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-Come on. -On the run... | 0:00:02 | 0:00:04 | |
-Get back here! -..and over here. | 0:00:04 | 0:00:06 | |
Hands out now, hands out. | 0:00:06 | 0:00:09 | |
When foreign criminals flee their home countries, | 0:00:09 | 0:00:11 | |
many hide out in the UK... | 0:00:11 | 0:00:13 | |
Give me your hands. | 0:00:13 | 0:00:15 | |
..but if they think they're safe, they're wrong. | 0:00:15 | 0:00:18 | |
They know they're wanted. | 0:00:18 | 0:00:19 | |
A lot of these people are waiting for that knock on the door. | 0:00:19 | 0:00:22 | |
But the traffic in fugitives isn't all one-way. | 0:00:22 | 0:00:26 | |
Across Europe, there are hundreds of British criminals | 0:00:27 | 0:00:30 | |
also trying to escape justice. | 0:00:30 | 0:00:32 | |
From the sun-drenched Costas, where the villains seek a life of luxury, | 0:00:33 | 0:00:38 | |
to the busy streets of the Dutch capital, | 0:00:38 | 0:00:40 | |
where many continue their life of crime. | 0:00:40 | 0:00:43 | |
We join the crack teams hunting them down. | 0:00:45 | 0:00:48 | |
When you take the risk to come to Amsterdam, as a criminal, | 0:00:48 | 0:00:50 | |
there's a high chance that we'll get you. | 0:00:50 | 0:00:53 | |
When it comes to justice, borders are no barrier. | 0:00:53 | 0:00:57 | |
You're under arrest under the Extradition Act 2003. | 0:00:57 | 0:01:00 | |
This is how the police take down the fugitives... | 0:01:00 | 0:01:03 | |
Police officer! | 0:01:03 | 0:01:05 | |
..both at home, and abroad. | 0:01:05 | 0:01:07 | |
If you're thinking of running - don't. | 0:01:08 | 0:01:11 | |
We will find you. | 0:01:11 | 0:01:12 | |
We will bring you back. | 0:01:14 | 0:01:15 | |
On today's programme... | 0:01:22 | 0:01:24 | |
I can see your feet, there's no need to creep about. | 0:01:24 | 0:01:27 | |
..the six-month hunt for a Polish murderer | 0:01:27 | 0:01:30 | |
who kicked a man to death... | 0:01:30 | 0:01:31 | |
Get down, now. Tom! | 0:01:33 | 0:01:34 | |
..the criminal who thought he'd found | 0:01:34 | 0:01:37 | |
the perfect place to dodge the law... | 0:01:37 | 0:01:39 | |
Perhaps the expectation is that the cops won't look | 0:01:39 | 0:01:42 | |
in the toy cupboard, but if your feet are hanging out, | 0:01:42 | 0:01:44 | |
then Dave will do the rest. | 0:01:44 | 0:01:46 | |
..and Spanish police pay a surprise visit to a Merseyside gangster | 0:01:47 | 0:01:51 | |
who'd gone to extreme lengths to stay on the run for 13 years. | 0:01:51 | 0:01:56 | |
He was obviously very well-resourced, | 0:01:57 | 0:01:59 | |
he was obviously very well-prepared, | 0:01:59 | 0:02:01 | |
and he was determined to stay hidden. | 0:02:01 | 0:02:03 | |
London, home to almost nine million people. | 0:02:09 | 0:02:13 | |
Hidden amongst them, | 0:02:14 | 0:02:16 | |
fugitives wanted for crimes committed across the world. | 0:02:16 | 0:02:19 | |
It's the job of a specialist team of detectives | 0:02:22 | 0:02:24 | |
to find them and bring them to justice. | 0:02:24 | 0:02:27 | |
This is the Metropolitan Police Extradition Unit. | 0:02:28 | 0:02:32 | |
The unit is a manhunt unit, | 0:02:32 | 0:02:34 | |
trying to track down people that are wanted in foreign countries | 0:02:34 | 0:02:37 | |
for a wide range of serious crime. | 0:02:37 | 0:02:40 | |
It's valuable work because it makes a difference | 0:02:40 | 0:02:43 | |
and takes dangerous people off the streets. | 0:02:43 | 0:02:45 | |
Over a period of more than a year we filmed them | 0:02:45 | 0:02:48 | |
as they tracked down fugitives who thought they could escape the law. | 0:02:48 | 0:02:52 | |
Right, can we just run through these jobs we've got for this evening? | 0:02:57 | 0:03:01 | |
The first one we're going to go out on is Kamil Borkowski, | 0:03:01 | 0:03:04 | |
who's wanted for a murder in Poland. | 0:03:04 | 0:03:05 | |
Detective Sergeant Pete Rance and DC Jamie Derby | 0:03:06 | 0:03:10 | |
are planning an operation in south-west London. | 0:03:10 | 0:03:13 | |
The target is a man they've arrested before, | 0:03:15 | 0:03:18 | |
but who was subsequently released. | 0:03:18 | 0:03:20 | |
He's since been convicted in his absence of murder by a Polish court. | 0:03:21 | 0:03:25 | |
The last time we were there, he was hiding under some stairs or... | 0:03:27 | 0:03:29 | |
-He was hiding in a cupboard. -So when we get there, me and you | 0:03:29 | 0:03:32 | |
make the approach to the door with Christophe, | 0:03:32 | 0:03:36 | |
and if you guys can cover the back, | 0:03:36 | 0:03:38 | |
make sure there's nothing going on round the back, all right? | 0:03:38 | 0:03:40 | |
Everyone happy with their roles when we get to the first address? | 0:03:40 | 0:03:45 | |
-Yes. -Everyone good to go? | 0:03:45 | 0:03:47 | |
-Yes. -Smashing. | 0:03:47 | 0:03:49 | |
Pete and Jamie are part of a team of more than 20 detectives | 0:03:49 | 0:03:52 | |
who make up the Extradition Unit. | 0:03:52 | 0:03:54 | |
It's a job that keeps them busy. | 0:03:55 | 0:03:57 | |
Last year, we had over 1,200 requests for extradition. | 0:03:58 | 0:04:02 | |
And this month alone we're already up to 40... | 0:04:04 | 0:04:06 | |
..and we're what? Where are we now? 12th, the 12th day of the month. | 0:04:08 | 0:04:12 | |
So it's a conveyor belt of work, | 0:04:12 | 0:04:14 | |
it moves quite quickly and it's a full spectrum of... | 0:04:14 | 0:04:18 | |
..criminal offences that these people are wanted for, | 0:04:19 | 0:04:22 | |
from very minor misdemeanours, | 0:04:22 | 0:04:24 | |
right the way up to murder and terrorism offences, | 0:04:24 | 0:04:26 | |
so there's a real cross-section of offences there. | 0:04:26 | 0:04:31 | |
They work with the National Crime Agency | 0:04:34 | 0:04:36 | |
to gather intelligence for each case. | 0:04:36 | 0:04:39 | |
They've been tracking Kamil Borkowski for years. | 0:04:39 | 0:04:42 | |
We've had the job a little while. | 0:04:44 | 0:04:45 | |
He was initially accused of the murder, | 0:04:45 | 0:04:48 | |
he's now been convicted of the murder, | 0:04:48 | 0:04:50 | |
he's got three years to serve, | 0:04:50 | 0:04:52 | |
