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This programme contains some strong language. | 0:00:02 | 0:00:04 | |
My name is Adam Pearson and I've got a condition called NF1 | 0:00:04 | 0:00:07 | |
that causes tumours to grow on my face. | 0:00:07 | 0:00:10 | |
All my life I have been called horrible names. | 0:00:13 | 0:00:16 | |
Mutant, | 0:00:16 | 0:00:19 | |
fat face, spastic, | 0:00:19 | 0:00:21 | |
monster... | 0:00:21 | 0:00:22 | |
Elephant Man. | 0:00:23 | 0:00:24 | |
But the one that I detest is freak. | 0:00:26 | 0:00:29 | |
-He's real? -Yeah. | 0:00:29 | 0:00:31 | |
Thank you, sir. | 0:00:33 | 0:00:34 | |
Freak. I hate that word. | 0:00:37 | 0:00:39 | |
I don't want to be classed a freak, | 0:00:41 | 0:00:44 | |
but some people embrace it. | 0:00:44 | 0:00:46 | |
'It's showtime. Step right up.' | 0:00:48 | 0:00:51 | |
MUSIC: Le Freak by Chic | 0:00:51 | 0:00:53 | |
I thought freak shows died out with the Victorians. | 0:00:55 | 0:00:58 | |
Now when people shout, "Yo! Freak show!", | 0:00:58 | 0:01:00 | |
I turn round and go, "Thank you very much." | 0:01:00 | 0:01:02 | |
It has become, for me, something I'm proud of being. | 0:01:02 | 0:01:06 | |
But, in fact, freak shows are still alive and kicking in the US. | 0:01:06 | 0:01:10 | |
Once I started seeing what I could do, how much money I could make... | 0:01:10 | 0:01:14 | |
Ching, ching, ching, ching, ching, ching, ching. | 0:01:14 | 0:01:16 | |
To finally face my inner demons, | 0:01:16 | 0:01:18 | |
I'm heading to the spiritual home of the freak show, | 0:01:18 | 0:01:21 | |
to find out if I should stay in the freak closet... | 0:01:21 | 0:01:24 | |
Hoo! Woo! | 0:01:24 | 0:01:26 | |
..or kick down the doors and embrace my inner freak. | 0:01:26 | 0:01:30 | |
Do you think I'm a freak? | 0:01:32 | 0:01:33 | |
I think you are whatever you want to be. | 0:01:33 | 0:01:34 | |
We're dancing! | 0:01:34 | 0:01:36 | |
He was a beautiful baby. Beautiful blue eyes. | 0:01:46 | 0:01:49 | |
Why are we talking about me being beautiful in the past tense? | 0:01:49 | 0:01:51 | |
-He was absolutely lovely. -Was lovely. Am lovely. Am lovely. | 0:01:51 | 0:01:54 | |
He is lovely. | 0:01:54 | 0:01:55 | |
And then he went to school and turned into a monster. | 0:01:55 | 0:01:59 | |
-Oh, you could have worded that so much better. -Well... | 0:01:59 | 0:02:03 | |
I was only five years old when I was diagnosed with neurofibromatosis, | 0:02:03 | 0:02:08 | |
a genetic condition that led to my face turning | 0:02:08 | 0:02:11 | |
from looking pretty normal to how I look now. | 0:02:11 | 0:02:13 | |
The doctor said to us, "Don't rush down to the library | 0:02:16 | 0:02:19 | |
"and look it up in the medical dictionary." | 0:02:19 | 0:02:22 | |
Of course, the next day, | 0:02:22 | 0:02:24 | |
their dad, straight down the library, | 0:02:24 | 0:02:26 | |
on the phone. | 0:02:26 | 0:02:27 | |
He says, "This is what the Elephant Man has got. | 0:02:27 | 0:02:30 | |
I said, "Well, that doesn't mean you going to look like the Elephant Man." | 0:02:30 | 0:02:34 | |
The Elephant Man was a guy called Joseph Merrick, | 0:02:34 | 0:02:37 | |
who lived in the 1800s. | 0:02:37 | 0:02:39 | |
He had an extreme facial disfigurement, | 0:02:40 | 0:02:42 | |
not dissimilar to mine. | 0:02:42 | 0:02:44 | |
If you say name a freak show performer, | 0:02:45 | 0:02:47 | |
most people go, "The Elephant Man." | 0:02:47 | 0:02:49 | |
