
Browse content similar to Episode 7. Check below for episodes and series from the same categories and more!
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Get on the floor! Do it now! | 0:00:02 | 0:00:03 | |
The Special Constabulary is the nation's volunteer police force. | 0:00:03 | 0:00:07 | |
-Do you know the gent? -Watch your speed. | 0:00:07 | 0:00:10 | |
It's made up of over 20,000 members of the public... | 0:00:10 | 0:00:13 | |
He's gone down there. | 0:00:13 | 0:00:14 | |
..who give their time to fight crime in their communities. | 0:00:14 | 0:00:17 | |
Get out of the car! Get out of the car! | 0:00:17 | 0:00:21 | |
-Specials combine their day jobs... -Stage, please. | 0:00:21 | 0:00:24 | |
-..and home lives... -There's a good boy. | 0:00:24 | 0:00:26 | |
..with being serving police officers on the front line. | 0:00:26 | 0:00:29 | |
Coming up - a man with a knife has barricaded himself in his kitchen. | 0:00:31 | 0:00:36 | |
There's blood all around the door frame, we've got to get in there. | 0:00:36 | 0:00:41 | |
It's a dog's life for Adam as three pooches give him the run-around. | 0:00:41 | 0:00:45 | |
This is ridiculous, isn't it? Come here! | 0:00:45 | 0:00:48 | |
Talk about a wild goose chase, it's a wild dog chase. | 0:00:48 | 0:00:51 | |
And a routine traffic stop takes a violent turn for Chris. | 0:00:51 | 0:00:55 | |
-They'd better not be in my -BLEEP -house when I get back! | 0:00:55 | 0:00:58 | |
It's ten o'clock at night in Cambridgeshire. | 0:01:15 | 0:01:17 | |
Special Constable James Chatfield is out on patrol on his own. | 0:01:17 | 0:01:21 | |
-RADIO: -Male's taken an overdose and is smashing the premises up, over. | 0:01:21 | 0:01:24 | |
An emergency call has just come in from the ambulance service, | 0:01:24 | 0:01:28 | |
requesting police assistance at a residential address. | 0:01:28 | 0:01:31 | |
There's a male that's taken an overdose, | 0:01:31 | 0:01:34 | |
but he's smashing the place up at the same time. | 0:01:34 | 0:01:37 | |
There is another mobile on their way from Huntingdon, but they're | 0:01:37 | 0:01:40 | |
currently tied up with something so we might be first on scene. | 0:01:40 | 0:01:45 | |
James is used to working on his own and is well aware of the dangers | 0:01:45 | 0:01:50 | |
of going solo into a situation like this. | 0:01:50 | 0:01:53 | |
It sounds like it could be a violent situation, | 0:01:53 | 0:01:56 | |
the guy's smashing the place up, so not ideal. Far from it. | 0:01:56 | 0:02:02 | |
James joined the Specials a year and a half ago, | 0:02:08 | 0:02:11 | |
inspired by childhood memories of riding in his dad's police car. | 0:02:11 | 0:02:15 | |
With my dad being a police officer in Cambridgeshire, it did inspire me. | 0:02:15 | 0:02:21 | |
You'd be at home on a Saturday and a police car would turn up | 0:02:21 | 0:02:24 | |
and it would be him just popping by to say hello. | 0:02:24 | 0:02:26 | |
I did get to have a go in the police car on one occasion. | 0:02:26 | 0:02:29 | |
You look in the rear-view mirror and you think, | 0:02:29 | 0:02:32 | |
"Ah, I'm in a police car." That's when I thought, "I want to do that." | 0:02:32 | 0:02:36 | |
In his day job James is an estate agent, | 0:02:36 | 0:02:39 | |
but he gives up his evenings and weekends to work as a Special. | 0:02:39 | 0:02:43 | |
I do it for various reasons. | 0:02:43 | 0:02:44 | |
I think the main one is the buzz that you get from helping people. | 0:02:44 | 0:02:48 | |
It's very important to be community minded - | 0:02:48 | 0:02:50 | |
if you're not willing to help out the community or put yourself out for it, | 0:02:50 | 0:02:54 | |
it's not going to work at all. | 0:02:54 | 0:02:56 | |
Cheers. | 0:02:56 | 0:02:57 | |
Having spent 30 years in the police force himself, | 0:02:57 | 0:03:00 | |
James's dad - who's now retired - couldn't be prouder of his son. | 0:03:00 | 0:03:05 | |
It's what he wants to do and I fully support him. | 0:03:05 | 0:03:08 | |
He enjoys it and gets an awful lot out of it | 0:03:08 | 0:03:10 | |
and he's still part of the police family. | 0:03:10 | 0:03:12 | |
Really, really proud. | 0:03:12 | 0:03:14 | |
Tonight, James is heading into a potentially dangerous situation. | 0:03:15 | 0:03:19 | |
A man has taken an overdose and is acting violently. | 0:03:19 | 0:03:23 | |
The ambulance service has called for police back-up | 0:03:23 | 0:03:26 | |
and James believes he might be the first officer on scene. | 0:03:26 | 0:03:29 | |
My thoughts were, "Oh, my God, what am I going to do?" | 0:03:29 | 0:03:32 | |
