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|---|---|---|---|
Get on the floor, do it now. | 0:00:02 | 0:00:03 | |
The Special Constabulary is the nation's volunteer police force... | 0:00:03 | 0:00:07 | |
Do you know the gent? | 0:00:07 | 0:00:08 | |
Watch your speed. | 0:00:08 | 0:00:10 | |
..it's made up of over 20,000 members of the public... | 0:00:10 | 0:00:12 | |
He's gone down there. | 0:00:12 | 0:00:14 | |
..who give their time to fight crime in their communities. | 0:00:14 | 0:00:16 | |
Out! Out! Get out of the car! GET OUT OF THE CAR! | 0:00:16 | 0:00:20 | |
Specials combine their day jobs... | 0:00:20 | 0:00:23 | |
Stage, please! | 0:00:23 | 0:00:24 | |
..and home lives... | 0:00:24 | 0:00:25 | |
There's a good boy. | 0:00:25 | 0:00:26 | |
..with being serving police officers on the front-line. | 0:00:26 | 0:00:30 | |
Shut up. | 0:00:30 | 0:00:31 | |
Coming up... | 0:00:31 | 0:00:32 | |
-Stay with me. -Shush! | 0:00:32 | 0:00:34 | |
..James finds himself surrounded and in potential danger... | 0:00:34 | 0:00:37 | |
The worst thing that could have happened, they all turn on me. | 0:00:37 | 0:00:40 | |
GIRL SCREAMS | 0:00:40 | 0:00:41 | |
-Why are you carrying that around? -Oh, how nice! | 0:00:43 | 0:00:46 | |
..Bill makes some shocking discoveries | 0:00:46 | 0:00:48 | |
on a routine traffic stop... | 0:00:48 | 0:00:50 | |
That's not good, is it? | 0:00:50 | 0:00:51 | |
At this moment in time, you are under arrest. | 0:00:51 | 0:00:55 | |
..and Louisa comes to the aid of a distressed driver... | 0:00:55 | 0:00:58 | |
-You OK? -No! | 0:00:58 | 0:01:01 | |
..in a vulnerable situation. | 0:01:01 | 0:01:03 | |
It's unbelievably dangerous. | 0:01:03 | 0:01:05 | |
Don't hit us! | 0:01:05 | 0:01:06 | |
It's Christmas Eve... | 0:01:19 | 0:01:20 | |
Are you going to start heading home now? | 0:01:20 | 0:01:22 | |
..and 27-year-old Special James Chatfield | 0:01:22 | 0:01:26 | |
is out on shift with regular constable Claire Forrester. | 0:01:26 | 0:01:30 | |
-Merry Christmas. -And you. | 0:01:30 | 0:01:32 | |
Tonight I'm on a reactive shift, | 0:01:38 | 0:01:40 | |
so responding to anything that may come in. | 0:01:40 | 0:01:43 | |
The thought of spending Christmas Eve at home with my family | 0:01:43 | 0:01:46 | |
and my girlfriend is all very lovely | 0:01:46 | 0:01:48 | |
but my girlfriend's a paramedic, she was at work, | 0:01:48 | 0:01:51 | |
and I thought to myself, "Someone's got to look after the county." | 0:01:51 | 0:01:55 | |
James is out volunteering when most people are home wrapping presents | 0:01:55 | 0:01:59 | |
and he knows it's a challenging shift. | 0:01:59 | 0:02:01 | |
It's half past ten on Christmas Eve, | 0:02:01 | 0:02:03 | |
so I should think it will probably get quite busy. | 0:02:03 | 0:02:07 | |
Crime never stops and Christmas is no exception. | 0:02:07 | 0:02:11 | |
James could well be right - | 0:02:11 | 0:02:13 | |
a call comes in reporting trouble at a local pub. | 0:02:13 | 0:02:16 | |
We've just had a call from door staff at The Griffin | 0:02:17 | 0:02:20 | |
to say they've got a male detained. | 0:02:20 | 0:02:22 | |
We don't know for at the moment. | 0:02:22 | 0:02:24 | |
Er, we're, literally, just up here | 0:02:24 | 0:02:26 | |
so we'll be there in about 15 seconds. | 0:02:26 | 0:02:28 | |
James and Claire arrive at the pub | 0:02:28 | 0:02:30 | |
to find that other officers have apprehended a man | 0:02:30 | 0:02:33 | |
who's been making threats to door staff. | 0:02:33 | 0:02:35 | |
Who's he had a go at? | 0:02:38 | 0:02:39 | |
He just come over and, sort of, lunged at us. | 0:02:39 | 0:02:41 | |
He told me he was going to stab us | 0:02:41 | 0:02:43 | |
and his dad was coming back to beat me up. | 0:02:43 | 0:02:45 | |
So, Foxtrot, Mike, 44. Go again. | 0:02:45 | 0:02:48 | |
Yeah, there is one male detained at the moment. | 0:02:48 | 0:02:50 | |
He's made threats to stab him. | 0:02:50 | 0:02:52 | |
There's a strong police presence in town this busy Christmas Eve | 0:02:52 | 0:02:56 | |
and James lets his colleagues know what the door staff have said. | 0:02:56 | 0:02:58 | |
He's then just lunged at them and said that he's going to stab them. | 0:02:58 | 0:03:02 | |
They just want him out. | 0:03:02 | 0:03:03 | |
-Are they going to give a statement? -No, no, no. | 0:03:03 | 0:03:06 | |
Right, we'll Section 27 him. | 0:03:06 | 0:03:07 | |
The decision is made to give the man | 0:03:07 | 0:03:09 | |
a temporary banning order from the town centre. | 0:03:09 | 0:03:11 | |
So, that drunk male that we've got, he's going to be Section 27 now, | 0:03:11 | 0:03:14 | |
