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With unprecedented access, Neighbourhood Blues follows | 0:00:02 | 0:00:04 | |
the police in Somerset as they take on the crimes that annoy us all. | 0:00:04 | 0:00:08 | |
-Don't manhandle me! -Come over here. | 0:00:08 | 0:00:10 | |
Targeting antisocial behaviour, drug abuse and criminal damage, | 0:00:10 | 0:00:14 | |
beat officers and PCSOs tackle the problems that, | 0:00:14 | 0:00:17 | |
if left unchecked, could blight the lives of millions. | 0:00:17 | 0:00:20 | |
Armed with the latest cutting-edge kit, | 0:00:20 | 0:00:23 | |
they have the power to strike hard when needed. | 0:00:23 | 0:00:25 | |
Police, stay where you are! | 0:00:25 | 0:00:28 | |
But just like the days of Dixon Of Dock Green... | 0:00:28 | 0:00:31 | |
Good evening, all. | 0:00:31 | 0:00:32 | |
..it's all about partnering with local people... | 0:00:32 | 0:00:35 | |
Brilliant. | 0:00:35 | 0:00:36 | |
..working together to sweep crime off our streets. | 0:00:36 | 0:00:39 | |
Police! Search warrant! | 0:00:39 | 0:00:41 | |
SIRENS | 0:00:41 | 0:00:43 | |
Coming up, the neighbourhood team catch a suspect | 0:00:54 | 0:00:58 | |
unawares on a drug raid. | 0:00:58 | 0:00:59 | |
Get down! | 0:00:59 | 0:01:00 | |
No way, man, what's going on? | 0:01:00 | 0:01:02 | |
It is just cos you are a little bit excited with me. | 0:01:02 | 0:01:04 | |
We have got a warrant | 0:01:04 | 0:01:05 | |
-to search the residence. -Search my property, mate?! | 0:01:05 | 0:01:07 | |
Adge investigates a desecrated graveyard. | 0:01:07 | 0:01:10 | |
So they're using a gravestone to attach his tent. | 0:01:10 | 0:01:13 | |
And they are using this place, by the looks of it, | 0:01:13 | 0:01:16 | |
as a sewer, for God's sake. | 0:01:16 | 0:01:18 | |
And text messages lead officers to a man's front door. | 0:01:18 | 0:01:21 | |
-Everything you ever sent is on there. -Yeah. -All right? | 0:01:21 | 0:01:23 | |
So we know exactly what you have been doing. | 0:01:23 | 0:01:25 | |
That doesn't mean it's true, though. | 0:01:25 | 0:01:27 | |
Somerset is known around the world as the home of Cheddar cheese | 0:01:32 | 0:01:36 | |
and the Glastonbury Festival. | 0:01:36 | 0:01:38 | |
16 million people visit each year, | 0:01:38 | 0:01:42 | |
causing additional problems for the police. | 0:01:42 | 0:01:45 | |
SIRENS | 0:01:45 | 0:01:48 | |
Neighbourhood police work tirelessly to keep drugs off our streets. | 0:01:50 | 0:01:54 | |
Backing them up are specialist units | 0:01:54 | 0:01:56 | |
who gather intelligence and keep suspects under surveillance. | 0:01:56 | 0:02:00 | |
It is early morning in Weston-super-Mare. An undercover | 0:02:07 | 0:02:10 | |
officer is giving a briefing, planning a raid on a property. | 0:02:10 | 0:02:14 | |
OK, today we are going to execute a Section 23, Misuse of Drugs Act | 0:02:16 | 0:02:19 | |
warrant. When we are in the address, be aware of needles | 0:02:19 | 0:02:22 | |
and obviously paraphernalia. | 0:02:22 | 0:02:23 | |
The police have recently arrested a man with his pockets packed | 0:02:23 | 0:02:27 | |
full of drugs. | 0:02:27 | 0:02:29 | |
The recent intelligence - a guy who was arrested two days ago | 0:02:29 | 0:02:33 | |
was in possession of 44 wraps of heroin and crack cocaine. | 0:02:33 | 0:02:35 | |
He came from that address. So hence we got the warrant today to execute. | 0:02:35 | 0:02:40 | |
The arrested man has told the police that there's drugs | 0:02:40 | 0:02:42 | |
and money in the flat. This may not be true, | 0:02:42 | 0:02:45 | |
but the police have to check out the claims. | 0:02:45 | 0:02:48 | |
We got the undercover officers out there, | 0:02:48 | 0:02:50 | |
sort of keeping an eyeball on the property. | 0:02:50 | 0:02:52 | |
What they have told us is basically the curtains are drawn | 0:02:52 | 0:02:56 | |
and that it is a good time to strike, | 0:02:56 | 0:02:58 | |
so I think they're effectively saying to us, | 0:02:58 | 0:03:00 | |
as soon as we get to our drop-off location, we are on our tail, | 0:03:00 | 0:03:03 | |
straight to the door and affect entry. | 0:03:03 | 0:03:05 | |
The curtains at the flat are still drawn, | 0:03:09 | 0:03:11 | |
making it easier for the police to make a surprise entrance. | 0:03:11 | 0:03:15 | |
-Police! -Go, go, go! -Stay where you are! -Go, go! | 0:03:20 | 0:03:24 | |
Stay where you are! | 0:03:24 | 0:03:26 | |
Proceed. With dog, with dog. | 0:03:26 | 0:03:27 | |
I just want to hold him down. | 0:03:27 | 0:03:28 | |
-That's fine. -Search my house, mate? | 0:03:28 | 0:03:31 | |
You're all right. I'm not going nowhere. | 0:03:31 | 0:03:33 | |
-We are going to cuff you up. -What do you mean? I'm all right. | 0:03:33 | 0:03:36 | |
-Can you just -BLEEP? | 0:03:36 | 0:03:38 | |
-No way, man, what's going on? -It's just cos you are a little bit | 0:03:38 | 0:03:40 | |
excited with me. We have got a warrant | 0:03:40 | 0:03:42 | |
-to search the residence. -Search my property, mate. | 0:03:42 | 0:03:44 | |
-Just chill out, calm down. -Listen, I'm all right. No worries. | 0:03:44 | 0:03:47 | |
-You keeping on my missus. -Yeah, she'll be fine. | 0:03:47 | 0:03:49 | |
We ain't going to do anything to her, are we? | 0:03:49 | 0:03:51 | |
There is drug use here. I am a heroin addict. | 0:03:51 | 0:03:53 | |
-I have used. There will be needles and -BLEEP. | 0:03:53 | 0:03:56 | |
-I appreciate that. -But apart from that, there is nothing here. | 0:03:56 | 0:03:59 | |
I tell you what... | 0:03:59 | 0:04:00 | |
The man arrested two days ago claimed there was a big dealer in the flat. | 0:04:00 | 0:04:04 | |
But as the man looks completely confused, it may have been a lie. | 0:04:04 | 0:04:09 | |
As well as the heroin addict, there is | 0:04:10 | 0:04:12 | |
another man and a woman in the property. | 0:04:12 | 0:04:14 | |
..a while back. | 0:04:14 | 0:04:16 | |
We have taken control of the situation. | 0:04:16 | 0:04:17 | |
Forced entry. All persons on the premise, | 0:04:17 | 0:04:19 | |
they have been detained under the warrant. | 0:04:19 | 0:04:22 | |
We are now going to divide up into teams. | 0:04:22 | 0:04:24 | |
We're going to go room by room, methodically. | 0:04:24 | 0:04:26 | |
And then from there, we'll see what offences we've got, | 0:04:26 | 0:04:28 | |
deal with it appropriately. | 0:04:28 | 0:04:30 | |
If you want to start that way and work that way, | 0:04:30 | 0:04:32 | |
and I'll work this way. | 0:04:32 | 0:04:33 | |
And we'll meet in the middle. | 0:04:33 | 0:04:35 | |
The bedroom already looks like it has been turned | 0:04:35 | 0:04:37 | |
over before the officers start their search. | 0:04:37 | 0:04:40 | |
Mike Easton is an old hand at jobs like this. | 0:04:40 | 0:04:43 | |
Obviously, people with affliction, such as heroin addiction or | 0:04:43 | 0:04:47 | |
whatever, they don't often tell the truth. | 0:04:47 | 0:04:49 | |
Um... | 0:04:49 | 0:04:50 | |
And quite often, they will try and give us | 0:04:50 | 0:04:52 | |
a bit of a bum steer away from where actually the drugs may be. | 0:04:52 | 0:04:56 | |
But we'll search it thoroughly. And, you know, pick up some stuff | 0:04:56 | 0:04:59 | |
that maybe they have actually forgotten about. | 0:04:59 | 0:05:02 | |
With the search underway, | 0:05:02 | 0:05:03 | |
the heroin addict's girlfriend wants a word with one of the team. | 0:05:03 | 0:05:06 | |
What is going to happen here? | 0:05:06 | 0:05:07 | |
Because I have got personal use weed in there. | 0:05:07 | 0:05:09 | |
Will I be arrested for that? | 0:05:09 | 0:05:11 | |
Well, I don't know what your previous is. | 0:05:11 | 0:05:12 | |
