
Browse content similar to Episode 14. Check below for episodes and series from the same categories and more!
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Get on the floor! Do it now! | 0:00:00 | 0:00:03 | |
The Special Constabulary is the nation's volunteer police force. | 0:00:03 | 0:00:07 | |
-Do you know the gent? -Watch your speed. | 0:00:07 | 0:00:09 | |
It's made up of over 20,000 members of the public... | 0:00:09 | 0:00:12 | |
He's gone down there. | 0:00:12 | 0:00:14 | |
..who give their time to fight crime in their communities. | 0:00:14 | 0:00:17 | |
Get out of the car! | 0:00:19 | 0:00:20 | |
Specials combine their day jobs... | 0:00:20 | 0:00:22 | |
Stage, please. | 0:00:22 | 0:00:24 | |
-..and home lives... -There's a good boy. | 0:00:24 | 0:00:26 | |
..with being serving police officers on the front line. | 0:00:26 | 0:00:29 | |
Coming up - James is called to a New Year's Eve celebration | 0:00:30 | 0:00:34 | |
that ends in disaster. | 0:00:34 | 0:00:36 | |
The female there has been attacked by a dog | 0:00:36 | 0:00:40 | |
and some of the inside of her leg is now not inside her leg. | 0:00:40 | 0:00:43 | |
In the right place at the right time... | 0:00:44 | 0:00:46 | |
A male's been jumped just across the road. | 0:00:46 | 0:00:50 | |
Chris and his colleagues run some suspects to ground. | 0:00:50 | 0:00:53 | |
Calm yourself down. | 0:00:53 | 0:00:54 | |
And hot on the heels of some runaway horses... | 0:00:56 | 0:00:58 | |
Oh, you sod. | 0:00:58 | 0:01:00 | |
..Bill's horse rustling skills are put to the test. | 0:01:00 | 0:01:03 | |
Come on! | 0:01:03 | 0:01:04 | |
It's New Year's Eve and special constable James Chatfield | 0:01:23 | 0:01:27 | |
is heading out on shift with fellow special, Glenn Derby. | 0:01:27 | 0:01:31 | |
I'm thinking tonight's going to be a reasonably busy shift. | 0:01:31 | 0:01:34 | |
Nightclubs, pubs closing at two/three o'clock | 0:01:34 | 0:01:37 | |
so I'd imagine between the hours of 11 and three, we might be quite busy. | 0:01:37 | 0:01:43 | |
It's 6:40, we've got five hours and 20 minutes left of this year. | 0:01:44 | 0:01:48 | |
Plenty of time for the alcohol to flow | 0:01:48 | 0:01:50 | |
and the drunken revelry to get out of hand. | 0:01:50 | 0:01:52 | |
But the first call that comes in isn't quite what they expected. | 0:01:54 | 0:01:57 | |
RADIO: An RTC, Bridge Street in Wistow. | 0:01:57 | 0:02:00 | |
A car has crashed into the bridge. | 0:02:00 | 0:02:02 | |
They arrive to find the driver waiting in his car. | 0:02:05 | 0:02:08 | |
He's unhurt but the side of his car has taken quite a bashing. | 0:02:08 | 0:02:12 | |
-Have you had anything to drink tonight? -No. | 0:02:13 | 0:02:15 | |
-What you doing, you out working? -Yeah, I'm delivering pizzas. | 0:02:15 | 0:02:19 | |
-Whose vehicle is it? -Mine. -It is yours, is it? | 0:02:19 | 0:02:22 | |
Where did you come off? | 0:02:22 | 0:02:24 | |
I caught the corner. | 0:02:24 | 0:02:26 | |
The corner up there? | 0:02:26 | 0:02:27 | |
OK, we'll have to go and have a look at that. | 0:02:27 | 0:02:31 | |
Judging by the state of the bridge, | 0:02:31 | 0:02:32 | |
the driver has hit it with some force. | 0:02:32 | 0:02:34 | |
It's just that support pillar, there. | 0:02:34 | 0:02:36 | |
I mean, there's metal - he must have given that a real whack. | 0:02:36 | 0:02:39 | |
I suppose he's lucky he's hit that bit and not just one of the metal beams. | 0:02:39 | 0:02:43 | |
I'm not sure they would've... They're hollow so they may have given | 0:02:43 | 0:02:47 | |
and it's quite a drop down there, full of water. | 0:02:47 | 0:02:50 | |
Yeah, I think he's quite lucky, I wouldn't want to end up down there. | 0:02:50 | 0:02:53 | |
But the driver hasn't been drinking | 0:02:53 | 0:02:55 | |
and there don't appear to be any other vehicles involved. | 0:02:55 | 0:02:58 | |
I think it's a case of damage only, single vehicle damage only. | 0:02:58 | 0:03:01 | |
There's no injuries, he says he doesn't want an ambulance, | 0:03:01 | 0:03:04 | |
he says he's absolutely fine. | 0:03:04 | 0:03:05 | |
He's delivering takeaways, I know the guy from town. | 0:03:05 | 0:03:09 | |
So on this occasion, the police are happy to just give the man | 0:03:09 | 0:03:12 | |
a word of advice. | 0:03:12 | 0:03:14 | |
It's obviously fairly slippery at the moment. | 0:03:14 | 0:03:16 | |