to get him out the area. The door staff just want him removed. | 0:03:14 | 0:03:17 | |
A lot of people just don't appear to be able to handle their drink. | 0:03:17 | 0:03:21 | |
They have a few to drink and then think they can fight the world. | 0:03:21 | 0:03:25 | |
-Have you got anything on you that will hurt us or hurt you? -No, no. | 0:03:25 | 0:03:28 | |
-Are you sure? -I swear on my life. -No syringes? No drugs? | 0:03:28 | 0:03:31 | |
-Don't pull my trousers down! -I'm not going to pull them down! | 0:03:31 | 0:03:33 | |
-No syringes? No drugs? -I swear on my life. I swear on my life. | 0:03:33 | 0:03:36 | |
James searches the suspect before other officers send him on his way. | 0:03:36 | 0:03:40 | |
We're going to give you a ticket to go home now, yeah? | 0:03:40 | 0:03:42 | |
If you come back you'll be arrested, you need to go home and stay home. | 0:03:42 | 0:03:46 | |
Count yourself lucky you're not getting nicked. | 0:03:46 | 0:03:48 | |
You come with us, we'll take you home, yeah? | 0:03:48 | 0:03:50 | |
If he's found back in town tonight he'll be arrested for that. | 0:03:53 | 0:03:57 | |
That's that little problem resolved. | 0:03:57 | 0:03:59 | |
I'm sure that's the first of many like that tonight. | 0:03:59 | 0:04:01 | |
When James isn't giving his time as a Special, | 0:04:06 | 0:04:08 | |
he works as an estate agent. | 0:04:08 | 0:04:10 | |
It's been a fairly busy start to the day | 0:04:11 | 0:04:13 | |
but I'm now on my out to show some people round three flats to rent. | 0:04:13 | 0:04:17 | |
I'm a senior property consultant. | 0:04:20 | 0:04:23 | |
I do viewings, I value houses, agree sales, | 0:04:24 | 0:04:30 | |
progress them through to the day that people come and collect their keys. | 0:04:30 | 0:04:33 | |
About a year ago they did quite a lot of work on it - | 0:04:33 | 0:04:36 | |
refitted kitchen, bathroom, that sort of stuff. | 0:04:36 | 0:04:40 | |
Being an estate agent, I do enjoy it. | 0:04:40 | 0:04:43 | |
I think the fact that I've been doing it pretty much for ten years now. | 0:04:43 | 0:04:46 | |
If I didn't enjoy it, there's no way that I'd be doing the hours that we all do as estate agents. | 0:04:46 | 0:04:50 | |
Little kitchen. Condition-wise this is pretty good | 0:04:50 | 0:04:54 | |
James is happy juggling his career | 0:04:54 | 0:04:56 | |
with volunteering over 60 hours a month as a Special. | 0:04:56 | 0:05:00 | |
Yeah, and you've got a bit of space out the back, there. | 0:05:00 | 0:05:02 | |
I can't see myself wanting to become a regular officer. | 0:05:02 | 0:05:07 | |
I joined the Special Constabulary | 0:05:07 | 0:05:08 | |
because I've always been interested in the police force. | 0:05:08 | 0:05:11 | |
My dad was a policeman, in Cambridgeshire. | 0:05:11 | 0:05:13 | |
He retired three or four years ago now | 0:05:13 | 0:05:15 | |
So, I've grown up with the police in the family. | 0:05:15 | 0:05:18 | |
It's something I've always wanted to do | 0:05:18 | 0:05:20 | |
but not necessarily on a full-time basis, | 0:05:20 | 0:05:23 | |
I'm perfectly happy doing what I do now. | 0:05:23 | 0:05:26 | |
'It's modern, it's not bad, it'll be cheap to heat.' | 0:05:26 | 0:05:29 | |
In London this would be about a grand, wouldn't it? | 0:05:29 | 0:05:32 | |
-'RADIO: -Domestic in progress over.' | 0:05:32 | 0:05:35 | |
'JAMES: Yeah, pass the details.' | 0:05:35 | 0:05:37 | |
Back out on the streets on Christmas Eve | 0:05:37 | 0:05:39 | |
and James receives another call requesting immediate assistance. | 0:05:39 | 0:05:44 | |
'Someone's having a domestic with their partner, | 0:05:44 | 0:05:47 | |
'he's actually pushed her out of the house as she's got violent. | 0:05:47 | 0:05:50 | |
'There's a 15-month-old baby boy at location.' | 0:05:50 | 0:05:54 | |
We'll be state five shortly. So that's another job just come in. | 0:05:54 | 0:05:58 | |
A domestic in progress that's been reported. | 0:05:58 | 0:06:01 | |
Domestic at 11.30. It's Christmas Eve, isn't it? Unbelievable, really. | 0:06:03 | 0:06:08 | |
James and Claire head to the property to find out what's gone on. | 0:06:10 | 0:06:14 | |
What's the problem? Who's kicked you out? | 0:06:14 | 0:06:18 | |
Right, OK. | 0:06:18 | 0:06:19 | |
Just move out of the way, please. | 0:06:19 | 0:06:21 | |
'When we arrived there, they opened the door | 0:06:21 | 0:06:23 | |
'but weren't keen to let us in.' | 0:06:23 | 0:06:25 | |
But with it being a domestic, | 0:06:25 | 0:06:26 | |
which is one of the top things on the Force priority list, | 0:06:26 | 0:06:29 | |
we have to go in and make sure that everybody is OK. | 0:06:29 | 0:06:32 | |