I've got previous for weed. | 0:05:12 | 0:05:14 | |
Right then, possibly you would. | 0:05:14 | 0:05:16 | |
-We will deal with you as best we can, all right? -Yeah. | 0:05:16 | 0:05:18 | |
Is there anything around here we need to be aware of, | 0:05:18 | 0:05:20 | |
except this cannabis? | 0:05:20 | 0:05:21 | |
No. There might be a fag with pens and that in it. | 0:05:21 | 0:05:24 | |
But I will say to you, I do not use anything but weed. | 0:05:24 | 0:05:27 | |
That is all use. | 0:05:27 | 0:05:29 | |
There is already a little bit of cannabis on the table, | 0:05:29 | 0:05:33 | |
which obviously is going to be seized. | 0:05:33 | 0:05:35 | |
And I believe that the person who is claiming that that is theirs | 0:05:35 | 0:05:39 | |
has already been arrested previously for it, | 0:05:39 | 0:05:41 | |
so she'll have to come in and be interviewed. | 0:05:41 | 0:05:43 | |
Going to have to be. | 0:05:44 | 0:05:46 | |
She has already been arrested | 0:05:46 | 0:05:47 | |
for possession of cannabis. | 0:05:47 | 0:05:49 | |
As the woman has admitted to previous cannabis offences, | 0:05:49 | 0:05:52 | |
officers will have to arrest her. | 0:05:52 | 0:05:54 | |
In the bedroom, the team have made another discovery. | 0:05:55 | 0:05:59 | |
A horrific arsenal of weapons hidden under the bed. | 0:05:59 | 0:06:02 | |
And the knife is covered in a brown substance. | 0:06:02 | 0:06:06 | |
Do you think that looks like heroin on there? | 0:06:06 | 0:06:08 | |
Oh, it is, definitely. | 0:06:10 | 0:06:11 | |
It does look like it, doesn't it? | 0:06:12 | 0:06:14 | |
Oh, yeah, I would say. | 0:06:14 | 0:06:15 | |
There is a brownish sort of substance on the end of the knife. | 0:06:15 | 0:06:18 | |
It looks like it could be heroin. | 0:06:18 | 0:06:20 | |
As one of the residents has already admitted injecting heroin, | 0:06:20 | 0:06:24 | |
the knife and needles are seized for testing. | 0:06:24 | 0:06:27 | |
Weston. Hate it. | 0:06:27 | 0:06:28 | |
His girlfriend is worried about her partner's habit. | 0:06:28 | 0:06:30 | |
-I keep saying to him, -BLEEP, -each time we relapse... | 0:06:30 | 0:06:33 | |
You've got to realise, it feels like I am being kicked in the teeth. | 0:06:33 | 0:06:36 | |
Because I did all that hard work with you. | 0:06:36 | 0:06:38 | |
And now that you've done that, all that hard work he's just | 0:06:38 | 0:06:40 | |
basically kicked me in the teeth with it, eh? | 0:06:40 | 0:06:42 | |
You know what I mean? And he's like, "Well, I know, babe," | 0:06:42 | 0:06:45 | |
but it needs to be sorted. | 0:06:45 | 0:06:47 | |
We've just finished the hand search | 0:06:47 | 0:06:50 | |
and we have not actually found any A class drugs, | 0:06:50 | 0:06:53 | |
which were looking for. | 0:06:53 | 0:06:54 | |
We have found instructions | 0:06:54 | 0:06:56 | |
that it does get used in the address and that there | 0:06:56 | 0:06:59 | |
is certainly activity that is of interest, intelligence-wise. | 0:06:59 | 0:07:04 | |
Meanwhile, in the bedroom, | 0:07:04 | 0:07:05 | |
Carla Collins finds some suspicious looking powder. | 0:07:05 | 0:07:09 | |
What is this? That. | 0:07:09 | 0:07:11 | |
-Where was that? -Just in there. | 0:07:12 | 0:07:14 | |
It looks like, um... | 0:07:15 | 0:07:18 | |
benzocaine. Doesn't it? | 0:07:18 | 0:07:20 | |
Where was that, in there? | 0:07:21 | 0:07:22 | |
-Yeah, right here. -Look at that. Looks like benzocaine. | 0:07:22 | 0:07:25 | |
-Do you reckon? -What is benzocaine? | 0:07:25 | 0:07:27 | |
-It's a cutting agent for cocaine. -Oh, yeah. | 0:07:27 | 0:07:30 | |
Benzocaine is a legal anaesthetic. | 0:07:30 | 0:07:32 | |
If the man arrested outside with the 44 wraps | 0:07:32 | 0:07:35 | |
is telling the truth, then it | 0:07:35 | 0:07:37 | |
could be used to cut drugs, | 0:07:37 | 0:07:38 | |
as it simulates the numbing effect of cocaine. | 0:07:38 | 0:07:41 | |
But if he isn't, | 0:07:41 | 0:07:43 | |
then the residents may just be using it to treat mouth ulcers. | 0:07:43 | 0:07:46 | |
If it has been used to cut cocaine, then there will be | 0:07:48 | 0:07:51 | |
enough of a trace for the drugs dog to take an interest. | 0:07:51 | 0:07:54 | |
We will methodically work our way around the premises | 0:07:54 | 0:07:58 | |
and just search to see if we can find any evidence or any | 0:07:58 | 0:08:00 | |
drugs that may have been missed by the search team. | 0:08:00 | 0:08:03 | |
Tink, the drugs dog, does a thorough search of the flat. | 0:08:03 | 0:08:06 | |
Come. Come, come. | 0:08:07 | 0:08:09 | |
Despite the evidence of heroin use at the flat, | 0:08:13 | 0:08:16 | |
the only drugs they find is a bit of cannabis. | 0:08:16 | 0:08:20 | |
No-one is getting nicked? | 0:08:20 | 0:08:21 | |
I think my colleague has already explained what | 0:08:21 | 0:08:23 | |
he is going to do with you. | 0:08:23 | 0:08:24 | |
The lady is arrested and street bailed, | 0:08:24 | 0:08:26 | |
meaning she will be called back to the station at a later date. | 0:08:26 | 0:08:29 | |
-All right, guys, have a good day. -Thank you for being brilliant. | 0:08:29 | 0:08:33 | |
That's ideal. | 0:08:33 | 0:08:34 | |
-You're welcome. -Normally... They're horrible normally. | 0:08:34 | 0:08:36 | |
But all you lot have been brilliant. | 0:08:36 | 0:08:38 | |
Although the team didn't find any evidence of drug dealing, | 0:08:38 | 0:08:42 | |
Sergeant Jason Hulbert is confident the raid has sent a strong | 0:08:42 | 0:08:45 | |
message to the neighbourhood. | 0:08:45 | 0:08:47 | |
You always want to take drugs off the street. | 0:08:47 | 0:08:49 | |
That is a major cause of crime. | 0:08:49 | 0:08:51 | |
The more drugs we can take off the street, | 0:08:51 | 0:08:53 | |
it has got to be a better thing for the whole community. | 0:08:53 | 0:08:56 | |
They have seen the police here. | 0:08:56 | 0:08:57 | |
We are intelligence-led, so hopefully the message gets | 0:08:57 | 0:09:01 | |
out there that if people do give information, | 0:09:01 | 0:09:05 | |
then it comes back and it gets acted on. | 0:09:05 | 0:09:08 | |
And hopefully, the community see the benefits of it. | 0:09:08 | 0:09:11 | |
It seems the man arrested with 44 wraps of heroin | 0:09:12 | 0:09:15 | |
and cocaine was just trying to blame the innocent residents. | 0:09:15 | 0:09:19 | |
It didn't work. | 0:09:22 | 0:09:23 | |
At court, he pleaded guilty to possession with intent to supply. | 0:09:23 | 0:09:26 | |
The case against the woman is still ongoing. | 0:09:31 | 0:09:33 | |
In Bath, community officer | 0:09:41 | 0:09:43 | |
Adge Secker is investigating a shocking complaint. | 0:09:43 | 0:09:47 | |
I have had a local member of the public contact me | 0:09:47 | 0:09:50 | |
and say that in one of these cemeteries - | 0:09:50 | 0:09:52 | |
it may be this one or may be the one next to it, I don't know - | 0:09:52 | 0:09:55 | |
where people are coming here, injecting drugs. | 0:09:55 | 0:09:59 | |
There is evidence of needles found, apparently, | 0:09:59 | 0:10:01 | |
according to this person. | 0:10:01 | 0:10:02 | |
Also, groups of people drinking lots of alcohol and getting drunk | 0:10:02 | 0:10:06 | |
and just desecrating these graves. | 0:10:06 | 0:10:08 | |
And I'm not going to have it. | 0:10:08 | 0:10:09 | |
Cemeteries are meant to be places of quiet contemplation, | 0:10:10 | 0:10:14 | |
where people hold lasting memories of their loved ones. | 0:10:14 | 0:10:17 | |
If the claims are true, it is all the more shocking, as the graveyard is | 0:10:19 | 0:10:23 | |
the final resting place for hundreds of soldiers killed in two world wars. | 0:10:23 | 0:10:28 | |