He is the most famous oddity who ever lived. | 0:02:50 | 0:02:55 | |
The Elephant Man was exhibited as a human curiosity | 0:02:57 | 0:03:00 | |
in Victorian freak shows. | 0:03:00 | 0:03:02 | |
His legend had all but disappeared | 0:03:04 | 0:03:06 | |
until an iconic film was made about him in the 1980s. | 0:03:06 | 0:03:09 | |
When I hear the name the Elephant Man in my head | 0:03:10 | 0:03:14 | |
I get very angry and anxious because it takes me straight back | 0:03:14 | 0:03:17 | |
to the school playground, | 0:03:17 | 0:03:20 | |
to the, kind of, the taunting and the jeering and the... | 0:03:20 | 0:03:23 | |
..the dark side of adolescence. | 0:03:25 | 0:03:27 | |
"Ah, look at him, mummy, he looks like the Elephant Man." | 0:03:29 | 0:03:32 | |
"Do you think that's a monster?" | 0:03:32 | 0:03:33 | |
"That's disgusting." | 0:03:33 | 0:03:35 | |
Followed by revulsion. | 0:03:35 | 0:03:36 | |
At the time, it really sucked. | 0:03:37 | 0:03:40 | |
And you feel like it's your fault. | 0:03:40 | 0:03:42 | |
Yo, come on in. Let me show you my room. | 0:03:47 | 0:03:50 | |
I think 12 is a very hard age. | 0:04:00 | 0:04:02 | |
That's when you go from primary school to secondary school. | 0:04:02 | 0:04:05 | |
I had just lost the sight in my left eye, | 0:04:05 | 0:04:07 | |
so you from being around with people who have kind of grown-up with you, who know you | 0:04:07 | 0:04:11 | |
and have gotten used to you, | 0:04:11 | 0:04:12 | |
to bottom of the pecking order | 0:04:12 | 0:04:14 | |
and also kind of the odd one out. | 0:04:14 | 0:04:16 | |
I guess in that sense, I was an oddity. | 0:04:16 | 0:04:19 | |
It was hell. | 0:04:19 | 0:04:20 | |
I am not an animal! | 0:04:21 | 0:04:24 | |
I am a human being. | 0:04:26 | 0:04:30 | |
I hate the stigma of the name the Elephant Man. | 0:04:30 | 0:04:34 | |
And I don't like the comparison and when people do it, it pisses me off. | 0:04:36 | 0:04:41 | |
I hate being called that name. | 0:04:41 | 0:04:43 | |
-I've never watched the film. -What? The Elephant Man? | 0:04:46 | 0:04:49 | |
No, I've never seen it. | 0:04:49 | 0:04:51 | |
You've never...? But it's a really good film. | 0:04:51 | 0:04:54 | |
So... | 0:04:54 | 0:04:56 | |
Your dad and I actually went to the cinema to see it. | 0:04:56 | 0:04:58 | |
-Really? -Yeah. | 0:04:58 | 0:05:00 | |
Like what? Like on a date? | 0:05:00 | 0:05:02 | |
Well, yeah, I suppose. | 0:05:02 | 0:05:04 | |
It's been on the television several times and you've still not watched it. | 0:05:04 | 0:05:08 | |
-No, I... I'll go one further. -Have you avoided it? -I've avoided it. Yes. | 0:05:08 | 0:05:13 | |
I think if somebody called me a name I'd want to, er, | 0:05:13 | 0:05:16 | |
to have a good look at it. | 0:05:16 | 0:05:19 | |
'Life... | 0:05:20 | 0:05:21 | |
'..is full of surprises. | 0:05:23 | 0:05:24 | |
'Ladies and gentlemen, | 0:05:26 | 0:05:29 | |
'the terrible | 0:05:29 | 0:05:30 | |
'Elephant Man.' | 0:05:30 | 0:05:33 | |
The name Elephant Man implies that he was subhuman... | 0:05:35 | 0:05:38 | |
MAID SCREAMS | 0:05:38 | 0:05:40 | |
..more of an animal | 0:05:41 | 0:05:44 | |
than a man. | 0:05:44 | 0:05:46 | |
'..and it's got to stop!' | 0:05:46 | 0:05:47 | |
It's sort of bringing up memories of, kind of, | 0:05:47 | 0:05:51 | |
school and stuff, which is the reason I avoided it. | 0:05:51 | 0:05:54 | |
INTERVIEWER: Do you think there is a resemblance? | 0:05:54 | 0:05:57 | |