-Are you going to let us in, mate? -Who lives here? | 0:06:32 | 0:06:35 | |
Yeah, if you can just open the door for us. | 0:06:35 | 0:06:37 | |
But while James is dealing with the domestic | 0:06:37 | 0:06:40 | |
something else appears to be happening nearby. | 0:06:40 | 0:06:42 | |
The neighbour down the road, erm... | 0:06:42 | 0:06:44 | |
all I remember was him saying, | 0:06:44 | 0:06:46 | |
"You need to be over here, there's a fight over here." | 0:06:46 | 0:06:49 | |
James leaves Claire to deal with the domestic | 0:06:51 | 0:06:54 | |
and goes to investigate a disturbance round the corner. | 0:06:54 | 0:06:56 | |
Foxtrot, Mike, 44, can we have some assistance, | 0:06:56 | 0:06:58 | |
there's another violence in progress. | 0:06:58 | 0:07:01 | |
'44, understood. Any mobiles that can break off to assist officer...' | 0:07:01 | 0:07:07 | |
James finds a group of people fighting in the street | 0:07:07 | 0:07:10 | |
and calls for assistance. | 0:07:10 | 0:07:11 | |
'As soon as I saw what was going on, eight or nine people fighting, | 0:07:12 | 0:07:16 | |
'I called for back up straightaway.' | 0:07:16 | 0:07:18 | |
There was no way that I'm going over there | 0:07:18 | 0:07:21 | |
knowing that I haven't got anyone on they way to help me. | 0:07:21 | 0:07:23 | |
What's going on? No, what's going on? PEOPLE CHATTERING | 0:07:23 | 0:07:27 | |
You move over here. No, get off me. | 0:07:27 | 0:07:30 | |
Right, you move back. Right, what's going on? | 0:07:30 | 0:07:32 | |
'My colleague is in dealing with a domestic, | 0:07:32 | 0:07:35 | |
'I've got myself involved in another situation | 0:07:35 | 0:07:38 | |
'that I cannot get out of now' | 0:07:38 | 0:07:39 | |
and I'm thinking, "There's eight or nine people there, I'm on my own." | 0:07:39 | 0:07:43 | |
-You come over here with me. -OK. -What's the problem? | 0:07:43 | 0:07:47 | |
What's the problem? | 0:07:47 | 0:07:48 | |
It's a potentially dangerous situation for the Special Constable. | 0:07:48 | 0:07:52 | |
Where do you live? Where do you live? | 0:07:52 | 0:07:55 | |
PEOPLE TALKING OVER EACH OTHER | 0:07:55 | 0:07:58 | |
'In that situation, the worst thing that could have happened, | 0:07:58 | 0:08:01 | |
'they all turn on me. Everyone was around me.' | 0:08:01 | 0:08:04 | |
At that moment in time, I did feel very vulnerable | 0:08:04 | 0:08:07 | |
and it was going through my head that anything could happen. | 0:08:07 | 0:08:10 | |
There IS a problem. | 0:08:10 | 0:08:13 | |
PEOPLE TALKING OVER EACH OTHER | 0:08:13 | 0:08:16 | |
James is finding it hard to establish what's going on | 0:08:16 | 0:08:18 | |
and he's also struggling to keep control of the group. | 0:08:18 | 0:08:21 | |
Excuse me, excuse me... | 0:08:21 | 0:08:24 | |
..if you'd like to stay with me. Yeah? Where...? | 0:08:25 | 0:08:29 | |
Shut up! Where are you staying tonight? | 0:08:29 | 0:08:32 | |
'The greatest fear I've got is if they pull a knife.' | 0:08:32 | 0:08:35 | |
That would just be absolutely horrendous to deal with. | 0:08:35 | 0:08:38 | |
Right, go home then. | 0:08:38 | 0:08:40 | |
-Right, are you going to go now? -Yeah, we're going home. | 0:08:40 | 0:08:42 | |
-Go on, then. Off you go. -Yeah, we're going home. | 0:08:42 | 0:08:45 | |
Off you go, please. | 0:08:45 | 0:08:46 | |
Do you want to get arrested? | 0:08:46 | 0:08:49 | |
Back up arrives, not a moment too soon. | 0:08:49 | 0:08:51 | |
'I'd called for the back up and as they got a little bit closer' | 0:08:51 | 0:08:53 | |
I did hear some sirens and I thought, | 0:08:53 | 0:08:55 | |
"I really hope that's the police, not an ambulance or fire engine." | 0:08:55 | 0:08:58 | |
Basically, we've gone to a domestic here, | 0:08:58 | 0:09:00 | |
two members of public have said there's a fight down there, I come down here and they're all scrapping. | 0:09:00 | 0:09:04 | |
I don't know where they're from, I can't work out where they're staying. | 0:09:04 | 0:09:07 | |
They're all here. I'm going to go round here now. | 0:09:07 | 0:09:10 | |
Now other officers are on scene, | 0:09:10 | 0:09:12 | |
James can return to check on his colleague Claire, | 0:09:12 | 0:09:14 | |
who's alone and dealing with the domestic | 0:09:14 | 0:09:16 | |
they were originally called to. | 0:09:16 | 0:09:18 | |
'The main thing is safety of colleagues - | 0:09:18 | 0:09:20 | |
'yourself and colleagues.' | 0:09:20 | 0:09:22 | |
If she'd gone in there and been attacked | 0:09:22 | 0:09:25 | |
and not had the chance to get to a radio then no-one would have known | 0:09:25 | 0:09:28 | |
so it was absolutely imperative that, as soon as practical, | 0:09:28 | 0:09:32 | |
