Browse content similar to Episode 2. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
With unprecedented access, Neighbourhood Blues follows the | 0:00:02 | 0:00:05 | |
police in Somerset as they take on the crimes that annoy us all. | 0:00:05 | 0:00:08 | |
-Don't manhandle me! -Come over here. | 0:00:08 | 0:00:10 | |
Targeting antisocial behaviour, drug abuse and criminal damage, | 0:00:10 | 0:00:14 | |
beat officers and PCSOs tackle the problems that, if left unchecked, | 0:00:14 | 0:00:18 | |
could blight the lives of millions. | 0:00:18 | 0:00:21 | |
Armed with the latest cutting-edge kit, | 0:00:21 | 0:00:23 | |
they have the power to strike hard when needed. | 0:00:23 | 0:00:26 | |
Police - stay where you are! | 0:00:26 | 0:00:28 | |
But just like the days of Dixon Of Dock Green... | 0:00:28 | 0:00:31 | |
-Evening all. -..it's all about partnering with local people. | 0:00:31 | 0:00:35 | |
-Brilliant. -Working together to sweep crime off our streets. | 0:00:35 | 0:00:40 | |
Police - search warrant! | 0:00:40 | 0:00:41 | |
SIREN WAILS | 0:00:41 | 0:00:43 | |
Coming up... | 0:00:55 | 0:00:57 | |
neighbourhood teams raid a flat and turn up a firearm. | 0:00:57 | 0:01:01 | |
Anyone any good with, uh, weapons? | 0:01:01 | 0:01:03 | |
Teams blitz Weston on a Saturday night. | 0:01:03 | 0:01:06 | |
-Come over here. -Yeah, but lay off of him. | 0:01:06 | 0:01:09 | |
And a neighbourhood officer assists a deaf man after | 0:01:09 | 0:01:12 | |
-an unprovoked attack. -Was he drinking? Was he drunk? | 0:01:12 | 0:01:15 | |
Yeah, he was drunk. | 0:01:15 | 0:01:16 | |
This is Somerset. Home to some of the country's wealthiest communities. | 0:01:23 | 0:01:27 | |
And to some of the most deprived. | 0:01:27 | 0:01:30 | |
Over 900,000 people live here - not all on the right side of the law. | 0:01:31 | 0:01:36 | |
Antisocial behaviour can ruin lives. One nightmare neighbour | 0:01:39 | 0:01:43 | |
doesn't just make life unpleasant for those close by, | 0:01:43 | 0:01:46 | |
but can create an environment where | 0:01:46 | 0:01:48 | |
more serious crime can take hold. | 0:01:48 | 0:01:50 | |
So, community police teams are always looking for ways | 0:01:50 | 0:01:53 | |
to crack down on offenders. | 0:01:53 | 0:01:56 | |
In Weston-super-Mare, the Neighbourhood Teams are fighting | 0:01:56 | 0:01:59 | |
an ongoing battle against antisocial behaviour on | 0:01:59 | 0:02:03 | |
the Bournville Estate. | 0:02:03 | 0:02:05 | |
To try and improve life for residents, the police are | 0:02:05 | 0:02:08 | |
cracking down on any offensive behaviour in the area. | 0:02:08 | 0:02:11 | |
If you four want to go together... | 0:02:11 | 0:02:14 | |
Today, they're raiding a flat where fights, | 0:02:14 | 0:02:17 | |
late-night parties and the smell of drugs have been making | 0:02:17 | 0:02:20 | |
life a misery for everyone else on the estate. | 0:02:20 | 0:02:25 | |
If we park... The rest of us will park round the corner | 0:02:25 | 0:02:27 | |
in the crew bus. If you get entry, give us a shout, | 0:02:27 | 0:02:29 | |
we'll be there quick as a jiffy. All right? | 0:02:29 | 0:02:31 | |
A veteran of 16 years, Colin's got a cunning plan to gain entry. | 0:02:31 | 0:02:36 | |
I'm a little bit short on resources - | 0:02:36 | 0:02:39 | |
so we've had to box a bit clever today. | 0:02:39 | 0:02:42 | |
So, I have got one of our female officers to... | 0:02:42 | 0:02:45 | |
To dress up as a postal delivery lady... | 0:02:45 | 0:02:49 | |
Hopefully, she's going to knock on the door... | 0:02:51 | 0:02:54 | |
They will open the door, and we will go, "Hello?" | 0:02:54 | 0:02:57 | |
And we're into the address. | 0:02:57 | 0:02:58 | |
Colin's hoping that by using the undercover officer dressed | 0:02:58 | 0:03:02 | |
as a postal worker will mean they don't have to smash | 0:03:02 | 0:03:05 | |
the door in. | 0:03:05 | 0:03:07 | |
They are composite doors - they are extremely difficult to get through. | 0:03:07 | 0:03:10 | |
So, if we can get them to answer the door...and get in simply | 0:03:10 | 0:03:13 | |
that way, then it's a lot easier all round. | 0:03:13 | 0:03:15 | |
We're not damaging doors, we're not upsetting people et cetera. | 0:03:15 | 0:03:18 | |
The team park up the near the house and wait for their | 0:03:18 | 0:03:21 | |
-"special delivery" to arrive. -We know someone's in there, cos we can see them from | 0:03:21 | 0:03:25 | |
-the upstairs window. -The postie is actually out delivering, | 0:03:25 | 0:03:28 | |
so...that may well be a good time for us. | 0:03:28 | 0:03:31 | |
After repeated complaints, the tenant is on his final warning. | 0:03:32 | 0:03:36 | |
If the team find any evidence of drugs, | 0:03:36 | 0:03:39 | |
he could be facing eviction. | 0:03:39 | 0:03:41 | |
Our two plain-clothes officers are just attending the address now, | 0:03:41 | 0:03:44 | |
to see if they can gain entry. We're going to hang back | 0:03:44 | 0:03:48 | |
and wait for the shout to go and support them. | 0:03:48 | 0:03:50 | |
In goes the undercover officer, dressed as a postie. | 0:03:50 | 0:03:53 | |
As she goes in the front, the team scrabble to get in round the back, | 0:03:54 | 0:03:58 | |
without the occupant noticing. | 0:03:58 | 0:04:00 | |
They meet back up inside the block and head upstairs to his flat. | 0:04:02 | 0:04:06 | |
The team rush into the flat to subdue any occupants | 0:04:13 | 0:04:16 | |
-and prevent anyone destroying evidence. -That's clear... | 0:04:16 | 0:04:19 | |
Luckily, the man they came to see is home. | 0:04:26 | 0:04:28 | |
We've got a warrant to search these premises, | 0:04:28 | 0:04:30 | |
-all right, under Section 23... -Yeah, -BLEEP! | 0:04:30 | 0:04:32 | |
One glance around the flat, and the neighbours' complaints | 0:04:34 | 0:04:36 | |
of antisocial behaviour look justified. | 0:04:36 | 0:04:39 | |
I'll ask you one time, one time only... | 0:04:39 | 0:04:41 | |
OK, that's fine, you might find it funny... | 0:04:42 | 0:04:45 | |
OK. | 0:04:54 | 0:04:55 | |
The man may claim he's a reformed character, | 0:04:56 | 0:04:59 | |
but officers aren't going to take his word for it, | 0:04:59 | 0:05:01 | |
Straight off, Russ Millier finds a dangerous-looking iron bar | 0:05:01 | 0:05:05 | |
sitting in full display on the pegs by the front door. | 0:05:05 | 0:05:08 | |
It's the sort of thing that we come across on warrants, | 0:05:08 | 0:05:11 | |
that sometimes can be used as a weapon against us | 0:05:11 | 0:05:14 | |
or, again, a barricade on the door. So... Yeah, a nasty bit of kit. | 0:05:14 | 0:05:20 | |
Why have you got an iron bar behind the door? | 0:05:20 | 0:05:23 | |
-Oh, I had some trouble. -What? -Somebody was smashing on my door. | 0:05:23 | 0:05:27 | |
-Why? -Cos I smashed their telly. -Why? | 0:05:27 | 0:05:31 | |
So you've got an iron bar behind the door, in case what? | 0:05:31 | 0:05:35 | |