A little bit. | 0:05:59 | 0:06:01 | |
I kind of get it a little bit, | 0:06:01 | 0:06:03 | |
the facial disfigurement | 0:06:03 | 0:06:05 | |
and, in particular, the tumours. | 0:06:05 | 0:06:07 | |
As an adult, I thought I had escaped the shadow of the Elephant Man, | 0:06:11 | 0:06:15 | |
the greatest freak show performer who ever lived, | 0:06:15 | 0:06:17 | |
but I've received an unexpected invite. | 0:06:17 | 0:06:20 | |
So, I've gotten this letter... | 0:06:20 | 0:06:23 | |
..from a guy in America that owns | 0:06:26 | 0:06:29 | |
and operates a freak show. | 0:06:29 | 0:06:31 | |
"Hello, Adam. Do you make it out to America much? | 0:06:34 | 0:06:37 | |
"I would love for you to work with us." | 0:06:37 | 0:06:39 | |
Not quite sure how I feel. | 0:06:43 | 0:06:46 | |
It is intriguing. | 0:06:46 | 0:06:48 | |
I thought stuff like this had died in the Victorian period. | 0:06:48 | 0:06:51 | |
As invites go, | 0:06:53 | 0:06:54 | |
it's probably the weirdest job offer I've ever had. | 0:06:54 | 0:06:57 | |
-Human freaks. -Yes, or "oddities." | 0:06:59 | 0:07:03 | |
I dislike the idea of freak shows intensely. | 0:07:04 | 0:07:07 | |
I think it's exploitative, | 0:07:07 | 0:07:09 | |
parading people around as a spectacle for the baying masses. | 0:07:09 | 0:07:15 | |
I don't think freak shows should exist. | 0:07:15 | 0:07:17 | |
He just told me that he'd received an e-mail to be in a freak show. | 0:07:21 | 0:07:26 | |
I just said to him, "I hope you said no." | 0:07:28 | 0:07:30 | |
What do you think of that word? | 0:07:31 | 0:07:33 | |
-What? -Freak. -Freak? | 0:07:33 | 0:07:35 | |
I don't know. | 0:07:35 | 0:07:36 | |
My "monstrosity"? No. | 0:07:41 | 0:07:43 | |
"An abnormally developed individual or thing." | 0:07:43 | 0:07:47 | |
I mean, abnormal? That's... | 0:07:47 | 0:07:50 | |
What does that mean? | 0:07:50 | 0:07:52 | |
Well, I don't think he's any of them, really. | 0:07:52 | 0:07:56 | |
Why would I want someone to call my child a freak? | 0:07:56 | 0:07:59 | |
I would... Or you. | 0:08:01 | 0:08:02 | |
Or anybody | 0:08:02 | 0:08:04 | |
to be called a freak. | 0:08:04 | 0:08:06 | |
I'd say, erm, "oddities". | 0:08:06 | 0:08:08 | |
INTERVIEWER: So you are happy to be called an oddity? | 0:08:08 | 0:08:11 | |
Er? | 0:08:13 | 0:08:14 | |
-You don't want to be called a name at all, do you? -No. | 0:08:14 | 0:08:17 | |
I guess I'm better with the word "oddity" than "freak" | 0:08:17 | 0:08:19 | |
because no-one hollered that at me | 0:08:19 | 0:08:21 | |
from across the street or across the playground, | 0:08:21 | 0:08:23 | |
but it's still not great. | 0:08:23 | 0:08:25 | |
It's like, kind of, chlamydia is better than syphilis, | 0:08:27 | 0:08:30 | |
though neither are desirable. | 0:08:30 | 0:08:34 | |
I haven't had either, | 0:08:36 | 0:08:38 | |
just in case any ladies are watching. I'm good. | 0:08:38 | 0:08:41 | |
INTERVIEWER LAUGHS | 0:08:41 | 0:08:42 | |
I'm completely clean. | 0:08:42 | 0:08:45 | |
I wonder, will modern day freak shows be any different? | 0:08:46 | 0:08:50 | |
I've decided to go to the United States to find out for myself. | 0:08:53 | 0:08:56 | |
But first I want to confront the freak show oddity | 0:09:01 | 0:09:04 | |
whose existence has haunted me since I was a child. | 0:09:04 | 0:09:07 | |
This is personal to me | 0:09:15 | 0:09:18 | |
because I've been constantly compared, my whole life, | 0:09:18 | 0:09:23 | |
