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Keep your hands on your head! Do NOT move! | 0:00:02 | 0:00:04 | |
London... | 0:00:04 | 0:00:06 | |
SIREN WAILS | 0:00:06 | 0:00:07 | |
Get out of the way! | 0:00:07 | 0:00:09 | |
..home to over 8.5 million people. | 0:00:11 | 0:00:14 | |
This Taser is capable of delivering 50,000 volts! | 0:00:15 | 0:00:17 | |
The task of protecting them falls to the country's biggest police force. | 0:00:19 | 0:00:24 | |
You're under arrest, all right? | 0:00:24 | 0:00:26 | |
Hello, Metropolitan Police - how can I help? | 0:00:28 | 0:00:30 | |
Police, show me your hands! I've got a Taser, show me your hands! | 0:00:30 | 0:00:34 | |
In a single year, they're called to 90,000 robberies and burglaries... | 0:00:37 | 0:00:42 | |
Oh, my goodness gracious me. | 0:00:42 | 0:00:44 | |
-Chasing suspects... -INDISTINCT | 0:00:44 | 0:00:46 | |
..100 murders... | 0:00:47 | 0:00:49 | |
You've been identified as being responsible | 0:00:49 | 0:00:52 | |
for the murder of David McKenna. | 0:00:52 | 0:00:54 | |
..and make more than 190,000 arrests. | 0:00:54 | 0:00:57 | |
There you go. John! | 0:00:59 | 0:01:01 | |
You unlawfully and maliciously caused grievous bodily harm. | 0:01:03 | 0:01:06 | |
Can you think of a reason now | 0:01:06 | 0:01:07 | |
why I should give you bail for this matter? | 0:01:07 | 0:01:09 | |
It's my birthday tomorrow. | 0:01:09 | 0:01:11 | |
It's a force seen by some as the enemy... | 0:01:14 | 0:01:17 | |
Black people growing up around here | 0:01:21 | 0:01:24 | |
feel that the police is against them. | 0:01:24 | 0:01:26 | |
My driver has come under attack with a glass bottle, | 0:01:26 | 0:01:29 | |
he's had his head split open, | 0:01:29 | 0:01:30 | |
and another officer has been stabbed in the back of the head. | 0:01:30 | 0:01:33 | |
As they deal with life... | 0:01:33 | 0:01:35 | |
You're 13, what are you doing using language like that? Come on, man. | 0:01:35 | 0:01:38 | |
..death... | 0:01:38 | 0:01:40 | |
Welcome to Paradise. | 0:01:40 | 0:01:41 | |
..crime and its victims... | 0:01:41 | 0:01:44 | |
We lock up the bad people | 0:01:44 | 0:01:45 | |
so that people like you can sleep safe and sound. | 0:01:45 | 0:01:49 | |
..24 hours a day. | 0:01:49 | 0:01:51 | |
This programme contains some strong language. | 0:01:52 | 0:01:57 | |
SIREN WAILS | 0:01:58 | 0:02:01 | |
4am, Central London. | 0:02:11 | 0:02:13 | |
PCs Oz and Laura are halfway through a night shift. | 0:02:14 | 0:02:18 | |
Oz has been in the police force for seven years | 0:02:20 | 0:02:23 | |
and recently qualified as a response driver. | 0:02:23 | 0:02:26 | |
New recruit Laura moved down from Hull two years ago to join the Met. | 0:02:28 | 0:02:33 | |
Both of us are from the States and don't have international data plans, | 0:02:34 | 0:02:37 | |
so we don't have Wi-Fi here. | 0:02:37 | 0:02:39 | |
Is there any way... I don't know, we could get a ride home or something? | 0:02:39 | 0:02:42 | |
Sorry, mate. | 0:02:42 | 0:02:44 | |
I just know that the Tube stops at midnight, | 0:02:44 | 0:02:46 | |
-so is there another police car or anything? -No, | 0:02:46 | 0:02:49 | |
we don't do lifts. There's plenty of buses around and whatnot. | 0:02:49 | 0:02:52 | |
-Cheers. -Take care. | 0:02:52 | 0:02:53 | |
-TYRES SCREECH -What's he doing? | 0:03:03 | 0:03:05 | |
MP, MP. | 0:03:07 | 0:03:09 | |
Got a black BMW making off, no lights. | 0:03:09 | 0:03:12 | |
Is he not going to stop? | 0:03:14 | 0:03:17 | |
INDISTINCT RADIO MESSAGE: ..man with a head injury. | 0:03:17 | 0:03:21 | |
BLEEP! | 0:03:21 | 0:03:22 | |
Vehicle failed to stop. | 0:03:25 | 0:03:27 | |
TYRES SCREECH | 0:03:27 | 0:03:28 | |
Vehicle failing to stop. T Square, swerving all over the road. | 0:03:30 | 0:03:35 | |
Gone through a red red, T Square. | 0:03:35 | 0:03:37 | |
I'll do it, I'll do it. | 0:03:40 | 0:03:41 | |
Going down Whitehall. | 0:03:41 | 0:03:43 | |
Whitehall towards Parliament Square, all units. | 0:03:43 | 0:03:46 | |
MP receiving, Charlie Whiskey 219. | 0:03:47 | 0:03:49 | |
Got a vehicle failed to stop, making off towards Parliament Square, | 0:03:50 | 0:03:54 | |
going down towards Vauxhall Bridge Road. | 0:03:54 | 0:03:56 | |
It's a black BMW 3 Series. | 0:03:59 | 0:04:02 | |
Failed to stop on police request. | 0:04:02 | 0:04:05 | |
No lights, erratic driving, dangerous driving. | 0:04:05 | 0:04:08 | |
Permission to pursue. | 0:04:08 | 0:04:09 | |
Left, left off the Lambeth Bridge. | 0:04:16 | 0:04:19 | |
Got a level-one driver behind. | 0:04:19 | 0:04:20 | |
Level driver three and there is a level-one driver behind. | 0:04:20 | 0:04:24 | |
Vehicle's now turned left, left. | 0:04:24 | 0:04:26 | |
As the chase heads into South London, | 0:04:26 | 0:04:28 | |
a specialist traffic unit with an advanced driver | 0:04:28 | 0:04:31 | |
in a faster car takes the lead. | 0:04:31 | 0:04:33 | |
He's all over the place. | 0:04:44 | 0:04:45 | |
-You all right? -Whoo! | 0:04:55 | 0:04:58 | |
Right. | 0:05:12 | 0:05:14 | |
MP 036. | 0:05:14 | 0:05:15 | |
INDISTINCT RADIO EXCHANGE | 0:05:15 | 0:05:16 | |
Where is he? | 0:05:27 | 0:05:29 | |
This is the thing when it's not your area, you've literally got no clue. | 0:05:38 | 0:05:41 | |
I don't know where they're going. Where are they going? | 0:05:41 | 0:05:44 | |
BLEEP! | 0:05:49 | 0:05:50 | |
MP, can I get a talk-through | 0:05:52 | 0:05:53 | |
with the units that have the male detained | 0:05:53 | 0:05:55 | |
so we can come and liaise with them, | 0:05:55 | 0:05:57 | |
as we were the one that put up the pursuit. | 0:05:57 | 0:05:59 | |
-How you doing, are you all right? -Hell, yeah. | 0:06:00 | 0:06:02 | |
-First one? -Yeah! | 0:06:02 | 0:06:04 | |
Same! It was obvious, weren't it?! | 0:06:04 | 0:06:07 | |
Flipping 'ell. | 0:06:09 | 0:06:10 | |
I kept up with him! Kept up with him, that's the main thing. | 0:06:10 | 0:06:13 | |
-You bedded the brakes in, anyway! -Yeah, the brakes work, now(!) | 0:06:14 | 0:06:17 | |
Has he been arrested? | 0:06:24 | 0:06:26 | |
Right. | 0:06:26 | 0:06:27 | |
By the time Oz and Laura get to the scene, | 0:06:27 | 0:06:30 | |
the driver is already in custody. | 0:06:30 | 0:06:32 | |
Yeah, we've stopped him, but you're more than welcome to take him. | 0:06:32 | 0:06:35 | |
It's up to you. Honestly. | 0:06:35 | 0:06:37 | |
Well, you did all the hard work! | 0:06:37 | 0:06:38 | |
He doesn't want him back! | 0:06:38 | 0:06:40 | |
Yeah, first ever pursuit, that's, um... | 0:06:40 | 0:06:42 | |
Yeah. It was OK. Bit of adrenaline rushing through the system, but... | 0:06:43 | 0:06:48 | |
It's nice, we got him - finally. | 0:06:48 | 0:06:49 | |
-Good little spot. -Yeah, very. Yeah, happy. | 0:06:49 | 0:06:52 | |
Happy with it. I think Oz is, as well! | 0:06:52 | 0:06:55 | |
It's what we joined up for, isn't it?! | 0:06:55 | 0:06:57 | |
As well as helping people, obviously! | 0:06:57 | 0:07:00 | |
-Well done. You did well! -HE EXHALES | 0:07:00 | 0:07:04 | |
-Dream team! -Phew! | 0:07:04 | 0:07:06 | |
-Come on. -MAN PROTESTS | 0:07:09 | 0:07:12 | |
Come on. | 0:07:12 | 0:07:13 | |
Walk, then. | 0:07:13 | 0:07:15 | |
The driver is a 17-year-old boy from Peckham | 0:07:15 | 0:07:18 | |
who is already known to the police. | 0:07:18 | 0:07:20 | |
He's got no licence, | 0:07:23 | 0:07:24 | |
and it's not the first time he's stolen his mum's car. | 0:07:24 | 0:07:28 | |
Found...that much cannabis. | 0:07:29 | 0:07:32 | |
Which is two... There's two bags of those ones in his jeans pocket. | 0:07:33 | 0:07:37 | |
The offences that he's been arrested for in total | 0:07:39 | 0:07:43 | |
will be dangerous driving, fail to stop, | 0:07:43 | 0:07:45 | |
assault on police, | 0:07:45 | 0:07:47 | |
driving not in compliance with a licence, | 0:07:47 | 0:07:49 | |
no insurance, | 0:07:49 | 0:07:51 | |
possession of cannabis, erm... | 0:07:51 | 0:07:53 | |
I think that's it, which is quite a lot for a 17-year-old. | 0:07:55 | 0:07:57 | |
Since hosting the Olympics, Stratford in East London | 0:08:14 | 0:08:18 | |
has undergone rapid development, | 0:08:18 | 0:08:20 | |
bringing thousands of jobs to the area - | 0:08:20 | 0:08:23 | |
