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In 1825, Newgate jailers escorted John Smith along this ever-narrowing corridor. | 0:00:03 | 0:00:10 | |
He had been convicted at the Old Bailey of housebreaking. | 0:00:10 | 0:00:14 | |
'He had no barrister to represent him, no witnesses to call on oath. | 0:00:15 | 0:00:21 | |
'All he could do was to protest his innocence - in vain.' | 0:00:21 | 0:00:25 | |
John Smith finished his walk about here. | 0:00:25 | 0:00:30 | |
And this was probably his last view of daylight. | 0:00:30 | 0:00:34 | |
He was hanged for this crime. | 0:00:35 | 0:00:38 | |
John Smith was a boy of just fifteen. | 0:00:39 | 0:00:44 | |
The case of John Smith sounds like an awful aberration, | 0:00:50 | 0:00:54 | |
a shockingly disproportionate punishment for a property offence and inflicted on one so young. | 0:00:54 | 0:01:00 | |
Yet this was no miscarriage of justice. The trial followed the due process of the day, | 0:01:00 | 0:01:06 | |
a due process that was far from equal, but was stacked against the defendant. | 0:01:06 | 0:01:12 | |
Life or death could be decided in minutes. | 0:01:12 | 0:01:16 | |
Most defendants had no one to put their case, other than the judge himself. | 0:01:16 | 0:01:22 | |
If this now seems rather surprising to us, | 0:01:23 | 0:01:27 | |
it's because of the remarkable transformation that's taken place in our legal system | 0:01:27 | 0:01:32 | |
over the last three centuries. | 0:01:32 | 0:01:35 | |
It's one that went well beyond due process to enshrine in English court procedure | 0:01:35 | 0:01:42 | |
the principle of the equality of arms, of simple fairness. | 0:01:42 | 0:01:48 | |
'That transformation was shaped by seismic shifts in English society | 0:01:48 | 0:01:55 | |
'from the Industrial Revolution | 0:01:55 | 0:01:57 | |
'to the rise of the popular press. | 0:01:57 | 0:02:00 | |
'It's a story that takes place in the shadow of the noose, | 0:02:01 | 0:02:06 | |
'one that features spies, visionary politicians blazing their way through the statute books, | 0:02:06 | 0:02:12 | |
'forgery, fraud and murder. | 0:02:12 | 0:02:15 | |
'And the most dazzling advocates ever to step foot in an English courtroom.' | 0:02:15 | 0:02:21 | |
At the centre of this revolution was my profession. | 0:02:21 | 0:02:26 | |
Barristers like William Garrow pioneered new rules of evidence | 0:02:26 | 0:02:30 | |
and their aggressive, passionate performances made them the star turns of the courtroom drama. | 0:02:30 | 0:02:35 | |
If he were guilty, and I say plainly he is not, must he hang alongside murderers and cutpurses?! | 0:02:35 | 0:02:42 | |
Mr Garrow! You will be in contempt! | 0:02:42 | 0:02:46 | |
'In this programme, I'll trace how a rather crude and biased legal process' | 0:02:46 | 0:02:53 | |
was remoulded to give us what we have today - | 0:02:53 | 0:02:57 | |
the fair trial. | 0:02:57 | 0:03:00 | |
At the start of the 18th century, our liberties and freedoms had been established. | 0:03:22 | 0:03:27 | |
The courts, by comparison, were still in the Dark Ages. | 0:03:27 | 0:03:31 | |
Land yourself in the dock and you found yourself in a medieval nightmare. | 0:03:31 | 0:03:36 | |
With no police force and no forensic science service, | 0:03:36 | 0:03:40 | |
the only means of deterring crime was through exemplary punishment - | 0:03:40 | 0:03:44 | |
whipping, transportation and hanging. | 0:03:44 | 0:03:48 | |
And an already severe system was about to get even bloodier. | 0:03:48 | 0:03:53 | |
This is Waltham in Hampshire. | 0:03:54 | 0:03:56 | |
'In 1723, it was a place of terror. | 0:03:58 | 0:04:02 | |
'A gang rampaged through these forests, poaching, robbing and murdering, | 0:04:04 | 0:04:08 | |
'their faces blacked up in disguise. | 0:04:08 | 0:04:12 | |
'It was feared these Waltham Blacks, as they were known, would spread their violence across England.' | 0:04:14 | 0:04:21 | |
As a kneejerk reaction, the Waltham Black Act was rushed into law. | 0:04:23 | 0:04:28 | |
Suddenly all manner of offences were punishable by death. | 0:04:28 | 0:04:33 | |
Just being caught in a park with a blacked-up face could get you hanged, along with damaging trees | 0:04:34 | 0:04:40 | |
and wrecking fish ponds. | 0:04:40 | 0:04:42 | |
It was the harshest piece of legislation that the country had ever seen. | 0:04:42 | 0:04:47 | |
Thus began a terrible trend that meant that by the end of the century | 0:04:47 | 0:04:52 | |
more than 200 offences were punishable by death. | 0:04:52 | 0:04:56 | |
Deterrence was all. | 0:04:58 | 0:05:00 | |
As Judge Buller told a felon he was sentencing, "You are to be hanged not for stealing horses | 0:05:00 | 0:05:07 | |
"but that horses may not be stolen." | 0:05:07 | 0:05:11 | |
'This system was aptly named the Bloody Code. | 0:05:12 | 0:05:16 | |
'At its heart was London's Hall of Justice, the Old Bailey. | 0:05:16 | 0:05:20 | |
'In Georgian times, trials were held in a courtroom exposed to the elements to prevent typhus | 0:05:22 | 0:05:29 | |
'infecting others. The Old Bailey today may look like | 0:05:29 | 0:05:33 | |
'a palace of justice, but in the 18th century it truly was a death trap. | 0:05:33 | 0:05:40 | |
'In 1750, long after the building had been enclosed, | 0:05:40 | 0:05:44 | |
'an outbreak of jail fever promiscuously killed 60 people, | 0:05:44 | 0:05:48 | |
'including two judges and the Lord Mayor.' | 0:05:48 | 0:05:52 | |
If the physical conditions were vile, the way in which justice was meted out seems much worse. | 0:05:52 | 0:05:58 | |
You are facing the noose. | 0:05:58 | 0:06:00 | |
Are you entitled to a defence barrister? No. | 0:06:00 | 0:06:04 | |
Can you or your defence witnesses give sworn testimony? No. | 0:06:04 | 0:06:09 | |
Do juries retire to give careful consideration to your case? | 0:06:09 | 0:06:14 | |
No. | 0:06:14 | 0:06:15 | |
And you were lucky if the entire proceedings from start to verdict and sentence | 0:06:15 | 0:06:21 | |
took more than 15 minutes. | 0:06:21 | 0:06:25 | |
The idea that the accused was entitled to an adequate defence | 0:06:25 | 0:06:31 | |
had yet to penetrate these walls. | 0:06:31 | 0:06:34 | |
In this era, people felt the innocent should be able to argue their own cases. | 0:06:36 | 0:06:42 | |
Many an accused, when compelled to defend themselves in this alien environment, | 0:06:43 | 0:06:49 | |
with its unfamiliar procedures and terminology, | 0:06:49 | 0:06:53 | |
would have been terrified into incoherence | 0:06:53 | 0:06:57 | |
when their lives were hanging in the balance. | 0:06:57 | 0:07:02 | |
If the defendant needed assistance, the judge was expected to offer it. | 0:07:02 | 0:07:07 | |
Judges were not always seen to be the apogee of impartiality | 0:07:07 | 0:07:11 | |
and some could find the court day a little enervating. | 0:07:11 | 0:07:15 | |
In 1699, Spencer Cowper, grandfather of the poet William, | 0:07:15 | 0:07:20 | |
was on trial for murder. | 0:07:20 | 0:07:22 | |
Towards the end of a lengthy day, an exhausted judge admitted | 0:07:22 | 0:07:26 | |
he was struggling to sum up the case. | 0:07:26 | 0:07:30 | |
"I am sensible I have omitted many things," he said, | 0:07:30 | 0:07:33 | |