so we've refreshed our intelligence checks on it, and... | 0:04:52 | 0:04:55 | |
..we're pretty confident that he's going to be at the address | 0:04:56 | 0:04:59 | |
where he's registered as living at the moment. | 0:04:59 | 0:05:02 | |
The identified address we're looking at is a ground floor flat. | 0:05:02 | 0:05:06 | |
We'll deploy shortly around the rear, just to see if there's | 0:05:07 | 0:05:09 | |
any chance of having a look inside the property from outside. | 0:05:09 | 0:05:12 | |
Somebody that's wanted for murder in a foreign jurisdiction... | 0:05:13 | 0:05:17 | |
..it goes without saying that that person presents a risk to, | 0:05:18 | 0:05:20 | |
to us in the United Kingdom. | 0:05:20 | 0:05:23 | |
They quickly check the area, and confirm they have the right flat. | 0:05:29 | 0:05:33 | |
Hearing him. | 0:05:42 | 0:05:43 | |
-Hello. -Hello. -We're from the police. -Yeah. | 0:05:49 | 0:05:51 | |
-Is it OK to come in? Sorry? Is it OK to come in? -Yes, of course. | 0:05:51 | 0:05:54 | |
-OK, thank you. -What's happened? | 0:05:54 | 0:05:56 | |
Nothing, nothing to worry about. | 0:05:56 | 0:05:59 | |
With one of the team covering escape routes, | 0:06:02 | 0:06:05 | |
the others search the property, knowing that their man, | 0:06:05 | 0:06:08 | |
who is already convicted for murder at home, | 0:06:08 | 0:06:11 | |
has good reason to hide. | 0:06:11 | 0:06:13 | |
The police are told that Borkowski has moved out | 0:06:17 | 0:06:20 | |
and men's clothes found in the bedroom belong to a friend. | 0:06:20 | 0:06:23 | |
Pete is not altogether convinced. | 0:06:25 | 0:06:27 | |
She could be telling the truth, it may be that she's got rid of him. | 0:06:28 | 0:06:31 | |
It could be that we're just a little bit too early in... | 0:06:31 | 0:06:34 | |
..visiting the address, so we'll have to have a rethink. | 0:06:35 | 0:06:38 | |
The wanted murderer seems to have evaded capture for now, | 0:06:43 | 0:06:47 | |
but these detectives are determined they will get their man, | 0:06:47 | 0:06:50 | |
however long it takes. | 0:06:50 | 0:06:52 | |
Hello? | 0:06:52 | 0:06:54 | |
The hunt never stops. Even crossing international borders | 0:06:58 | 0:07:01 | |
to ensure bad guys are brought to book. | 0:07:01 | 0:07:04 | |
When Spanish police raided this fortified villa near Malaga, | 0:07:07 | 0:07:12 | |
they were searching for a Merseyside drug baron | 0:07:12 | 0:07:15 | |
who'd been on the run for more than a decade... | 0:07:15 | 0:07:17 | |
..this man, Mark Lilley. | 0:07:20 | 0:07:22 | |
A dangerous gangster with a reputation for violence. | 0:07:23 | 0:07:26 | |
He was one of Britain's most wanted, | 0:07:29 | 0:07:32 | |
and for 13 years no-one could find him. | 0:07:32 | 0:07:35 | |
He managed to stay one step ahead of us and he was obviously | 0:07:36 | 0:07:39 | |
very well-resourced, he was obviously very well-prepared, | 0:07:39 | 0:07:42 | |
and he was determined to stay hidden. | 0:07:42 | 0:07:44 | |
The investigation into Lilley began all the way back in 1998, | 0:07:46 | 0:07:50 | |
when the north-west Regional Crime Squad launched a covert operation | 0:07:50 | 0:07:55 | |
to take down Merseyside's biggest drug dealers. | 0:07:55 | 0:07:58 | |
One of the officers on that job still works in surveillance, | 0:08:01 | 0:08:05 | |
so we can't reveal his identity. | 0:08:05 | 0:08:07 | |
Mark Lilley was well-known within the St Helens area | 0:08:09 | 0:08:12 | |
to be a bit of a bully. | 0:08:12 | 0:08:14 | |
His core business was making a lot of money from drugs importation | 0:08:14 | 0:08:19 | |
and distribution. He was a major player within quite a large group | 0:08:19 | 0:08:23 | |
of drug dealers, him being at the top, | 0:08:23 | 0:08:26 | |
and he did instruct and intimidate people to do his bidding. | 0:08:26 | 0:08:30 | |
The police operation filmed Lilley's every move and installed secret | 0:08:33 | 0:08:37 | |
microphones to gather the evidence they needed to bring him in. | 0:08:37 | 0:08:41 | |
We decided that we would have audio placed within his flat, | 0:08:48 | 0:08:55 | |
and cameras outside, which proved a great asset for us | 0:08:55 | 0:08:59 | |
in relation to intelligence that we were gathering from that flat. | 0:08:59 | 0:09:04 | |
There was a lot of drug users and drug dealers that were arriving | 0:09:04 | 0:09:09 | |
at that flat on a daily basis. | 0:09:09 | 0:09:11 | |
The impression I got of him, he was a big guy. | 0:09:17 | 0:09:20 | |
Could be quite intimidating, a bit of a show-off, | 0:09:20 | 0:09:23 | |
and liked to brag quite a bit about what he was doing. | 0:09:23 | 0:09:28 | |
The surveillance operation had Lilley banged to rights. | 0:09:29 | 0:09:33 | |
Police raided his houses, uncovering his cache of drugs and firearms | 0:09:33 | 0:09:37 | |
and the gangster was arrested. | 0:09:37 | 0:09:40 | |
He was in bed at the time. | 0:09:43 | 0:09:44 | |
Got out of bed, went down on his knees, | 0:09:44 | 0:09:47 | |
put his hands behind his head. | 0:09:47 | 0:09:48 | |
He was quite cool, calm and collected... | 0:09:48 | 0:09:52 | |
and in a joking mood, cracking jokes with the searching officers. | 0:09:52 | 0:09:56 | |
Lilley clearly believed he would have the last laugh. | 0:09:58 | 0:10:01 | |
He was out on bail when he went to trial | 0:10:02 | 0:10:05 | |
and, before the verdict was reached, he did a runner. | 0:10:05 | 0:10:08 | |
Lilley attended the majority of his trial and then absconded | 0:10:08 | 0:10:12 | |
as it was coming to an end. | 0:10:12 | 0:10:13 | |
The trial continued in his absence and he was given a conviction, | 0:10:13 | 0:10:16 | |
so he knew that when he was on the run, if he was arrested, | 0:10:16 | 0:10:19 | |
he would be coming back to serve a 23-year sentence. | 0:10:19 | 0:10:22 | |
But first, they would have to find him. | 0:10:23 | 0:10:26 | |
He disappeared from the face of the Earth, | 0:10:26 | 0:10:29 | |
so we didn't have any intelligence at that time as to where he may be. | 0:10:29 | 0:10:33 | |
He was now one of Britain's most wanted, | 0:10:33 | 0:10:36 | |
sparking an international manhunt | 0:10:36 | 0:10:38 | |