but the large, transient population has given rise to social problems. | 0:08:23 | 0:08:27 | |
The nearby Romford Road | 0:08:28 | 0:08:30 | |
has become one of London's prostitution hotspots, | 0:08:30 | 0:08:33 | |
with street sex workers, | 0:08:33 | 0:08:35 | |
massage parlours and budget hotels, | 0:08:35 | 0:08:38 | |
some of which the police suspect are operating as brothels. | 0:08:38 | 0:08:41 | |
I come out of my front door | 0:08:44 | 0:08:46 | |
-and I smell... -Yeah, marijuana. | 0:08:46 | 0:08:48 | |
That they're smoking. | 0:08:48 | 0:08:49 | |
And it's so heavy at times, | 0:08:49 | 0:08:51 | |
I'm thinking I'm going to walk around stoned. | 0:08:51 | 0:08:53 | |
-Yeah. -On the streets, it is so strong. | 0:08:53 | 0:08:57 | |
-It is the perfume of Stratford. -I know. | 0:08:57 | 0:09:00 | |
Moving on to prostitution. | 0:09:00 | 0:09:02 | |
OK, so... As you know, I talk about this at every meeting, | 0:09:02 | 0:09:06 | |
it's something I feel very strongly about and I know you all do too, | 0:09:06 | 0:09:09 | |
being residents, and having to have this on your doorstep every day. | 0:09:09 | 0:09:12 | |
Leading the borough's efforts to tackle prostitution | 0:09:12 | 0:09:15 | |
is Sergeant Vicky Kneale from the Neighbourhoods Team. | 0:09:15 | 0:09:18 | |
There are building sites everywhere, | 0:09:18 | 0:09:20 | |
there's lots of regeneration going on, | 0:09:20 | 0:09:22 | |
workers come to this area, there's Crossrail. | 0:09:22 | 0:09:24 | |
That's bringing in a lot of people to the area, as well... | 0:09:24 | 0:09:27 | |
It's not big enough. | 0:09:27 | 0:09:29 | |
In the morning, on my way to work, | 0:09:29 | 0:09:30 | |
I have prostitutes knocking on the window of my car... | 0:09:30 | 0:09:33 | |
Wow. | 0:09:33 | 0:09:34 | |
-And this is another thing. -They're quite aggressive themselves. | 0:09:34 | 0:09:38 | |
-It's intimidating. -Groups of guys. | 0:09:38 | 0:09:40 | |
And it's getting more and more. | 0:09:40 | 0:09:43 | |
I know sometimes it can feel like we might not be doing everything | 0:09:43 | 0:09:46 | |
you WANT us to do, but the strategy that we're currently working towards | 0:09:46 | 0:09:49 | |
at the minute is targeting the drug dealers, | 0:09:49 | 0:09:51 | |
if we take the kerb crawlers out of the equation, | 0:09:51 | 0:09:54 | |
and we try and safeguard the girls | 0:09:54 | 0:09:55 | |
as opposed to trying to prosecute them, | 0:09:55 | 0:09:57 | |
because unfortunately, we've found from previous, | 0:09:57 | 0:09:59 | |
prosecution of these girls doesn't work, | 0:09:59 | 0:10:01 | |
because all that happens is you arrest them, | 0:10:01 | 0:10:03 | |
put them through the court, | 0:10:03 | 0:10:04 | |
give them a fine and the only way they can pay the fine | 0:10:04 | 0:10:06 | |
is the same way that they get their money to buy the drugs, | 0:10:06 | 0:10:09 | |
which is to go back out again. | 0:10:09 | 0:10:10 | |
Tonight, Vicky's out on patrol with PC Becky Garner. | 0:10:15 | 0:10:20 | |
On their patch is the Romford Road. | 0:10:20 | 0:10:23 | |
Romford Road's a main arterial route with loads of little side roads. | 0:10:24 | 0:10:27 | |
So what they tend to do, they'll pull up on the corner, | 0:10:27 | 0:10:30 | |
pick them up, then turn down the side roads | 0:10:30 | 0:10:32 | |
and then either just cut into car parks or, in summer... | 0:10:32 | 0:10:36 | |
in summer, they don't even bother going that far. | 0:10:36 | 0:10:38 | |
They tend to just go in gardens and, um... | 0:10:38 | 0:10:41 | |
Gardens, bin sheds, disused cars. Anything. | 0:10:42 | 0:10:46 | |
-Is someone in there? -I don't think so, no. | 0:10:51 | 0:10:54 | |
-It's all locked up. -What is it? -It's a car. Somebody's house. | 0:10:54 | 0:10:57 | |
Got a used condom there, condom packet over there. | 0:10:57 | 0:11:00 | |
You know, people live here with kids, and... | 0:11:00 | 0:11:02 | |
Is this really what you want to wake up to in the morning? | 0:11:02 | 0:11:05 | |
Used condoms, cars now that have been left there for a couple of days | 0:11:05 | 0:11:08 | |
and all of a sudden, someone's moved in there, | 0:11:08 | 0:11:10 | |
bringing people back there, having sex there - | 0:11:10 | 0:11:12 | |
and this is where they'll sleep until we then get it removed. | 0:11:12 | 0:11:15 | |
This isn't King's Cross in the '80s, | 0:11:18 | 0:11:21 | |
it's not everywhere you look there are girls swarming around - | 0:11:21 | 0:11:25 | |
and, actually, if you didn't know who they were and what they were, | 0:11:25 | 0:11:30 | |
you'd probably think | 0:11:30 | 0:11:31 | |
they were just waiting on the street corner for a mate. | 0:11:31 | 0:11:34 | |
They're not short-skirted, standing there chewing gum, | 0:11:34 | 0:11:37 | |
you know, with their thumb out or anything. | 0:11:37 | 0:11:40 | |
They're just really inconspicuous girls in normal jeans and trainers | 0:11:40 | 0:11:44 | |
and big jackets in winter. What's that? | 0:11:44 | 0:11:46 | |
Control VL, please. | 0:11:46 | 0:11:48 | |
Can we just speak to her, see what they said? | 0:11:49 | 0:11:51 | |
You all right? You're not in any trouble, don't worry. | 0:11:53 | 0:11:55 | |
-You know those guys that just stopped you? -Yeah. | 0:11:55 | 0:11:57 | |
How many were there in the car? | 0:11:57 | 0:11:59 | |
What did they ask you for? | 0:11:59 | 0:12:01 | |
-And what did you say? -No. | 0:12:05 | 0:12:07 | |
Is that because there was two of them in there? | 0:12:07 | 0:12:09 | |
Really? | 0:12:10 | 0:12:12 | |
Right, thanks. See you later. | 0:12:12 | 0:12:14 | |
Stay off the Romford Road for me, will you, love? Please. Thank you. | 0:12:14 | 0:12:17 | |
You know, these girls feel so shit about themselves anyway, you know? | 0:12:20 | 0:12:24 | |
I mean, the blokes treat them not very nice, | 0:12:24 | 0:12:27 | |
they don't make them feel very good about themselves, | 0:12:27 | 0:12:29 | |
the job that they're doing | 0:12:29 | 0:12:30 | |
doesn't make them feel very good about themselves. | 0:12:30 | 0:12:32 | |
They do not need me standing there, | 0:12:32 | 0:12:34 | |
preaching to them about being a prostitute | 0:12:34 | 0:12:36 | |
and how disgusting that is. | 0:12:36 | 0:12:38 | |
For me, it doesn't achieve anything at all. | 0:12:38 | 0:12:40 | |
-All right? -Where are your shoes? | 0:12:44 | 0:12:47 | |
Here, but they're killing me! | 0:12:47 | 0:12:49 | |
Oh, my goodness. | 0:12:49 | 0:12:50 | |
-Are you working? -Am I going to get arrested? -No! -All right. | 0:12:52 | 0:12:56 | |
Yeah, trying to learn a few quid. | 0:12:56 | 0:12:57 | |
-Have you had anybody yet, or not? -Eh? | 0:12:57 | 0:12:59 | |
-Have you had anybody yet? -No, I'm seeing still. | 0:12:59 | 0:13:02 | |
-Just out of interest, how much are you charging at the minute? -30 quid. | 0:13:02 | 0:13:05 | |
-For? -A blow job. -30 quid for a blow job? -Yeah. | 0:13:05 | 0:13:09 | |
'As a woman, I couldn't think of anything worse than the only way | 0:13:09 | 0:13:12 | |
'that you can feed and clothe and house yourself overnight' | 0:13:12 | 0:13:15 | |
is to put yourself on these streets | 0:13:15 | 0:13:17 | |
and do what some of these girls are having to do. | 0:13:17 | 0:13:19 | |
I mean, I physically don't know how they do it. | 0:13:19 | 0:13:22 | |
-Have you been on drugs now, have you taken drugs tonight? -No, no, no. | 0:13:22 | 0:13:25 | |
-Nothing? -No. -Anything? | 0:13:25 | 0:13:27 | |
I'm going to the doctor's on Monday, but I have got my medication | 0:13:27 | 0:13:30 | |
-left from what they gave me at the prison. -Yeah. | 0:13:30 | 0:13:32 | |
You've got to go back, you've got to go back. | 0:13:32 | 0:13:34 | |
'I see them very much as victims | 0:13:34 | 0:13:36 | |
'as much as any other victim on the streets, | 0:13:36 | 0:13:38 | |
'so I think what I'm trying to do really is just' | 0:13:38 | 0:13:40 | |
pick off individuals and try and rehabilitate them. | 0:13:40 | 0:13:43 | |
-Look after yourself, mate, all right? -I will. | 0:13:43 | 0:13:46 | |
And put your shoes on! Are they wedding shoes? | 0:13:46 | 0:13:48 | |
'What we're doing here is not indicative of what is | 0:13:48 | 0:13:50 | |
'happening across the Met, | 0:13:50 | 0:13:52 | |