"but I am a little faint and cannot repeat any more of the evidence." | 0:07:33 | 0:07:38 | |
Despite this display of judicial lassitude, | 0:07:38 | 0:07:42 | |
or perhaps because of it, the jury found Cowper not guilty. | 0:07:42 | 0:07:46 | |
With judges your only defender | 0:07:48 | 0:07:51 | |
and the Bloody Code sanctioning hanging for over 200 crimes, | 0:07:51 | 0:07:55 | |
you might have expected the hangman to be the busiest tradesman in town. | 0:07:55 | 0:08:00 | |
Thankfully, something came between you and the noose. | 0:08:01 | 0:08:05 | |
'The jury.' | 0:08:05 | 0:08:06 | |
I'll let you into a wee secret gained from many years' experience at the criminal bar. | 0:08:09 | 0:08:14 | |
Despite all their tough talking in the pub, | 0:08:14 | 0:08:18 | |
most people, when they find themselves on a jury having to decide the fate of a fellow human, | 0:08:18 | 0:08:24 | |
in many cases have a tendency | 0:08:24 | 0:08:26 | |
to go all...soft or tender. | 0:08:26 | 0:08:29 | |
Tabloid journalists may merely reflect the inclination or even aspiration of many of their readers | 0:08:36 | 0:08:43 | |
to string them up themselves, | 0:08:43 | 0:08:45 | |
but when they do hold someone's life in their hand, | 0:08:45 | 0:08:49 | |
most people wobble. | 0:08:49 | 0:08:51 | |
And this was nothing new. | 0:08:53 | 0:08:55 | |
Juries were considerably less punitive 200 years ago than perhaps you might think. | 0:08:55 | 0:09:01 | |
When faced with a Bloody Code which imposed the death penalty for innumerable petty offences, | 0:09:01 | 0:09:08 | |
juries were inclined to go against their oath of bringing in a true verdict | 0:09:08 | 0:09:14 | |
and either to find people not guilty or, more often, to reduce the amount of property stolen | 0:09:14 | 0:09:22 | |
so that it was no longer a capital offence. | 0:09:22 | 0:09:25 | |
This was known as pious perjury. | 0:09:25 | 0:09:28 | |
And let me give you an example. | 0:09:28 | 0:09:31 | |
Here's just one case from the Old Bailey records and it relates to a Mary Bain | 0:09:31 | 0:09:37 | |
of the Parish of St Andrew Holborn. | 0:09:37 | 0:09:40 | |
Now she was indicted for the theft of clothing worth over 50 shillings. | 0:09:40 | 0:09:45 | |
That was a capital offence. | 0:09:45 | 0:09:48 | |
"She made a frivolous defence upon which the jury found her guilty | 0:09:48 | 0:09:54 | |
"to the value of four shillings and ten pence," | 0:09:54 | 0:09:58 | |
thus rendering her no longer liable to execution | 0:09:58 | 0:10:02 | |
and so she was merely branded. | 0:10:02 | 0:10:06 | |
Counting on the mercy of either the jury or the judge | 0:10:06 | 0:10:11 | |
could seem a little bit like Russian Roulette, | 0:10:11 | 0:10:14 | |
but soon a means arose which would help even the odds for the defendants | 0:10:14 | 0:10:20 | |
and this is still a cornerstone of English justice today. | 0:10:20 | 0:10:25 | |
But its beginning is shrouded, still, in some little mystery. | 0:10:25 | 0:10:31 | |
'The mystery starts in the Inns of Court, home to London's barristers. | 0:10:34 | 0:10:40 | |
'These lawyers had been pleading in English courts since the 13th century, | 0:10:40 | 0:10:45 | |
'but their role had been mainly limited to civil cases and litigation.' | 0:10:45 | 0:10:50 | |
Here at Lincoln's Inn, as at the other Inns of Court, | 0:10:50 | 0:10:55 | |
more and more barristers came to ply their trade. | 0:10:55 | 0:10:58 | |
They were bright, energetic young men and their influence would be profound. | 0:10:58 | 0:11:04 | |
'By the 18th century, barristers were prosecuting criminal cases on behalf of the Crown. | 0:11:06 | 0:11:13 | |
'And from the 1730s, some judges were allowing defence barristers | 0:11:13 | 0:11:20 | |
'to appear on behalf of prisoners facing the death penalty.' | 0:11:20 | 0:11:25 | |
Had the judges realised the influence barristers would come to have on the court | 0:11:26 | 0:11:32 | |
and how they would largely displace the judiciary from their dominating role in trials, | 0:11:32 | 0:11:37 | |
they might well have tried to slam the door shut. | 0:11:37 | 0:11:41 | |
Once barristers had their foot in that door, however, | 0:11:41 | 0:11:45 | |
there was no one who could get them out. | 0:11:45 | 0:11:49 | |
Barristers appearing in criminal cases couldn't fall back on mere rhetoric. | 0:11:52 | 0:11:57 | |
They had to master a forensic questioning technique. | 0:11:57 | 0:12:02 | |
Since the 13th century, it was not considered proper for a barrister, in effect, | 0:12:02 | 0:12:07 | |
to appear against the King in felony cases that were brought by the crown. | 0:12:07 | 0:12:13 | |
Thus defence barristers could not address the jury directly, | 0:12:13 | 0:12:17 | |
but had to rely on vigorous cross-examination and the odd comment dropped in. | 0:12:17 | 0:12:23 | |
One barrister stands out. | 0:12:23 | 0:12:25 | |
He did more than any other to change existing practice | 0:12:25 | 0:12:30 | |
and to transform the very nature of the criminal trial. | 0:12:30 | 0:12:34 | |
William Garrow. | 0:12:34 | 0:12:37 | |
The son of a Scottish schoolmaster, Garrow was called to the bar in 1783. | 0:12:40 | 0:12:45 | |
In later life he would become an MP, the Attorney General and a Privy Councillor, | 0:12:45 | 0:12:50 | |
but his lasting impact came from the time he spent at the Old Bailey | 0:12:50 | 0:12:55 | |
as one of the most prolific defence advocates of his era. | 0:12:55 | 0:12:59 | |
Behind these rather unprepossessing walls, | 0:13:01 | 0:13:05 | |
a legal revolution was taking place. | 0:13:05 | 0:13:07 | |
'Such was Garrow's legacy, along with the theatricality of his courtroom style, | 0:13:08 | 0:13:14 | |
'it's not surprising that his story has been turned into a TV drama. | 0:13:14 | 0:13:18 | |
'This is the set of Garrow's Law. | 0:13:18 | 0:13:21 | |
'The series largely draws on Garrow's actual cases, which often were truly dramatic.' | 0:13:21 | 0:13:28 | |
If he were guilty, which I state plainly he is not, must he hang alongside murderers and cutpurses... | 0:13:28 | 0:13:34 | |
Mr Garrow! You will be in contempt! | 0:13:34 | 0:13:38 | |
Is that a just end for any man? | 0:13:40 | 0:13:42 | |
Gentlemen, you must know that Mr Garrow was playing you like a harpist. | 0:13:46 | 0:13:53 | |
'I asked the historical consultant for the series how much the TV Garrow reflected the man | 0:13:56 | 0:14:02 | |
'revealed by the court records.' | 0:14:02 | 0:14:05 | |
All we can base things on are the transcripts, | 0:14:05 | 0:14:08 | |
so when you go through them | 0:14:08 | 0:14:10 | |
you can see that Garrow is most definitely breaking the mould in terms of how he approached the task | 0:14:10 | 0:14:16 | |
of persuading the jury about his case. | 0:14:16 | 0:14:19 | |
In his style, he seems to be succinct and to the point | 0:14:19 | 0:14:23 | |
and he can create a word picture followed by a question or a comment | 0:14:23 | 0:14:27 | |
or a question dressed up as a comment. A model modern barrister. | 0:14:27 | 0:14:33 | |
In a way, he's the godfather of the whole modern system of advocacy, as I see it anyway, | 0:14:33 | 0:14:39 | |
