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The friendly, caring bobby pounding the beat | 0:00:02 | 0:00:04 | |
has always been the hallmark of British policing. | 0:00:04 | 0:00:07 | |
Fantastic. The pleasure's been all mine, my friend. | 0:00:07 | 0:00:09 | |
And has even been immortalised on film | 0:00:09 | 0:00:12 | |
by the fictional Dixon Of Dock Green. Good evening, all. | 0:00:12 | 0:00:17 | |
Today's neighbourhood police teams continue that tradition. | 0:00:17 | 0:00:21 | |
But also tackle the root causes of crime head-on | 0:00:21 | 0:00:25 | |
by targeting known hot spots... | 0:00:25 | 0:00:27 | |
Unlucky. ..stamping down on antisocial behaviour... | 0:00:27 | 0:00:30 | |
I'm arresting you for a public order offence. | 0:00:30 | 0:00:32 | |
..and waging war on illegal drugs. | 0:00:32 | 0:00:35 | |
I can smell cannabis already. | 0:00:35 | 0:00:36 | |
In this new series of Neighbourhood Blues, | 0:00:36 | 0:00:39 | |
we follow the police men and women of Somerset, as they continue | 0:00:39 | 0:00:42 | |
their quest to make our streets a safer place. | 0:00:42 | 0:00:47 | |
Coming up... | 0:01:01 | 0:01:02 | |
storming a terraced house looking for a suspected drug dealer | 0:01:02 | 0:01:06 | |
who's making his neighbours' lives hell. | 0:01:06 | 0:01:10 | |
Police! Warrant! | 0:01:10 | 0:01:11 | |
You need to calm down. This is happening. | 0:01:11 | 0:01:14 | |
The confessions of a supermarket shoplifter | 0:01:14 | 0:01:17 | |
caught red-handed. | 0:01:17 | 0:01:18 | |
Man, my head's all over the place and I admit I'm guilty. | 0:01:18 | 0:01:22 | |
And on the hunt for the person behind a rash of Nazi hate mail. | 0:01:23 | 0:01:27 | |
If you're unlucky enough to live in a neighbourhood where there's drug | 0:01:34 | 0:01:37 | |
dealing going on, you'll be aware of the sorts of antisocial behaviour | 0:01:37 | 0:01:41 | |
it can cause. | 0:01:41 | 0:01:42 | |
The neighbourhood teams try to encourage people | 0:01:42 | 0:01:45 | |
who suspect dealers are in their street to come forward, | 0:01:45 | 0:01:48 | |
so the police can take swift action to shut them down. | 0:01:48 | 0:01:51 | |
At Bridgwater police station, | 0:01:53 | 0:01:55 | |
Rich Smith has called a team briefing to discuss plans for | 0:01:55 | 0:01:59 | |
an early-morning drugs raid. | 0:01:59 | 0:02:01 | |
First of all, thanks for coming today. | 0:02:01 | 0:02:04 | |
Reports have come in of a 17-year-old suspect who is believed | 0:02:04 | 0:02:09 | |
to have been dealing drugs from the garage of his family home. | 0:02:09 | 0:02:13 | |
So, Rich has secured a warrant to raid the property this morning. | 0:02:13 | 0:02:17 | |
For the last several months, | 0:02:17 | 0:02:18 | |
they've been stealing from the garage at the back. | 0:02:18 | 0:02:21 | |
They're in there for about two minutes and they're gone. | 0:02:21 | 0:02:23 | |
We're talking up to, say, 15... | 0:02:23 | 0:02:25 | |
up to, one evening, about 15, 20 people. | 0:02:25 | 0:02:27 | |
Complaints have also come in from the neighbours | 0:02:27 | 0:02:30 | |
about the strong smell of cannabis coming from the house, | 0:02:30 | 0:02:33 | |
as well as the continual flow of visitors. | 0:02:33 | 0:02:36 | |
Also getting complaints from other residents, | 0:02:36 | 0:02:38 | |
people complaining about all these boy racers' cars pulling up | 0:02:38 | 0:02:41 | |
in the middle of the road, just waiting there, | 0:02:41 | 0:02:43 | |
coming back two minutes later and driving off. | 0:02:43 | 0:02:45 | |
The intel is he is dealing from... | 0:02:45 | 0:02:47 | |
A lot of the stuff is from his bedroom. | 0:02:47 | 0:02:49 | |
The smell is mainly coming from the back, | 0:02:49 | 0:02:51 | |
so I'm believing his bedroom is at the back. | 0:02:51 | 0:02:53 | |
He has been doing it from the garage. | 0:02:53 | 0:02:55 | |
Briefing complete, it's time to hit the road. | 0:02:56 | 0:02:59 | |
It's on the left. It's about another 200 yards on the left-hand side. | 0:03:03 | 0:03:07 | |
On arrival, there's no time to lose. | 0:03:07 | 0:03:10 | |
Police! Warrant! Police! | 0:03:13 | 0:03:15 | |
We're conducting a Section 23 Misuse of Drugs Act | 0:03:17 | 0:03:19 | |
warrant on this address. | 0:03:19 | 0:03:20 | |
I believe you're dealing drugs. | 0:03:20 | 0:03:22 | |
All right? We'll be searching the house, | 0:03:22 | 0:03:24 | |
outbuildings, vehicles etc, OK? | 0:03:24 | 0:03:27 | |
Rich's ploy to hit the house early has paid off. | 0:03:27 | 0:03:29 | |
The suspect was asleep in bed until being rudely awoken by the cops. | 0:03:29 | 0:03:34 | |
Can I put some clothes on, please? | 0:03:34 | 0:03:36 | |
Yeah, in a second, in a second. Just listen to me a minute. | 0:03:36 | 0:03:38 | |
At the minute, OK, you have to do what I say, all right? | 0:03:38 | 0:03:41 | |
Can put my clothes on, please? Yeah, just give me a second. | 0:03:41 | 0:03:44 | |
Got to make sure you've got nothing in your pockets, that's all. | 0:03:44 | 0:03:46 | |
WOMAN SHOUTS | 0:03:48 | 0:03:50 | |
Other members of the suspect's family | 0:03:50 | 0:03:52 | |
have also been surprised by the raid. | 0:03:52 | 0:03:54 | |
I've got a female colleague here and they will take over from me. | 0:03:54 | 0:03:57 | |
You need to calm down. This is happening. | 0:03:57 | 0:03:59 | |
It is upsetting. I realise that. | 0:03:59 | 0:04:01 | |
Downstairs, the young suspect's mother and her partner | 0:04:01 | 0:04:05 | |
are being questioned. | 0:04:05 | 0:04:07 | |
Relation? Mother. | 0:04:07 | 0:04:08 | |
Nobody's been injured. It's all gone safely. | 0:04:08 | 0:04:11 | |
We've not had to force entry, so all good so far. | 0:04:11 | 0:04:13 | |
The team get cracking, | 0:04:13 | 0:04:15 | |
searching for evidence over and under kitchen units | 0:04:15 | 0:04:19 | |
and up in the loft. | 0:04:19 | 0:04:21 | |
I always find the best place is normally around the hatch, because | 0:04:21 | 0:04:26 | |
people are lazy, aren't they? | 0:04:26 | 0:04:27 | |
They just want to, sort of, nip up the hatch, | 0:04:27 | 0:04:29 | |
maybe under the insulation or the boarding around the hatch. | 0:04:29 | 0:04:32 | |
That tends to be the best place. | 0:04:32 | 0:04:34 | |
It's now over to sniffer dog Buddy to cast his expert eye | 0:04:34 | 0:04:38 | |
and nose over the place. | 0:04:38 | 0:04:40 | |
And it's not long before he makes a discovery | 0:04:44 | 0:04:47 | |
in the bedroom of the lad's mother and her partner. | 0:04:47 | 0:04:49 | |
Good boy, Bud. He's indicating on that. | 0:04:49 | 0:04:52 | |
That was what came out of the pillow. | 0:04:52 | 0:04:54 | |
A little bit of cannabis. | 0:04:54 | 0:04:56 | |
Happy chappy. Good boy. Well done, Bud! | 0:04:56 | 0:05:00 | |
More has been found downstairs. | 0:05:00 | 0:05:02 | |
This was located in the living room | 0:05:02 | 0:05:06 | |
and it's a bag containing vegetable matter, | 0:05:06 | 0:05:09 | |
more than likely cannabis, yes. | 0:05:09 | 0:05:11 | |
So far, the police have only found evidence of possession, not dealing | 0:05:13 | 0:05:18 | |
