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Neighbourhood policing has come a long way | 0:00:02 | 0:00:04 | |
since the days of Dixon of Dock Green. | 0:00:04 | 0:00:06 | |
Good evening, all. | 0:00:06 | 0:00:07 | |
The new generation of community police officers | 0:00:07 | 0:00:10 | |
have the power to strike hard... | 0:00:10 | 0:00:13 | |
-Police, search warrant! -You're under arrest. | 0:00:13 | 0:00:15 | |
..and tackle crime head-on. | 0:00:15 | 0:00:17 | |
-Stanley! -Calm down! | 0:00:17 | 0:00:19 | |
By engaging with people on the streets... | 0:00:19 | 0:00:21 | |
-Me and you always get on. -Yeah. | 0:00:21 | 0:00:22 | |
..the teams can identify | 0:00:22 | 0:00:24 | |
and crack down on the crimes that are crippling our communities. | 0:00:24 | 0:00:26 | |
They are clearly violent individuals. | 0:00:26 | 0:00:28 | |
In this series of Neighbourhood Blues... | 0:00:28 | 0:00:30 | |
Happy birthday. | 0:00:30 | 0:00:31 | |
..we're given unprecedented access to Somerset's neighbourhood teams... | 0:00:31 | 0:00:35 | |
I'm asking you not to street drink. Go somewhere else! | 0:00:35 | 0:00:38 | |
..as they battle to clear up crime... | 0:00:38 | 0:00:42 | |
Stand still! | 0:00:42 | 0:00:43 | |
Right, you're under arrest for assault. | 0:00:43 | 0:00:45 | |
..and sweep the criminals clean from our streets. | 0:00:45 | 0:00:48 | |
SHOUTING AND BANGING | 0:00:48 | 0:00:50 | |
BLEEP. | 0:00:50 | 0:00:52 | |
Coming up, the race is on to catch a knife-wielding robber... | 0:01:07 | 0:01:12 | |
He's got the blade out. | 0:01:12 | 0:01:14 | |
Officers are speaking to him | 0:01:14 | 0:01:16 | |
and he's refusing to hand the blade over. | 0:01:16 | 0:01:19 | |
How are you doing? Whoa! Stay there, stay there. | 0:01:19 | 0:01:21 | |
Sit down. You're going to do yourself some harm. | 0:01:21 | 0:01:23 | |
..the neighbourhood team go head-to-head | 0:01:23 | 0:01:25 | |
with the ugly side of alcohol... | 0:01:25 | 0:01:26 | |
Da-da-da-da-da! | 0:01:26 | 0:01:29 | |
..and the devastating effects of falling foul of the conmen. | 0:01:29 | 0:01:33 | |
We had won £726,000. | 0:01:33 | 0:01:38 | |
For a police officer, | 0:01:44 | 0:01:45 | |
entering someone's house to issue an arrest warrant | 0:01:45 | 0:01:47 | |
is like stepping into the unknown. | 0:01:47 | 0:01:49 | |
You never know how the suspect is going to react. | 0:01:49 | 0:01:52 | |
Thankfully, officers know that if they do get into trouble, | 0:01:52 | 0:01:56 | |
then it only takes a quick call to Control | 0:01:56 | 0:01:58 | |
and another unit will be on hand to assist in no time. | 0:01:58 | 0:02:01 | |
In Weston-super-Mare, Jack Roth and Alison Codd | 0:02:03 | 0:02:07 | |
are responding to a call for help from another unit. | 0:02:07 | 0:02:10 | |
Our colleagues have gone to...some sort of domestic at an address | 0:02:10 | 0:02:14 | |
and it appears that one of our colleagues | 0:02:14 | 0:02:16 | |
has been locked in the address by the suspect | 0:02:16 | 0:02:18 | |
and is currently in there at the moment. | 0:02:18 | 0:02:20 | |
Trapped in a house with a potentially violent prisoner | 0:02:21 | 0:02:24 | |
is a very difficult situation for the officers involved. | 0:02:24 | 0:02:26 | |
So it's crucial that Jack and Alison get there as quickly as possible. | 0:02:26 | 0:02:30 | |
The occupants have lost the key and they can't get out | 0:02:32 | 0:02:34 | |
and they're not so forthcoming, | 0:02:34 | 0:02:36 | |
but they want us to, sort of, get them out | 0:02:36 | 0:02:38 | |
sooner rather than later. | 0:02:38 | 0:02:40 | |
Fortunately, when it comes to lost keys, | 0:02:40 | 0:02:43 | |
the police have one of their own. | 0:02:43 | 0:02:44 | |
It's big, it's red and it opens almost any door. | 0:02:44 | 0:02:49 | |
What did they say, flat what? | 0:02:49 | 0:02:51 | |
One of the stranded officers, Chris Lintern, | 0:02:51 | 0:02:54 | |
has found an open window. | 0:02:54 | 0:02:55 | |
But in this case, climbing out isn't an option. | 0:02:55 | 0:02:59 | |
Have you got shoes on? | 0:03:08 | 0:03:09 | |
With the enforcer making light work of the door... | 0:03:09 | 0:03:12 | |
..Chris and his prisoner are free to leave. | 0:03:17 | 0:03:19 | |
-Chris, do you want to pass him out to us? -Yeah, absolutely. | 0:03:19 | 0:03:21 | |
-Stop talking to her, please. -Come on, head down. | 0:03:21 | 0:03:24 | |
Head down. | 0:03:24 | 0:03:25 | |
Just be wary...be careful. | 0:03:25 | 0:03:29 | |
-BLEEP -is with the camera? | 0:03:29 | 0:03:31 | |
The police were called to deal with a heated dispute | 0:03:31 | 0:03:34 | |
between this man and a woman who, for her safety, | 0:03:34 | 0:03:37 | |
is still inside with another two officers. | 0:03:37 | 0:03:39 | |
-I'll be back for you -BLEEP, -you -BLEEP BLEEP! | 0:03:39 | 0:03:43 | |
They've locked the door as police have got in | 0:03:45 | 0:03:48 | |