'it's just something that I feel we've got to try and give a go, | 0:13:52 | 0:13:56 | |
'because I want to be able to give these girls an option.' | 0:13:56 | 0:14:01 | |
Vicky suspects that some of the women selling sex | 0:14:07 | 0:14:10 | |
are controlled by organised criminals. | 0:14:10 | 0:14:13 | |
No, I'm going to pull up here. | 0:14:13 | 0:14:15 | |
For the last few months, she's been gathering intelligence | 0:14:15 | 0:14:19 | |
about a budget hotel called the Travel Inn. | 0:14:19 | 0:14:22 | |
So, the hotel in the distance, we're doing a little bit of work on | 0:14:22 | 0:14:24 | |
at the minute because we believe | 0:14:24 | 0:14:26 | |
that it's potentially being run as a brothel. | 0:14:26 | 0:14:29 | |
Quite a lot of intel at the minute around Romanian girls | 0:14:29 | 0:14:32 | |
being brought in, | 0:14:32 | 0:14:33 | |
working from the rooms in there and bringing clients in | 0:14:33 | 0:14:37 | |
off websites and the owner is taking a cut of their profits | 0:14:37 | 0:14:40 | |
by letting them stay in those rooms. | 0:14:40 | 0:14:42 | |
The issue that we have with that, obviously, | 0:14:42 | 0:14:44 | |
is the fact that it's being run as a brothel, | 0:14:44 | 0:14:46 | |
but also that, the owner, this isn't the only one that he's running, | 0:14:46 | 0:14:49 | |
so it's an ongoing piece of work we're looking at | 0:14:49 | 0:14:52 | |
to try and see if we can get it closed down | 0:14:52 | 0:14:54 | |
and look to be prosecuting the owner | 0:14:54 | 0:14:55 | |
for controlling prostitution for gain. | 0:14:55 | 0:14:58 | |
BAGPIPES AND DRUMBEATS | 0:15:03 | 0:15:06 | |
-Do you reckon them hats are really heavy? -RADIO: -'Receiving?' -Eh? | 0:15:19 | 0:15:22 | |
-Do you reckon them hats are really heavy? -Yeah. | 0:15:22 | 0:15:25 | |
It's the hottest day of the year and in Westminster, Oz and Laura | 0:15:25 | 0:15:29 | |
are beginning a nine-hour shift. | 0:15:29 | 0:15:30 | |
I love good weather. | 0:15:32 | 0:15:34 | |
I'm not sure that I would choose this outfit | 0:15:34 | 0:15:36 | |
if I was to go abroad, where it was going to be 35 Celsius. | 0:15:36 | 0:15:39 | |
-It's the hot legs and hot trotters that get me. -Mm. | 0:15:41 | 0:15:44 | |
A police officer has been attacked in Hyde Park. | 0:15:53 | 0:15:56 | |
A helicopter and all local units are scrambled to the scene. | 0:15:57 | 0:16:01 | |
Er, I dunno. | 0:16:21 | 0:16:22 | |
An impromptu summer party has drawn thousands of teenagers | 0:16:23 | 0:16:27 | |
and young people to the park... | 0:16:27 | 0:16:28 | |
So just all of that area you can see just north of the boathouse. | 0:16:30 | 0:16:35 | |
We're here. | 0:16:35 | 0:16:36 | |
..but when the police intervened to stop the music, | 0:16:36 | 0:16:39 | |
they've come under attack. | 0:16:39 | 0:16:41 | |
Fuck. | 0:16:58 | 0:16:59 | |
By the time Oz and Laura arrive, | 0:17:01 | 0:17:03 | |
it's clear a major incident is developing. | 0:17:03 | 0:17:06 | |
This has been arranged over the internet using social media. | 0:17:13 | 0:17:16 | |
Several thousand people have attended. | 0:17:16 | 0:17:19 | |
My driver has had... | 0:17:19 | 0:17:20 | |
Has come under attack with a glass bottle, | 0:17:21 | 0:17:23 | |
he's had his head split open, | 0:17:23 | 0:17:25 | |
and another officer has been stabbed in the back of the head. | 0:17:25 | 0:17:28 | |
Luckily, it didn't go through to his skull, so he's all right. | 0:17:28 | 0:17:31 | |
Clearly a lot of alcohol has been had, | 0:17:33 | 0:17:34 | |
the amount of bottles that have come towards us. | 0:17:34 | 0:17:37 | |
And laughing gas, as well. Loads of canisters. | 0:17:37 | 0:17:40 | |
It's not really been established as to why, | 0:17:41 | 0:17:43 | |
but they just suddenly started lashing out at the police. | 0:17:43 | 0:17:46 | |
It's just people being in the park, having a drink, | 0:17:49 | 0:17:52 | |
and if you draw your attention to that... | 0:17:52 | 0:17:55 | |
It's a full moon! | 0:17:55 | 0:17:57 | |
Which probably has a contributing factor! | 0:17:58 | 0:18:01 | |
Outnumbered, the police wait for riot-trained reinforcements | 0:18:08 | 0:18:12 | |
as the park descends into chaos. | 0:18:12 | 0:18:14 | |
I don't know if you can see, | 0:18:18 | 0:18:19 | |
there's mass migration in all directions. | 0:18:19 | 0:18:22 | |
There's several sporadic fights breaking out, | 0:18:26 | 0:18:30 | |
they are just laying into each other, big-time. | 0:18:30 | 0:18:33 | |
As night falls, | 0:18:47 | 0:18:48 | |
a man is stabbed in the arm and comes forward looking for treatment. | 0:18:48 | 0:18:52 | |
Chief Inspector of the Royal Park, Stephen Manger, makes the decision | 0:18:53 | 0:18:57 | |
to clear the park using a tactic known as a clearance sweep. | 0:18:57 | 0:19:01 | |
The suggestion would be perhaps use the carriers on the side | 0:19:02 | 0:19:05 | |
so that you can then move forward and see what happens to the crowd, | 0:19:05 | 0:19:08 | |
go forwards sort of 20 feet to start with. | 0:19:08 | 0:19:10 | |
Hold it there, | 0:19:10 | 0:19:12 | |
hopefully that might encourage people to start leaving the park. | 0:19:12 | 0:19:14 | |
OK? Happy with that plan? | 0:19:14 | 0:19:16 | |
-Get back! -Get back over there, mate. -Get back! | 0:19:16 | 0:19:19 | |
SHOUTING | 0:19:19 | 0:19:20 | |
With the riot vans flanking them, | 0:19:25 | 0:19:27 | |
the police line up and slowly push the crowd north across the park. | 0:19:27 | 0:19:32 | |
-Missiles! -Missiles! -Missile. | 0:19:32 | 0:19:35 | |
Missile. | 0:19:39 | 0:19:40 | |
-It's getting hard to see them, now. -I ain't got a shield! -Missile. | 0:19:42 | 0:19:46 | |
People think it's part and parcel, | 0:19:51 | 0:19:52 | |
you become a police officer and you can expect to get injured | 0:19:52 | 0:19:55 | |
and it's true, unfortunately - you can expect to get injured. | 0:19:55 | 0:19:57 | |
-Black eye is probably the worst I've had. -Leave the park, now! | 0:19:57 | 0:20:01 | |
CROWD CHANT | 0:20:01 | 0:20:03 | |
They want us to react. | 0:20:08 | 0:20:10 | |
We're obviously more professional than that, | 0:20:10 | 0:20:12 | |
we're not going to react just like that. | 0:20:12 | 0:20:14 | |
We've not retaliated, we've just asked them to leave the park. | 0:20:14 | 0:20:17 | |
They're leaving on their own accord, so they've got what they wanted. | 0:20:17 | 0:20:20 | |
They've had their five minutes on their social media sites | 0:20:20 | 0:20:24 | |
and now they're probably going to go home | 0:20:24 | 0:20:26 | |
and put it on their post on the internet. | 0:20:26 | 0:20:28 | |
Having a look at Marble Arch, busiest areas | 0:20:28 | 0:20:31 | |
appear to be the roundabout, underneath the arch, | 0:20:31 | 0:20:34 | |
with a load of people dancing. | 0:20:34 | 0:20:36 | |
The majority of the other people are outside McDonald's. | 0:20:36 | 0:20:38 | |
The police have pushed the crowd out of Hyde Park, | 0:20:40 | 0:20:42 | |
but on the streets nearby, more trouble erupts. | 0:20:42 | 0:20:47 | |
Just confirm your exact location, we have a male stabbed in the heart. | 0:20:54 | 0:20:57 | |
Confirm your exact location, over. | 0:20:57 | 0:21:00 | |
A male stabbed in the heart. | 0:21:03 | 0:21:06 | |
'They're not stopping...' | 0:21:06 | 0:21:08 | |
'They're walking down Park Lane.' | 0:21:08 | 0:21:09 | |
They're walking off, he's been stabbed. | 0:21:09 | 0:21:13 | |
'Please can we have... | 0:21:13 | 0:21:14 | |
'..Park Lane...' | 0:21:14 | 0:21:15 | |
He could die if the ambulance don't get there. | 0:21:15 | 0:21:18 | |
Just confirm this is a male that's been stabbed, | 0:21:20 | 0:21:22 | |
walking towards the ambulance. | 0:21:22 | 0:21:24 | |
He's being carried in a crowd down to the ambulance. | 0:21:24 | 0:21:28 | |
Can I make a recommendation that we close Park Lane | 0:21:36 | 0:21:39 | |
where the ambulance is treating the male? | 0:21:39 | 0:21:41 | |
Probably make life easier in the long run if we do it now. | 0:21:41 | 0:21:44 | |
-Come on, Oz. -Got it. | 0:21:52 | 0:21:54 | |
After 12 hours on duty, Oz and Laura | 0:21:54 | 0:21:57 | |
are stood down for the night. | 0:21:57 | 0:21:59 | |
All you could hear on the radio was, "stabbing, stabbing, stabbing". | 0:21:59 | 0:22:03 | |