I've been told he's got a weapon | 0:03:32 | 0:03:34 | |
so I'm thinking I will be his next target. | 0:03:34 | 0:03:37 | |
When he arrives, | 0:03:37 | 0:03:38 | |
James finds two other police units have also responded. | 0:03:38 | 0:03:42 | |
I turned round the corner of the road and I could see a van, | 0:03:42 | 0:03:45 | |
one police van and a police car, which was fantastic. | 0:03:45 | 0:03:50 | |
The man's mother is also there - | 0:03:50 | 0:03:52 | |
she was the one who called the ambulance - | 0:03:52 | 0:03:54 | |
and the man himself is in the kitchen. | 0:03:54 | 0:03:57 | |
He's barricaded the door with his body and won't let anyone in. | 0:03:57 | 0:04:00 | |
But the scene outside the kitchen is truly shocking. | 0:04:00 | 0:04:04 | |
I've never seen anything like it. | 0:04:04 | 0:04:05 | |
The sofas had been pushed about, vases smashed, | 0:04:05 | 0:04:09 | |
light fittings smashed, the curtains were pulled off and there was | 0:04:09 | 0:04:12 | |
blood stains right around the door frame and on the walls. | 0:04:12 | 0:04:17 | |
The ambulance crew need to get to the man urgently | 0:04:18 | 0:04:21 | |
to assess his injuries, but the police are worried | 0:04:21 | 0:04:23 | |
that if they force their way into the kitchen, | 0:04:23 | 0:04:26 | |
the man could become violent. | 0:04:26 | 0:04:27 | |
He had access to kitchen knives, cutlery, scissors - | 0:04:28 | 0:04:33 | |
there could be bread knives, carving knives, anything. | 0:04:33 | 0:04:36 | |
We needed to get to him first of all | 0:04:36 | 0:04:38 | |
to stop him causing any further injury to himself, | 0:04:38 | 0:04:41 | |
and also if he did have a weapon we needed to get that weapon off him | 0:04:41 | 0:04:44 | |
and restrain him so he couldn't use it on anyone else. | 0:04:44 | 0:04:47 | |
James goes to assist his regular colleagues, | 0:04:47 | 0:04:51 | |
who are trying to reason with the man through the door. | 0:04:51 | 0:04:54 | |
We've got ambulance here waiting to see you, | 0:04:54 | 0:04:57 | |
do you want to come and speak to them? | 0:04:57 | 0:04:58 | |
Can you tell me if you've got an injury at all? | 0:04:58 | 0:05:01 | |
The man refuses any offer of help | 0:05:01 | 0:05:03 | |
and won't give the police any information about his injuries. | 0:05:03 | 0:05:07 | |
But he does confirm that he's taken something. | 0:05:07 | 0:05:10 | |
What have you taken? Prescription drugs. | 0:05:10 | 0:05:12 | |
I was in with colleagues in the lounge while they were | 0:05:12 | 0:05:15 | |
trying to talk to him, just in case he decided to come bursting out. | 0:05:15 | 0:05:18 | |
Then I changed and I went out and I spoke to the mother. | 0:05:18 | 0:05:22 | |
My role then changed to reassuring her. | 0:05:22 | 0:05:25 | |
He'll be all right, it always looks worse than it is. | 0:05:25 | 0:05:27 | |
'I said we were doing all we can' | 0:05:27 | 0:05:29 | |
and we won't be going until we'd got him out. | 0:05:29 | 0:05:31 | |
If it meant we were there all night, we'd have been there all night waiting for him. | 0:05:31 | 0:05:35 | |
Like I said, we want to help you... | 0:05:35 | 0:05:38 | |
The police try to convince the man to move away from the door. | 0:05:38 | 0:05:41 | |
If we push the door in, we don't want to hurt you, | 0:05:41 | 0:05:44 | |
so are you going to move? | 0:05:44 | 0:05:45 | |
But he suddenly becomes agitated. | 0:05:45 | 0:05:47 | |
When I heard the banging noises I was looking round at my colleagues | 0:05:53 | 0:05:58 | |
thinking, "What's he doing?" | 0:05:58 | 0:06:00 | |
Real loud banging noises like he's pulling stuff down, | 0:06:00 | 0:06:03 | |
glass smashing - I've never heard anything like it. | 0:06:03 | 0:06:07 | |
The police are worried the man may try to make a run for it, | 0:06:07 | 0:06:10 | |
so James is asked to guard any possible escape routes. | 0:06:10 | 0:06:13 | |
Can you make sure there's someone round by that window? | 0:06:13 | 0:06:16 | |
-Yeah, I'll go round. -Cheers. | 0:06:16 | 0:06:17 | |
The situation is now becoming increasingly urgent. | 0:06:17 | 0:06:21 | |
The man is in a bad way | 0:06:21 | 0:06:22 | |
and the police are seriously concerned about his well-being. | 0:06:22 | 0:06:25 | |
It sounds like he's throwing up in there and he's collapsed as well, | 0:06:26 | 0:06:31 | |
but there's blood all around the door frame. | 0:06:31 | 0:06:34 | |
We've got to get in there. | 0:06:34 | 0:06:36 | |
Armed officers have been called to gain access to the kitchen. | 0:06:36 | 0:06:39 | |