and somehow lost the keys. | 0:03:48 | 0:03:50 | |
Due to his behaviour, there was an urgency to get them out. | 0:03:50 | 0:03:52 | |
They didn't want him to climb out of a window | 0:03:52 | 0:03:54 | |
cos he's also wanted on warrant. | 0:03:54 | 0:03:56 | |
Potentially, he'll make off. | 0:03:56 | 0:03:58 | |
Therefore they've called us in | 0:03:58 | 0:03:59 | |
-and we've put the door in so they can get him out. -MUFFLED SHOUTING | 0:03:59 | 0:04:02 | |
As you can tell from the banging and the kicking, | 0:04:02 | 0:04:05 | |
he's going to be another quiet one in the cells this evening! | 0:04:05 | 0:04:08 | |
What? WHAT? | 0:04:10 | 0:04:13 | |
Safely locked up in the back of the van, | 0:04:13 | 0:04:15 | |
the man is still angry and aggressive. | 0:04:15 | 0:04:18 | |
He just smashed the light in the back of the van. | 0:04:18 | 0:04:20 | |
He'll get nicked for that now. | 0:04:20 | 0:04:21 | |
Ah, not very good on that one, was you? | 0:04:21 | 0:04:23 | |
HE GIGGLES | 0:04:23 | 0:04:24 | |
Back at the station, | 0:04:29 | 0:04:30 | |
Jack has radioed ahead for support | 0:04:30 | 0:04:32 | |
to help move the suspect into custody. | 0:04:32 | 0:04:34 | |
We're going to get you into the police station now. All right? | 0:04:34 | 0:04:38 | |
Are you going to be calm about it? | 0:04:38 | 0:04:40 | |
Are you going to be calm about it? | 0:04:41 | 0:04:43 | |
No, but are you going to be calm with us and get out of the van? | 0:04:43 | 0:04:46 | |
If you're calm, we'll take the cuffs off. | 0:04:46 | 0:04:48 | |
If you're not, they stay on. | 0:04:48 | 0:04:49 | |
That's how it works. | 0:04:49 | 0:04:51 | |
Wary that he could lash out at any moment, | 0:04:51 | 0:04:53 | |
another officer is standing by with a 50,000 volt electric stun gun. | 0:04:53 | 0:04:58 | |
If this lad doesn't come quietly, | 0:04:58 | 0:05:00 | |
he could quite literally be in for a shock. | 0:05:00 | 0:05:03 | |
POLICEWOMAN: | 0:05:03 | 0:05:04 | |
All right, look, my colleagues have got a Taser, here. | 0:05:04 | 0:05:07 | |
If you carry on behaving like you were a minute ago, | 0:05:07 | 0:05:09 | |
they will just shoot you with that. | 0:05:09 | 0:05:11 | |
The choice is yours. | 0:05:11 | 0:05:12 | |
Yeah, I know! All right? | 0:05:12 | 0:05:14 | |
And I'm telling you, don't behave like an idiot | 0:05:14 | 0:05:16 | |
and you won't get shot with a Taser. | 0:05:16 | 0:05:18 | |
All right, fine, let's go. | 0:05:18 | 0:05:20 | |
The threat of the crippling Taser | 0:05:20 | 0:05:23 | |
has brought the prisoner to his senses | 0:05:23 | 0:05:25 | |
and he's decided to come quietly. | 0:05:25 | 0:05:28 | |
Having recovered from HIS incarceration, | 0:05:28 | 0:05:31 | |
PC Chris Lintern is able to shed some light | 0:05:31 | 0:05:33 | |
on how they ended up locked in the property in the first place. | 0:05:33 | 0:05:36 | |
When I arrived at the scene, | 0:05:36 | 0:05:38 | |
clearly, something had gone on, | 0:05:38 | 0:05:40 | |
but we didn't know exactly. | 0:05:40 | 0:05:42 | |
We had to enter the property via unusual means. | 0:05:42 | 0:05:46 | |
And we certainly had to exit the property via unusual means! | 0:05:46 | 0:05:49 | |
'We considered going back out the way we came. | 0:05:49 | 0:05:52 | |
'However, I took into consideration that it wasn't particularly easy' | 0:05:52 | 0:05:55 | |
getting in the house in the first place | 0:05:55 | 0:05:57 | |
and doing the same thing | 0:05:57 | 0:05:58 | |
'with a male that was handcuffed and potentially violent | 0:05:58 | 0:06:01 | |
'didn't seem to be a sensible course of action to me.' | 0:06:01 | 0:06:03 | |
Not only was this man aggressive during the arrest, | 0:06:03 | 0:06:06 | |
but his behaviour only got worse. | 0:06:06 | 0:06:09 | |
Once in police custody, he continued to be a problem | 0:06:14 | 0:06:17 | |
and he caused damage to some property inside custody. | 0:06:17 | 0:06:21 | |
Eventually, he was charged with four counts of criminal damage. | 0:06:21 | 0:06:25 | |
When he appeared in court, | 0:06:25 | 0:06:26 | |
the suspect pleaded guilty to four charges of criminal damage | 0:06:26 | 0:06:29 | |
and was sentenced to two months' imprisonment. | 0:06:29 | 0:06:32 | |
It was a good result, although for Chris, | 0:06:32 | 0:06:34 | |
this job is likely to stick in the mind | 0:06:34 | 0:06:37 | |
for slightly different reasons. | 0:06:37 | 0:06:38 | |
Looking back, I can't help but smile about it - | 0:06:38 | 0:06:41 | |
possibly having to be rescued. | 0:06:41 | 0:06:43 | |
But at the same time, | 0:06:43 | 0:06:44 | |
it worked and everyone got back and no-one was hurt. | 0:06:44 | 0:06:47 | |
Police Community Support Officers | 0:06:54 | 0:06:56 | |
are an essential part of the neighbourhood team. | 0:06:56 | 0:06:59 | |
Out on the beat every day, meeting the public, | 0:06:59 | 0:07:01 | |
they are the eyes and ears of the police force. | 0:07:01 | 0:07:05 | |
