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This is a picture of a bedsit taken in 1982, | 0:00:02 | 0:00:05 | |
which I have faithfully attempted to recreate. | 0:00:05 | 0:00:08 | |
It was the last home of a man called Andre McCallum, | 0:00:11 | 0:00:15 | |
who, at the age of 37, took his own life. | 0:00:15 | 0:00:18 | |
In the room, he left a cassette, | 0:00:19 | 0:00:21 | |
which was recovered by his family after his death. | 0:00:21 | 0:00:25 | |
Andre's mother was one of the most famous killers of the 20th century. | 0:00:40 | 0:00:46 | |
Her name was Ruth Ellis. | 0:00:46 | 0:00:48 | |
In 1955, she became the last woman hanged in Britain | 0:00:48 | 0:00:51 | |
for shooting dead her lover David Blakely. | 0:00:51 | 0:00:55 | |
GUNSHOT | 0:00:55 | 0:00:57 | |
My name is Gillian Pachter. | 0:00:58 | 0:00:59 | |
As a documentary film-maker, | 0:01:00 | 0:01:03 | |
I've told stories about killers in America. | 0:01:03 | 0:01:05 | |
There, gun violence and state executions | 0:01:05 | 0:01:08 | |
are part of the landscape. | 0:01:08 | 0:01:09 | |
So I am fascinated by Ruth and her legacy. | 0:01:12 | 0:01:15 | |
I've spent the past year re-investigating her crime, | 0:01:17 | 0:01:20 | |
looking not only at the legalities of her case, | 0:01:20 | 0:01:23 | |
but at the complex post-war society that made and destroyed Ruth Ellis. | 0:01:23 | 0:01:29 | |
With the help of experts, I've already uncovered serious flaws | 0:01:29 | 0:01:33 | |
in the original police investigation. | 0:01:33 | 0:01:35 | |
Detectives hadn't thoroughly examined Ruth's motive, | 0:01:36 | 0:01:40 | |
or the source of the murder weapon, | 0:01:40 | 0:01:43 | |
and they didn't speak to her son Andre, | 0:01:43 | 0:01:45 | |
who could have provided key information. | 0:01:45 | 0:01:48 | |
It just appears there was no direction at all. | 0:01:48 | 0:01:52 | |
There was just an acceptance | 0:01:52 | 0:01:53 | |
of what was put in front of them on the desk. | 0:01:53 | 0:01:56 | |
"Well, that's it, then." | 0:01:56 | 0:01:57 | |
I've also examined Ruth's trial, which lasted a day and a half. | 0:01:57 | 0:02:01 | |
At a time when sustained domestic violence | 0:02:02 | 0:02:04 | |
could not be taken into account in a murder case, | 0:02:04 | 0:02:08 | |
her barrister ran a risky defence of provocation, which failed. | 0:02:08 | 0:02:12 | |
And he couldn't move the jury to recommend mercy. | 0:02:13 | 0:02:16 | |
I'm not sure he was a man who understood women, | 0:02:16 | 0:02:18 | |
and I think he probably had very limited experience of women. | 0:02:18 | 0:02:21 | |
Now I'm going to look into Ruth's execution. | 0:02:23 | 0:02:26 | |
I want to examine the campaign to get her reprieved, | 0:02:26 | 0:02:29 | |
and the Home Office's decision to go ahead with the hanging. | 0:02:29 | 0:02:32 | |
I don't think even Justice Havers really expected her to hang. | 0:02:33 | 0:02:37 | |
Even in the light of new evidence. | 0:02:37 | 0:02:40 | |
But that's the Home Office putting a full stop on it. | 0:02:40 | 0:02:42 | |
It's the Home Office also saying, | 0:02:42 | 0:02:44 | |
"Nobody's asked yet, so let's just leave it where it is." | 0:02:44 | 0:02:49 | |
Did Ruth have to hang for her crime, or did Lady Justice get it wrong? | 0:02:49 | 0:02:54 | |
After a trial which began on the 20th of June 1955, | 0:02:58 | 0:03:03 | |
and finished the following afternoon, | 0:03:03 | 0:03:05 | |
Ruth Ellis had been found guilty of murder, | 0:03:05 | 0:03:08 | |
and sentenced to death. | 0:03:08 | 0:03:11 | |
..and that you be there hanged by the neck until you be dead. | 0:03:11 | 0:03:15 | |
The Crown Prosecution had successfully proved that her crime - | 0:03:15 | 0:03:19 | |
shooting dead David Blakely outside the Magdala pub | 0:03:19 | 0:03:22 | |
in Hampstead, North London - was coldly premeditated. | 0:03:22 | 0:03:27 | |
GUNSHOT | 0:03:28 | 0:03:29 | |
Ruth was sent back to Holloway Prison | 0:03:32 | 0:03:35 | |
to await execution on the 13th of July. | 0:03:35 | 0:03:39 | |
My name is Albert Pierrepoint, and I was executioner for 25 years. | 0:03:40 | 0:03:46 | |
But there was a chance that Ruth could still be saved, | 0:03:46 | 0:03:49 | |
and her sentence commuted to life imprisonment. | 0:03:49 | 0:03:52 | |
Britain had grown uncomfortable with executing women. | 0:03:52 | 0:03:56 | |
The vast majority sentenced to death | 0:03:56 | 0:03:58 | |
in the first half of the 20th century were spared the gallows. | 0:03:58 | 0:04:02 | |
I've come to the National Archives at Kew in London | 0:04:07 | 0:04:10 | |
to search for clues to how Ruth felt in the days following her trial. | 0:04:10 | 0:04:15 | |
These files from Holloway contain notes from the prison doctor | 0:04:22 | 0:04:26 | |
during the last days of Ruth's life. | 0:04:26 | 0:04:29 | |
They are so sparse. | 0:04:32 | 0:04:34 | |
On the 27th and the 28th of June, it just says, "Jigsaws." | 0:04:36 | 0:04:41 | |
Underneath, a note that Ruth's sister Muriel | 0:04:42 | 0:04:45 | |
has been approved for a visit. | 0:04:45 | 0:04:47 | |
I wonder what Ruth said to her. | 0:04:47 | 0:04:49 | |
I contact Muriel's daughter Marlene, | 0:04:52 | 0:04:54 | |
who has been helping me throughout my investigation | 0:04:54 | 0:04:57 | |
into her aunt's case. | 0:04:57 | 0:04:59 | |
-Hi. -Hello, Gillian! | 0:05:00 | 0:05:02 | |
-Come on in. -You look nice! -Thank you! | 0:05:02 | 0:05:04 | |
My understanding is that Ruth apparently wanted to hang, | 0:05:04 | 0:05:08 | |
or accepted that. | 0:05:08 | 0:05:09 | |
She did, yes, that's what Mum said. | 0:05:09 | 0:05:12 | |
She said... She said she was prepared to die. | 0:05:12 | 0:05:15 | |
She wanted to be with David. | 0:05:15 | 0:05:18 | |
That's what she told Mum when Mum went to visit. | 0:05:18 | 0:05:22 | |
She said, "No, I need to be with David. | 0:05:22 | 0:05:24 | |
"I want to be with David." | 0:05:24 | 0:05:26 | |
Given her crime, it's shocking that Ruth wanted | 0:05:29 | 0:05:32 | |
to be reunited with David. | 0:05:32 | 0:05:34 | |
She even wrote to David's mother, whom she had never met. | 0:05:39 | 0:05:43 | |
"I shall die loving your son, and you shall be content | 0:05:45 | 0:05:49 | |
"knowing that his death has been repaid." | 0:05:49 | 0:05:51 | |
I go back to the tape that Ruth's son Andre recorded | 0:05:55 | 0:05:58 | |
shortly before taking his own life at the age of 37. | 0:05:58 | 0:06:02 | |
It seems that Ruth's feelings for David, which had driven her to kill, | 0:06:20 | 0:06:24 | |
eclipsed everything - | 0:06:24 | 0:06:27 | |
her feelings for Andre, and even her own execution. | 0:06:27 | 0:06:30 | |
I wonder whether Ruth's solicitor John Bickford | 0:06:31 | 0:06:34 | |
accepted her wish to die, because he'd fought hard | 0:06:34 | 0:06:37 | |
to get a recommendation of mercy from the jury. | 0:06:37 | 0:06:40 | |
I discover this plea letter from Bickford to Gwilym Lloyd George, | 0:06:42 | 0:06:46 | |
the Home Secretary. | 0:06:46 | 0:06:48 | |
Bickford explains what he had wanted to come out of the trial - | 0:06:51 | 0:06:54 | |
that Ruth was a damaged woman, | 0:06:54 | 0:06:57 | |
the victim of sustained psychological and emotional abuse | 0:06:57 | 0:07:00 | |
at the hands of David Blakely. | 0:07:00 | 0:07:03 | |
Because I love you. | 0:07:03 | 0:07:05 | |
Because I'm going to marry you, | 0:07:06 | 0:07:08 | |
and I don't want to spend my honeymoon hanging around Sing Sing | 0:07:08 | 0:07:11 | |
blowing kisses to you in the exercise yard. | 0:07:11 | 0:07:13 | |
David's violence was something Ruth had played down in the witness box. | 0:07:13 | 0:07:18 | |
Ruth was sentenced to hang three weeks after her verdict, | 0:07:19 | 0:07:22 | |
which offered a very short window to win a reprieve. | 0:07:22 | 0:07:26 | |
I've come to the Foreign and Commonwealth offices. | 0:07:30 | 0:07:34 | |
In 1955, | 0:07:34 | 0:07:36 | |
this is where Home Secretary Lloyd George had his office. | 0:07:36 | 0:07:40 | |
The decision to grant Ruth a reprieve rested with him. | 0:07:42 | 0:07:45 | |