that would last for more than 13 years. | 0:10:38 | 0:10:41 | |
There are extradition teams working across the UK. | 0:10:49 | 0:10:52 | |
One of the busiest is here in West Yorkshire. | 0:10:53 | 0:10:56 | |
Hello, police. | 0:10:56 | 0:10:58 | |
In the past six years they've arrested more than 400 foreign criminals. | 0:10:58 | 0:11:03 | |
Contact. | 0:11:06 | 0:11:07 | |
And this is the team on duty tonight - | 0:11:07 | 0:11:10 | |
PC Dave Lockwood... | 0:11:10 | 0:11:12 | |
I've just confirmed it is the wanted person. | 0:11:12 | 0:11:14 | |
..and his colleague PC Tom Allen. | 0:11:14 | 0:11:17 | |
-Move on to the next one? -Yep. | 0:11:17 | 0:11:19 | |
Tonight they've got a new case that's just come in. | 0:11:19 | 0:11:23 | |
Oh, it's fresh, very fresh. | 0:11:24 | 0:11:26 | |
It's a European Arrest Warrant issued for this man. | 0:11:26 | 0:11:29 | |
We've just had a new one drop into our mailbox we've received | 0:11:30 | 0:11:34 | |
from the National Crime Agency. | 0:11:34 | 0:11:35 | |
And I think we've got, as of two months ago, a solid address for him. | 0:11:35 | 0:11:40 | |
I think it will be a good one for us to go for tonight. | 0:11:40 | 0:11:44 | |
Ladislav Ziga has a prison sentence waiting for him | 0:11:44 | 0:11:46 | |
in the Czech Republic for assault, robbery and theft. | 0:11:46 | 0:11:49 | |
All of them are offences that present serious harm to communities, | 0:11:51 | 0:11:55 | |
so if this person was at large in West Yorkshire, yeah, | 0:11:55 | 0:11:58 | |
no doubt they would commit similar offences | 0:11:58 | 0:12:00 | |
and present themselves as quite a risk. | 0:12:00 | 0:12:02 | |
Tom and Dave suit up. | 0:12:02 | 0:12:04 | |
They're in no mood for trouble from this criminal. | 0:12:04 | 0:12:07 | |
Prepared for anything, | 0:12:13 | 0:12:14 | |
they head off to check out a recent address for the wanted man. | 0:12:14 | 0:12:18 | |
It's late, and most of the homes on this street are in darkness, | 0:12:26 | 0:12:30 | |
but in the house they're targeting, | 0:12:30 | 0:12:32 | |
it looks like someone could be awake. | 0:12:32 | 0:12:35 | |
-This here, on the end corner. -Here with the lights on. | 0:12:36 | 0:12:38 | |
Yeah. | 0:12:40 | 0:12:41 | |
They approach the house, checking for signs of movement upstairs. | 0:12:47 | 0:12:51 | |
And sure enough, when Tom knocks on the front door, | 0:12:58 | 0:13:02 | |
a figure comes to the window. | 0:13:02 | 0:13:04 | |
-Contact, first floor, female. -That's them. | 0:13:04 | 0:13:07 | |
But whoever lives here is in no hurry to come to the door. | 0:13:09 | 0:13:13 | |
Looks like that might be a bathroom, | 0:13:13 | 0:13:15 | |
so I don't know if she's been in the shower or something. | 0:13:15 | 0:13:17 | |
-Yeah, yeah. -Might just need a moment. | 0:13:17 | 0:13:20 | |
Who are you, pal? | 0:13:22 | 0:13:23 | |
MUFFLED REPLY | 0:13:23 | 0:13:26 | |
Are you going to answer the door? | 0:13:26 | 0:13:28 | |
Looking good, Tom. | 0:13:28 | 0:13:30 | |
Hello there, how you doing? | 0:13:34 | 0:13:35 | |
Sorry to get you up. What's your name, pal, please? Surname? | 0:13:37 | 0:13:40 | |
Who else is in the house? | 0:13:41 | 0:13:42 | |
The man at the door looks similar to the person they're chasing. | 0:13:42 | 0:13:46 | |
Date of birth? Do you have an identity card? | 0:13:46 | 0:13:49 | |
But the man they're looking for has a scorpion tattooed on his neck. | 0:13:49 | 0:13:53 | |
-No tattoo on the neck, is there? -No. | 0:13:53 | 0:13:56 | |
A woman comes down the stairs. | 0:13:56 | 0:13:58 | |
She says there's no-one else but children in the house. | 0:13:58 | 0:14:01 | |
-How many others upstairs? -Children. Children... | 0:14:01 | 0:14:04 | |
-No adults? -No. | 0:14:04 | 0:14:06 | |
OK. | 0:14:06 | 0:14:08 | |
OK, I'm going to look upstairs, do you want to come with me? | 0:14:08 | 0:14:12 | |
-Yeah. -OK. Come on, then, let's go upstairs. | 0:14:12 | 0:14:14 | |
Dave's not taking her at her word. | 0:14:16 | 0:14:19 | |
Why are you here? | 0:14:19 | 0:14:20 | |
Just one room at a time. | 0:14:22 | 0:14:24 | |
He goes through the rooms methodically. | 0:14:25 | 0:14:27 | |
At first, the search turns up nothing. | 0:14:27 | 0:14:31 | |
And then this room... | 0:14:31 | 0:14:32 | |
But these officers know that fugitives will hide | 0:14:35 | 0:14:38 | |
in the strangest places. | 0:14:38 | 0:14:40 | |
Get down, now! Tom! Come in. | 0:14:40 | 0:14:42 | |
Stay there, stay there, now. | 0:14:42 | 0:14:44 | |
A dangerous and violent drugs baron, Mark Lilley, | 0:14:51 | 0:14:55 | |
was facing 23 years behind bars | 0:14:55 | 0:14:58 | |
after a covert police operation caught him red-handed. | 0:14:58 | 0:15:01 | |
But during his trial for serious drugs and firearms offences, | 0:15:04 | 0:15:09 | |
he did a runner. | 0:15:09 | 0:15:10 | |
He vanished without trace | 0:15:12 | 0:15:14 | |
and was now one of Britain's most wanted criminals. | 0:15:14 | 0:15:17 | |
It's not unusual, if someone's got the resources, | 0:15:18 | 0:15:20 | |
for them to go straight to ground. They will sometimes stay inside | 0:15:20 | 0:15:23 | |
for months on end, they won't venture out, | 0:15:23 | 0:15:25 | |
they'll have other people that are bringing them supplies, | 0:15:25 | 0:15:28 | |
keeping them sort of in the loop with what's going on, | 0:15:28 | 0:15:30 | |
how the hunt for that person's progressing. | 0:15:30 | 0:15:33 | |
Lilley stayed hidden for years, | 0:15:33 | 0:15:36 | |
but sightings of him trickled in | 0:15:36 | 0:15:38 | |
and the trail seemed to lead to one country in particular. | 0:15:38 | 0:15:41 | |
We had indications that Lilley was in Spain. | 0:15:43 | 0:15:45 | |
We had him linked to several other countries, as well, | 0:15:45 | 0:15:48 | |
but Spain was always the main one | 0:15:48 | 0:15:49 | |
and that was where we were focused on, really. | 0:15:49 | 0:15:52 | |
It was then just a case of actually narrowing down exactly where he was. | 0:15:52 | 0:15:55 | |
But for a period of time he managed to stay one step of ahead of us | 0:15:55 | 0:15:58 | |