When they arrive, James briefs them on the situation. | 0:06:41 | 0:06:44 | |
What have we got? | 0:06:45 | 0:06:46 | |
There's a chap in there, you can hear him, | 0:06:46 | 0:06:48 | |
there's blood all round the door, he's got knives and everything, | 0:06:48 | 0:06:52 | |
and he's taken some anti-depressants. | 0:06:52 | 0:06:54 | |
Everything now moves up a gear | 0:06:55 | 0:06:57 | |
as the armed officers prepare to enter the kitchen. | 0:06:57 | 0:07:01 | |
Get all this out the way in case we need to drag him out | 0:07:01 | 0:07:04 | |
and deal with him. So get that out the way. | 0:07:04 | 0:07:06 | |
But hearing the commotion outside, the man becomes distressed. | 0:07:06 | 0:07:10 | |
The police need to get in there straightaway. | 0:07:12 | 0:07:15 | |
They get ready with the Taser and prepare to break down the door. | 0:07:15 | 0:07:18 | |
Can you stand back and we'll break the door open? | 0:07:18 | 0:07:22 | |
Then the man suddenly opens the door. | 0:07:22 | 0:07:24 | |
Show me your hands. | 0:07:28 | 0:07:30 | |
But he's not going down without a fight. | 0:07:30 | 0:07:32 | |
He launches himself at one of the officers. | 0:07:37 | 0:07:40 | |
Fearing for their safety, the police decide to use the Taser. | 0:07:43 | 0:07:47 | |
Put your hands behind your back, now! | 0:07:47 | 0:07:49 | |
The state of the man was pretty horrendous. | 0:07:52 | 0:07:56 | |
He was covered in blood from head to toe, it was all over his face, | 0:07:56 | 0:07:59 | |
all down his chest, legs, arms, the lot. | 0:07:59 | 0:08:02 | |
It was like watching a horror film | 0:08:02 | 0:08:04 | |
and then realising you're actually in it. | 0:08:04 | 0:08:07 | |
It's an alarming sight for the man's mother, | 0:08:07 | 0:08:09 | |
but James does his best to keep her calm. | 0:08:09 | 0:08:12 | |
He'll be all right, now ambulance have got to him they'll sort him out. | 0:08:12 | 0:08:17 | |
The paramedics are now able to assess the man's injuries. | 0:08:17 | 0:08:20 | |
And although they look alarming, | 0:08:20 | 0:08:22 | |
they turn out to be quite superficial. | 0:08:22 | 0:08:25 | |
He has several wounds, nothing overly serious, | 0:08:25 | 0:08:28 | |
but there's a lot of blood everywhere. | 0:08:28 | 0:08:31 | |
We're going to take him to hospital cos he needs some wound closure | 0:08:31 | 0:08:35 | |
done on the wounds on his hands and across his body. | 0:08:35 | 0:08:38 | |
It's just now getting him out safely | 0:08:38 | 0:08:41 | |
cos he's still a bit edgy around us and the police. | 0:08:41 | 0:08:46 | |
The man is taken to the ambulance | 0:08:46 | 0:08:48 | |
and will be transported to the nearest hospital. | 0:08:48 | 0:08:51 | |
And for James, it's the end of a very eventful shift. | 0:08:51 | 0:08:55 | |
From arriving at that house | 0:08:55 | 0:08:57 | |
and seeing what he'd done to his own house, | 0:08:57 | 0:09:00 | |
I was very concerned for my safety and colleagues' safety as well. | 0:09:00 | 0:09:05 | |
He's capable of doing that, he's capable of injuring any one of us | 0:09:05 | 0:09:08 | |
and that really is at the front of what I'm thinking all the time. | 0:09:08 | 0:09:12 | |
A lot of people would say, "Why do you put yourself in that situation?" | 0:09:12 | 0:09:16 | |
It's the thought that potentially you are helping someone. | 0:09:16 | 0:09:21 | |
We get him out of the house, he goes to hospital, he survives, | 0:09:21 | 0:09:25 | |
that's a life saved. | 0:09:25 | 0:09:26 | |
And the buzz of that, that is what does it. | 0:09:26 | 0:09:30 | |
The man was admitted to hospital that night, | 0:09:31 | 0:09:33 | |
where he was treated for his injuries. | 0:09:33 | 0:09:36 | |
He was later sectioned under the Mental Health Act. | 0:09:36 | 0:09:39 | |
Specials are unpaid volunteers who work alone or alongside | 0:09:45 | 0:09:49 | |
the regular police to fight crime in their communities. | 0:09:49 | 0:09:53 | |
-We got all of them! -I don't want to see you walking on the main road again. -Come on. | 0:09:53 | 0:09:57 | |
Recovery is en route. | 0:09:57 | 0:09:58 | |
Specials are not police community support officers. | 0:09:58 | 0:10:01 | |
They are fully-fledged members of the police force who have | 0:10:01 | 0:10:04 | |
the same powers in law as their paid colleagues, | 0:10:04 | 0:10:06 | |
including the power of arrest. | 0:10:06 | 0:10:08 | |
-Stop it! -Move over! -No, no, no, no! -Move out the way. -No! | 0:10:11 | 0:10:14 | |