And it was from here that he pondered her fate | 0:07:47 | 0:07:50 | |
against a backdrop of social change. | 0:07:50 | 0:07:53 | |
There were increasing calls to abolish capital punishment, | 0:07:55 | 0:07:58 | |
but the Conservative administration in office | 0:07:58 | 0:08:01 | |
had made keeping it a campaign promise. | 0:08:01 | 0:08:05 | |
Murder as such demanded the death penalty, subject, of course, | 0:08:05 | 0:08:08 | |
to the right of appeal, and the right of reprieve | 0:08:08 | 0:08:12 | |
by the Home Secretary. | 0:08:12 | 0:08:13 | |
1953 - there was a Royal Commission two years before, | 0:08:13 | 0:08:16 | |
because there was concern in capital cases | 0:08:16 | 0:08:19 | |
that people were being hung, | 0:08:19 | 0:08:21 | |
when in fact there were all sorts of mental conditions, | 0:08:21 | 0:08:24 | |
including what became known as diminished responsibility. | 0:08:24 | 0:08:27 | |
The defence of diminished responsibility, | 0:08:27 | 0:08:30 | |
whereby a potential verdict of murder is reduced to manslaughter, | 0:08:30 | 0:08:33 | |
would only become law in England in 1957, two years after Ruth's death. | 0:08:33 | 0:08:39 | |
It was a crucial aspect of the movement to end capital punishment, | 0:08:40 | 0:08:44 | |
which had intensified around two recent cases. | 0:08:44 | 0:08:47 | |
Timothy Evans, wrongfully hanged | 0:08:48 | 0:08:50 | |
for the murder of his wife and daughter in 1950, | 0:08:50 | 0:08:53 | |
and Derek Bentley, | 0:08:53 | 0:08:55 | |
wrongfully hanged in 1953 for the murder of a policeman. | 0:08:55 | 0:08:59 | |
Ruth's case became part of the national debate, | 0:09:06 | 0:09:09 | |
and as I discover in Home Office files, | 0:09:09 | 0:09:13 | |
ordinary members of the public wanted their say. | 0:09:13 | 0:09:16 | |
Some had written in support of execution. | 0:09:19 | 0:09:22 | |
Men and women from all walks of life called Ruth "cold-blooded"... | 0:09:24 | 0:09:28 | |
..a "prostitute," | 0:09:30 | 0:09:32 | |
a "foul harpy," | 0:09:32 | 0:09:34 | |
a "reptile." | 0:09:34 | 0:09:36 | |
There's even a poem. | 0:09:36 | 0:09:37 | |
There is the man who fears that if Ruth is reprieved, | 0:09:42 | 0:09:45 | |
it will give his wife licence to kill him... | 0:09:45 | 0:09:48 | |
I'm not mixed up in anything. Get your hands off. | 0:09:48 | 0:09:51 | |
..and a woman who says that if she doesn't hang, | 0:09:52 | 0:09:55 | |
hundreds of homes will shake. | 0:09:55 | 0:09:57 | |
These letters would not be out of place in 19th-century Britain. | 0:09:59 | 0:10:03 | |
They reduced Ruth to a dangerous type | 0:10:03 | 0:10:05 | |
whose reprieve could shake the very foundations of society. | 0:10:05 | 0:10:09 | |
Can you spot what she's doing wrong? | 0:10:09 | 0:10:11 | |
But there are far more letters in favour of saving Ruth Ellis. | 0:10:14 | 0:10:18 | |
I can see from the addresses and the way they describe themselves, | 0:10:18 | 0:10:22 | |
that people across classes, and genders, and occupations, | 0:10:22 | 0:10:26 | |
feel hugely invested in Ruth's fate. | 0:10:26 | 0:10:29 | |
They point to her miscarriage, how she was mentally unbalanced, | 0:10:31 | 0:10:36 | |
her two small children, that execution is monstrous, barbaric, | 0:10:36 | 0:10:42 | |
that her abusive background should be taken into account. | 0:10:42 | 0:10:45 | |
People write that she is a social and moral product | 0:10:45 | 0:10:48 | |
of the post-war years. | 0:10:48 | 0:10:50 | |
They refer to equality between the sexes. | 0:10:50 | 0:10:54 | |
Yes, the two housewives find time in between their normal chores | 0:10:54 | 0:10:57 | |
to tackle the man-size job of bricklaying. | 0:10:57 | 0:10:59 | |
These letters speak of a modern Britain, | 0:10:59 | 0:11:02 | |
and they accept Ruth as a modern woman. | 0:11:02 | 0:11:05 | |
This is very different from how Ruth has been treated by the press, | 0:11:05 | 0:11:09 | |
the police and the court, | 0:11:09 | 0:11:12 | |
who mainly looked at her through the lens of class and gender prejudice. | 0:11:12 | 0:11:17 | |
I might have known no woman could be on the level. | 0:11:17 | 0:11:20 | |
She can with a man she REALLY loves. | 0:11:20 | 0:11:22 | |
I'm struck that the Home Office | 0:11:22 | 0:11:24 | |
conscientiously responds to every single letter. | 0:11:24 | 0:11:28 | |
I contact social historian Frank Maude | 0:11:30 | 0:11:33 | |
for insight into the Home Office reaction to the public. | 0:11:33 | 0:11:36 | |
We meet in one of the few Soho clubs that survives from the 1950s. | 0:11:37 | 0:11:42 | |
I think there are, at that moment, er... | 0:11:43 | 0:11:49 | |
issues about capital punishment, really, | 0:11:49 | 0:11:53 | |
which have surfaced in the Christie case, | 0:11:53 | 0:11:56 | |
and the campaign for the abolition of the death penalty | 0:11:56 | 0:12:01 | |
is accelerating in the mid-1950s. | 0:12:01 | 0:12:04 | |
In 1950, Timothy Evans had hanged for a murder | 0:12:04 | 0:12:08 | |
that was actually committed by serial killer John Christie. | 0:12:08 | 0:12:14 | |
And it's almost as though the police and the Home Office | 0:12:14 | 0:12:18 | |
are constantly looking over their shoulder | 0:12:18 | 0:12:20 | |
to see that everything must be done in triplicate, | 0:12:20 | 0:12:24 | |
four times, five times. | 0:12:24 | 0:12:26 | |
Just a degree of nervousness, I think, | 0:12:26 | 0:12:30 | |
about public responses to legal execution. | 0:12:30 | 0:12:34 | |
But despite the volume of correspondence, | 0:12:34 | 0:12:37 | |
the Home Secretary is unmoved. | 0:12:37 | 0:12:40 | |
I find this confusing, | 0:12:40 | 0:12:41 | |
as I know that a death sentence wasn't always as final as it sounds. | 0:12:41 | 0:12:46 | |
In the week before Ruth Ellis was hung, he reprieved another woman, | 0:12:46 | 0:12:51 | |
a woman who'd killed a neighbour after a seven-year feud - | 0:12:51 | 0:12:56 | |
murdered her with a spade. | 0:12:56 | 0:12:58 | |
Apparently that's reprievable. | 0:12:58 | 0:13:01 | |
And I think two other men were reprieved | 0:13:01 | 0:13:03 | |
in the same spring period, 1955. | 0:13:03 | 0:13:06 | |
Why not Ruth Ellis? | 0:13:06 | 0:13:08 | |
I think there was a social attitude taken towards her, | 0:13:08 | 0:13:12 | |
because of the work she did, because she was a glamour model, | 0:13:12 | 0:13:17 | |
because she was a nightclub hostess, | 0:13:17 | 0:13:20 | |
and I think that infected possibly the Home Secretary as well. | 0:13:20 | 0:13:25 | |
From what Michael tells me, it seems it's not the crime, | 0:13:26 | 0:13:30 | |
but Ruth herself, | 0:13:30 | 0:13:31 | |
who was irredeemable to the government of the day. | 0:13:31 | 0:13:34 | |
I think the moral landscape which surrounds the trial | 0:13:35 | 0:13:39 | |
is quite hard-nosed. | 0:13:39 | 0:13:41 | |
I think... I couldn't imagine a case of this sort | 0:13:42 | 0:13:48 | |
leading to a reprieve in that period, actually. | 0:13:48 | 0:13:53 | |
Just think of the context of the mid-1950s. | 0:13:53 | 0:13:56 | |
Think about the emphasis on domesticity, | 0:13:56 | 0:14:00 | |
on maternalism, which is, | 0:14:00 | 0:14:03 | |
you know, so central to women's magazines | 0:14:03 | 0:14:06 | |
like Woman and Woman's Own, the big sellers of the mid-1950s. | 0:14:06 | 0:14:11 | |
Think about the Queen, and the way she's portrayed | 0:14:11 | 0:14:14 | |
as sovereign in the early 1950s, as wife and mother in particular, | 0:14:14 | 0:14:21 | |
as well as head of the Commonwealth, and all of her public role, | 0:14:21 | 0:14:24 | |
a big emphasis on her maternal and domestic role. | 0:14:24 | 0:14:28 | |
So, Ruth represents everything which is abhorrent | 0:14:30 | 0:14:33 | |
to the conservative standards of 1950s Britain. | 0:14:33 | 0:14:37 | |
It seems the same prejudices that played out | 0:14:39 | 0:14:42 | |
during her investigation and trial | 0:14:42 | 0:14:44 | |
were affecting her chances of reprieve. | 0:14:44 | 0:14:47 | |
On the 11th of July 1955, two days before Ruth's scheduled hanging, | 0:14:51 | 0:14:56 | |
Lloyd George announces that his decision is final. | 0:14:56 | 0:15:00 | |