and he was probably moving quite regularly, at that point, | 0:15:58 | 0:16:01 | |
to evade detection. | 0:16:01 | 0:16:02 | |
In the years since Lilley fled, cooperation between British | 0:16:02 | 0:16:06 | |
and Spanish law enforcement had increased considerably. | 0:16:06 | 0:16:09 | |
By the time Inspector Olga Lizana took over | 0:16:09 | 0:16:13 | |
as head of the Spanish National Police's Fugitives Unit, | 0:16:13 | 0:16:16 | |
Lilley had already been on the run for more than a decade. | 0:16:16 | 0:16:20 | |
Well, at the beginning I thought we were not going to find this guy, | 0:16:20 | 0:16:24 | |
because he was in Spain for, at that time, for around ten years. | 0:16:24 | 0:16:28 | |
So it's like there's... | 0:16:28 | 0:16:31 | |
a fugitive can change a lot in ten years, | 0:16:31 | 0:16:35 | |
so it's like maybe we're looking for a different guy. | 0:16:35 | 0:16:38 | |
I even felt, well, maybe he's just left the country, | 0:16:39 | 0:16:43 | |
because there was nothing at all. | 0:16:43 | 0:16:45 | |
The first lead came when Olga found out | 0:16:48 | 0:16:50 | |
that the fugitive's ex-wife and daughter could be living in | 0:16:50 | 0:16:54 | |
a small village called Mijas in the hills of southern Spain. | 0:16:54 | 0:16:57 | |
His former wife was living in Mijas, with his daughter, | 0:16:59 | 0:17:02 | |
so I moved over there. | 0:17:02 | 0:17:04 | |
I checked the house, I checked with the schools over there, | 0:17:04 | 0:17:08 | |
but they told us she was back in the UK, | 0:17:08 | 0:17:12 | |
so that's all I could do the first time. | 0:17:12 | 0:17:15 | |
But then a breakthrough. | 0:17:17 | 0:17:19 | |
Olga discovered five houses in the area Lilley had bought and paid for, | 0:17:19 | 0:17:24 | |
even though they weren't in his name. | 0:17:24 | 0:17:26 | |
She put them all under surveillance. | 0:17:28 | 0:17:30 | |
The neighbours didn't know who he was or his real name. | 0:17:32 | 0:17:36 | |
They was like, he was always driving luxury cars. | 0:17:36 | 0:17:40 | |
He'd just leave the house at night and come early in the morning | 0:17:42 | 0:17:45 | |
or late at night, but he doesn't have much relation | 0:17:45 | 0:17:49 | |
with the neighbours, so I knew it was him. | 0:17:49 | 0:17:53 | |
The net was closing. | 0:17:55 | 0:17:58 | |
Now Olga had to pinpoint which of the houses he was in | 0:17:58 | 0:18:01 | |
before she could make her move. | 0:18:01 | 0:18:03 | |
And he got another house up in the hill and I know he was there | 0:18:04 | 0:18:09 | |
because I was on the other side of the hill, | 0:18:09 | 0:18:12 | |
just with the binoculars. | 0:18:12 | 0:18:15 | |
Olga tracked him to this villa, | 0:18:16 | 0:18:18 | |
high in the hills above Malaga and surrounded by a ten-foot-high wall. | 0:18:18 | 0:18:23 | |
It was time to strike. | 0:18:24 | 0:18:26 | |
You always think, OK, we're going to have just one opportunity | 0:18:27 | 0:18:31 | |
to get him, so you want the right moment for that. | 0:18:31 | 0:18:34 | |
And maybe it's the last opportunity for us. | 0:18:34 | 0:18:37 | |
If he moves to another country, | 0:18:37 | 0:18:39 | |
then the British have to start again with the whole investigation. | 0:18:39 | 0:18:42 | |
So, OK, this is it. | 0:18:42 | 0:18:44 | |
But, as more than 40 armed officers prepared for an early-morning raid, | 0:18:46 | 0:18:52 | |
not everything would go according to plan. | 0:18:52 | 0:18:54 | |
It's coming up to five in the morning | 0:19:06 | 0:19:08 | |
on the streets of south London. | 0:19:08 | 0:19:10 | |
Detective Sergeant Pete Rance and his team from the Extradition Unit | 0:19:12 | 0:19:16 | |
are after an extremely violent criminal. | 0:19:16 | 0:19:19 | |
We're looking for a guy called Kamil Borkowski, | 0:19:19 | 0:19:22 | |
who is wanted in Poland for a murder. | 0:19:22 | 0:19:25 | |
A murder committed in 2010, where he's | 0:19:25 | 0:19:28 | |
convicted of kicking a man to death. | 0:19:28 | 0:19:31 | |
But this murderer has proved difficult to track down, | 0:19:33 | 0:19:37 | |
and this isn't the first time they've tried to find him. | 0:19:37 | 0:19:40 | |
Six months previously, | 0:19:43 | 0:19:44 | |
the team thought they'd located him at a block of flats in Kingston. | 0:19:44 | 0:19:48 | |
-Hello. -Hello. | 0:19:55 | 0:19:56 | |
-We're the police. -Yes? -Is it OK to come in? | 0:19:56 | 0:19:59 | |
-Sorry? -Is it OK to come in? -Yes, of course. -OK, thank you. | 0:19:59 | 0:20:01 | |
-What's happened? -Nothing. Nothing to worry about. | 0:20:01 | 0:20:04 | |
The woman who answered the door was his partner, | 0:20:06 | 0:20:09 | |
but insisted she'd kicked him out. | 0:20:09 | 0:20:11 | |
He's not in there. We searched the flat. | 0:20:11 | 0:20:14 | |
Completely. He's not in there. | 0:20:14 | 0:20:16 | |
She could be telling the truth. It may be that she's got rid of him, | 0:20:16 | 0:20:18 | |
but we're dubious. | 0:20:18 | 0:20:21 | |
Although several months have passed, | 0:20:25 | 0:20:27 | |
the extradition team haven't given up. | 0:20:27 | 0:20:30 | |
They're heading back to the same address they searched the first time. | 0:20:30 | 0:20:33 | |
As we do with these type of cases, we never leave them alone. | 0:20:35 | 0:20:38 | |
They're refreshed, we rework on them. | 0:20:38 | 0:20:40 | |
And at the moment, the information we're getting back is that | 0:20:40 | 0:20:44 | |
there's a very good chance that he's still at this address. | 0:20:44 | 0:20:47 | |
Pete and the team arrive at the estate in convoy. | 0:20:50 | 0:20:53 | |
-So we're going to put Dave there? -INDISTINCT SPEECH | 0:20:58 | 0:21:01 | |
Good morning, it's the police, could you open the door, please? | 0:21:01 | 0:21:04 | |
The detectives gain entry to the block of flats | 0:21:06 | 0:21:09 | |
and cover all the exits. | 0:21:09 | 0:21:11 | |
Their hunt for the Polish murderer has led them back to this door. | 0:21:14 | 0:21:19 | |
But no-one's answering. | 0:21:25 | 0:21:27 | |
They listen intently. | 0:21:31 | 0:21:34 | |
There's nothing but silence. | 0:21:35 | 0:21:37 | |
And unless Peter's certain someone's inside, he can't force entry. | 0:21:38 | 0:21:43 | |