Within many special constabularies, officers can rise through the ranks | 0:10:14 | 0:10:19 | |
from constable all the way to chief specials officer. | 0:10:19 | 0:10:22 | |
Ouch, I found a thorn. | 0:10:22 | 0:10:23 | |
You're under arrest and anything you say will be written down. | 0:10:23 | 0:10:27 | |
Specials work 16 hours a month or more as volunteers | 0:10:27 | 0:10:30 | |
and undertake all kinds of duties, | 0:10:30 | 0:10:32 | |
from policing community events to arresting hardened criminals. | 0:10:32 | 0:10:37 | |
It's a freezing cold day in Cambridgeshire | 0:10:44 | 0:10:47 | |
and Special Constable Adam Catling is out on patrol | 0:10:47 | 0:10:50 | |
with colleague PC Kersten Richmond. | 0:10:50 | 0:10:53 | |
They've just entered the village of Melbourn | 0:10:53 | 0:10:55 | |
when they come across three dogs running loose in the street. | 0:10:55 | 0:10:58 | |
Hello, hello. Where did they come from? | 0:11:03 | 0:11:08 | |
Hello. | 0:11:08 | 0:11:09 | |
Adam and Kersten need to find out who the dogs belong to, | 0:11:09 | 0:11:12 | |
so they check their collars for an address or phone number. | 0:11:12 | 0:11:15 | |
But before they can write the number down, the dogs take off. | 0:11:17 | 0:11:20 | |
They went into a side street - we thought we'd manage to corner them, | 0:11:22 | 0:11:26 | |
but that wasn't the case | 0:11:26 | 0:11:27 | |
and they then decided to run back past us towards quite busy traffic, | 0:11:27 | 0:11:31 | |
which then became a game of cat and mouse, or cop and dog. | 0:11:31 | 0:11:34 | |
Come here! | 0:11:36 | 0:11:37 | |
No, no, not in the traffic. | 0:11:37 | 0:11:39 | |
In his day job, Adam works for the ambulance service, | 0:11:42 | 0:11:45 | |
a job not a million miles away from his work as a Special. | 0:11:45 | 0:11:48 | |
I'd say working in the police is incredibly similar | 0:11:50 | 0:11:53 | |
to working in the ambulance service. | 0:11:53 | 0:11:55 | |
The basic interpersonal skills that we use are exactly the same. | 0:11:55 | 0:11:58 | |
Working in the two jobs brings me quite close to the local community. | 0:11:58 | 0:12:02 | |
You get to know people on first name terms and the relationship | 0:12:02 | 0:12:05 | |
that you build with them is something I really quite enjoy. | 0:12:05 | 0:12:08 | |
Dealing with people is a different matter to dealing with animals. | 0:12:08 | 0:12:12 | |
Today, Adam and Kersten are hot on the heels | 0:12:12 | 0:12:15 | |
of three particularly slippery characters. | 0:12:15 | 0:12:17 | |
Here you are, here you are. | 0:12:17 | 0:12:19 | |
They just crossed the road like ducks. | 0:12:19 | 0:12:22 | |
I don't know where they've come from. | 0:12:22 | 0:12:24 | |
Talk about a wild goose chase, it's a wild dog chase. | 0:12:24 | 0:12:26 | |
On the day itself it was quite snowy and icy, | 0:12:28 | 0:12:30 | |
so straightaway there was a hazard with us trying to chase these dogs. | 0:12:30 | 0:12:34 | |
It appeared that at any point that we got near them | 0:12:34 | 0:12:36 | |
to the point of being able to get hold of them, they instantly ran away | 0:12:36 | 0:12:41 | |
and kept that one step ahead of us the whole time. | 0:12:41 | 0:12:44 | |
Being on four feet instead of two, they definitely had the advantage, | 0:12:44 | 0:12:48 | |
which was quite humiliating. | 0:12:48 | 0:12:50 | |
Due to the weather conditions, | 0:12:52 | 0:12:53 | |
the dogs could be a risk to other road users. | 0:12:53 | 0:12:56 | |
Adam decides it's time to call for back up. | 0:12:56 | 0:12:59 | |
We've got three dogs just running round in the road. | 0:12:59 | 0:13:02 | |
And in the meantime they decide that in a case like this, | 0:13:02 | 0:13:05 | |
four wheels are better than four feet. | 0:13:05 | 0:13:07 | |
There's another main road there. | 0:13:07 | 0:13:09 | |
-You're kidding. -I've just seen one go past. | 0:13:09 | 0:13:12 | |
Where that hedge is. | 0:13:12 | 0:13:13 | |
We'd better get in because if they've gone on that main road... | 0:13:13 | 0:13:17 | |
The pressure is now on to catch the suspects. | 0:13:18 | 0:13:21 | |
They're heading towards the busy A10, | 0:13:21 | 0:13:23 | |
where cars are whizzing past at 60 miles an hour. | 0:13:23 | 0:13:26 | |
It's no place for a Labrador and two Jack Russells. | 0:13:26 | 0:13:29 | |
But with gardens and hedges left, right and centre, | 0:13:29 | 0:13:32 | |
the village is full of hiding places for crafty canines. | 0:13:32 | 0:13:36 | |
I've got no idea where they've gone from here | 0:13:36 | 0:13:39 | |
because they were out of my sight. | 0:13:39 | 0:13:41 | |