-They smash my door through. -Why would they want to do that? | 0:05:35 | 0:05:38 | |
I dunno, why would you... For anybody that owes you money. | 0:05:38 | 0:05:41 | |
-OK. So your iron bar is there for your protection? -Yeah. | 0:05:41 | 0:05:45 | |
OK, fine. All right. | 0:05:45 | 0:05:47 | |
But the iron bar isn't the only weapon in the flat. | 0:05:48 | 0:05:51 | |
Russ...? | 0:05:54 | 0:05:55 | |
The gun was carefully hidden in the man's bag. | 0:06:00 | 0:06:03 | |
I was told there were no drugs there... | 0:06:03 | 0:06:05 | |
-And we've got that. -That was in his actual man bag. | 0:06:05 | 0:06:07 | |
In his bag? | 0:06:07 | 0:06:09 | |
Time to get some answers. | 0:06:10 | 0:06:12 | |
That... | 0:06:13 | 0:06:15 | |
I know what you're saying. Yeah, it's an imitation firearm, | 0:06:15 | 0:06:18 | |
but I know what I'm doing with it. | 0:06:18 | 0:06:19 | |
This is a gas-powered pellet gun, powerful enough to pierce the skin | 0:06:19 | 0:06:23 | |
or even blind someone. | 0:06:23 | 0:06:25 | |
I don't want this on the estate or anywhere near this, all right? | 0:06:25 | 0:06:28 | |
There's no need to have this kind of thing, is there? | 0:06:28 | 0:06:31 | |
How is any other member of the public supposed to know as well? | 0:06:31 | 0:06:34 | |
Yeah, I get where you're coming from. | 0:06:34 | 0:06:35 | |
You'd frighten the life out of them, wouldn't you, if you pointed that? | 0:06:35 | 0:06:39 | |
-I wouldn't take that out, that's stupid. -But you've had it in your bag. -The gun is convincing enough | 0:06:39 | 0:06:43 | |
to be a genuine concern to police. And despite the man's protests | 0:06:43 | 0:06:46 | |
that he's changed his ways, the team have uncovered yet more evidence | 0:06:46 | 0:06:49 | |
of antisocial behaviour. | 0:06:49 | 0:06:51 | |
Where? | 0:06:59 | 0:07:01 | |
-In the lounge? -Yeah. Do you want to see what we found? | 0:07:03 | 0:07:06 | |
-Yeah. -Right, come on, then. | 0:07:06 | 0:07:08 | |
Well, it's got to be weed, isn't it? | 0:07:16 | 0:07:17 | |
-Right. -It's all... -It's got to be weed. | 0:07:17 | 0:07:20 | |
-I'll nick him for that in a minute. -In his bag... | 0:07:20 | 0:07:24 | |
The Neighbourhood Team work closely with the local authorities | 0:07:24 | 0:07:26 | |
to deal with antisocial behaviour on the estate. | 0:07:26 | 0:07:29 | |
While the search continues, the local housing association arrive | 0:07:29 | 0:07:33 | |
to speak with the tenant. | 0:07:33 | 0:07:35 | |
There is lots of young families that live in the block | 0:07:35 | 0:07:37 | |
that are disturbed constantly by visitors. | 0:07:37 | 0:07:39 | |
And smell drugs and things like that. Being woken | 0:07:39 | 0:07:41 | |
up at three in the morning with fights. | 0:07:41 | 0:07:44 | |
So, it's not acceptable. It just takes one person in a block | 0:07:44 | 0:07:46 | |
to really disturb people's lives to the point that, you know, | 0:07:46 | 0:07:49 | |
they're really suffering. | 0:07:49 | 0:07:51 | |
The man's already had a final warning about the effect | 0:07:51 | 0:07:54 | |
his behaviour's been having on the community. | 0:07:54 | 0:07:56 | |
As his antisocial behaviour hasn't stopped, | 0:08:04 | 0:08:06 | |
the man is now facing eviction. | 0:08:06 | 0:08:08 | |
Yeah. | 0:08:18 | 0:08:20 | |
Yeah. | 0:08:26 | 0:08:29 | |
Yeah. | 0:08:29 | 0:08:30 | |
Yeah. | 0:08:36 | 0:08:38 | |
After a long argument with the sarge, the man finally agrees | 0:08:46 | 0:08:49 | |
to hand over his gun. | 0:08:49 | 0:08:50 | |
So, you will disclaim it? | 0:08:50 | 0:08:52 | |
Despite being banged to rights after complaints from residents | 0:08:58 | 0:09:01 | |
whose lives he's made a living nightmare, | 0:09:01 | 0:09:04 | |
the man's got his own grievance. They are taking his phone. | 0:09:04 | 0:09:07 | |
I'm very angry. | 0:09:07 | 0:09:09 | |
We'll get it back to you as quickly as we can. | 0:09:09 | 0:09:12 | |
Oh, yeah(!) They've still got £700 worth of my clothes | 0:09:12 | 0:09:14 | |
from when I went to jail. That's, like, six, seven months ago. | 0:09:14 | 0:09:18 | |
-What did you go to jail for? -Burglary. | 0:09:18 | 0:09:21 | |
With the search complete, the team head back to the station. | 0:09:21 | 0:09:25 | |
We'll see you later! | 0:09:26 | 0:09:28 | |
HE LAUGHS | 0:09:28 | 0:09:31 | |
We will. I'll see you in court. | 0:09:31 | 0:09:33 | |
The man might not be taking it seriously now, | 0:09:33 | 0:09:36 | |
but he'll be laughing on the other side of his face when | 0:09:36 | 0:09:39 | |
the evidence gathered for the eviction is presented. | 0:09:39 | 0:09:41 | |
A successful job for us, really, to get something like that | 0:09:41 | 0:09:44 | |
off the streets. But also just let the community | 0:09:44 | 0:09:47 | |
in and around the block know that we're not tolerating | 0:09:47 | 0:09:50 | |
his behaviour and the antisocial behaviour that comes with | 0:09:50 | 0:09:52 | |
his address. | 0:09:52 | 0:09:55 | |
The man was given a £90 fine for possession of cannabis. | 0:09:55 | 0:09:59 | |
He was also served with an eviction notice and gave up his tenancy. | 0:09:59 | 0:10:03 | |
Hopefully now, the families in the block can finally sleep easy. | 0:10:03 | 0:10:07 | |
For Neighbourhood Teams, it's hugely important to look out | 0:10:16 | 0:10:19 | |
for the most vulnerable members of the community. | 0:10:19 | 0:10:22 | |
In Bath, Adge Secker's beat has a large deaf population, | 0:10:24 | 0:10:29 | |
who can be more vulnerable to bullies or criminals. | 0:10:29 | 0:10:32 | |
To help him communicate with them, Adge has learnt sign language. | 0:10:32 | 0:10:36 | |
Some people from the deaf community feel very, very isolated | 0:10:36 | 0:10:39 | |
because they can't have a normal conversation with a police officer | 0:10:39 | 0:10:42 | |
or a PCSO that doesn't sign. | 0:10:42 | 0:10:44 | |
So that, to a degree, marginalises them | 0:10:44 | 0:10:46 | |
from accessing the services from the police. | 0:10:46 | 0:10:50 | |
Well, that's never right, is it? | 0:10:50 | 0:10:52 | |
So, if we can just at least have a conversation with a police officer | 0:10:52 | 0:10:55 | |
or a PCSO that can sign... Um, it just normalises all of life, | 0:10:55 | 0:11:00 | |
really, for them. And it means that they can have a conversation | 0:11:00 | 0:11:03 | |
with us, and we can try and help them | 0:11:03 | 0:11:05 | |
and that is what we're all about. | 0:11:05 | 0:11:07 | |
Adge is on his way to see a deaf man who has cerebral palsy. | 0:11:08 | 0:11:12 | |
He's been hit in an unprovoked attack and Adge is determined to help. | 0:11:12 | 0:11:17 | |
Remember, you e-mailed the police and said to us that Ben... | 0:11:20 | 0:11:24 | |
grabbed your arm, is that right? | 0:11:24 | 0:11:27 | |
Yes. | 0:11:27 | 0:11:29 | |
No. | 0:11:29 | 0:11:30 | |