to the most famous freak show performer in history. | 0:09:23 | 0:09:27 | |
'Ladies and gentlemen, | 0:09:32 | 0:09:34 | |
'the terrible | 0:09:34 | 0:09:36 | |
'Elephant... | 0:09:36 | 0:09:37 | |
'..Man.' | 0:09:38 | 0:09:39 | |
We're the same bloody height, aren't we? That's weird. | 0:09:43 | 0:09:47 | |
I'm a lot more well-built than he is. | 0:09:50 | 0:09:52 | |
"The most striking feature about him was his enormous and misshapen head." | 0:09:56 | 0:10:00 | |
Treves, the doctor who took him to the Royal London, | 0:10:04 | 0:10:08 | |
described the Elephant Man as | 0:10:08 | 0:10:10 | |
"the most disgusting specimen of humanity that I have ever seen. | 0:10:10 | 0:10:14 | |
"At no time have I ever met with such a degraded or perverted | 0:10:14 | 0:10:18 | |
"version of a human being as this lone figure displays." | 0:10:18 | 0:10:22 | |
It makes me angry. | 0:10:25 | 0:10:26 | |
Where does that, then, leave me? | 0:10:27 | 0:10:29 | |
Even today people would say similar things about me | 0:10:31 | 0:10:36 | |
just with a lot more medical bullshit to disguise | 0:10:36 | 0:10:40 | |
what they are actually saying. | 0:10:40 | 0:10:42 | |
When he wasn't on display as part of a freak show, | 0:10:47 | 0:10:50 | |
Victorian society found Joseph Merrick's deformity | 0:10:50 | 0:10:53 | |
so shocking he was driven to wear a mask in public. | 0:10:53 | 0:10:56 | |
I'm going to try this, then. | 0:10:58 | 0:11:00 | |
I think wearing that is more denigrating | 0:11:01 | 0:11:06 | |
than, kind of, being stared at and jeered at. | 0:11:06 | 0:11:09 | |
-I've never ever had at hat that's fit me. -OK, let's try this. | 0:11:10 | 0:11:14 | |
OK, that's... | 0:11:18 | 0:11:20 | |
This is incredibly claustrophobic. | 0:11:21 | 0:11:24 | |
-Is it? -Yeah. | 0:11:24 | 0:11:26 | |
-OK. -Yeah, this does not feel | 0:11:26 | 0:11:29 | |
good at all. | 0:11:29 | 0:11:30 | |
If you could get it off, that would be brilliant. | 0:11:38 | 0:11:41 | |
-OK. There you go. -Phew. | 0:11:41 | 0:11:43 | |
That was awful. | 0:11:43 | 0:11:44 | |
It's just really hard to run away from it | 0:11:50 | 0:11:52 | |
when you're wearing his bloody hat, isn't it? | 0:11:52 | 0:11:54 | |
How much could Joseph Merrick have made as a freak show performer? | 0:11:57 | 0:12:00 | |
Anything up to about £20 a week, I suppose, | 0:12:01 | 0:12:04 | |
which is a round about £1,000 in today's money. | 0:12:04 | 0:12:07 | |
Maybe there is something to this freak show thing after all. | 0:12:10 | 0:12:13 | |
£1,000 a week sounds quite good. Maybe I'm missing a trick. | 0:12:15 | 0:12:18 | |
Freak shows displaying human curiosities | 0:12:29 | 0:12:31 | |
became popular in America in the 1840s | 0:12:31 | 0:12:34 | |
and up until their decline in the early 20th century drew huge crowds. | 0:12:34 | 0:12:39 | |
'Now for the big show. | 0:12:39 | 0:12:41 | |
'The event that the kids and the grown-ups have been waiting for | 0:12:41 | 0:12:43 | |
'for months.' | 0:12:43 | 0:12:45 | |
Biological rarities, human marvels | 0:12:45 | 0:12:47 | |
and even sexual oddities toured the States alongside sword swallowers | 0:12:47 | 0:12:51 | |
and fire-eaters to shock and entertain the viewing public. | 0:12:51 | 0:12:54 | |
'Everyone is headed for the big top to thrill to and cheer | 0:12:54 | 0:12:57 | |
'the fun makers, daredevils, freaks and ferocious performing animals.' | 0:12:57 | 0:13:02 | |