All of the intelligence that we've got, | 0:21:43 | 0:21:46 | |
our information is that he is probably staying at this address. | 0:21:46 | 0:21:49 | |
He's linked, still, with this female. | 0:21:49 | 0:21:51 | |
We have no power to enter unless we can actually, | 0:21:53 | 0:21:55 | |
we've got reasonable belief that he's in there, | 0:21:55 | 0:21:57 | |
under the extradition act powers. | 0:21:57 | 0:21:59 | |
Given the noise that we've created when we've been here, | 0:22:02 | 0:22:05 | |
the young child's probably not there cos you'd have anticipated | 0:22:05 | 0:22:08 | |
or expected to have heard some sort of noise. | 0:22:08 | 0:22:10 | |
I'm starting to think, cos there's a broken window round the back, | 0:22:13 | 0:22:16 | |
and the blind has clearly been disturbed in some way, | 0:22:16 | 0:22:20 | |
that there's a possibility that the fella we're looking at | 0:22:20 | 0:22:24 | |
could have gone in there, | 0:22:24 | 0:22:25 | |
knowing that the female and the child aren't there. | 0:22:25 | 0:22:27 | |
So we're going to give it a bit longer | 0:22:27 | 0:22:29 | |
and see if we can hear any sort of noise inside. | 0:22:29 | 0:22:31 | |
It's difficult. Difficult situation. | 0:22:32 | 0:22:35 | |
It's been almost an hour since they arrived, | 0:22:38 | 0:22:40 | |
and still there's no sign of life in the flat. | 0:22:40 | 0:22:43 | |
Hello? | 0:22:46 | 0:22:48 | |
For Pete, it's a disappointing setback. | 0:22:48 | 0:22:51 | |
My gut feeling is there's not anyone in there | 0:22:53 | 0:22:56 | |
cos you'd have heard something. | 0:22:56 | 0:22:58 | |
We could wait here to see if... | 0:22:58 | 0:23:00 | |
..if someone comes out, but if they've gone on holiday | 0:23:02 | 0:23:05 | |
you could be here for weeks. | 0:23:05 | 0:23:07 | |
That's not really an option. | 0:23:08 | 0:23:10 | |
We've exhausted what we can do here today. | 0:23:11 | 0:23:14 | |
They are reluctant to leave. | 0:23:23 | 0:23:25 | |
The man they are after killed his victim | 0:23:25 | 0:23:28 | |
by repeatedly kicking him in the head. | 0:23:28 | 0:23:30 | |
But will the detectives' persistence finally pay off | 0:23:33 | 0:23:37 | |
when they return a few days later to the same flat for a third time? | 0:23:37 | 0:23:41 | |
-Pete? -Yeah? -There's two people in here. -Yeah, yeah. | 0:23:41 | 0:23:44 | |
Open the door, please, it's the police. | 0:23:44 | 0:23:46 | |
It's late at night on a quiet street in Leeds. | 0:23:55 | 0:23:59 | |
Police officers Dave Lockwood and Tom Allen have come to this house | 0:24:00 | 0:24:04 | |
to find a criminal on the run. | 0:24:04 | 0:24:06 | |
The man they're after is a robber and a thief | 0:24:08 | 0:24:11 | |
and he's wanted in the Czech Republic. | 0:24:11 | 0:24:13 | |
Contact, first floor, female. | 0:24:13 | 0:24:15 | |
But the people in the house say he isn't here. | 0:24:17 | 0:24:19 | |
Hello, there. How are you doing? | 0:24:19 | 0:24:21 | |
-Children. -No adults? -No. | 0:24:21 | 0:24:25 | |
Dave isn't convinced. | 0:24:25 | 0:24:27 | |
He's not leaving here without first checking the rest of the house. | 0:24:28 | 0:24:32 | |
Come on, let's go upstairs. | 0:24:32 | 0:24:34 | |
One room at a time. | 0:24:36 | 0:24:38 | |
At first it seems the residents are all telling the truth. | 0:24:40 | 0:24:44 | |
Upstairs, all is quiet. | 0:24:44 | 0:24:46 | |
Oops, that's dangerous, isn't it? | 0:24:49 | 0:24:52 | |
But then, Dave spots something in a cupboard. | 0:24:57 | 0:25:00 | |
Get down, now! Do not mess about. | 0:25:00 | 0:25:03 | |
In fact, stay there. | 0:25:03 | 0:25:04 | |
Tom, come in, top floor! | 0:25:04 | 0:25:06 | |
Stay there. Stay there now. | 0:25:06 | 0:25:09 | |
With two people desperate not to be found, | 0:25:09 | 0:25:12 | |
it's an unpredictable situation. | 0:25:12 | 0:25:14 | |
Put your hands down. Look, just cuff him straightaway. | 0:25:15 | 0:25:17 | |
See who he is. | 0:25:17 | 0:25:18 | |
Put your hands down. | 0:25:18 | 0:25:20 | |
Give me your hands. | 0:25:20 | 0:25:22 | |
Hand. Have you got your cuffs? | 0:25:22 | 0:25:24 | |
Other hand now. | 0:25:27 | 0:25:28 | |
Stay there. | 0:25:30 | 0:25:31 | |
Just let go of him. | 0:25:31 | 0:25:33 | |
Right. Slowly climb down. | 0:25:33 | 0:25:35 | |
-Stop. Stop it. -No, no, stop shouting. | 0:25:36 | 0:25:39 | |
No, no, stop shouting. | 0:25:39 | 0:25:41 | |
We're dealing with something here. | 0:25:43 | 0:25:45 | |
Right, are you ready? Come on, drop down. Right, stay there. | 0:25:46 | 0:25:49 | |
Stay there. | 0:25:49 | 0:25:51 | |
Wait, wait. | 0:25:54 | 0:25:55 | |
They've found not one but two people hiding amongst the children's toys. | 0:25:55 | 0:26:00 | |
The unknown man and woman are cuffed and brought out. | 0:26:02 | 0:26:05 | |
In there, please. | 0:26:06 | 0:26:07 | |
Hang on. Wait, wait, wait. Let's go downstairs. | 0:26:09 | 0:26:12 | |
Just, will you relax? Chill out. Relax your arms. | 0:26:12 | 0:26:16 | |
Dave and Tom quickly get the situation under control. | 0:26:16 | 0:26:19 | |
We're going to go downstairs and sort things out. | 0:26:19 | 0:26:21 | |
I don't want to get into a tussle with you, OK? | 0:26:21 | 0:26:23 | |
I don't want to be fighting with you. So you chill out, | 0:26:23 | 0:26:25 | |
we'll go downstairs and you can sit down. | 0:26:25 | 0:26:27 | |
-OK. -You understand? -OK. -Right. | 0:26:27 | 0:26:29 | |
All hiding places seem a good hiding place until you're found. | 0:26:30 | 0:26:33 | |
Clearly, he thought it was a good idea | 0:26:33 | 0:26:35 | |
to try and conceal himself in the toy cupboard, | 0:26:35 | 0:26:38 | |
but we caught him. | 0:26:38 | 0:26:40 | |
I think the shoes showed out and Dave did the rest. | 0:26:40 | 0:26:44 | |
Right, take a seat, chill out. | 0:26:48 | 0:26:50 | |
Now, they want to know who these two are, | 0:26:50 | 0:26:52 | |
and what exactly they were doing upstairs in a cupboard. | 0:26:52 | 0:26:56 | |
Sit there, please. | 0:26:56 | 0:26:57 | |
Why were you two hiding in the cupboard? | 0:27:02 | 0:27:05 | |
-Start off there. -Because we were scared. | 0:27:05 | 0:27:07 | |