I've lost count of how many stabbings there are, | 0:22:03 | 0:22:05 | |
there's scenes everywhere. | 0:22:05 | 0:22:07 | |
There are scenes just being set up all over, | 0:22:07 | 0:22:09 | |
and even when that's happening, | 0:22:09 | 0:22:11 | |
still, people are being anti towards you, | 0:22:11 | 0:22:13 | |
and people just don't seem to care, do they? | 0:22:13 | 0:22:15 | |
They've got too much alcohol on board. | 0:22:15 | 0:22:17 | |
Time to go home, girls, please. Off you go, please. | 0:22:17 | 0:22:21 | |
-So, yeah. It's kind of...a bit of a come-down right now. -Mm-hm. | 0:22:24 | 0:22:27 | |
We had a mobilisation of the force last night. | 0:22:36 | 0:22:39 | |
There was a fast and furious and effective response. | 0:22:39 | 0:22:42 | |
By 3am, London was calm. | 0:22:42 | 0:22:44 | |
After a night of disturbances in Hyde Park | 0:22:44 | 0:22:47 | |
and at two other sites across London, | 0:22:47 | 0:22:50 | |
senior officers, led by Commander BJ Harrington, | 0:22:50 | 0:22:53 | |
meet to plan the Met's response. | 0:22:53 | 0:22:55 | |
We saw spontaneous and serious disorder | 0:22:56 | 0:22:58 | |
which saw officers injured, one stabbed, one hit with a bottle, | 0:22:58 | 0:23:02 | |
three members of the public stabbed, and then ongoing disorder and fights | 0:23:02 | 0:23:05 | |
which we then had to mobilise in order to do a clearance, | 0:23:05 | 0:23:08 | |
but, fortunately for all, | 0:23:08 | 0:23:10 | |
none of the injuries are believed life-threatening. | 0:23:10 | 0:23:12 | |
We have taken the very serious decision of going to 12-hour shifts | 0:23:12 | 0:23:15 | |
for, certainly, the next seven days, until we understand the issues | 0:23:15 | 0:23:19 | |
and we can be sure that we can deliver a safe response for London. | 0:23:19 | 0:23:22 | |
'BJ, can I just clarify, | 0:23:22 | 0:23:24 | |
'the 12-hours only applies to uniform officers, | 0:23:24 | 0:23:26 | |
'is that correct?' | 0:23:26 | 0:23:27 | |
No, it's all officers, 12-hour shifts. | 0:23:27 | 0:23:30 | |
-'For CID?' -Yes, CID as well. -'OK.' | 0:23:31 | 0:23:33 | |
-'Boss, can Intel come in on the op name?' -You can. | 0:23:33 | 0:23:36 | |
-'We've got an op name already.' -That's good. | 0:23:36 | 0:23:38 | |
'San Marino. Op San Marino, as in the country, or whatever it is.' | 0:23:38 | 0:23:42 | |
OK. I've got no objection to San Marino. | 0:23:42 | 0:23:44 | |
One of the only football teams that England can actually beat, | 0:23:44 | 0:23:47 | |
I think, is that not right? | 0:23:47 | 0:23:48 | |
OK. Anyway, Op San Marino, we'll work with that. | 0:23:48 | 0:23:51 | |
'May I just ask that the operation name is reconsidered? | 0:23:51 | 0:23:53 | |
'San Marino was an area of Los Angeles | 0:23:53 | 0:23:55 | |
'where there were riots 20 years ago - Rodney King.' | 0:23:55 | 0:23:58 | |
OK, that is a very good point why it's not. | 0:23:58 | 0:24:00 | |
There you go, we will rethink on the operation name. | 0:24:00 | 0:24:04 | |
Who does operation names? | 0:24:04 | 0:24:06 | |
Intel, you usually issue those, don't you? | 0:24:06 | 0:24:08 | |
Can you give me a call afterwards with something...best guess, | 0:24:08 | 0:24:11 | |
that doesn't have any implications for anything else | 0:24:11 | 0:24:14 | |
or inadvertent associations with elsewhere? | 0:24:14 | 0:24:17 | |
With the heat wave set to continue, the renamed Op Sanmar | 0:24:19 | 0:24:23 | |
will provide an extra thousand riot-trained officers | 0:24:23 | 0:24:26 | |
for the next seven days. | 0:24:26 | 0:24:28 | |
We saw what happened last night, | 0:24:29 | 0:24:30 | |
and our theory is that this similar sort of thing happens again, | 0:24:30 | 0:24:33 | |
whether that's because it's still a hot night, | 0:24:33 | 0:24:35 | |
because we're still going to have groups gathering, | 0:24:35 | 0:24:38 | |
because people decide that that looked like good fun, | 0:24:38 | 0:24:41 | |
let's try and do that again. | 0:24:41 | 0:24:42 | |
So we've mobilised sufficient resources to tackle those incidents, | 0:24:42 | 0:24:46 | |
whatever they might be, reassuring Londoners | 0:24:46 | 0:24:49 | |
that we've got a grip of this, because if WE haven't, then who has? | 0:24:49 | 0:24:53 | |
Mobile phone footage from the disorder last night | 0:24:56 | 0:24:59 | |
is circulating on the internet, including the attack on Park Lane. | 0:24:59 | 0:25:03 | |
He's getting dipped! He's going to get dipped! | 0:25:03 | 0:25:06 | |
He got dipped! He got dipped! He got dipped! He got dipped! | 0:25:06 | 0:25:09 | |
SCREAMING | 0:25:09 | 0:25:10 | |
The Park Lane victim suffered multiple lacerations | 0:25:16 | 0:25:19 | |
and a 4cm stab wound, | 0:25:19 | 0:25:20 | |
which just missed his heart. | 0:25:20 | 0:25:22 | |
Leading the hunt for his attacker is Detective Inspector Dave Bolton | 0:25:23 | 0:25:27 | |
from the Homicide and Serious Crime Command. | 0:25:27 | 0:25:30 | |
This bit of footage is the clip that is widely seen on social media. | 0:25:30 | 0:25:37 | |
So this is the full speed attack footage. | 0:25:37 | 0:25:40 | |
The victim trying to get away from the blade, | 0:25:40 | 0:25:42 | |
they're chasing him through traffic. | 0:25:42 | 0:25:45 | |
We then come onto a second piece of mobile phone footage. | 0:25:45 | 0:25:49 | |
Our suspect is the purple arrow, the victim is on the floor, | 0:25:49 | 0:25:52 | |
he's been repeatedly stabbed and sits up. | 0:25:52 | 0:25:55 | |
First stab, second stab, | 0:25:55 | 0:25:57 | |
third, fourth... | 0:25:57 | 0:25:59 | |
fifth, sixth, | 0:25:59 | 0:26:01 | |
and there's a slash wound as he runs away. | 0:26:01 | 0:26:04 | |
More attack footage - there's our suspect again, | 0:26:04 | 0:26:06 | |
armed with a very large knife. | 0:26:06 | 0:26:08 | |
It's probably a foot long. | 0:26:08 | 0:26:10 | |
As it progresses, you can see it glinting. | 0:26:10 | 0:26:13 | |
That's a horrendous knife. | 0:26:13 | 0:26:14 | |
That's not a kitchen knife, that's a hunting knife. | 0:26:14 | 0:26:17 | |
These type of knives, unfortunately...are... | 0:26:17 | 0:26:22 | |
..fairly commonplace among gang members. | 0:26:23 | 0:26:26 | |
One of the suspects does a flying kick and knocks him to the floor. | 0:26:26 | 0:26:31 | |
Bang, he's knocked over by one suspect, | 0:26:31 | 0:26:34 | |
who cowardly runs away, | 0:26:34 | 0:26:35 | |
and then others come in, armed with knives, | 0:26:35 | 0:26:38 | |
chasing him through the traffic. | 0:26:38 | 0:26:40 | |
And our victim, you can see, | 0:26:42 | 0:26:43 | |
he's desperately trying to get away from the knife, | 0:26:43 | 0:26:45 | |
he's trying to keep his body as far away from the knife as possible. | 0:26:45 | 0:26:48 | |
The victim has told police that he was attacked | 0:26:50 | 0:26:54 | |
by a stranger wearing a mask. | 0:26:54 | 0:26:56 | |
Although we have the social media footage of the attack... | 0:26:56 | 0:26:59 | |
..um...it doesn't show us anything that's useful for us | 0:27:00 | 0:27:06 | |
to actually identify our attackers from. | 0:27:06 | 0:27:08 | |
He's hoping that if we can't identify him from the attack, | 0:27:09 | 0:27:13 | |
that he'll just merge into the crowd and be undetected. | 0:27:13 | 0:27:16 | |
To try and trace the masked man after the attack, | 0:27:19 | 0:27:22 | |
detectives turn to CCTV from the surrounding streets. | 0:27:22 | 0:27:26 | |
Our challenge is that we've got | 0:27:26 | 0:27:28 | |
a significant quantity of CCTV footage | 0:27:28 | 0:27:31 | |
and thousands of people milling around, | 0:27:31 | 0:27:34 | |
so trying to sort out which ones are involved | 0:27:34 | 0:27:37 | |
in any form of criminality is becoming a real challenge. | 0:27:37 | 0:27:40 | |
It's a needle in a haystack. | 0:27:40 | 0:27:42 | |
Friday night. 1am. | 0:27:57 | 0:28:00 | |
So, we'll go down and see the new sauna that's come up. | 0:28:00 | 0:28:03 | |
We'll just knock on the door and see what's there, | 0:28:03 | 0:28:05 | |
and then I'll actually have a quick drive past the hotel | 0:28:05 | 0:28:08 | |
on Romford Road, as well, see if there's anything happening there. | 0:28:08 | 0:28:11 | |
-See who's about. Right? -Yep. Yeah, yeah. | 0:28:11 | 0:28:14 | |
