I was sure he was there. | 0:25:36 | 0:25:37 | |
I just said, "Well, nobody's moving from here till we find him!" | 0:25:37 | 0:25:41 | |
It was a critical decision. | 0:25:41 | 0:25:44 | |
They swept the house a second time. | 0:25:44 | 0:25:46 | |
A closer look inside a row of wardrobes revealed a slight oddity | 0:25:48 | 0:25:52 | |
that was to prove crucial. | 0:25:52 | 0:25:54 | |
The wooden panel at the back of one of them | 0:25:56 | 0:25:58 | |
was slightly different to the rest. | 0:25:58 | 0:26:01 | |
One of the police officers that was checking that area realised that | 0:26:01 | 0:26:04 | |
one of the wardrobes was not similar to the other. | 0:26:04 | 0:26:08 | |
So they started taking all the things out of there | 0:26:08 | 0:26:13 | |
and then they found the door. | 0:26:13 | 0:26:15 | |
Behind the wooden panel was a solid steel door. | 0:26:15 | 0:26:19 | |
They'd found the secret entrance to a fortified panic room. | 0:26:20 | 0:26:24 | |
Hidden inside was the gangster. | 0:26:26 | 0:26:28 | |
We knew he was inside the panic room, | 0:26:29 | 0:26:33 | |
so I told him if he didn't open the door, | 0:26:33 | 0:26:37 | |
I'm going through the whole wall to get you, | 0:26:37 | 0:26:42 | |
so he decided to open. | 0:26:42 | 0:26:44 | |
Olga's threat to smash down the wall to get him | 0:26:47 | 0:26:51 | |
convinced Lilley the game was up. | 0:26:51 | 0:26:53 | |
The door opened, and she could finally size up the man | 0:26:55 | 0:26:58 | |
she'd been hunting for so long. | 0:26:58 | 0:27:00 | |
He was so big that we couldn't use just one handcuffs. | 0:27:00 | 0:27:05 | |
We had to use two because of the size of his arm. | 0:27:05 | 0:27:09 | |
And the man they arrested looked nothing like the man | 0:27:11 | 0:27:13 | |
who had fled British justice all those years before. | 0:27:13 | 0:27:17 | |
He'd changed his appearance massively. | 0:27:18 | 0:27:21 | |
He'd bulked up an incredible amount, | 0:27:21 | 0:27:24 | |
got lots of different tattoos. | 0:27:24 | 0:27:27 | |
He'd changed facially. | 0:27:27 | 0:27:28 | |
Obviously he'd been out in Spain for a long time, so he was very tanned. | 0:27:28 | 0:27:32 | |
So if you put his picture next to one from 13 years previous, | 0:27:32 | 0:27:36 | |
you perhaps wouldn't necessarily know they were the same individual. | 0:27:36 | 0:27:40 | |
But Olga knew she'd got her man. | 0:27:40 | 0:27:43 | |
She hopes Lilley's arrest will act as a warning | 0:27:43 | 0:27:46 | |
to any other British criminals thinking of going on the run. | 0:27:46 | 0:27:49 | |
This is not a safe place for British fugitives any more. | 0:27:51 | 0:27:54 | |
I think that's the message - | 0:27:56 | 0:27:58 | |
don't come to Spain. | 0:27:58 | 0:28:00 | |
In August 2013, Mark Lilley was flown back to the UK. | 0:28:03 | 0:28:08 | |
After a failed appeal, he finally started his 23-year sentence. | 0:28:08 | 0:28:14 | |
Kamil Borkowski was extradited back to Poland in August 2016 | 0:28:14 | 0:28:20 | |
to serve out his sentence for murder. | 0:28:20 | 0:28:23 | |
-Get down, now! Tom! -Coming. | 0:28:25 | 0:28:27 | |
And Ladislav Ziga, who'd concealed himself in a cupboard, | 0:28:27 | 0:28:31 | |
was sent back to the Czech Republic in June of the same year | 0:28:31 | 0:28:34 | |
without his hide-and-seek partner. | 0:28:34 | 0:28:37 |