You just need to watch it, especially in these conditions. | 0:03:16 | 0:03:19 | |
I've got all of his information, all of his insurance details. | 0:03:19 | 0:03:22 | |
He's not drunk and everything checks out. | 0:03:22 | 0:03:26 | |
The roads are slippery, there is mud about. | 0:03:26 | 0:03:28 | |
So, yeah, not the best conditions to drive in. | 0:03:28 | 0:03:31 | |
And it seems like conditions are no better elsewhere. | 0:03:32 | 0:03:35 | |
Minutes later, another call comes in. | 0:03:35 | 0:03:37 | |
-RADIO: -A report of mud on the road. -Yeah! | 0:03:37 | 0:03:43 | |
It's a fairly complex job, | 0:03:43 | 0:03:45 | |
it's going to take quite a while to explain, there's mud on the road. | 0:03:45 | 0:03:50 | |
It's not quite the kind of job the specials had in mind | 0:03:50 | 0:03:52 | |
when they signed up. | 0:03:52 | 0:03:54 | |
But on a poorly lit country road, | 0:03:54 | 0:03:55 | |
with cars whizzing past at up to 60 miles an hour, mud can be a hazard. | 0:03:55 | 0:03:59 | |
James checks out the force's mud clearing equipment. | 0:04:02 | 0:04:05 | |
Ah, there's a broom - one of us shovel, one of us broom. | 0:04:05 | 0:04:09 | |
Ah, look, no handle. | 0:04:09 | 0:04:10 | |
Here's a handle, it's a build-your-broom! | 0:04:12 | 0:04:15 | |
And the two specials get to work clearing the road. | 0:04:18 | 0:04:20 | |
So, here we are, sweeping up Cambridgeshire's roads, | 0:04:22 | 0:04:28 | |
having a muddy good time. | 0:04:28 | 0:04:31 | |
James volunteers 50 to 80 hours a month as a special. | 0:04:35 | 0:04:39 | |
And when he's not policing, he works as an estate agent. | 0:04:39 | 0:04:42 | |
My day job is kind of similar in the fact that it's office based - | 0:04:43 | 0:04:47 | |
doing paperwork - and out and about, | 0:04:47 | 0:04:48 | |
but the difference is the people that you're dealing with. | 0:04:48 | 0:04:51 | |
In the police, you get called to someone, | 0:04:51 | 0:04:53 | |
you're there to help them to resolve a situation. | 0:04:53 | 0:04:56 | |
In estate agency, you're helping someone look for a house. | 0:04:56 | 0:04:59 | |
So I guess it's still helping people, but totally different. | 0:04:59 | 0:05:02 | |
Anything on you that will hurt us, or hurt you? | 0:05:02 | 0:05:05 | |
James doesn't get paid to work as a special, | 0:05:05 | 0:05:07 | |
but unlike some of his colleagues, he has no aspirations to become a regular police officer. | 0:05:07 | 0:05:12 | |
Doing it once a week, twice a week is enough for me. | 0:05:12 | 0:05:16 | |
To think I can go to work doing my normal job, which I enjoy, | 0:05:16 | 0:05:19 | |
and think, "Tonight I'm going out in a police car, I'm fighting crime," | 0:05:19 | 0:05:24 | |
that's enough to keep me going. | 0:05:24 | 0:05:27 | |
Tonight, James is out with fellow special, Glenn. | 0:05:27 | 0:05:29 | |
When he's not policing, he works as a warehouse manager. | 0:05:29 | 0:05:33 | |
It's now almost midnight and the New Year celebrations are in full swing. | 0:05:41 | 0:05:45 | |
So with no immediate jobs to attend to, | 0:05:45 | 0:05:47 | |
James and Glenn decide to see in the New Year with some familiar faces. | 0:05:47 | 0:05:51 | |
So here we're, New Year's Eve in Warboys, | 0:05:51 | 0:05:53 | |
we thought we'd do a bit of PR, let everyone know that we're here. | 0:05:53 | 0:05:56 | |
There were various people there, there were some off duty PCSOs, | 0:06:02 | 0:06:05 | |
some off duty police officers and most of Warboys village turned up | 0:06:05 | 0:06:10 | |
to see in the New Year at the Clock Tower, it was quite nice. | 0:06:10 | 0:06:14 | |
But the community spirit in Warboys isn't necessarily present | 0:06:14 | 0:06:17 | |
everywhere else. | 0:06:17 | 0:06:18 | |
And once the clock strikes midnight the trouble begins. | 0:06:18 | 0:06:21 | |
-RADIO: -Domestic in progress. | 0:06:22 | 0:06:24 | |
We're going to a domestic in progress now involving a dog. | 0:06:24 | 0:06:27 | |
I'm not too sure what that means, | 0:06:27 | 0:06:30 | |
I don't know if someone's been bitten by a dog or what. | 0:06:30 | 0:06:32 | |
In a situation like that, I'm fully aware that I am putting myself | 0:06:32 | 0:06:36 | |
into a dangerous situation, but I do it because someone's asking for help. | 0:06:36 | 0:06:40 | |
They arrive to find a woman in the kitchen | 0:06:42 | 0:06:44 | |
with a serious wound to her leg. | 0:06:44 | 0:06:47 | |
The dog had attacked her, | 0:06:47 | 0:06:49 | |