For the last five months, | 0:28:16 | 0:28:17 | |
Vicky Kneale has been investigating a local hotel - the Travel Inn. | 0:28:17 | 0:28:21 | |
She suspects it to be a brothel, | 0:28:24 | 0:28:27 | |
whose owner has links to Romanian criminals. | 0:28:27 | 0:28:29 | |
-Eastern European? -Yeah. | 0:28:33 | 0:28:35 | |
All right? | 0:28:37 | 0:28:38 | |
Police. | 0:28:39 | 0:28:40 | |
Yes, you do. | 0:28:42 | 0:28:43 | |
Are you working? | 0:28:43 | 0:28:44 | |
Where are you from? | 0:28:44 | 0:28:46 | |
Are you? Perfect. | 0:28:46 | 0:28:47 | |
Get her on the radio. | 0:28:47 | 0:28:49 | |
We're on Romford Road, just stopped a young female, Romanian. | 0:28:49 | 0:28:52 | |
Any chance you can have a word with her? | 0:28:52 | 0:28:55 | |
-Yes. -Perfect. | 0:28:57 | 0:28:58 | |
Romanian. | 0:28:58 | 0:28:59 | |
'What do you want me to ask her?' | 0:29:01 | 0:29:02 | |
Name and where she is staying. | 0:29:02 | 0:29:04 | |
SHE SPEAKS IN ROMANIAN | 0:29:04 | 0:29:06 | |
Let me look. Key ring. | 0:29:06 | 0:29:07 | |
3-2. | 0:29:08 | 0:29:10 | |
IN ROMANIAN: | 0:29:12 | 0:29:13 | |
Brilliant. | 0:29:23 | 0:29:24 | |
Just ask her, why the Travel Inn? | 0:29:25 | 0:29:27 | |
Why the Travel Inn? | 0:29:27 | 0:29:28 | |
'She says because she likes the hotel.' | 0:29:34 | 0:29:36 | |
OK. | 0:29:37 | 0:29:38 | |
First girl we stop, started chatting to her, Romanian. | 0:29:39 | 0:29:42 | |
Guess what she's got in her hand. | 0:29:42 | 0:29:44 | |
'What?' | 0:29:44 | 0:29:45 | |
A Travel Inn key fob. Honestly! | 0:29:45 | 0:29:47 | |
I was just like, "You can't make this shit up!" | 0:29:47 | 0:29:50 | |
The Travel Inn is just one of a number of properties | 0:29:52 | 0:29:55 | |
all owned by the same man. | 0:29:55 | 0:29:57 | |
So, this is Mr David Archer, previously known as David Grant. | 0:30:00 | 0:30:03 | |
He is in his mid-50s, born in Scotland, | 0:30:03 | 0:30:07 | |
lived down here for quite a long time, | 0:30:07 | 0:30:09 | |
owns quite a lot of property. | 0:30:09 | 0:30:10 | |
Very controlling, very manipulative man | 0:30:10 | 0:30:13 | |
who we believe is running multiple brothels | 0:30:13 | 0:30:15 | |
across this borough, other boroughs, and also, potentially, overseas. | 0:30:15 | 0:30:20 | |
Despite being suspected of running a major criminal enterprise, | 0:30:22 | 0:30:25 | |
Archer only has a couple of minor convictions for assault. | 0:30:25 | 0:30:30 | |
He has been pretty much under the radar. | 0:30:30 | 0:30:33 | |
I think he sees himself very much as untouchable by the police. | 0:30:33 | 0:30:36 | |
What we do need is evidence from the girls | 0:30:36 | 0:30:38 | |
that he is, in fact, controlling them as prostitutes for gain, | 0:30:38 | 0:30:42 | |
and taking money from them for that purpose. | 0:30:42 | 0:30:44 | |
Our plan of attack is as follows. | 0:30:46 | 0:30:49 | |
We will have one day of activity, | 0:30:49 | 0:30:51 | |
we have got floor plans of all the premises, which is great... | 0:30:51 | 0:30:55 | |
A decision has been made to raid four of Archer's properties. | 0:30:55 | 0:30:58 | |
Vicky is meeting financial investigators, Immigration, | 0:30:59 | 0:31:03 | |
and a Met Police sexual exploitation unit to plan the raids. | 0:31:03 | 0:31:07 | |
Archer got notified to us | 0:31:07 | 0:31:09 | |
last year some time for, just, some basic common assault. | 0:31:09 | 0:31:12 | |
Archer was also linked to the Travel Inn - | 0:31:12 | 0:31:14 | |
girls reporting assault, | 0:31:14 | 0:31:16 | |
but also that it was being used as a brothel. | 0:31:16 | 0:31:18 | |
We had a prostitute | 0:31:18 | 0:31:19 | |
who took an overdose and was found dead in there. | 0:31:19 | 0:31:21 | |
I just think, for the risk thing, we can't really take any more time, | 0:31:21 | 0:31:24 | |
and we'll just keep going, | 0:31:24 | 0:31:25 | |
so we're just going to go and get the warrant | 0:31:25 | 0:31:28 | |
to try and get all of the premises closed - | 0:31:28 | 0:31:30 | |
because I think everybody has got their own agenda on this. | 0:31:30 | 0:31:33 | |
I know, obviously, Gaynor wants to take him for everything he's got, | 0:31:33 | 0:31:35 | |
which is great, but also, our main thing, for us, | 0:31:35 | 0:31:38 | |
especially, is the neighbourhoods, | 0:31:38 | 0:31:39 | |
is to get the places closed down, because they are crime generators | 0:31:39 | 0:31:42 | |
and we've got a lot of vulnerable girls | 0:31:42 | 0:31:44 | |
that are potentially frequenting in and out of there, | 0:31:44 | 0:31:46 | |
and we need to be able to get those closed down. | 0:31:46 | 0:31:48 | |
One of the strongest weapons against Archer | 0:31:48 | 0:31:51 | |
will be his business records and financial affairs. | 0:31:51 | 0:31:54 | |
We deal with the girls, get the girls out of the equation, | 0:31:54 | 0:31:56 | |
and then you do the searches for whatever it is, | 0:31:56 | 0:31:59 | |
cos we're not looking for anything | 0:31:59 | 0:32:00 | |
-other than just girls, really. -Exactly. | 0:32:00 | 0:32:02 | |
-Yeah. -But you will be doing those searches. | 0:32:02 | 0:32:04 | |
We will do the searches around the business records, | 0:32:04 | 0:32:06 | |
-and accounts and stuff like that. -Perfect. | 0:32:06 | 0:32:08 | |
If there's cash in the addresses, we'll deal with that. | 0:32:08 | 0:32:10 | |
Might want to think about whether we need a cash dog | 0:32:10 | 0:32:12 | |
to have a quick sniff round, | 0:32:12 | 0:32:14 | |
because it is much quicker with the dog to find cash. | 0:32:14 | 0:32:17 | |
That side of things, we will be working hand-in-hand with HMRC. | 0:32:17 | 0:32:20 | |
They want to deal with him for tax offences. | 0:32:20 | 0:32:23 | |
So, really, we just want to hit him with everything - | 0:32:23 | 0:32:26 | |
all angles that we possibly can. | 0:32:26 | 0:32:27 | |
You will deal with the finance, HMRC will deal with their bit, | 0:32:27 | 0:32:30 | |
and then, obviously, Immigration, | 0:32:30 | 0:32:31 | |
if there's any offences that come out, | 0:32:31 | 0:32:33 | |
we can deal with that nearer the time. | 0:32:33 | 0:32:35 | |
Does that sort of make sense? | 0:32:35 | 0:32:38 | |
48 hours after the Hyde Park disorder, | 0:32:45 | 0:32:48 | |
Central London is quiet | 0:32:48 | 0:32:50 | |
but the Met Police remain on 12-hour shifts, | 0:32:50 | 0:32:54 | |
with thousands of riot-trained officers held on stand-by | 0:32:54 | 0:32:57 | |
across the capital, | 0:32:57 | 0:32:59 | |
ready to deploy within 15 minutes. | 0:32:59 | 0:33:02 | |
It's been a little bit slow today, | 0:33:10 | 0:33:12 | |
so we are just enjoying a little bit of downtime. | 0:33:12 | 0:33:16 | |
Having a lovely time. | 0:33:17 | 0:33:18 | |
We are practising our team-building skills, | 0:33:21 | 0:33:23 | |
how we all work together as a team, which is, as you can see, well. | 0:33:23 | 0:33:27 | |
No-one's injured, so, you know, that's always a bonus. | 0:33:27 | 0:33:31 | |
We have been on shift for coming up nine hours... | 0:33:33 | 0:33:37 | |
..but if you're on with a good team, you know, | 0:33:39 | 0:33:41 | |
it's all right, it's bearable. | 0:33:41 | 0:33:43 | |
-Catch it! -Catch it! -Yay! | 0:33:43 | 0:33:45 | |
Deployment of riot police around Westminster | 0:33:46 | 0:33:49 | |
means some boroughs are short of numbers, | 0:33:49 | 0:33:52 | |
so Oz and Laura are sent five miles east to Hackney for a night shift. | 0:33:52 | 0:33:58 | |
MUSIC PLAYS FROM PHONE | 0:33:58 | 0:33:59 | |
What the hell is this? | 0:33:59 | 0:34:02 | |
-That's Spice Girls, isn't it? -No! | 0:34:03 | 0:34:05 | |
-No! -Don't be ridiculous. | 0:34:05 | 0:34:08 | |
INTERVIEWER: What's Oz like? | 0:34:10 | 0:34:11 | |
He's lovely. | 0:34:12 | 0:34:13 | |
He's eager, energetic, he's good to work with, he's good fun. | 0:34:13 | 0:34:17 | |
You're sitting in a car with someone for eight or nine hours, | 0:34:17 | 0:34:21 | |
you get to know them quite quickly. | 0:34:21 | 0:34:23 | |
You know about each other's families, | 0:34:23 | 0:34:25 | |
you know what each other likes, | 0:34:25 | 0:34:26 | |
you get to know each other's habits. | 0:34:26 | 0:34:28 | |
My work husband. | 0:34:28 | 0:34:30 | |