-What's his name. -I don't know. -You don't know the man's name. | 0:11:30 | 0:11:34 | |
Is he... | 0:11:34 | 0:11:35 | |
Do you think... | 0:11:35 | 0:11:37 | |
Think that man may be a friend of Ben? | 0:11:38 | 0:11:42 | |
OK. So, what you're saying is that in the park a man... | 0:11:43 | 0:11:47 | |
He doesn't... You don't know his name. | 0:11:47 | 0:11:52 | |
A man punched him. Why that man punched you, we don't know. | 0:11:52 | 0:11:57 | |
Don't know. | 0:11:57 | 0:11:58 | |
That man - was he drinking? Was he drunk? | 0:11:58 | 0:12:00 | |
Yeah, he was drunk. | 0:12:00 | 0:12:02 | |
I'll go and see Ben. | 0:12:02 | 0:12:05 | |
And I'll come back. | 0:12:05 | 0:12:07 | |
And I'll tell you... what Ben says, OK? | 0:12:09 | 0:12:14 | |
OK? | 0:12:14 | 0:12:16 | |
'Looking after vulnerable people is a big part of my role. | 0:12:16 | 0:12:19 | |
'He was very upset there, wasn't he? Just not knowing why he's been hit.' | 0:12:19 | 0:12:24 | |
So, we'll just go and see Ben and see what we can sort out, | 0:12:24 | 0:12:27 | |
see if we can get to the bottom of it. | 0:12:27 | 0:12:30 | |
Jerry's obvious vulnerability means finding his attacker is | 0:12:30 | 0:12:34 | |
a priority for Adge. | 0:12:34 | 0:12:36 | |
His first step is to trace the witness who was with the man | 0:12:36 | 0:12:39 | |
who hit Jerry. Luckily, Adge has dealt with him before. | 0:12:39 | 0:12:44 | |
Is Ben in? | 0:12:44 | 0:12:46 | |
And has a good idea about where he might be. | 0:12:46 | 0:12:49 | |
Just chuck it behind that Peugeot, that will be OK. | 0:12:49 | 0:12:51 | |
There he is there. | 0:12:51 | 0:12:52 | |
Adge has spotted the witness, Ben, in a local park. | 0:12:52 | 0:12:56 | |
Now to find out why his mate, allegedly, hit Jerry. | 0:12:56 | 0:12:59 | |
So, what's it all about, then? | 0:13:00 | 0:13:02 | |
-I don't know. -Yes, you do, come on! Don't mess me about! | 0:13:02 | 0:13:06 | |
This bloke - he went over there, over to that bench over there... | 0:13:06 | 0:13:11 | |
-Hmm. -Hit him around the arm. -So, what's his name, then? | 0:13:11 | 0:13:15 | |
-His name's Ben. -Ben? -I don't know his last name. | 0:13:15 | 0:13:18 | |
Come on! I wasn't born yesterday! Who is it? | 0:13:18 | 0:13:20 | |
-No, I don't know his last name. -Yes, you do. | 0:13:20 | 0:13:22 | |
Stop telling me lies - who is it? Ben who? | 0:13:22 | 0:13:24 | |
I don't know his last name, that's that - I don't. | 0:13:24 | 0:13:26 | |
Where's he live, then, Ben? | 0:13:26 | 0:13:28 | |
-Erm... I do not know. -When was the last time you saw him? | 0:13:28 | 0:13:32 | |
-Erm, yesterday. -So, both the witness and the alleged attacker | 0:13:32 | 0:13:36 | |
are called Ben. But even with this fresh information, | 0:13:36 | 0:13:40 | |
Adge isn't confident of getting a result. | 0:13:40 | 0:13:42 | |
I don't know who that person is. | 0:13:42 | 0:13:44 | |
We'll do our best to try and trace him. | 0:13:44 | 0:13:46 | |
But the truth is that that might be a little bit difficult | 0:13:46 | 0:13:49 | |
for us to establish the identity of that person. | 0:13:49 | 0:13:52 | |
I'll put that round to the city centre officers, | 0:13:52 | 0:13:55 | |
they may know who that person is... | 0:13:55 | 0:13:58 | |
So, we do need to get to the bottom of it if we can. | 0:13:58 | 0:14:01 | |
But identification is the key. | 0:14:01 | 0:14:03 | |
Detective work takes time and needs to be thorough. | 0:14:05 | 0:14:08 | |
But as we'll see later, sometimes a lucky break is all police need. | 0:14:08 | 0:14:14 | |
RINGING TONE | 0:14:14 | 0:14:16 | |
Hello, is that Ben? | 0:14:16 | 0:14:17 | |
Still to come on Neighbourhood Blues... | 0:14:21 | 0:14:23 | |
..it's kicking off at kicking-out time. | 0:14:25 | 0:14:28 | |
-BLEEP! -Just let him go. | 0:14:28 | 0:14:30 | |
And police rush to help a motionless man. | 0:14:30 | 0:14:34 | |
-No, he looks very unconscious. -Hello? Hi. | 0:14:34 | 0:14:37 | |
Policing town centres on a busy Friday or Saturday night | 0:14:39 | 0:14:43 | |
is always a challenge for Neighbourhood Teams. | 0:14:43 | 0:14:46 | |
They need to ensure people have a good night out | 0:14:46 | 0:14:48 | |
and stay safe, but also respond quickly if fights break out | 0:14:48 | 0:14:52 | |
or things get out of hand. | 0:14:52 | 0:14:54 | |
In Weston-super-Mare, police inspector Sharon Bennett | 0:14:56 | 0:14:59 | |
is heading up a large operation to clamp down on people | 0:14:59 | 0:15:02 | |
taking drugs and dealing in Weston's busy bars and clubs. | 0:15:02 | 0:15:07 | |
Welcome to Operation Joined Up. Tonight is all about all | 0:15:07 | 0:15:10 | |
the different agencies joining up | 0:15:10 | 0:15:12 | |
to make the town centre on a Saturday night | 0:15:12 | 0:15:14 | |
nice and safe for everyone who's coming out to enjoy it. | 0:15:14 | 0:15:17 | |
For tonight's show of force, ambulance crews and the council's | 0:15:17 | 0:15:22 | |
licensing team will work alongside the neighbourhood police | 0:15:22 | 0:15:25 | |
to blitz the town centre. | 0:15:25 | 0:15:27 | |
Sharon's expecting a big night. | 0:15:27 | 0:15:30 | |
We've got 20,000 people here, we want to make sure that town is | 0:15:30 | 0:15:32 | |
nice and safe. It's going to be quite impactful, really, | 0:15:32 | 0:15:35 | |
for those licensees to see us all turning up, in force. | 0:15:35 | 0:15:37 | |
Cracking down and making sure they're sticking to the | 0:15:37 | 0:15:40 | |
licensing objectives. | 0:15:40 | 0:15:42 | |
Weston has been a popular tourist destination for decades. | 0:15:44 | 0:15:47 | |
Nowadays, this part of the Somerset coast gets over eight million | 0:15:47 | 0:15:51 | |
visitors a year, enjoying the beach in the daytime | 0:15:51 | 0:15:54 | |
and the nightlife as the sun goes down. | 0:15:54 | 0:15:56 | |
SHOUTING AND SINGING | 0:15:58 | 0:15:59 | |
A pic of me taking... | 0:15:59 | 0:16:01 | |
Town is really busy already tonight. There's a lot of | 0:16:01 | 0:16:03 | |
out-of-towners, a lot of drunk people already, | 0:16:03 | 0:16:06 | |
which isn't necessarily a good sign. But hopefully, | 0:16:06 | 0:16:08 | |
if they see us out tonight early on in force, they might get | 0:16:08 | 0:16:11 | |
the message of to keep well-behaved and go home early. | 0:16:11 | 0:16:13 | |
-We're all good people! -Good, I can see you're enjoying yourself. | 0:16:13 | 0:16:16 | |
It's 9pm, and Weston's alcohol licensing team | 0:16:16 | 0:16:19 | |
are out in force to do spot checks | 0:16:19 | 0:16:20 | |
-in the town's bars. -We'll be doing underage checks in there, | 0:16:20 | 0:16:23 | |
making sure there's nobody in there who's being served alcohol | 0:16:23 | 0:16:26 | |
-under 18. Is the duty manager here, or the owner here? -No. | 0:16:26 | 0:16:29 | |
Do you get asked for ID quite a lot? | 0:16:33 | 0:16:35 | |
The licensing department from the local council will be in there, | 0:16:35 | 0:16:38 | |