It's a mystery. Where have they gone? | 0:13:41 | 0:13:43 | |
The police decide to appeal to witnesses | 0:13:43 | 0:13:45 | |
for any sightings of the suspects. | 0:13:45 | 0:13:47 | |
I don't suppose you've seen three stray dogs walking down here? | 0:13:47 | 0:13:51 | |
-No. -No, OK. Thank you. | 0:13:51 | 0:13:52 | |
I don't suppose you've seen three dogs running around | 0:13:52 | 0:13:56 | |
on their own, have you? | 0:13:56 | 0:13:57 | |
-Not yet. Are they big dogs? -One Lab and two Jacks. | 0:13:57 | 0:14:02 | |
Oh right. I'll keep an eye out. | 0:14:02 | 0:14:05 | |
-So they didn't come this way. -No. | 0:14:05 | 0:14:08 | |
It's starting to look like the pups have given the police the slip. | 0:14:08 | 0:14:12 | |
It's not every day in the job that we end up chasing dogs. | 0:14:13 | 0:14:16 | |
Usually we're much more akin to chasing criminals. | 0:14:16 | 0:14:18 | |
I think they can certainly be a lot more predictable than dogs | 0:14:18 | 0:14:22 | |
and in some ways much easier to catch. | 0:14:22 | 0:14:24 | |
This is a new one on me. | 0:14:24 | 0:14:27 | |
But then Adam suddenly spots the suspects up ahead. | 0:14:27 | 0:14:31 | |
-Ah, here we go. -Grab him, grab him, grab the dog. | 0:14:31 | 0:14:37 | |
The dogs are now just a hair's breadth away. | 0:14:37 | 0:14:39 | |
Kersten and Adam close in. | 0:14:39 | 0:14:41 | |
But once again the mutts are one step ahead. | 0:14:41 | 0:14:44 | |
Come here! | 0:14:45 | 0:14:46 | |
I don't think this is going to happen any time soon, put it that way. | 0:14:47 | 0:14:52 | |
It's all turning into a bit of a dog's dinner, | 0:14:52 | 0:14:54 | |
so Kersten and Adam decide to lie low until the dog handler arrives. | 0:14:54 | 0:14:58 | |
They meet him in a nearby field | 0:15:00 | 0:15:01 | |
and all three head off in search of the pooches. | 0:15:01 | 0:15:04 | |
But it's now 20 minutes since they were last sighted and there's | 0:15:04 | 0:15:08 | |
no sign of them in the streets or in the neighbouring fields, | 0:15:08 | 0:15:11 | |
so they decide to call off the search. | 0:15:11 | 0:15:13 | |
-Cheers for your help, thanks for that. -See you later. | 0:15:15 | 0:15:18 | |
Unless there's any other calls or we come across them | 0:15:18 | 0:15:21 | |
while we're out on patrol, we're just going to leave it how it is. | 0:15:21 | 0:15:24 | |
Famous last words. | 0:15:24 | 0:15:26 | |
Minutes after calling our search off for these dogs, | 0:15:26 | 0:15:29 | |
we have another sighting. | 0:15:29 | 0:15:30 | |
Our dog unit has just seen them come round the corner, | 0:15:30 | 0:15:33 | |
so we're heading off to see if we can catch them again. | 0:15:33 | 0:15:35 | |
And this time they're in luck. | 0:15:35 | 0:15:38 | |
-Got one. -Fantastic, hooray! -Well done! | 0:15:38 | 0:15:40 | |
We saw he had the larger of the three on a lead and there was | 0:15:40 | 0:15:43 | |
a tremendous sense of relief that with the other two staying nearby, | 0:15:43 | 0:15:47 | |
the chase was finally over and we'd got them safe and away from traffic. | 0:15:47 | 0:15:50 | |
A bowl of dog biscuits later | 0:15:53 | 0:15:55 | |
and three very grubby pooches are securely fastened on their leads. | 0:15:55 | 0:15:59 | |
All that remains now is to make contact with the owner. | 0:15:59 | 0:16:03 | |
Could you come down to get them? Otherwise we'll have to get them | 0:16:03 | 0:16:06 | |
taken to the vets or into kennels, which will cost. | 0:16:06 | 0:16:09 | |
Come on, then. | 0:16:09 | 0:16:11 | |
The dogs are loaded into the police car | 0:16:11 | 0:16:13 | |
and the dog handler arranges for the owner to come and meet them. | 0:16:13 | 0:16:18 | |
At least we know that they're going to be OK now and there's not | 0:16:18 | 0:16:21 | |
going to be any road-related incidents, which is always good. | 0:16:21 | 0:16:25 | |
Team effort, we got them! | 0:16:25 | 0:16:29 | |
But it's not quite over yet. | 0:16:29 | 0:16:31 | |
Unfortunately when we got there some time passed without her turning up, | 0:16:31 | 0:16:35 | |
which meant that we had to call her to see what was going on... | 0:16:35 | 0:16:38 | |
-She's in labour. -Oh, my God. | 0:16:38 | 0:16:41 | |
She was due this afternoon, she was heading to hospital | 0:16:41 | 0:16:44 | |
when we called, she was on her way back | 0:16:44 | 0:16:47 | |
and the pains had started to kick in and the contractions. | 0:16:47 | 0:16:50 | |
She's gone to hospital. We're not delivering a baby! | 0:16:50 | 0:16:53 | |