that I got back there to make sure she was OK. | 0:09:32 | 0:09:34 | |
-He's going to go to his brothers for the night. -Got all his details? | 0:09:34 | 0:09:37 | |
Yeah, got all his details, checked baby, he's fine. | 0:09:37 | 0:09:40 | |
The domestic seems to have sorted itself out. | 0:09:40 | 0:09:42 | |
I'm going to go and check round the corner | 0:09:42 | 0:09:44 | |
as there seems to be a bit more of an issue there. | 0:09:44 | 0:09:46 | |
'I went back over there | 0:09:46 | 0:09:48 | |
'and the sergeant was telling them just to leave the area.' | 0:09:48 | 0:09:51 | |
They were really noisy, they were still really aggressive. | 0:09:51 | 0:09:54 | |
MUFFLED SPEECH | 0:09:54 | 0:09:57 | |
They've obviously had too much to drink. Right, lock him up. | 0:09:57 | 0:10:00 | |
We did give them a chance. | 0:10:00 | 0:10:01 | |
WOMAN SHRIEKING | 0:10:01 | 0:10:04 | |
Officers struggle to contain a distressed woman | 0:10:04 | 0:10:07 | |
as the decision is made to arrest her brother. | 0:10:07 | 0:10:09 | |
CALM DOWN! Calm down. | 0:10:09 | 0:10:12 | |
-I CALM DOWN! -Shush. -"Shush!" | 0:10:12 | 0:10:14 | |
'It became necessary to arrest him | 0:10:14 | 0:10:15 | |
'because he would have continued to cause problems that night. | 0:10:15 | 0:10:19 | |
'When he was arrested I was pleased because I knew the group would | 0:10:19 | 0:10:23 | |
'then disappear because it would make them realise | 0:10:23 | 0:10:27 | |
'that we're not going to take any rubbish from them,' | 0:10:27 | 0:10:30 | |
it's not acceptable and we will take action. | 0:10:30 | 0:10:33 | |
Yeah, he's gone, he's been arrested. | 0:10:34 | 0:10:36 | |
-All right, you lot need to go home now. -No problem, no problem... | 0:10:36 | 0:10:39 | |
Dealing with potentially dangerous situations like this | 0:10:39 | 0:10:43 | |
doesn't stop James wanting to give his time, free of charge, | 0:10:43 | 0:10:46 | |
to help police his community. | 0:10:46 | 0:10:48 | |
You're brother's been arrested, yeah? So you need to go home now. | 0:10:48 | 0:10:51 | |
I do think I was putting myself in that situation as a volunteer | 0:10:51 | 0:10:56 | |
'but it still doesn't make me think twice about it. | 0:10:56 | 0:10:59 | |
'The thing that stops me walking away from a situation like that | 0:10:59 | 0:11:02 | |
'is that fact that I'm there in that uniform.' | 0:11:02 | 0:11:04 | |
I will deal with that situation. | 0:11:04 | 0:11:06 | |
See you. | 0:11:06 | 0:11:07 | |
Christmas Eve fun! | 0:11:07 | 0:11:09 | |
The arrested man later received a fixed penalty notice | 0:11:09 | 0:11:13 | |
for being drunk and disorderly. | 0:11:13 | 0:11:14 | |
Service with a smile, Happy Christmas(!) | 0:11:14 | 0:11:17 | |
Specials are unpaid volunteers who work alone | 0:11:23 | 0:11:26 | |
or alongside the regular police to fight crime in their communities. | 0:11:26 | 0:11:31 | |
We got all of them! | 0:11:31 | 0:11:32 | |
-Don't want to see you walking on the main road again. -Come on. -Recovery's obviously en route. | 0:11:32 | 0:11:36 | |
Specials are not police community support officers, | 0:11:36 | 0:11:39 | |
they are fully fledged members of the police force | 0:11:39 | 0:11:41 | |
who have the same powers in law as their paid colleagues, | 0:11:41 | 0:11:44 | |
including the power of arrest. | 0:11:44 | 0:11:46 | |
-No! -Stop it! | 0:11:48 | 0:11:49 | |
-Move over. -No, no, no, no! -Move out the way. | 0:11:49 | 0:11:52 | |
Within many Special Constabularies | 0:11:52 | 0:11:54 | |
officers can rise through the ranks - | 0:11:54 | 0:11:56 | |
from constable all the way to Chief Specials Officer. | 0:11:56 | 0:12:00 | |
Ouch, I found a thorn! | 0:12:00 | 0:12:01 | |
Let me remind you, you're under arrest and everything you say will be written down. | 0:12:01 | 0:12:04 | |
Specials work 16 hours a month or more as volunteers | 0:12:04 | 0:12:08 | |
and undertake all kinds of duties... | 0:12:08 | 0:12:10 | |
-BIRD SQUAWKS -..from policing community events | 0:12:10 | 0:12:13 | |
to arresting hardened criminals. | 0:12:13 | 0:12:15 | |
In Peterborough Special Chief Inspector Bill Bond | 0:12:22 | 0:12:25 | |
is on shift with PC James Styles, of the Roads Policing Unit. | 0:12:25 | 0:12:29 | |
'I love the variety of the work with the RPU. | 0:12:31 | 0:12:34 | |
'You're there to make the roads as safe as possible.' | 0:12:34 | 0:12:36 | |
If you didn't have an effective roads policing regime | 0:12:36 | 0:12:40 | |
you'd have absolute anarchy on the roads. | 0:12:40 | 0:12:43 | |
This car, it looks like it could be have something wrong with it. | 0:12:43 | 0:12:46 | |