speaking to the licensee, making sure that they've | 0:16:38 | 0:16:41 | |
got everything displayed they should have. | 0:16:41 | 0:16:43 | |
-It's only routine licensing. -Oh, right. -We have other agencies with us. | 0:16:43 | 0:16:46 | |
The licensees are just having a good time | 0:16:46 | 0:16:49 | |
and everyone in there is behaving. | 0:16:49 | 0:16:50 | |
Which is all we want. | 0:16:50 | 0:16:52 | |
While Sharon inspects the seafront bars, | 0:16:52 | 0:16:54 | |
Barclay is just getting started. | 0:16:54 | 0:16:57 | |
He's here to sniff out any drugs people may have | 0:16:58 | 0:17:00 | |
-brought into town. -Barclay's been a drugs dog, now, for 12 months - | 0:17:00 | 0:17:05 | |
he's quite new to the job. He's come along really well. | 0:17:05 | 0:17:09 | |
He indicates on any prohibited drugs - cannabis, cocaine, heroin. | 0:17:09 | 0:17:13 | |
It's not long before Barclay takes an interest in a passing man. | 0:17:13 | 0:17:16 | |
This indication is enough for the officers to give him a search. | 0:17:16 | 0:17:19 | |
Just have a quick word with my colleague over here. | 0:17:19 | 0:17:22 | |
With a sense of smell around 1,000 times more powerful | 0:17:22 | 0:17:25 | |
than a human's, Barclay can smell scents over a week old. | 0:17:25 | 0:17:29 | |
This time, the search draws a blank. | 0:17:30 | 0:17:33 | |
All right, take care, have a good night, cheers. | 0:17:33 | 0:17:35 | |
Barclay's nose is so sensitive that just shaking hands with | 0:17:35 | 0:17:38 | |
someone who's smoked drugs or handling money used to snort cocaine | 0:17:38 | 0:17:42 | |
will trigger his interest. | 0:17:42 | 0:17:44 | |
-Mate, hold up there. -Another stop. And this time Barclay's detected | 0:17:45 | 0:17:49 | |
something sealed in a bag inside the man's wallet. | 0:17:49 | 0:17:52 | |
OK, mate. Come and stand over here a minute. | 0:17:52 | 0:17:55 | |
Inside the bag is cannabis. | 0:17:55 | 0:17:58 | |
-Is it just a caution, or is it...? -Quite possibly, yeah. If you've not been in trouble with us before, | 0:17:58 | 0:18:02 | |
then we may be able to deal with it here and now. | 0:18:02 | 0:18:04 | |
We'll walk you down to... We've got a mobile police station. | 0:18:04 | 0:18:07 | |
As part of the operation, police have set up a mobile police unit | 0:18:07 | 0:18:11 | |
to process offenders. The plan is to deal with people on the spot | 0:18:11 | 0:18:14 | |
wherever possible, meaning police can stay on the beat. | 0:18:14 | 0:18:18 | |
-You're done, Matthew, all right? -Thank you, sir. | 0:18:19 | 0:18:21 | |
Cannabis seized and drugs warning accepted. | 0:18:21 | 0:18:24 | |
-Have a good night, all right? -Yeah. | 0:18:24 | 0:18:26 | |
-This guy is free to go. -See ya. -Take care. | 0:18:26 | 0:18:29 | |
Half 12, and a team led by Sergeant Mark Jenkinson | 0:18:38 | 0:18:41 | |
is working in the entrance to one of the town's 26 nightclubs. | 0:18:41 | 0:18:46 | |
This state-of-the-art drug-testing machine shows if people have been | 0:18:46 | 0:18:50 | |
in contact with drugs, by analysing a swab from their hands. | 0:18:50 | 0:18:53 | |
-Over three for cocaine. -OK, that's a positive result. | 0:18:54 | 0:18:58 | |
Mate, do you want to just come with me? | 0:18:58 | 0:19:01 | |
But like Barclay the drugs dog, this isn't proof of guilt. | 0:19:01 | 0:19:04 | |
It only gives the police the authority to carry out further searches. | 0:19:04 | 0:19:08 | |
That would indicate to us that you've possibly had direct contact with drugs. | 0:19:08 | 0:19:11 | |
-MAN MUMBLES -Just listen to what I'm saying, OK? My name's Sergeant Jenkinson, | 0:19:11 | 0:19:15 | |
I work out of Weston-super-Mare police station. | 0:19:15 | 0:19:17 | |
I'm going to detain you for the time being, | 0:19:17 | 0:19:19 | |
to search you under the Misuse of Drugs Act, do you understand that? | 0:19:19 | 0:19:22 | |
-That's fine. -OK, have you taken any drugs tonight? | 0:19:22 | 0:19:25 | |
I haven't taken any... It might look like it... | 0:19:25 | 0:19:27 | |
-It does look like it, yeah. Cos your pupils are big, that's all. -I've been drinking... | 0:19:27 | 0:19:30 | |
Tonight's show of force is about sending a clear message that | 0:19:30 | 0:19:33 | |
the police won't tolerate drug abuse and antisocial behaviour in town. | 0:19:33 | 0:19:39 | |
Despite the positive reading, the search draws a blank | 0:19:39 | 0:19:42 | |
-and the man's free to go. -You can go straight back in, mate. -Thank you. | 0:19:42 | 0:19:46 | |
-Shall I walk you back in? -Yeah... -Come on, then. | 0:19:46 | 0:19:50 | |
It's not long before another positive result. | 0:19:50 | 0:19:53 | |
I've got a faint residue of white powder in there, OK? | 0:19:54 | 0:19:58 | |
So, I would suggest that you probably have been in contact | 0:19:58 | 0:20:01 | |
-with drugs at some point. -With only traces of powder in his card case, | 0:20:01 | 0:20:05 | |
the lad is let in to the club. These searches and random testing | 0:20:05 | 0:20:10 | |
aim to discourage people from taking drugs in the first place. | 0:20:10 | 0:20:13 | |
It just sends out a good message to explain we are out here being | 0:20:13 | 0:20:16 | |
proactive to try and prevent the casual user from coming into town | 0:20:16 | 0:20:20 | |
high on drugs and potentially causing issues. | 0:20:20 | 0:20:22 | |
So, yeah, we're happy with it. | 0:20:22 | 0:20:25 | |
Inspector Sharon has finished with the pubs, | 0:20:25 | 0:20:27 | |
and is checking in with a unit stationed near the pier. | 0:20:27 | 0:20:30 | |
One of her officers has just spotted something suspicious. | 0:20:30 | 0:20:34 | |
-I think they just... -Which one? | 0:20:34 | 0:20:37 | |
-See the one...? -Yeah. | 0:20:37 | 0:20:40 | |
The officer has seen some suspect behaviour in an alley. | 0:20:40 | 0:20:43 | |
There's a guy in a black hoodie, there, sir. | 0:20:43 | 0:20:46 | |
Why are you grabbing me for? | 0:20:46 | 0:20:48 | |
Listen to the officer. | 0:20:48 | 0:20:50 | |
You are being detained for the purpose of a search, OK? | 0:20:51 | 0:20:55 | |
You got anything on you? Anything sharp? | 0:20:55 | 0:20:58 | |
We are going to have to deal with it. | 0:20:58 | 0:21:00 | |
Rather than mess about, the man immediately admits to having | 0:21:00 | 0:21:03 | |
amphetamines, known on the street as whizz. | 0:21:03 | 0:21:07 | |
-Right pocket. Zip pocket. -All right. | 0:21:07 | 0:21:09 | |
When you've been in neighbourhood policing for as long as Sharon has, | 0:21:09 | 0:21:12 | |
-you see a lot of familiar faces. -You know me, don't you? | 0:21:12 | 0:21:15 | |
I remember you when you were littler than this, you've sprung up. | 0:21:15 | 0:21:19 | |
-I remember when you were about this big. -I know. | 0:21:19 | 0:21:22 | |
I haven't been in any trouble since I went to jail. | 0:21:22 | 0:21:24 | |