What were you scared of? | 0:27:07 | 0:27:09 | |
INDISTINCT SPEECH | 0:27:09 | 0:27:12 | |
Well, it's not normal for us to come to houses and find people | 0:27:12 | 0:27:15 | |
hiding in cupboards, is it? I'll have a look. Lift your head up. | 0:27:15 | 0:27:18 | |
OK. Thank you. Tattoo on the neck from the picture. | 0:27:19 | 0:27:22 | |
Birthday? | 0:27:23 | 0:27:24 | |
Another look at the arrest warrant confirms what the officers suspect. | 0:27:24 | 0:27:28 | |
The man with the scorpion tattoo on his neck | 0:27:28 | 0:27:31 | |
is the fugitive they're hunting. | 0:27:31 | 0:27:33 | |
-Is that you? -Yeah. -Yeah? | 0:27:33 | 0:27:35 | |
Ladislav, the Czech authorities, the Czech police, | 0:27:35 | 0:27:40 | |
OK, have issued an arrest warrant for us to detain you. | 0:27:40 | 0:27:45 | |
As Tom arrests the man, | 0:27:45 | 0:27:47 | |
the woman caught hiding with him in the cupboard is released, | 0:27:47 | 0:27:51 | |
but she's having none of it. | 0:27:51 | 0:27:52 | |
You are? | 0:27:55 | 0:27:57 | |
I'll ring NCA. | 0:27:57 | 0:27:58 | |
We'll double-check. | 0:28:00 | 0:28:01 | |
It's not often they get people asking to be arrested and extradited, | 0:28:01 | 0:28:06 | |
so Dave calls the National Crime Agency to check out the woman's story. | 0:28:06 | 0:28:10 | |
I just want to know if this lass is wanted, to take her in, as well? | 0:28:10 | 0:28:13 | |
'Do you want me to give you a call-back?' | 0:28:13 | 0:28:16 | |
Yeah, I'm going to remain at the scene, at the address here. | 0:28:16 | 0:28:19 | |
She's packed her bag, ready to go, she's that sure she's wanted, so... | 0:28:19 | 0:28:23 | |
What offence are you wanted for? | 0:28:23 | 0:28:25 | |
Don't know. You don't know? | 0:28:25 | 0:28:27 | |
-They're looking for you? Is that what you've heard from Czech? -Yeah. | 0:28:27 | 0:28:30 | |
-They're looking for you over there? -Yeah. -She doesn't know what | 0:28:30 | 0:28:33 | |
she's wanted for, but she's heard they're looking for her over there. | 0:28:33 | 0:28:36 | |
The woman insists she's wanted by police, | 0:28:36 | 0:28:38 | |
even though she doesn't know what she's wanted for. | 0:28:38 | 0:28:42 | |
Tom explains that's not how this works. | 0:28:42 | 0:28:44 | |
If you just stay in here for five minutes, we're just waiting | 0:28:44 | 0:28:47 | |
to check. We're just finding out whether you are wanted. | 0:28:47 | 0:28:49 | |
Until...until the NCA tell us you are, we can't arrest you. | 0:28:53 | 0:28:56 | |
Then, the call comes through. | 0:28:59 | 0:29:01 | |
-Hello? -'Hi, is that Dave?' | 0:29:03 | 0:29:05 | |
-It is, yeah. -Hi, it's Michelle from Interpol Manchester. | 0:29:05 | 0:29:08 | |
-Hi, are you OK? -'Hello, yeah, I've ran that name through, | 0:29:08 | 0:29:11 | |
'first name and her surname, and there's no hit on there.' | 0:29:11 | 0:29:15 | |
-All right. Take care, thanks, see you. Bye. -Bye. | 0:29:15 | 0:29:17 | |
I'm going to have to disappoint you. | 0:29:19 | 0:29:21 | |
You're not wanted. | 0:29:21 | 0:29:23 | |
Despite her protests, she won't be taken to the police station tonight, | 0:29:23 | 0:29:27 | |
leaving Dave to wonder why she wanted to be arrested in the first place. | 0:29:27 | 0:29:32 | |
I've never had anybody as insistent as that before, no. | 0:29:32 | 0:29:35 | |
I mean, she got dressed, she got ready. | 0:29:35 | 0:29:37 | |
She were ready to go, weren't she? She were really insistent. | 0:29:37 | 0:29:39 | |
Dave and Tom take Ladislav back to the police station, | 0:29:41 | 0:29:45 | |
where he's processed before being sent to his extradition hearing. | 0:29:45 | 0:29:49 | |
As for the woman hiding in the cupboard with him, | 0:29:52 | 0:29:55 | |
further investigation revealed she HAD been in trouble | 0:29:55 | 0:29:59 | |
in the Czech Republic. | 0:29:59 | 0:30:01 | |
While living in the UK, | 0:30:05 | 0:30:07 | |
she'd been found guilty of theft in a court back home. | 0:30:07 | 0:30:10 | |
But because the sentence was suspended, | 0:30:12 | 0:30:14 | |
there was no arrest warrant. | 0:30:14 | 0:30:16 | |
Her partner will have to go back to the Czech Republic | 0:30:18 | 0:30:21 | |
to face justice by himself. | 0:30:21 | 0:30:23 | |
Detectives from the Metropolitan Police Extradition Unit | 0:30:32 | 0:30:36 | |
are back on the streets of London hunting for a killer. | 0:30:36 | 0:30:39 | |
Kamil Borkowski is a murderer on the run from Poland, | 0:30:42 | 0:30:46 | |
where he was convicted for kicking a man to death. | 0:30:46 | 0:30:50 | |
The detectives suspect he's hiding somewhere in these blocks of flats. | 0:30:50 | 0:30:54 | |
Hello? | 0:30:56 | 0:30:57 | |
When DS Pete Rance and his team came here two days ago, | 0:30:59 | 0:31:03 | |
there was no answer. | 0:31:03 | 0:31:05 | |
My gut feeling is there's not anyone in there, cos you'd have heard. | 0:31:05 | 0:31:09 | |
We've exhausted what we can do here today. | 0:31:10 | 0:31:13 | |
But they haven't given up. | 0:31:17 | 0:31:20 | |
They've kept an eye on the flat | 0:31:20 | 0:31:21 | |
and now they've come back, convinced there's someone inside. | 0:31:21 | 0:31:25 | |
We came back yesterday afternoon and were able to see the female | 0:31:27 | 0:31:31 | |
inside the address, and the positioning of the blinds | 0:31:31 | 0:31:34 | |
had changed so we knew that people had been inside, | 0:31:34 | 0:31:38 | |
as well as seeing her there. | 0:31:38 | 0:31:39 | |
Decided to come back and give it another try this morning. | 0:31:40 | 0:31:43 | |
This time, they won't take no for an answer. | 0:31:55 | 0:31:57 | |
Morning, it's the police, can you open the door, please? | 0:31:58 | 0:32:01 | |
Morning. I can see your feet. | 0:32:03 | 0:32:05 | |
It's the police, can you open the door, please? | 0:32:08 | 0:32:10 | |
I can see your feet, so you don't need to creep about. | 0:32:12 | 0:32:15 | |
I can see you again, tiptoeing back through to the living room. | 0:32:17 | 0:32:20 | |
Do you want to open the door? | 0:32:20 | 0:32:22 | |
They've spotted the partner of the man they're after | 0:32:22 | 0:32:25 | |
sneaking around inside. | 0:32:25 | 0:32:27 | |