Freak show performers such as Jo-Jo the Dog-Faced Boy | 0:13:04 | 0:13:07 | |
and Tom Thumb became huge stars. | 0:13:07 | 0:13:09 | |
But by 1900, human novelties became considered distasteful | 0:13:11 | 0:13:16 | |
and, in America today, there are only a handful of freak shows left. | 0:13:16 | 0:13:20 | |
I'm not convinced that modern-day freak shows are in any way | 0:13:35 | 0:13:38 | |
different to the ones of old and can't understand why anybody | 0:13:38 | 0:13:42 | |
would allow their deformity or condition to be exploited. | 0:13:42 | 0:13:46 | |
I've heard about a performer from Detroit | 0:13:47 | 0:13:49 | |
who is preparing to join a freak show | 0:13:49 | 0:13:52 | |
and I want to find out why. | 0:13:52 | 0:13:53 | |
-Morning, Adam. -How you doing? | 0:13:55 | 0:13:57 | |
'Bethany was born with ectrodactyly, | 0:13:57 | 0:13:59 | |
'also known as lobster claw syndrome.' | 0:13:59 | 0:14:02 | |
I like your hands. | 0:14:02 | 0:14:03 | |
Well, a lot of people call them, like, lobster claws | 0:14:03 | 0:14:06 | |
because that's what they resemble. | 0:14:06 | 0:14:08 | |
It's a mutation of the 13th chromosome. | 0:14:08 | 0:14:11 | |
'Because of her condition, she had her leg amputated | 0:14:12 | 0:14:15 | |
'when she was just three.' | 0:14:15 | 0:14:16 | |
Yet, I just scoot and swing. | 0:14:16 | 0:14:18 | |
'That hasn't stopped her learning circus skills | 0:14:19 | 0:14:22 | |
'for her freak show debut.' | 0:14:22 | 0:14:23 | |
Why are you learning this? | 0:14:26 | 0:14:28 | |
I like fire. I'm kind of a firebug. | 0:14:28 | 0:14:31 | |
OK. | 0:14:32 | 0:14:33 | |
This is something I've always wanted to do. | 0:14:33 | 0:14:35 | |
How do you feel about terms such as freak show, | 0:14:36 | 0:14:40 | |
oddity, lobster girl? | 0:14:40 | 0:14:43 | |
Do you find them a bit crass and sensationalist | 0:14:43 | 0:14:45 | |
or is it something that you embrace? | 0:14:45 | 0:14:48 | |
I think that when people hear "freak show" | 0:14:48 | 0:14:53 | |
they are thinking the crazy guy in a steel cage, | 0:14:53 | 0:14:58 | |
shaking and rattling chains. | 0:14:58 | 0:15:01 | |
People may label us | 0:15:01 | 0:15:02 | |
because of the deformities that we were born with, | 0:15:02 | 0:15:05 | |
but we are out to educate and show the beauty | 0:15:05 | 0:15:10 | |
in the deformities and the oddities. | 0:15:10 | 0:15:13 | |
You know, we're showing people that | 0:15:13 | 0:15:15 | |
because we're different | 0:15:15 | 0:15:17 | |
doesn't mean we can't be beautiful. | 0:15:17 | 0:15:19 | |
I thought I'd be, like, "Why are you joining a freak show? | 0:15:22 | 0:15:26 | |
"This is degrading." | 0:15:26 | 0:15:27 | |
But she spoke about it so passionately | 0:15:29 | 0:15:33 | |
that I couldn't knock it. | 0:15:33 | 0:15:34 | |
-This is Adam. -How are you doing? Pleasure to meet you. -You too. | 0:15:42 | 0:15:47 | |
-This is Adam. -How you doing? Pleasure. -Yeah, pleasure to meet you, too. | 0:15:47 | 0:15:51 | |
'Bethany's condition has not been passed on to her children. | 0:15:51 | 0:15:54 | |
'Whilst they support her decision to join a freak show, | 0:15:55 | 0:15:58 | |
'they also worry for her.' | 0:15:58 | 0:16:00 | |
Well, my mom is using it to change people's view | 0:16:00 | 0:16:03 | |
of special people with special skills | 0:16:03 | 0:16:06 | |
better than other normal people. | 0:16:06 | 0:16:08 | |