with this acidic kind of very American style, you know, approach to advocacy. | 0:14:39 | 0:14:46 | |
You are a man who will testify for a reward, you are a man who will have others hanged for a reward! | 0:14:47 | 0:14:54 | |
-I witness from Christian probity! -You witness from greed! -My Lord! | 0:14:54 | 0:14:58 | |
Mr Garrow, you have said your say. | 0:14:58 | 0:15:02 | |
A consummate performer, Garrow was famed for his aggressive style of cross-examination. | 0:15:04 | 0:15:10 | |
'Andrew Buchan, who plays Garrow, seems such a natural fit for the role | 0:15:10 | 0:15:16 | |
'I wondered if there was a lawyer in the family.' | 0:15:16 | 0:15:18 | |
My father used to be a Customs officer at Manchester Airport. | 0:15:18 | 0:15:23 | |
And he would be relentless in just trying to get to the bottom | 0:15:23 | 0:15:27 | |
of where exactly they'd come from, why they didn't have a bag. | 0:15:27 | 0:15:31 | |
"Just tell the truth. I don't believe a word. Where is your uncle? What's his name? | 0:15:31 | 0:15:37 | |
"You don't even know his name?" Just this... "I don't believe a word of it." Like a bullet. | 0:15:37 | 0:15:44 | |
And Garrow's manner of questioning seemed to be very similar to, | 0:15:44 | 0:15:49 | |
"I cannot seem to recollect." "Well, try. Because this person's about to be hanged." | 0:15:49 | 0:15:56 | |
-Is it really quite easy to get into the role of Garrow? -It's an actor's dream, I suppose, | 0:15:56 | 0:16:02 | |
because it is theatre. | 0:16:02 | 0:16:04 | |
A lot of barristers have a little bit of actor in them, | 0:16:04 | 0:16:08 | |
so they love that arena and the cauldron of the court. | 0:16:08 | 0:16:12 | |
Garrow's brilliant use of theatrics meant the opposition felt obliged to follow suit. | 0:16:14 | 0:16:20 | |
Soon the two sides were battling each other as adversaries. | 0:16:20 | 0:16:25 | |
English trials had taken on a new form, which remains with us today. | 0:16:25 | 0:16:30 | |
The adversarial trial system in which I practise | 0:16:30 | 0:16:35 | |
was born in courts such as this. | 0:16:35 | 0:16:38 | |
We don't, alas, have the nuts any more, nor the port, | 0:16:38 | 0:16:42 | |
but the wigs and the briefs tied up in pink ribbon | 0:16:42 | 0:16:47 | |
are exactly the same. | 0:16:47 | 0:16:49 | |
Garrow may have been a mould-breaker in the courtroom, | 0:16:52 | 0:16:56 | |
but he was also very much in tune with the mindset of his age. | 0:16:56 | 0:17:00 | |
In 18th-century Britain, the prevailing intellectual climate was one of rigour, | 0:17:03 | 0:17:09 | |
even of scepticism. | 0:17:09 | 0:17:11 | |
Leading thinkers such as the Scottish philosopher David Hume emphasised the importance | 0:17:11 | 0:17:17 | |
of direct experience in the acquisition of knowledge. | 0:17:17 | 0:17:21 | |
Learned institutions such as the Royal Society championed and popularised the scientific method. | 0:17:21 | 0:17:28 | |
The instinct of any educated person of Garrow's generation would be to take nothing for granted, | 0:17:28 | 0:17:36 | |
but to question received wisdom and to test the evidence. | 0:17:37 | 0:17:42 | |
'And this Enlightenment thinking had found its way into the courtroom. | 0:17:44 | 0:17:49 | |
'Previously, all evidence, even mere hearsay, was equally admissible, | 0:17:49 | 0:17:54 | |
'but now rules of what could and could not be considered evidence were introduced. | 0:17:54 | 0:18:00 | |
'Thanks to Garrow, the entire balance of proof in the courtroom was changing.' | 0:18:00 | 0:18:05 | |
Before Garrow, the focus was on the response of the accused to the charges. | 0:18:05 | 0:18:10 | |
Garrow shifted that focus onto the case presented by the prosecution. | 0:18:10 | 0:18:15 | |
The trial was no longer a test of the defendant, but of the evidence against him. | 0:18:15 | 0:18:22 | |
And linked to this approach is a principle that has become | 0:18:23 | 0:18:27 | |
the cornerstone of ideals of justice across the world, yet can be summed up in one phrase. | 0:18:27 | 0:18:35 | |
Innocent until proven guilty. | 0:18:36 | 0:18:39 | |
Just four words, but today a hallowed concept. | 0:18:39 | 0:18:43 | |
The articulation of this key principle, the presumption of innocence, | 0:18:43 | 0:18:49 | |
has been attributed to William Garrow. The fact that it has | 0:18:49 | 0:18:54 | |
is a tribute to his impact on the criminal trial process | 0:18:54 | 0:18:58 | |
and on the rights of the accused. | 0:18:58 | 0:19:01 | |
'Of course, it took more than one man to change England's entire legal machine. | 0:19:03 | 0:19:08 | |
'The mystery is what the other factors might be. | 0:19:08 | 0:19:12 | |
'How the adversarial system gained traction, surprisingly, is unclear. | 0:19:12 | 0:19:17 | |
'There was no Act of Parliament, no judgment by or decree from the higher judiciary, | 0:19:17 | 0:19:22 | |
'but legal historian Richard Vogler believes the answer may lie with broader forces. | 0:19:22 | 0:19:28 | |
'Nothing less than the Industrial Revolution.' | 0:19:28 | 0:19:31 | |
Why did this development take place at this time? | 0:19:32 | 0:19:37 | |
I think it is no coincidence that this development happened in England | 0:19:37 | 0:19:42 | |
in the middle of the 18th century at the same time that we were experiencing these profound changes | 0:19:42 | 0:19:48 | |
from our Industrial Revolution. | 0:19:48 | 0:19:51 | |
Moving from a feudal economy to a market, industrial economy. | 0:19:51 | 0:19:56 | |
And I think those changes affected all facets of life, including the criminal trial. | 0:19:56 | 0:20:01 | |
And adversariality is above all a market-driven system of justice. | 0:20:01 | 0:20:06 | |
You pay for what you get in terms of representation. | 0:20:06 | 0:20:10 | |
The Industrial Revolution had brought with it increasing commercial litigation, | 0:20:11 | 0:20:17 | |
disputes over patent rights, mining rights. Now lawyers in criminal courts took this a stage further | 0:20:17 | 0:20:23 | |
and introduced a bolder concept - | 0:20:23 | 0:20:26 | |
that a defendant had rights. | 0:20:26 | 0:20:29 | |
By talking that language when they got into the criminal courts, they revolutionised the procedure. | 0:20:30 | 0:20:36 | |
And instead of the criminal defendant being a passive object of the procedure, | 0:20:36 | 0:20:42 | |
he or she became an active participant | 0:20:42 | 0:20:46 | |
who was rights-bearing, who could actually have a role and be represented. | 0:20:46 | 0:20:51 | |
And this was the birth of a rights culture that has subsequently spread all over the world. | 0:20:51 | 0:20:58 | |
'The revolutionary idea that defendants had rights | 0:20:59 | 0:21:03 | |
'had an impact far greater than just in our courts. | 0:21:03 | 0:21:07 | |
'What began in the courtroom grew into an entire culture. | 0:21:07 | 0:21:11 | |
'William Garrow, as it turns out, was part of a bigger trend.' | 0:21:15 | 0:21:20 | |
I can claim some modest connection with William Garrow. | 0:21:25 | 0:21:30 | |
This is 25 Bedford Row, where I and 60 other barristers have our chambers. | 0:21:30 | 0:21:36 | |
But in the 18th century, this was William Garrow's house. | 0:21:36 | 0:21:40 | |
But I have to admit that despite his very many considerable achievements, | 0:21:41 | 0:21:47 | |