He was seen to act suspiciously in an alleyway. | 0:21:24 | 0:21:27 | |
We've stopped him for a drug search and found these two | 0:21:27 | 0:21:29 | |
bags of what he is admitting to is amphetamines - speed. | 0:21:29 | 0:21:33 | |
With nothing else found on him, the drugs are confiscated | 0:21:33 | 0:21:36 | |
and the lad is arrested and street bailed - meaning he has to attend | 0:21:36 | 0:21:40 | |
the police station for an interview on another day. | 0:21:40 | 0:21:42 | |
What's more important tonight is that we keep the police officers | 0:21:42 | 0:21:45 | |
here dealing with the people in the town, being a presence. | 0:21:45 | 0:21:48 | |
If we arrested every single person and took them to custody... | 0:21:48 | 0:21:51 | |
We can deal with them at another date, another time. | 0:21:51 | 0:21:53 | |
For Sharon, keeping her team on the streets is critical. | 0:21:53 | 0:21:57 | |
Coming up later... | 0:21:57 | 0:21:59 | |
Thousands of drunk revellers spill onto the streets at closing time. | 0:21:59 | 0:22:02 | |
But lay off of him. | 0:22:02 | 0:22:04 | |
And police have their hands full maintaining order. | 0:22:04 | 0:22:08 | |
Take your hands off me now! | 0:22:08 | 0:22:10 | |
Across the UK, it's estimated there are around 6 million CCTV cameras, | 0:22:17 | 0:22:23 | |
monitoring streets, buildings and businesses. | 0:22:23 | 0:22:26 | |
The most hi-tech systems have 24-hour-a-day operators | 0:22:26 | 0:22:31 | |
who spot and follow trouble as it happens. | 0:22:31 | 0:22:34 | |
In Bridgwater, the town's cameras are linked into a wider system. | 0:22:38 | 0:22:42 | |
We, basically, monitor 147 cameras | 0:22:45 | 0:22:49 | |
over six different towns. | 0:22:49 | 0:22:52 | |
In Bridgwater, I think we've got about 40, 45 cameras | 0:22:52 | 0:22:55 | |
that we monitor. | 0:22:55 | 0:22:57 | |
We can zoom in, zoom out to get really good facial images | 0:22:57 | 0:23:02 | |
of people. We can get photographs from those images as well. | 0:23:02 | 0:23:06 | |
Operators work closely with the neighbourhood policing teams, | 0:23:06 | 0:23:10 | |
helping prevent crime, and working to protect the public. | 0:23:10 | 0:23:13 | |
Chris spots something worrying - a motionless man lying on the street. | 0:23:15 | 0:23:20 | |
Somebody's collapsed or is lying on the floor in the middle of | 0:23:20 | 0:23:23 | |
Fore Street in Bridgwater. Can't see his face, so we can't tell | 0:23:23 | 0:23:27 | |
what exactly has happened there. | 0:23:27 | 0:23:29 | |
They're certainly not moving. Obviously, she's showing | 0:23:29 | 0:23:32 | |
a bit of concern as well... | 0:23:32 | 0:23:34 | |
And that sort of makes us concerned. | 0:23:34 | 0:23:37 | |
We have to look after this person's welfare. | 0:23:37 | 0:23:40 | |
What we'll do is call the police or the PCSOs that are on duty | 0:23:41 | 0:23:45 | |
in the town centre. Control to Charlie Oscar or Papa Charlie, | 0:23:45 | 0:23:50 | |
Bridgwater town centre, over. | 0:23:50 | 0:23:52 | |
PCSOs Dave Schofield and Sarah Mees respond to Chris's call for | 0:23:52 | 0:23:56 | |
someone to check the man out. | 0:23:56 | 0:23:58 | |
We're just going to try and get through this traffic | 0:23:58 | 0:24:00 | |
and go and see if he's all right. | 0:24:00 | 0:24:02 | |
Easier said than done at the moment, cos it's quite busy. | 0:24:02 | 0:24:06 | |
In the control room, Chris is getting worried. | 0:24:06 | 0:24:10 | |
No, he looks very unconscious. | 0:24:10 | 0:24:13 | |
OK, we're just coming to St Mary Street, | 0:24:13 | 0:24:15 | |
so we'll be with him shortly. | 0:24:15 | 0:24:16 | |
Thank you. Beside the bench. | 0:24:16 | 0:24:19 | |
It's taken just four minutes for police to reach the scene. | 0:24:20 | 0:24:24 | |
-Hello. -I just saw this gentleman. -Do you know him? -No, I don't. | 0:24:25 | 0:24:28 | |
He was up by the bus stop just now. | 0:24:28 | 0:24:30 | |
Hello. | 0:24:30 | 0:24:31 | |
Hello. | 0:24:31 | 0:24:33 | |
-Hi, I'm Sarah from Bridgwater Police Station. -Hello. | 0:24:33 | 0:24:36 | |
You all right? Have you been drinking today? | 0:24:36 | 0:24:39 | |
Bleeding? | 0:24:39 | 0:24:41 | |
As Sarah talks to the man, it's clear why he's out cold | 0:24:41 | 0:24:44 | |
in the street, having lost a shoe. | 0:24:44 | 0:24:47 | |
He's not badly hurt, just very, very drunk. | 0:24:47 | 0:24:51 | |
Do you want to sit back on the bench? | 0:24:51 | 0:24:54 | |
-Yeah. -Yeah? | 0:24:54 | 0:24:56 | |
I'll help you up. | 0:24:56 | 0:24:58 | |
-Oh, no. -Just going to get you sat on the bench, OK? | 0:24:59 | 0:25:03 | |
So you're sat upright. | 0:25:03 | 0:25:05 | |
All right? | 0:25:08 | 0:25:10 | |
Are you going to be sick? | 0:25:10 | 0:25:13 | |
Have you got anything on you, ID wise? | 0:25:13 | 0:25:15 | |
If you can just give me your date of birth. | 0:25:15 | 0:25:17 | |
They need to find out who the man is. | 0:25:17 | 0:25:20 | |
I don't need your phone. | 0:25:20 | 0:25:22 | |
But he's in such a state, he's unable to help them. | 0:25:22 | 0:25:25 | |
WOMAN: They ain't going to harm you. They're not going to hurt you, | 0:25:25 | 0:25:28 | |
they're here to help you. | 0:25:28 | 0:25:29 | |
HE SNIFFS | 0:25:32 | 0:25:33 | |
You're not really making much sense to me... | 0:25:33 | 0:25:35 | |
-BLEEP! -No. | 0:25:35 | 0:25:37 | |
-BLEEP! -Mm. | 0:25:37 | 0:25:39 | |
The man's so drunk, he's a danger to himself | 0:25:41 | 0:25:44 | |
and potentially to others as well. | 0:25:44 | 0:25:46 | |
I'm not really sure what he's trying to say to me. | 0:25:46 | 0:25:49 | |
Not sure he really knows. | 0:25:49 | 0:25:51 | |
Fortunately for the man, police have a duty of care to look after | 0:25:51 | 0:25:55 | |
vulnerable people, even when it's self-inflicted. | 0:25:55 | 0:25:58 | |
Why are you crying? | 0:25:58 | 0:25:59 | |
Have you been through a hard time lately? | 0:26:01 | 0:26:04 | |
Yeah? Anything you want to talk about? | 0:26:04 | 0:26:07 | |
We're here to help you. | 0:26:07 | 0:26:08 | |
We're going to make sure that you're OK. | 0:26:08 | 0:26:11 | |
And at the moment, you're not OK, are you? | 0:26:11 | 0:26:14 | |
No. | 0:26:14 | 0:26:15 | |
He's clearly been drinking alcohol. | 0:26:15 | 0:26:17 | |
He says he's not taken anything else. | 0:26:17 | 0:26:19 | |
We are here to make sure he is OK... | 0:26:19 | 0:26:22 | |
And go on his merry way. | 0:26:22 | 0:26:24 | |
Which, at the moment, won't be very far. | 0:26:25 | 0:26:27 | |
Luckily, as they wait for the man to sober up... | 0:26:27 | 0:26:30 | |
Do you know him? | 0:26:30 | 0:26:32 | |
..his brother-in-law appears. He's been looking for the man, | 0:26:32 | 0:26:35 | |
concerned he might have gone on a bender. | 0:26:35 | 0:26:36 | |
He's drunk, fallen over - he's cut himself. | 0:26:36 | 0:26:39 | |
What do you do it for, all the time, then? | 0:26:39 | 0:26:41 | |
Eh? | 0:26:41 | 0:26:43 | |