Growing up with a deformity of any kind | 0:16:08 | 0:16:12 | |
makes you a stronger person. | 0:16:12 | 0:16:14 | |
I think mom is strong enough. | 0:16:14 | 0:16:16 | |
My problem is I just don't want people to criticise her. | 0:16:16 | 0:16:20 | |
I had a bus driver today. She goes and says, | 0:16:20 | 0:16:23 | |
"Is your mom a freak?" | 0:16:23 | 0:16:25 | |
-And I go, "No." -Heck, yeah, baby. -And I was going, "No." | 0:16:25 | 0:16:29 | |
I gave her that look, like, you're just try to keep it in, | 0:16:29 | 0:16:31 | |
because she didn't understand and I was going, you know, | 0:16:31 | 0:16:35 | |
"No, she's not." | 0:16:35 | 0:16:37 | |
'I get why her children are concerned about their mother | 0:16:37 | 0:16:40 | |
'being labelled a freak | 0:16:40 | 0:16:44 | |
'when they don't see her that way. | 0:16:44 | 0:16:47 | |
'They just see her as Mum.' | 0:16:47 | 0:16:51 | |
-At least he can run. -Yes. | 0:16:51 | 0:16:54 | |
It's going to bother me but I know she's going to have fun. | 0:16:54 | 0:16:57 | |
I promise you, I'll take good care of her. | 0:16:57 | 0:17:00 | |
-Amputees on parade. -Yeah. -Boom. | 0:17:00 | 0:17:01 | |
Oh, yeah. I love this one. | 0:17:03 | 0:17:04 | |
Come here. Just squeeze me. Yeah. I love you. | 0:17:08 | 0:17:10 | |
No more tears. | 0:17:12 | 0:17:13 | |
'Bethany is leaving her family behind to travel over 1,000 miles | 0:17:15 | 0:17:18 | |
to Texas to join a freak show. | 0:17:18 | 0:17:20 | |
And I'm going with her. | 0:17:20 | 0:17:22 | |
The Elephant Man is coming. | 0:17:24 | 0:17:26 | |
Ladies and gentlemen, | 0:17:26 | 0:17:27 | |
welcome to the world where the bizarre is beautiful. | 0:17:27 | 0:17:30 | |
Are you bored of ten fingers and ten toes? | 0:17:30 | 0:17:33 | |
Tired of one normal-looking head, | 0:17:33 | 0:17:35 | |
two boring lower limbs? | 0:17:35 | 0:17:37 | |
Bethany is joining a circus called the 999 Eyes. | 0:17:38 | 0:17:42 | |
It is one of only a handful of a freak shows left | 0:17:42 | 0:17:44 | |
in the United States and the first one I have ever been to. | 0:17:44 | 0:17:47 | |
Mother Nature is a mad scientist. | 0:17:49 | 0:17:51 | |
We all have our own differences, genetically. | 0:17:51 | 0:17:54 | |
It's very tribal-like as well. | 0:17:54 | 0:17:56 | |
I mean, looking out for each other and... | 0:17:56 | 0:17:58 | |
We are all so close-knit, it does feel quite a bit like a family. | 0:17:58 | 0:18:02 | |
# Ain't those freaks just grand? # | 0:18:02 | 0:18:04 | |
Bethany's debut performance with her new freak family is a warm up, | 0:18:06 | 0:18:10 | |
so no fire breathing. | 0:18:10 | 0:18:12 | |
Please welcome the newest member of this freak talent show, | 0:18:12 | 0:18:15 | |
Dolly the Human Cyborg, ladies and gentlemen. | 0:18:15 | 0:18:18 | |
She's simply sharing with the crowd | 0:18:18 | 0:18:19 | |
her experience of growing up with lobster claw syndrome. | 0:18:19 | 0:18:23 | |
Kids would go, "Um, ma'am, | 0:18:23 | 0:18:25 | |
"what happened to your fingers? Where did they go?" | 0:18:25 | 0:18:29 | |
I'd go, "I was really bad as a child | 0:18:30 | 0:18:33 | |
"and if you're not good to your parents, | 0:18:33 | 0:18:36 | |
"watch out, they may cut yours off, too. | 0:18:36 | 0:18:38 | |
LAUGHTER | 0:18:38 | 0:18:40 | |
I get a kick out of it, so for somebody else to actually see | 0:18:40 | 0:18:42 | |
it the way I see it and laugh with me and not at me is amazing. | 0:18:42 | 0:18:47 | |