It is a big place and Adge has got a lot of ground to cover to | 0:10:33 | 0:10:37 | |
check out what has been going on. | 0:10:37 | 0:10:39 | |
They'll not be in the middle, so I'll go round the perimeter | 0:10:40 | 0:10:43 | |
and see what's I can unearth. | 0:10:43 | 0:10:46 | |
Hidden at the far end is something distinctly odd. | 0:10:46 | 0:10:50 | |
So right up there... You see the trees? I can see a couple of tents. | 0:10:51 | 0:10:55 | |
I will just call for an officer to come and meet me. | 0:10:55 | 0:10:57 | |
Just in case there's a few of them there. | 0:10:57 | 0:11:00 | |
Adge keeps his distance and waits for backup to arrive. | 0:11:00 | 0:11:03 | |
It is getting dark and he wants to get closer before anyone can | 0:11:05 | 0:11:09 | |
sneak away in the unlit cemetery. | 0:11:09 | 0:11:11 | |
Adge still can't believe what these people are doing. | 0:11:13 | 0:11:16 | |
It is in a cemetery for...sake, John. | 0:11:16 | 0:11:19 | |
I know, I know. I don't know. I don't know. | 0:11:19 | 0:11:21 | |
The insult is not just to the people who have loved ones buried here | 0:11:23 | 0:11:27 | |
but to the many people who died fighting for their country. | 0:11:27 | 0:11:30 | |
-I noticed a Commonwealth war grave up here. -I know, I know. | 0:11:31 | 0:11:34 | |
-Well, there's one over there, you can see. -Yeah. | 0:11:34 | 0:11:36 | |
-Like they're... -Yeah, they're scattered all over the place. | 0:11:36 | 0:11:39 | |
Beacons, exactly. | 0:11:39 | 0:11:40 | |
Hello in the camp. | 0:11:41 | 0:11:43 | |
Hello. | 0:11:43 | 0:11:44 | |
Hello in the camp. | 0:11:54 | 0:11:55 | |
-They're all rolled up. -Anybody in there, John? | 0:12:01 | 0:12:03 | |
-I can't see any from here. -No, it's all rolled up. | 0:12:05 | 0:12:08 | |
-They've obviously been here. -Huh. | 0:12:09 | 0:12:12 | |
The ground is littered with super-strength cans of lager | 0:12:12 | 0:12:15 | |
and hypodermic needle packs. | 0:12:15 | 0:12:18 | |
Adge suspects the camp is being squatted by some | 0:12:18 | 0:12:20 | |
of the town's street drinkers. | 0:12:20 | 0:12:22 | |
Just mind where you put your feet, Jay, because... | 0:12:25 | 0:12:28 | |
there is no toilet handy, is there? | 0:12:28 | 0:12:30 | |
It looks like the reports of drinking | 0:12:32 | 0:12:34 | |
and drug taking amongst the gravestones are correct. | 0:12:34 | 0:12:38 | |
But now they know that people are living here, | 0:12:38 | 0:12:41 | |
the situation is more complicated. | 0:12:41 | 0:12:43 | |
-Get in touch with the council... -Right. -..to see if they can... | 0:12:43 | 0:12:47 | |
Because obviously we can't take it down. | 0:12:47 | 0:12:49 | |
No, we don't evict people, do we? | 0:12:49 | 0:12:50 | |
See if they will come and clear it all up. | 0:12:50 | 0:12:52 | |
The police can't simply tear the tenants and tarpaulins down. | 0:12:52 | 0:12:56 | |
Regardless of this disrespectful behaviour, they have to act | 0:12:56 | 0:13:00 | |
within the law, and that means applying for an eviction notice. | 0:13:00 | 0:13:04 | |
-But you see he's using gravestone... -Gravestone. -..as... | 0:13:04 | 0:13:07 | |
-What, to attach his... Oh, that's... -Yeah. | 0:13:07 | 0:13:10 | |
-He's putting that over the top and then using... -Yeah, OK. | 0:13:10 | 0:13:14 | |
Well, we will put pressure on the council then to get rid, then. | 0:13:14 | 0:13:18 | |
All right, OK, guys. | 0:13:18 | 0:13:20 | |
Eviction can be a lengthy process, | 0:13:20 | 0:13:22 | |
but this disgusting conduct needs to be tackled quickly. | 0:13:22 | 0:13:25 | |
John's just found there, and in orange bag, | 0:13:31 | 0:13:34 | |
what we think is human excrement. | 0:13:34 | 0:13:36 | |
And they're going to wonder why we want them off from here. | 0:13:37 | 0:13:41 | |
So they're using a gravestone to attach his tent, | 0:13:41 | 0:13:44 | |
or his tarpaulin to create his tent. | 0:13:44 | 0:13:47 | |
And they're using this place, by the looks of it, as a sewer, | 0:13:47 | 0:13:52 | |
for God's sake. | 0:13:52 | 0:13:53 | |
All right, boys, thanks for coming out. Appreciate it. | 0:13:53 | 0:13:57 | |
Later, Adge works tirelessly to get the place cleaned up | 0:13:57 | 0:14:00 | |
and back to its respectful state. | 0:14:00 | 0:14:02 | |
-I haven't seen them. Not today, anyway. -Right. Where is he now? | 0:14:02 | 0:14:06 | |
Where is he? | 0:14:06 | 0:14:08 | |
Neighbourhood teams are on the front line | 0:14:13 | 0:14:16 | |
when it comes to keeping a lid on drug abuse. | 0:14:16 | 0:14:19 | |
Drug crimes aren't just restricted to run down areas. | 0:14:19 | 0:14:22 | |
Sometimes they happen in the most surprising parts of town. | 0:14:22 | 0:14:27 | |
In Weston-super-Mare, Russ Millier and Glenn Wheeler | 0:14:30 | 0:14:33 | |
are on their way to one of the town's leafier suburbs | 0:14:33 | 0:14:36 | |
to investigate a possible cannabis cultivation, known as a grow. | 0:14:36 | 0:14:41 | |
We are heading out to an address on our patch to look at some arrests - | 0:14:41 | 0:14:46 | |
a male and possibly a female - | 0:14:46 | 0:14:48 | |
in connection with concern in supply of a controlled drug. | 0:14:48 | 0:14:52 | |
This area isn't necessarily where you'd expect to find a drugs farm, | 0:14:52 | 0:14:56 | |
but a trail of phone messages from someone | 0:14:56 | 0:14:59 | |
they have already arrested has led them straight to this house. | 0:14:59 | 0:15:03 | |
OK. | 0:15:03 | 0:15:05 | |
So we've got both vehicles there. | 0:15:05 | 0:15:07 | |
Now is a good time. | 0:15:08 | 0:15:09 | |
Both occupants are in there. | 0:15:13 | 0:15:15 | |
Once inside, Glen gets straight down to business. | 0:15:15 | 0:15:18 | |
OK, so at this time, | 0:15:18 | 0:15:20 | |
I am arresting you both | 0:15:20 | 0:15:22 | |
in concern in the supply of a controlled drug. | 0:15:22 | 0:15:24 | |
You don't have to say anything, but it may harm your defence | 0:15:24 | 0:15:26 | |
if you do not mention something that you later rely on in court. | 0:15:26 | 0:15:29 | |
Anything you do say may be given in evidence. | 0:15:29 | 0:15:31 | |
-OK? -OK. | 0:15:31 | 0:15:33 | |
-Is there any drugs on the premises? -No. | 0:15:33 | 0:15:34 | |
Actually, there is maybe a little bit of cannabis in the garage. | 0:15:34 | 0:15:37 | |
-In the garage. -Yeah. -What are we talking a little bit? -A spliff. | 0:15:37 | 0:15:41 | |
-A spliff in the garage? -Yeah. -Right, OK. | 0:15:41 | 0:15:43 | |
Yeah, we got an answer, mate. Two in cuffs here. | 0:15:43 | 0:15:45 | |
The text messages suggest that there is more than just a little | 0:15:45 | 0:15:48 | |
bit of cannabis in the house. | 0:15:48 | 0:15:50 | |
Russ is looking for evidence that drugs are being grown here. | 0:15:50 | 0:15:54 | |
And that is hard to hide. | 0:15:54 | 0:15:55 | |
A quick search and it is obvious there is no grow inside. | 0:15:55 | 0:16:00 | |
But what about outside? | 0:16:00 | 0:16:01 | |
PCSO Justin Robbie joins Russ to help him search the garage, | 0:16:03 | 0:16:07 | |
where the man has admitted there might be "some" cannabis. | 0:16:07 | 0:16:10 | |
Obviously, there is a bit of weed in there, like you said, in the house. | 0:16:10 | 0:16:13 | |
About a spliff's worth. | 0:16:13 | 0:16:14 | |
Obviously, we will be seizing that, all right? As evidence. | 0:16:14 | 0:16:17 | |
Although the garage is incredibly dark, | 0:16:17 | 0:16:19 | |
the cannabis isn't all that Russ notices. | 0:16:19 | 0:16:22 | |
He thinks that this was the centre of the drugs growing operation. | 0:16:22 | 0:16:26 | |
It looks to me, mate, you have shut down the grow. | 0:16:26 | 0:16:29 | |
-There was a grow in here, wasn't there? -No. | 0:16:29 | 0:16:31 | |