I don't know why the dog had attacked her, but the lower half of her leg, | 0:06:49 | 0:06:53 | |
at the back of her calf, looked like it had been | 0:06:53 | 0:06:56 | |
clawed or bitten in several places and the skin just ripped open. | 0:06:56 | 0:07:01 | |
I can remember seeing the inside of what | 0:07:01 | 0:07:04 | |
I can assume was her calf muscle poking out of the wound. | 0:07:04 | 0:07:07 | |
-Hotel victor 99. RADIO: -Hotel victor 99. | 0:07:07 | 0:07:10 | |
It's a bit tense here at the moment. Can we get an ambulance, please? | 0:07:10 | 0:07:14 | |
The female has been attacked, looks like been attacked by a dog, | 0:07:14 | 0:07:17 | |
quite bad injuries to the bottom of her leg. | 0:07:17 | 0:07:19 | |
It appears that the woman had been having an argument with her boyfriend when the dog went for her. | 0:07:19 | 0:07:24 | |
The dog got scared. | 0:07:24 | 0:07:26 | |
She was apparently going for her partner whose dog it was | 0:07:26 | 0:07:31 | |
and the dog, I believe, got confused as to what was going on | 0:07:31 | 0:07:34 | |
and, obviously, the dog's instinct is if someone's being attacked | 0:07:34 | 0:07:37 | |
they attack that person. | 0:07:37 | 0:07:40 | |
Another woman in the house saw what happened. | 0:07:40 | 0:07:42 | |
-She come down the stairs kicking off and the -BLEEP -dog went for her, | 0:07:42 | 0:07:47 | |
cos she started going for everybody. | 0:07:47 | 0:07:50 | |
The dog is now tied up in the garden, | 0:07:52 | 0:07:54 | |
but the house is full of agitated people who've been drinking. | 0:07:54 | 0:07:57 | |
We're not going to get anywhere while you're shouting as well. | 0:07:57 | 0:08:00 | |
We're not going to get anywhere like this, are we? | 0:08:00 | 0:08:02 | |
There was four or five adults in the house, | 0:08:02 | 0:08:05 | |
there was children downstairs, children upstairs | 0:08:05 | 0:08:09 | |
and lots of arguing going on and all of those people, and myself and my colleague, | 0:08:09 | 0:08:15 | |
that was it, there was two of us against four or five of them. | 0:08:15 | 0:08:20 | |
James calls for back-up and he does his best to take the heat | 0:08:20 | 0:08:23 | |
out of the situation as they wait for the other unit to arrive. | 0:08:23 | 0:08:26 | |
If you just come and sit in here, just to calm the situation down a little bit, yeah? | 0:08:26 | 0:08:31 | |
Just go and take a seat in your front room. | 0:08:31 | 0:08:33 | |
Other officers arrive and James brings them up to speed. | 0:08:34 | 0:08:37 | |
It's still a little bit confusing as to what's actually gone on. | 0:08:38 | 0:08:43 | |
Everyone's hammered, she's been attacked by a dog. | 0:08:43 | 0:08:46 | |
The priority now is to get the injured woman to hospital. | 0:08:46 | 0:08:49 | |
But as it's New Year's Eve, the officers have been told | 0:08:49 | 0:08:52 | |
there could be a two-hour wait for an ambulance | 0:08:52 | 0:08:55 | |
so they decide to take her to hospital themselves. | 0:08:55 | 0:08:58 | |
Basically we've got the female here that's being carted off to hospital, | 0:08:58 | 0:09:01 | |
the other people are OK to be left in the house. | 0:09:01 | 0:09:04 | |
There's just been a massive argument, they've all been out, | 0:09:04 | 0:09:07 | |
got drunk and it's just turned into a total and utter mash of a situation. | 0:09:07 | 0:09:13 | |
So, we've resolved it by splitting them all up, | 0:09:13 | 0:09:16 | |
and hopefully we won't get any more calls here tonight. | 0:09:16 | 0:09:20 | |
It's a job well done for the two specials. | 0:09:20 | 0:09:23 | |
But the incident's not quite over yet. | 0:09:23 | 0:09:25 | |
The injured woman's boyfriend suddenly appears, | 0:09:25 | 0:09:28 | |
believing that the police have taken his dog. | 0:09:28 | 0:09:30 | |
No, you can't do that, get my dog out. | 0:09:30 | 0:09:33 | |
-The dog's not in there. -Where is it, then? | 0:09:33 | 0:09:35 | |
The dog is still tied up in the back garden. | 0:09:35 | 0:09:37 | |
And the penny then drops | 0:09:37 | 0:09:39 | |
as the man realises his girlfriend is in the van. | 0:09:39 | 0:09:42 | |
What, my girl's in the back? | 0:09:42 | 0:09:44 | |
-With a -BLEEP -bit leg, you put her in the back of a van | 0:09:44 | 0:09:46 | |
-with a -BLEEP -bit leg. | 0:09:46 | 0:09:48 | |
-She's going to hospital, mate. -Are you police dumb? -Stop swearing. | 0:09:48 | 0:09:51 | |