He says he has not discovered any special considerations | 0:15:00 | 0:15:03 | |
in Ruth's case, that the crime was premeditated, | 0:15:03 | 0:15:07 | |
and carried out with deliberation. | 0:15:07 | 0:15:09 | |
He says that Ruth's sex shouldn't be grounds for preferential treatment, | 0:15:10 | 0:15:14 | |
that the prisoner had expressed no remorse. | 0:15:14 | 0:15:18 | |
"If her reprieve were granted in this case, | 0:15:18 | 0:15:20 | |
"I think we should have seriously to consider | 0:15:20 | 0:15:22 | |
"whether capital punishment should be retained as a penalty." | 0:15:22 | 0:15:26 | |
This seems the heart of the issue. | 0:15:28 | 0:15:30 | |
Lloyd George belongs to a party who have backed capital punishment. | 0:15:30 | 0:15:33 | |
If a woman who stated in court that she intended to kill her lover | 0:15:33 | 0:15:37 | |
didn't hang, who could? | 0:15:37 | 0:15:39 | |
On the 11th of July, the prison doctor writes | 0:15:40 | 0:15:43 | |
that Ruth is informed the reprieve has failed, | 0:15:43 | 0:15:46 | |
and notes her weight - 103 pounds. | 0:15:46 | 0:15:50 | |
But then, she does something surprising. | 0:15:56 | 0:15:58 | |
Until now, she has done almost nothing to help her own defence. | 0:16:00 | 0:16:04 | |
But on the 11th of July, | 0:16:05 | 0:16:07 | |
the same day she's told she won't be granted reprieve, | 0:16:07 | 0:16:09 | |
she fires her lawyer John Bickford... | 0:16:09 | 0:16:12 | |
And I'm beginning to wonder if my attorney is for me. | 0:16:12 | 0:16:16 | |
..and hires a new lawyer called Victor Mishcon. | 0:16:16 | 0:16:19 | |
Has Ruth decided she wants to live? | 0:16:19 | 0:16:22 | |
Mum went to see her a few days before, | 0:16:22 | 0:16:25 | |
so...perhaps Ruth did realise that she needed to speak up. | 0:16:25 | 0:16:31 | |
But why wouldn't she have done that through Bickford? | 0:16:32 | 0:16:37 | |
I don't know. | 0:16:37 | 0:16:38 | |
That's why I think something was going on. | 0:16:40 | 0:16:43 | |
That Bickford was involved with...? | 0:16:45 | 0:16:47 | |
Desmond Cussen and Bickford. | 0:16:47 | 0:16:50 | |
My father saw them chatting on the stairs, as two friends, | 0:16:50 | 0:16:55 | |
and then when my father walked up, | 0:16:55 | 0:16:57 | |
they sort of looked as if they didn't know each other. | 0:16:57 | 0:17:00 | |
Desmond Cussen was Ruth's other lover, | 0:17:00 | 0:17:03 | |
who I'm certain had more involvement in the crime | 0:17:03 | 0:17:06 | |
than the jury in Ruth's trial ever knew. | 0:17:06 | 0:17:09 | |
And then when my father - | 0:17:09 | 0:17:10 | |
they saw my father walking towards them, | 0:17:10 | 0:17:13 | |
they separated, and made out they didn't know each other. | 0:17:13 | 0:17:16 | |
But he'd seen a glimpse of them chatting as friends. | 0:17:16 | 0:17:19 | |
So, he... Yeah. | 0:17:20 | 0:17:21 | |
And I think that's where it comes from Mum | 0:17:21 | 0:17:25 | |
to say to Ruth, "Change the solicitor, speak up for yourself." | 0:17:25 | 0:17:29 | |
Did Ruth fire Bickford | 0:17:32 | 0:17:34 | |
because of his relationship with Desmond Cussen? | 0:17:34 | 0:17:37 | |
According to Bickford, | 0:17:37 | 0:17:39 | |
Cussen admitted that he had provided Ruth with the murder weapon, | 0:17:39 | 0:17:42 | |
drove her to find David, and trained her to shoot the gun. | 0:17:42 | 0:17:46 | |
But Bickford never revealed the information to the police or court, | 0:17:48 | 0:17:53 | |
maintaining that's what Ruth wanted. | 0:17:53 | 0:17:56 | |
It appears Ruth was conflicted when it came to Cussen. | 0:17:56 | 0:18:00 | |
Bickford discussed his sacking during a 1977 TV interview. | 0:18:03 | 0:18:07 | |
She said, "No wonder he hasn't been to see me. | 0:18:08 | 0:18:12 | |
"You've been taking money from Cussen... | 0:18:12 | 0:18:15 | |
"..to see that I go down," or words to that effect, "and... | 0:18:17 | 0:18:22 | |
"..he goes free." | 0:18:23 | 0:18:25 | |
I must, of course, ask you, Mr Bickford, | 0:18:25 | 0:18:27 | |
did Mr Cussen ever give you money? | 0:18:27 | 0:18:29 | |
Certainly not, my friend. | 0:18:32 | 0:18:35 | |
I asked John Bickford's nephew, David, | 0:18:35 | 0:18:38 | |
if he can shed light on the relationship | 0:18:38 | 0:18:40 | |
between his uncle and Desmond Cussen. | 0:18:40 | 0:18:43 | |
Do you know when he met Cussen for the first time? | 0:18:43 | 0:18:45 | |
I don't. I assume... | 0:18:45 | 0:18:48 | |
I don't. I don't. I can't assume anything. | 0:18:48 | 0:18:51 | |
-No. -But he didn't mention whether or not he'd known him before the case? | 0:18:51 | 0:18:56 | |
No. | 0:18:56 | 0:18:58 | |
No. | 0:18:58 | 0:18:59 | |
John Bickford had done everything he possibly could to save her, | 0:18:59 | 0:19:03 | |
and at the last minute, she had no hesitation in saying, | 0:19:03 | 0:19:09 | |
"Well, I'm going to go to somebody else." | 0:19:09 | 0:19:11 | |
What does that tell us about her? | 0:19:15 | 0:19:17 | |
That she was really damaged. | 0:19:20 | 0:19:22 | |
Really damaged. | 0:19:23 | 0:19:24 | |
And that John had got it absolutely right. | 0:19:24 | 0:19:28 | |
Whether Ruth was correct in her suspicions of Bickford or deluded, | 0:19:29 | 0:19:33 | |
by the 12th of July, one day before she is due to hang, | 0:19:33 | 0:19:37 | |
she has a new lawyer. | 0:19:37 | 0:19:39 | |
Victor Mishcon, | 0:19:39 | 0:19:41 | |
who would one day represent Diana, Princess of Wales in her divorce, | 0:19:41 | 0:19:45 | |
had handled Ruth's own divorce from dentist George Ellis. | 0:19:45 | 0:19:49 | |
Victor Mishcon was a great lawyer, and I knew him, and a very fine man. | 0:19:49 | 0:19:53 | |
I was in the House of Lords with him in the years leading up, you know, | 0:19:53 | 0:19:56 | |
before he died. | 0:19:56 | 0:19:58 | |
He was a very distinguished lawyer, | 0:19:58 | 0:19:59 | |
and a very clever, astute person around the human condition, | 0:19:59 | 0:20:03 | |
and he said to her, | 0:20:03 | 0:20:04 | |
"Tell me, it's important to get your story out about what happened. | 0:20:04 | 0:20:09 | |
"It's not going to probably make a difference to you, | 0:20:09 | 0:20:13 | |
"but your son deserves to know. | 0:20:13 | 0:20:16 | |
"Your son deserves to know." | 0:20:16 | 0:20:17 | |
And it was a piece of very, very wise | 0:20:18 | 0:20:22 | |
and clever psychological work on his part. | 0:20:22 | 0:20:26 | |
So, in just one visit, Mishcon has persuaded Ruth | 0:20:26 | 0:20:29 | |
to tell her side of the story regarding the day of the murder, | 0:20:29 | 0:20:34 | |
something she didn't do during police questioning, the trial, | 0:20:34 | 0:20:37 | |
or Bickford's appeals. | 0:20:37 | 0:20:40 | |
Ruth's niece Marlene has never seen the statement | 0:20:40 | 0:20:43 | |
that Ruth made on that day. | 0:20:43 | 0:20:46 | |
"I, Ruth Ellis, have been advised by Mr Victor Mishcon | 0:20:46 | 0:20:49 | |
"to tell the whole truth in regard to the circumstances | 0:20:49 | 0:20:52 | |
"leading up to the killing of David Blakely, | 0:20:52 | 0:20:56 | |
"and it is only with the greatest reluctance | 0:20:56 | 0:20:58 | |
"that I have decided to tell how it was | 0:20:58 | 0:21:01 | |
"that I got the gun with which I shot Blakely." | 0:21:01 | 0:21:04 | |
She says she spent the day drinking Pernod with Desmond Cussen, | 0:21:07 | 0:21:10 | |
her close confidant and sometimes lover. | 0:21:10 | 0:21:13 | |
"All I remember is that Desmond gave me a loaded gun. | 0:21:15 | 0:21:18 | |
"Desmond was jealous of Blakely, as, in fact, Blakely was of Desmond. | 0:21:18 | 0:21:23 | |
"I would say this - they hated each other. | 0:21:23 | 0:21:26 | |
"I was in such a dazed state that I cannot remember what was said. | 0:21:26 | 0:21:30 | |
"I rushed out as soon as he gave me the gun. | 0:21:30 | 0:21:33 | |
"He stayed in the flat. | 0:21:33 | 0:21:35 | |
"I rushed back after a second or two, and said, | 0:21:35 | 0:21:38 | |
""Will you drive me to Hampstead?" | 0:21:38 | 0:21:40 | |
"He did so, and left me at the top of Tanza Road." | 0:21:40 | 0:21:43 | |
So, had he not given her the gun, she wouldn't have shot him. | 0:21:45 | 0:21:48 | |
So, he was as much... | 0:21:52 | 0:21:53 | |