-Shall I take him home? -If you want to take him... | 0:26:44 | 0:26:46 | |
If you're his brother-in-law... | 0:26:46 | 0:26:48 | |
Take care. Get yourself sorted out, all right? | 0:26:48 | 0:26:52 | |
The man's had a lucky escape - anyone in his state would have been | 0:26:52 | 0:26:55 | |
easy pickings for pickpockets or thieves. | 0:26:55 | 0:26:58 | |
He won't let go. Thank you very much. | 0:27:00 | 0:27:03 | |
MAN GROANS | 0:27:03 | 0:27:04 | |
-Are you OK? -All right, thank you. -You're welcome. | 0:27:04 | 0:27:07 | |
See you later, thank you. | 0:27:07 | 0:27:09 | |
While this guy is harmless - alcohol can make people very confrontational. | 0:27:09 | 0:27:12 | |
Around 700,000 incidents of alcohol-related violence | 0:27:12 | 0:27:16 | |
happen in Britain every year. | 0:27:16 | 0:27:18 | |
I think he's probably going to get a bit of tough loving on the way home... | 0:27:18 | 0:27:22 | |
Yeah. He's safe - which is our main aim. | 0:27:22 | 0:27:25 | |
Thanks to the sharp eyes of the CCTV operators, | 0:27:25 | 0:27:29 | |
this drunk is off home today, without becoming | 0:27:29 | 0:27:31 | |
another statistic. | 0:27:31 | 0:27:33 | |
Back in Weston-super-Mare, the operation to crack down on drugs | 0:27:46 | 0:27:49 | |
and keep the town safe has hit its first real challenge. | 0:27:49 | 0:27:52 | |
COMMOTION | 0:27:52 | 0:27:54 | |
-Come over here... -It's 1.00am - closing time. | 0:27:54 | 0:27:56 | |
As hundreds of drunk revellers spill onto the streets, | 0:27:56 | 0:27:59 | |
police have their work cut out breaking up fights. | 0:27:59 | 0:28:02 | |
If you would let him go...I'll take him home. | 0:28:02 | 0:28:05 | |
And making sure everyone else gets home OK. | 0:28:05 | 0:28:08 | |
He pushed a policeman... | 0:28:08 | 0:28:10 | |
You explain to me... | 0:28:10 | 0:28:12 | |
One o'clock now, | 0:28:12 | 0:28:13 | |
people have started moving down towards this end of town. | 0:28:13 | 0:28:16 | |
Where they tend to end up, really. | 0:28:16 | 0:28:18 | |
This is where we get our main sort of trouble, if you like. | 0:28:18 | 0:28:21 | |
Turns into a bit of a bottleneck. | 0:28:21 | 0:28:23 | |
While his team try and keep control, | 0:28:23 | 0:28:26 | |
Russ gets called to search the streets | 0:28:26 | 0:28:28 | |
for a man who ran off into the dark. | 0:28:28 | 0:28:30 | |
The dog's just... Or the dog handler, we say, | 0:28:30 | 0:28:33 | |
has just seen a chap do a turnaround upon seeing the dog. | 0:28:33 | 0:28:35 | |
We're just going to have a chat. There he is there. | 0:28:35 | 0:28:38 | |
As the man ran, he's going to be searched. | 0:28:38 | 0:28:41 | |
At the moment, you're going to be detained | 0:28:41 | 0:28:43 | |
for a search relating to drugs? Have you got anything on you | 0:28:43 | 0:28:46 | |
that you shouldn't have? No? | 0:28:46 | 0:28:48 | |
Russ takes the man to the van for a search... | 0:28:48 | 0:28:51 | |
Just... What have you got on you? Just your phone? | 0:28:51 | 0:28:54 | |
-Phone... -Are you known to us? -Years ago, like. | 0:28:54 | 0:28:58 | |
-Years ago? How many years ago are we talking? -20? | 0:28:58 | 0:29:01 | |
What's in there, mate? | 0:29:02 | 0:29:04 | |
Sorry...? | 0:29:04 | 0:29:06 | |
It's your wallet. So, what's in it? | 0:29:06 | 0:29:08 | |
I don't know what that is... | 0:29:08 | 0:29:10 | |
-Let's have a look. -Just step back a bit. -OK. | 0:29:10 | 0:29:15 | |
Huh? | 0:29:15 | 0:29:17 | |
-What do you mean, "soda"? -Solder. | 0:29:19 | 0:29:21 | |
The bag of white powder that the man's claiming is soldering flux, | 0:29:26 | 0:29:29 | |
-was carefully tucked into his wallet, -Listen... | 0:29:29 | 0:29:32 | |
Russ isn't convinced. | 0:29:32 | 0:29:34 | |
That, to me, all right... And I've seen a lot of it - | 0:29:34 | 0:29:36 | |
that looks like amphetamine, OK? | 0:29:36 | 0:29:38 | |
So, at the moment, you're under arrest for the suspicion | 0:29:38 | 0:29:41 | |
of the possession of a controlled drug. All right? | 0:29:41 | 0:29:44 | |
-That's weed. -OK. So... Going back to the beginning, when I asked you if you had anything you | 0:29:44 | 0:29:48 | |
had on you that you shouldn't have... | 0:29:48 | 0:29:50 | |
-All right - simple question, wasn't it? -It was, yeah | 0:29:50 | 0:29:52 | |
All right - cannabis. Still a class B drug, isn't it? Illegal. | 0:29:52 | 0:29:55 | |
Yeah, I know. | 0:29:55 | 0:29:57 | |
Right, jump on here. | 0:29:58 | 0:29:59 | |
The man is arrested and street bailed. | 0:29:59 | 0:30:02 | |
When he later attended the station, he accepted an official caution | 0:30:02 | 0:30:06 | |
for the possession of drugs. | 0:30:06 | 0:30:09 | |
But Russ's work isn't done. | 0:30:09 | 0:30:10 | |
He's called to deal with yet another incident. | 0:30:10 | 0:30:13 | |
This time involving drunk clubbers. | 0:30:13 | 0:30:15 | |
The doorman's just approached us from Caesar's Club... | 0:30:15 | 0:30:18 | |
saying that there's two males left the club and now threatening | 0:30:18 | 0:30:22 | |
doormen cos they won't give them a refund. | 0:30:22 | 0:30:25 | |
I'm getting my money back cos there's no one in there. | 0:30:25 | 0:30:28 | |
It seems the man suspects a conspiracy against him. | 0:30:28 | 0:30:31 | |
-Do you work for... -Come round here. | 0:30:31 | 0:30:33 | |
Do you work for the Illuminati? Yes or no? | 0:30:33 | 0:30:35 | |
-Come over here, please. -Don't manhandle me. | 0:30:35 | 0:30:37 | |
-Come over here. -Don't manhandle me. -Calm yourself down | 0:30:37 | 0:30:40 | |
-right now. -Take your hands off me now. | 0:30:40 | 0:30:43 | |
I'm not a person, I'm not a person. | 0:30:43 | 0:30:45 | |
THEY ARGUE | 0:30:45 | 0:30:49 | |
You'll end up spending the night in custody. | 0:30:49 | 0:30:53 | |
In the nick of time, a friend intervenes | 0:30:53 | 0:30:56 | |
and takes the man away before the incident can escalate any further. | 0:30:56 | 0:30:59 | |
For officers like Russ and Sharon, knowing whether a situation | 0:30:59 | 0:31:03 | |
calls for a robust or compassionate response is exactly what | 0:31:03 | 0:31:07 | |
-community policing is all about. -Whoa, whoa, whoa! | 0:31:07 | 0:31:11 | |
You are on their premises, they don't want you on there. | 0:31:11 | 0:31:13 | |
-Come over here. -Whoa, whoa! I'm not causing any trouble. -I'm not saying you are. | 0:31:13 | 0:31:16 | |
Move over here, I want to have a chat with you. | 0:31:16 | 0:31:18 | |
Please, mate, I don't want to cause you any trouble. | 0:31:18 | 0:31:21 | |
Right... Do you understand why they don't want you here? Yeah? | 0:31:21 | 0:31:23 | |
-Have you got somewhere to go? -We can't allow you to stay. | 0:31:23 | 0:31:26 | |
-I've got somewhere to go. -Do us a favour - go there now, | 0:31:26 | 0:31:28 | |
and we won't have to deal with you again, will we? All right? | 0:31:28 | 0:31:31 | |
-Is that fair enough? -S-sound. -Good lad. | 0:31:31 | 0:31:34 | |