Let's have a chat. | 0:12:46 | 0:12:48 | |
Hello, is it your car? | 0:12:52 | 0:12:53 | |
Bill's work with the Roads Policing Unit involves dealing with all | 0:12:53 | 0:12:56 | |
sorts of incidents, including taking unroadworthy cars off the road. | 0:12:56 | 0:13:01 | |
-Two front tyres need your attention, James. -Sir, what's wrong with that? | 0:13:01 | 0:13:06 | |
No, not, "just changed today," look at that! | 0:13:06 | 0:13:08 | |
That's probably one of the worse tyres I've ever seen. | 0:13:08 | 0:13:11 | |
Your car does not drive on a road until it's be re-MOTed | 0:13:11 | 0:13:16 | |
Policing the roads of Cambridgeshire | 0:13:16 | 0:13:18 | |
is something Bill is committed to wholeheartedly. | 0:13:18 | 0:13:21 | |
Yep, that's how you do it. | 0:13:21 | 0:13:22 | |
Bill spent many years in the army and civil service, | 0:13:24 | 0:13:27 | |
and now runs a small lettings agency. | 0:13:27 | 0:13:30 | |
Hi, it's me, everything here is absolutely fine | 0:13:30 | 0:13:33 | |
and it's fit to show. | 0:13:33 | 0:13:35 | |
On top of that, he volunteers over 100 hours a month | 0:13:35 | 0:13:38 | |
as a Special and wouldn't have it any other way. | 0:13:38 | 0:13:41 | |
'I don't feel that I'm ready, yet, to retire. | 0:13:41 | 0:13:44 | |
'I've got quite a few things that I want to do | 0:13:44 | 0:13:46 | |
'when I do eventually retire.' | 0:13:46 | 0:13:47 | |
OK, thank you. | 0:13:47 | 0:13:48 | |
Perhaps I'm a Peter Pan and don't want to quite go into my dotage yet. | 0:13:48 | 0:13:53 | |
I just thoroughly enjoy front-line policing. | 0:13:53 | 0:13:56 | |
It's 9.30 and Bill and James spot a silver hatchback | 0:14:03 | 0:14:06 | |
with a back wheel that's out of alignment. | 0:14:06 | 0:14:09 | |
That shouldn't be on the road. | 0:14:09 | 0:14:11 | |
Bill's aware that roadside stops can have unexpected consequences. | 0:14:11 | 0:14:15 | |
-Hello, is it your car? -Yeah. | 0:14:16 | 0:14:19 | |
One of the interesting features about the work | 0:14:19 | 0:14:21 | |
is that you stop a vehicle for what appears to be a very insignificant | 0:14:21 | 0:14:27 | |
potential offence and it can lead to all sorts of things. | 0:14:27 | 0:14:31 | |
Come round here... | 0:14:31 | 0:14:32 | |
..and explain to me why that wheel is not pointing | 0:14:34 | 0:14:36 | |
in the direction it should be pointing. | 0:14:36 | 0:14:40 | |
Look at the angle it's at. Like that. | 0:14:40 | 0:14:43 | |
Yeah, so that shouldn't be on the road. That's dangerous. | 0:14:43 | 0:14:46 | |
See my colleague, over there, give him your details | 0:14:46 | 0:14:49 | |
and he's going to check your driving licence, etc. | 0:14:49 | 0:14:52 | |
While Bill makes checks on the driver, | 0:14:52 | 0:14:54 | |
James decides to take a closer look inside the car. | 0:14:54 | 0:14:57 | |
Why are you carrying that around? | 0:14:57 | 0:15:01 | |
Wedged down the side of his driver's door. | 0:15:01 | 0:15:02 | |
When James first opened the door of the car, | 0:15:02 | 0:15:05 | |
he saw a three foot metal pole. | 0:15:05 | 0:15:09 | |
We got the immediate impression it was there as an offensive weapon. | 0:15:09 | 0:15:13 | |
Things aren't looking good at the moment, fella! | 0:15:13 | 0:15:16 | |
And they are about to get a whole lot worse. | 0:15:16 | 0:15:18 | |
You stay there. | 0:15:18 | 0:15:19 | |
James has discovered a quantity of cannabis in the car too. | 0:15:19 | 0:15:23 | |
At this moment in time, you're under arrest | 0:15:24 | 0:15:27 | |
for possession with intent to supply. | 0:15:27 | 0:15:29 | |
You do not have to say anything | 0:15:29 | 0:15:30 | |
but it may harm your defence if do you not mention, | 0:15:30 | 0:15:33 | |
when questioned, something you later rely on in court. | 0:15:33 | 0:15:35 | |
Anything you do say may be given in evidence. | 0:15:35 | 0:15:38 | |
Oh, an offensive weapon. | 0:15:38 | 0:15:41 | |
You need to get that person in handcuffs | 0:15:41 | 0:15:42 | |
and under control immediately | 0:15:42 | 0:15:44 | |
because they, obviously, are prepared to use violence. | 0:15:44 | 0:15:48 | |
-Bill, do you want to ask for a van? -I certainly will. | 0:15:48 | 0:15:50 | |
Just suddenly just got a lot more exciting. | 0:15:50 | 0:15:52 | |
Having unearthed both drugs and an offensive weapon, | 0:15:52 | 0:15:55 | |
the driver could be facing serious charges. | 0:15:55 | 0:15:58 | |
Right, fella. | 0:15:58 | 0:16:00 | |
He's been arrested on possession with intent to supply | 0:16:05 | 0:16:07 | |
and possession of an offensive weapon. | 0:16:07 | 0:16:10 | |
Right this guy needs a search. | 0:16:10 | 0:16:12 | |