So when a crime is committed on their beat | 0:07:05 | 0:07:08 | |
and a warrant is issued for someone's arrest, | 0:07:08 | 0:07:10 | |
chances are it will be a PCSO who finds them first. | 0:07:10 | 0:07:14 | |
In Bath city centre, | 0:07:17 | 0:07:18 | |
Howie Wilton is investigating two thefts | 0:07:18 | 0:07:20 | |
that have taken place within an hour of each other. | 0:07:20 | 0:07:24 | |
The allegation from Tesco Express, here on Westgate Buildings, | 0:07:24 | 0:07:27 | |
is that the gentleman has stolen food | 0:07:27 | 0:07:29 | |
and threatened staff with a knife. | 0:07:29 | 0:07:31 | |
After speaking to staff in Tesco's and checking the CCTV footage, | 0:07:32 | 0:07:37 | |
it turns out that the neighbourhood team | 0:07:37 | 0:07:38 | |
are dealing with a case of armed theft. | 0:07:38 | 0:07:41 | |
And a similar theft was also carried out at Sainsbury's earlier on | 0:07:41 | 0:07:45 | |
by a man carrying a large-bladed knife. | 0:07:45 | 0:07:48 | |
Operators at the CCTV control centre | 0:07:51 | 0:07:53 | |
think they've just spotted the knifeman back at Sainsbury's. | 0:07:53 | 0:07:57 | |
But unfortunately, it turned out to the wrong man. | 0:08:01 | 0:08:05 | |
It's definitely not the man that we're looking for. | 0:08:06 | 0:08:08 | |
This search is far from over. | 0:08:08 | 0:08:11 | |
Howie knows that to catch a criminal, | 0:08:11 | 0:08:13 | |
you have to think like a criminal. | 0:08:13 | 0:08:15 | |
It's a little bit like fishing, now. | 0:08:15 | 0:08:17 | |
We've just got to think, "Well, where am I likely to go? | 0:08:17 | 0:08:19 | |
"Which way am I likely to run?" | 0:08:19 | 0:08:21 | |
The suspect stole food and drink | 0:08:21 | 0:08:24 | |
and Howie suspects that the thief is one of the city's rough sleepers. | 0:08:24 | 0:08:28 | |
Having checked every place he can think of, | 0:08:31 | 0:08:33 | |
he's no closer to finding his man | 0:08:33 | 0:08:35 | |
and he knows that the chances of catching the knife-wielding thief | 0:08:35 | 0:08:39 | |
are becoming slimmer with every hour that passes. | 0:08:39 | 0:08:42 | |
We're just going to have to return to normal foot patrol now, | 0:08:42 | 0:08:45 | |
but we'll bear his description in mind for the rest of the evening. | 0:08:45 | 0:08:48 | |
And obviously, if we see anybody that matches that description, | 0:08:48 | 0:08:51 | |
even if it's a change of clothing, | 0:08:51 | 0:08:53 | |
I've got the facial image in my mind now. | 0:08:53 | 0:08:55 | |
I know who I'm looking for. | 0:08:55 | 0:08:56 | |
If we come across somebody that bears that description, | 0:08:56 | 0:08:58 | |
then we can call somebody out to have a little look. | 0:08:58 | 0:09:01 | |
Less than 24 hours later, | 0:09:07 | 0:09:08 | |
the neighbourhood team have made a breakthrough | 0:09:08 | 0:09:12 | |
as Sergeant Chris Leadbeater explains. | 0:09:12 | 0:09:14 | |
There was a bit of a search for him yesterday. | 0:09:14 | 0:09:16 | |
We couldn't quite find him. | 0:09:16 | 0:09:18 | |
What we've managed to do this morning | 0:09:18 | 0:09:19 | |
was the photograph from the CCTV was circulated | 0:09:19 | 0:09:22 | |
by the Crime Reduction Partnership to all the shops in Bath | 0:09:22 | 0:09:26 | |
and one of the security guards from SouthGate recognised him | 0:09:26 | 0:09:32 | |
as having been involved in another theft a couple of weeks back. | 0:09:32 | 0:09:35 | |
It turns out that just four days ago, | 0:09:35 | 0:09:37 | |
the same man had spent a day in prison | 0:09:37 | 0:09:40 | |
after appearing in court on a charge | 0:09:40 | 0:09:42 | |
of shoplifting from another supermarket. | 0:09:42 | 0:09:45 | |
With the search on for a very dangerous man, | 0:09:46 | 0:09:49 | |
PCSO Brian Harris heads out into the city | 0:09:49 | 0:09:52 | |
to see if he can find him. | 0:09:52 | 0:09:53 | |
It's believed that the suspect could be homeless, | 0:09:55 | 0:09:58 | |
so first stop for Brian is one of the city's shelters. | 0:09:58 | 0:10:01 | |
Good news. This male has been staying here the last two or three nights, | 0:10:01 | 0:10:04 | |
so the chances are he might be back here tonight. | 0:10:04 | 0:10:08 | |
I said that if he does return, to make sure that they ring 999 | 0:10:08 | 0:10:11 | |
and we'll get a unit down here as soon as possible | 0:10:11 | 0:10:13 | |
and get him arrested. | 0:10:13 | 0:10:15 | |
It's a fantastic lead, but with a knifeman on the loose, | 0:10:15 | 0:10:18 | |
the neighbourhood team want to get him off the streets | 0:10:18 | 0:10:21 | |
as quickly as possible, | 0:10:21 | 0:10:22 | |
As a PCSO, Brian is a familiar face in the city | 0:10:22 | 0:10:26 | |
and can turn to many of its residents | 0:10:26 | 0:10:28 | |
to help him track the knifeman down. | 0:10:28 | 0:10:31 | |
-I know me and you always get on... -Yeah. | 0:10:31 | 0:10:33 | |
..so you might be able to help me. | 0:10:33 | 0:10:34 | |