Again. Number two? | 0:31:34 | 0:31:36 | |
-All right? -You two are sound coppers, you know? | 0:31:36 | 0:31:39 | |
All right, mate, no worries. Look after yourself. | 0:31:39 | 0:31:42 | |
The night is finally drawing to a close | 0:31:44 | 0:31:47 | |
and the last stragglers are making their way home. | 0:31:47 | 0:31:50 | |
-Have you got a Taser? -No. | 0:31:50 | 0:31:52 | |
-No. I don't need a Taser. -I didn't look, did I? | 0:31:52 | 0:31:56 | |
I don't need a Taser, I'm mean enough with my hands. | 0:31:56 | 0:32:00 | |
At 3.00am, Sharon's long shift is finally over. | 0:32:00 | 0:32:03 | |
It's the end of the evening, it's three o'clock in the morning. | 0:32:03 | 0:32:07 | |
Everyone's tired, everyone's very soggy. | 0:32:07 | 0:32:09 | |
But actually, it's been a really successful night. | 0:32:09 | 0:32:12 | |
With 130 people tested for drugs by the mobile scanner team, | 0:32:12 | 0:32:16 | |
tonight has sent a strong message to casual drug users. | 0:32:16 | 0:32:19 | |
Over the course of the evening I think I've probably had... | 0:32:19 | 0:32:23 | |
up to about ten to 15 hits of... | 0:32:23 | 0:32:27 | |
Mostly tonight it's been cocaine. | 0:32:27 | 0:32:30 | |
All in all, the purpose of the two proactive drugs teams were to | 0:32:30 | 0:32:35 | |
try and get people who were taking drugs or had drugs on them | 0:32:35 | 0:32:38 | |
nice and early, and get them searched and get them that message | 0:32:38 | 0:32:41 | |
that you can't bring drugs into Weston. | 0:32:41 | 0:32:43 | |
We will find you, we will throw you out of the town centre | 0:32:43 | 0:32:47 | |
-and stop you causing problems. -As well as two arrests for drug possession, | 0:32:47 | 0:32:51 | |
the huge police presence in town meant potential fights | 0:32:51 | 0:32:54 | |
-were nipped in the bud. -Everyone was happy to see us, | 0:32:54 | 0:32:56 | |
we had lots and lots of smiles, we had loads and loads of high fives, | 0:32:56 | 0:32:59 | |
loads of selfies, it was a really good atmosphere | 0:32:59 | 0:33:02 | |
and that's what I want to see. | 0:33:02 | 0:33:03 | |
Protecting the most defenceless members of society | 0:33:10 | 0:33:13 | |
is at the heart of neighbourhood policing. | 0:33:13 | 0:33:16 | |
In Bath, Adge Secker is still on the hunt for | 0:33:16 | 0:33:20 | |
the man who assaulted Jerry. | 0:33:20 | 0:33:22 | |
Why that man punched you - we don't know, don't know. | 0:33:22 | 0:33:25 | |
But while on his beat, | 0:33:25 | 0:33:27 | |
he checks in on another member of the deaf community. | 0:33:27 | 0:33:31 | |
Steve appeared on a previous episode of Neighbourhood Blues, | 0:33:31 | 0:33:34 | |
when he was being harassed by two youths. | 0:33:34 | 0:33:37 | |
You've been having two people asking for cigarettes, alcohol... | 0:33:45 | 0:33:50 | |
And sometimes, yeah, food. It's the biscuits and food, | 0:33:50 | 0:33:53 | |
everything else, yeah. | 0:33:53 | 0:33:55 | |
And it's making you and your wife, Julie, stressed, yeah. | 0:33:55 | 0:33:59 | |
OK. So the way we're going to deal with that... | 0:33:59 | 0:34:03 | |
Yeah. Tell them to stay away from here. Not come back. | 0:34:03 | 0:34:07 | |
Now he's back to make sure that the lads have been keeping that promise. | 0:34:07 | 0:34:12 | |
So, you've not seen them? | 0:34:12 | 0:34:14 | |
Brilliant. | 0:34:16 | 0:34:17 | |
He's just told me that everything is perfect, it's quiet, | 0:34:17 | 0:34:21 | |
life is calm. | 0:34:21 | 0:34:22 | |
Those guys haven't been back since we went to speak to them. | 0:34:22 | 0:34:27 | |
And to me, that's a massive success. | 0:34:27 | 0:34:29 | |
Adge's investigation into the assault on another deaf man, Jerry, | 0:34:35 | 0:34:38 | |
hasn't been going well. | 0:34:38 | 0:34:40 | |
-Hi. -Hello. | 0:34:41 | 0:34:43 | |
Jacob! Whoa! | 0:34:43 | 0:34:45 | |
He's come to give Jerry an update. | 0:34:45 | 0:34:48 | |
He told me that that man's name is... | 0:34:48 | 0:34:52 | |
Ben? | 0:34:52 | 0:34:54 | |
Doesn't know where the man lives. | 0:34:54 | 0:34:56 | |
Um... | 0:34:58 | 0:35:00 | |
The man's second name... No, nothing. | 0:35:00 | 0:35:04 | |
What? Where? | 0:35:08 | 0:35:11 | |
Show me, come on, then. | 0:35:11 | 0:35:13 | |
Jerry has done his own detective work | 0:35:14 | 0:35:16 | |
and may have found his own attacker. | 0:35:16 | 0:35:18 | |
He says he knows where this man lives, | 0:35:19 | 0:35:22 | |
so...he says he's going to show me... | 0:35:22 | 0:35:23 | |
So, I'll go and see. This is the great thing that the police | 0:35:23 | 0:35:26 | |
have done for me in terms of paying for me to learn how to sign. | 0:35:26 | 0:35:30 | |
It means I can have this conversation with Jerry | 0:35:30 | 0:35:33 | |
and I can give him the service that I would give for anybody else, | 0:35:33 | 0:35:37 | |
for that matter. | 0:35:37 | 0:35:40 | |
A hearing police officer who can't sign wouldn't be able to achieve, | 0:35:40 | 0:35:45 | |
hopefully, what we might be able to achieve in a minute. | 0:35:45 | 0:35:48 | |
After a few minutes' walk, Jerry points out the house. | 0:35:48 | 0:35:51 | |
That one? | 0:35:51 | 0:35:53 | |
You saw that man...who hit you...live there. | 0:35:53 | 0:35:59 | |
OK. Go back to your house. | 0:35:59 | 0:36:02 | |
Charlie Sierra, 1-6-0-9... | 0:36:04 | 0:36:06 | |
-Go ahead, over. -Can you do me a voters' check, please, for... | 0:36:07 | 0:36:10 | |
A voters' check should tell Adge who's on the electoral register | 0:36:10 | 0:36:14 | |
at the house. | 0:36:14 | 0:36:15 | |
-OK, thank you, much obliged. -Now he's got Ben's full name, | 0:36:15 | 0:36:19 | |
and after making some enquiries he's able to get a mobile number. | 0:36:19 | 0:36:23 | |
RINGING TONE | 0:36:25 | 0:36:27 | |
Hello, is that Ben? | 0:36:27 | 0:36:28 | |
Ben, hello, Ben. It's... My name's Adge. | 0:36:30 | 0:36:33 | |
I'm a policeman from Bath. I need to have a quick chat with you | 0:36:33 | 0:36:35 | |
about an incident - it shouldn't take too long, | 0:36:35 | 0:36:37 | |
I just need to get to the bottom of it. | 0:36:37 | 0:36:39 | |
You won't be arrested, I need to talk to you, that's all, | 0:36:39 | 0:36:43 | |
as a voluntary attender. That's easier for you, I can assure you. | 0:36:43 | 0:36:46 | |
Adge tries to arrange a place to meet Ben. | 0:36:46 | 0:36:49 | |
But Ben's adamant he won't meet him at a police station. | 0:36:51 | 0:36:54 | |
Bath Police Station is not the only place I can interview - | 0:36:54 | 0:36:57 | |
that's no problem whatsoever. Even going to Keynsham town centre... | 0:36:57 | 0:37:00 | |
It's just on the outskirts of Keynsham... | 0:37:00 | 0:37:02 | |
It's in an industrial estate, for goodness' sake. | 0:37:02 | 0:37:04 | |
Ben's being awkward, but it's much better for Adge to arrange to meet him, | 0:37:04 | 0:37:08 | |