In the time I've been working with the police, | 0:16:53 | 0:16:55 | |
this is one of the most surreal situations. | 0:16:55 | 0:16:58 | |
Chasing dogs for two and a half hours | 0:16:58 | 0:17:00 | |
for the owner to then go into labour, | 0:17:00 | 0:17:01 | |
it's something you couldn't plan for | 0:17:01 | 0:17:03 | |
and certainly something that isn't involved in your training. | 0:17:03 | 0:17:07 | |
Luckily there is someone at the owner's address, | 0:17:07 | 0:17:09 | |
so they're able to deliver the dogs safely. | 0:17:09 | 0:17:12 | |
-There's number one. -Come on, boy. | 0:17:12 | 0:17:16 | |
There's number two, she's got a sore back left leg. | 0:17:16 | 0:17:19 | |
-Thank you very much. -No problem, take care. | 0:17:19 | 0:17:21 | |
The main worry with these three dogs was that they were going to | 0:17:21 | 0:17:24 | |
cause an issue with traffic. As light and funny as it did seem, | 0:17:24 | 0:17:27 | |
it was very much just a matter of trying to get control | 0:17:27 | 0:17:30 | |
of the dogs before they became too much of a risk to the public. | 0:17:30 | 0:17:33 | |
It came as a tremendous relief, beyond what I can describe, | 0:17:33 | 0:17:36 | |
that we managed to get them home safe and sound. | 0:17:36 | 0:17:40 | |
It's 11:00pm - pub closing time - | 0:17:48 | 0:17:50 | |
and Special Constable Chris Hallatt is out with PC Colin Johnson | 0:17:50 | 0:17:55 | |
on a drink driving patrol. | 0:17:55 | 0:17:56 | |
When did you last have a drink? | 0:17:56 | 0:17:58 | |
Blow in there until I tell you to stop. | 0:17:58 | 0:18:00 | |
-Have you had a drink tonight? -No. -You haven't? OK. | 0:18:00 | 0:18:03 | |
When he's not volunteering, | 0:18:07 | 0:18:09 | |
Chris helps manage two police training centres. | 0:18:09 | 0:18:12 | |
My day job is basically managing sites, working alongside | 0:18:12 | 0:18:17 | |
'other police officers, police staff, dealing with contractors...' | 0:18:17 | 0:18:22 | |
OK, when are you starting that? | 0:18:22 | 0:18:23 | |
'..dealing with security problems.' | 0:18:23 | 0:18:26 | |
When I walked in, the alarm wasn't set. | 0:18:26 | 0:18:28 | |
Basically making sure everything's working properly. | 0:18:28 | 0:18:31 | |
You've got to be able to think on your feet, stay organised, | 0:18:31 | 0:18:36 | |
being able to deal with people. | 0:18:36 | 0:18:39 | |
Someone's always got a problem, so it's nice to fix that problem. | 0:18:39 | 0:18:44 | |
Tonight Chris and Colin are on the lookout for drink drivers, | 0:18:46 | 0:18:49 | |
and a van in front has aroused their suspicion. | 0:18:49 | 0:18:53 | |
The drivers were a bit scatty, trying to get out the way, seeing a police car. | 0:18:53 | 0:18:56 | |
They suddenly turned off the street and were driving a little bit quick. | 0:18:56 | 0:19:00 | |
So we followed it and pulled it over. | 0:19:00 | 0:19:04 | |
-We're doing a drink-drive campaign. Have you had a drink tonight? -No. | 0:19:04 | 0:19:08 | |
-You haven't? When was the last time you had a drink? -Yesterday. | 0:19:08 | 0:19:12 | |
-Have you got your driving licence? -No, not with me. I'm in my pyjamas! | 0:19:12 | 0:19:18 | |
She had this one-piece suit on, what they call a onesie. | 0:19:18 | 0:19:23 | |
I try not to judge a book by its cover, | 0:19:23 | 0:19:27 | |
but why are you out at midnight in your onesie driving a van? | 0:19:27 | 0:19:33 | |
The police have pulled the driver over on suspicion of drink driving, | 0:19:33 | 0:19:37 | |
but it quickly becomes apparent | 0:19:37 | 0:19:39 | |
that there's much more to this case than meets the eye. | 0:19:39 | 0:19:42 | |
-Have you got insurance to drive this vehicle? -Don't know. I think so. | 0:19:42 | 0:19:46 | |
Well, that'll be a no, then. | 0:19:46 | 0:19:48 | |
The woman doesn't have valid insurance | 0:19:48 | 0:19:50 | |
and is breaking the law by driving the van. | 0:19:50 | 0:19:53 | |
The van is owned by the male passenger's father. | 0:19:53 | 0:19:56 | |
He claims his parents let him and his girlfriend | 0:19:56 | 0:19:58 | |
borrow the van to go to the shop. | 0:19:58 | 0:20:00 | |
I don't believe your dad will allow her to drive this vehicle, | 0:20:02 | 0:20:05 | |
knowing she's got no insurance. | 0:20:05 | 0:20:08 | |
I want you to be honest. | 0:20:08 | 0:20:09 | |
I am being honest. He said, "Just take it." | 0:20:09 | 0:20:13 | |
-Did you hear him say that? -No, my mum said we could take it. | 0:20:13 | 0:20:16 | |
It's not your mum's car, is it? | 0:20:16 | 0:20:18 | |