and it's the young suspect's mother and her partner | 0:05:18 | 0:05:21 | |
the small quantity of cannabis belongs to. | 0:05:21 | 0:05:24 | |
Because they've admitted the offence, | 0:05:24 | 0:05:25 | |
they can be issued a cannabis warning, which means they don't | 0:05:25 | 0:05:29 | |
all have to be taken into custody, clogging up custody. | 0:05:29 | 0:05:31 | |
It's not a criminal conviction, but it means it's on their record. | 0:05:31 | 0:05:34 | |
If you could sign there, please? | 0:05:34 | 0:05:37 | |
Buddy now heads out to the garage | 0:05:37 | 0:05:39 | |
to search for any more drugs or evidence of dealing. | 0:05:39 | 0:05:43 | |
Wait. | 0:05:43 | 0:05:44 | |
Good boy. | 0:05:46 | 0:05:47 | |
OK. You're interested in that. | 0:05:52 | 0:05:54 | |
Good boy. | 0:05:54 | 0:05:55 | |
You don't have to have a super-sensitive nose like Buddy's | 0:05:55 | 0:05:59 | |
to be able to notice the unmistakable stench of cannabis. | 0:05:59 | 0:06:04 | |
There might have been something in there once before, Buddy, mightn't there? | 0:06:04 | 0:06:07 | |
Oh, that stinks. | 0:06:09 | 0:06:10 | |
Hang on. | 0:06:12 | 0:06:13 | |
There was something in here, mate. | 0:06:14 | 0:06:17 | |
Even though nothing has been found in the garage today, | 0:06:17 | 0:06:20 | |
it's evident that a considerable amount of cannabis | 0:06:20 | 0:06:23 | |
was probably stored here in the past. | 0:06:23 | 0:06:25 | |
Back in the house, good news. | 0:06:27 | 0:06:29 | |
A large stash has been found. | 0:06:29 | 0:06:32 | |
The team have got the result they were hoping for. | 0:06:32 | 0:06:35 | |
There appears to be some cannabis | 0:06:35 | 0:06:37 | |
and some cash, which was found underneath the bed. | 0:06:37 | 0:06:40 | |
I'll caution you now. You do not have to say anything, | 0:06:40 | 0:06:42 | |
but it may harm your defence if you do not mention when questioned | 0:06:42 | 0:06:45 | |
something you later rely on in court. | 0:06:45 | 0:06:46 | |
Anything you do say may be given in evidence. | 0:06:46 | 0:06:48 | |
Just arrested one of the occupants on suspicion of possession | 0:06:48 | 0:06:52 | |
of a controlled drug with intent to supply, it's cannabis. | 0:06:52 | 0:06:55 | |
The teenage suspected dealer is taken away to be processed. | 0:06:55 | 0:07:00 | |
After he appeared in court, the teenager was found guilty | 0:07:00 | 0:07:03 | |
of possession with intent to supply cannabis | 0:07:03 | 0:07:05 | |
and was fined a total of ?235. | 0:07:05 | 0:07:09 | |
Whilst we've been at this address, | 0:07:11 | 0:07:13 | |
neighbours have approached us and they are really, | 0:07:13 | 0:07:15 | |
really pleased with our response. | 0:07:15 | 0:07:17 | |
They said it has been so busy for a long time and the information | 0:07:17 | 0:07:22 | |
provided to us, we've responded to and we got one in custody. | 0:07:22 | 0:07:26 | |
Bath is known as a city of literature and culture | 0:07:34 | 0:07:38 | |
and provides inspiration for writers and artists the world over. | 0:07:38 | 0:07:42 | |
But a number of art spaces and galleries have been experiencing | 0:07:44 | 0:07:48 | |
a very different type of creative expression, | 0:07:48 | 0:07:51 | |
in the form of disturbing hate mail | 0:07:51 | 0:07:55 | |
being posted through their doors and letterboxes. | 0:07:55 | 0:07:58 | |
It's caused such alarm to the recipients | 0:07:58 | 0:08:01 | |
that the police have been called in. | 0:08:01 | 0:08:03 | |
Neighbourhood officer Rob MacGyver is visiting one of the gallery | 0:08:03 | 0:08:07 | |
owners who received the leaflets, | 0:08:07 | 0:08:09 | |
in order to track down the person that sent them. | 0:08:09 | 0:08:13 | |
We are a bit worried, because we do have staff members working | 0:08:13 | 0:08:16 | |
here alone sometimes and sometimes after dark. | 0:08:16 | 0:08:18 | |
And obviously, although there are other shops around, | 0:08:18 | 0:08:21 | |
we wouldn't want it to escalate, so we are quite worried, really. OK. | 0:08:21 | 0:08:25 | |
The person responsible appears to be equating the galleries to Nazis, | 0:08:25 | 0:08:31 | |
claiming they are cultural fascists | 0:08:31 | 0:08:33 | |
for ignoring lesser-known artists like him. | 0:08:33 | 0:08:37 | |
If your staff are here and they're at all concerned about him | 0:08:37 | 0:08:40 | |
being outside, just tell them, ring 999. | 0:08:40 | 0:08:43 | |
OK? Not to be worried about that. | 0:08:43 | 0:08:46 | |
Whoever posted the threatening leaflets appears to have left | 0:08:46 | 0:08:50 | |
a vital clue on them. They have been written on the back of flyers | 0:08:50 | 0:08:54 | |
advertising the work of one particular artist | 0:08:54 | 0:08:57 | |
and Emma thinks she remembers who it is. | 0:08:57 | 0:09:01 | |
He is an artist who we had said no to in our submissions procedure. | 0:09:01 | 0:09:08 | |
Now the man is hellbent on getting his revenge on all | 0:09:10 | 0:09:14 | |
the art institutions that slighted him. | 0:09:14 | 0:09:16 | |
This really angry person, who is targeting you, you think, I mean, | 0:09:17 | 0:09:23 | |
it could escalate to anything, really, couldn't it? | 0:09:23 | 0:09:26 | |
Kind of think, well, it could've been a brick through the window, | 0:09:26 | 0:09:29 | |
maybe, or... You don't really know, because you don't know who | 0:09:29 | 0:09:32 | |
you're dealing with. Nobody really wants to be compared to a Nazi. | 0:09:32 | 0:09:35 | |
The question now is, | 0:09:35 | 0:09:37 | |
are the leaflets actually the work of the artist named on the flyer? | 0:09:37 | 0:09:41 | |
Rob and colleague Kayleigh head to the artist's home to find out | 0:09:42 | 0:09:47 | |
and what his potential involvement in the abuse is. | 0:09:47 | 0:09:50 | |
HE KNOCKS ON DOOR | 0:09:50 | 0:09:52 | |
Hello. | 0:09:52 | 0:09:53 | |
Hello, there. Can I come and have a chat for a minute? | 0:09:58 | 0:10:00 | |
Yeah, yeah, yeah. Thank you. | 0:10:00 | 0:10:02 | |
Have I dragged you out of bed? | 0:10:02 | 0:10:04 | |
Oh, sorry about that. | 0:10:04 | 0:10:06 | |
Rob needs to search the flat for evidence linking the suspect to the | 0:10:07 | 0:10:11 | |
leaflets, but before he can do that, he will have to arrest him. | 0:10:11 | 0:10:15 | |
A number of art galleries in Bath have reported to me that they've | 0:10:15 | 0:10:19 | |
received malicious communications. | 0:10:19 | 0:10:22 | |
Abusive and insulting. | 0:10:22 | 0:10:24 | |
OK? Posted through their doors. | 0:10:24 | 0:10:26 | |
Do you understand what's going on? | 0:10:26 | 0:10:28 | |
Yeah, of course I do, of course I do. Cool. OK. | 0:10:28 | 0:10:31 | |
I'm going to need to arrest you, OK? | 0:10:31 | 0:10:34 | |
Because I've got to question you about what has gone on | 0:10:34 | 0:10:37 | |
and also I need to do a search. | 0:10:37 | 0:10:38 | |
Because of what I've just said, I'm arresting you for | 0:10:38 | 0:10:42 | |
sending malicious communications, OK? | 0:10:42 | 0:10:45 | |
It's becoming apparent Rob has got the right man. | 0:10:47 | 0:10:50 | |
He's not hiding the fact | 0:10:50 | 0:10:51 | |