Come on, you're supposed to be proper police officers, | 0:09:51 | 0:09:53 | |
you put a woman in the back of a van. | 0:09:53 | 0:09:55 | |
-Go away and stop swearing. -You put a woman in the back of the van? | 0:09:55 | 0:09:59 | |
-She's bleeding. -You put her in the back of a van? You, stop. | 0:09:59 | 0:10:03 | |
The woman is taken to hospital, | 0:10:05 | 0:10:07 | |
where she'll receive treatment for her injured leg. | 0:10:07 | 0:10:10 | |
It's now 3:30am and James and Glenn were due to finish their shift | 0:10:11 | 0:10:15 | |
half an hour ago. | 0:10:15 | 0:10:17 | |
But in the early hours of New Year's Day, | 0:10:17 | 0:10:19 | |
Cambridgeshire's police are having to deal with four times the usual number of incidents. | 0:10:19 | 0:10:24 | |
And just as the specials head back towards the police station, | 0:10:24 | 0:10:27 | |
yet another call comes in. | 0:10:27 | 0:10:29 | |
Domestic in progress, immediate, great(!) | 0:10:29 | 0:10:32 | |
A lot of the time that Cambridgeshire Police | 0:10:33 | 0:10:36 | |
dedicate their time to, is to domestics. | 0:10:36 | 0:10:38 | |
I'd say that some people feel that they can't deal with their own problems. | 0:10:38 | 0:10:43 | |
They get themselves into such a mess that they need someone else | 0:10:43 | 0:10:46 | |
to come and deal with it, which is why they end up calling the police. | 0:10:46 | 0:10:50 | |
Phone line is open, I can hear screaming | 0:10:50 | 0:10:52 | |
and it sounds like a door being kicked/punched. | 0:10:52 | 0:10:55 | |
Sounds reasonably violent to me. | 0:10:56 | 0:10:59 | |
The caller has also reported furniture being thrown around. | 0:10:59 | 0:11:02 | |
And at this point in time, James and Glenn | 0:11:02 | 0:11:05 | |
are the only police unit en route. | 0:11:05 | 0:11:07 | |
Because it was a busy New Year's Eve, lots of people calling 999, | 0:11:07 | 0:11:11 | |
there is just no resources available. | 0:11:11 | 0:11:13 | |
So, at that moment in time, we were on our own. | 0:11:13 | 0:11:17 | |
Hello, what's occurring? | 0:11:18 | 0:11:22 | |
A woman answers the door | 0:11:22 | 0:11:23 | |
and it's immediately obvious there's been a violent struggle. | 0:11:23 | 0:11:26 | |
In the lounge, there was a chair flung across, | 0:11:26 | 0:11:30 | |
there was items of various clothing, | 0:11:30 | 0:11:32 | |
ornaments that had all been thrown around, as well. | 0:11:32 | 0:11:35 | |
Going to some incidents and the absolute mess | 0:11:35 | 0:11:39 | |
that people can get themselves into, whether it's their fault or not, | 0:11:39 | 0:11:43 | |
you do get to them and think, "How can this happen? | 0:11:43 | 0:11:46 | |
"How can people let it get this bad?" | 0:11:46 | 0:11:49 | |
The woman claims that her boyfriend has been threatening her and has assaulted her. | 0:11:49 | 0:11:53 | |
So the specials' priority is to split the pair up. | 0:11:53 | 0:11:57 | |
In a job like that, you have to separate them. | 0:11:57 | 0:11:59 | |
My colleague came in and spoke to the female, | 0:11:59 | 0:12:03 | |
I forcibly got the male to come out into the hallway with me | 0:12:03 | 0:12:07 | |
to try and get the people there, get their version of events. | 0:12:07 | 0:12:10 | |
But the couple, who appear to have been drinking, | 0:12:10 | 0:12:13 | |
are becoming more and more agitated. | 0:12:13 | 0:12:15 | |
It's really easy for anything like that to escalate out of control, | 0:12:15 | 0:12:18 | |
as I found out that night. It went from bad to worse. | 0:12:18 | 0:12:22 | |
They both kept trying to go at each other's throats. | 0:12:22 | 0:12:25 | |
Even after literally pushing him out of the way, | 0:12:25 | 0:12:28 | |
he was still trying to break past me, shouting at her, | 0:12:28 | 0:12:32 | |
her screaming at him, the children all crying, | 0:12:32 | 0:12:35 | |
literally screaming in the background. | 0:12:35 | 0:12:37 | |
It's a difficult situation to be in. | 0:12:37 | 0:12:39 | |
Fearing for his and his colleague's safety, | 0:12:39 | 0:12:42 | |
James calls control for back up. | 0:12:42 | 0:12:44 | |
-Hotel victor 99. RADIO: -Hotel victor 99, go ahead. | 0:12:44 | 0:12:48 | |
Don't suppose you've got any more mobiles anywhere? | 0:12:48 | 0:12:51 | |
We've got another very tense situation here, | 0:12:51 | 0:12:53 | |
I think I'm going to have a complaint of assault. | 0:12:53 | 0:12:55 | |