Well, I have seen enough grows in my time to see that this is a grow. | 0:16:31 | 0:16:35 | |
You have still got the pots down there. | 0:16:35 | 0:16:37 | |
You've got the black tape all around the top there. | 0:16:39 | 0:16:42 | |
Haven't you? | 0:16:43 | 0:16:45 | |
-Fair enough. Yeah. -Yeah? -Yeah, yeah. | 0:16:45 | 0:16:47 | |
The man has admitted that there was a grow here. | 0:16:47 | 0:16:49 | |
You've obviously been given the heads up, haven't you? | 0:16:49 | 0:16:52 | |
Russ is suspicious that he has been tipped off. | 0:16:52 | 0:16:54 | |
No, no, no. This was a long time ago, I can assure you. | 0:16:54 | 0:16:58 | |
The garage is lined with plasterboard, sealed with black tape. | 0:16:58 | 0:17:02 | |
And on the floor, | 0:17:02 | 0:17:03 | |
a bin liner is filled with dismantled hydroponic equipment. | 0:17:03 | 0:17:07 | |
Um, this is quite a nice example of what we come across, | 0:17:09 | 0:17:12 | |
a bit of a home-grown | 0:17:12 | 0:17:14 | |
cannabis set-up, really. | 0:17:14 | 0:17:16 | |
They have double-skinned the plasterboard walls | 0:17:16 | 0:17:19 | |
with insulation in between it. | 0:17:19 | 0:17:21 | |
And as you see from the corners, they have taped all the gaps. | 0:17:21 | 0:17:25 | |
And what that does is it's their attempt to prevent us | 0:17:25 | 0:17:29 | |
from using our heat source cameras. | 0:17:29 | 0:17:30 | |
As far as domestic cultivation of cannabis goes, | 0:17:30 | 0:17:33 | |
this was quite a sophisticated set-up. | 0:17:33 | 0:17:36 | |
It also helps them keep the smell in one place. | 0:17:36 | 0:17:39 | |
Usually... There you go, down there. | 0:17:39 | 0:17:42 | |
That is where they would vent it. | 0:17:42 | 0:17:44 | |
You have a sort of four-inch flexi-pipe going out there | 0:17:44 | 0:17:47 | |
and it would vent the smell. | 0:17:47 | 0:17:48 | |
Yeah. They would have had a considerable set-up in here. | 0:17:48 | 0:17:52 | |
As well as the evidence of a grow, | 0:17:52 | 0:17:54 | |
Russ finds something else in the garage that the man | 0:17:54 | 0:17:56 | |
will have to explain. | 0:17:56 | 0:17:58 | |
In the drawer, as well, | 0:17:58 | 0:17:59 | |
we have noticed that you have obviously got scales, Shane. | 0:17:59 | 0:18:02 | |
Just to weigh up the deals, | 0:18:02 | 0:18:04 | |
to make sure I get what I'm meant to be getting, you know? | 0:18:04 | 0:18:06 | |
-What from your own grow? -No, no, | 0:18:06 | 0:18:07 | |
-from like when I pick up. -All right, OK. | 0:18:07 | 0:18:09 | |
The man is claiming he uses the scales when he is buying drugs. | 0:18:09 | 0:18:12 | |
But Russ' information points to him selling them. | 0:18:12 | 0:18:16 | |
-So, where has all this come from? -What? -All this information. | 0:18:16 | 0:18:19 | |
It has come from phones. From your phone, basically. | 0:18:19 | 0:18:22 | |
Your phone has been sending text messages to and fro another | 0:18:22 | 0:18:25 | |
person's phone that we have arrested, OK, over a period of time. | 0:18:25 | 0:18:30 | |
And your phone has cropped up numerous amounts of times | 0:18:30 | 0:18:33 | |
in connection with the concern in supply of controlled drugs, | 0:18:33 | 0:18:36 | |
namely cannabis. | 0:18:36 | 0:18:38 | |
-OK? So, everything is on there. -Yeah. | 0:18:38 | 0:18:39 | |
-Everything you ever send is on there. -Yeah. -All right? | 0:18:39 | 0:18:42 | |
We know exactly what you've been doing. | 0:18:42 | 0:18:43 | |
-That doesn't mean it's true though, that's the thing. -Well... | 0:18:43 | 0:18:46 | |
-It is, isn't it? -Well, yeah, but that is circumstantial. | 0:18:46 | 0:18:49 | |
-It's not... Yeah. -So you know that is why we are here, OK? -Yeah, fine. | 0:18:49 | 0:18:53 | |
It is hard to convincingly say something is a rumour | 0:18:54 | 0:18:57 | |
when you are standing next to evidence that at least | 0:18:57 | 0:18:59 | |
some of the text message information was true. | 0:18:59 | 0:19:02 | |
He has clearly had a cannabis grow in the garage, all right? | 0:19:02 | 0:19:05 | |
Which he knows about. | 0:19:05 | 0:19:07 | |
Um... | 0:19:07 | 0:19:09 | |
It's one of those things, isn't it? | 0:19:09 | 0:19:11 | |
If you're going to do that sort of thing, it is going to | 0:19:11 | 0:19:14 | |
-catch up with you. -Yeah. -All right? | 0:19:14 | 0:19:15 | |
Russ leaves with the remainder of the hydroponic equipment. | 0:19:17 | 0:19:22 | |
It will be destroyed back at the station. | 0:19:22 | 0:19:25 | |
He has had a cannabis grow there before. We've seen that. | 0:19:25 | 0:19:27 | |
He understands that we won't tolerate it | 0:19:27 | 0:19:30 | |
and we will be knocking at his door. | 0:19:30 | 0:19:32 | |
They have been arrested. They are on street bail. | 0:19:32 | 0:19:34 | |
We will examine the phones and what have you | 0:19:34 | 0:19:36 | |
and see what else we have got to come from that. | 0:19:36 | 0:19:39 | |
The evidence of the grow set-up, the incriminating text messages | 0:19:39 | 0:19:42 | |
and the drugs found on the property meant that the man | 0:19:42 | 0:19:45 | |
and his wife were both arrested, and the man was charged with | 0:19:45 | 0:19:48 | |
possession of cannabis and offering to supply cannabis. | 0:19:48 | 0:19:52 | |
At court, he pleaded guilty to dealing and received a 12-month | 0:19:52 | 0:19:56 | |
community order, 120 hours of unpaid work | 0:19:56 | 0:19:59 | |
and £325 in fines. | 0:19:59 | 0:20:02 | |
No further action was taken against his wife. | 0:20:02 | 0:20:05 | |
Still to come on Neighbourhood Blues... | 0:20:10 | 0:20:12 | |
Officers in Bridgewater deal with a serious crash. | 0:20:12 | 0:20:15 | |
It looks like quite a nasty accident. | 0:20:15 | 0:20:18 | |
There is bad damage to both cars. | 0:20:18 | 0:20:20 | |
And there is a lot of debris in the road. | 0:20:20 | 0:20:22 | |
And in Weston, officers track down a man they want a word with. | 0:20:23 | 0:20:27 | |
-All right? -Yeah. | 0:20:27 | 0:20:29 | |
I shouted at you, you didn't stop. | 0:20:29 | 0:20:31 | |
Back in Bath, Adge is investigating a truly disrespectful crime. | 0:20:39 | 0:20:43 | |
People have been squatting in a graveyard, drinking, | 0:20:45 | 0:20:48 | |
taking drugs and using it as a toilet. | 0:20:48 | 0:20:50 | |
They have even used parts of the gravestones to help build a fire. | 0:20:53 | 0:20:57 | |
Adge is determined to put a stop to this. | 0:20:57 | 0:21:00 | |
We've done a few enquiries, we've identified two names of people | 0:21:00 | 0:21:04 | |
that are camping out just across the way over there. | 0:21:04 | 0:21:08 | |
Now he knows who it is, Adge hatches a plan to get word to them | 0:21:08 | 0:21:13 | |
that they need to get out. | 0:21:13 | 0:21:14 | |
We're going to use new legislation that's been enforced | 0:21:14 | 0:21:17 | |
not that long, it's called a Community Protection Notice. | 0:21:17 | 0:21:20 | |
The warning stage is the initial stage where you must stop | 0:21:20 | 0:21:24 | |
sleeping, camping in the grounds of the cemetery, lighting fire, | 0:21:24 | 0:21:27 | |
drinking alcohol and injecting yourselves or others | 0:21:27 | 0:21:30 | |
with substances and what have you. | 0:21:30 | 0:21:32 | |
As well as Adge's Community Protection Notice, | 0:21:32 | 0:21:36 | |
the council have posted an eviction order. | 0:21:36 | 0:21:38 | |
That could take months but tackling the problem from multiple angles | 0:21:38 | 0:21:42 | |
is more likely to get a result. | 0:21:42 | 0:21:44 | |
I think people are still here. | 0:21:45 | 0:21:47 | |
Um, the fire looks fairly fresh, that's new bits of wood. | 0:21:47 | 0:21:52 | |