..to blame as she was, really. | 0:21:55 | 0:21:57 | |
This contradicts what Ruth told the police, | 0:22:01 | 0:22:05 | |
which is that she had had the gun in her possession for years, | 0:22:05 | 0:22:09 | |
that on the night of the murder, | 0:22:09 | 0:22:11 | |
she took a taxi alone to the Magdala pub, | 0:22:11 | 0:22:14 | |
where she fired six bullets at David Blakely... | 0:22:14 | 0:22:18 | |
Put down that gun. | 0:22:19 | 0:22:20 | |
GUNSHOT | 0:22:20 | 0:22:21 | |
..four of which hit their target. | 0:22:21 | 0:22:24 | |
Ruth is now confessing that she was not the only person | 0:22:24 | 0:22:28 | |
involved in the murder. | 0:22:28 | 0:22:29 | |
If Lloyd George thought there were no special considerations | 0:22:30 | 0:22:34 | |
in Ruth's case before, would this change his mind? | 0:22:34 | 0:22:38 | |
We know that Mishcon recognised | 0:22:38 | 0:22:41 | |
that there was a problem with the conviction, | 0:22:41 | 0:22:44 | |
and the safety of the conviction of Ruth Ellis. | 0:22:44 | 0:22:47 | |
And even though it was, you know, literally, | 0:22:47 | 0:22:50 | |
hours before she was to be hung, | 0:22:50 | 0:22:53 | |
he did his absolute best to try and either use it | 0:22:53 | 0:22:57 | |
to obtain some measure of clemency, and to commute the sentence, | 0:22:57 | 0:23:02 | |
or perhaps to move towards an appeal or a retrial. | 0:23:02 | 0:23:06 | |
But it's important to recognise that, even at that point, | 0:23:06 | 0:23:11 | |
Ruth Ellis was saying to Mishcon, "I don't want you to do this. | 0:23:11 | 0:23:14 | |
"I do not want you going down this road." | 0:23:14 | 0:23:17 | |
And he understood that, as a lawyer, he had a higher calling, | 0:23:17 | 0:23:21 | |
which was to put the best case he could for his client. | 0:23:21 | 0:23:27 | |
And Mishcon isn't the only one still fighting. | 0:23:27 | 0:23:30 | |
It's 12:30pm the day before Ruth is scheduled to hang. | 0:23:31 | 0:23:35 | |
The gates of Holloway Prison are crowded with protesters chanting, | 0:23:35 | 0:23:39 | |
"Ellis-Bentley-Evans." | 0:23:39 | 0:23:41 | |
Putting Ruth's name together with two men | 0:23:41 | 0:23:43 | |
who were hanged for crimes they were subsequently cleared of. | 0:23:43 | 0:23:46 | |
In four hours, Albert Pierrepoint's preparations will begin. | 0:23:48 | 0:23:54 | |
The execution chamber is usually next door to the condemned cell. | 0:23:54 | 0:23:57 | |
It is a small room with a trap in the centre of the floor. | 0:23:57 | 0:24:02 | |
A bag is filled with sand, and we rehearse the drop, | 0:24:02 | 0:24:05 | |
to see that all is in order. | 0:24:05 | 0:24:07 | |
Mishcon goes to Whitehall to speak to Frank Newsome, | 0:24:07 | 0:24:10 | |
the permanent under-secretary. | 0:24:10 | 0:24:12 | |
But he is at Ascot, so his deputy Philip Allen | 0:24:14 | 0:24:17 | |
gets an announcement made over Tannoy, | 0:24:17 | 0:24:20 | |
and calls him back to the office. | 0:24:20 | 0:24:22 | |
Now, what's all this about? | 0:24:22 | 0:24:25 | |
It looks as though Ruth's confession may indeed provide | 0:24:25 | 0:24:27 | |
the special considerations that Lloyd George felt were lacking. | 0:24:27 | 0:24:33 | |
Philip Allen asked the detectives on Ruth's case whether, | 0:24:33 | 0:24:36 | |
given her statement, | 0:24:36 | 0:24:38 | |
it would be possible to charge Cussen as an accessory. | 0:24:38 | 0:24:42 | |
Look, I don't know anything about all this. | 0:24:42 | 0:24:44 | |
-Hardly sufficient evidence to hang a cat on. -Oh, I've plenty more. | 0:24:44 | 0:24:47 | |
The police report that it is possible, given evidence, | 0:24:47 | 0:24:51 | |
but the most important consideration | 0:24:51 | 0:24:53 | |
must be that Cussen knew the revolver he had given her | 0:24:53 | 0:24:56 | |
was to be used for the purpose of shooting Blakely, | 0:24:56 | 0:24:59 | |
and this must be substantiated by evidence other than Ellis's. | 0:24:59 | 0:25:03 | |
Basically, the source of the information | 0:25:04 | 0:25:06 | |
that Cussen gave her the gun | 0:25:06 | 0:25:08 | |
was the person who was convicted of murder. | 0:25:08 | 0:25:10 | |
So the question was, why would we believe her, a convicted murderess, | 0:25:10 | 0:25:15 | |
when she says that he was the person who gave her the gun? | 0:25:15 | 0:25:18 | |
And she'd given a different account to the police, | 0:25:18 | 0:25:21 | |
which was that she'd been given it in lieu of a debt. | 0:25:21 | 0:25:23 | |
Er... | 0:25:23 | 0:25:25 | |
How would you know what to believe? No jury would convict him. | 0:25:25 | 0:25:28 | |
Why would she be credible? No court would be able to rely on her. | 0:25:28 | 0:25:32 | |
He was a lucky man, Cussen. | 0:25:32 | 0:25:34 | |
He was lucky because she was... | 0:25:34 | 0:25:36 | |
In many ways, the most honourable thing in all of this | 0:25:36 | 0:25:40 | |
is that she decided to carry this herself, | 0:25:40 | 0:25:44 | |
to be the person who carried the can. | 0:25:44 | 0:25:48 | |
So, I mean, it is interesting. | 0:25:48 | 0:25:50 | |
He owed her a lot. | 0:25:50 | 0:25:52 | |
So Cussen's involvement may amount | 0:25:53 | 0:25:56 | |
to what the Home Secretary has termed a special consideration. | 0:25:56 | 0:25:59 | |
But only if it's corroborated by someone other than Ruth. | 0:25:59 | 0:26:03 | |
Bickford knows, but isn't saying anything, | 0:26:05 | 0:26:07 | |
because he says his client asked him not to. | 0:26:07 | 0:26:10 | |
Andre knows, but no-one thought to ask him. | 0:26:10 | 0:26:13 | |
And now, just hours remain until Ruth will lose her life. | 0:26:14 | 0:26:19 | |
When I probe a little deeper into the files, | 0:26:26 | 0:26:29 | |
I discover that, weeks earlier, Ruth's close friend Jackie Dyer | 0:26:29 | 0:26:33 | |
had come forward, first to the Home Office, and then to the police. | 0:26:33 | 0:26:38 | |
She, too, tells the police that Cussen had provided Ruth with a gun, | 0:26:38 | 0:26:43 | |
and drove her to the scene of the murder. | 0:26:43 | 0:26:45 | |
This is two weeks before Ruth's confession, | 0:26:46 | 0:26:50 | |
and would have left plenty of time to investigate. | 0:26:50 | 0:26:53 | |
But the detective chief inspector | 0:26:53 | 0:26:55 | |
had concluded that she was unreliable, | 0:26:55 | 0:26:58 | |
due to being a French woman. | 0:26:58 | 0:27:00 | |
And he reported back to the Home Office. | 0:27:02 | 0:27:05 | |
"I am of the opinion that Cussen did not supply the gun... | 0:27:05 | 0:27:08 | |
"neither did he drive Mrs Ellis to Hampstead on that night." | 0:27:08 | 0:27:12 | |
It's starting to feel like the police | 0:27:13 | 0:27:15 | |
were just not inclined to properly investigate Cussen. | 0:27:15 | 0:27:19 | |
And the man himself had sworn to the police, | 0:27:19 | 0:27:22 | |
in a statement riddled with gaps and inconsistencies, | 0:27:22 | 0:27:25 | |
that he wasn't involved. | 0:27:25 | 0:27:27 | |
Acting on a directive from the Home Office | 0:27:29 | 0:27:31 | |
the night before the execution, | 0:27:31 | 0:27:34 | |
two inspectors are sent to Desmond Cussen's home | 0:27:34 | 0:27:36 | |
in Goodwood Court to try to locate him. | 0:27:36 | 0:27:39 | |
At some point that evening, they give up and go home. | 0:27:39 | 0:27:42 | |
Mishcon gets a phone call at 2:00am. | 0:27:45 | 0:27:47 | |
The execution is going ahead. | 0:27:50 | 0:27:52 | |
I think that, to me, was the most extraordinary thing, | 0:27:54 | 0:27:57 | |
that if they actually thought | 0:27:57 | 0:27:59 | |
that Cussen might be involved in some way... | 0:27:59 | 0:28:03 | |
you find him. | 0:28:03 | 0:28:05 | |
I mean, it was much easier to find people in those days, | 0:28:05 | 0:28:09 | |
and they could easily have extended the period, | 0:28:09 | 0:28:14 | |
and told Mr Pierrepoint | 0:28:14 | 0:28:16 | |
that he didn't have to hang anybody that morning, | 0:28:16 | 0:28:19 | |
and I'm sure he would have adjusted to that. | 0:28:19 | 0:28:21 | |
But Lloyd George was adamant. | 0:28:28 | 0:28:30 | |
He is reported to have said, | 0:28:30 | 0:28:31 | |
"If she doesn't hang tomorrow, she never will." | 0:28:31 | 0:28:35 | |