And I've been told he's been hanging around Julian House steps. | 0:10:34 | 0:10:37 | |
-Oh, that's Paul. -Yeah. -Is he about? | 0:10:37 | 0:10:40 | |
I want to find where he is. | 0:10:40 | 0:10:41 | |
-He's done something naughty. -Oh, has he? -Yeah. | 0:10:41 | 0:10:45 | |
No! He's down Julian House, isn't he? | 0:10:45 | 0:10:47 | |
Yeah, but he's not there at the moment. | 0:10:47 | 0:10:49 | |
I've got to find out where he is. | 0:10:49 | 0:10:50 | |
-Does he know he is wanted by us? -No. -He doesn't? -No. | 0:10:50 | 0:10:53 | |
Don't let anybody know that he's wanted or anything, | 0:10:53 | 0:10:56 | |
cos we need to find him and speak to him. Yeah, all right. Lovely. | 0:10:56 | 0:10:59 | |
-You know I love you. -Yeah, thanks, Rainbow. | 0:10:59 | 0:11:01 | |
SHE BLOWS A KISS | 0:11:01 | 0:11:03 | |
I love you lot! | 0:11:03 | 0:11:05 | |
Before Brian continues with his enquiries, | 0:11:05 | 0:11:08 | |
he indulges in a bit of police PR. | 0:11:08 | 0:11:10 | |
Where's the bride? We've lost the bride! | 0:11:10 | 0:11:12 | |
But the fun and games are short-lived | 0:11:12 | 0:11:14 | |
as it sounds as though the armed thief has struck again. | 0:11:14 | 0:11:17 | |
A knife attack has just happened... just up in Gay Street, here. | 0:11:17 | 0:11:22 | |
Descriptions have been given. | 0:11:22 | 0:11:24 | |
It might be the same chap that we're actually looking for. | 0:11:24 | 0:11:27 | |
Thankfully, no-one was injured | 0:11:28 | 0:11:30 | |
but further details revealed that this time, | 0:11:30 | 0:11:32 | |
the thief has stolen items whilst threatening staff with a knife. | 0:11:32 | 0:11:36 | |
He's stolen a load of cigarettes. | 0:11:36 | 0:11:39 | |
Um...some confectionery, some sandwiches and that. | 0:11:40 | 0:11:44 | |
You know, for what he's done... | 0:11:44 | 0:11:46 | |
..the height of the crime, you know, going in with a knife... | 0:11:48 | 0:11:51 | |
It seems a very minimal amount. | 0:11:51 | 0:11:53 | |
Here we go, come on. | 0:11:53 | 0:11:54 | |
Word has come through that the suspect has been spotted. | 0:11:54 | 0:11:57 | |
They just asked for a Taser unit. SIRENS | 0:11:57 | 0:12:00 | |
Brian's getting regular updates on his radio. | 0:12:01 | 0:12:04 | |
It doesn't sound like the knifeman is coming quietly. | 0:12:04 | 0:12:07 | |
He's got the blade out. | 0:12:07 | 0:12:09 | |
Officers are speaking to him | 0:12:09 | 0:12:12 | |
and he's refusing to hand the blade over. | 0:12:12 | 0:12:14 | |
With his fellow officers in a stand-off with an armed man, | 0:12:18 | 0:12:22 | |
Brian's rushing to back them up. | 0:12:22 | 0:12:24 | |
He's been gassed already. | 0:12:24 | 0:12:26 | |
Brian arrives at the scene to discover | 0:12:26 | 0:12:28 | |
the target has already been captured | 0:12:28 | 0:12:30 | |
and is in the process of being cautioned. | 0:12:30 | 0:12:32 | |
We're going to carry on searching you, | 0:12:32 | 0:12:34 | |
to make sure you haven't got any more knives on you. | 0:12:34 | 0:12:37 | |
It took CS gas and a blast from a Taser | 0:12:37 | 0:12:39 | |
to bring this guy down. | 0:12:39 | 0:12:41 | |
And unsurprisingly, he isn't feeling too good for it. | 0:12:41 | 0:12:44 | |
HE GROANS | 0:12:44 | 0:12:46 | |
Yeah, it hurts, mate. I know. | 0:12:46 | 0:12:48 | |
-More than that -BLEEP -volt. | 0:12:48 | 0:12:51 | |
-Eh? -No, that's the Taser, that's something else. | 0:12:51 | 0:12:53 | |
-Yeah, exactly, that's what stung. -BLEEP. | 0:12:53 | 0:12:56 | |
THEY TALK OVER EACH OTHER | 0:12:56 | 0:12:59 | |
With the suspect no longer providing any resistance, | 0:12:59 | 0:13:02 | |
he's put into the van and taken back to the station. | 0:13:02 | 0:13:05 | |
Although as the effects of the Taser and gas wear off, | 0:13:07 | 0:13:11 | |
his less-than-charming personality comes to the fore. | 0:13:11 | 0:13:14 | |
CCTV footage from the newsagent that he's just robbed | 0:13:22 | 0:13:26 | |
reveals how he threatened the shopkeeper | 0:13:26 | 0:13:28 | |
with a horrific looking knife. | 0:13:28 | 0:13:30 | |
As she reaches for the panic button under the counter, | 0:13:33 | 0:13:36 | |
the robber casually walks out of the store. | 0:13:36 | 0:13:39 | |
When the man was arrested, not only was he armed, | 0:13:42 | 0:13:45 | |
but he was also carrying the goods that he had just stolen. | 0:13:45 | 0:13:49 | |
BANGING ON DOOR | 0:13:53 | 0:13:57 | |
It turned out that this man | 0:13:57 | 0:13:58 | |
had carried out a robbery and two thefts at knife-point. | 0:13:58 | 0:14:01 | |
His crime spree well and truly came to an end | 0:14:01 | 0:14:04 | |
when he was sentenced to 40 months behind bars. | 0:14:04 | 0:14:08 | |
Responding to calls | 0:14:12 | 0:14:13 | |
about people who have become ill by drinking too much alcohol | 0:14:13 | 0:14:16 | |
is a common occurrence for the neighbourhood teams. | 0:14:16 | 0:14:19 | |