Um, there's a new... | 0:21:52 | 0:21:54 | |
There's more empty beer cans here, so... | 0:21:54 | 0:21:58 | |
Yeah, they're still here. | 0:21:58 | 0:22:00 | |
They're known to my colleagues in the city centre team | 0:22:00 | 0:22:02 | |
and they're known as regular beggars on the streets of Bath. | 0:22:02 | 0:22:07 | |
And on a beautiful, sunny day like this, | 0:22:07 | 0:22:09 | |
I suspect that's exactly where they are. | 0:22:09 | 0:22:11 | |
So, Adge takes to the streets to hunt them down. | 0:22:11 | 0:22:14 | |
With him is PCSO Julie Durbin. | 0:22:14 | 0:22:18 | |
This is her daily patch. | 0:22:18 | 0:22:20 | |
-Is that him? -No. | 0:22:20 | 0:22:22 | |
-Sure? -Yes. | 0:22:22 | 0:22:23 | |
-Hello, hello, hello. -Adge is a well-known face about town. | 0:22:23 | 0:22:27 | |
-Hello. -All right? -Yeah, not bad. | 0:22:28 | 0:22:30 | |
-How's your luck? -Ugh. | 0:22:31 | 0:22:32 | |
HE LAUGHS | 0:22:32 | 0:22:34 | |
Even if Adge can't serve the notice, just getting the word out | 0:22:34 | 0:22:39 | |
on the street may be enough to force the squatters to leave the graveyard. | 0:22:39 | 0:22:43 | |
While they're walking, | 0:22:43 | 0:22:44 | |
Adge manages to contact the girlfriend of one of the suspects. | 0:22:44 | 0:22:48 | |
Right, where is he now? Where is he? | 0:22:48 | 0:22:51 | |
She's in the city centre, so is he somewhere. They're not together. | 0:22:52 | 0:22:56 | |
He's in the city centre somewhere, so she says. | 0:22:56 | 0:22:59 | |
But Bath city centre is fairly large. | 0:22:59 | 0:23:01 | |
So, Adge and Julie look to some of the local street drinkers | 0:23:01 | 0:23:04 | |
for information, | 0:23:04 | 0:23:06 | |
most of whom they are on first-name terms with. | 0:23:06 | 0:23:08 | |
-Do you know where Ben is? -I haven't seen him. Not today, anyway. | 0:23:09 | 0:23:12 | |
You're Duncan, ain't you? | 0:23:12 | 0:23:14 | |
Bloody hell, good enough to loan it out but where are they behind you? | 0:23:14 | 0:23:16 | |
Yeah, he's not in trouble, I just need to give him something, | 0:23:16 | 0:23:19 | |
-that's all. -Bath has a small homeless population | 0:23:19 | 0:23:21 | |
and they all tend to know each other. | 0:23:21 | 0:23:23 | |
Adge knows that everything he's said will make its way back | 0:23:23 | 0:23:26 | |
to the graveyard squatters. | 0:23:26 | 0:23:29 | |
-Hello. -Hello, mate. | 0:23:29 | 0:23:30 | |
There's no sign of either the man or his girlfriend in town. | 0:23:31 | 0:23:35 | |
But the word is out on the street and that might be enough. | 0:23:35 | 0:23:38 | |
Later, Adge returns to the cemetery | 0:23:41 | 0:23:44 | |
and it looks like his plan has worked. | 0:23:44 | 0:23:46 | |
The camp and all the mess surrounding it has finally gone. | 0:23:46 | 0:23:50 | |
At last, the graves are back to their respectful state. | 0:23:51 | 0:23:55 | |
The combined force of the council | 0:23:56 | 0:23:59 | |
and the neighbourhood police has been effective. | 0:23:59 | 0:24:02 | |
I'm not all about, you know, arresting people | 0:24:02 | 0:24:05 | |
and chucking them in prison, all that kind of stuff. | 0:24:05 | 0:24:07 | |
We want to achieve what's best for the community | 0:24:07 | 0:24:10 | |
and what's best for this situation here. | 0:24:10 | 0:24:12 | |
And that is them not camping here, | 0:24:12 | 0:24:15 | |
so therefore people can now come back to this graveyard | 0:24:15 | 0:24:17 | |
and sit in quiet contemplation, | 0:24:17 | 0:24:19 | |
which is what these places are all about. | 0:24:19 | 0:24:21 | |
It's not a camping site. | 0:24:21 | 0:24:22 | |
So that legislation really worked and our pressure on them | 0:24:22 | 0:24:25 | |
really worked as well and we've achieved what we want to achieve. | 0:24:25 | 0:24:28 | |
On to the next one. | 0:24:28 | 0:24:30 | |
It's early evening on the Bournville Estate in Weston-super-Mare. | 0:24:39 | 0:24:43 | |
Gemma Harper and Alice Durston have received information | 0:24:43 | 0:24:46 | |
about some suspicious activity. | 0:24:46 | 0:24:48 | |
Yes, she ran a report of two young lads walking around with | 0:24:48 | 0:24:52 | |
a telly under their arm, quite a big flatscreen TV. | 0:24:52 | 0:24:55 | |
Um, so it's probably worth us stopping | 0:24:55 | 0:24:58 | |
and speaking to them and finding out where they got it from. | 0:24:58 | 0:25:01 | |
Yeah, control. Is there another unit | 0:25:01 | 0:25:03 | |
that can come down on to Bournville, please? | 0:25:03 | 0:25:05 | |
It's not illegal to take a TV out for a walk but it is unusual. | 0:25:05 | 0:25:10 | |
-And the officers know one of their suspects all too well. -Adam! | 0:25:10 | 0:25:14 | |
It seems he's not so keen on a catch-up. | 0:25:14 | 0:25:16 | |
Before the officers turn a corner, the men have scarpered. | 0:25:16 | 0:25:20 | |
There's a chap who walked down there with a telly. | 0:25:20 | 0:25:23 | |
The back alleyways of the Bournville are a maze and the two suspects | 0:25:23 | 0:25:27 | |
have gone off in different directions. | 0:25:27 | 0:25:29 | |
Gemma and Alice do the same | 0:25:29 | 0:25:31 | |
but they've got the advantage of being in radio contact. | 0:25:31 | 0:25:34 | |
Yeah, Gem. I'll come back towards you there, mate. | 0:25:34 | 0:25:37 | |
They know this patch well and all its usual hiding places. | 0:25:37 | 0:25:41 | |
Gemma has caught up with one of them. | 0:25:43 | 0:25:45 | |
The male that was holding the TV. However... | 0:25:45 | 0:25:49 | |
He doesn't have the TV with him now. | 0:25:49 | 0:25:51 | |
-All right? -Yeah. | 0:25:51 | 0:25:53 | |
I shouted at you, you didn't stop. Didn't want to chat? | 0:25:53 | 0:25:56 | |
Just trying to help someone out, that was all. I ain't doing nothing. | 0:25:56 | 0:25:59 | |
Who were you with? | 0:25:59 | 0:26:01 | |
Well, just with a few mates. | 0:26:01 | 0:26:03 | |
I weren't doing nothing, just helping people out. | 0:26:03 | 0:26:05 | |
I know, but you walking around the estate with a telly | 0:26:05 | 0:26:07 | |
under your arm looks a bit suspicious, doesn't it? | 0:26:07 | 0:26:09 | |
I was only walking from one end of the park to the other. | 0:26:09 | 0:26:12 | |
There weren't no drama. | 0:26:12 | 0:26:13 | |
The man's not denying he had a TV | 0:26:13 | 0:26:15 | |
but that's about all he'll say on the matter. | 0:26:15 | 0:26:17 | |
I don't want nothing to do with it | 0:26:17 | 0:26:19 | |
because I don't want to get in trouble. | 0:26:19 | 0:26:20 | |
-Where's the telly now? -Gone back with its rightful owner. | 0:26:20 | 0:26:23 | |
-And who's that? -Someone who was helping me trying to sell it. | 0:26:24 | 0:26:28 | |
I ain't getting involved. | 0:26:28 | 0:26:30 | |
Well, you were carrying it, that's the problem, isn't it? | 0:26:30 | 0:26:32 | |
All I was doing was helping him out. | 0:26:32 | 0:26:34 | |
I ain't even going to go anywhere near it, man. | 0:26:34 | 0:26:36 | |
I know, the thing is, Ad, right? | 0:26:36 | 0:26:37 | |
Is there's an offence of handling stolen goods, | 0:26:37 | 0:26:39 | |
-which I'm pretty sure you heard of. -Yeah, of course I have. | 0:26:39 | 0:26:42 | |
And if that telly is stolen... | 0:26:42 | 0:26:43 | |
Obviously, we don't have it to check that, | 0:26:43 | 0:26:45 | |
but if it is stolen and you were found in possession of it, | 0:26:45 | 0:26:48 | |
you could have been arrested for that offence, all right? So... | 0:26:48 | 0:26:50 | |
You can't handle other people's things, | 0:26:50 | 0:26:52 | |
whether you're doing a favour for them or not, you can't do it. | 0:26:52 | 0:26:55 | |
Because you're going to get yourself in trouble. All right, fair enough? | 0:26:55 | 0:26:58 | |