The situation now moves up a gear. | 0:12:55 | 0:12:57 | |
The man is becoming increasingly aggressive | 0:12:57 | 0:13:00 | |
and tries to force his way out of the house. | 0:13:00 | 0:13:02 | |
Listen, you're not going anywhere, you're detained at the moment. | 0:13:02 | 0:13:06 | |
It don't matter for what, I am detaining you. | 0:13:06 | 0:13:08 | |
You need a reason to detain me, bruv. | 0:13:08 | 0:13:10 | |
There's an accusation of assault, all right, and we're just trying to find out exactly what's happened. | 0:13:10 | 0:13:15 | |
Luckily, back up is now en route. | 0:13:15 | 0:13:17 | |
-RADIO: -Hotel victor 99, back up is coming as soon as possible for you. | 0:13:17 | 0:13:21 | |
And in the meantime, James has no option but to arrest the man. | 0:13:21 | 0:13:26 | |
You're under arrest on suspicion of assault. | 0:13:26 | 0:13:28 | |
-Listen mate, I ain't done nothing to her, she's taking the -BLEEP. | 0:13:28 | 0:13:31 | |
If she makes an accusation of assault, we've got to act on it. | 0:13:31 | 0:13:34 | |
I know you have, yeah, but do you know what? | 0:13:34 | 0:13:36 | |
That's my son's mother, mate, I ain't going to hurt her, for Christ's sake. | 0:13:36 | 0:13:41 | |
A few minutes later, the back-up units finally arrive. | 0:13:42 | 0:13:46 | |
When I looked out and I saw all the cars coming from different | 0:13:46 | 0:13:50 | |
ends of the road, it was the biggest relief I had that night. | 0:13:50 | 0:13:53 | |
It's good to know you've got the support if you need it | 0:13:53 | 0:13:55 | |
and I think we did need it, I couldn't have handled that, | 0:13:55 | 0:13:58 | |
I couldn't have handled that, no way. | 0:13:58 | 0:14:01 | |
The man is taken to the police van to be transported to custody. | 0:14:01 | 0:14:04 | |
-What the -BLEEP -you bending me up for? | 0:14:04 | 0:14:07 | |
-What the -BLEEP -is your problem? -Settle down. | 0:14:07 | 0:14:10 | |
-Why the -BLEEP -are you bending me up? | 0:14:10 | 0:14:12 | |
Get the door straight back. Get in the back. | 0:14:14 | 0:14:17 | |
-BLEEP -idiot! | 0:14:19 | 0:14:20 | |
And now, 12 hours after they started their shift, | 0:14:25 | 0:14:28 | |
James and Glenn can finally say goodbye to New Year's Eve 2012. | 0:14:28 | 0:14:33 | |
The final word is it's six o'clock in the morning. | 0:14:33 | 0:14:38 | |
I was meant to be in bed by about half three. | 0:14:38 | 0:14:40 | |
Between the hours of 10pm and 6am, Cambridgeshire Police dealt with | 0:14:41 | 0:14:46 | |
almost 350 incidents and the specials had a vital role to play. | 0:14:46 | 0:14:50 | |
On New Year's Eve, the fact that we spent midnight with a whole village of people, off duty officers, | 0:14:52 | 0:14:58 | |
it was great being part of the community, and then at the end of the night, | 0:14:58 | 0:15:02 | |
being in those two really violent situations and still helping out the community. | 0:15:02 | 0:15:07 | |
The feeling of satisfaction after we left that, | 0:15:07 | 0:15:09 | |
to think that we've resolved that and now I'm going home to bed | 0:15:09 | 0:15:13 | |
and can think that I'm going to get up and have a good New Year's Day. | 0:15:13 | 0:15:17 | |
The man who was taken into custody on suspicion of assault, | 0:15:18 | 0:15:21 | |
was later released without charge. | 0:15:21 | 0:15:25 | |
Specials are unpaid volunteers who work alone or alongside | 0:15:31 | 0:15:35 | |
the regular police to fight crime in their communities. | 0:15:35 | 0:15:38 | |
Don't want to see you walking on the main road again. | 0:15:39 | 0:15:43 | |
Recovery is en route. | 0:15:43 | 0:15:44 | |
Specials are not police community support officers. | 0:15:44 | 0:15:47 | |
They're fully fledged members of the police force | 0:15:47 | 0:15:49 | |
who have the same powers in law as their paid colleagues, | 0:15:49 | 0:15:52 | |
including the power of arrest. | 0:15:52 | 0:15:54 | |
Stop it. Move out of the way. | 0:15:57 | 0:15:59 | |
Within many special constabularies, officers can rise through | 0:15:59 | 0:16:03 | |
the ranks, from constable all the way to chief specials officer. | 0:16:03 | 0:16:07 | |
Ouch! I found a thorn. | 0:16:07 | 0:16:09 | |
Let me remind you, you're under arrest. | 0:16:09 | 0:16:11 | |
Anything you say will be written down. | 0:16:11 | 0:16:13 | |
Specials work 16 hours a month or more as volunteers | 0:16:13 | 0:16:16 | |
and undertake all kinds of duties, | 0:16:16 | 0:16:19 | |