he's not my greatest hero. | 0:21:47 | 0:21:49 | |
That honour has to go to his contemporary, sometime colleague and rival, | 0:21:49 | 0:21:54 | |
perhaps the greatest barrister of them all, Thomas Erskine. | 0:21:54 | 0:21:58 | |
And I say that not just because he's Scottish. | 0:21:58 | 0:22:01 | |
Thomas Erskine was the lawyer who truly championed the new culture of rights. | 0:22:03 | 0:22:09 | |
Charismatic, and with a superb analytical mind, | 0:22:09 | 0:22:13 | |
he was in tune with the new currents of political thought of the 18th century. | 0:22:13 | 0:22:18 | |
Whereas Garrow seems to have been driven largely by personal ambition, | 0:22:21 | 0:22:26 | |
Thomas Erskine, throughout his career, consistently deployed his very considerable talents | 0:22:26 | 0:22:32 | |
in the defence of Enlightenment values and liberty. | 0:22:32 | 0:22:36 | |
Erskine accepted the brief to defend Thomas Paine, the most radical English writer of the age, | 0:22:36 | 0:22:42 | |
whose ideas had helped inspire the American War of Independence | 0:22:42 | 0:22:47 | |
and the French Revolution. | 0:22:47 | 0:22:49 | |
In 1792, Paine was accused of seditious libel | 0:22:49 | 0:22:54 | |
for his essay The Rights of Man. | 0:22:54 | 0:22:57 | |
Erskine's decision was to cost him his post as Attorney General to the Prince of Wales. | 0:22:57 | 0:23:03 | |
Two years later, in 1794, | 0:23:03 | 0:23:06 | |
Erskine would take on his most important case, one that would both showcase his remarkable skills | 0:23:06 | 0:23:12 | |
and test them to the very limit. | 0:23:12 | 0:23:15 | |
At the end of the 18th century, in the wake of the French Revolution, | 0:23:17 | 0:23:22 | |
the rulers of England became more paranoid than at any time since the reign of James I. | 0:23:22 | 0:23:27 | |
The government of William Pitt severely restricted civil liberties | 0:23:27 | 0:23:31 | |
and instituted a series of prosecutions for treason which threatened | 0:23:31 | 0:23:36 | |
to make an "English terror" a reality. | 0:23:36 | 0:23:39 | |
The French Revolution had horrified England's rulers. | 0:23:39 | 0:23:43 | |
Would they, as their French counterparts before them, | 0:23:43 | 0:23:47 | |
be dragged to the guillotine? | 0:23:47 | 0:23:50 | |
'Places like here, Cecil Court in London, | 0:23:56 | 0:23:59 | |
'were hotbeds of radicalism. | 0:23:59 | 0:24:01 | |
'Government spies were watching. | 0:24:01 | 0:24:04 | |
'Mail was searched. | 0:24:06 | 0:24:09 | |
'Dissidents were intimidated. Paranoia was rife.' | 0:24:09 | 0:24:14 | |
One radical group was infiltrated by at least five government spies. | 0:24:20 | 0:24:24 | |
It went by the innocuous name of the London Corresponding Society. | 0:24:24 | 0:24:29 | |
Oh, thank you. | 0:24:30 | 0:24:32 | |
In handbills such as this, | 0:24:33 | 0:24:36 | |
the group's leader Thomas Hardy called for reform - votes for all men and annual parliaments. | 0:24:36 | 0:24:42 | |
William Pitt's government, however, saw not reform | 0:24:42 | 0:24:47 | |
but revolution. | 0:24:47 | 0:24:49 | |
Printing presses were secretly despatching pamphlets throughout the country | 0:24:54 | 0:24:59 | |
and corresponding societies were springing up everywhere. The government was shaken. | 0:24:59 | 0:25:05 | |
"We conceive it necessary to direct the public eye to the cause of our misfortunes | 0:25:08 | 0:25:14 | |
"and to awaken the sleeping reason of our countrymen to the pursuit of the only remedy | 0:25:14 | 0:25:20 | |
"which can ever prove effectual. | 0:25:20 | 0:25:23 | |
"Namely, a thorough reform of Parliament." | 0:25:23 | 0:25:28 | |
The membership of these political associations included tinkers, tailors, soldiers, | 0:25:30 | 0:25:37 | |
but also spies. | 0:25:37 | 0:25:40 | |
Consequently, the wealth of evidence purporting to implicate the corresponding societies in sedition | 0:25:40 | 0:25:47 | |
continued to grow until, in the spring of 1794, | 0:25:47 | 0:25:52 | |
William Pitt could unleash the full force of the law against them. | 0:25:52 | 0:25:57 | |
Thomas Hardy and two other members of the London Corresponding Society | 0:25:59 | 0:26:04 | |
were to stand trial for high treason. | 0:26:04 | 0:26:08 | |
If these men were convicted, it would just be the start. | 0:26:08 | 0:26:13 | |
The government had another 800 arrest warrants waiting to be executed. | 0:26:13 | 0:26:18 | |
Their chances of acquittal looked bleak. Then Thomas Erskine agreed to fight their case. | 0:26:18 | 0:26:26 | |
The treason trials which began in October, 1794, | 0:26:26 | 0:26:31 | |
had the nation transfixed. | 0:26:31 | 0:26:33 | |
Erskine knew that he wouldn't just be addressing the court. | 0:26:33 | 0:26:38 | |
His words would echo around the entire country. | 0:26:38 | 0:26:42 | |
At the heart of his defence, Erskine put forward a clear statement of Enlightenment principles. | 0:26:42 | 0:26:48 | |
"Men may assert the right of every people to choose their government | 0:26:49 | 0:26:56 | |
"without seeking to destroy their own." | 0:26:56 | 0:27:00 | |
In excoriating style, Erskine demolished witness after witness for the prosecution. | 0:27:00 | 0:27:06 | |
A spy was called into the witness box. He claimed to be giving his evidence from his notes, | 0:27:06 | 0:27:14 | |
but frequently was looking at the ceiling. | 0:27:14 | 0:27:18 | |
"Good God Almighty!" thundered Erskine. | 0:27:19 | 0:27:23 | |
"Recollection mixing itself with notes in a case of high treason? | 0:27:23 | 0:27:30 | |
"Oh, excellent evidence(!)" | 0:27:30 | 0:27:33 | |
Opening the defence, Erskine spoke for seven hours. | 0:27:35 | 0:27:40 | |
Not surprisingly, this was one of the longest trials of its age. | 0:27:41 | 0:27:45 | |
Finally, on the eighth day, the jury was ready to return its verdict | 0:27:45 | 0:27:51 | |
amidst nationwide anticipation. | 0:27:51 | 0:27:53 | |
The jury foreman stood up. | 0:27:54 | 0:27:57 | |
"Not guilty," he said. | 0:27:57 | 0:27:59 | |
And promptly fainted. | 0:27:59 | 0:28:02 | |
It was a very popular verdict. | 0:28:04 | 0:28:07 | |
People went wild with excitement. The horses were taken off Hardy and Erskine's coaches | 0:28:07 | 0:28:14 | |
and they were pulled in triumph through the streets of London by jubilant crowds. | 0:28:14 | 0:28:20 | |
We lawyers are reluctant to recognise excellence in anyone other than ourselves. | 0:28:26 | 0:28:32 | |
An impressive judge may merit a small portrait in a corridor, | 0:28:32 | 0:28:37 | |
a distinguished Lord Chief Justice may warrant a full-size painting in a hall, | 0:28:37 | 0:28:42 | |
but Thomas Erskine has a statue here, centre stage, | 0:28:42 | 0:28:48 | |
in the library of Lincoln's Inn. | 0:28:48 | 0:28:50 | |
To be thus set in stone, | 0:28:51 | 0:28:54 | |
at the very heart of legal London, | 0:28:54 | 0:28:57 | |
shows that his peers considered and consider him to be | 0:28:57 | 0:29:00 | |
the finest barrister and foremost defender of freedom | 0:29:00 | 0:29:05 | |
of his or perhaps of any age. | 0:29:05 | 0:29:09 | |
'This new fairer trial procedure, used to such effect by Erskine, | 0:29:22 | 0:29:26 | |
'would flow forth across the world. | 0:29:26 | 0:29:29 | |