Try that door out. | 0:34:31 | 0:34:34 | |
Oh, gosh! | 0:34:34 | 0:34:35 | |
Laura is... She's very good to work with, very funny. | 0:34:36 | 0:34:40 | |
We have quite a laugh, you know, working together. | 0:34:40 | 0:34:43 | |
She's quite a bubbly character. | 0:34:43 | 0:34:45 | |
I take the mickey out of her accent, so it's quite nice. | 0:34:45 | 0:34:48 | |
Has Mummy been out to see if anything's been taken? | 0:34:48 | 0:34:52 | |
'I've always wanted to be a police officer.' | 0:34:53 | 0:34:56 | |
Second floor. Residential... | 0:34:56 | 0:34:58 | |
'I was a proper little geek. I lived in a small village in Hull' | 0:34:58 | 0:35:02 | |
and my mum and dad were in the Neighbourhood Watch | 0:35:02 | 0:35:05 | |
and we used to do the crime prevention talks | 0:35:05 | 0:35:07 | |
and I used to trot along. | 0:35:07 | 0:35:08 | |
It was ever since then, really, | 0:35:08 | 0:35:10 | |
I've kind of geared everything up towards joining, | 0:35:10 | 0:35:13 | |
so it's good, it is good to finally be one. | 0:35:13 | 0:35:16 | |
RADIO CHATTER | 0:35:17 | 0:35:19 | |
-HE YAWNS -I'm tired now. -Yeah. | 0:35:20 | 0:35:23 | |
Where? | 0:35:32 | 0:35:34 | |
As dawn breaks, a call comes in about a large fight nearby. | 0:35:34 | 0:35:37 | |
Several crews respond. | 0:35:37 | 0:35:39 | |
Van unit? | 0:35:49 | 0:35:51 | |
But with officers from other parts of London helping out in Hackney, | 0:35:51 | 0:35:55 | |
local knowledge is in short supply. | 0:35:55 | 0:35:57 | |
Where are they going? | 0:35:57 | 0:35:58 | |
SIRENS WAIL | 0:35:58 | 0:36:00 | |
What are you going to? | 0:36:00 | 0:36:02 | |
-We don't know where we're going. -No, we don't! | 0:36:02 | 0:36:05 | |
-We were following you. -We were going to follow you! | 0:36:05 | 0:36:08 | |
THEY LAUGH | 0:36:08 | 0:36:09 | |
-Where the fuck is it? -System works(!) | 0:36:09 | 0:36:12 | |
-RADIO: -'Got about three in the van with us.' -Where is it? | 0:36:12 | 0:36:14 | |
What's that knife for, then? | 0:36:14 | 0:36:16 | |
-Oh, my God. Oh, my God. -What's that for? | 0:36:16 | 0:36:20 | |
Please, I don't know what that is, I swear. | 0:36:20 | 0:36:22 | |
You don't know what it is? You just pulled it out your fucking back! | 0:36:22 | 0:36:25 | |
By the time they arrive at the scene, | 0:36:25 | 0:36:27 | |
a suspect matching the description is being searched. | 0:36:27 | 0:36:29 | |
You don't know how that knife has got in your waistband? | 0:36:29 | 0:36:32 | |
I swear! Oh, my God. | 0:36:32 | 0:36:34 | |
Whilst he's been searched, | 0:36:34 | 0:36:35 | |
a knife was found concealed in his waistband. | 0:36:35 | 0:36:38 | |
He didn't seem to know how the knife got there, funnily enough. | 0:36:38 | 0:36:42 | |
Lucky he didn't fall over and hurt himself, to be honest. | 0:36:42 | 0:36:45 | |
Why don't we see if we can get...? | 0:36:47 | 0:36:48 | |
Why don't we see if we can get back to our borough? | 0:36:48 | 0:36:51 | |
Yeah. OK, we'll do that. | 0:36:51 | 0:36:52 | |
Across London, Dave Bolton and his team have spent a week | 0:37:08 | 0:37:12 | |
sifting through hundreds of hours of CCTV, | 0:37:12 | 0:37:16 | |
looking for the suspect from the Park Lane stabbing. | 0:37:16 | 0:37:19 | |
Immediately after the attack, an eyewitness has informed us | 0:37:19 | 0:37:24 | |
that the suspect ran underneath Marble Arch | 0:37:24 | 0:37:27 | |
towards the direction of McDonald's. | 0:37:27 | 0:37:29 | |
Now, we've managed to pick up our suspect coming into McDonald's. | 0:37:31 | 0:37:34 | |
The reason why we can say that is that the description is so unique. | 0:37:34 | 0:37:40 | |
There is this mask, coloured with camouflage, | 0:37:42 | 0:37:45 | |
which must have been pretty horrifying. | 0:37:45 | 0:37:47 | |
It would appear that he's looking for his other friends | 0:37:49 | 0:37:53 | |
because he walks around, he doesn't buy anything... | 0:37:53 | 0:37:56 | |
..and then, a short time later, he walks out. | 0:37:58 | 0:38:01 | |
Having left McDonald's, | 0:38:04 | 0:38:05 | |
we then get direction of travel towards Queensway, | 0:38:05 | 0:38:08 | |
and we've then got a series of clips | 0:38:08 | 0:38:10 | |
where he's walking down the street wearing his mask, | 0:38:10 | 0:38:13 | |
and then he takes his mask off. | 0:38:13 | 0:38:15 | |
And you've got some good facial images of our suspect. | 0:38:18 | 0:38:22 | |
When the image is circulated across the Met, | 0:38:25 | 0:38:28 | |
a gangs unit officer from west London | 0:38:28 | 0:38:30 | |
identifies the suspect as Joshua Clements. | 0:38:30 | 0:38:33 | |
We've now backtracked and found that Mr Clements was involved | 0:38:35 | 0:38:39 | |
in a previous incident a few hours before on the White City estate, | 0:38:39 | 0:38:44 | |
so we've gone and got the CCTV from the White City estate, as well, | 0:38:44 | 0:38:47 | |
and he's carrying the camouflage mask | 0:38:47 | 0:38:50 | |
that he wears during the attacks. | 0:38:50 | 0:38:52 | |
-See you at the address. -Yeah. | 0:39:03 | 0:39:05 | |
-Hammersmith, yeah? -Yes, please, mate. | 0:39:06 | 0:39:08 | |
This chap is from a fairly prolific criminal background. | 0:39:10 | 0:39:13 | |
He's been involved in drugs and violence for a long time. | 0:39:13 | 0:39:18 | |
He has been in and out of prison. | 0:39:18 | 0:39:20 | |
He isn't long released from prison | 0:39:20 | 0:39:22 | |
so he's certainly known to us, unfortunately. | 0:39:22 | 0:39:25 | |
SHOUTING AND BANGING | 0:39:28 | 0:39:31 | |
I wonder whether we could have a local unit to assist us | 0:39:51 | 0:39:55 | |
with securing the scene, please. | 0:39:55 | 0:39:57 | |
With the suspect in custody, the forensic search team moves in. | 0:40:03 | 0:40:07 | |
We've got the evidence he was supplying drugs in here, look, | 0:40:18 | 0:40:21 | |
you've got rocks of crack cocaine. | 0:40:21 | 0:40:23 | |
The white is the crack cocaine and the black is the heroin. | 0:40:23 | 0:40:27 | |
Morning. Sorry about the early call. | 0:40:56 | 0:40:59 | |
One suspect has left detained. | 0:41:00 | 0:41:02 | |
They've seen that there is a very large hunting knife in a rucksack, | 0:41:03 | 0:41:08 | |
which is likely to be our attack weapon, | 0:41:08 | 0:41:11 | |
and there's 50 rocks found in the bedroom with the suspect, | 0:41:11 | 0:41:15 | |
so...all good. | 0:41:15 | 0:41:18 | |
Cheers, boss. | 0:41:18 | 0:41:20 | |
Seaforth Place. That's 66. | 0:41:28 | 0:41:32 | |
-There's the Boris bikes. -Ah, there it is! -Oh, yeah. | 0:41:32 | 0:41:37 | |
Fella, can you stand up, please, and move on? | 0:41:37 | 0:41:41 | |
You can go and sleep somewhere else in the shade, | 0:41:41 | 0:41:43 | |
but if you could just move on from this location, it'd be appreciated. | 0:41:43 | 0:41:46 | |
Thank you. | 0:41:48 | 0:41:50 | |
We've got a lot of vagrants and a lot of homeless | 0:41:58 | 0:42:01 | |
in the centre of Westminster, | 0:42:01 | 0:42:03 | |
and quite often they've had something terrible happen to them. | 0:42:03 | 0:42:07 | |
They've had an experience they've not necessarily dealt with - | 0:42:07 | 0:42:11 | |
it's led to an addiction, it's led to them losing their job. | 0:42:11 | 0:42:13 | |
I feel sorry for the people in those situations, | 0:42:15 | 0:42:18 | |
but then, at the same time, we're getting phone calls saying, | 0:42:18 | 0:42:21 | |
"There is a homeless person that refuses to move." | 0:42:21 | 0:42:23 | |
It really is a cycle of frustration, I think, on all parties. | 0:42:23 | 0:42:27 | |
I know you're in a difficult situation | 0:42:28 | 0:42:30 | |
where you haven't got anywhere to reside on an evening, | 0:42:30 | 0:42:32 | |
but if someone asks you to leave | 0:42:32 | 0:42:34 | |
from outside of their shop, then you have to. | 0:42:34 | 0:42:36 | |
It's not a personal thing, pal. | 0:42:36 | 0:42:38 | |
We can't, can we? We've got a job to do. | 0:42:40 | 0:42:42 | |
-You can fuck off, as well. -That's not very nice. | 0:42:46 | 0:42:49 | |
I'm getting arrested for nothing! | 0:42:49 | 0:42:50 | |
-Mind your head as you go in, it's a bit... -Yeah...fucking... | 0:42:50 | 0:42:54 | |
In you get. | 0:42:54 | 0:42:56 | |
At Charing Cross station, a homeless man has been arrested | 0:42:56 | 0:42:58 | |