Often involving medical assistance, these avoidable situations | 0:14:19 | 0:14:24 | |
are a frustrating and time-consuming use of police time. | 0:14:24 | 0:14:28 | |
It's Friday evening in Weston-super-Mare | 0:14:29 | 0:14:32 | |
and PC Jim Murray has just received a call about someone | 0:14:32 | 0:14:35 | |
who may have had a few too many. | 0:14:35 | 0:14:37 | |
We're going down to Brighton Road. | 0:14:38 | 0:14:40 | |
A lady causing problems for an ambulance. | 0:14:41 | 0:14:43 | |
She was in the back of the ambulance | 0:14:43 | 0:14:45 | |
and now she's gotten out of the ambulance | 0:14:45 | 0:14:47 | |
and she's running in the road. | 0:14:47 | 0:14:49 | |
Playing chicken with the traffic. | 0:14:49 | 0:14:50 | |
So we'll just pop round there. See what's going on. | 0:14:50 | 0:14:55 | |
With the ambulance crew potentially in danger, | 0:14:55 | 0:14:57 | |
Jim wastes no time getting to the scene. | 0:14:57 | 0:14:59 | |
Concerned for their own safety, | 0:15:04 | 0:15:06 | |
the crew have locked the lady in the back of the ambulance. | 0:15:06 | 0:15:09 | |
Jim could have his hands full. | 0:15:09 | 0:15:11 | |
-So no-one's in there with her, then? -No. -Hello there. Stay there. | 0:15:11 | 0:15:17 | |
What's going on? What's your name, my love? | 0:15:17 | 0:15:20 | |
Hang on, what's your name? What's your name? | 0:15:21 | 0:15:24 | |
When people are this drunk, | 0:15:24 | 0:15:25 | |
-police need to protect them from themselves. -Whoa! | 0:15:25 | 0:15:29 | |
Sit down, or you're going to do yourself some harm. | 0:15:31 | 0:15:33 | |
She is struggling with all her might to get away | 0:15:33 | 0:15:35 | |
and Jim is worried she'll hurt herself or cause an accident. | 0:15:35 | 0:15:38 | |
You're trying to walk in the road | 0:15:38 | 0:15:40 | |
and I'm stopping you from going in the road. | 0:15:40 | 0:15:42 | |
Jim has managed to calm her down. | 0:15:42 | 0:15:44 | |
But the lady's English is poor | 0:15:44 | 0:15:46 | |
and working out where she lives is easier said than done. | 0:15:46 | 0:15:49 | |
Da-da-da-da-da. | 0:15:49 | 0:15:51 | |
SHE WHISTLES | 0:15:51 | 0:15:53 | |
What we can't have is you running out in the road, can we? | 0:15:53 | 0:15:56 | |
Which you've already done. | 0:15:56 | 0:15:59 | |
-Listen... -BLEEP! BLEEP! | 0:15:59 | 0:16:01 | |
You either go home or you come to the station. One or the other. | 0:16:01 | 0:16:05 | |
-I go home. -Then go in the ambulance then. | 0:16:05 | 0:16:08 | |
Eventually the threat of a trip to the police station | 0:16:08 | 0:16:12 | |
gets the woman to cooperate. | 0:16:12 | 0:16:13 | |
For the safety of the paramedics, | 0:16:13 | 0:16:16 | |
another police office will accompany them in the ambulance. | 0:16:16 | 0:16:19 | |
There was only a few options - | 0:16:19 | 0:16:20 | |
we can arrest her for being drunk and disorderly, | 0:16:20 | 0:16:23 | |
going out in the road in front of traffic. | 0:16:23 | 0:16:25 | |
She's clearly drunk. | 0:16:25 | 0:16:27 | |
Or we try taking her home and see if she stays at home and sobers up. | 0:16:27 | 0:16:31 | |
A short drive later, and even though Jim has confiscated | 0:16:32 | 0:16:35 | |
the woman's bottle of brandy, her mood is improved considerably. | 0:16:35 | 0:16:40 | |
-Thank you very much. -Get right in. | 0:16:40 | 0:16:43 | |
And she's taken a bit of a shine to PCSO Mike Benfield. | 0:16:43 | 0:16:47 | |
-Come on. -We'll leave you to it. -We'll leave you to it. | 0:16:47 | 0:16:50 | |
We've got to go. | 0:16:50 | 0:16:52 | |
-You got to go. -You're safe. -Come here. | 0:16:52 | 0:16:57 | |
Help. | 0:16:57 | 0:16:59 | |
After rescuing Mike from the clutches of the grateful woman, | 0:16:59 | 0:17:03 | |
Jim continues his patrol. | 0:17:03 | 0:17:04 | |
Later, alcohol is at the centre of yet another disturbance | 0:17:06 | 0:17:10 | |
when Jim is taken to task. | 0:17:10 | 0:17:12 | |
Why is there a quart of hard liquor in the middle of your car? | 0:17:12 | 0:17:16 | |
With a wealth of technology at their disposal, | 0:17:20 | 0:17:23 | |
neighbourhood policing has moved with the times | 0:17:23 | 0:17:25 | |
and is a far cry from the days gone by | 0:17:25 | 0:17:27 | |
when bobbies had nothing more | 0:17:27 | 0:17:29 | |
than a whistle and a truncheon by their side. | 0:17:29 | 0:17:32 | |
Unfortunately, the criminals have also moved on | 0:17:32 | 0:17:36 | |
and a new wave of conmen is abusing modern technology to exploit | 0:17:36 | 0:17:40 | |
the elderly and vulnerable - | 0:17:40 | 0:17:41 | |
often from the other side of the world. | 0:17:41 | 0:17:44 | |
Today, PC Jo Jeffery is visiting an elderly couple | 0:17:46 | 0:17:50 | |
who are the victims of a lottery scam. | 0:17:50 | 0:17:52 | |
Jo works a rural beat, | 0:17:54 | 0:17:56 | |
providing a vital service for remote communities. | 0:17:56 | 0:18:00 | |
Here we are. | 0:18:00 | 0:18:01 | |