Anything else on you, fella? | 0:16:13 | 0:16:14 | |
Anything sharp that's going to hurt me or you? | 0:16:14 | 0:16:16 | |
Bill searches the suspect before he's taken into custody. | 0:16:16 | 0:16:19 | |
OK, climb up there. | 0:16:19 | 0:16:20 | |
There's nothing in the back of this van, OK? | 0:16:20 | 0:16:22 | |
So, when you come out I hope there's nothing in it. | 0:16:22 | 0:16:24 | |
Is that him or the passenger? | 0:16:24 | 0:16:26 | |
That's the passenger, can you run him through for me? | 0:16:26 | 0:16:28 | |
This guy's the passenger in the car that we've stopped, | 0:16:28 | 0:16:32 | |
the driver of which has been arrested. | 0:16:32 | 0:16:34 | |
Bill now makes checks on the passenger in the car | 0:16:34 | 0:16:37 | |
and he and James also weigh up the evidence they've found. | 0:16:37 | 0:16:40 | |
That...in the back of the driver's seat, | 0:16:40 | 0:16:42 | |
bar on the driver's side - what do you reckon about the passenger? | 0:16:42 | 0:16:45 | |
I don't think we can make anything stick, do you? | 0:16:45 | 0:16:47 | |
-I don't think we could take the passenger in. -No. | 0:16:47 | 0:16:49 | |
-We'll go back and book him in, and book the drugs in. -Mm-hm. | 0:16:49 | 0:16:53 | |
Bill and James continue the search of the car. | 0:16:54 | 0:16:57 | |
-Bill! -Yes. | 0:17:03 | 0:17:04 | |
Oh, how nice(!) | 0:17:06 | 0:17:07 | |
Another shocking discovery, | 0:17:07 | 0:17:09 | |
evidence is mounting up against the driver of the car. | 0:17:09 | 0:17:12 | |
-So, all in all, that, the metal bar and the cannabis... -Mm-hmm. | 0:17:12 | 0:17:16 | |
What else am I going to find? | 0:17:21 | 0:17:23 | |
-Have you got all his details? -Yes. -You can go. Bye-bye. | 0:17:24 | 0:17:28 | |
The officers send the passenger on his way, | 0:17:28 | 0:17:30 | |
but they're not done with the car just yet. | 0:17:30 | 0:17:32 | |
He's got something in that sleeve. | 0:17:32 | 0:17:34 | |
-They can come with us. -They certainly can. | 0:17:40 | 0:17:43 | |
A couple of balaclavas with eye and nose holes. | 0:17:45 | 0:17:50 | |
'I don't think police officers are surprised at whatever they find. | 0:17:50 | 0:17:54 | |
'Anything is possible.' | 0:17:54 | 0:17:55 | |
That's why it's important to do thorough searches | 0:17:55 | 0:17:59 | |
when you're in a position to do so. | 0:17:59 | 0:18:01 | |
So that's now going equipped. Offensive weapon times two. | 0:18:01 | 0:18:04 | |
Possession with an intent to supply. | 0:18:04 | 0:18:06 | |
-Lovely. -Let's go book him in. | 0:18:06 | 0:18:09 | |
A simple traffic stop by Bill and James | 0:18:11 | 0:18:13 | |
has turned into so much more and uncovered a wealth of evidence. | 0:18:13 | 0:18:17 | |
All that from a routine traffic stop. | 0:18:18 | 0:18:21 | |
There's only one sort of reason why someone would carry a knife, | 0:18:21 | 0:18:24 | |
a metal bar, balaclavas and a lot of cannabis. | 0:18:24 | 0:18:27 | |
That's if they're going something they shouldn't be doing. | 0:18:27 | 0:18:30 | |
That's all resulted from that fact | 0:18:30 | 0:18:32 | |
that he's got a vehicle that shouldn't be on the road. | 0:18:32 | 0:18:35 | |
When they get back to the station, | 0:18:36 | 0:18:38 | |
further information comes through about the man they've arrested. | 0:18:38 | 0:18:42 | |
He's already on bail for other offences. | 0:18:42 | 0:18:45 | |
I think people offending on bail are giving a pretty clear indication | 0:18:45 | 0:18:48 | |
they don't really care about the process of law. | 0:18:48 | 0:18:51 | |
So, quite rightly, he was locked up over the weekend | 0:18:51 | 0:18:53 | |
and put before the court on Monday morning. | 0:18:53 | 0:18:56 | |
Minutes later, Bill and James head out on the road again, | 0:19:01 | 0:19:04 | |
this time to arrest the passenger in the car. | 0:19:04 | 0:19:07 | |
More information has come to light that the passenger | 0:19:07 | 0:19:10 | |
lives at the same address as the driver who's now in custody. | 0:19:10 | 0:19:13 | |
The weapons and drugs found in the car could in fact be his. | 0:19:13 | 0:19:17 | |
When we realised there was a closer connection | 0:19:17 | 0:19:19 | |
between the driver and passenger than we believed at the roadside, | 0:19:19 | 0:19:22 | |
'we realised we'd got the decision NOT to arrest the passenger wrong.' | 0:19:22 | 0:19:26 | |
HE KNOCKS | 0:19:26 | 0:19:28 | |
Hello, can I come in? Thank you very much. | 0:19:32 | 0:19:35 | |
Who's here? | 0:19:35 | 0:19:37 | |
They're in luck, the passenger has returned home. | 0:19:37 | 0:19:40 | |
-That's our man. -Brilliant, you go speak to him. | 0:19:40 | 0:19:42 | |