Ruth was hanged at 9:00am on the 13th of July 1955 | 0:28:42 | 0:28:48 | |
by Albert Pierrepoint. | 0:28:48 | 0:28:50 | |
He would retire the following year | 0:28:50 | 0:28:52 | |
after conducting the last execution of a woman in Britain. | 0:28:52 | 0:28:55 | |
To me, the documents pertaining to Ruth's death | 0:28:57 | 0:29:00 | |
speak more loudly than any image could. | 0:29:00 | 0:29:04 | |
They are so spare and efficient. | 0:29:04 | 0:29:06 | |
A bureaucratic box ticked. | 0:29:06 | 0:29:09 | |
Just three months after her arrest, Ruth was dead. | 0:29:13 | 0:29:17 | |
A Conservative Home Secretary had refused to grant a reprieve, | 0:29:18 | 0:29:22 | |
against the wishes of a large number of people | 0:29:22 | 0:29:25 | |
who were uncomfortable with her sentence, | 0:29:25 | 0:29:27 | |
and despite the emergence of new evidence. | 0:29:27 | 0:29:30 | |
It was an extraordinary decision, in John's mind, that she hanged. | 0:29:31 | 0:29:35 | |
He really couldn't understand why. | 0:29:35 | 0:29:38 | |
I don't think anybody did at the time. | 0:29:38 | 0:29:41 | |
The only person who understood why was probably the Home Secretary. | 0:29:41 | 0:29:44 | |
I don't think even Justice Havers really expected her to hang. | 0:29:46 | 0:29:52 | |
He expected her to be found guilty, that's for sure. | 0:29:52 | 0:29:55 | |
Which she was, no doubt about that. | 0:29:55 | 0:29:58 | |
But Ruth's hanging was not the end of the story. | 0:30:01 | 0:30:04 | |
In early 1956, six months after Ruth's execution, | 0:30:05 | 0:30:10 | |
crime reporter Duncan Webb, who had interviewed Ruth before she died, | 0:30:10 | 0:30:14 | |
petitioned Gwilym Lloyd George to reopen the case. | 0:30:14 | 0:30:18 | |
Right, this is the letter from Duncan Webb to the Home Secretary | 0:30:18 | 0:30:22 | |
in February '56. | 0:30:22 | 0:30:24 | |
So he's offering the Home Secretary access to some of the documents | 0:30:24 | 0:30:30 | |
that he's come across which indicate that Ruth Ellis | 0:30:30 | 0:30:34 | |
should not have been executed. | 0:30:34 | 0:30:36 | |
So it's a sign that he's going for the Home Secretary. | 0:30:36 | 0:30:41 | |
"Here and now, I challenge Lloyd George | 0:30:41 | 0:30:44 | |
"to justify the wanton killing of Ruth Ellis. | 0:30:44 | 0:30:47 | |
"I challenge him to read my evidence, | 0:30:47 | 0:30:49 | |
"to study and investigate my facts, | 0:30:49 | 0:30:52 | |
"and to prove they do not amount to a case | 0:30:52 | 0:30:55 | |
"warranting a full-scale inquiry into the murder investigation | 0:30:55 | 0:30:59 | |
"which sent Ruth Ellis to the gallows." | 0:30:59 | 0:31:02 | |
Duncan Webb is making the point that he should be ashamed of himself, | 0:31:04 | 0:31:07 | |
and I think quite rightly. | 0:31:07 | 0:31:09 | |
I discovered that the source | 0:31:11 | 0:31:13 | |
of Duncan Webb's new evidence was Andre. | 0:31:13 | 0:31:15 | |
During my investigation, snippets of what he knew have emerged. | 0:31:18 | 0:31:22 | |
But Andre had never been spoken to by anyone in authority. | 0:31:22 | 0:31:27 | |
Now, finally, his version of events was going to see the light of day. | 0:31:27 | 0:31:32 | |
Andre remembers a conversation between Ruth and Desmond. | 0:31:33 | 0:31:37 | |
"If I had a gun, I would shoot him". | 0:31:37 | 0:31:40 | |
"I have one, but it's old and rusty, and needs oiling. | 0:31:40 | 0:31:44 | |
"Shall I get it?" | 0:31:44 | 0:31:45 | |
On the morning of the murder, | 0:31:52 | 0:31:53 | |
Desmond and Ruth were meant to drop Andre at Hampstead Fair. | 0:31:53 | 0:31:58 | |
But it was closed, so they took him with them to Penn, Buckinghamshire, | 0:31:58 | 0:32:02 | |
to try to find David. | 0:32:02 | 0:32:04 | |
He remembers his mother bought an Easter egg for him | 0:32:04 | 0:32:07 | |
from a sweet shop, and he was nibbling on it and reading a comic | 0:32:07 | 0:32:10 | |
when they left that night. | 0:32:10 | 0:32:12 | |
The detail is heartbreaking. | 0:32:13 | 0:32:16 | |
Andre also states that Ruth's solicitor, Bickford, | 0:32:17 | 0:32:20 | |
accompanied Cussen when Andre was delivered to his aunt | 0:32:20 | 0:32:25 | |
the day after the murder... | 0:32:25 | 0:32:26 | |
..which is when Andre was supposedly told | 0:32:28 | 0:32:31 | |
to keep quiet about what he witnessed. | 0:32:31 | 0:32:34 | |
If true, it explains why Ruth's family | 0:32:34 | 0:32:36 | |
maintain that Bickford and Cussen were connected. | 0:32:36 | 0:32:39 | |
The Home Office are forced to respond | 0:32:42 | 0:32:45 | |
to Duncan Webb's allegations. | 0:32:45 | 0:32:47 | |
Andre's testimony - | 0:32:47 | 0:32:49 | |
the testimony that was never sought by the police | 0:32:49 | 0:32:51 | |
who investigated Ruth's crime - has finally come to light. | 0:32:51 | 0:32:55 | |
I ask a serving detective called Simon Davy | 0:32:57 | 0:33:01 | |
to help me interpret the Home Office's response to Duncan Webb. | 0:33:01 | 0:33:05 | |
What does it say about the boy, and whether what the boy would say... | 0:33:05 | 0:33:08 | |
It says that "This suggestion of incitement | 0:33:08 | 0:33:10 | |
"rests solely on the statement of the boy. | 0:33:10 | 0:33:13 | |
"Even if this conversation is incitement, | 0:33:14 | 0:33:17 | |
"there's no corroboration of his story, and none can be forthcoming." | 0:33:17 | 0:33:21 | |
And I totally agree with that, | 0:33:21 | 0:33:23 | |
but I still feel that those questions | 0:33:23 | 0:33:26 | |
need to be put to Cussen in interview, directly. | 0:33:26 | 0:33:29 | |
The Home Office's position is surprising. | 0:33:29 | 0:33:32 | |
Both Ruth's last-minute confession and the Jackie Dyer statement | 0:33:32 | 0:33:36 | |
corroborate Andre's account. | 0:33:36 | 0:33:39 | |
But is the boy's testimony not evidence? | 0:33:39 | 0:33:41 | |
Would it not be? | 0:33:41 | 0:33:42 | |
Well, I think it's enough to suspect him | 0:33:42 | 0:33:44 | |
of involvement and to arrest him. | 0:33:44 | 0:33:45 | |
-Where were you yesterday afternoon, Mr Warner? -Well, let's see. | 0:33:45 | 0:33:49 | |
In my job I get around a bit, you know. | 0:33:49 | 0:33:51 | |
This is the kind of difference in culture, | 0:33:51 | 0:33:53 | |
is that decisions are being made. | 0:33:53 | 0:33:55 | |
"OK, we could go down this road, | 0:33:55 | 0:33:57 | |
"but it's not going to produce anything, so we're not going to." | 0:33:57 | 0:33:59 | |
Whereas I think nowadays, we'd probably say, | 0:33:59 | 0:34:01 | |
"Well if we can go down this road, | 0:34:01 | 0:34:03 | |
"and it's not going to cause any harm, let's go down that road." | 0:34:03 | 0:34:05 | |
And just to double check that it's not going to produce anything. | 0:34:06 | 0:34:10 | |
And it's surprising. | 0:34:11 | 0:34:13 | |
I know from the tape that Andre wanted to be heard. | 0:34:14 | 0:34:16 | |
Webb's appeal to the Home Office leads to nothing. | 0:34:29 | 0:34:32 | |
It feels like the last trail leading to Cussen has been erased. | 0:34:32 | 0:34:36 | |
The latest in a series of moments where questions were raised | 0:34:39 | 0:34:42 | |
about Cussen's involvement, | 0:34:42 | 0:34:44 | |
only to be dismissed without comprehensive examination. | 0:34:44 | 0:34:48 | |
There were clues that he may have had | 0:34:49 | 0:34:51 | |
a more central role in the killing | 0:34:51 | 0:34:53 | |
during the police investigation, while Ruth awaited execution, | 0:34:53 | 0:34:57 | |
and after she was dead. | 0:34:57 | 0:34:59 | |
But still he was never arrested. | 0:35:01 | 0:35:04 | |
Why? | 0:35:04 | 0:35:05 | |
I go back to the Duncan Webb report. | 0:35:07 | 0:35:10 | |
I find something I initially missed. | 0:35:10 | 0:35:13 | |
Long before the murder, | 0:35:13 | 0:35:14 | |
Cussen has talked to Ruth's parents of a brother he'd had, | 0:35:14 | 0:35:17 | |
a barrister working at the Director of Public Prosecution's office. | 0:35:17 | 0:35:21 | |
And do you find the prisoner guilty or not guilty of murder? | 0:35:21 | 0:35:26 | |
I discover a brother called William, but he was not a lawyer. | 0:35:26 | 0:35:30 | |