from policing community events to arresting hardened criminals. | 0:16:19 | 0:16:23 | |
Papa India three-five - myself, two-nine and three-one going now. | 0:16:27 | 0:16:32 | |
8pm and special constable Chris Hallatt | 0:16:35 | 0:16:37 | |
is on shift with the impact team - | 0:16:37 | 0:16:41 | |
a dedicated unit which focuses on prolific criminals, | 0:16:41 | 0:16:44 | |
tackling crime such as car theft and burglary. | 0:16:44 | 0:16:48 | |
I'd say the impact team is a different way of policing. | 0:16:48 | 0:16:51 | |
We're in plain clothes in a plain vehicle, | 0:16:51 | 0:16:53 | |
we've got intelligence on people, we know where they live | 0:16:53 | 0:16:57 | |
and we know the areas that they're targeting. | 0:16:57 | 0:17:01 | |
Barely minutes into the shift and the team have already received | 0:17:01 | 0:17:04 | |
a call about a possible break-in at an industrial estate. | 0:17:04 | 0:17:10 | |
A security guard called through to say that two males were climbing the fence next to a railway. | 0:17:10 | 0:17:15 | |
When I'm going to a job like that, you just want to get there | 0:17:15 | 0:17:18 | |
as quick as you possibly can to catch them red handed. | 0:17:18 | 0:17:21 | |
Chris has been in the specials for a year | 0:17:23 | 0:17:25 | |
and happily gives up his evenings and weekends to help | 0:17:25 | 0:17:28 | |
his regular colleagues police the streets of Cambridgeshire. | 0:17:28 | 0:17:31 | |
My main goal was to help people and to get life experience out of it. | 0:17:31 | 0:17:37 | |
You don't know what to expect, it's always different, | 0:17:37 | 0:17:40 | |
it's exciting and it's such a large range of jobs, as well. | 0:17:40 | 0:17:43 | |
So, yeah, I enjoy it. | 0:17:43 | 0:17:45 | |
And when he's not out on the beat, he works as a site manager | 0:17:45 | 0:17:48 | |
at two police training centres. | 0:17:48 | 0:17:50 | |
I basically look after some of their buildings, maintain it, | 0:17:51 | 0:17:55 | |
look after contractors, make sure security is where it should be. | 0:17:55 | 0:17:59 | |
I'm very passionate about working for Cambridgeshire constabulary, | 0:17:59 | 0:18:02 | |
I've got a lot of respect for them and what they do. | 0:18:02 | 0:18:05 | |
Tonight, Chris and his colleagues are hot on the heels of two males | 0:18:05 | 0:18:08 | |
who've allegedly been spotted trying to break in to an industrial estate. | 0:18:08 | 0:18:12 | |
When we arrived, there were industrial buildings all around us, | 0:18:17 | 0:18:21 | |
so we split up and did an area search. | 0:18:21 | 0:18:24 | |
It's a massive area | 0:18:24 | 0:18:25 | |
and the details about where the suspects were last seen are sketchy. | 0:18:25 | 0:18:30 | |
When it's dark, you don't know the area, | 0:18:32 | 0:18:34 | |
it can be a little bit intimidating. | 0:18:34 | 0:18:38 | |
I suppose you do feel a bit vulnerable. | 0:18:38 | 0:18:41 | |
There's no sign of the intruders. | 0:18:45 | 0:18:47 | |
The area was so big. It wasn't very well lit. | 0:18:49 | 0:18:52 | |
They would've only had to have seen or heard one officer approaching, | 0:18:52 | 0:18:56 | |
and they had plenty of opportunity to get away. | 0:18:56 | 0:18:59 | |
Control updates them that the suspects were last seen | 0:18:59 | 0:19:02 | |
in the next building along. | 0:19:02 | 0:19:04 | |
I'll walk round the back and walk through. | 0:19:04 | 0:19:07 | |
Did you see them go inside that door? | 0:19:09 | 0:19:12 | |
Chris's colleague, Paul, is in direct contact | 0:19:12 | 0:19:14 | |
with the CCTV control room. | 0:19:14 | 0:19:17 | |
That blue door, there, is where he said they were at. Make sure it's secure. | 0:19:17 | 0:19:22 | |
Doesn't look like they've gained entry, | 0:19:22 | 0:19:24 | |
but the bloke at the central monitoring station can only see | 0:19:24 | 0:19:27 | |
a certain amount of this area, so we'll just check it, | 0:19:27 | 0:19:30 | |
make sure it's all secure and then leave it as. | 0:19:30 | 0:19:33 | |
The police head back towards their car. | 0:19:35 | 0:19:38 | |
But just as they're about to leave the premises, | 0:19:38 | 0:19:40 | |
an unrelated call comes over the radio about a suspected mugging | 0:19:40 | 0:19:43 | |
which has taken place just yards up the road. | 0:19:43 | 0:19:46 | |
As we've been here, a male's been jumped just across the road. | 0:19:46 | 0:19:51 | |