Bill goes to arrest the man and bring him in for questioning, | 0:19:42 | 0:19:45 | |
so the police can establish who the weapons and drugs found in the car belong to. | 0:19:45 | 0:19:50 | |
T-shirt? Top? | 0:19:50 | 0:19:52 | |
'I was pleased the passenger was there.' | 0:19:52 | 0:19:54 | |
It meant they could both be interested I the same time frame, | 0:19:54 | 0:19:58 | |
and the driver wouldn't have been tempted to go down the road | 0:19:58 | 0:20:00 | |
of pretending that everything in the car belongs to the passenger. | 0:20:00 | 0:20:04 | |
A man turns up who can interpret. | 0:20:04 | 0:20:06 | |
Bill explains to the prisoner why he's been detained. | 0:20:06 | 0:20:09 | |
He has to be interviewed about his involvement | 0:20:09 | 0:20:12 | |
in the things that we've just discussed. | 0:20:12 | 0:20:15 | |
If the other guys says, "My knife, my baton, my balaclavas, my drugs," | 0:20:15 | 0:20:19 | |
then he comes away. Do ask him not to swear. | 0:20:19 | 0:20:22 | |
The passenger was taken into custody, | 0:20:28 | 0:20:31 | |
but was later released without charge. | 0:20:31 | 0:20:33 | |
After further investigation, | 0:20:35 | 0:20:37 | |
the charge of possession with intent to supply was dropped. | 0:20:37 | 0:20:40 | |
The driver pleaded guilty to possession of an offensive weapon, | 0:20:40 | 0:20:43 | |
a bladed article and a Class B drug. | 0:20:43 | 0:20:46 | |
He was sentenced to a community order | 0:20:46 | 0:20:48 | |
and required to undertake unpaid work. | 0:20:48 | 0:20:51 | |
The weapons and drugs were destroyed. | 0:20:55 | 0:20:57 | |
It's this kind of result that motivates Bill | 0:20:58 | 0:21:01 | |
to volunteer for the police. | 0:21:01 | 0:21:03 | |
I get an immense feeling of job satisfaction about being a Special. | 0:21:03 | 0:21:06 | |
'At the end of the day, somebody carrying a couple of unpleasant items' | 0:21:06 | 0:21:11 | |
and a quantity of drugs was put before the court. | 0:21:11 | 0:21:16 | |
Another Special who works with the Roads Policing units | 0:21:21 | 0:21:24 | |
in Cambridgeshire is Special Constable Louisa Bellis. | 0:21:24 | 0:21:28 | |
Today, she's on-shift with regular officer Ian Grey and a call comes in | 0:21:29 | 0:21:33 | |
over the radio requesting assistance at a broken-down vehicle. | 0:21:33 | 0:21:39 | |
VB alpha tango 73. | 0:21:39 | 0:21:40 | |
Can I just confirm the type of vehicle | 0:21:40 | 0:21:44 | |
that's broken down, if it's a lorry or a car, please? | 0:21:44 | 0:21:47 | |
The radio operator confirms it's a car | 0:21:47 | 0:21:49 | |
and Louisa and Ian immediately head straight to the scene. | 0:21:49 | 0:21:52 | |
When she's not volunteering as a Special, | 0:21:54 | 0:21:57 | |
Louisa works as a scientist. | 0:21:57 | 0:21:59 | |
My day job, I manage a database of 1.6 million chemical structures | 0:22:04 | 0:22:08 | |
and I put them in an ordered fashion | 0:22:08 | 0:22:10 | |
so they can be put on the internet for drug discovery. | 0:22:10 | 0:22:13 | |
It's a huge contrast to front-line police work. | 0:22:13 | 0:22:17 | |
Being a scientist, you use one side of brain | 0:22:17 | 0:22:20 | |
that's very ordered and structured. | 0:22:20 | 0:22:22 | |
And being a Special, a lot of it is being able to think on your feet | 0:22:22 | 0:22:25 | |
and be more reactive to things. | 0:22:25 | 0:22:27 | |
Back on her police shift, Louisa's reacting to an incident right now. | 0:22:29 | 0:22:33 | |
She and Ian are racing to help a driver stranded on a main road. | 0:22:33 | 0:22:38 | |
So we're heading westbound on the A14. | 0:22:38 | 0:22:41 | |
We need to take the car out of the live lane. | 0:22:41 | 0:22:44 | |
We don't want somebody to drive into it while it's broken down. | 0:22:44 | 0:22:48 | |
Yeah, I can see it there. | 0:22:48 | 0:22:50 | |
I'll jump out and check she's got recovery. | 0:22:50 | 0:22:53 | |
We'll see if we can get her off the road more than she already is. | 0:22:53 | 0:22:56 | |
They arrive at the scene to discover the car is partially in the road. | 0:22:59 | 0:23:03 | |
She needs to get out of it for a start. | 0:23:03 | 0:23:06 | |
The road that the car had broken down on was a very busy road. | 0:23:06 | 0:23:10 | |
And the fact that she hadn't exited her vehicle immediately | 0:23:10 | 0:23:14 | |
meant that she was in danger of somebody else actually hitting the car. | 0:23:14 | 0:23:18 | |
We're with the broken-down vehicle. | 0:23:18 | 0:23:20 | |
It's in live lane, stuck at the moment... | 0:23:20 | 0:23:22 | |
Louisa goes to check on the driver. | 0:23:22 | 0:23:24 | |
Are you, OK? | 0:23:24 | 0:23:25 | |
No! | 0:23:25 | 0:23:27 | |