So who is this barrister Desmond is related to? | 0:35:31 | 0:35:34 | |
I dig a little deeper, and I find the right person. | 0:35:34 | 0:35:38 | |
Desmond had a cousin called Edward James Patrick Cussen, a barrister. | 0:35:39 | 0:35:44 | |
This census document from 1911 shows Edward's parents and brother | 0:35:45 | 0:35:50 | |
were living with Desmond's father in a house in Putney. | 0:35:50 | 0:35:54 | |
This suggests to me that the two families were close. | 0:35:56 | 0:35:59 | |
Is this why Desmond had referred to Edward as a brother? | 0:35:59 | 0:36:02 | |
At the time of Ruth's trial, | 0:36:05 | 0:36:07 | |
Edward was a junior Treasury Counsel member, | 0:36:07 | 0:36:10 | |
part of a small group of top prosecutors | 0:36:10 | 0:36:12 | |
who were based at the Old Bailey. | 0:36:12 | 0:36:15 | |
Would this mean that he worked alongside Christmas Humphreys, | 0:36:15 | 0:36:18 | |
the prosecutor in Ruth's case? | 0:36:18 | 0:36:20 | |
And if so, could that have affected | 0:36:21 | 0:36:23 | |
how Desmond was handled by the police and the court? | 0:36:23 | 0:36:28 | |
I asked Richard Whitham, who until recently | 0:36:28 | 0:36:31 | |
held the same post as Humphreys. | 0:36:31 | 0:36:33 | |
So this is the list of all of the persons | 0:36:33 | 0:36:36 | |
who've been nominated Treasury Counsellor. | 0:36:36 | 0:36:41 | |
Yeah, independent members of the bar, different, | 0:36:41 | 0:36:43 | |
some from the same chambers, but a mix of different chambers. | 0:36:43 | 0:36:47 | |
They were working in the same room. | 0:36:47 | 0:36:49 | |
If you've got a problem that somebody else has had before, | 0:36:49 | 0:36:52 | |
sharing difficulties, | 0:36:52 | 0:36:54 | |
very much a team performance of helping others. | 0:36:54 | 0:37:00 | |
And there's Christmas Humphreys. | 0:37:00 | 0:37:02 | |
Christmas Humphreys, so appointed in '34. | 0:37:02 | 0:37:05 | |
Now, one thing we discovered since the last time we spoke to you... | 0:37:05 | 0:37:09 | |
..which we were really surprised to discover is, | 0:37:12 | 0:37:15 | |
-have you ever heard of Edward Cussen? -No. | 0:37:15 | 0:37:17 | |
Because Edward Cussen was junior Treasury Counsel in 1955. | 0:37:17 | 0:37:21 | |
He later became senior Treasury Counsel. | 0:37:21 | 0:37:25 | |
He was also Desmond's first cousin. | 0:37:25 | 0:37:27 | |
Because one of the things we're trying to assess | 0:37:30 | 0:37:34 | |
is why Desmond Cussen wasn't interrogated more deeply, | 0:37:34 | 0:37:38 | |
and why he was never arrested. | 0:37:38 | 0:37:40 | |
Could an answer be that he had a cousin in the Treasury Counsel? | 0:37:40 | 0:37:46 | |
Would that help? | 0:37:46 | 0:37:48 | |
I can understand why you ask the question. | 0:37:48 | 0:37:50 | |
It seems to me quite a leap to think that... | 0:37:50 | 0:37:52 | |
..the police officers decided not to ask, | 0:37:54 | 0:37:59 | |
investigate something, because that police officer knew | 0:37:59 | 0:38:02 | |
that Cussen was a Treasury Counsel. | 0:38:02 | 0:38:05 | |
And it may well be it was very close-knit and everybody did know, | 0:38:05 | 0:38:08 | |
but did the investigating officer know? | 0:38:08 | 0:38:11 | |
It's very important, certainly now, to have transparency. | 0:38:11 | 0:38:16 | |
And if somebody thought somebody wasn't prosecuted | 0:38:16 | 0:38:19 | |
or called as a witness or investigated | 0:38:19 | 0:38:21 | |
because of their status, | 0:38:21 | 0:38:23 | |
people would be very upset, and rightly so. | 0:38:23 | 0:38:25 | |
But you would declare it. | 0:38:25 | 0:38:27 | |
I would imagine it was rather different then. | 0:38:29 | 0:38:32 | |
In retrospect, and in a different time, | 0:38:32 | 0:38:36 | |
perhaps easier to say whether things were | 0:38:36 | 0:38:40 | |
not investigated as fully as they might have been | 0:38:40 | 0:38:43 | |
because of who people were and whatever else, | 0:38:43 | 0:38:46 | |
isn't leading to a more comfortable trial for her. | 0:38:46 | 0:38:50 | |
So the fact that somebody else may or may not have been culpable, | 0:38:51 | 0:38:56 | |
or perhaps should have been prosecuted, | 0:38:56 | 0:38:59 | |
if there was the evidence, that doesn't really help her. | 0:38:59 | 0:39:02 | |
It doesn't make it OK. | 0:39:03 | 0:39:04 | |
Oh, absolutely, it doesn't make it OK. | 0:39:04 | 0:39:06 | |
Richard is right. | 0:39:08 | 0:39:10 | |
One can't assume that just because | 0:39:10 | 0:39:12 | |
Desmond was related to a senior barrister, | 0:39:12 | 0:39:15 | |
that there was any suggestion of wrongdoing. | 0:39:15 | 0:39:18 | |
There is no evidence that the police knew about the connection, | 0:39:18 | 0:39:21 | |
or considered it important. | 0:39:21 | 0:39:23 | |
But I wonder if being connected to such an influential figure | 0:39:23 | 0:39:27 | |
could have helped Desmond Cussen in other ways. | 0:39:27 | 0:39:29 | |
I don't want to make assumptions based simply on type. | 0:39:34 | 0:39:37 | |
That's the same sort of prejudice | 0:39:37 | 0:39:39 | |
which contributed to Ruth's execution. | 0:39:39 | 0:39:41 | |
I decide to find out more about Edward Cussen's career, | 0:39:42 | 0:39:46 | |
and whom he came in contact with. | 0:39:46 | 0:39:48 | |
This takes me to Oxford, to Dr Roderick Bailey, | 0:39:49 | 0:39:52 | |
a Second World War historian. | 0:39:52 | 0:39:54 | |
-Hello. -Hi. | 0:39:59 | 0:40:02 | |
OK, so Cussen worked for MI5 | 0:40:02 | 0:40:04 | |
pretty much for the entire Second World War, | 0:40:04 | 0:40:07 | |
and MI5, during the Second World War, the security service, | 0:40:07 | 0:40:10 | |
it was a domestic intelligence. | 0:40:10 | 0:40:12 | |
So that's home intelligence, home-grown intelligence concerns. | 0:40:12 | 0:40:15 | |
Not like MI6, which is external, | 0:40:15 | 0:40:17 | |
which is gathering intelligence overseas. | 0:40:17 | 0:40:19 | |
MI5 is about security and counter-espionage | 0:40:19 | 0:40:23 | |
inside the British Isles. | 0:40:23 | 0:40:25 | |
They had various, several duties during the Second World War, MI5. | 0:40:25 | 0:40:29 | |
So for example, MI5's roles during the war included | 0:40:29 | 0:40:33 | |
monitoring German agents, counter-espionage, | 0:40:33 | 0:40:36 | |
German communications inside Britain. | 0:40:36 | 0:40:40 | |
But then, as the war develops, he also moves on to another role. | 0:40:42 | 0:40:45 | |
Cussen's role towards the end of the war is dealing with | 0:40:45 | 0:40:48 | |
what were called renegades, | 0:40:48 | 0:40:50 | |
so that's investigating cases of renegade Englishmen, | 0:40:50 | 0:40:54 | |
British nationals, who have been working for, | 0:40:54 | 0:40:56 | |
supposedly, working for the Germans, | 0:40:56 | 0:40:59 | |
or passing information to the Germans or other enemy countries. | 0:40:59 | 0:41:03 | |
I take this new information about Edward | 0:41:05 | 0:41:08 | |
back to the National Archives. | 0:41:08 | 0:41:10 | |
I discover Edward had meetings with Frank Newsome, | 0:41:12 | 0:41:15 | |
who would go on to be permanent under-secretary | 0:41:15 | 0:41:18 | |
to Gwilym Lloyd George, | 0:41:18 | 0:41:20 | |
and who was the person Mishcon approached | 0:41:20 | 0:41:22 | |
with Ruth's final statement. | 0:41:22 | 0:41:24 | |
So Edward was well connected, not only in the legal establishment, | 0:41:25 | 0:41:29 | |
but in government. | 0:41:29 | 0:41:31 | |
Getting in right with politicians is a good idea. | 0:41:31 | 0:41:34 | |
And remember, if you get into trouble, | 0:41:34 | 0:41:36 | |
he's a mighty good friend to have around. | 0:41:36 | 0:41:39 | |
I need to speak to someone who knew Edward personally, | 0:41:39 | 0:41:43 | |
to find out if these connections | 0:41:43 | 0:41:44 | |
could have led to preferential treatment for his cousin. | 0:41:44 | 0:41:48 | |
Could they explain why Desmond was never investigated | 0:41:48 | 0:41:51 | |
for his likely role in the murder, even after Ruth's death? | 0:41:51 | 0:41:54 | |
Edward's daughter, Fleur, agrees to meet me in Oxford, | 0:42:00 | 0:42:03 | |
where her father was a student. | 0:42:03 | 0:42:05 | |
Do you remember having heard | 0:42:07 | 0:42:09 | |