that he has an axe to grind with the art establishment. | 0:10:51 | 0:10:55 | |
I've been working as an artist for 35 years | 0:10:55 | 0:10:57 | |
and not made any money whatsoever, because of the gallery system. | 0:10:57 | 0:11:01 | |
OK. You seem to know what I'm talking about. | 0:11:01 | 0:11:03 | |
I approached these people and they've turned me... | 0:11:03 | 0:11:06 | |
They bring their boot down on every damn thing that I've done. | 0:11:06 | 0:11:09 | |
Look, I've got all this artwork here and they refuse to have it. | 0:11:09 | 0:11:12 | |
There's more innovations in this room than any other artist has... | 0:11:12 | 0:11:19 | |
put into an exhibition in the history of European art. | 0:11:19 | 0:11:22 | |
This is a new concept in vases. | 0:11:22 | 0:11:25 | |
Vases have been... With fixed colour areas on them. | 0:11:25 | 0:11:29 | |
Virtually since the beginning of pottery. | 0:11:29 | 0:11:32 | |
This adds a new dimension to what a vase is. | 0:11:32 | 0:11:35 | |
This adds a new dimension to what a piece of sculpture is, | 0:11:35 | 0:11:38 | |
you can interact with it and change it. | 0:11:38 | 0:11:41 | |
Maybe it's more Bath that's the problem. | 0:11:41 | 0:11:42 | |
I'm sure if you're in Shoreditch or Hoxton, | 0:11:42 | 0:11:45 | |
somewhere like that, they'd love it. | 0:11:45 | 0:11:48 | |
Art and struggle often walk hand in hand. | 0:11:48 | 0:11:51 | |
It appears, in this case, the artist blames Bath's art galleries for his | 0:11:51 | 0:11:56 | |
lack of commercial success. | 0:11:56 | 0:11:58 | |
I've had five exhibitions in this town and sold absolutely nothing. | 0:11:58 | 0:12:02 | |
It's been ongoing repression, suppression for 35 years. | 0:12:04 | 0:12:07 | |
I know you're wound up and I know that, you know, | 0:12:08 | 0:12:10 | |
there's probably a lot of background to this, but if you sort of hold on | 0:12:10 | 0:12:14 | |
to that for the moment and we'll talk about it properly in interview. | 0:12:14 | 0:12:18 | |
The man isn't denying he wrote the abusive leaflets. | 0:12:18 | 0:12:22 | |
However, Rob's search for evidence to prove he penned them | 0:12:22 | 0:12:26 | |
is still crucial. | 0:12:26 | 0:12:28 | |
I'm looking for the flyers and I'm also looking for | 0:12:28 | 0:12:31 | |
samples of your handwriting, OK? | 0:12:31 | 0:12:33 | |
These are the ones here. | 0:12:33 | 0:12:35 | |
I'll take that one. | 0:12:36 | 0:12:38 | |
Now, I need some samples of your handwriting, OK? | 0:12:38 | 0:12:41 | |
To compare to what's written on the notes I've got. | 0:12:41 | 0:12:44 | |
I think you can take this. | 0:12:44 | 0:12:47 | |
Yeah, take that. | 0:12:47 | 0:12:49 | |
All right, lovely. | 0:12:49 | 0:12:50 | |
Armed with the evidence he needs, | 0:12:50 | 0:12:52 | |
Rob's next task is to question the suspect at the station. | 0:12:52 | 0:12:57 | |
And so I'm going to try and deal with you as quick as I can, but... | 0:12:57 | 0:13:00 | |
these things sometimes... Well, I'm not exactly Jack the Ripper, am I? | 0:13:00 | 0:13:04 | |
No, you're not. | 0:13:04 | 0:13:06 | |
I think there was a lingering sort of worry with the victims of the | 0:13:08 | 0:13:11 | |
galleries that they were going to get more trouble and they were going | 0:13:11 | 0:13:15 | |
to get more of the leaflets and it might escalate. | 0:13:15 | 0:13:18 | |
So it was great, cos I found stuff in the property which matches up | 0:13:18 | 0:13:22 | |
with the notes, | 0:13:22 | 0:13:23 | |
so hopefully it should make it fairly easy to deal with. | 0:13:23 | 0:13:27 | |
Senders of hate mail usually do it anonymously. | 0:13:27 | 0:13:30 | |
In this case, the man doesn't appear to care or realise the seriousness | 0:13:30 | 0:13:36 | |
of what he's done. | 0:13:36 | 0:13:37 | |
In interview, Rob is determined to make him aware of the impact | 0:13:37 | 0:13:41 | |
his leaflets have had on the recipients. | 0:13:41 | 0:13:43 | |
Does that look like one of your flyers? | 0:13:46 | 0:13:48 | |
Sure, yeah, yeah. OK. That's me, yeah, yeah. | 0:13:48 | 0:13:51 | |
But the other side on it said, "For the proprietor, | 0:13:51 | 0:13:55 | |
"Bath contemporary display space for all art on all artists. | 0:13:55 | 0:13:59 | |
"Do it or BLEEP off." | 0:13:59 | 0:14:02 | |
Have a look at that. Confirm for me that that's your writing. | 0:14:02 | 0:14:05 | |
I don't know quite what I meant by that. | 0:14:09 | 0:14:11 | |
Hm. | 0:14:12 | 0:14:14 | |
But that's your writing, yeah? | 0:14:14 | 0:14:15 | |
Presumably, yeah. Presumably. | 0:14:17 | 0:14:19 | |
When you say presumably... I think it is, yeah. | 0:14:19 | 0:14:21 | |
OK. This is just a piece of paper. | 0:14:21 | 0:14:24 | |
It's not written on a flyer, OK? | 0:14:24 | 0:14:26 | |
The front of it says, "Close your shop, you are a parasite." | 0:14:26 | 0:14:31 | |
Have a look at that. | 0:14:31 | 0:14:32 | |
Yeah, yeah, that's true. That's what I said, yeah. All right. | 0:14:37 | 0:14:39 | |
If you were running an art gallery, | 0:14:39 | 0:14:41 | |
do you think you might find that a bit intimidating? | 0:14:41 | 0:14:45 | |
Well, I mean, I'm not threatening him, I'm just saying BLEEP, | 0:14:45 | 0:14:48 | |
do you know what I mean? | 0:14:48 | 0:14:49 | |
Somebody says something to me in the street | 0:14:51 | 0:14:54 | |
and that's not intimidating, is it? OK. | 0:14:54 | 0:14:56 | |
To use your example, what sometimes immediately follows that? | 0:14:56 | 0:15:01 | |
Well, they might hit you. They might hit you. | 0:15:01 | 0:15:03 | |
Fair enough. So, sometimes when you say stuff, | 0:15:03 | 0:15:07 | |
it may result in a violent reaction. | 0:15:07 | 0:15:10 | |
Perhaps more disturbing than the language, | 0:15:10 | 0:15:13 | |
the man's drawn a crude swastika on the leaflet, a symbol of hate. | 0:15:13 | 0:15:18 | |
It's got a swastika at the top and a "C-F". | 0:15:19 | 0:15:21 | |
And it says, "This ought to be your new logo. | 0:15:21 | 0:15:25 | |
"CF equals cultural fascism." | 0:15:25 | 0:15:27 | |
The Nazi swastika is a pretty negative thing, to say the least. | 0:15:27 | 0:15:31 | |
It's a bit strong, putting that through someone's door, isn't it? | 0:15:32 | 0:15:36 | |
Well, it's designed to startle them | 0:15:36 | 0:15:38 | |
awake to what they're doing, you know? | 0:15:38 | 0:15:40 | |
Somebody Jewish would be deeply offended by that. | 0:15:40 | 0:15:43 | |
I'm sure they would, I'm sure they would. But he's not. | 0:15:43 | 0:15:45 | |
I don't think he is. All right. Well, to be honest, you don't have | 0:15:45 | 0:15:48 | |
to be Jewish to be offended by that, do you? | 0:15:48 | 0:15:50 | |
Would you be surprised if somebody was offended by having that | 0:15:50 | 0:15:53 | |
put through their door? No, no, I wouldn't be surprised. | 0:15:53 | 0:15:55 | |
If somebody put a swastika through my door, even me as a policeman | 0:15:55 | 0:15:59 | |
who's, I suppose, a little bit more robust than other people, | 0:15:59 | 0:16:02 | |
I'm going to remember that for a long time. | 0:16:02 | 0:16:05 | |