But now, she has nowhere left to hide. | 0:32:27 | 0:32:31 | |
Open the door, please. | 0:32:31 | 0:32:33 | |
She tiptoed into the kitchen. | 0:32:35 | 0:32:37 | |
If she refuses to open the door, | 0:32:37 | 0:32:39 | |
the detectives now have the power to force entry into the property. | 0:32:39 | 0:32:43 | |
Open the door, please, it's the police. | 0:32:50 | 0:32:52 | |
-Pete? Pete? -Yeah. | 0:32:57 | 0:33:00 | |
-There's two people in there. -Yeah, yeah. | 0:33:00 | 0:33:02 | |
Open the door, mate. Kamil, come and open the door. | 0:33:02 | 0:33:05 | |
Pete. | 0:33:08 | 0:33:10 | |
-Just stop screaming, stop -BLEEP. | 0:33:10 | 0:33:13 | |
Police. Is Kamil here? | 0:33:13 | 0:33:15 | |
Where is he? | 0:33:16 | 0:33:17 | |
-All right, come out. Put your hands up. -Hands up. | 0:33:19 | 0:33:22 | |
No, no, no. Stop. | 0:33:22 | 0:33:25 | |
We had a gut feeling that he was still linked to this address | 0:33:28 | 0:33:30 | |
and still with her. And it's proven to be... | 0:33:30 | 0:33:33 | |
That gut feeling has proven to be... | 0:33:34 | 0:33:36 | |
instinct's proven to be right. | 0:33:36 | 0:33:38 | |
This way, this way. | 0:33:42 | 0:33:45 | |
It's taken more than six months, but the team have finally got their man. | 0:33:48 | 0:33:53 | |
OK, mind your head. | 0:33:53 | 0:33:55 | |
Just sit. Stay this side, stay this side. | 0:33:57 | 0:33:59 | |
Going to put your seatbelt on, all right? | 0:33:59 | 0:34:02 | |
All right. | 0:34:02 | 0:34:03 | |
Well done, mate. | 0:34:05 | 0:34:06 | |
We've got to get lucky, and we got lucky this morning again, | 0:34:08 | 0:34:10 | |
although, we've... I suppose, if we were to sort of... | 0:34:10 | 0:34:13 | |
..try and put a positive on it, we'd say we've made our own luck | 0:34:15 | 0:34:18 | |
here today, so, very pleased. | 0:34:18 | 0:34:19 | |
Another dangerous man in custody. | 0:34:21 | 0:34:23 | |
Kamil Borkowski has dodged the law and evaded capture for six years, | 0:34:23 | 0:34:28 | |
but now, the extradition team's persistence has finally paid off. | 0:34:28 | 0:34:33 | |
Persistence is a key quality in the work that we work with here. | 0:34:33 | 0:34:39 | |
You know, we never give up on these warrants. | 0:34:39 | 0:34:42 | |
If the warrants are outstanding, we do our very best to ensure, | 0:34:42 | 0:34:45 | |
if there is some intelligence, | 0:34:45 | 0:34:47 | |
that intelligence is followed up and acted on. | 0:34:47 | 0:34:49 | |
So a lot of the cases that we deal with may lay dormant for a while, | 0:34:50 | 0:34:54 | |
but they never actually go away. | 0:34:54 | 0:34:55 | |
At some stage, they're going to get re-looked at, | 0:34:55 | 0:34:58 | |
and if the people are here, we're confident that we'll find them. | 0:34:58 | 0:35:01 | |
And for the team, there's the satisfaction of knowing | 0:35:02 | 0:35:06 | |
that a dangerous man is now on his way out of the country. | 0:35:06 | 0:35:09 | |
In a case like Borkowski, where he's convicted of killing | 0:35:09 | 0:35:14 | |
somebody else, you know, there has to be a consideration that, | 0:35:14 | 0:35:18 | |
if he's done that in a foreign jurisdiction, | 0:35:18 | 0:35:21 | |
what's to stop him coming over here and getting drunk | 0:35:21 | 0:35:23 | |
and doing it again? | 0:35:23 | 0:35:25 | |
One of the key areas and aspects of our work | 0:35:25 | 0:35:28 | |
is that we feel we assist London because a dangerous criminal | 0:35:28 | 0:35:34 | |
in a foreign jurisdiction could be a dangerous criminal here. | 0:35:34 | 0:35:37 | |
If we can extradite them, take them into custody, | 0:35:37 | 0:35:40 | |
get them off the streets, if that's what's needed, | 0:35:40 | 0:35:42 | |
then we're taking away some of the risk that those people | 0:35:42 | 0:35:46 | |
might present to people that live and work in London. | 0:35:46 | 0:35:49 | |
Caught red-handed with guns and drugs, | 0:35:59 | 0:36:01 | |
dangerous gangster Mark Lilley was sentenced to 23 years behind bars. | 0:36:01 | 0:36:07 | |
But he'd already gone on the run, | 0:36:09 | 0:36:11 | |
and had managed to outwit the law for 13 years. | 0:36:11 | 0:36:15 | |
He was living a life, he was living it under a different name, | 0:36:15 | 0:36:18 | |
different identity. For a period of time, | 0:36:18 | 0:36:20 | |
he managed to stay one step ahead of us, and he was probably | 0:36:20 | 0:36:22 | |
moving quite regularly at that point to evade detection. | 0:36:22 | 0:36:26 | |
But the search for Lilley never stopped, | 0:36:26 | 0:36:28 | |
and all the clues pointed to Spain. | 0:36:28 | 0:36:31 | |
By the time Inspector Olga Lizana took over | 0:36:34 | 0:36:37 | |
as head of the Spanish National Police Fugitives Unit, | 0:36:37 | 0:36:40 | |
Lilley had been in hiding for more than ten years. | 0:36:40 | 0:36:43 | |
You could not imagine how much time it took me to check | 0:36:44 | 0:36:50 | |
all the information, because it was not a new case, it was an old case, | 0:36:50 | 0:36:54 | |
so you have to check everything again. | 0:36:54 | 0:36:57 | |
Olga's diligence paid off when she finally tracked him down | 0:36:59 | 0:37:02 | |
to this hilltop villa. It was surrounded by ten-foot-high walls, | 0:37:02 | 0:37:07 | |
and she had no idea what lay behind them. | 0:37:07 | 0:37:10 | |
We didn't know how many people were in the house. | 0:37:12 | 0:37:14 | |
We were not sure if they'd got guns or not, | 0:37:14 | 0:37:18 | |
so you have to cover all those things | 0:37:18 | 0:37:21 | |
and be prepared for whatever happens. | 0:37:21 | 0:37:23 | |
Olga launched a strike on the compound. | 0:37:23 | 0:37:27 | |
Mobilising a team of more than 40 armed officers with air support, | 0:37:28 | 0:37:33 | |
the villa was surrounded as a tactical unit swarmed over the gate. | 0:37:33 | 0:37:37 | |
Armed police stormed the villa | 0:37:43 | 0:37:45 | |
and smashed in the front door with a battering ram. | 0:37:45 | 0:37:48 | |
Once inside, officers searched the house for the man who now topped | 0:37:56 | 0:38:00 | |
the list of Britain's most wanted. | 0:38:00 | 0:38:03 | |