rather than have to find him. | 0:37:08 | 0:37:10 | |
Well, I've got to go somewhere... | 0:37:10 | 0:37:12 | |
STATIC | 0:37:12 | 0:37:13 | |
..because we're coming up a brick wall at every suggestion I offer. | 0:37:13 | 0:37:17 | |
Finally, Ben agrees to meet Adge at a local pub | 0:37:17 | 0:37:20 | |
and attend a formal interview. | 0:37:20 | 0:37:22 | |
So, half past two at The Bear, thank you very much indeed, | 0:37:22 | 0:37:25 | |
I really appreciate it, bye-bye, now. See you tomorrow. | 0:37:25 | 0:37:28 | |
Bye. | 0:37:28 | 0:37:29 | |
HE SIGHS | 0:37:29 | 0:37:31 | |
There you are, then. That's a bit of negotiation for you. | 0:37:31 | 0:37:33 | |
Erm, a bit dramatic... "Oh, I can't be seen here, I can't go there." | 0:37:33 | 0:37:37 | |
Erm, well, you know, we've got... He's got to be interviewed. | 0:37:37 | 0:37:40 | |
We'll do it at Keynsham Police Centre, that's absolutely fine, | 0:37:40 | 0:37:45 | |
no problem at all. | 0:37:45 | 0:37:46 | |
Erm... And we'll see how it goes from there. | 0:37:46 | 0:37:48 | |
Next day, Adge arrives for the rendezvous. | 0:37:54 | 0:37:57 | |
All this cloak and dagger, Machiavellian stuff, it's all | 0:37:57 | 0:38:00 | |
very exciting. | 0:38:00 | 0:38:02 | |
Adge goes into the pub - it's last orders for Ben. | 0:38:02 | 0:38:05 | |
OK, he's in there. He's a little bit camera shy, so I'm going | 0:38:10 | 0:38:13 | |
to take him to Keynsham in a minute. I'll interview him | 0:38:13 | 0:38:16 | |
and then we'll decide what we're going to do him. | 0:38:16 | 0:38:19 | |
So, there you are - progress! | 0:38:19 | 0:38:20 | |
Back in Bath, Adge reflects on the result of the interview. | 0:38:27 | 0:38:31 | |
During the interview, he fully admitted the offence. | 0:38:31 | 0:38:34 | |
He said that he approached him and he punched him on the arm. | 0:38:34 | 0:38:39 | |
But he is saying that he did that just as a way to say, | 0:38:39 | 0:38:42 | |
"Hello, mate." Or, to use his words, as a respect kind of thing. | 0:38:42 | 0:38:48 | |
That's what he said. He didn't realise that he hurt Jerry. | 0:38:48 | 0:38:52 | |
He was very apologetic...and he regrets his actions. | 0:38:52 | 0:38:57 | |
If his victim wasn't vulnerable, that might have been the end of it, | 0:38:57 | 0:39:01 | |
but Ben was given an official police caution for common assault. | 0:39:01 | 0:39:05 | |
The difference here, though, is that our victim, Jerry, is a | 0:39:05 | 0:39:09 | |
vulnerable member of our society. And we need to look after him, | 0:39:09 | 0:39:12 | |
we need to protect him. So, the factors, if you like, | 0:39:12 | 0:39:15 | |
are aggravated a little bit - and that's why we took | 0:39:15 | 0:39:18 | |
the action as we did. | 0:39:18 | 0:39:19 | |
Time to break the good news to Jerry. | 0:39:22 | 0:39:24 | |
I asked him to come to the police station... | 0:39:26 | 0:39:29 | |
-and I interviewed him. -Yes. | 0:39:29 | 0:39:32 | |
He told me that he's sorry for hitting... | 0:39:32 | 0:39:35 | |
Sorry for hitting you. | 0:39:35 | 0:39:38 | |
He didn't realise... | 0:39:38 | 0:39:40 | |
..when he hit you... | 0:39:41 | 0:39:43 | |
..he hurt you. | 0:39:44 | 0:39:46 | |
He's told me that he will not see you again. | 0:39:48 | 0:39:53 | |
So, how do you feel...? | 0:39:56 | 0:39:57 | |
Happy? Excellent. Good stuff. OK. | 0:40:00 | 0:40:02 | |
Really, really good, OK. | 0:40:02 | 0:40:05 | |
-So, how's the dog, how's Jacob? -Fine! | 0:40:05 | 0:40:08 | |
Yeah? | 0:40:08 | 0:40:09 | |
Jerry's happy with the outcome | 0:40:09 | 0:40:12 | |
and it's case closed, as Adge has the satisfaction | 0:40:12 | 0:40:15 | |
of knowing he was able to help a vulnerable victim, | 0:40:15 | 0:40:17 | |
and provide him support when he needed it most. | 0:40:17 | 0:40:21 | |
While being a neighbourhood officer is all about building | 0:40:27 | 0:40:30 | |
good relationships with your community, you also need to be ready | 0:40:30 | 0:40:34 | |
to tackle anything that's thrown at you. | 0:40:34 | 0:40:37 | |
To deal with extraordinary situations, you need to be | 0:40:37 | 0:40:39 | |
highly trained. And some of that training happens here, | 0:40:39 | 0:40:43 | |
at a camp near Bridgwater. | 0:40:43 | 0:40:45 | |
It's a lot of padding, it takes about 15 minutes to put on. | 0:40:45 | 0:40:48 | |
Officers like Alice are often thrown into the unexpected, | 0:40:48 | 0:40:51 | |
and have to ensure they can remain calm in potentially dangerous situations. | 0:40:51 | 0:40:55 | |
But this is her first time riot training. | 0:40:55 | 0:41:00 | |
THEY CHANT | 0:41:00 | 0:41:04 | |
Last year, 113 Somerset officers were assaulted on duty. | 0:41:05 | 0:41:09 | |
So, while they'd rather police gently, it's important | 0:41:09 | 0:41:13 | |
to be ready for the rough stuff. | 0:41:13 | 0:41:15 | |
Road shields, go! | 0:41:15 | 0:41:16 | |
Really difficult to concentrate. And if you think, this | 0:41:16 | 0:41:19 | |
is just a training environment... How much harder it's going to be | 0:41:19 | 0:41:22 | |
when there's massive groups of people in front of you. | 0:41:22 | 0:41:26 | |
Lovely. | 0:41:27 | 0:41:28 | |
So, we're running a little, mini exercise, so to speak. | 0:41:28 | 0:41:32 | |
A staged riot - just to test the officers in the skills | 0:41:32 | 0:41:35 | |
they've been taught. | 0:41:35 | 0:41:36 | |
By making the training as realistic as possible, | 0:41:36 | 0:41:39 | |
officers know full well what to expect should they ever need | 0:41:39 | 0:41:42 | |
to use these skills for real. | 0:41:42 | 0:41:44 | |
ALL SHOUT | 0:41:47 | 0:41:49 | |
Do something, come on! | 0:42:03 | 0:42:05 | |
Obviously, we've got a threat in front of us. | 0:42:05 | 0:42:07 | |
They're moving forwards towards... Trying to gain ground. | 0:42:07 | 0:42:10 | |
Back to the junction. | 0:42:10 | 0:42:12 | |
ALL SHOUT | 0:42:12 | 0:42:14 | |
Stop! | 0:42:14 | 0:42:15 | |
OK, hands on your heads! You're all giving up. | 0:42:15 | 0:42:19 | |
I've probably only been on the ground for 20 minutes, | 0:42:19 | 0:42:21 | |
but it does still feel like we've been on the ground | 0:42:21 | 0:42:24 | |
for probably about two hours. | 0:42:24 | 0:42:26 | |
For Alice, this course has given her the confidence she'll need | 0:42:26 | 0:42:29 | |
when things get hostile. | 0:42:29 | 0:42:30 | |
If I was to be deployed to a situation - I feel like | 0:42:32 | 0:42:35 | |
I could be a support to my colleagues rather than | 0:42:35 | 0:42:38 | |
a hindrance. I feel like I've learned so much. | 0:42:38 | 0:42:40 | |
As we've seen today, it's teamwork that enables | 0:42:49 | 0:42:52 | |
the neighbourhood police to keep the streets safer | 0:42:52 | 0:42:54 | |
and make them more peaceful places. But it's | 0:42:54 | 0:42:57 | |
the understanding of individual officers | 0:42:57 | 0:43:00 | |
that makes the real difference. | 0:43:00 | 0:43:02 |