It's my mum and dad. You can come round and speak to my mum. | 0:20:18 | 0:20:21 | |
Just to let you know, I'm seizing the vehicle under | 0:20:21 | 0:20:24 | |
section 165 of the Road Traffic Act for being driven with no insurance. | 0:20:24 | 0:20:28 | |
There's no-one here that can drive it with relevant insurance. | 0:20:28 | 0:20:32 | |
I've got reason to believe that vehicle is going to be | 0:20:32 | 0:20:35 | |
-driven away from here. -Well, no... You can take the keys. | 0:20:35 | 0:20:38 | |
No, I'm not being funny... | 0:20:38 | 0:20:39 | |
I'll have to empty it all out, then. | 0:20:39 | 0:20:41 | |
It's not down to me, but I'll have to empty it out. | 0:20:41 | 0:20:44 | |
The officers are seizing his dad's van. | 0:20:44 | 0:20:47 | |
His father is a builder and his tools are in the back. | 0:20:47 | 0:20:51 | |
If it's being seized it will be safe, won't it? | 0:20:51 | 0:20:54 | |
It will be put into a secure compound. | 0:20:54 | 0:20:56 | |
The male passenger seemed a bit scared that we were taking it. | 0:20:56 | 0:21:01 | |
He took his dad's tools and made every effort to secure the vehicle. | 0:21:01 | 0:21:07 | |
-Does your dad need it for work Monday morning? -Tomorrow. -Right, OK. | 0:21:07 | 0:21:13 | |
The mother of the female driver arrives | 0:21:16 | 0:21:18 | |
and she's not pleased about her daughter's choice of evening wear. | 0:21:18 | 0:21:21 | |
-Sorry, what's been going on? -Just been to Tesco's... -Look at the state of you. | 0:21:21 | 0:21:25 | |
I'm in my pyjamas. I've just got out of bed to get something to eat. | 0:21:25 | 0:21:30 | |
-You would have thought I'd murdered someone. -Oh, shut up. | 0:21:30 | 0:21:34 | |
I'm sorry. Can I leave this with you? | 0:21:34 | 0:21:37 | |
-You can do. -Because I'm going out. | 0:21:37 | 0:21:39 | |
PC Johnson runs some checks on the female driver | 0:21:41 | 0:21:44 | |
and it's more bad news. | 0:21:44 | 0:21:45 | |
You've got six points on your licence. | 0:21:46 | 0:21:48 | |
-Yeah. Now I've got about ten. -That means I can't give you a ticket, | 0:21:48 | 0:21:52 | |
because your licence would be gone. I'm going to report you for court. | 0:21:52 | 0:21:55 | |
You're being reported for the question of prosecution for driving | 0:21:55 | 0:21:58 | |
-a motor vehicle on the road... -Are you nicking me? -You're not being nicked. | 0:21:58 | 0:22:02 | |
Just hurry up, people need your help and you're having a go for driving to the shop to get cream soda. | 0:22:02 | 0:22:07 | |
I'm dealing with you, who's driving around on the road without insurance. | 0:22:07 | 0:22:10 | |
What if you knock someone over and kill them? | 0:22:10 | 0:22:13 | |
I doubt it, I was only going to the shop. | 0:22:13 | 0:22:14 | |
-What if someone else knocked one of your kids over? -Just breathalyse me, will you? | 0:22:14 | 0:22:19 | |
She's already got six points and is now due another three, | 0:22:19 | 0:22:22 | |
but complains this is all a waste of police time. | 0:22:22 | 0:22:24 | |
Police are there to deal with situations like that, aren't they? | 0:22:24 | 0:22:28 | |
If you had the right documents, you were insured and driving the vehicle, | 0:22:28 | 0:22:32 | |
we could be dealing with something else. | 0:22:32 | 0:22:35 | |
-Have you had anything to drink tonight, at all? -No, I don't drink. | 0:22:35 | 0:22:39 | |
OK. Blow into there until tell you to stop. | 0:22:39 | 0:22:41 | |
Chris breathalyses the woman to make sure | 0:22:43 | 0:22:45 | |
she hasn't been drinking alcohol. | 0:22:45 | 0:22:47 | |
The test comes back clear. | 0:22:47 | 0:22:49 | |
But PC Johnson has just made another damning discovery. | 0:22:49 | 0:22:52 | |
-More bad news for you. Your licence is no longer valid. -Oh! | 0:22:52 | 0:22:55 | |
So you are also being reported for driving otherwise in accordance with a licence. | 0:22:55 | 0:22:59 | |
Great, anything else you want to do me for before Christmas? | 0:22:59 | 0:23:02 | |
You're going to be reported for both offences. | 0:23:02 | 0:23:04 | |
-It will mean a court appearance. -I don't care, to be honest. | 0:23:04 | 0:23:08 | |
I don't want to drive any more, anyway. | 0:23:08 | 0:23:10 | |
I'm not well. I'm in my pyjamas. | 0:23:10 | 0:23:12 | |
The female driver had no insurance and driving licence, basically, | 0:23:13 | 0:23:17 | |
so to me that's someone who doesn't really take any care. | 0:23:17 | 0:23:21 | |
The car is towed away and the woman | 0:23:22 | 0:23:24 | |
and her boyfriend make their way home in a taxi with his dad's tools. | 0:23:24 | 0:23:29 | |