about the Ruth Ellis case in your childhood? | 0:42:09 | 0:42:11 | |
I just had always known that there was a connection, that it was... | 0:42:11 | 0:42:16 | |
You know, that Desmond Cussen was our cousin, | 0:42:16 | 0:42:20 | |
and that he'd been involved. | 0:42:20 | 0:42:23 | |
And that... | 0:42:25 | 0:42:27 | |
There was always... I think I remember, sort of, it was always, | 0:42:27 | 0:42:31 | |
you know, "poor Desmond." | 0:42:31 | 0:42:33 | |
My father perhaps would have felt that Desmond needed looking after, | 0:42:33 | 0:42:38 | |
and...so I think would have done for him what he could. | 0:42:38 | 0:42:42 | |
Do you think he would have helped him with legal advice before that, | 0:42:42 | 0:42:45 | |
while he was all embroiled in it? | 0:42:45 | 0:42:47 | |
I would have thought he would have, yes, if Desmond had asked for it. | 0:42:47 | 0:42:50 | |
So far as he could, you know. | 0:42:52 | 0:42:54 | |
Definitely put him in touch with people, | 0:42:55 | 0:42:58 | |
perhaps, or something like that. | 0:42:58 | 0:43:00 | |
-Did he mention, ever, Christmas Humphreys? -Oh, yes, very much so. | 0:43:00 | 0:43:02 | |
In fact, he wrote me a very charming and kind letter when my father died. | 0:43:02 | 0:43:07 | |
Do you think people knew that they were related? | 0:43:07 | 0:43:10 | |
People in the legal profession, definitely. | 0:43:12 | 0:43:14 | |
I mean, it's not that common a name. | 0:43:14 | 0:43:17 | |
So I'm sure they did. | 0:43:19 | 0:43:20 | |
I can't imagine that they wouldn't. | 0:43:21 | 0:43:23 | |
Especially as... | 0:43:23 | 0:43:26 | |
You know, my father knew all the people involved in the trial | 0:43:26 | 0:43:32 | |
quite well, I would have thought... | 0:43:32 | 0:43:34 | |
..so I'm sure they knew that this was his cousin. | 0:43:35 | 0:43:40 | |
I find it hard to believe that they wouldn't. | 0:43:40 | 0:43:42 | |
One of the big mysteries around the Ruth Ellis case, | 0:43:42 | 0:43:45 | |
and there are a number of them, is why Desmond wasn't ever arrested, | 0:43:45 | 0:43:49 | |
and also why they didn't interrogate more fully his involvement. | 0:43:49 | 0:43:55 | |
And why do you think? | 0:43:55 | 0:43:57 | |
Well, we wonder if it had something to do with your father. | 0:43:57 | 0:43:59 | |
Do you think your father could have had | 0:43:59 | 0:44:01 | |
-anything to do with him not being arrested? -No. | 0:44:01 | 0:44:03 | |
No, definitely not, because I don't think | 0:44:04 | 0:44:07 | |
he would have wanted to have anything to do... | 0:44:07 | 0:44:10 | |
He wouldn't have wanted to... | 0:44:10 | 0:44:12 | |
..get in the way of a case taking its proper course. | 0:44:13 | 0:44:19 | |
I mean, anything he would have done... | 0:44:19 | 0:44:22 | |
He would have certainly been someone for Desmond to talk to... | 0:44:22 | 0:44:25 | |
..and he would have, I'm sure, | 0:44:27 | 0:44:29 | |
introduced him to good barristers, had he needed one. | 0:44:29 | 0:44:35 | |
He might even have advised him how to deal with an interview | 0:44:36 | 0:44:40 | |
if he was going to be interviewed by the police. | 0:44:40 | 0:44:44 | |
But he would never have prevented him being interviewed | 0:44:44 | 0:44:47 | |
if the police had suggested that they wanted to interview him. | 0:44:47 | 0:44:51 | |
I mean, that would have not been... | 0:44:51 | 0:44:54 | |
you know, the proper course of action. | 0:44:54 | 0:44:57 | |
I wonder, because he was so admired and loved, | 0:44:57 | 0:45:00 | |
you know, whether somebody, | 0:45:00 | 0:45:02 | |
without him requesting that, or even wanting it... | 0:45:02 | 0:45:05 | |
Oh, I see. | 0:45:05 | 0:45:06 | |
..would...sort of... | 0:45:06 | 0:45:08 | |
Yeah, well I suppose that's possible. | 0:45:08 | 0:45:10 | |
All I can judge on, | 0:45:11 | 0:45:12 | |
I'm certain my father would never have ASKED anyone to do anything. | 0:45:12 | 0:45:16 | |
But whether somebody did without being asked... | 0:45:16 | 0:45:21 | |
And it's important that one views what happened | 0:45:23 | 0:45:26 | |
through the eyes of then, not now. | 0:45:26 | 0:45:28 | |
Although it's interesting to look back on it now, | 0:45:28 | 0:45:31 | |
it was a very different world, wasn't it? | 0:45:31 | 0:45:33 | |
Edward did not intervene to help his cousin. | 0:45:35 | 0:45:38 | |
But it was indeed a different world. | 0:45:40 | 0:45:43 | |
And the same class prejudices that hurt Ruth might have helped Desmond. | 0:45:43 | 0:45:47 | |
The standards Ruth would be judged by today | 0:45:50 | 0:45:52 | |
are not the same as those she faced in 1955. | 0:45:52 | 0:45:56 | |
Some changes are dramatic - wholesale shifts in the law. | 0:45:56 | 0:46:01 | |
Others are more subtle, | 0:46:01 | 0:46:02 | |
like the shifting of unconscious prejudices, | 0:46:02 | 0:46:05 | |
and a move towards transparency. | 0:46:05 | 0:46:07 | |
The Home Office drew a line under Ruth's case | 0:46:09 | 0:46:12 | |
and the question of Cussen's involvement. | 0:46:12 | 0:46:14 | |
Something which Cussen denied up until his death in 1991. | 0:46:15 | 0:46:20 | |
Let me state quite clearly, I did not give Ruth the gun. | 0:46:21 | 0:46:25 | |
Nor on that occasion did I drive her up to Hampstead. | 0:46:25 | 0:46:31 | |
But the impact of Ruth's verdict and execution did not go away. | 0:46:31 | 0:46:35 | |
Millions are asking, should anyone hang at all, | 0:46:36 | 0:46:40 | |
or should there be degrees of murder? | 0:46:40 | 0:46:42 | |
For quite a long time, there had been discussions | 0:46:44 | 0:46:47 | |
about the need for a much more nuanced approach to homicide, | 0:46:47 | 0:46:51 | |
and I think that the Ruth Ellis case was the pinnacle of that. | 0:46:51 | 0:46:56 | |
And this came about with the creation of the Homicide Act in '57, | 0:46:56 | 0:47:00 | |
which then said, | 0:47:00 | 0:47:01 | |
actually, there should be ways of mitigating murder, | 0:47:01 | 0:47:05 | |
and turning it into manslaughter, | 0:47:05 | 0:47:07 | |
where someone is provoked beyond endurance and snaps, | 0:47:07 | 0:47:11 | |
and where somebody is suffering | 0:47:11 | 0:47:16 | |
from an abnormality of mind, and is therefore not, | 0:47:16 | 0:47:20 | |
shouldn't be held fully responsible for their actions. | 0:47:20 | 0:47:24 | |
And I think Ruth Ellis was impaired in her functioning, | 0:47:24 | 0:47:26 | |
but the law had not changed in time for her. | 0:47:26 | 0:47:29 | |
Two years after her death, | 0:47:30 | 0:47:31 | |
diminished responsibility offered the possibility of a verdict | 0:47:31 | 0:47:35 | |
of manslaughter in place of murder for defendants like Ruth. | 0:47:35 | 0:47:39 | |
It was a key shift which set the course | 0:47:40 | 0:47:42 | |
for the total abolishment of capital punishment in Great Britain | 0:47:42 | 0:47:46 | |
12 years later. | 0:47:46 | 0:47:47 | |
Soon after her execution, Andre was told the truth | 0:47:52 | 0:47:56 | |
about his mother's disappearance from his life. | 0:47:56 | 0:47:59 | |
In 1971, | 0:48:10 | 0:48:12 | |
Victorian Holloway Prison was demolished | 0:48:12 | 0:48:15 | |
to make way for a new one. | 0:48:15 | 0:48:16 | |
Today, I have to imagine the forbidding building | 0:48:19 | 0:48:22 | |
where so many protested Ruth's execution. | 0:48:22 | 0:48:25 | |
What's here now are the derelict remains of a modern prison, | 0:48:27 | 0:48:31 | |
closed for good in 2016. | 0:48:31 | 0:48:34 | |
Between 1903 and 1955, five women were executed here. | 0:48:36 | 0:48:42 | |
The last was Ruth. | 0:48:42 | 0:48:44 | |
She was buried on site. | 0:48:45 | 0:48:47 | |
But in 1971, Ruth's remains needed to be moved. | 0:48:48 | 0:48:52 | |
"I suppose you have heard no more from Mr Turner, or, | 0:48:53 | 0:48:56 | |
"as I believe he now calls himself, Mr McCallum." | 0:48:56 | 0:49:00 | |
That's Andre, who also went by the names Ellis and Hornby. | 0:49:00 | 0:49:03 | |
The Home Office eventually located him as next of kin. | 0:49:06 | 0:49:10 | |
They describe him as "A nervous, pale-faced, | 0:49:13 | 0:49:17 | |
"slightly shabby young man of 26, | 0:49:17 | 0:49:19 | |