But there was no sign of him. | 0:38:06 | 0:38:08 | |
The guys there were telling me that Lilley was not in the house. | 0:38:10 | 0:38:14 | |
They had checked the whole house, and they didn't find the guy. | 0:38:14 | 0:38:19 | |
Somehow, the fugitive appeared to have evaded capture once again. | 0:38:20 | 0:38:24 | |
But Olga wasn't giving up. | 0:38:26 | 0:38:28 | |
I was sure he was there. | 0:38:30 | 0:38:32 | |
I just said, "Well, nobody's moving from here till we find him!" | 0:38:32 | 0:38:35 | |
It was a critical decision. | 0:38:35 | 0:38:38 | |
They swept the house a second time. | 0:38:38 | 0:38:40 | |
A closer look inside a row of wardrobes revealed a slight oddity | 0:38:42 | 0:38:47 | |
that was to prove crucial. | 0:38:47 | 0:38:49 | |
The wooden panel at the back of one of them | 0:38:50 | 0:38:53 | |
was slightly different to the rest. | 0:38:53 | 0:38:55 | |
One of the police officers that was checking that area realised that | 0:38:55 | 0:38:59 | |
one of the wardrobes was not similar to the other. | 0:38:59 | 0:39:02 | |
So they started taking all the things out of there | 0:39:02 | 0:39:07 | |
and then they found the door. | 0:39:07 | 0:39:10 | |
Behind the wooden panel was a solid steel door. | 0:39:10 | 0:39:13 | |
They'd found the secret entrance to a fortified panic room. | 0:39:15 | 0:39:18 | |
Hidden inside was the gangster. | 0:39:20 | 0:39:23 | |
We knew he was inside the panic room, | 0:39:24 | 0:39:27 | |
so I told him, if he didn't open the door, | 0:39:27 | 0:39:32 | |
I'm going through the whole wall to get you. | 0:39:32 | 0:39:37 | |
So he decided to open. | 0:39:37 | 0:39:39 | |
Olga's threat to smash down the wall to get him | 0:39:42 | 0:39:45 | |
convinced Lilley the game was up. | 0:39:45 | 0:39:48 | |
The door opened, and she could finally size up the man | 0:39:49 | 0:39:52 | |
she'd been hunting for so long. | 0:39:52 | 0:39:54 | |
He was so big that we couldn't use just one handcuffs. | 0:39:54 | 0:40:00 | |
We had to use two because of the size of his arm. | 0:40:00 | 0:40:03 | |
News that Lilley was finally back in handcuffs delighted officers | 0:40:04 | 0:40:09 | |
in the UK, where a 23-year prison sentence awaited him. | 0:40:09 | 0:40:13 | |
We think he'd been alerted y the dogs in the garden, | 0:40:13 | 0:40:16 | |
when the police officers first started going over the wall. | 0:40:16 | 0:40:18 | |
We think they'd alerted Lilley, so he'd then at that point run inside. | 0:40:18 | 0:40:22 | |
He didn't have many clothes on, | 0:40:22 | 0:40:24 | |
so he'd obviously been caught on the hop, as it were. | 0:40:24 | 0:40:26 | |
He'd just rushed in there, | 0:40:26 | 0:40:27 | |
and then he'd watched everything unfold from inside. | 0:40:27 | 0:40:30 | |
Throughout the raid, Lilley had been hidden behind | 0:40:31 | 0:40:34 | |
the heavy steel door, watching the police's every move | 0:40:34 | 0:40:38 | |
on secret surveillance cameras. | 0:40:38 | 0:40:40 | |
He could control the whole house with the cameras. | 0:40:41 | 0:40:44 | |
So he thought that we were not going to find the panic room, | 0:40:44 | 0:40:49 | |
so he was just there waiting for us to leave. | 0:40:49 | 0:40:51 | |
His secret hideout had been planned well in advance, | 0:40:53 | 0:40:57 | |
and cleverly constructive. | 0:40:57 | 0:40:58 | |
The panic room where Lilley was located, | 0:41:00 | 0:41:02 | |
it's like something out of a film, isn't it? | 0:41:02 | 0:41:04 | |
There was CCTV that covered the grounds, covered the house, | 0:41:04 | 0:41:07 | |
so he could watch the Spanish national police come in over the wall, | 0:41:07 | 0:41:10 | |
and he could see whereabouts in the house they were. | 0:41:10 | 0:41:13 | |
He had the forethought and the planning to think, | 0:41:13 | 0:41:15 | |
"I might need a panic room one day." | 0:41:15 | 0:41:17 | |
And he'd actually taken time to install it, | 0:41:17 | 0:41:19 | |
and it was very well hidden within the house. | 0:41:19 | 0:41:22 | |
You know, it wasn't an amateur job, it was quite well concealed. | 0:41:22 | 0:41:25 | |
So it shows how much he feared being caught. | 0:41:25 | 0:41:30 | |
And this is probably one of the reasons why it took us so long | 0:41:30 | 0:41:33 | |
to find him, it did take 13 years, | 0:41:33 | 0:41:35 | |
because he was obviously very well-resourced, | 0:41:35 | 0:41:38 | |
he was obviously very well-prepared, | 0:41:38 | 0:41:39 | |
and he was determined to stay hidden. | 0:41:39 | 0:41:41 | |
And the man they arrested looked nothing like the man who had fled | 0:41:43 | 0:41:46 | |
British justice all those years before. | 0:41:46 | 0:41:49 | |
He'd changed his appearance massively. | 0:41:50 | 0:41:53 | |
He'd bulked up an incredible amount, | 0:41:53 | 0:41:57 | |
got lots of different tattoos. | 0:41:57 | 0:41:59 | |
He'd changed facially. | 0:41:59 | 0:42:00 | |
Obviously he'd been out in Spain for along time, so he was very tanned. | 0:42:00 | 0:42:04 | |
So if you put his picture next to one from 13 years previous, | 0:42:04 | 0:42:08 | |
you perhaps wouldn't necessarily know they were the same individual. | 0:42:08 | 0:42:12 | |
But Olga knew she'd got her man. | 0:42:12 | 0:42:15 | |
She hopes Lilley's arrest will act as a warning to any other | 0:42:15 | 0:42:19 | |
British criminals thinking of going on the run. | 0:42:19 | 0:42:22 | |
This is not a safe place for British fugitives any more. | 0:42:23 | 0:42:26 | |
I think that's the message - | 0:42:28 | 0:42:30 | |
don't come to Spain. | 0:42:30 | 0:42:32 | |
In August 2013, Mark Lilley was flown back to the UK. | 0:42:35 | 0:42:41 | |
After a failed appeal, he finally started his 23-year sentence. | 0:42:41 | 0:42:45 | |
Kamil Borkowski was extradited back to Poland in August 2016 | 0:42:47 | 0:42:52 | |
to serve out his sentence for murder. | 0:42:52 | 0:42:55 | |
-Get down, now! Tom! -Coming. | 0:42:57 | 0:42:59 | |
And Ladislav Ziga, who'd concealed himself in a cupboard, | 0:42:59 | 0:43:03 | |
was sent back to the Czech Republic in June of the same year | 0:43:03 | 0:43:06 | |
without his hide-and-seek partner. | 0:43:06 | 0:43:09 |