'The adversarial trial was perhaps England's best and most benevolent export.' | 0:29:29 | 0:29:36 | |
The adversarial system was exported even beyond the British Empire | 0:29:39 | 0:29:44 | |
and continues to this day in the United States of America and throughout the Commonwealth. | 0:29:44 | 0:29:51 | |
And it's still growing. | 0:29:51 | 0:29:54 | |
In the last two decades, Taiwan and several Latin American countries | 0:29:54 | 0:29:59 | |
have adopted an adversarial approach. | 0:29:59 | 0:30:03 | |
'Back in the 18th century, the involvement of barristers may have made criminal trials fairer, | 0:30:05 | 0:30:11 | |
'but those convicted still faced brutal punishments. | 0:30:11 | 0:30:16 | |
'The Bloody Code was still firmly on the stature books | 0:30:16 | 0:30:20 | |
'and there was no sign that Parliament was in the mood to roll back on capital offences. | 0:30:20 | 0:30:26 | |
'Britain's war with Revolutionary France had triggered a series of runs on the Bank of England, | 0:30:31 | 0:30:37 | |
'draining its gold reserves. | 0:30:37 | 0:30:39 | |
'Fearing it would run out of gold, | 0:30:39 | 0:30:42 | |
'in 1797 it increased the use of banknotes - a counterfeiter's dream. | 0:30:42 | 0:30:48 | |
'But forging a banknote was a capital crime. | 0:30:50 | 0:30:53 | |
'The Bank of England now found itself becoming, in effect, a forgery policeman, | 0:30:53 | 0:30:59 | |
'enforcing the full severity of the law. Hundreds were sentenced to the gallows. | 0:30:59 | 0:31:07 | |
'At the British Museum, historian Jack Mockford explained to me how the satirist George Cruikshank | 0:31:07 | 0:31:14 | |
'witnessed one such hanging and responded with a typically trenchant protest - | 0:31:14 | 0:31:20 | |
'a caricaturist's banknote.' | 0:31:20 | 0:31:22 | |
-It's clearly not a Bank of England note. -No, but what it very cleverly does is mock a lot of features | 0:31:22 | 0:31:28 | |
which were commonplace on Bank of England notes of this period and the past. | 0:31:28 | 0:31:33 | |
So you have the famous image of Britannia, but in this case | 0:31:33 | 0:31:38 | |
she's seen devouring a baby's head and you have various skeletal-like figures on the note. | 0:31:38 | 0:31:44 | |
Here we've got a pound sign, but it's a rope. | 0:31:44 | 0:31:47 | |
Yeah, you have the hangman's noose, which has been cleverly turned into the pound sign. | 0:31:47 | 0:31:53 | |
-Here I think we've got what looks like a row of people being hanged. -You do. That's right, exactly. | 0:31:53 | 0:31:59 | |
-And the signature is not the Governor of the Bank of England. -No, it is Jack Ketch, | 0:31:59 | 0:32:04 | |
a slang term for the hangman at this time. | 0:32:04 | 0:32:07 | |
And what sort of impact would this have had? | 0:32:07 | 0:32:11 | |
I think it symbolised the point in the campaign against the use of capital punishment for forgery | 0:32:11 | 0:32:17 | |
that the Bank's role as the authority on policing the problem and prosecuting individuals | 0:32:17 | 0:32:24 | |
was coming to an end. | 0:32:24 | 0:32:26 | |
Cruikshank's note showed that the tide was turning against the use of the death penalty for forgery. | 0:32:28 | 0:32:34 | |
Juries refused to convict forgers. | 0:32:35 | 0:32:38 | |
The Bank of England itself now pressed the Government to relax its draconian penalties | 0:32:38 | 0:32:43 | |
in a bid to secure more successful convictions. | 0:32:43 | 0:32:48 | |
Forgery was not the only law needing reform. | 0:32:49 | 0:32:53 | |
The whole system, savage and incoherent, required overhauling and only Government could do this. | 0:32:53 | 0:33:01 | |
The politician with the courage, the obsessive eye for detail, and the power of personality | 0:33:03 | 0:33:08 | |
to take on this project was Robert Peel. | 0:33:08 | 0:33:12 | |
When Robert Peel became Home Secretary, | 0:33:12 | 0:33:15 | |
there were over 100 statutes dealing with forgery alone. | 0:33:15 | 0:33:19 | |
He ruthlessly attacked this legislative mess. | 0:33:19 | 0:33:23 | |
Out of this bonfire of legislation, | 0:33:29 | 0:33:31 | |
Peel pulled a piece of legislative magic. | 0:33:31 | 0:33:35 | |
120 statutes were transformed into one, | 0:33:35 | 0:33:40 | |
just six pages long. | 0:33:40 | 0:33:44 | |
With consummate skill, Robert Peel did more to reform the criminal justice system | 0:33:44 | 0:33:50 | |
than almost any other Home Secretary. | 0:33:50 | 0:33:53 | |
'Over the course of eight years, Peel consolidated three quarters of all offences into a few key Acts. | 0:33:53 | 0:34:01 | |
'The Waltham Black Act with its dozens of hanging crimes all but disappeared. | 0:34:01 | 0:34:07 | |
'The death penalty was severely restricted. | 0:34:07 | 0:34:10 | |
'Had a Tory Home Secretary gone soft? | 0:34:11 | 0:34:14 | |
'I put this to Peel's biographer, himself a former Tory Home Secretary, Douglas Hurd.' | 0:34:14 | 0:34:22 | |
Over the previous 100 years, there had been a vast amount of Parliamentary legislation | 0:34:22 | 0:34:28 | |
dealing with crimes, mainly making them capital offences. | 0:34:28 | 0:34:33 | |
That was a tendency. | 0:34:33 | 0:34:36 | |
Of those 120 Acts dealing with forgery, | 0:34:37 | 0:34:41 | |
I think about half, 60, created capital offences. | 0:34:41 | 0:34:46 | |
Peel was not a humanitarian. He was not a liberal Home Secretary. | 0:34:46 | 0:34:51 | |
It was not his main aim to make a more humane, merciful system. | 0:34:51 | 0:34:57 | |
That was one effect of what he did, but it wasn't actually his main aim. His main aim was a Tory aim. | 0:34:57 | 0:35:03 | |
It was actually to tidy things up, make them sensible. It wasn't primarily humanitarian. | 0:35:03 | 0:35:09 | |
I think he was quite clearly looking for the right answer and was not to be pushed off | 0:35:09 | 0:35:15 | |
with inadequate answers or solutions that weren't really solutions. | 0:35:15 | 0:35:19 | |
He really was genuinely looking for, working hard for, | 0:35:19 | 0:35:23 | |
working day and night for the right answer for the system. | 0:35:23 | 0:35:27 | |
Peel had reformed the law. Now he searched for the means to enforce it. | 0:35:29 | 0:35:35 | |
The Bloody Code's unjust punishments had failed to stem crime. | 0:35:36 | 0:35:41 | |
Could there be a better deterrent? | 0:35:41 | 0:35:43 | |
In August, 2011, rioting swept England | 0:35:46 | 0:35:51 | |
and, for a time, the mob ruled. | 0:35:51 | 0:35:54 | |
'Eventually, the police controlled the situation, but imagine the destruction | 0:35:55 | 0:36:01 | |
'if, as in Robert Peel's day, the police didn't exist. | 0:36:01 | 0:36:05 | |
'Instead of deploying police and employing water cannon, | 0:36:05 | 0:36:10 | |
'governments relied on the Riot Act.' | 0:36:10 | 0:36:14 | |
The Act held that where 12 or more people gathered together in riotous assembly | 0:36:14 | 0:36:19 | |
and rejected the reading of the Riot Act | 0:36:19 | 0:36:23 | |
and failed to disperse within an hour, then force could be used against them. | 0:36:23 | 0:36:28 | |
Those remaining on the scene would be subject to the most severe penalty of all - | 0:36:28 | 0:36:33 | |
death. A public official, usually a magistrate, | 0:36:33 | 0:36:37 | |