-All right, yeah. -All right, see you later. -See you later. | 0:26:58 | 0:27:02 | |
This is a case lacking a crime. | 0:27:02 | 0:27:05 | |
The TV needs to be reported stolen before anything can be done. | 0:27:05 | 0:27:08 | |
The next morning, an elderly man living in a sheltered housing block | 0:27:11 | 0:27:14 | |
reports a theft. | 0:27:14 | 0:27:16 | |
Police send forensics around straightaway | 0:27:16 | 0:27:19 | |
to see if they can get prints. | 0:27:19 | 0:27:21 | |
Forensics report a positive match for a fingerprint | 0:27:21 | 0:27:24 | |
and it isn't the man they stopped yesterday. | 0:27:24 | 0:27:27 | |
But it is someone known to the police. | 0:27:28 | 0:27:31 | |
The gentleman around there said he'd seen him | 0:27:31 | 0:27:33 | |
running round these backstreets there. | 0:27:33 | 0:27:35 | |
With the suspect's description circulated, | 0:27:35 | 0:27:38 | |
all eyes are searching for him. | 0:27:38 | 0:27:40 | |
CCTV operators spot someone they think matches his description | 0:27:40 | 0:27:44 | |
and Sergeant Colin Batchelor is on his way to check him out. | 0:27:44 | 0:27:47 | |
We've got CCTV monitoring, | 0:27:47 | 0:27:48 | |
we've got plainclothes units trying to keep an eye on him. | 0:27:48 | 0:27:51 | |
So basically, we'll see if we can go and grab him and lock him up for it. | 0:27:51 | 0:27:56 | |
As they approach the back of the high street, all eyes are on the suspect. | 0:27:56 | 0:28:00 | |
This man is going nowhere. | 0:28:00 | 0:28:02 | |
All right, fella? Come with me, you're under arrest, OK? | 0:28:05 | 0:28:08 | |
-What for? -Put your hands behind your back. | 0:28:08 | 0:28:09 | |
-You're under arrest for suspicion of burglary. -Suspicion of burglary? | 0:28:09 | 0:28:13 | |
-Who do you think I am? -Yeah. You're Rob, innit? -No, I'm not, I'm Ben. | 0:28:13 | 0:28:15 | |
-I'm Ben. -Hey? -Check. -Wait, wait, wait. | 0:28:15 | 0:28:17 | |
-Look, check with Tony on the radio. Ask if Ben -BLEEP. | 0:28:17 | 0:28:20 | |
Colin checks the police database and this guy is telling the truth. | 0:28:20 | 0:28:24 | |
He's not their man. | 0:28:24 | 0:28:26 | |
It's a case of mistaken identity. | 0:28:26 | 0:28:28 | |
Hardly surprising as this is the suspect's brother. | 0:28:28 | 0:28:32 | |
Someone has picked you up... Let me just explain. | 0:28:32 | 0:28:34 | |
Someone has picked you up, thought you for your brother. | 0:28:34 | 0:28:37 | |
I need to talk to him about an incident he knows about. | 0:28:37 | 0:28:41 | |
And obviously, they thought it was you, all right? | 0:28:41 | 0:28:43 | |
I've never met you before and I've never met your brother before, | 0:28:43 | 0:28:46 | |
all right? So obviously... Yeah, I think they're happy it's Ben. | 0:28:46 | 0:28:49 | |
-So, my apologies, all right? I'm big enough to say I'm sorry. -No worries. | 0:28:49 | 0:28:52 | |
-All right? -I was saying, "Whoa, I ain't done nothing wrong!" | 0:28:52 | 0:28:55 | |
-All right, thanks anyway. -At least not with burglaries. -All right, OK. | 0:28:55 | 0:28:58 | |
While that wasn't the right man, the info is he's around here somewhere. | 0:28:58 | 0:29:01 | |
We're trying to get some information, quick time, | 0:29:01 | 0:29:03 | |
to find out where he is. | 0:29:03 | 0:29:04 | |
'Update, on the subject of Ben. | 0:29:07 | 0:29:09 | |
'Run off down towards the Boulevard direction, | 0:29:09 | 0:29:12 | |
'off the side of Palmer Street.' | 0:29:12 | 0:29:14 | |
He's just run off round the back of here somewhere. | 0:29:14 | 0:29:17 | |
The problem is he'll go to ground now and we'll lose him. | 0:29:17 | 0:29:20 | |
'We're currently on the Boulevard.' | 0:29:20 | 0:29:22 | |
After an extensive search, | 0:29:22 | 0:29:23 | |
Colin has to accept that the man has probably gone to ground. | 0:29:23 | 0:29:27 | |
So, he collects Kellie Millier and heads round to see the victim. | 0:29:27 | 0:29:31 | |
Can we see him? | 0:29:31 | 0:29:32 | |
-What's gone on, then? Obviously, your TV has been stolen. -Yeah. -Yeah? | 0:29:34 | 0:29:37 | |
-And you went out at 6.30? -Yeah, and I came back at 8.30. | 0:29:37 | 0:29:41 | |
There was two people seen, I think, around seven o'clock on the night. | 0:29:41 | 0:29:48 | |
-So you went out about 6.30? -Six, yeah. | 0:29:48 | 0:29:49 | |
-And one of them was carrying a TV. -Yeah. | 0:29:49 | 0:29:52 | |
-So when you went out, did you lock up? -No. -No? You didn't lock up? | 0:29:52 | 0:29:56 | |
I never lock up. | 0:29:56 | 0:29:57 | |
The man has left his flat door unlocked for weeks on end | 0:29:57 | 0:30:01 | |
since losing his key, hoping that the lock in the communal door | 0:30:01 | 0:30:04 | |
to his sheltered housing would provide enough security. | 0:30:04 | 0:30:08 | |
So they've obviously come in through your front door. | 0:30:08 | 0:30:10 | |
They've just walked in, haven't they? Cos it's not locked. | 0:30:10 | 0:30:13 | |
I thought... | 0:30:13 | 0:30:15 | |
-What am I doing? -It's obviously made it easy for that person. | 0:30:15 | 0:30:19 | |
But how can they get in? | 0:30:19 | 0:30:20 | |
In the evening, all it takes is someone else | 0:30:20 | 0:30:23 | |
to let someone in by mistake or... | 0:30:23 | 0:30:25 | |
Unfortunately for the man, | 0:30:25 | 0:30:27 | |
opportunist thieves were quick to take advantage. | 0:30:27 | 0:30:30 | |
Kellie will make sure it can't happen again. | 0:30:30 | 0:30:33 | |
-We'll sort out a key for you. -Will you? | 0:30:33 | 0:30:35 | |
And if we can't get a key, | 0:30:35 | 0:30:36 | |
we'll get your locks changed for you, all right? | 0:30:36 | 0:30:38 | |
-Thank God you're working here. -Well, someone's got to, haven't they? | 0:30:38 | 0:30:42 | |
Yeah, this is it. | 0:30:42 | 0:30:43 | |
Kellie wants to make sure the man's flat is secured as soon as possible. | 0:30:43 | 0:30:47 | |
So, next morning, she's back with a locksmith from the man's | 0:30:47 | 0:30:50 | |
housing provider who changes the locks, free of charge. | 0:30:50 | 0:30:54 | |
That's obviously just taken a couple of minutes to change the locks | 0:30:56 | 0:30:59 | |
but it'll can make a massive difference to the victim's safety | 0:30:59 | 0:31:02 | |
and his life going forward. | 0:31:02 | 0:31:03 | |
The man's home is secure and Colin received some good news. | 0:31:03 | 0:31:07 | |
It turns out the suspect was on bail for another offence. | 0:31:07 | 0:31:10 | |
So, when he had an appointment at the police station, | 0:31:10 | 0:31:12 | |
he was promptly arrested. | 0:31:12 | 0:31:14 | |
He's denied the offence. | 0:31:14 | 0:31:16 | |
However, due to the weight of evidence against him, | 0:31:16 | 0:31:20 | |
we have charged him with burglary. | 0:31:20 | 0:31:22 | |
So, he's been remanded, he'll stay in the cells overnight. | 0:31:22 | 0:31:25 | |
And as I say, the magistrates will decide his future from there. | 0:31:25 | 0:31:28 | |
So, it's a real result. | 0:31:28 | 0:31:29 | |
So I just need to let the victim know, | 0:31:29 | 0:31:31 | |
which I'm sure he'll be really pleased. | 0:31:31 | 0:31:32 | |
-Seven o'clock... -The case is still being investigated. | 0:31:34 | 0:31:37 | |
-Thank you! -Life on the beat is always varied. | 0:31:46 | 0:31:50 | |
And neighbourhood teams can never predict what the day might bring. | 0:31:50 | 0:31:54 | |
But sometimes, officers get a call | 0:31:54 | 0:31:56 | |
that all the training in the world can't prepare them for. | 0:31:56 | 0:31:59 | |
In Bridgwater, PCSO Chris Hinchcliffe has been called | 0:32:00 | 0:32:03 | |
to help with a rather unusual problem. | 0:32:03 | 0:32:06 | |