It was to her that Sid and Mary first turned | 0:18:03 | 0:18:05 | |
when they realised they had become victims of a con. | 0:18:05 | 0:18:09 | |
Hello, Sid. | 0:18:11 | 0:18:13 | |
They had been told they had won a large amount of money | 0:18:13 | 0:18:16 | |
on the Spanish lottery | 0:18:16 | 0:18:17 | |
and to release the funds, they had to pay a small fee. | 0:18:17 | 0:18:20 | |
I've got the papers you left out for me. | 0:18:21 | 0:18:23 | |
And it's got all the details | 0:18:23 | 0:18:24 | |
of how much money you sent to them on there, as well. | 0:18:24 | 0:18:28 | |
Sid and Mary have lost a staggering £25,000. | 0:18:28 | 0:18:33 | |
We were sent a letter to say we had won the lottery | 0:18:35 | 0:18:39 | |
and it said we had won £726,000. | 0:18:39 | 0:18:44 | |
But of course, it wasn't as simple as that. | 0:18:46 | 0:18:49 | |
As with all scams, there was a catch. | 0:18:49 | 0:18:51 | |
They asked us for money for... | 0:18:51 | 0:18:54 | |
..to send the cheque, which we sent. | 0:18:56 | 0:18:58 | |
And then after that, they kept on asking for more money. | 0:18:58 | 0:19:01 | |
Then it snowballed from then. | 0:19:01 | 0:19:03 | |
Each time Sid and Mary handed over some money, | 0:19:03 | 0:19:06 | |
the scammers would come back with a request for more, | 0:19:06 | 0:19:09 | |
until eventually, they had reached a colossal total. | 0:19:09 | 0:19:13 | |
We put in £25,000 into about seven different lots, I think. | 0:19:13 | 0:19:19 | |
We sort of half-thought it was going to be all right. You didn't really. | 0:19:19 | 0:19:23 | |
I did. They conned you into thinking it was coming. | 0:19:23 | 0:19:27 | |
That's what did me. | 0:19:27 | 0:19:30 | |
Looking back now, I can see it was silly. | 0:19:30 | 0:19:34 | |
But it's too late now, isn't it? | 0:19:34 | 0:19:36 | |
Like many other victims of this type of con, | 0:19:39 | 0:19:42 | |
it was the constant promise of a huge payout | 0:19:42 | 0:19:44 | |
that kept the couple ploughing their money into it. | 0:19:44 | 0:19:46 | |
I said, "We've gone this far. | 0:19:46 | 0:19:50 | |
"See if it's right." Cos we'd already lost so much, | 0:19:50 | 0:19:55 | |
I thought, hopefully, we could get it back. | 0:19:55 | 0:19:58 | |
Desperate to get themselves out of the situation, | 0:19:58 | 0:20:01 | |
Sid and Mary even took out loans to cover the costs. | 0:20:01 | 0:20:04 | |
A lot of it was savings, but we borrowed some of it as well, | 0:20:04 | 0:20:06 | |
which was a silly part. | 0:20:06 | 0:20:08 | |
Obviously, we've got to pay it back. | 0:20:08 | 0:20:11 | |
That's what really upset me. | 0:20:11 | 0:20:14 | |
I think I'm getting over it now, but sometimes I'd start crying. | 0:20:14 | 0:20:18 | |
It's silly, isn't it? | 0:20:18 | 0:20:19 | |
-Shivering, as well. -I start shaking. | 0:20:21 | 0:20:23 | |
What makes this even worse | 0:20:26 | 0:20:28 | |
is that Sid any Mary were suffering in silence. | 0:20:28 | 0:20:31 | |
We were told not to tell anybody until after you got the money. | 0:20:31 | 0:20:37 | |
So that was why I never told anybody, you know? | 0:20:37 | 0:20:41 | |
If I had, somebody would have said, "You shouldn't do it," you know? | 0:20:41 | 0:20:45 | |
After being made countless empty promises and having lost £25,000, | 0:20:45 | 0:20:51 | |
they took the brave decision to go to the police. | 0:20:51 | 0:20:55 | |
They said they were going to send up a form | 0:20:55 | 0:20:58 | |
-to get our money back, didn't they? -Yeah. | 0:20:58 | 0:21:00 | |
And I waited until I had this form | 0:21:00 | 0:21:02 | |
and then I took all the paperwork to the police station | 0:21:02 | 0:21:06 | |
and told them about it. | 0:21:06 | 0:21:07 | |
But not until then. | 0:21:07 | 0:21:08 | |
As soon as Jo heard Sid and Mary's story, | 0:21:11 | 0:21:14 | |
she took the case to the police's fraud unit. | 0:21:14 | 0:21:16 | |
But unfortunately, it was just too late. | 0:21:17 | 0:21:21 | |
Their money had disappeared. | 0:21:21 | 0:21:23 | |
It's believed the con men were operating from Africa. | 0:21:23 | 0:21:26 | |
The case is still being investigated. | 0:21:27 | 0:21:30 | |
But at the moment, all Jo can offer is support. | 0:21:30 | 0:21:33 | |
Let's hope that's the end of it now. | 0:21:33 | 0:21:35 | |
And with all the information we've got on that, | 0:21:35 | 0:21:38 | |
then we'll do our best to link it to any other - | 0:21:38 | 0:21:41 | |
cos you're not the only ones. | 0:21:41 | 0:21:43 | |
And we'll try and link it in with any others we know of | 0:21:43 | 0:21:46 | |
and get it all together for intelligence purposes | 0:21:46 | 0:21:48 | |
and see if we can trace where it's all coming from. | 0:21:48 | 0:21:52 | |
It isn't uncommon for victims to be targeted multiple times, | 0:21:52 | 0:21:55 | |
so Jo is keen for Sid and Mary to keep in touch. | 0:21:55 | 0:21:59 | |