would first of all read these words. | 0:36:37 | 0:36:41 | |
"Our Sovereign Lord the King chargeth and commandeth all persons being assembled | 0:36:41 | 0:36:49 | |
"immediately to disperse themselves and peaceably to depart to their habitations | 0:36:49 | 0:36:55 | |
"or to their lawful business upon the pains contained in the Act | 0:36:55 | 0:37:00 | |
"for preventing tumults and riotous assemblies. | 0:37:00 | 0:37:04 | |
"God save the King!" | 0:37:04 | 0:37:07 | |
If you heard those words you had an hour to disperse | 0:37:07 | 0:37:11 | |
or face the consequences. | 0:37:11 | 0:37:14 | |
In Peel's day, riots were frequent, but they often ended with deaths on the streets. | 0:37:14 | 0:37:20 | |
The Government's options were limited. | 0:37:20 | 0:37:23 | |
You had a number of ad hoc people like the Bow Street Runners, | 0:37:26 | 0:37:30 | |
but basically you relied on the army because that was the only force that was available. | 0:37:30 | 0:37:37 | |
Peel advocated the creation of a police force. | 0:37:38 | 0:37:42 | |
Uncontroversial to us, but at the time a radical and suspect concept. | 0:37:42 | 0:37:48 | |
Why were people opposed to the creation of a police force? | 0:37:50 | 0:37:54 | |
Because one of the themes which runs through English history in the 18th and 19th century | 0:37:54 | 0:38:00 | |
is the fear of a standing army. | 0:38:00 | 0:38:04 | |
A standing army was thought of as something the Stuarts rather believed in. | 0:38:04 | 0:38:10 | |
It was a reinforcement of royal power. | 0:38:10 | 0:38:14 | |
And people thought - and this was very strong when Peel first produced the plan for a Metropolitan Police - | 0:38:14 | 0:38:21 | |
that this was just the government trying to grab hold of the lives of the people. | 0:38:21 | 0:38:28 | |
Peel had long sought to replace the existing and ineffective system | 0:38:29 | 0:38:34 | |
of nightwatchmen and parish constables, | 0:38:34 | 0:38:37 | |
but he faced an uphill struggle in the face of the argument | 0:38:37 | 0:38:42 | |
that a professional police force would be a danger to liberty. | 0:38:42 | 0:38:47 | |
Could Robert Peel convince the population that having a police force did not mean | 0:38:47 | 0:38:53 | |
England would become a police state? | 0:38:53 | 0:38:57 | |
In 1829, he did this by persuading the public | 0:38:57 | 0:39:01 | |
that the police would not just control people, they would primarily control crime. | 0:39:01 | 0:39:06 | |
"I want to teach people," wrote Peel, | 0:39:07 | 0:39:10 | |
"that liberty does not consist in having your house robbed by organised gangs of thieves | 0:39:10 | 0:39:16 | |
"or leaving the principal streets of London in the nightly possession of drunken women | 0:39:16 | 0:39:22 | |
"or vagabonds." | 0:39:22 | 0:39:24 | |
Crucially for English criminal law, | 0:39:24 | 0:39:27 | |
the creation of a professional police force meant they became the deterrent against crime | 0:39:27 | 0:39:34 | |
rather than draconian penalties. | 0:39:34 | 0:39:37 | |
The raw cityscapes described by Charles Dickens saw Peel's reforms in action. | 0:39:39 | 0:39:45 | |
Society's predators, the Fagins and Bill Sykes, | 0:39:47 | 0:39:50 | |
faced a more immediate threat than the noose - | 0:39:50 | 0:39:54 | |
the increasing likelihood of being detected. | 0:39:54 | 0:39:58 | |
When a Fagin was in the dock, he would now get a brief. | 0:39:58 | 0:40:02 | |
But there was still one shocking imbalance. | 0:40:03 | 0:40:07 | |
'The defence barrister was fighting with one hand tied behind his back.' | 0:40:07 | 0:40:12 | |
Today no courtroom drama is complete without a defence advocate vehemently addressing the jury | 0:40:13 | 0:40:20 | |
on his client's behalf. | 0:40:20 | 0:40:22 | |
It's the culminating point of the defence. | 0:40:22 | 0:40:26 | |
It's the part I enjoy most. | 0:40:26 | 0:40:29 | |
My cross-examination merely provides the grist | 0:40:29 | 0:40:32 | |
for that particular mill. | 0:40:32 | 0:40:35 | |
Yet until the first half of the 19th century, except in treason trials, | 0:40:35 | 0:40:39 | |
only the prosecution had that privilege, not the defence. | 0:40:39 | 0:40:45 | |
But now all that changed. | 0:40:46 | 0:40:48 | |
Sometimes emotional, often theatrical, | 0:40:48 | 0:40:51 | |
the speech by defence counsel to the jury became a key moment in any trial. | 0:40:51 | 0:40:58 | |
And no British lawyer mastered that moment better than Sir Edward Marshall Hall, | 0:40:58 | 0:41:03 | |
whose career spanned the late-Victorian and Edwardian eras. | 0:41:03 | 0:41:07 | |
It's thought he may have helped more people to escape the noose than any other barrister. | 0:41:07 | 0:41:14 | |
'Sally Smith QC is writing a new biography of Marshall Hall | 0:41:16 | 0:41:21 | |
'and has researched his eye-catching tactics.' | 0:41:21 | 0:41:26 | |
The truth is juries like to be entertained to some degree. | 0:41:26 | 0:41:31 | |
And Marshall Hall entertained them. | 0:41:31 | 0:41:33 | |
And he was using techniques which nowadays would be regarded as being inappropriate. | 0:41:33 | 0:41:40 | |
Many of them were derived from the stage and from melodramas. | 0:41:40 | 0:41:45 | |
He would put out his arms and emulate the scales of justice. | 0:41:45 | 0:41:49 | |
You have to remember he was a very tall man and so it was very impressive. | 0:41:49 | 0:41:53 | |
You have to be a very great advocate to keep that up without looking silly. | 0:41:53 | 0:41:58 | |
And he would go through the evidence with his arms out like that and then slowly, slowly tip his arms | 0:41:58 | 0:42:04 | |
and tip his arms as he proved that all the evidence was in favour of... | 0:42:04 | 0:42:11 | |
the innocence of his client. | 0:42:11 | 0:42:14 | |
Marshall Hall is believed to have had actual lessons in stagecraft. | 0:42:14 | 0:42:19 | |
If so, they certainly seem to have paid off. | 0:42:20 | 0:42:24 | |
He was extraordinarily successful. | 0:42:25 | 0:42:29 | |
He had this magnetic capacity | 0:42:29 | 0:42:31 | |
to persuade juries. | 0:42:32 | 0:42:35 | |
But in 1907 Marshall Hall took on perhaps his toughest assignment. | 0:42:37 | 0:42:43 | |
The Camden Town murder | 0:42:43 | 0:42:45 | |
was one of the most notorious crimes of the Edwardian era. | 0:42:45 | 0:42:49 | |
A tale of a brutal and savage killing and fog-filled London streets that could have been ripped | 0:42:49 | 0:42:55 | |
from the casebook of Sherlock Holmes. | 0:42:55 | 0:42:59 | |
An artist called Robert Wood was accused of murdering a part-time prostitute, Emily Dimmock. | 0:42:59 | 0:43:05 | |
Her body had been found in her Camden Town lodgings | 0:43:05 | 0:43:09 | |
and her throat had been slit from ear to ear. | 0:43:09 | 0:43:13 | |
This gruesome case was a sensation. | 0:43:15 | 0:43:18 | |
It inspired a series of paintings by Walter Sickert. | 0:43:18 | 0:43:23 | |
'And it was covered in great detail by the press, which had found you couldn't beat a murder trial | 0:43:24 | 0:43:30 | |
'when it came to pulling in the readers.' | 0:43:30 | 0:43:33 | |
Marshall Hall's secretary helpfully, if rather laboriously, collated the press cuttings of his cases | 0:43:34 | 0:43:41 | |