after behaving aggressively towards staff. | 0:42:58 | 0:43:01 | |
RADIO CHATTER | 0:43:01 | 0:43:04 | |
HE SHOUTS INDISTINCTLY | 0:43:04 | 0:43:08 | |
He's been taking a form of synthetic cannabis called Spice. | 0:43:10 | 0:43:13 | |
SHOUTING CONTINUES | 0:43:13 | 0:43:17 | |
Sit down. | 0:43:17 | 0:43:18 | |
-No, fucking get off me. -All right. -Don't touch me! -All right. | 0:43:18 | 0:43:21 | |
-Don't! -Stay still, then. | 0:43:21 | 0:43:24 | |
-Fucking! If you touch me... -No-one's touching you. | 0:43:24 | 0:43:26 | |
-Right, that's an assault charge, that's assault... -Use that. | 0:43:26 | 0:43:29 | |
-Give me your numbers. Right, what's your number? -1158. | 0:43:29 | 0:43:31 | |
That's an assault charge. You touched me. You touched me. | 0:43:31 | 0:43:34 | |
Go on, then. | 0:43:34 | 0:43:36 | |
If you want to play the game, we can play the game, mate. | 0:43:36 | 0:43:39 | |
I'm not going to play any games, yeah. | 0:43:39 | 0:43:41 | |
-Do you want me to do it? -No. -Just calm down. | 0:43:41 | 0:43:43 | |
We want you to turn round and face that way, please. | 0:43:43 | 0:43:45 | |
Do you want me to do it or not? | 0:43:45 | 0:43:47 | |
Not. | 0:43:47 | 0:43:48 | |
He's an idiot. I could take him, and them. | 0:43:48 | 0:43:50 | |
I'll get out of these handcuffs and beat you up. | 0:43:50 | 0:43:53 | |
That's what I'm going to do. | 0:43:53 | 0:43:55 | |
Have you ever been homeless? No. | 0:43:56 | 0:43:58 | |
Ever been homeless? No. | 0:43:58 | 0:44:00 | |
You ever been homeless? No. | 0:44:00 | 0:44:01 | |
You ever been homeless? No. You ever been homeless? No. | 0:44:01 | 0:44:03 | |
You ever been homeless? No. No! | 0:44:03 | 0:44:05 | |
-No! -Just trying to... | 0:44:05 | 0:44:07 | |
Stop moving your head around in people's faces then. | 0:44:07 | 0:44:10 | |
You ain't never been homeless, you're all coppers. | 0:44:10 | 0:44:13 | |
That's all you are, coppers. | 0:44:13 | 0:44:15 | |
At the same time... | 0:44:15 | 0:44:17 | |
At the same time, I wouldn't trust anyone with my safety | 0:44:17 | 0:44:23 | |
apart from you lot. Do you get that? | 0:44:23 | 0:44:27 | |
-Do you get it? -Yeah. | 0:44:27 | 0:44:29 | |
No, you don't get it. | 0:44:30 | 0:44:32 | |
I hate you lot, but at the same time, I fucking love you lot. | 0:44:32 | 0:44:37 | |
Do you get me? | 0:44:37 | 0:44:39 | |
I can't do what you do. | 0:44:39 | 0:44:41 | |
I respect you loads, but I fucking hate you | 0:44:41 | 0:44:44 | |
cos you've always got it in for me and I don't know what I've done. | 0:44:44 | 0:44:48 | |
Very up and down, quite unpredictable. | 0:44:50 | 0:44:53 | |
But... | 0:44:53 | 0:44:55 | |
at least he's no bother for the members of the public this evening. | 0:44:55 | 0:44:58 | |
Just for our staff, instead. | 0:44:58 | 0:45:01 | |
With the suspect for the Park Lane stabbing in custody, | 0:45:24 | 0:45:27 | |
the hunting knife and sheath found in his bedroom | 0:45:27 | 0:45:30 | |
are being examined by forensic scientists. | 0:45:30 | 0:45:33 | |
Joshua, because you've been involved in a violent incident... | 0:45:35 | 0:45:38 | |
Or that's what the allegation is, anyway, OK? | 0:45:38 | 0:45:41 | |
..we're going to be asking to take nail clippings and scrapings, OK? | 0:45:42 | 0:45:47 | |
What that means is we're going to clip your nails | 0:45:47 | 0:45:49 | |
and you know when you get the rubbish from underneath your nails | 0:45:49 | 0:45:52 | |
when they're dirty? We're just going to do that, OK? | 0:45:52 | 0:45:54 | |
-Mm-hm. -We're also going to ask you to see a doctor, | 0:45:54 | 0:45:57 | |
and we'd ask that the doctor note any injuries that you've got, | 0:45:57 | 0:46:01 | |
any fresh ones, OK? | 0:46:01 | 0:46:03 | |
The suspect name is Joshua Clements. | 0:46:04 | 0:46:06 | |
He is the suspect for the potential murder. | 0:46:06 | 0:46:10 | |
He also matches the description for one of the other GBHs | 0:46:10 | 0:46:14 | |
and he has stolen property from one of the robberies. | 0:46:14 | 0:46:18 | |
The important thing is actually... | 0:46:18 | 0:46:20 | |
The only important thing, really, is getting DNA off the blade | 0:46:20 | 0:46:23 | |
-because it's in his house, it's in his room. -Yeah. | 0:46:23 | 0:46:26 | |
Does it match what's seen on CCTV? | 0:46:26 | 0:46:28 | |
-Yes. -So we've probably got the right knife rather than a... | 0:46:28 | 0:46:30 | |
CCTV is of a very large knife. | 0:46:30 | 0:46:33 | |
And the victim drew a picture of the knife, | 0:46:33 | 0:46:36 | |
and it's a serrated end. | 0:46:36 | 0:46:38 | |
Right at the top near the handle, there's some... | 0:46:38 | 0:46:41 | |
He even got the right number of serrations, it's four. | 0:46:41 | 0:46:44 | |
What we were considering was not necessarily the blade | 0:46:45 | 0:46:48 | |
but actually the sheath. | 0:46:48 | 0:46:49 | |
So our thinking is that he uses the weapon during the assault, | 0:46:49 | 0:46:54 | |
he has got the sheath with him, it would appear, | 0:46:54 | 0:46:57 | |
so the most likely thing is that he's used the knife | 0:46:57 | 0:47:00 | |
and he's immediately put it into the sheath, | 0:47:00 | 0:47:02 | |
so he probably even hasn't had a chance to wipe it, | 0:47:02 | 0:47:04 | |
so we might get blood from inside the sheath. | 0:47:04 | 0:47:07 | |
It looks like blood. | 0:47:17 | 0:47:18 | |
There is some further back here. | 0:47:18 | 0:47:20 | |
That's a strong positive. | 0:47:25 | 0:47:27 | |
It's indicative of blood. | 0:47:27 | 0:47:29 | |
Blood is found on both the knife and the sheath. | 0:47:31 | 0:47:35 | |
Samples are sent off for DNA comparison to the victim. | 0:47:35 | 0:47:39 | |
-Have you got a close-up of that? -Yes. -Cool. | 0:47:41 | 0:47:43 | |
The Crown Prosecution Service authorised the police | 0:47:45 | 0:47:48 | |
to charge Joshua Clements with attempted murder. | 0:47:48 | 0:47:51 | |
OK, so this operation concerns four addresses | 0:48:00 | 0:48:03 | |
owned and/or controlled by Archer, | 0:48:03 | 0:48:05 | |
and two vehicles where warrants will be executed simultaneously tonight. | 0:48:05 | 0:48:09 | |
In Stratford, Vicky Neil is leading over 100 officers | 0:48:09 | 0:48:12 | |
in a series of raids on suspected brothels owned by David Archer. | 0:48:12 | 0:48:17 | |
There are going to be both sex workers and punters | 0:48:17 | 0:48:19 | |
at each location. | 0:48:19 | 0:48:20 | |
Neither of these are to be treated criminally | 0:48:20 | 0:48:22 | |
because we need them to give us evidence that these places | 0:48:22 | 0:48:25 | |
are being run as brothels, all right? | 0:48:25 | 0:48:27 | |
We are not there to nick them. Please note. | 0:48:27 | 0:48:29 | |
You all right, mate? | 0:48:33 | 0:48:34 | |
That's just us now making our way down so we should be with you | 0:48:36 | 0:48:39 | |
in about figures ten. | 0:48:39 | 0:48:41 | |
David Archer both owns and controls a significant property portfolio | 0:48:41 | 0:48:45 | |
with approximately £15 million in assets. | 0:48:45 | 0:48:48 | |
The offences that we're looking at on for him are human trafficking | 0:48:48 | 0:48:51 | |
for the purposes of sexual exploitation, | 0:48:51 | 0:48:53 | |
controlling prostitution for gain, false accounting, | 0:48:53 | 0:48:56 | |
fraudulent evasion of tax, | 0:48:56 | 0:48:57 | |
and sexual assault by penetration. | 0:48:57 | 0:49:00 | |
This guy thinks he's untouchable - | 0:49:00 | 0:49:01 | |
tonight is going to be a little bit different. | 0:49:01 | 0:49:03 | |
Yes, yes, all received. Venue three, venue one, | 0:49:03 | 0:49:05 | |
what's your current location? Over. | 0:49:05 | 0:49:08 | |
All venues, all venues, that's go-go, all venues. | 0:49:13 | 0:49:18 | |
Right, I've got keys for all rooms here. | 0:49:28 | 0:49:31 | |
Do you understand English? | 0:49:36 | 0:49:37 | |
-Yes. -Yeah? -Ah, yeah. | 0:49:37 | 0:49:40 | |
Says a few people have been detained. | 0:49:48 | 0:49:50 | |
KNOCKING ON DOOR | 0:49:50 | 0:49:53 | |
Hello. Police. | 0:49:53 | 0:49:54 | |
At the Travel Inn, police go from room to room | 0:49:54 | 0:49:57 | |
checking IDs of the guests. | 0:49:57 | 0:50:00 | |
Are you friends? | 0:50:00 | 0:50:02 | |
Ah, OK. | 0:50:02 | 0:50:05 | |