I'm just concerned that because you have been duped once, | 0:21:59 | 0:22:04 | |
that other companies or other people might try and scam you again. | 0:22:04 | 0:22:09 | |
But if you are worried ever about people ringing you up | 0:22:09 | 0:22:12 | |
or calling at the door about things, | 0:22:12 | 0:22:13 | |
don't hesitate to give me a call | 0:22:13 | 0:22:15 | |
and I'll come and check it out for you. Yeah? | 0:22:15 | 0:22:18 | |
Or ring the 101 number and say, "Do you think this is genuine?" | 0:22:18 | 0:22:24 | |
-But do you know what, Sid? They don't care. -Oh, no. | 0:22:24 | 0:22:26 | |
-What goes around comes around, Sid. -Exactly. It will, one day, won't it? | 0:22:26 | 0:22:31 | |
They'll get their comeuppance one day, yeah. | 0:22:31 | 0:22:35 | |
Well, you've got each other | 0:22:35 | 0:22:36 | |
and you've got your dogs and everything here. | 0:22:36 | 0:22:38 | |
OK. Well, if you need anything, just give us a call. | 0:22:38 | 0:22:41 | |
If it seems too good to be true, then it's too good to be true. | 0:22:43 | 0:22:46 | |
If you get a letter to say you've won the lottery in Europe, Spain, | 0:22:46 | 0:22:50 | |
any country, and you haven't entered the lottery, | 0:22:50 | 0:22:53 | |
there's no chance you've won it. | 0:22:53 | 0:22:55 | |
If you think it is wrong, it probably is wrong. | 0:22:55 | 0:22:57 | |
Go with your gut feeling and report it to the police. | 0:22:57 | 0:23:00 | |
Let them be the judge. | 0:23:00 | 0:23:01 | |
It's Friday evening in Weston-super-Mare | 0:23:05 | 0:23:08 | |
and PC Jim Murray has been kept busy. | 0:23:08 | 0:23:10 | |
What's your name? | 0:23:10 | 0:23:11 | |
Jim had to seize this lady's brandy | 0:23:11 | 0:23:13 | |
before escorting her back to her home. | 0:23:13 | 0:23:15 | |
He's now en route to the next job and thankfully, | 0:23:17 | 0:23:19 | |
it sounds as though this one is alcohol-free. | 0:23:19 | 0:23:23 | |
Just an off-road bike being driven up and down the road. | 0:23:23 | 0:23:26 | |
I think someone... | 0:23:26 | 0:23:28 | |
A bit of antisocial behaviour on a motorbike. | 0:23:28 | 0:23:30 | |
After parking up, Jim now needs to try and find the motorcycle. | 0:23:30 | 0:23:34 | |
Are there motorbikes over there, mucking about, are they? | 0:23:37 | 0:23:39 | |
Has he gone up that way now, has he? | 0:23:39 | 0:23:41 | |
-Whereabouts have they gone, do you know? -I don't know. | 0:23:41 | 0:23:44 | |
I can just hear them down there, mate. | 0:23:44 | 0:23:45 | |
Jim knows this area well | 0:23:45 | 0:23:47 | |
so tracking down the bike rider shouldn't be a problem. | 0:23:47 | 0:23:50 | |
ENGINE REVS | 0:23:50 | 0:23:51 | |
The telltale sound of an engine lets Jim know | 0:23:51 | 0:23:54 | |
that he is in the right place. | 0:23:54 | 0:23:56 | |
Over there. | 0:23:56 | 0:23:57 | |
He approaches cautiously. | 0:24:00 | 0:24:02 | |
The last thing he wants is for the rider to make a run for it. | 0:24:02 | 0:24:06 | |
Off it. | 0:24:06 | 0:24:07 | |
-What are you doing around here on it? -I just bought it. | 0:24:08 | 0:24:11 | |
-You just bought it? -Yeah. -Who from? -Someone called -BLEEP. | 0:24:11 | 0:24:15 | |
How do you know it's not stolen? | 0:24:15 | 0:24:17 | |
-I know he's had it for quite a while. -Have you? | 0:24:17 | 0:24:22 | |
I think you're annoying people locally. | 0:24:22 | 0:24:23 | |
That's why they've phoned. | 0:24:23 | 0:24:25 | |
I'm going to do some checks. | 0:24:25 | 0:24:26 | |
As Jim checks out the bike, | 0:24:26 | 0:24:29 | |
someone else has been checking out Jim's patrol car. | 0:24:29 | 0:24:32 | |
-Why is there a quart of -BLEEP... | 0:24:32 | 0:24:33 | |
Oi, oi, don't swear. | 0:24:33 | 0:24:35 | |
-Don't swear at me. There's no need to swear at me. -Did I swear? | 0:24:35 | 0:24:38 | |
-You did, yeah. -Yeah, actually, I didn't. -You did. | 0:24:38 | 0:24:40 | |
Why is there a quart of hard liquor in the middle of your car? | 0:24:40 | 0:24:43 | |
What's that got to do with you? | 0:24:43 | 0:24:45 | |
-I don't know. -I like to have a drink while I'm driving, don't I? | 0:24:45 | 0:24:48 | |
-Yeah, of course you do. Sounds like it. -All right. | 0:24:48 | 0:24:51 | |
Why are you picking on these kids? | 0:24:51 | 0:24:52 | |
I'm not picking on these kids. I'm asking some questions. | 0:24:52 | 0:24:55 | |
-A camera, what's this? -I'm asking some questions, all right? | 0:24:55 | 0:24:58 | |
-Trying to do my job. -Just checking you out. You check them out. | 0:24:58 | 0:25:01 | |
-I'm checking you out. -Go on, then. Go away for now. | 0:25:01 | 0:25:04 | |
Let me deal with this and then I'll come and speak to you, OK? | 0:25:04 | 0:25:07 | |
-I can only do... -Come and speak to me in a minute. -I will. | 0:25:07 | 0:25:10 | |
-All right. Thank you very much for your input. -Yeah, thank you. | 0:25:10 | 0:25:14 | |
I appreciate it. | 0:25:14 | 0:25:15 | |
After dealing with the...well-meaning passer-by, | 0:25:15 | 0:25:19 | |