And it's not really a police matter. | 0:32:06 | 0:32:08 | |
Apparently, there's a swarm of bees. | 0:32:09 | 0:32:11 | |
Um, I can't see them at the moment | 0:32:11 | 0:32:13 | |
but they're supposed to be around here somewhere. | 0:32:13 | 0:32:15 | |
Somebody spotted the swarm of bees, panicked and called 101. | 0:32:15 | 0:32:20 | |
They should have called the council | 0:32:20 | 0:32:22 | |
but since the report said the bees were preventing people from getting | 0:32:22 | 0:32:25 | |
into their cars, Chris and Jo Farrow have been called to investigate. | 0:32:25 | 0:32:30 | |
This is the most unusual job I think I've been sent to. | 0:32:30 | 0:32:33 | |
When I got the call, | 0:32:33 | 0:32:34 | |
I had to ask twice to see if I actually heard them correctly. | 0:32:34 | 0:32:38 | |
Now that they're here, the PCSOs can manage traffic. | 0:32:38 | 0:32:41 | |
You'll have to park at the end. | 0:32:41 | 0:32:43 | |
Jo has already called in Richard, a local beekeeper, | 0:32:43 | 0:32:46 | |
to deal with the problem. | 0:32:46 | 0:32:48 | |
-We have the beekeeper. -OK. | 0:32:48 | 0:32:50 | |
He's caught the bees in a box and he's managed to find the queen bee. | 0:32:50 | 0:32:54 | |
This swarm of bees has gathered in the car park. | 0:32:54 | 0:32:57 | |
As long as they are there, people can't get into their cars. | 0:32:57 | 0:33:00 | |
There were three patches of bees. You can see one over there. | 0:33:00 | 0:33:04 | |
Where it's gone. | 0:33:04 | 0:33:05 | |
And there was one there and there was a big one here on the floor. | 0:33:05 | 0:33:08 | |
I think the queen is slightly damaged. | 0:33:08 | 0:33:10 | |
And she was having difficulty keeping up with the swarm. | 0:33:10 | 0:33:14 | |
Richard has already caught the queen bee and put her into the box. | 0:33:14 | 0:33:18 | |
And where she goes, the rest will follow. | 0:33:18 | 0:33:21 | |
But because the queen bee is damaged, not all the bees are following her. | 0:33:21 | 0:33:25 | |
Jo is taking a softly-softly approach on this sting operation. | 0:33:26 | 0:33:30 | |
We've decided not to cordon it because you've got | 0:33:30 | 0:33:33 | |
the bees that are on the floor, you've also got the vehicles. | 0:33:33 | 0:33:36 | |
If we were to cordon the area and put the cones and police tape up, | 0:33:36 | 0:33:41 | |
we're going to end up getting people phoning us, | 0:33:41 | 0:33:43 | |
asking if they can move their vehicles and things. | 0:33:43 | 0:33:46 | |
It's a windy day and the beekeeper has had to improvise. | 0:33:47 | 0:33:51 | |
-What's with the boot over there? -The boots? | 0:33:51 | 0:33:54 | |
The boots is on the box to keep the box shut. | 0:33:54 | 0:33:57 | |
The majority of the bees are clustered around the queen | 0:33:57 | 0:34:00 | |
inside the box but there's still lots flying around. | 0:34:00 | 0:34:04 | |
-Oh! -SHE LAUGHS | 0:34:04 | 0:34:07 | |
That is the worst thing to do, is panic. | 0:34:07 | 0:34:10 | |
-Aggravate them? -Yeah. | 0:34:10 | 0:34:11 | |
With the bees escaping the car park, | 0:34:11 | 0:34:13 | |
Richard needs to get the box into his van quickly. | 0:34:13 | 0:34:16 | |
No, there's not many on the floor. Look. | 0:34:17 | 0:34:19 | |
We will observe from a distance. | 0:34:23 | 0:34:24 | |
Yeah, they're already coming over here. | 0:34:25 | 0:34:27 | |
Right. | 0:34:28 | 0:34:30 | |
In order to protect me, | 0:34:32 | 0:34:33 | |
I'm going to put some hessian sacking over the top. | 0:34:33 | 0:34:35 | |
I'm not going to make sure they're all in the box. | 0:34:35 | 0:34:39 | |
Um, I used to Sellotape them up to the nth degree. | 0:34:39 | 0:34:43 | |
But now, I don't bother... | 0:34:45 | 0:34:46 | |
..if a bee escapes. | 0:34:47 | 0:34:49 | |
Richard heads back to his hive. | 0:34:53 | 0:34:55 | |
There are a few stragglers left behind | 0:34:55 | 0:34:57 | |
but not enough to cause any issues. | 0:34:57 | 0:35:00 | |
So, we'll just leave them to disperse themselves. | 0:35:00 | 0:35:03 | |
He said that by nightfall, they should have all disappeared | 0:35:03 | 0:35:06 | |
and found somewhere else to go anyway. | 0:35:06 | 0:35:08 | |
With the situation under control, | 0:35:08 | 0:35:11 | |
it's time for Chris and Jo to buzz off... | 0:35:11 | 0:35:13 | |
HE LAUGHS | 0:35:13 | 0:35:15 | |
..and get back to some proper police work. | 0:35:15 | 0:35:17 | |
Last year, more than 115,000 people were injured | 0:35:28 | 0:35:31 | |
in car accidents on Britain's roads. | 0:35:31 | 0:35:34 | |
In Bridgwater, Tex Freeman and PCSO Dan Wheller | 0:35:38 | 0:35:42 | |
have received an urgent call to attend an accident. | 0:35:42 | 0:35:45 | |
Newton Road, two vehicles. One complaining of chest pains. | 0:35:47 | 0:35:51 | |
It's midday and busy roads mean just reaching the scene is a challenge. | 0:35:51 | 0:35:55 | |
Yeah, it's quite narrow down through there. | 0:35:55 | 0:35:57 | |
Especially when drivers won't pull over. | 0:35:57 | 0:35:59 | |
Show yourself. Look, look, look! | 0:35:59 | 0:36:03 | |
At the minute, we've just got a two-vehicle road traffic collision. | 0:36:03 | 0:36:06 | |
Apparently, his injury, somebody complaining of chest pains. | 0:36:06 | 0:36:09 | |
So whilst ambulance are obviously having a look at them, | 0:36:09 | 0:36:13 | |
we're going to try and make the road safe | 0:36:13 | 0:36:15 | |
and then we'll manoeuvre the vehicles as and when we can. | 0:36:15 | 0:36:18 | |
We get called to road traffic accidents all the time. | 0:36:19 | 0:36:22 | |
Covering the rural area, | 0:36:22 | 0:36:23 | |
we go to more RTCs than most maybe within the towns. | 0:36:23 | 0:36:26 | |
What do you need doing, buddy? | 0:36:26 | 0:36:28 | |
At the scene, Tex assesses the situation. | 0:36:28 | 0:36:30 | |
Five people have been hurt. | 0:36:31 | 0:36:33 | |
Yeah, it's never nice turning up at a road traffic collision | 0:36:33 | 0:36:36 | |
because you never know what you're going to find when you get there. | 0:36:36 | 0:36:39 | |
You don't know how badly injured the people are. | 0:36:39 | 0:36:41 | |
It looks like quite a nasty accident. | 0:36:41 | 0:36:43 | |
There's bad damage to both cars and there's a lot of debris in the road. | 0:36:43 | 0:36:48 | |
While the medics are busy doing their job, | 0:36:48 | 0:36:51 | |
it's Tex's job to get the traffic moving again. | 0:36:51 | 0:36:54 | |
There's a bit behind you, mate. | 0:36:54 | 0:36:55 | |
If he doesn't get on top of it soon, there'll be a major jam. | 0:36:55 | 0:36:59 | |
But the volume of cars is making the task difficult. | 0:36:59 | 0:37:02 | |
Dan, what we do in a minute... | 0:37:02 | 0:37:04 | |
Stop that, let them out, and then we'll do this. | 0:37:04 | 0:37:07 | |
Because ambulance are already here, it's important that we | 0:37:09 | 0:37:11 | |
control the scene, we leave them to deal with the casualties. | 0:37:11 | 0:37:14 | |
And we crack on with making sure that the scene's secure | 0:37:14 | 0:37:17 | |
and that there's no other accidents occur while here. | 0:37:17 | 0:37:19 | |
I'll hold these. Stop them down there and we'll let them out, yeah? | 0:37:21 | 0:37:24 | |
This is the A38. | 0:37:24 | 0:37:26 | |
On a busy road like this, the traffic builds up quickly | 0:37:26 | 0:37:29 | |
and a delay can cause chaos. | 0:37:29 | 0:37:31 | |
As you can see, it backs up fairly quickly. | 0:37:32 | 0:37:34 | |
Busy roads, just trying to keep it going as quick as we can. | 0:37:34 | 0:37:38 | |
And swing my arm quite a lot. | 0:37:38 | 0:37:40 | |
The collisions happened at a busy junction. | 0:37:43 | 0:37:45 | |
So they don't just have to get the traffic to go around | 0:37:46 | 0:37:49 | |