We have quite a lot of girls in the premises | 0:50:05 | 0:50:08 | |
and there are also a lot of Romanian males | 0:50:08 | 0:50:10 | |
at the back of the premises, as well. | 0:50:10 | 0:50:12 | |
What's happening is it would appear that they are saying | 0:50:12 | 0:50:14 | |
that they are partners, that the males, the Romanian males | 0:50:14 | 0:50:17 | |
are the partners to the girls that are in there | 0:50:17 | 0:50:19 | |
and they're not particularly forthcoming at the minute, | 0:50:19 | 0:50:22 | |
so not sure we are going to get many victims on board at this address. | 0:50:22 | 0:50:25 | |
Is she a prostitute here at the hotel? | 0:50:25 | 0:50:27 | |
SHE SPEAKS HER OWN LANGUAGE | 0:50:29 | 0:50:30 | |
I think I got that. Is that a no? | 0:50:33 | 0:50:35 | |
Yeah. All right, OK. Cheers. | 0:50:35 | 0:50:38 | |
Directly opposite the Travel Inn is another of Archer's properties... | 0:50:42 | 0:50:46 | |
..a private house | 0:50:47 | 0:50:48 | |
that Vicky suspects may be operating as a brothel. | 0:50:48 | 0:50:51 | |
-Do you live here? -No. | 0:51:06 | 0:51:08 | |
-Do you work here? -Yes. | 0:51:08 | 0:51:10 | |
And what do you work, what do you do? | 0:51:10 | 0:51:12 | |
-Hmm? -What work? -Sex. | 0:51:12 | 0:51:14 | |
Sex, OK. | 0:51:14 | 0:51:16 | |
How many girls operate here? | 0:51:16 | 0:51:18 | |
How many girls are in here now? | 0:51:18 | 0:51:20 | |
-There's five. -There's five girls, OK. | 0:51:20 | 0:51:24 | |
Money amounts to £20,000, | 0:51:24 | 0:51:27 | |
so it really links, and we might even find places | 0:51:27 | 0:51:30 | |
that we are not even aware of. Like, are you aware of that? | 0:51:30 | 0:51:32 | |
-No. -See, so it's a much wider picture | 0:51:32 | 0:51:37 | |
about what's actually happening here. | 0:51:37 | 0:51:39 | |
The girls who are here hire the room, | 0:51:50 | 0:51:51 | |
they see a couple of punters, and they go, | 0:51:51 | 0:51:54 | |
so they don't, in fact, live here. | 0:51:54 | 0:51:55 | |
They just use the rooms for prostitution. | 0:51:55 | 0:51:57 | |
-Yeah, yeah. -Those are been covered with statements at the moment. | 0:51:57 | 0:52:00 | |
All right, no worries. | 0:52:00 | 0:52:02 | |
Eight women found working at the house | 0:52:02 | 0:52:05 | |
agree to attend a reception centre for vulnerable sex workers. | 0:52:05 | 0:52:09 | |
The council lads reckon all of this section has been built | 0:52:11 | 0:52:15 | |
in the last three weeks, so, no planning permission. | 0:52:15 | 0:52:18 | |
There's two flats there, | 0:52:18 | 0:52:20 | |
there's three under there, two on top. | 0:52:20 | 0:52:23 | |
They think that there's 24 rooms in here | 0:52:23 | 0:52:26 | |
that are being used for prostitution. | 0:52:26 | 0:52:29 | |
You just can't have this. | 0:52:29 | 0:52:31 | |
This used to be probably a three or four-bedroom house | 0:52:31 | 0:52:34 | |
that's now been turned into a 24-bedroom brothel. | 0:52:34 | 0:52:38 | |
At the top of the house are two locked doors. | 0:52:42 | 0:52:45 | |
I can't hear anybody but we'll have to get entry. | 0:52:45 | 0:52:47 | |
We'll see if we can get some keys. | 0:52:47 | 0:52:49 | |
With the premises secure, every room is opened. | 0:52:50 | 0:52:54 | |
Financial investigators and a search team with cash dogs | 0:52:55 | 0:52:58 | |
move in to look for evidence. | 0:52:58 | 0:53:01 | |
The residential premises is very clearly being run as a brothel. | 0:53:01 | 0:53:04 | |
We suspected that it was going to be similar. | 0:53:04 | 0:53:07 | |
I had no idea it was going to be on this scale. | 0:53:07 | 0:53:09 | |
You've got CCTV of most of the rooms. | 0:53:09 | 0:53:12 | |
Drawers, I mean you can see there, you've got condoms... | 0:53:12 | 0:53:16 | |
..a vast array of lubrication. | 0:53:18 | 0:53:20 | |
Business cards. | 0:53:21 | 0:53:23 | |
It says, "Open 12 to 2am, seven days a week in Stratford." | 0:53:23 | 0:53:26 | |
That's not nice. | 0:53:28 | 0:53:29 | |
Two secs. Yes? | 0:53:29 | 0:53:31 | |
Oh, shit. Is it in the safe, Barry? | 0:53:32 | 0:53:34 | |
-No, it's in the shower. -Oh, it's in the shower! | 0:53:34 | 0:53:36 | |
Let's go and have a look. Right, stay with me. | 0:53:36 | 0:53:38 | |
Oh, have the dogs found it? | 0:53:40 | 0:53:41 | |
Good girls! | 0:53:41 | 0:53:42 | |
The locked rooms at the top of the house have been opened. | 0:53:44 | 0:53:47 | |
One of them is Archer's bedroom. | 0:53:48 | 0:53:51 | |
Holy shit! | 0:53:53 | 0:53:55 | |
Oh, my goodness gracious me. | 0:53:55 | 0:53:57 | |
We have just found a whole load of money in Archer's room. | 0:53:57 | 0:53:59 | |
OK, yeah. | 0:53:59 | 0:54:01 | |
One...two... 20 wraps of 50s and 20s. | 0:54:02 | 0:54:06 | |
Oh! I couldn't even tell you, Gaynor, | 0:54:06 | 0:54:07 | |
I wouldn't even like to hazard a guess, would you, Dave? | 0:54:07 | 0:54:09 | |
Hidden in the bathroom are bags containing over £100,000 in cash. | 0:54:11 | 0:54:16 | |
This is obviously someone that probably instils fear | 0:54:16 | 0:54:19 | |
in the girls, that runs the girls, | 0:54:19 | 0:54:21 | |
and he's quite happy to obviously leave this money, | 0:54:21 | 0:54:24 | |
thinking they're never going to touch it, you know? | 0:54:24 | 0:54:27 | |
It's like a massive criminal enterprise, you know, | 0:54:27 | 0:54:30 | |
in the millions, and this is probably just the tip of the iceberg | 0:54:30 | 0:54:33 | |
in relation to what this person is worth. | 0:54:33 | 0:54:35 | |
David Archer has been arrested by a team of detectives | 0:54:49 | 0:54:53 | |
and taken into custody. | 0:54:53 | 0:54:55 | |
-Mr Archer. -Hi, are you all right? | 0:54:55 | 0:54:59 | |
David, come this way, come and speak to me. | 0:54:59 | 0:55:01 | |
The Crown Prosecution Service have authorised two charges. | 0:55:05 | 0:55:09 | |
You have intentionally controlled activities of other persons | 0:55:09 | 0:55:13 | |
in relation to their prostitution | 0:55:13 | 0:55:15 | |
in expectation of gain for yourself. | 0:55:15 | 0:55:18 | |
The second offence, you concealed, disguised, converted, | 0:55:19 | 0:55:23 | |
transferred or removed criminal property, | 0:55:23 | 0:55:26 | |
namely approximately £120,000 cash. | 0:55:26 | 0:55:30 | |
That is an offence contrary to section 327 (1) and 334 | 0:55:30 | 0:55:36 | |
for the Proceeds of Crime Act 2002. | 0:55:36 | 0:55:38 | |
You don't need to be looking at the camera, | 0:55:42 | 0:55:45 | |
all you need to do is sign in that box there. | 0:55:45 | 0:55:47 | |
I've read the charge to you. Are you willing to sign the charge? | 0:55:47 | 0:55:50 | |
Thank you. | 0:55:50 | 0:55:52 | |
It is really, really satisfying. | 0:55:54 | 0:55:55 | |
We have been working on this case now for the last six months, | 0:55:55 | 0:55:58 | |
and, you know, as the investigation unravels, | 0:55:58 | 0:56:01 | |
you learn more and more about these people, and especially | 0:56:01 | 0:56:03 | |
now seeing him in custody, that, for me, is really satisfying. | 0:56:03 | 0:56:06 | |
I mean, yeah, that's good. | 0:56:06 | 0:56:07 | |
A lot of work gone into it but, yeah, it's brilliant. | 0:56:07 | 0:56:09 | |
You couldn't have asked for a better result, really. | 0:56:09 | 0:56:11 | |
Two months on from the Hyde Park disorder, | 0:56:20 | 0:56:23 | |
DNA results have confirmed that the knife from Joshua Clements' bedroom | 0:56:23 | 0:56:27 | |
was the weapon used in the Park Lane stabbing... | 0:56:27 | 0:56:30 | |
..but the discovery of a second victim's blood on the knife | 0:56:31 | 0:56:34 | |
also links him to an earlier stabbing inside Hyde Park. | 0:56:34 | 0:56:38 | |
What's happened is Mr Clements has used the knife on our first victim, | 0:56:40 | 0:56:45 | |
put it into the sheath, and in doing so | 0:56:45 | 0:56:47 | |
he's partially wiped some of the blood from the blade | 0:56:47 | 0:56:50 | |
into the leather sheath. | 0:56:50 | 0:56:52 | |
He's then used it on another victim and put it back into the sheath, | 0:56:52 | 0:56:57 | |
so we've ended up with two samples of blood going into the same sheath. | 0:56:57 | 0:57:01 | |
The weight of evidence is so compelling, | 0:57:01 | 0:57:04 | |
it's a mini crimewave by one individual. | 0:57:04 | 0:57:07 |