and she did so in several volumes. | 0:43:41 | 0:43:43 | |
These provide a considerable insight into the technique of his cross-examination | 0:43:43 | 0:43:50 | |
and the style of his oratory. | 0:43:50 | 0:43:53 | |
'From the reports of the trial, it's clear that Hall cast serious doubt on prosecution eye-witnesses | 0:43:53 | 0:44:00 | |
'who had identified Robert Wood. | 0:44:00 | 0:44:03 | |
'But to destroy the prosecution's case, Hall did something that was almost unheard of. | 0:44:03 | 0:44:10 | |
'He called his own client to the stand.' | 0:44:10 | 0:44:14 | |
"The moment had now arrived for the prisoner to go into the witness box. | 0:44:14 | 0:44:19 | |
"The court was suddenly on the tiptoe of excitement. | 0:44:19 | 0:44:23 | |
"Mr Marshall Hall simply said, 'I now put the prisoner in the box.' | 0:44:23 | 0:44:28 | |
"Wood jumped up in court. The warders opened the side door of the dock and with alacrity | 0:44:28 | 0:44:34 | |
"and a pleasant smile on his face, Wood strode to the witness box." | 0:44:34 | 0:44:39 | |
Since 1898, defendants could give evidence in their own defence, | 0:44:39 | 0:44:44 | |
but this was considered unwise and even foolhardy. | 0:44:44 | 0:44:49 | |
The defence disliked it because they said that nobody should have to defend their position, | 0:44:49 | 0:44:56 | |
that it was up to the prosecution to prove the case and not up to the defendant to give any explanation. | 0:44:56 | 0:45:01 | |
The prosecution didn't like it in capital cases because there was a kind of, I think understandable, | 0:45:01 | 0:45:07 | |
human resistance to having to cross-examine a man when his life was at stake. | 0:45:07 | 0:45:13 | |
"Mr Marshall Hall started most dramatically. | 0:45:13 | 0:45:17 | |
"'Did you kill Emily Dimmock?' he asked, speaking slowly and distinctly. | 0:45:17 | 0:45:25 | |
"Wood drew himself up quickly. | 0:45:26 | 0:45:29 | |
"'It is ridiculous,' he said, facing the jury." | 0:45:29 | 0:45:34 | |
The expected answer was a simple no. | 0:45:34 | 0:45:39 | |
Robert Wood's manner in the dock was effete and it did not suggest a man capable of such a grisly crime, | 0:45:40 | 0:45:47 | |
a point Marshall Hall was then able to drive home in his passionate closing address to the jury. | 0:45:47 | 0:45:54 | |
"Then he burst out in dramatic fury. | 0:45:54 | 0:45:57 | |
"'I say again - I want a verdict of not guilty and nothing else! | 0:45:57 | 0:46:04 | |
"'A verdict of not guilty to kill this charge | 0:46:04 | 0:46:08 | |
"'so that none of the lying witnesses can galvanise it hence into any semblance of life.'" | 0:46:08 | 0:46:15 | |
The press and public eagerly awaited the result. Finally, the jury gave their verdict. | 0:46:16 | 0:46:22 | |
Not guilty. | 0:46:22 | 0:46:25 | |
Marshall Hall's gamble had paid off and proved that getting a client to give evidence in their own defence | 0:46:25 | 0:46:32 | |
could be part of a fair trial. | 0:46:32 | 0:46:35 | |
Not that this achieved justice for the unfortunate victim. | 0:46:35 | 0:46:38 | |
The murderer of Emily Dimmock was never found. | 0:46:39 | 0:46:44 | |
'Cases like the Camden Town murder trial were a circulation boon for the popular press, | 0:46:54 | 0:47:00 | |
'but the papers were beginning to go beyond mere reporting, | 0:47:00 | 0:47:04 | |
'to take a more active interest in the legal process.' | 0:47:04 | 0:47:08 | |
With the rise of a more investigative and less deferential press, | 0:47:08 | 0:47:13 | |
the law itself fell under the spotlight. Judicial decisions were scrutinised and criticised | 0:47:13 | 0:47:20 | |
and miscarriages of justice once confined to anecdotes told by barristers over the port | 0:47:20 | 0:47:26 | |
became front-page news. | 0:47:26 | 0:47:28 | |
'The new paper on the block, the Daily Mail, had heard of a shocking miscarriage of justice. | 0:47:30 | 0:47:36 | |
'It was a classic case of mistaken identity. | 0:47:36 | 0:47:40 | |
'Adolf Beck was identified as a swindler by 12 victims. | 0:47:40 | 0:47:45 | |
'They all swore he was a con artist calling himself Lord Wilton de Willoughby. | 0:47:45 | 0:47:50 | |
'They had been tricked into giving their jewels to this fake lord. | 0:47:50 | 0:47:54 | |
'Despite his protestations, Beck was jailed.' | 0:47:54 | 0:47:59 | |
Desperate to prove his innocence, Beck tried to get his case reopened, | 0:47:59 | 0:48:03 | |
but all his solicitor could do was repeatedly to petition the Home Office for redress. | 0:48:03 | 0:48:10 | |
The judges believed justice was fool-proof and hence there was no proper appeals procedure. | 0:48:11 | 0:48:17 | |
Beck's appeal fell on deaf ears. | 0:48:17 | 0:48:20 | |
One of the world's most unlucky men, Beck had a small chink of good fortune. | 0:48:22 | 0:48:28 | |
Years earlier, the Daily Mail's journalist George Sims had listened to Beck | 0:48:28 | 0:48:33 | |
recounting his travels in Peru, | 0:48:33 | 0:48:36 | |
journeys that had happened when he was allegedly in London swindling women. | 0:48:36 | 0:48:41 | |
The Daily Mail campaigned in earnest for Beck's release. | 0:48:43 | 0:48:47 | |
You didn't have to be Sherlock Holmes to realise the case stank, | 0:48:49 | 0:48:53 | |
and his creator, Sir Arthur Conan Doyle, joined the fight. | 0:48:53 | 0:48:57 | |
Finally, under pressure, | 0:48:59 | 0:49:01 | |
the authorities paroled Beck. | 0:49:01 | 0:49:04 | |
He had served five years of hard labour. | 0:49:04 | 0:49:08 | |
The real fraudster, William Meyer, now struck again | 0:49:08 | 0:49:12 | |
and was caught red-handed. Beck's innocence was undeniable. | 0:49:12 | 0:49:18 | |
Rarely has a miscarriage of justice had greater impact. | 0:49:20 | 0:49:25 | |
Outrage turned to pressure for legal reform. | 0:49:25 | 0:49:29 | |
Finally, in 1907, | 0:49:29 | 0:49:31 | |
Parliament created the Court of Criminal Appeal. | 0:49:31 | 0:49:35 | |
At last, the legal system admitted it was fallible. | 0:49:35 | 0:49:39 | |
Far from being a sign of weakness, however, this new court showed | 0:49:40 | 0:49:45 | |
that English law was strong enough | 0:49:45 | 0:49:48 | |
to acknowledge and deal with its mistakes. | 0:49:48 | 0:49:53 | |
But no appeal court can rectify a miscarriage if the victim has been hanged. | 0:49:55 | 0:50:01 | |
Once the law admitted its fallibility, | 0:50:02 | 0:50:06 | |
capital punishment itself was on Death Row. | 0:50:06 | 0:50:10 | |
This is the notorious Dead Man's Walk. | 0:50:10 | 0:50:14 | |
In days of old, | 0:50:14 | 0:50:16 | |
you were marched from your cell along this corridor | 0:50:16 | 0:50:20 | |
to meet your maker. | 0:50:20 | 0:50:22 | |
The walls confined you, the arches became narrower and narrower. | 0:50:23 | 0:50:28 | |
There was no going back on your walk to the gallows. | 0:50:28 | 0:50:32 | |
Now even today | 0:50:33 | 0:50:35 | |
there's a sinister feel to this place. | 0:50:35 | 0:50:39 | |
It's gloomy, it's oppressive and it's claustrophobic. | 0:50:39 | 0:50:44 | |
'But how can you execute someone knowing that their conviction may be unsafe? | 0:50:45 | 0:50:51 | |
'Medieval judges looked to God for the final word. | 0:50:52 | 0:50:56 | |
'Later, the law adopted His infallibility. | 0:50:56 | 0:51:00 | |