There's five suspects currently walking down Fort Road. | 0:19:51 | 0:19:54 | |
There's one officer trying to stop them. | 0:19:54 | 0:19:57 | |
With so many officers in the area, the chances of catching | 0:20:07 | 0:20:10 | |
these suspects are stacked in the police's favour. | 0:20:10 | 0:20:14 | |
They all ran off in different directions, | 0:20:14 | 0:20:16 | |
so it's a good job we had plenty of officers there. | 0:20:16 | 0:20:18 | |
When I'm running towards an incident, | 0:20:22 | 0:20:24 | |
I'm thinking more about where my colleague is, | 0:20:24 | 0:20:27 | |
my safety, whether they're going to be compliant, | 0:20:27 | 0:20:30 | |
if not, what am I going to do? | 0:20:30 | 0:20:31 | |
Just getting there, as well. | 0:20:31 | 0:20:33 | |
Chris arrives just as the suspects are cuffed. | 0:20:39 | 0:20:42 | |
Five men are caught running from the area where the street robbery took place. | 0:20:42 | 0:20:46 | |
As a special on that particular shift, numbers were important | 0:20:49 | 0:20:53 | |
because of the amount of males that were detained. | 0:20:53 | 0:20:55 | |
If I wasn't there, maybe one of them would have got away. | 0:20:55 | 0:20:59 | |
Calm yourself down. | 0:20:59 | 0:21:00 | |
After an interview with the robbery suspects and the victim, | 0:21:05 | 0:21:08 | |
the suspects were released without charge and the crime has been filed, | 0:21:08 | 0:21:12 | |
pending any further information coming to light. | 0:21:12 | 0:21:16 | |
Nobody was ever found in connection with the suspected break-in at the | 0:21:16 | 0:21:20 | |
industrial estate and no evidence was found of an attempted burglary. | 0:21:20 | 0:21:24 | |
Working with this team was very different from Chris's usual shift | 0:21:24 | 0:21:28 | |
as a special policing the streets, | 0:21:28 | 0:21:30 | |
but it was a challenge that he relished. | 0:21:30 | 0:21:33 | |
Working with the impact team is something I'd love to do again. | 0:21:33 | 0:21:36 | |
It's a different way of policing, it's exciting. | 0:21:36 | 0:21:40 | |
It was very different to a normal shift, due to the fact that | 0:21:40 | 0:21:45 | |
we're in plain clothes and a plain vehicle. | 0:21:45 | 0:21:47 | |
We got to get involved in stuff and see it through to the end, | 0:21:48 | 0:21:52 | |
which was good. I enjoyed it. | 0:21:52 | 0:21:56 | |
In Peterborough, it's 9am and special chief inspector Bill Bond | 0:22:00 | 0:22:05 | |
is out on shift with PC James Styles. | 0:22:05 | 0:22:08 | |
They've just received a call about some runaway horses. | 0:22:08 | 0:22:11 | |
We've been dispatched to a report of some horses loose on the A47. | 0:22:11 | 0:22:18 | |
We're not quite sure of the location | 0:22:18 | 0:22:20 | |
so we're going to go to the most likely, | 0:22:20 | 0:22:22 | |
which is where some horses are known to stray onto the road. | 0:22:22 | 0:22:25 | |
This isn't the first time Bill's been to an incident of this kind. | 0:22:27 | 0:22:31 | |
In Cambridgeshire, there are a large number of horses | 0:22:31 | 0:22:33 | |
left to graze on public land, and escapes from fields are commonplace. | 0:22:33 | 0:22:38 | |
I think it's a problem throughout the county. | 0:22:38 | 0:22:40 | |
We have lots of people who keep horses | 0:22:40 | 0:22:42 | |
and seem to be terribly concerned about what they're doing. | 0:22:42 | 0:22:45 | |
If they get onto a fast road, they can move unpredictably, | 0:22:45 | 0:22:49 | |
cause vehicles to swerve, cause collisions, which are potentially fatal. | 0:22:49 | 0:22:53 | |
Before becoming a special, Bill spent 12 years in the army | 0:22:57 | 0:23:00 | |
and 14 years in the civil service. | 0:23:00 | 0:23:02 | |
I rejoined the special constabulary when I left the civil service | 0:23:04 | 0:23:08 | |
because, with my previous experience, I felt it was something | 0:23:08 | 0:23:11 | |
I could usefully contribute to. | 0:23:11 | 0:23:14 | |
There's going to be a penalty of £60. | 0:23:14 | 0:23:18 | |
I get an immense feeling of job satisfaction out of being a special. | 0:23:18 | 0:23:22 | |
Having been in the army and the civil service, | 0:23:22 | 0:23:25 | |
I'm used to the big organisation feel and I get that again in the police. | 0:23:25 | 0:23:29 | |
Bill now devotes up to 180 hours a month to working as a special, | 0:23:30 | 0:23:34 | |
alongside running a small lettings agency. | 0:23:34 | 0:23:38 | |