It's a bit hard edge. HE CHUCKLES | 0:16:05 | 0:16:08 | |
What do you mean? Well, it's a bit strong. | 0:16:08 | 0:16:10 | |
I do admit that he could be very upset by that. | 0:16:10 | 0:16:13 | |
OK. | 0:16:13 | 0:16:15 | |
Now the artist has made a full admission, | 0:16:15 | 0:16:18 | |
Rob issues him with a formal warning which will stay on his record | 0:16:18 | 0:16:23 | |
and it seems he's appreciating the bigger picture. | 0:16:23 | 0:16:26 | |
This is the last time I'm going to try and do it, yeah. | 0:16:27 | 0:16:30 | |
I'm not going to do it again. | 0:16:30 | 0:16:32 | |
Rob lets Emma, the gallery owner, | 0:16:32 | 0:16:34 | |
know the outcome of the investigation. | 0:16:34 | 0:16:36 | |
Come and sit down. Yeah, great, thanks. | 0:16:36 | 0:16:38 | |
He fully admitted what he'd done, OK? | 0:16:38 | 0:16:42 | |
I don't think he fully appreciated the effect that it was having. | 0:16:42 | 0:16:46 | |
OK. He's been given a criminal caution. | 0:16:46 | 0:16:49 | |
OK. An adult caution. | 0:16:49 | 0:16:50 | |
Sure. OK. That is, in effect, an official warning. Right. | 0:16:50 | 0:16:54 | |
It's not quite a criminal record. No. | 0:16:54 | 0:16:56 | |
It's a step before that and he knows that if he does something again, | 0:16:56 | 0:16:59 | |
he will get arrested and he will end up going to court. | 0:16:59 | 0:17:02 | |
Right. OK. | 0:17:02 | 0:17:03 | |
It's a very satisfactory conclusion for all the gallery owners and | 0:17:03 | 0:17:07 | |
Emma in particular. | 0:17:07 | 0:17:09 | |
I wasn't sure that he would, or the police would take it seriously, | 0:17:09 | 0:17:12 | |
so it's really nice that they did take it seriously and that they've | 0:17:12 | 0:17:15 | |
done something about it and then we've actually seen a result and now | 0:17:15 | 0:17:19 | |
we won't be getting any more letters. | 0:17:19 | 0:17:22 | |
Coming up - a shoplifter caught in the act. | 0:17:28 | 0:17:32 | |
I'm arresting you on suspicion of theft, shoplifting, OK? | 0:17:32 | 0:17:35 | |
And hordes of bikers hit the beach. | 0:17:36 | 0:17:39 | |
Their belief is that they can't get caught | 0:17:39 | 0:17:41 | |
because the number plate is at the back. | 0:17:41 | 0:17:43 | |
All I do is turn it round and follow them. | 0:17:43 | 0:17:45 | |
This is Weston-Super-Mare, | 0:17:52 | 0:17:54 | |
one of the largest seaside resort towns in the West Country. | 0:17:54 | 0:17:58 | |
In the summer, it's flooded with tourists, | 0:17:59 | 0:18:02 | |
holiday-makers and families, | 0:18:02 | 0:18:05 | |
all making the most of its miles of sandy beaches | 0:18:05 | 0:18:08 | |
and its world-famous pier. | 0:18:08 | 0:18:10 | |
Popping into the local post office to send a postcard home shouldn't be | 0:18:12 | 0:18:16 | |
a risky business. But today, | 0:18:16 | 0:18:18 | |
a report has come in of some threatening behaviour there. | 0:18:18 | 0:18:22 | |
Wayne Hughes and accompanying PCSO Kate | 0:18:24 | 0:18:27 | |
are dispatched to the post office in the heart of Weston. | 0:18:27 | 0:18:31 | |
There's been a dispute earlier on today | 0:18:31 | 0:18:33 | |
and we are now going to see the manager of the post office, | 0:18:33 | 0:18:37 | |
about what's gone on and see what we can do for him. | 0:18:37 | 0:18:42 | |
The dispute was between the postmaster and an irate man who came | 0:18:42 | 0:18:46 | |
into the post office earlier this afternoon | 0:18:46 | 0:18:49 | |
and verbally threatened him. | 0:18:49 | 0:18:51 | |
I've been behind the counter. | 0:18:51 | 0:18:53 | |
He said, "Oi, you, come here." | 0:18:53 | 0:18:54 | |
So I've gone to see him, you know, try and see what the problem is. | 0:18:54 | 0:18:57 | |
He said, "Just you be careful who you're threatening. | 0:18:57 | 0:19:00 | |
"We're going to get you." Right. OK. | 0:19:00 | 0:19:02 | |
So, I said, "How dare you come into my post office and threaten me?" | 0:19:02 | 0:19:05 | |
So, I followed him out and I said, "You, come here. | 0:19:05 | 0:19:08 | |
"You tell me what you're saying here." | 0:19:08 | 0:19:10 | |
He said, "You just be careful. We'll come after you." | 0:19:10 | 0:19:12 | |
Before he left, I said, "Well, who do you mean? | 0:19:12 | 0:19:14 | |
"I haven't threatened anyone." He said, "She used to work here." | 0:19:14 | 0:19:17 | |
You know, "Leave her alone." | 0:19:17 | 0:19:19 | |
The threats didn't stop at the post office. | 0:19:19 | 0:19:22 | |
Do you want to see the text he sent me, as well? | 0:19:22 | 0:19:24 | |
You received a text? I got a text, as well. | 0:19:24 | 0:19:27 | |
The angry man backed up his verbal threats to the postmaster | 0:19:28 | 0:19:32 | |
with another made in a text, which, rather foolishly, | 0:19:32 | 0:19:36 | |
has given away his phone number. | 0:19:36 | 0:19:39 | |
As well as the phone number, Wayne's got another helpful lead - | 0:19:40 | 0:19:44 | |
the shop CCTV. | 0:19:44 | 0:19:45 | |
Can we have a look at the CCTV, if we can? Yeah. Ready to go. | 0:19:46 | 0:19:49 | |
I've got it all ready to rock. | 0:19:49 | 0:19:52 | |
That's him there now. | 0:19:52 | 0:19:54 | |
The brown shirt? Yeah. | 0:19:54 | 0:19:56 | |
So, where he's threatening you, then inside post office... | 0:19:56 | 0:19:59 | |
It's by the sweets, but my other staff saw him. | 0:19:59 | 0:20:02 | |
Right. Do we have that on the screen? | 0:20:02 | 0:20:05 | |
No. We don't actually have the threats on the...? No. | 0:20:05 | 0:20:09 | |
But the CCTV does show the moment the enraged man threatened | 0:20:09 | 0:20:14 | |
to head-butt the postmaster outside on the pavement. | 0:20:14 | 0:20:18 | |
He went like that. Yeah. And I said, "Right, you're on CCTV. | 0:20:18 | 0:20:22 | |
"This is all being recorded." | 0:20:22 | 0:20:24 | |
So he said, "Don't care, don't care," and he got into his car. | 0:20:24 | 0:20:29 | |
This aggressive response over a former worker | 0:20:29 | 0:20:32 | |
has clearly had an effect on the postmaster. | 0:20:32 | 0:20:35 | |
I won't be intimidated by people coming to my post office threatening me. | 0:20:38 | 0:20:41 | |
Don't get me wrong, I'm used to dealing with difficult customers, | 0:20:41 | 0:20:44 | |
but I did feel intimidated this morning. | 0:20:44 | 0:20:45 | |
Yeah, well, you would do, wouldn't you? That's understandable. | 0:20:45 | 0:20:48 | |
The CCTV camera outside the post office has also caught the moment | 0:20:48 | 0:20:53 | |
the suspect is seen getting into a maroon-coloured car. | 0:20:53 | 0:20:57 | |
Fortunately, the quick-witted postmaster took a note of its reg. | 0:20:57 | 0:21:02 | |
Do you want the registration? | 0:21:02 | 0:21:04 | |
If you could, yeah. OK. | 0:21:04 | 0:21:07 | |
Wayne now needs to trace the owner of the vehicle through its numberplate. | 0:21:07 | 0:21:11 | |
Can you do me a P and C check, please? | 0:21:12 | 0:21:14 | |
Burgundy Ford Focus. | 0:21:14 | 0:21:17 | |
The registered keeper, what was the surname, please? | 0:21:17 | 0:21:20 | |
Tracing the car is crucial as it could lead directly to the suspect. | 0:21:20 | 0:21:25 | |