the crashed cars, but also manoeuvre them down a road | 0:37:49 | 0:37:52 | |
half-blocked by the smash. | 0:37:52 | 0:37:54 | |
HE BEEPS HORN | 0:37:54 | 0:37:56 | |
Oh, you don't see that on the road very often, do you? | 0:37:56 | 0:37:58 | |
Paramedic Dean Wiltshire was one of the first to reach the scene. | 0:37:58 | 0:38:02 | |
It's taken quite a long time to clear the scene up | 0:38:02 | 0:38:04 | |
because of the amount of people involved. | 0:38:04 | 0:38:05 | |
We need to make sure that everybody is assessed individually | 0:38:05 | 0:38:08 | |
and that can take some time to do. | 0:38:08 | 0:38:10 | |
To make sure everyone's OK, | 0:38:10 | 0:38:12 | |
five of the six occupants of the cars are taken to hospital for assessment. | 0:38:12 | 0:38:16 | |
Looking at it, obviously it's a minor injury road traffic collision. | 0:38:16 | 0:38:19 | |
So, colleagues will be taking an accident report. | 0:38:19 | 0:38:21 | |
That vehicle will be collected. | 0:38:21 | 0:38:23 | |
The road is almost clear once ambulance have moved. | 0:38:23 | 0:38:27 | |
And just half an hour after arriving at the scene, | 0:38:27 | 0:38:30 | |
Tex and Dan have got the road open again | 0:38:30 | 0:38:32 | |
and the traffic can move freely. | 0:38:32 | 0:38:34 | |
Unfortunately, you wouldn't believe how many RTCs | 0:38:34 | 0:38:37 | |
we attend week in, week out. | 0:38:37 | 0:38:39 | |
Lucky on this occasion there's minor injuries | 0:38:39 | 0:38:41 | |
and the good thing is that everyone is going to go home | 0:38:41 | 0:38:43 | |
at the end of the day safe and well back to their families. | 0:38:43 | 0:38:46 | |
Bridgwater is a town with a problem. | 0:38:52 | 0:38:55 | |
Most of the kids here may only be seven years old | 0:38:55 | 0:38:59 | |
-but they hope to be part of the solution. -When it's... | 0:38:59 | 0:39:02 | |
rude and mean and not nice, I think they shouldn't do it. | 0:39:02 | 0:39:07 | |
There's been a spate of graffiti, including lewd language | 0:39:07 | 0:39:11 | |
and drawings which local children are exposed to while playing. | 0:39:11 | 0:39:16 | |
It is not very nice for children to see it. | 0:39:16 | 0:39:18 | |
Like, they should be able to grow up in a place that is a clean | 0:39:18 | 0:39:22 | |
environment and they don't have to worry about walking | 0:39:22 | 0:39:24 | |
down the street and seeing something obscene. | 0:39:24 | 0:39:27 | |
There are ways of possibly a bit of parental... | 0:39:27 | 0:39:29 | |
Studies have shown that any area that falls victim to graffiti | 0:39:29 | 0:39:33 | |
is more likely to draw in other crimes | 0:39:33 | 0:39:36 | |
as people think that nobody cares. | 0:39:36 | 0:39:38 | |
So, neighbourhood police work hard to catch people who graffiti | 0:39:38 | 0:39:42 | |
and get the worst-affected areas cleaned up. | 0:39:42 | 0:39:45 | |
In Bridgwater, PCSO Chris Hinchcliffe | 0:39:46 | 0:39:49 | |
is out on patrol in an area that has been a magnet for vandals. | 0:39:49 | 0:39:52 | |
Underneath the underpass here, you can see there are lots of squiggles | 0:39:54 | 0:39:57 | |
and tags and things like that. | 0:39:57 | 0:39:59 | |
None of it I would really call art. | 0:39:59 | 0:40:02 | |
Nationwide, councils spend around £1 billion a year | 0:40:02 | 0:40:06 | |
cleaning up graffiti. | 0:40:06 | 0:40:08 | |
But that's not the only way to tackle this problem. | 0:40:08 | 0:40:11 | |
There's two ways of getting about it, really. | 0:40:11 | 0:40:13 | |
One of which is just basically cleaning up all the graffiti | 0:40:13 | 0:40:16 | |
that you see around Bridgwater. | 0:40:16 | 0:40:18 | |
And the other side of it is to try and deter people from doing it. | 0:40:18 | 0:40:22 | |
A pumping station for a local water company has repeatedly | 0:40:22 | 0:40:25 | |
been targeted by graffiti taggers. | 0:40:25 | 0:40:28 | |
Yeah, Wessex Water have put in a lot of money into cleaning | 0:40:28 | 0:40:31 | |
the graffiti off of this wall | 0:40:31 | 0:40:34 | |
and it just keeps coming back. | 0:40:34 | 0:40:36 | |
So, Wessex Water have given us the thumbs up | 0:40:37 | 0:40:41 | |
to do something with it by getting people from the local community | 0:40:41 | 0:40:45 | |
to paint something nice on there. | 0:40:45 | 0:40:48 | |
So, the neighbourhood police have teamed up | 0:40:48 | 0:40:50 | |
with the local water company to design a mural | 0:40:50 | 0:40:53 | |
in collaboration with the local children. | 0:40:53 | 0:40:56 | |
Something that people are going to love to see and, like, | 0:40:56 | 0:40:59 | |
not want to cover up like they do with normal graffiti. | 0:40:59 | 0:41:03 | |
Chris and PCSO Jo Farrow are working with a youth centre | 0:41:03 | 0:41:06 | |
to run workshops where young designers can get creative. | 0:41:06 | 0:41:10 | |
That's really good drawings. You've done this before, haven't you? | 0:41:10 | 0:41:13 | |
As it's a pumping station that's being painted, | 0:41:13 | 0:41:16 | |
the theme for the mural will be water-related. | 0:41:16 | 0:41:20 | |
The concept behind it is what not to throw down the toilet | 0:41:20 | 0:41:22 | |
and what to throw down the toilet. | 0:41:22 | 0:41:24 | |
So it's quite a difficult concept to get children's head around, | 0:41:24 | 0:41:28 | |
let's say. | 0:41:28 | 0:41:30 | |
But we're working well with it. | 0:41:30 | 0:41:31 | |
The designer's already sketched out the layout for the wall. | 0:41:31 | 0:41:34 | |
The kids then add their own elements to make it | 0:41:34 | 0:41:37 | |
a truly collaborative work. | 0:41:37 | 0:41:39 | |
I like this. This is great. | 0:41:39 | 0:41:40 | |
-Yeah, really, really good. -Some really good stuff. | 0:41:40 | 0:41:43 | |
We've even got earwax on the end of your cotton buds. They're fantastic. | 0:41:43 | 0:41:46 | |
Are you going to come down and do the actual painting on the wall? | 0:41:46 | 0:41:49 | |
-Yeah. -Please do! | 0:41:49 | 0:41:50 | |
The big day dawns and the pumping station wall has been painted white | 0:41:54 | 0:41:58 | |
in preparation for the mural. | 0:41:58 | 0:42:00 | |
If you get them to bring the paint over a little bit, | 0:42:05 | 0:42:07 | |
because I'm going to be going up the ladder. | 0:42:07 | 0:42:10 | |
We're going to do that bit over there, it's blue. | 0:42:10 | 0:42:12 | |
It's been really, like, fun. | 0:42:12 | 0:42:13 | |
It gives you something to do in the holidays. | 0:42:13 | 0:42:16 | |
Turning out quite well. | 0:42:16 | 0:42:17 | |
This design, with its toilets, may not be to everyone's taste. | 0:42:20 | 0:42:24 | |
And it could be changed again in the future. | 0:42:24 | 0:42:26 | |
But it's a lot better than the graffiti that was here before. | 0:42:26 | 0:42:30 | |
We've been working with the PCSOs Jo and Chris. | 0:42:31 | 0:42:34 | |
They've been fantastic. | 0:42:34 | 0:42:36 | |
Great at organising everything, releasing information | 0:42:36 | 0:42:39 | |
to the residents, local residents around here. | 0:42:39 | 0:42:42 | |
They've been really, really good and I'd like to say thank you | 0:42:42 | 0:42:45 | |
to them both because without them, this project wouldn't have happened. | 0:42:45 | 0:42:48 | |
-Think we're all done. -Yep. | 0:42:48 | 0:42:50 | |
Don't lie! You missed a bit. | 0:42:50 | 0:42:51 | |
As we've seen today, | 0:43:01 | 0:43:03 | |
the neighbourhood police work hard getting drugs off our streets | 0:43:03 | 0:43:06 | |
and tackling antisocial behaviour, | 0:43:06 | 0:43:09 | |
making our communities safer places to live. | 0:43:09 | 0:43:12 | |
See you again next time. | 0:43:12 | 0:43:14 |