"who looks as though he could do with a good meal. | 0:49:19 | 0:49:22 | |
"He believes passionately that his mother should not have been hanged, | 0:49:22 | 0:49:26 | |
"and the execution has clearly shaped the course of his life". | 0:49:26 | 0:49:30 | |
15 years after his mother's death, | 0:49:31 | 0:49:34 | |
Andre has been contacting New Scotland Yard. | 0:49:34 | 0:49:37 | |
There is a log of conversations with a Chief Inspector Mason, | 0:49:38 | 0:49:42 | |
who reports that Andre is schizophrenic. | 0:49:42 | 0:49:44 | |
A few months before, Andre telephoned, | 0:49:46 | 0:49:49 | |
saying that he had new evidence | 0:49:49 | 0:49:50 | |
concerning the murder of which his mother was convicted. | 0:49:50 | 0:49:53 | |
Andre decides to have his mother reburied | 0:49:57 | 0:49:59 | |
in Amersham, Buckinghamshire. | 0:49:59 | 0:50:02 | |
I visit the cemetery with ex-detective Brian Hook, | 0:50:02 | 0:50:05 | |
who helped me look into the police investigation, and who lives nearby. | 0:50:05 | 0:50:09 | |
And this is Ruth's grave. | 0:50:12 | 0:50:14 | |
It's in this corner here. | 0:50:16 | 0:50:17 | |
There was a headstone here until 1981 or 1982, when Andre, | 0:50:18 | 0:50:24 | |
in the throes of severe depression, destroyed it. | 0:50:24 | 0:50:27 | |
The only marker now, really, is that small triangular piece of concrete. | 0:50:27 | 0:50:35 | |
Just an unkempt, untidy corner in an... | 0:50:35 | 0:50:40 | |
..overgrown, unkempt cemetery. | 0:50:41 | 0:50:46 | |
Andre's choice of location suggests that his mother | 0:50:46 | 0:50:49 | |
may not be the only person he was mourning. | 0:50:49 | 0:50:52 | |
So the only reason she's in Amersham is that it's near David Blakely. | 0:50:53 | 0:50:56 | |
It's about as near as you could get. | 0:50:56 | 0:50:58 | |
Is her son buried there? | 0:50:58 | 0:51:00 | |
Yeah, his ashes are in there. | 0:51:01 | 0:51:03 | |
-His ashes are in there? -Yeah. | 0:51:03 | 0:51:05 | |
I go back to Andre's tape, where he talks about his feelings for David, | 0:51:08 | 0:51:13 | |
who is buried only three miles up the road. | 0:51:13 | 0:51:16 | |
For David to have inspired that kind of feeling in Andre, | 0:51:44 | 0:51:48 | |
he must have been kind to him. | 0:51:48 | 0:51:50 | |
And, of course, he must have sometimes been kind to Ruth. | 0:51:50 | 0:51:54 | |
I now understand that it wasn't just the loss of Ruth | 0:51:56 | 0:51:59 | |
that Andre couldn't recover from. | 0:51:59 | 0:52:01 | |
It was the loss of both of them. | 0:52:01 | 0:52:03 | |
Ruth's crime claimed three lives. | 0:52:32 | 0:52:34 | |
David's, her own, and ultimately Andre's. | 0:52:34 | 0:52:38 | |
He didn't ever really make anything of himself. | 0:52:38 | 0:52:41 | |
He just sort of wandered, really. | 0:52:43 | 0:52:45 | |
Never really held a good job down. | 0:52:49 | 0:52:51 | |
Even with all that good education that he had. | 0:52:53 | 0:52:55 | |
And being a clever boy. | 0:52:57 | 0:52:59 | |
Young boy. Never...amounted to very much... | 0:52:59 | 0:53:03 | |
..and ended up in a one-room bedsit. | 0:53:04 | 0:53:07 | |
Why do you think he took his own life? | 0:53:10 | 0:53:12 | |
He'd had enough of life, I think. | 0:53:16 | 0:53:18 | |
Didn't turn out the way he wanted. | 0:53:19 | 0:53:22 | |
Missed his mother. | 0:53:22 | 0:53:24 | |
Carrying... Carrying all that with him. | 0:53:24 | 0:53:27 | |
I do understand why he did that. | 0:53:29 | 0:53:31 | |
Just had enough. | 0:53:34 | 0:53:35 | |
Did he give you any indication of his plans? | 0:53:36 | 0:53:39 | |
He was trying to give the children things. | 0:53:40 | 0:53:42 | |
-What was he giving them? -All his little possessions, | 0:53:42 | 0:53:45 | |
all that he had in the world, which wasn't a lot, but... | 0:53:45 | 0:53:50 | |
His tape recorder. | 0:53:50 | 0:53:51 | |
He would record us all chatting, and say, "Come on, talk into it." | 0:53:52 | 0:53:58 | |
We'd all get embarrassed and say, "Don't be silly." | 0:53:58 | 0:54:01 | |
He'd say, "Come on, talk," and the children would talk to him. | 0:54:01 | 0:54:04 | |
-ON TAPE: -Jolly good show! | 0:54:04 | 0:54:06 | |
And he'd always walk around with this microphone. | 0:54:06 | 0:54:09 | |
Yeah, he was always doing it. | 0:54:11 | 0:54:13 | |
INDISTINCT SINGING ON TAPE | 0:54:13 | 0:54:19 | |
48 years after her sister's death in 2003, | 0:54:22 | 0:54:26 | |
Muriel Jakubait tempted to appeal Ruth's verdict. | 0:54:26 | 0:54:31 | |
She wanted the court to reconsider Cussen's role. | 0:54:31 | 0:54:33 | |
Michael Mansfield QC was hired as her barrister. | 0:54:37 | 0:54:40 | |
By that stage, I'd done many miscarriage of justice cases. | 0:54:41 | 0:54:45 | |
I'd always thought that the humanity that needs to be infused | 0:54:45 | 0:54:49 | |
into the way we practice law had not happened. | 0:54:49 | 0:54:53 | |
And I'd always thought that this particular case illustrated, | 0:54:53 | 0:54:58 | |
if you like, the division between what's happening in the real world, | 0:54:58 | 0:55:03 | |
and the way the courts sometimes regard... | 0:55:03 | 0:55:06 | |
people who they think are a certain category | 0:55:06 | 0:55:10 | |
deserve to be treated in a particular way, | 0:55:10 | 0:55:12 | |
so they might be understanding of a situation. | 0:55:12 | 0:55:17 | |
Whereby, I think if Ruth Ellis were tried now, or even in 2003, | 0:55:17 | 0:55:23 | |
there would be a defence to go to a jury, | 0:55:23 | 0:55:26 | |
and I think she would have a very reasonable chance | 0:55:26 | 0:55:30 | |
of an acquittal on murder, | 0:55:30 | 0:55:31 | |
but a conviction on manslaughter, obviously. | 0:55:31 | 0:55:33 | |
The court upheld the original verdict, | 0:55:33 | 0:55:36 | |
saying that it was the correct judgment | 0:55:36 | 0:55:39 | |
according to the law of 1955. | 0:55:39 | 0:55:41 | |
Richard Whitham was junior counsel for the Crown. | 0:55:45 | 0:55:49 | |
Easiest to put it into a context. | 0:55:49 | 0:55:53 | |
Despite the interest in the case, | 0:55:53 | 0:55:56 | |
and despite all the matters that we've discussed, | 0:55:56 | 0:55:59 | |
and the tragedy of the whole thing... | 0:55:59 | 0:56:02 | |
..the court was of the view that it had probably | 0:56:05 | 0:56:09 | |
taken an unnecessary amount of the Court of Appeal's time. | 0:56:09 | 0:56:13 | |
And so they obviously formed a view | 0:56:13 | 0:56:17 | |
that their time could have been better spent. | 0:56:17 | 0:56:22 | |
The appeal had failed. | 0:56:23 | 0:56:25 | |
Ruth's sister Muriel was devastated. | 0:56:26 | 0:56:29 | |
The legacy of Ruth's crime had been catastrophic for her family. | 0:56:29 | 0:56:33 | |
These are Muriel's thoughts. | 0:56:36 | 0:56:37 | |
But Ruth's legacy for women in criminal justice is more hopeful. | 0:56:55 | 0:56:59 | |
We've learned a lot, even in the last 50 years, | 0:57:00 | 0:57:03 | |
about the human condition, and long may it be so, | 0:57:03 | 0:57:06 | |
because you can only deliver justice | 0:57:06 | 0:57:09 | |
if we understand the human beings that we're dealing with. | 0:57:09 | 0:57:12 | |
My journey began a year ago with Andre's objection | 0:57:16 | 0:57:20 | |
to the prosecutor's description of his mother. | 0:57:20 | 0:57:22 | |
Over the months that I have spent examining the police investigation, | 0:57:35 | 0:57:39 | |
trial and execution of Ruth Ellis, I have learned just how inadequate | 0:57:39 | 0:57:44 | |
the ancient expression "murder in cold blood" truly is. | 0:57:44 | 0:57:48 | |
In 1955, | 0:57:50 | 0:57:52 | |
the English criminal justice system was not able to consider | 0:57:52 | 0:57:55 | |
the complexity of Ruth and her crime. | 0:57:55 | 0:57:59 | |
She was a type - the case was open and shut. | 0:57:59 | 0:58:02 | |
Just two years later, | 0:58:04 | 0:58:05 | |
after diminished responsibility was introduced, | 0:58:05 | 0:58:08 | |
she may have been found guilty of manslaughter, and served a sentence. | 0:58:08 | 0:58:12 | |
And she'd be 90 now. | 0:58:16 | 0:58:18 | |
I might be able to speak to her. | 0:58:19 | 0:58:21 | |
I wonder what she'd have to say. | 0:58:22 | 0:58:24 |