The postmaster has been threatened by a member of the public whose | 0:21:26 | 0:21:30 | |
identity we don't know at the moment. | 0:21:30 | 0:21:32 | |
We're going to make some enquiries now with the registered keeper and | 0:21:32 | 0:21:35 | |
find out what he was doing threatening the postmaster. | 0:21:35 | 0:21:39 | |
After running several checks, Wayne hits the jackpot. | 0:21:41 | 0:21:45 | |
The car is registered to someone locally. | 0:21:45 | 0:21:49 | |
He heads to the address, | 0:21:49 | 0:21:51 | |
determined to get to the bottom of the man's threatening behaviour. | 0:21:51 | 0:21:54 | |
There's two sides to every story and we've heard the one side. | 0:21:54 | 0:21:58 | |
We're now going to, hopefully, get the second side of the story. | 0:21:58 | 0:22:03 | |
Bingo! There's the car in the drive. | 0:22:03 | 0:22:05 | |
Wayne has found the suspect's maroon car. | 0:22:05 | 0:22:08 | |
So, we're going to shortly make the enquiry. | 0:22:09 | 0:22:11 | |
Hello. But Wayne is met with stony silence... | 0:22:16 | 0:22:20 | |
Hello, it's the police. ..despite the front door being unlocked. | 0:22:20 | 0:22:24 | |
There's no-one in there? | 0:22:24 | 0:22:26 | |
At the moment, we've come to the address | 0:22:26 | 0:22:28 | |
looking to speak to the registered keeper. | 0:22:28 | 0:22:30 | |
As you can see, the house is insecure, | 0:22:30 | 0:22:33 | |
but nobody wants to answer the door. | 0:22:33 | 0:22:35 | |
Wayne persists for five more minutes, | 0:22:35 | 0:22:38 | |
convinced that someone's home. | 0:22:38 | 0:22:40 | |
And, finally, he gets a response. | 0:22:42 | 0:22:46 | |
Hello. Hello. | 0:22:46 | 0:22:47 | |
People are in the house. | 0:22:47 | 0:22:49 | |
The woman inside tells Wayne that, apart from the dog, | 0:22:51 | 0:22:54 | |
she is alone in the house | 0:22:54 | 0:22:56 | |
and that her partner, another Wayne, is out. | 0:22:56 | 0:22:59 | |
Are you happy for me just to look around | 0:22:59 | 0:23:01 | |
to make sure that Wayne isn't here? I'm not disbelieving you. | 0:23:01 | 0:23:04 | |
Do you want to come with me? I'll just have a look in the bedrooms. | 0:23:04 | 0:23:08 | |
Wayne searches the house, but there's no sign of the suspect. | 0:23:08 | 0:23:12 | |
The woman reveals that she was a passenger | 0:23:14 | 0:23:16 | |
in the car at the post office. | 0:23:16 | 0:23:18 | |
Basically what we're dealing with today is the threats that | 0:23:21 | 0:23:25 | |
your partner Wayne made to the postmaster. All right? | 0:23:25 | 0:23:28 | |
Which is out of order. I'm not saying that you do know them. | 0:23:29 | 0:23:33 | |
Right, OK. What's it all about? | 0:23:38 | 0:23:40 | |
The woman is not involved, | 0:23:41 | 0:23:43 | |
but her partner turns out to be a friend of the ex-employee. | 0:23:43 | 0:23:47 | |
There's been an inference used. Yeah. | 0:23:49 | 0:23:51 | |
Is it Wayne, your partner? | 0:23:51 | 0:23:53 | |
Yeah. Wayne was talking about BLEEP. | 0:23:53 | 0:23:56 | |
And the postmaster mentioned BLEEP. | 0:23:57 | 0:23:59 | |
I do need to speak to Wayne. | 0:23:59 | 0:24:02 | |
I would like to speak to him sooner rather than later, really. OK. | 0:24:02 | 0:24:06 | |
We've now established that there's a link between an ex-employee of | 0:24:06 | 0:24:10 | |
the post office and the gentleman that we're looking for. | 0:24:10 | 0:24:14 | |
It would appear that he's gone to the post office this morning | 0:24:14 | 0:24:17 | |
to intimidate the postmaster. | 0:24:17 | 0:24:18 | |
Because if we don't nip it in the bud, | 0:24:25 | 0:24:26 | |
then it is likely to go on and get worse. | 0:24:26 | 0:24:30 | |
It's a priority for us to bring this gentleman to justice. | 0:24:30 | 0:24:34 | |
With the man still missing, | 0:24:36 | 0:24:37 | |
Wayne has his work cut out to find him quickly. | 0:24:37 | 0:24:40 | |
We'll return to the search later on in the programme. | 0:24:41 | 0:24:45 | |
There are lots of qualities that make | 0:24:53 | 0:24:55 | |
a really good neighbourhood copper. | 0:24:55 | 0:24:57 | |
Being able to catch the bad guys and keeping the streets safe are amongst | 0:24:57 | 0:25:01 | |
them, but so is being a friendly face to those in need of help. | 0:25:01 | 0:25:06 | |
Bridgwater is a quaint market town in Somerset that dates back to the | 0:25:08 | 0:25:12 | |
Doomsday Book. | 0:25:12 | 0:25:14 | |
Local copper Dom Bryant is very proud of the beat that he serves | 0:25:14 | 0:25:19 | |
and takes his role as neighbourhood officer very seriously. | 0:25:19 | 0:25:22 | |
Mate, you shouldn't be cycling on the pavement. | 0:25:22 | 0:25:24 | |
Sorry? No cycling on the pavement. | 0:25:24 | 0:25:26 | |
But... That's right, you push it and then cycle down there, yeah? | 0:25:26 | 0:25:30 | |
Fair enough, isn't it? Thanks, mate. Cheers, bud. | 0:25:30 | 0:25:33 | |
Not all about cops and robbers. | 0:25:33 | 0:25:36 | |
A lot of it is just helping people. | 0:25:36 | 0:25:38 | |
We're here to help people. | 0:25:38 | 0:25:39 | |
That's our main job. We're not here to arrest people and | 0:25:39 | 0:25:43 | |
chase people with our whistles and batons. We are here to... | 0:25:43 | 0:25:46 | |
keep them on the straight and narrow, and if they need help, | 0:25:46 | 0:25:49 | |
point them in the right direction. | 0:25:49 | 0:25:51 | |
Bridgwater has its fair share of antisocial behaviour, | 0:25:51 | 0:25:55 | |
something Dom is committed to stamping out. | 0:25:55 | 0:25:58 | |
He's received word that two men have been seen drinking alcohol in the | 0:25:59 | 0:26:03 | |
town centre and he's straight on the case. | 0:26:03 | 0:26:07 | |
It's two regulars, anyway. | 0:26:07 | 0:26:08 | |
Two regular customers in the town. | 0:26:08 | 0:26:11 | |
What's up, guys? | 0:26:11 | 0:26:12 | |
How goes it? Everything cool? Yeah. | 0:26:12 | 0:26:16 | |
No drinking, bud, I'm afraid. | 0:26:16 | 0:26:18 | |
Do you want to finish your can now? | 0:26:18 | 0:26:21 | |
Well done. Thank you very much. | 0:26:21 | 0:26:23 | |
Lovely. Right, I'll leave you to it. | 0:26:23 | 0:26:25 | |
Thanks, see you later. | 0:26:25 | 0:26:27 | |
Another part of Dom's job is mentoring PCSO Billy, | 0:26:27 | 0:26:30 | |
passing on the wisdom he's built up over many years on this patch. | 0:26:30 | 0:26:34 | |
Billy is fresh out of the box. | 0:26:36 | 0:26:37 | |
He has just been... Finished his probational period. | 0:26:37 | 0:26:41 | |
He's been appointed to me. | 0:26:41 | 0:26:42 | |
I was very keen to have someone in the town to work with me | 0:26:42 | 0:26:45 | |
and I've worked with Billy before as a special constable, | 0:26:45 | 0:26:48 | |
and he's very keen and proactive and he's ideal for the town, | 0:26:48 | 0:26:51 | |
so he's been put on the same shift pattern as myself, | 0:26:51 | 0:26:54 | |
so there's TWO in the town. | 0:26:54 | 0:26:56 | |
Today, Dom and Billy are checking out a local church, | 0:26:58 | 0:27:01 | |
where a number of unwelcome visitors | 0:27:01 | 0:27:03 | |
have been reported hanging around in recent weeks. | 0:27:03 | 0:27:07 | |