Jim returns to checking out the young lad and his scrambler. | 0:25:19 | 0:25:21 | |
As far as I'm aware, you shouldn't be riding a bike in a public place | 0:25:21 | 0:25:26 | |
and this is a public place, isn't it? | 0:25:26 | 0:25:28 | |
Kids could come in here on their bikes. | 0:25:28 | 0:25:30 | |
There have been a few dog walkers come over here | 0:25:30 | 0:25:32 | |
since I've been riding it and I've cut it out for the dog walkers. | 0:25:32 | 0:25:36 | |
Yeah, but what happens if you fall, | 0:25:36 | 0:25:37 | |
-ride over one of the dogs or something? -I suppose, yeah. | 0:25:37 | 0:25:40 | |
That is why you're not supposed to be riding in a public place. | 0:25:40 | 0:25:43 | |
-You're supposed to be riding on private property. -Yeah. | 0:25:43 | 0:25:45 | |
As far as I'm aware, this is council property. | 0:25:45 | 0:25:48 | |
Let me do a couple of checks, | 0:25:48 | 0:25:49 | |
make sure the bike's not on our records as being stolen. | 0:25:49 | 0:25:52 | |
A few colleagues have arrived, | 0:25:52 | 0:25:53 | |
in case the bike needs to be seized - and it's good timing. | 0:25:53 | 0:25:56 | |
The onlooker has decided to put in another appearance. | 0:25:56 | 0:25:59 | |
If you swear again, I'm going to arrest you, do you understand? | 0:25:59 | 0:26:02 | |
-BLEEP. -Do you understand? -Yeah - -BLEEP. | 0:26:02 | 0:26:06 | |
-They're in the dictionary. You can't say swearing... -BLEEP. | 0:26:06 | 0:26:09 | |
You are swearing in front of kids. | 0:26:09 | 0:26:11 | |
I'm warning you under Section Five of the Public Order Act... | 0:26:11 | 0:26:14 | |
I'm warning you under Section Five of the Public Order Act | 0:26:14 | 0:26:16 | |
that if you continue to swear, | 0:26:16 | 0:26:18 | |
I'm going to arrest you. Do you understand? | 0:26:18 | 0:26:20 | |
Jim is used to being taken to task by members of the public, | 0:26:20 | 0:26:24 | |
but even his patience stretches only so far. | 0:26:24 | 0:26:26 | |
-Let me deal with what I'm dealing with. -Have you got a real ticket? | 0:26:26 | 0:26:30 | |
I want to see the ticket. I want to see your card. | 0:26:30 | 0:26:32 | |
Haven't you got anything better to do? Seriously. | 0:26:32 | 0:26:35 | |
-I've got something better to do. -Well, go and do it. Go and do it. | 0:26:35 | 0:26:38 | |
Go over there and I'll come and speak to you in a moment, OK? | 0:26:38 | 0:26:41 | |
-Why did you pick on me? -Like I said... -I just told you... | 0:26:41 | 0:26:44 | |
-Just stop swearing, all right. -No, I'm not swearing. | 0:26:44 | 0:26:47 | |
-You swore several times. -Yeah. I told you the swear words... | 0:26:47 | 0:26:50 | |
There is no need to be swearing in front of the kids, is there? | 0:26:50 | 0:26:52 | |
They are in the English dictionary. Simple as. | 0:26:52 | 0:26:55 | |
Calm down. Go over there and I'll come and speak to you in a moment. | 0:26:55 | 0:26:58 | |
-Right? -Yeah, but why is there alcohol in your car? | 0:26:58 | 0:27:00 | |
I don't believe you are a real cop. I saw a bottle of beer... | 0:27:00 | 0:27:03 | |
-Brandy. Brandy. -Yeah. Not even bagged, not even put elsewhere, | 0:27:03 | 0:27:06 | |
in the middle... | 0:27:06 | 0:27:09 | |
-107, can I have some checks, please? -Go and check his car. | 0:27:09 | 0:27:13 | |
Having made his point, the man finally listens to Jim | 0:27:15 | 0:27:18 | |
and makes himself scarce. | 0:27:18 | 0:27:20 | |
Checks on the bike have come back all clear, | 0:27:20 | 0:27:23 | |
so this young motorcyclist is free to go, | 0:27:23 | 0:27:26 | |
but not without some friendly words of advice. | 0:27:26 | 0:27:29 | |
All I'm going to ask you to do is take it home, OK? | 0:27:29 | 0:27:31 | |
My colleague here is going to pop round, | 0:27:31 | 0:27:33 | |
have a word with your mum and dad, | 0:27:33 | 0:27:34 | |
just to explain to them we've had a chat with you. | 0:27:34 | 0:27:37 | |
Tell them where you can ride it, when you can ride it and give you | 0:27:37 | 0:27:40 | |
a bit of advice as well, especially about wearing a crash helmet. | 0:27:40 | 0:27:43 | |
You could still fall off and crack your head, can't you? | 0:27:43 | 0:27:45 | |
So, it's sensible if you wear the protective gear. All right? | 0:27:45 | 0:27:49 | |
But next time, make sure you get written permission with a phone number, | 0:27:49 | 0:27:52 | |
so then at least we can ring him and ask him | 0:27:52 | 0:27:54 | |
and he'll say, "Yeah, I don't mind him being down there." | 0:27:54 | 0:27:56 | |
Job done, innit? All right, good man. | 0:27:56 | 0:27:58 | |
By dealing with this lad in a friendly but firm way, | 0:28:00 | 0:28:02 | |
Jim hopes it will have an upbeat, long-lasting effect. | 0:28:02 | 0:28:06 | |
If you need to contact your Neighbourhood Team, | 0:28:12 | 0:28:15 | |
just dial the police non-emergency number 101. | 0:28:15 | 0:28:19 | |
See you next time. | 0:28:19 | 0:28:20 |