Case closed, or so they think. | 0:23:29 | 0:23:32 | |
Literally before we got to the end of the street, | 0:23:32 | 0:23:36 | |
we heard a call come in over the radio. | 0:23:36 | 0:23:38 | |
Control is reporting a domestic dispute in progress | 0:23:38 | 0:23:41 | |
at the address of the man whose van has been impounded. | 0:23:41 | 0:23:45 | |
A specific street and house name was mentioned. | 0:23:45 | 0:23:48 | |
We looked at each other and thought, "That's the address of the van." | 0:23:48 | 0:23:53 | |
We'll go as well. It's a domestic now at that address. | 0:23:53 | 0:23:56 | |
SIRENS WAIL | 0:23:56 | 0:23:59 | |
As we arrived there was the young man that had been in the van | 0:24:07 | 0:24:12 | |
at the time we seized it, was out in the front garden. | 0:24:12 | 0:24:16 | |
-What's going on? -A kickoff, big time. -Who's kicked off? | 0:24:16 | 0:24:20 | |
He had a fat lip, and he was saying, arrest his dad. | 0:24:21 | 0:24:27 | |
The man claims he was hit by his father | 0:24:28 | 0:24:30 | |
when he came home without his van. | 0:24:30 | 0:24:32 | |
Just try and calm down. All right? | 0:24:33 | 0:24:37 | |
The father has accused his son of stealing some of his tools. | 0:24:37 | 0:24:41 | |
Due to how the father was acting, | 0:24:41 | 0:24:44 | |
he was handcuffed immediately by PC Johnson. | 0:24:44 | 0:24:47 | |
-You're a bit agitated. -No, I'm -BLEEP. | 0:24:47 | 0:24:50 | |
You can't go around hitting people. | 0:24:50 | 0:24:53 | |
The man's wife is also in the house | 0:24:53 | 0:24:55 | |
and appears to have been involved in the incident. | 0:24:55 | 0:24:58 | |
Her cheeks and her nose looked swollen. | 0:24:58 | 0:25:01 | |
I think she was trying to stop the dad from hitting the son | 0:25:01 | 0:25:04 | |
and she got in the way, got punched in the face. | 0:25:04 | 0:25:08 | |
-You're under arrest for ABH times two. -Sorry? | 0:25:08 | 0:25:12 | |
-You're under arrest for ABH... -Times? -Two. | 0:25:12 | 0:25:15 | |
-For your son and your wife. -And what? -And punching your wife. -Right. | 0:25:15 | 0:25:18 | |
You do not have to say anything but it may harm your defence if you do not mention when questioned | 0:25:18 | 0:25:23 | |
something which you later rely on in court. | 0:25:23 | 0:25:25 | |
Anything you do say will be given in evidence, do you understand? | 0:25:25 | 0:25:28 | |
I understand I'm under arrest. | 0:25:28 | 0:25:30 | |
You better make sure, when you release me, | 0:25:30 | 0:25:33 | |
because I'll tell you now... | 0:25:33 | 0:25:36 | |
-They'd better not be in my -BLEEP -house when I get back. | 0:25:36 | 0:25:40 | |
-Why is that? -I'll burn it -BLEEP, -that's why. | 0:25:40 | 0:25:43 | |
-OK. -So, lock me up, do what you're going to do. | 0:25:43 | 0:25:46 | |
-Can I just remind you that you are under arrest. -Yes, I know. | 0:25:46 | 0:25:49 | |
And anything you do say...will be written down and used against you. | 0:25:49 | 0:25:52 | |
-That scamming little -BLEEP... -I'm not going to discuss it now... | 0:25:52 | 0:25:55 | |
..ripped me off and you're nicking me! | 0:25:55 | 0:25:57 | |
You need to calm down, we'll deal with this. | 0:25:57 | 0:26:00 | |
-No, I don't think I need to calm down, actually. -Yes, you do. | 0:26:00 | 0:26:03 | |
Would you be like that if your son ripped you off? | 0:26:03 | 0:26:06 | |
Right, we're going to deal with it in custody, sir. | 0:26:06 | 0:26:09 | |
It started with a routine traffic stop | 0:26:09 | 0:26:11 | |
and ended up with a chap being arrested | 0:26:11 | 0:26:14 | |
for assaulting his wife and his son. | 0:26:14 | 0:26:17 | |
People make choices in life. | 0:26:17 | 0:26:19 | |
You've got to take the consequences, haven't you? | 0:26:19 | 0:26:23 | |
It just goes to show you small little things, | 0:26:23 | 0:26:25 | |
like from a minor traffic offence, escalates into something like this. | 0:26:25 | 0:26:30 | |
Yeah, if the girl had insurance, none of this would have happened. | 0:26:32 | 0:26:37 | |
The man was taken into custody | 0:26:38 | 0:26:40 | |
and charged with two counts of common assault. | 0:26:40 | 0:26:43 | |
The case went to court but was later dropped. | 0:26:43 | 0:26:46 | |
The female driver was summonsed to court for driving without | 0:26:47 | 0:26:50 | |
a licence or insurance. | 0:26:50 | 0:26:52 | |
She pleaded guilty, received six points on her licence | 0:26:52 | 0:26:55 | |
and was ordered to pay a £180-fine and £90 costs. | 0:26:55 | 0:26:59 | |
Subtitles by Red Bee Media Ltd | 0:27:23 | 0:27:27 |