Go ahead. | 0:27:07 | 0:27:08 | |
OK. | 0:27:12 | 0:27:13 | |
Up ahead, Billy has nabbed a suspect in the churchyard, | 0:27:13 | 0:27:17 | |
who he believes has been up to no good. | 0:27:17 | 0:27:19 | |
Unfortunately, even though it's a churchyard and a house of God, | 0:27:21 | 0:27:25 | |
it's frequented by drug offenders. | 0:27:25 | 0:27:29 | |
Billy, who I'm training up, was on him like a panther, which is great. | 0:27:29 | 0:27:35 | |
All right, Bill? Yeah, not bad. | 0:27:35 | 0:27:37 | |
What's happening? Just caught this gentleman napping. | 0:27:37 | 0:27:40 | |
Napping? Yeah. OK. | 0:27:40 | 0:27:42 | |
We've sort of decided to target this area on different days, | 0:27:42 | 0:27:45 | |
at different times of day, | 0:27:45 | 0:27:46 | |
and I noticed this male sitting on the bench, really. | 0:27:46 | 0:27:49 | |
I assumed he was asleep. | 0:27:49 | 0:27:51 | |
He had his, sort of, head tucked between his legs. | 0:27:51 | 0:27:53 | |
The moment I made myself aware to him, | 0:27:53 | 0:27:56 | |
he sort of scarpered up really and started packing everything | 0:27:56 | 0:27:59 | |
into his bag, which is obviously suspicious. | 0:27:59 | 0:28:01 | |
Billy is getting an important lesson in Dom's no-nonsense approach. | 0:28:01 | 0:28:05 | |
Is this all yours, mate? | 0:28:05 | 0:28:07 | |
No, it's not. Because you are in an area frequented by drug abuse | 0:28:07 | 0:28:11 | |
and drug offenders, I'm not suggesting for one minute | 0:28:11 | 0:28:14 | |
this is you or your mess, | 0:28:14 | 0:28:16 | |
but with that, I'm going to conduct a drug search, OK? | 0:28:16 | 0:28:19 | |
Yeah. So, first of all, have you got anything in your pockets | 0:28:19 | 0:28:22 | |
you shouldn't have? I've got a legal high smokes. That's it. Right. | 0:28:22 | 0:28:26 | |
Do you want to empty all your pockets out, first of all? | 0:28:26 | 0:28:29 | |
Just put them on the... Maybe on that gravestone. | 0:28:29 | 0:28:31 | |
The man isn't found to have any illegal drugs on his person, | 0:28:33 | 0:28:37 | |
but Dom still takes exception to his blatant disregard for his location. | 0:28:37 | 0:28:42 | |
I'd really appreciate it if you didn't choose a churchyard to smoke | 0:28:42 | 0:28:45 | |
your legal highs. Fair enough. Is that fair enough? Yeah, yeah, yeah. | 0:28:45 | 0:28:48 | |
Thanks, mate. Thank you. All right, bud. | 0:28:48 | 0:28:50 | |
So-called legal highs may not be against the law, | 0:28:50 | 0:28:53 | |
but there's plenty of evidence | 0:28:53 | 0:28:56 | |
of illegal drug use here scattered around. | 0:28:56 | 0:28:59 | |
This is what they get up to in the churchyard. | 0:28:59 | 0:29:02 | |
There's distilled water here. | 0:29:02 | 0:29:04 | |
Also used to mix in syringes. | 0:29:04 | 0:29:06 | |
There's spoons. | 0:29:06 | 0:29:07 | |
And these things here, which they call spoons, as well. | 0:29:07 | 0:29:11 | |
It's for heating. Taking heroin. | 0:29:11 | 0:29:14 | |
Uncapped pin. | 0:29:14 | 0:29:15 | |
There's no pin in it, thank goodness. | 0:29:15 | 0:29:18 | |
But what we'll do, we'll get rid of that. | 0:29:19 | 0:29:21 | |
I don't want to leave that here. | 0:29:21 | 0:29:22 | |
I've spoken to the council operative about it | 0:29:22 | 0:29:25 | |
and they're going to come down here and clear it up, | 0:29:25 | 0:29:28 | |
but I can get rid of that pin myself, put it in a sharp box. | 0:29:28 | 0:29:31 | |
Dom is passionate about making Bridgwater a safe neighbourhood | 0:29:31 | 0:29:35 | |
and it's a message he is clearly passing on to his rookie. | 0:29:35 | 0:29:40 | |
It's ideal to be on foot, really, | 0:29:40 | 0:29:41 | |
so you can sort of walk those alleyways and walk behind houses | 0:29:41 | 0:29:45 | |
and, obviously, in the bushes here in the churchyard. | 0:29:45 | 0:29:48 | |
If I'm on foot, obviously people can stop and speak to me. | 0:29:48 | 0:29:50 | |
If I'm in a car, they have to try and flag me down and then I've | 0:29:50 | 0:29:53 | |
already passed them, really, so there is a good bit of presence, | 0:29:53 | 0:29:56 | |
really, the members of the public love it. | 0:29:56 | 0:29:58 | |
They love coming up and having a chat with you. | 0:29:58 | 0:30:01 | |
Foot patrols are really important to the public. | 0:30:01 | 0:30:04 | |
They give them reassurance | 0:30:04 | 0:30:06 | |
and show that the police are somehow doing their job. | 0:30:06 | 0:30:09 | |
A short walk from the church and Dom and Billy are back | 0:30:09 | 0:30:13 | |
in the town centre when a call comes in on the radio. | 0:30:13 | 0:30:17 | |
Yeah, go ahead. | 0:30:17 | 0:30:19 | |
A shoplifter has been caught by store security | 0:30:22 | 0:30:25 | |
in a local supermarket. | 0:30:25 | 0:30:26 | |
OK, I'll make my way. | 0:30:28 | 0:30:29 | |
Latest annual figures put the losses to the retail industry from | 0:30:30 | 0:30:34 | |
shoplifting at ?613 million, an all-time high. | 0:30:34 | 0:30:40 | |
Shoplifting is a no. I think shoplifting's completely wrong. | 0:30:41 | 0:30:44 | |
For some people, it's probably a means to an end, | 0:30:44 | 0:30:48 | |
if they're that hard up, to survive. | 0:30:48 | 0:30:50 | |
I don't think it's ever justified. | 0:30:50 | 0:30:52 | |
Shoplifting is becoming an all too regular occurrence on Dom's patch. | 0:30:53 | 0:30:58 | |
Sometimes they just haven't got any money. | 0:30:58 | 0:31:01 | |
Living life on the poverty line. | 0:31:01 | 0:31:02 | |
It's normally fuelled by something, but now and again, | 0:31:02 | 0:31:05 | |
it's just generally people haven't got the money. | 0:31:05 | 0:31:08 | |
The suspect has already been detained and Dom and Billy | 0:31:09 | 0:31:12 | |
are brought up to speed by the security guards. | 0:31:12 | 0:31:15 | |
What's happened, then? Selected those headphones off the shelf. | 0:31:15 | 0:31:19 | |
Right. Concealed in a bag. | 0:31:19 | 0:31:21 | |
Up from the aisle, down, straight through the exit and out the door. | 0:31:21 | 0:31:24 | |
OK. What are they valued at? So, ?17, yeah? | 0:31:24 | 0:31:27 | |
The suspect knows that all the evidence has him bang to rights. | 0:31:29 | 0:31:32 | |
I walked out of this shop with that pair of headphones | 0:31:34 | 0:31:36 | |
like a ... idiot and, man, my head's all over the place | 0:31:36 | 0:31:40 | |
and I admit I'm guilty. | 0:31:40 | 0:31:42 | |
I've lots of issues. I have no excuse. | 0:31:44 | 0:31:46 | |
Arrest me. I'm guilty. | 0:31:46 | 0:31:48 | |
Well, let's just... One step at a time. | 0:31:48 | 0:31:51 | |
Person check, please. | 0:31:52 | 0:31:54 | |
Any previous for shoplifting, please? | 0:31:54 | 0:31:56 | |
Roger that. Thank you. | 0:32:03 | 0:32:05 | |
It becomes apparent that the suspect is a serial offender. | 0:32:05 | 0:32:09 | |
Dom has a choice - to take him straight down the station now, | 0:32:09 | 0:32:13 | |
or to call him in at a later date to charge him, | 0:32:13 | 0:32:17 | |
a process known as street bailing. | 0:32:17 | 0:32:19 | |
James, I'm arresting you | 0:32:19 | 0:32:21 | |
on suspicion of theft - shoplifting, OK? | 0:32:21 | 0:32:23 | |