I'm fortunate in that I've got a small company | 0:23:38 | 0:23:40 | |
that runs quite smoothly. | 0:23:40 | 0:23:42 | |
There are some things that I have to do, | 0:23:42 | 0:23:44 | |
but, equally, there are some things that I can delegate and it gives me | 0:23:44 | 0:23:48 | |
the freedom to come and police for the greater part of my time. | 0:23:48 | 0:23:51 | |
Today, Bill and James are hot on the trail of some runaway horses. | 0:23:54 | 0:23:57 | |
How good's your horse rustling, Bill? | 0:23:59 | 0:24:01 | |
Not terribly! | 0:24:01 | 0:24:02 | |
They need to find the animals as quickly as possible, | 0:24:04 | 0:24:07 | |
as they could be a hazard to passing traffic. | 0:24:07 | 0:24:09 | |
But they're not sure of the horses exact location. | 0:24:09 | 0:24:13 | |
Here, horsey, horsey, horsey. | 0:24:13 | 0:24:14 | |
Can you see any horses down there? | 0:24:16 | 0:24:18 | |
I can't see any horses down there, James. | 0:24:18 | 0:24:20 | |
But then James suddenly spots one up ahead. | 0:24:20 | 0:24:23 | |
There we go. | 0:24:23 | 0:24:24 | |
Oh, they're all out. Wahey! It's great fun. | 0:24:27 | 0:24:31 | |
Nei-i-i-igh! | 0:24:31 | 0:24:32 | |
Where have you got out from, fellas? | 0:24:34 | 0:24:37 | |
It's an offence to allow your horses to stray onto the highway, | 0:24:37 | 0:24:41 | |
so fences around fields need to be well maintained. | 0:24:41 | 0:24:44 | |
Fence is down. | 0:24:44 | 0:24:45 | |
This fence is clearly broken | 0:24:45 | 0:24:46 | |
and the horses are now only feet away from a very busy road. | 0:24:46 | 0:24:50 | |
James tries to coax them back into the field. | 0:24:52 | 0:24:54 | |
In we go. Come on. This way. Oi! Dumb ass. | 0:24:55 | 0:24:59 | |
Back in the field, come on! | 0:24:59 | 0:25:00 | |
But these steeds are having none of it. | 0:25:03 | 0:25:05 | |
You stubborn horse! | 0:25:05 | 0:25:07 | |
Bill decides to opt for a more forceful approach. | 0:25:09 | 0:25:12 | |
-Go on, get in there, get in there -BLEEP -thing. | 0:25:14 | 0:25:17 | |
Come on, sha! | 0:25:18 | 0:25:21 | |
Oh, you sod! | 0:25:21 | 0:25:23 | |
You can lead a horse to water, but you can't make it drink. | 0:25:23 | 0:25:27 | |
And these ponies are going nowhere. | 0:25:27 | 0:25:30 | |
Come on, we're going to go this way. | 0:25:30 | 0:25:32 | |
Luckily, reinforcements arrive in the form of a helpful passer by. | 0:25:32 | 0:25:36 | |
Can you do me a favour? Stop this lot from coming back out the field. | 0:25:36 | 0:25:40 | |
Thank you. I'll try and get these next ones in. | 0:25:40 | 0:25:43 | |
Grab his head collar. | 0:25:43 | 0:25:45 | |
-Doesn't like it. -They'll go where their nose goes. Go on. | 0:25:45 | 0:25:49 | |
Come on. Yes! | 0:25:49 | 0:25:50 | |
Come on. | 0:25:54 | 0:25:56 | |
Between the three of them, | 0:25:56 | 0:25:57 | |
they manage to get the horses back in the field. | 0:25:57 | 0:25:59 | |
Good horse. | 0:25:59 | 0:26:01 | |
Now they just need to fix the fence and hope that | 0:26:02 | 0:26:05 | |
these mischievous mares won't try to make another run for it. | 0:26:05 | 0:26:08 | |
We didn't have the tools to do anything about the fence | 0:26:08 | 0:26:11 | |
with its broken posts. | 0:26:11 | 0:26:12 | |
The best we could do was put some blue and white police tape | 0:26:12 | 0:26:15 | |
across the gaps and hope that the wind fluttering it would discourage | 0:26:15 | 0:26:18 | |
the beasts from breaking through until our shift had finished. | 0:26:18 | 0:26:22 | |
With a bit of luck, this flutter will scare them off. | 0:26:22 | 0:26:27 | |
It's more visual than practical, but, hey. | 0:26:28 | 0:26:32 | |
For now, the horses are out of danger | 0:26:32 | 0:26:34 | |
and are no longer a threat to passing traffic. | 0:26:34 | 0:26:36 | |
But Bill knows that this is only a short-term solution | 0:26:36 | 0:26:39 | |
to a long-term problem. | 0:26:39 | 0:26:40 | |
I must admit, I get frustrated by the issue of horses on the roads. | 0:26:42 | 0:26:46 | |
We have these animals that are kept and I think a lot more | 0:26:46 | 0:26:49 | |
could be done to ensure their welfare and keep them where they should be. | 0:26:49 | 0:26:53 | |
-I would shake your hand, but we're both covered in -BLEEP. | 0:26:53 | 0:26:56 | |
-Who cares? -There you go, thank you very much. | 0:26:56 | 0:26:58 | |
-That's all right. -Cheers. | 0:26:58 | 0:26:59 | |
Subtitles by Red Bee Media Ltd | 0:27:22 | 0:27:27 |