'But once the law's imperfections were admitted, its authority to impose the ultimate sanction | 0:51:00 | 0:51:06 | |
'was thrown into doubt. | 0:51:06 | 0:51:08 | |
'Eventually, in the 1960s, the death penalty was abolished for murder | 0:51:09 | 0:51:14 | |
'and in 1998 for treason. Goodness knows, our courts still make mistakes, | 0:51:14 | 0:51:20 | |
'but they are no longer fatal errors. | 0:51:20 | 0:51:24 | |
'I've found my voyage through the story of English law extraordinary and often inspiring. | 0:51:28 | 0:51:35 | |
'Over this series, we've seen how justice went from trial by ordeal | 0:51:35 | 0:51:40 | |
'to trial by a jury of your peers, the defining feature of English common law, | 0:51:40 | 0:51:46 | |
'how we enshrined a culture of rights and documents like Magna Carta and the Petition of Right, | 0:51:46 | 0:51:53 | |
'which went on to shape liberty across the world, | 0:51:53 | 0:51:56 | |
'and how we evolved the adversarial system, | 0:51:56 | 0:51:59 | |
'which exemplifies a fair, modern court procedure. | 0:51:59 | 0:52:05 | |
'But the story is not over yet. | 0:52:07 | 0:52:10 | |
'I believe that the common law currently faces a serious challenge.' | 0:52:10 | 0:52:15 | |
I'm here on the roof of the Supreme Court, one of the points of the triangle of power in this country. | 0:52:15 | 0:52:23 | |
Over there, Westminster Abbey and the national shrine and the Royal Chapel. And over here, | 0:52:23 | 0:52:30 | |
the Houses of Parliament. | 0:52:30 | 0:52:33 | |
The political power of the church and the crown has evaporated, | 0:52:34 | 0:52:39 | |
but the power of the upstarts, Parliament, is in the ascendancy. | 0:52:39 | 0:52:45 | |
Judges, once the creators of the law, have largely had that role taken from them by Parliament. | 0:52:46 | 0:52:53 | |
Did judges acquiesce because they realise that the common law can't deal with a rapidly changing world? | 0:52:53 | 0:53:01 | |
When some unpleasant novelty arises such as child pornography on the internet or credit card cloning | 0:53:02 | 0:53:08 | |
and society wants it dealt with, there's no use looking to the common law for prohibitions | 0:53:08 | 0:53:14 | |
or to earlier judgments for legal solutions. As the Victorians knew only too well, | 0:53:14 | 0:53:21 | |
a fast-changing society requires new laws. | 0:53:21 | 0:53:26 | |
This is where Parliament comes in. | 0:53:26 | 0:53:28 | |
It enacts the appropriate legislation, it creates new crimes and it changes the law of evidence, | 0:53:28 | 0:53:35 | |
which is all good and well provided that that legislation | 0:53:35 | 0:53:40 | |
is coherent, comprehensible and concise. | 0:53:40 | 0:53:45 | |
But since the late 1970s, governments seem to have become increasingly addicted | 0:53:46 | 0:53:53 | |
to enacting new laws. | 0:53:53 | 0:53:56 | |
Some of these new laws were much needed and long overdue. | 0:53:56 | 0:54:01 | |
The 1984 Police and Criminal Evidence Act, for instance, helped to ensure that all suspects | 0:54:01 | 0:54:08 | |
were treated with conspicuous fairness from the moment of arrest, throughout their time in detention. | 0:54:08 | 0:54:15 | |
But what was once a light dusting of new legislation | 0:54:15 | 0:54:19 | |
first of all became a snowstorm and then an avalanche | 0:54:19 | 0:54:23 | |
threatening to overwhelm the entire legal system. | 0:54:23 | 0:54:27 | |
Some may call this overload. | 0:54:27 | 0:54:30 | |
I call it legislative diarrhoea. | 0:54:30 | 0:54:33 | |
'I would argue that some of this legislation is again a result of press influence, | 0:54:35 | 0:54:41 | |
'but popular pressure doesn't always make for good law. | 0:54:41 | 0:54:46 | |
'When I met the Lord Chief Justice, he tried to give me a flavour of just one year's legislation.' | 0:54:47 | 0:54:54 | |
Crime International Co-operation Act has 96 sections and six schedules containing 124 paragraphs... | 0:54:54 | 0:55:01 | |
..227 sections, four schedules, containing 82 paragraphs. | 0:55:01 | 0:55:06 | |
The Sexual Offences Act, 143 sections, seven schedules and 338 paragraphs, | 0:55:06 | 0:55:11 | |
but the big daddy is the Criminal Justice Act itself - 339 sections | 0:55:11 | 0:55:16 | |
and 38 schedules | 0:55:16 | 0:55:18 | |
with a total of no less than 1,169 paragraphs. | 0:55:18 | 0:55:22 | |
That's excluding Schedule 37, which has 20 pages of repealed statutes. | 0:55:22 | 0:55:27 | |
So not only a far greater number of statutes, but the statutes themselves are far, far larger... | 0:55:27 | 0:55:34 | |
Infinitely complex. Infinitely complex. | 0:55:34 | 0:55:37 | |
And there are times when you have to struggle to find out what the answer is to a particular problem. | 0:55:37 | 0:55:44 | |
This is the criminal justice system. It's supposed to be readily understood. | 0:55:44 | 0:55:49 | |
It takes judges a great deal of midnight oil to work out what some of the provisions actually mean | 0:55:49 | 0:55:55 | |
and whether they're in conflict with others. | 0:55:55 | 0:55:57 | |
Does this mean that there are an increasing number of cases coming to the Court of Appeal | 0:55:57 | 0:56:03 | |
where it is at least arguable that the lower courts got it wrong | 0:56:03 | 0:56:08 | |
-because they misapplied the law or got confused about the law? -Yes. | 0:56:08 | 0:56:13 | |
There are appeals about what I would describe as the technicalities. | 0:56:13 | 0:56:17 | |
They're not strictly technicalities because they are to do with what power the Court has, | 0:56:17 | 0:56:23 | |
so in that sense they're not technical, but in truth what they are is an analysis | 0:56:23 | 0:56:28 | |
of what the legislative provisions may lead us to conclude the law is supposed to be. | 0:56:28 | 0:56:33 | |
I think it's also the case that having enacted, for instance, the Criminal Justice Act 2003, | 0:56:33 | 0:56:39 | |
the Government subsequently had to amend that Act in some provisions... | 0:56:39 | 0:56:44 | |
-Oh, yes. -..because of the untoward consequences it was leading to. | 0:56:44 | 0:56:48 | |
Oh, yes. And some of it has never been brought into force and some will be repealed before it ever is. | 0:56:48 | 0:56:54 | |
Today's criminal justice system | 0:56:55 | 0:56:57 | |
needs a 21st-century Robert Peel, someone able to reform and rationalise our law, | 0:56:57 | 0:57:05 | |
and stem the avalanche of parliamentary intervention. | 0:57:05 | 0:57:09 | |
But, despite its shortcomings, I remain a firm believer in the English legal system. | 0:57:09 | 0:57:15 | |
Whenever I put on my court robes, | 0:57:19 | 0:57:22 | |
I'm conscious that I am playing a small part | 0:57:22 | 0:57:25 | |
in the long drama | 0:57:27 | 0:57:29 | |
of this country's law. | 0:57:29 | 0:57:31 | |
It's been around for a millennium and a half and for all its imperfections | 0:57:35 | 0:57:40 | |
it still ensures justice, rights wrongs, | 0:57:40 | 0:57:44 | |
protects society | 0:57:44 | 0:57:46 | |
and defends liberty. | 0:57:46 | 0:57:48 | |
To my mind, | 0:57:50 | 0:57:52 | |
the English legal system | 0:57:52 | 0:57:55 | |
is this nation's greatest gift to the world. | 0:57:55 | 0:58:00 | |
Subtitles by Red Bee Media Ltd | 0:58:33 | 0:58:35 |