Now, the reasons for your arrest are that security here have witnessed | 0:32:23 | 0:32:28 | |
you enter the store, selected Sony headphones to the value of ?17. | 0:32:28 | 0:32:31 | |
You have placed these, secreted it headphones in your bag, | 0:32:31 | 0:32:35 | |
making no attempt to pay and you've left the store. | 0:32:35 | 0:32:37 | |
However, I'm going to grant you bail, street bail, | 0:32:37 | 0:32:39 | |
to attend Bridgwater police station nine o'clock on Monday. | 0:32:39 | 0:32:43 | |
Yeah. This Monday? Yeah. I'll be there. | 0:32:43 | 0:32:45 | |
We'll go in and it'll be you and I having a brief chat. | 0:32:45 | 0:32:48 | |
The man is suspected of stealing some headphones, | 0:32:48 | 0:32:51 | |
yet he's claiming he did it because he can't afford to eat. | 0:32:51 | 0:32:56 | |
Where do you turn at six o'clock? | 0:32:56 | 0:32:58 | |
When no-one else will help you, mate. | 0:32:58 | 0:33:00 | |
I'm sorry. It's not exactly an excuse. | 0:33:00 | 0:33:02 | |
I can't even get a food voucher. | 0:33:02 | 0:33:05 | |
How bad's that? Can't even get... | 0:33:05 | 0:33:09 | |
Having street bailed the suspect, | 0:33:09 | 0:33:11 | |
he is now allowed to leave and Dom can get back on patrol. | 0:33:11 | 0:33:15 | |
If I had taken him back to custody, that would have been myself | 0:33:17 | 0:33:20 | |
and Billy written off for the whole of the rest of the shift. | 0:33:20 | 0:33:23 | |
So, on Monday, I'll have the statement. | 0:33:23 | 0:33:25 | |
My interview plan will be done. I can pick him up. | 0:33:25 | 0:33:28 | |
Straight into interview. | 0:33:28 | 0:33:30 | |
20 minutes. Charging decision to be made and I'll give him a lift home. | 0:33:30 | 0:33:33 | |
Simple as that. So, I'm back out on the street, | 0:33:33 | 0:33:36 | |
which is where I'm supposed to be. | 0:33:36 | 0:33:39 | |
But before getting back to his beat, Dom shows his humanity. | 0:33:39 | 0:33:43 | |
A meal deal for the hungry suspect paid for out of his own pocket. | 0:33:43 | 0:33:48 | |
This is not me being a rozzer, mate. | 0:33:49 | 0:33:51 | |
That's for you. One man to another, all right? | 0:33:51 | 0:33:53 | |
Just a bit of tucker. All right? | 0:33:53 | 0:33:55 | |
Yeah, nice one. All right, dude. | 0:33:55 | 0:33:57 | |
So, Monday, 8.45. | 0:33:57 | 0:34:00 | |
No sweat. Definitely, all right? | 0:34:00 | 0:34:01 | |
All right, my man. You too. | 0:34:01 | 0:34:03 | |
Yeah. Cheers, James. Cheers, bud. See you later, mate. | 0:34:03 | 0:34:06 | |
Dom may have given the suspected shoplifter a meal, | 0:34:06 | 0:34:09 | |
but he's not going all soft on him, as we'll see later. | 0:34:09 | 0:34:12 | |
CCTV has captured it. He's been apprehended outside. | 0:34:12 | 0:34:16 | |
He's been detained. The goods have been recovered on his person. | 0:34:16 | 0:34:18 | |
Back in Weston-Super-Mare... | 0:34:29 | 0:34:31 | |
Hello, it's the police. | 0:34:31 | 0:34:33 | |
..Wayne Hughes is still on the hunt. | 0:34:33 | 0:34:35 | |
There's no-one in there? | 0:34:35 | 0:34:37 | |
For a suspect who, earlier this morning, threatened a postmaster | 0:34:37 | 0:34:41 | |
in his own post office. | 0:34:41 | 0:34:43 | |
You have to stand up to these people. | 0:34:46 | 0:34:48 | |
You have to know the police will be with you when this happens. | 0:34:48 | 0:34:51 | |
Otherwise, you know, | 0:34:51 | 0:34:52 | |
it just breaks down that whole fabric of the community. | 0:34:52 | 0:34:56 | |
Meanwhile, Wayne has decided to revisit the suspect's home. | 0:34:56 | 0:35:01 | |
He hopes that, this time, the man will be in. | 0:35:01 | 0:35:04 | |
Just in case, Wayne radios for backup. | 0:35:06 | 0:35:09 | |
Initially, he wasn't there. I'm single-crewed at the moment, | 0:35:11 | 0:35:13 | |
but I was just looking for an officer, or officers, to accompany | 0:35:13 | 0:35:17 | |
me to do the arrest attempt again, back at the home address. | 0:35:17 | 0:35:23 | |
With back-up en route, | 0:35:23 | 0:35:24 | |
Wayne makes his way to the man's address for the second time today. | 0:35:24 | 0:35:29 | |
This time, the team are in luck. | 0:35:30 | 0:35:33 | |
Hello. Hello, how are you? Are you Wayne? Yes, I am. | 0:35:33 | 0:35:36 | |
Can I come in and have a word, Wayne? The suspect is home. | 0:35:36 | 0:35:39 | |
All right? | 0:35:39 | 0:35:41 | |
It's now 1.33. | 0:35:41 | 0:35:42 | |
I'm arresting you, OK? | 0:35:42 | 0:35:44 | |
And the grounds for the arrest are that you've gone to the post office | 0:35:44 | 0:35:47 | |
this morning, in Weston. You've threatened the postmaster. | 0:35:47 | 0:35:50 | |
All right? And there's a likelihood that that may reoccur, OK? | 0:35:50 | 0:35:55 | |
Also, to carry out a prompt and effective investigation, | 0:35:55 | 0:35:58 | |
that means that we're going to have to interview you | 0:35:58 | 0:36:00 | |
about the alleged offence. | 0:36:00 | 0:36:02 | |
Wayne's patience has paid off and the suspect is arrested before being | 0:36:02 | 0:36:06 | |
handcuffed and transported to the police station for questioning. | 0:36:06 | 0:36:10 | |
Thanks, folks. | 0:36:12 | 0:36:14 | |
Wayne returns to the post office | 0:36:18 | 0:36:20 | |
to update the victim on the day's events. | 0:36:20 | 0:36:23 | |
We couldn't find him, we went back | 0:36:23 | 0:36:25 | |
to the home of the partner, where he was. | 0:36:25 | 0:36:29 | |
He's now been arrested, he's now in custody. Really? | 0:36:29 | 0:36:32 | |
Wayne's handling of the situation has got a swift result. | 0:36:32 | 0:36:36 | |
Hopefully with the speed that we've acted this morning, | 0:36:36 | 0:36:42 | |
the victim and members of the general public | 0:36:42 | 0:36:44 | |
will have some reassurance. | 0:36:44 | 0:36:46 | |
They've been absolutely first class. | 0:36:46 | 0:36:49 | |
They've dealt with the incident amazingly quickly and appear to | 0:36:49 | 0:36:52 | |
have been able to achieve some resolution very quickly, | 0:36:52 | 0:36:55 | |
which I'm very impressed with. | 0:36:55 | 0:36:57 | |
When he appeared in court, the man pleaded guilty to using threatening | 0:36:58 | 0:37:02 | |
and abusive language towards the postmaster. | 0:37:02 | 0:37:05 | |
He was given a six-month deferred sentence. | 0:37:07 | 0:37:10 | |
What's happening? | 0:37:21 | 0:37:21 | |
A few days ago, a shoplifter was apprehended by security in a large | 0:37:21 | 0:37:26 | |
town centre supermarket, and the officer attending, Dom Bryant, | 0:37:26 | 0:37:30 | |
street bailed him at the scene. | 0:37:30 | 0:37:32 | |
James, I am arresting you on suspicion of theft, shoplifting, OK? | 0:37:32 | 0:37:36 | |
However, I'm going to grant you street bail to attend | 0:37:36 | 0:37:38 | |
Bridgwater police station, nine o'clock on Monday. | 0:37:38 | 0:37:41 | |
It's now Monday and the suspect has turned up on time at the station. | 0:37:41 | 0:37:46 | |
Whilst he gets booked in and all his details are checked, | 0:37:47 | 0:37:50 | |
Dom is reviewing the CCTV evidence from the supermarket. | 0:37:50 | 0:37:55 | |