OK, stand up over here, I need to take you out of the car. | 0:23:27 | 0:23:30 | |
-I can't find my Tesco Breakdown card, I can't find... -That's OK, don't worry. | 0:23:30 | 0:23:33 | |
'I could see that the woman driver,' | 0:23:33 | 0:23:35 | |
who was now sitting in the passenger seat was highly distressed. | 0:23:35 | 0:23:39 | |
She was crying. | 0:23:39 | 0:23:40 | |
'She was frantically trying to find her breakdown card, | 0:23:40 | 0:23:44 | |
'was upset that she couldn't. My first job was just to calm her down.' | 0:23:44 | 0:23:48 | |
We're here to protect you there. | 0:23:48 | 0:23:51 | |
And it's nothing to worry about, OK? | 0:23:51 | 0:23:53 | |
This broken-down vehicle had a flat tyre. | 0:23:53 | 0:23:57 | |
And it can happen to any one of us. | 0:23:57 | 0:23:59 | |
Louisa's calmed the driver | 0:23:59 | 0:24:02 | |
and Ian then makes a plan to get the car out of the lane. | 0:24:02 | 0:24:05 | |
-You drive ours. -Yes. -I'm going to drive it at walking pace and get it off the road. | 0:24:05 | 0:24:08 | |
We don't want someone to drive into the back of us. | 0:24:08 | 0:24:12 | |
It's a dangerous situation, traffic is passing at high speeds | 0:24:12 | 0:24:15 | |
and it's not slowing down. | 0:24:15 | 0:24:18 | |
Oh, my God, seriously. | 0:24:18 | 0:24:21 | |
That tyre is definitely coming off. | 0:24:26 | 0:24:28 | |
'I do have the opinion that's a lot of drivers don't realise the hazards' | 0:24:28 | 0:24:32 | |
involved when they see a police car with its lights on. | 0:24:32 | 0:24:37 | |
It's unbelievably dangerous. | 0:24:37 | 0:24:38 | |
I want to protect Ian, but people are leaving it till the last minute. | 0:24:38 | 0:24:43 | |
We've got the rear reds on. | 0:24:43 | 0:24:44 | |
I'm going to put the rear blues on as well, | 0:24:44 | 0:24:47 | |
just to give them more warning. | 0:24:47 | 0:24:48 | |
They're just leaving it to the last minute. | 0:24:48 | 0:24:51 | |
Oh, my goodness. Don't hit us! | 0:24:51 | 0:24:54 | |
I don't like this. | 0:24:54 | 0:24:57 | |
Lou, put a lane-one closure. | 0:25:01 | 0:25:03 | |
Yeah, I'll start doing a lane-one closure. | 0:25:03 | 0:25:07 | |
Having moved the car over to the hard shoulder, | 0:25:07 | 0:25:10 | |
Ian decides to close off the lane to give extra protection | 0:25:10 | 0:25:13 | |
while he deals with the faulty tyre. | 0:25:13 | 0:25:15 | |
People weren't moving over fast enough | 0:25:15 | 0:25:18 | |
so you have to put in a lane-one closure. | 0:25:18 | 0:25:20 | |
Traffic is still passing at speed, but Louisa's doing all she can | 0:25:21 | 0:25:24 | |
to make it as safe as possible for her colleague and the driver. | 0:25:24 | 0:25:28 | |
I'm just bit a worried, it's a busy road and my tyre's gone. | 0:25:28 | 0:25:31 | |
I can understand why she's inconsolable. | 0:25:31 | 0:25:34 | |
-It must be really scary. -The hazards are not enough. | 0:25:34 | 0:25:37 | |
The traffic can't see the hazards in the sun. | 0:25:37 | 0:25:40 | |
This is why RP is so important. | 0:25:40 | 0:25:42 | |
We can come here and just help her and protect her. | 0:25:42 | 0:25:46 | |
You all right? | 0:25:46 | 0:25:49 | |
The Highways Agency arrive to give a hand. | 0:25:49 | 0:25:51 | |
I don't mind taking her down. | 0:25:51 | 0:25:53 | |
But there's a problem - the spare wheel doesn't fit the car. | 0:25:53 | 0:25:56 | |
What Ian's going to do is drive this lady and her broken tyre | 0:25:56 | 0:26:01 | |
down to a place that sells them, | 0:26:01 | 0:26:04 | |
because the spare she's got doesn't actually fit the car. | 0:26:04 | 0:26:08 | |
I was left to protect the scene because the broken down car | 0:26:08 | 0:26:11 | |
was still in the live lane and couldn't be moved anywhere else. | 0:26:11 | 0:26:14 | |
'It was still a hazard and we needed people to stay away from it.' | 0:26:14 | 0:26:18 | |
Half an hour later, Ian and the driver arrive with a new tyre. | 0:26:24 | 0:26:30 | |
Ian fixes the wheel and the relieved driver can finally get on her way. | 0:26:30 | 0:26:34 | |
All right! | 0:26:34 | 0:26:36 | |
-Thank you very much. -You're welcome. | 0:26:36 | 0:26:39 | |
That's a day you won't forget! | 0:26:39 | 0:26:41 | |
'When the woman was finally able to get on her way, | 0:26:41 | 0:26:44 | |
'I did feel a little sense of accomplishment.' | 0:26:44 | 0:26:46 | |
I do really, really enjoy it. | 0:26:46 | 0:26:49 | |
I like the people that I work with, the situations we get involved in, | 0:26:49 | 0:26:53 | |
'and I like the feeling of thinking that I may have helped somebody.' | 0:26:53 | 0:26:58 | |
Subtitles by Red Bee Media Ltd | 0:27:03 | 0:27:08 |