Took that up in custody, today. | 0:37:55 | 0:37:56 | |
So, I'm just doing the CCTV footage of the actual incident, | 0:37:56 | 0:37:59 | |
which is actually - I'm glad to say - pretty good | 0:37:59 | 0:38:02 | |
and it's captured everything. | 0:38:02 | 0:38:03 | |
So, this first bit is our man in the aisle, where the headphones are. | 0:38:03 | 0:38:08 | |
At the moment, he's just browsing, if you like. | 0:38:08 | 0:38:11 | |
I should imagine he's looking for a security tag, | 0:38:11 | 0:38:13 | |
something that's not going to set the alarm off. | 0:38:13 | 0:38:15 | |
Looking at all the electrical items, | 0:38:15 | 0:38:17 | |
but he's got his eye on headphones, in particular. | 0:38:17 | 0:38:19 | |
There he goes. | 0:38:19 | 0:38:22 | |
Having a look around. | 0:38:22 | 0:38:24 | |
There it goes. Straight into his bag. | 0:38:24 | 0:38:26 | |
Everything is in place for Dom to get an excellent result. | 0:38:28 | 0:38:31 | |
This is textbook for police, because the guy's come into the store, | 0:38:31 | 0:38:36 | |
the store detective has picked him up. He's witnessed the theft, | 0:38:36 | 0:38:39 | |
CCTV's captured it, he's been apprehended outside, | 0:38:39 | 0:38:42 | |
he's been detained, the goods have been recovered on his person. | 0:38:42 | 0:38:44 | |
It's going to be easier and plus, he doesn't want a solicitor, | 0:38:44 | 0:38:47 | |
and he wants to go off to trial, so, yeah. | 0:38:47 | 0:38:50 | |
But that's his choice, of course. | 0:38:50 | 0:38:52 | |
Don't want you to think I've given him a Chinese burn in the car, | 0:38:52 | 0:38:55 | |
or anything like that, but, yeah. | 0:38:55 | 0:38:57 | |
It's all good, yeah. | 0:38:57 | 0:38:58 | |
The shoplifter received one day's detention and a court fine of ?150. | 0:38:58 | 0:39:05 | |
It's a sunny day in a crowded Weston-Super-Mare | 0:39:14 | 0:39:17 | |
and Wayne Hughes is back on duty. | 0:39:17 | 0:39:19 | |
During the summer, it is very busy, usually. | 0:39:21 | 0:39:23 | |
We have an influx of tourists. | 0:39:23 | 0:39:26 | |
They come in by coach and by train and then, | 0:39:26 | 0:39:29 | |
you know, the seafront gets busy, and also the town centre, as well. | 0:39:29 | 0:39:32 | |
But today, as well as the tourists, | 0:39:32 | 0:39:35 | |
there's another group of visitors to the town. | 0:39:35 | 0:39:38 | |
Bikers. | 0:39:42 | 0:39:44 | |
They're here for a regular weekly event that's helped to raise money | 0:39:44 | 0:39:49 | |
for local charities and attracts bikes | 0:39:49 | 0:39:51 | |
and bike enthusiasts from miles around. | 0:39:51 | 0:39:54 | |
It's true to say it's a large event, | 0:39:54 | 0:39:56 | |
with probably well over 500 bikes at the moment. | 0:39:56 | 0:39:58 | |
We're just going to speak to the organisers, | 0:40:00 | 0:40:02 | |
make sure that everything's running smoothly. | 0:40:02 | 0:40:05 | |
The issue for the police, of course, is the safety of the motorcyclists | 0:40:05 | 0:40:09 | |
going to and from the event. | 0:40:09 | 0:40:11 | |
Which, obviously, can cause us some problems | 0:40:13 | 0:40:16 | |
and there's already been one accident tonight. | 0:40:16 | 0:40:19 | |
First people we invited down were Avon and Somerset Police. | 0:40:25 | 0:40:28 | |
Main reason being, we wanted the safety factor, really, | 0:40:28 | 0:40:31 | |
because I've got to say it, unfortunately, | 0:40:31 | 0:40:33 | |
there are a few idiots on bikes | 0:40:33 | 0:40:35 | |
and, having the police here, it, kind of, controls it. | 0:40:35 | 0:40:38 | |
For a Wayne, policing these events is no hardship. | 0:40:38 | 0:40:42 | |
I am a motorcyclist. | 0:40:42 | 0:40:43 | |
I passed my full bike test | 0:40:43 | 0:40:46 | |
in November 2012. | 0:40:46 | 0:40:48 | |
Evening, how are you? You all right? | 0:40:48 | 0:40:49 | |
Yeah, you? Yeah, not so bad, thank you. | 0:40:49 | 0:40:52 | |
Mixing business with pleasure. | 0:40:52 | 0:40:54 | |
As well as being here to patrol the show, | 0:40:54 | 0:40:57 | |
Avon and Somerset Police have brought along their own exhibit. | 0:40:57 | 0:41:01 | |
A speed enforcement bike. | 0:41:01 | 0:41:04 | |
The police have a message to send out. | 0:41:04 | 0:41:07 | |
I'm here today, primarily, to show | 0:41:07 | 0:41:10 | |
the motorcyclists the equipment we have and fill them in | 0:41:10 | 0:41:14 | |
on how it works. | 0:41:14 | 0:41:15 | |
Speeding motorcyclists are a big problem for the Somerset Police, | 0:41:15 | 0:41:19 | |
especially in summer on the county's winding country roads. | 0:41:19 | 0:41:24 | |
It's a good PR exercise, if you like. | 0:41:25 | 0:41:27 | |
But it's also a road safety message in two forms. | 0:41:27 | 0:41:31 | |
Firstly, please slow down, | 0:41:31 | 0:41:33 | |
because that's the most important thing, | 0:41:33 | 0:41:34 | |
and secondly, if you don't, we can catch you. | 0:41:34 | 0:41:37 | |
On board the police bike is a special, long-range camera that | 0:41:37 | 0:41:42 | |
checks and records the exact speed of any vehicle in its sights | 0:41:42 | 0:41:47 | |
and, cunningly, it's not just deployed in one direction. | 0:41:47 | 0:41:51 | |
Their belief is that they can't get caught because the numberplate's | 0:41:51 | 0:41:54 | |
at the back, but that's not quite true because all I do is turn it | 0:41:54 | 0:41:57 | |
round and follow them. | 0:41:57 | 0:41:58 | |
So, they can get caught if they're coming towards me. | 0:41:58 | 0:42:01 | |
They can also get caught if they're going away from me. | 0:42:01 | 0:42:03 | |
So, the equipment we have here, | 0:42:03 | 0:42:05 | |
we'll demonstrate to them, here, tonight. | 0:42:05 | 0:42:07 | |
It's to say to them, "Look, enjoy your motorcycles, enjoy riding, | 0:42:07 | 0:42:12 | |
"but please don't speed." | 0:42:12 | 0:42:13 | |
The police in Somerset now have six of these speed bikes | 0:42:13 | 0:42:17 | |
and believe they can play a vital role in making the roads safer | 0:42:17 | 0:42:21 | |
in the county. | 0:42:21 | 0:42:23 | |
We have lots of accidents, | 0:42:23 | 0:42:25 | |
a significant number of accidents in and around the 30s and 40s - | 0:42:25 | 0:42:28 | |
the speed limits, which are, obviously, | 0:42:28 | 0:42:30 | |
around schools and built-up areas. | 0:42:30 | 0:42:32 | |
So, the object of these machines - like the vans, | 0:42:32 | 0:42:34 | |
although we operate in a different area - is to reduce collisions. | 0:42:34 | 0:42:38 | |
That's what we want. We want people to slow down, have less accidents, | 0:42:38 | 0:42:41 | |
commit less offences. | 0:42:41 | 0:42:43 | |
As we've just seen, our neighbourhood teams put the citizens | 0:42:48 | 0:42:52 | |
they serve and protect at the heart of their policing, | 0:42:52 | 0:42:55 | |
and by responding swiftly and effectively, everybody benefits, | 0:42:55 | 0:42:59 | |
especially the public, | 0:42:59 | 0:43:00 | |
who can feel confident that their safety is being put first. | 0:43:00 | 0:43:04 | |
Until next time, evening, all. | 0:43:04 | 0:43:07 | |
PERCUSSIVE CLICKING | 0:43:38 | 0:43:40 | |
WHISTLE | 0:43:40 | 0:43:41 |