Calm down. | 0:18:47 | 0:18:49 | |
You're getting out of hand! | 0:18:49 | 0:18:51 | |
Black Scorpion is the founding father of this family of freaks. | 0:18:51 | 0:18:56 | |
I was born this way but... | 0:18:56 | 0:18:58 | |
He has the same condition as Bethany. | 0:18:58 | 0:19:02 | |
Ectrodactyly! | 0:19:02 | 0:19:04 | |
If it wasn't for the word "freak", I wouldn't be on stage. It's like a shout out. | 0:19:04 | 0:19:08 | |
And that's one of the things about the 999 Eyes taking the word "freak" | 0:19:08 | 0:19:12 | |
and making it a positive. | 0:19:12 | 0:19:15 | |
Do you think I'm a freak? | 0:19:15 | 0:19:17 | |
I think you are whatever you want to be. | 0:19:17 | 0:19:19 | |
I don't like being called deformed. I think I'm perfectly formed. | 0:19:19 | 0:19:22 | |
This is the way I was supposed to come out. | 0:19:22 | 0:19:24 | |
Adam, do you feel like you are a freak in the closet? | 0:19:29 | 0:19:32 | |
Oh, bloody hell. Erm... | 0:19:32 | 0:19:33 | |
I'm starting to get my head around | 0:19:38 | 0:19:40 | |
the idea of owning the word "freak". | 0:19:40 | 0:19:43 | |
I've only ever heard it used towards me | 0:19:45 | 0:19:48 | |
as a term of derision in the school playground, | 0:19:48 | 0:19:51 | |
so I've only ever had the experience of it being used as a slur. | 0:19:51 | 0:19:55 | |
All I wanted to do | 0:19:57 | 0:19:58 | |
was finish school and put my penis in something | 0:19:58 | 0:20:02 | |
and it was painfully obvious that wasn't going to happen. | 0:20:02 | 0:20:05 | |
So do I need to just grow the hell up and get over it | 0:20:07 | 0:20:10 | |
and just kick the closet door in | 0:20:10 | 0:20:13 | |
and get on stage. | 0:20:13 | 0:20:15 | |
If you feel like you want to get on stage, | 0:20:15 | 0:20:17 | |
I think you should. | 0:20:17 | 0:20:19 | |
I think you should do whatever empowers you. | 0:20:19 | 0:20:21 | |
It's what's inside our souls. | 0:20:22 | 0:20:24 | |
Let me tell you something, you are beautiful. Just talking to you. | 0:20:24 | 0:20:28 | |
Like, I feel like, | 0:20:28 | 0:20:30 | |
looking at you is like looking at a reflection of me | 0:20:30 | 0:20:33 | |
in many ways and you are beautiful. | 0:20:33 | 0:20:35 | |
Black Scorpion told me I was beautiful. | 0:20:42 | 0:20:45 | |
It was a really heartfelt thing to say. | 0:20:47 | 0:20:50 | |
I wasn't entirely sure how I felt about that. | 0:20:54 | 0:20:56 | |
It rarely happens. | 0:21:04 | 0:21:05 | |
Like, I think, twice in my life. | 0:21:05 | 0:21:07 | |
Hi, Mum. How are you doing? | 0:21:19 | 0:21:21 | |
'Oh, hello, darling. How are you?' | 0:21:21 | 0:21:23 | |
I'm good, thank you. I'm good. | 0:21:23 | 0:21:25 | |
'You sure you're all right?' | 0:21:27 | 0:21:29 | |
-Yeah, yeah. -'You sound a bit jaded.' | 0:21:29 | 0:21:31 | |
No, I'm good, I'm good. Just calling you to say, "Hey". | 0:21:31 | 0:21:34 | |
Do you like my new hat? | 0:21:34 | 0:21:36 | |
'I feel you're very impressive.' | 0:21:36 | 0:21:38 | |
Yeah, we found a hat that fit me | 0:21:39 | 0:21:41 | |
so I thought, "This may never happen again." | 0:21:41 | 0:21:43 | |
HIS MUM LAUGHS | 0:21:43 | 0:21:45 | |
-'It's not to be sneezed at, is it?' -No. | 0:21:45 | 0:21:49 | |
Are you OK without me? Are you not completely lonely?, | 0:21:49 | 0:21:54 | |
'It's not too bad.' | 0:21:54 | 0:21:55 | |
Anyway, I will love you and leave you, OK? | 0:21:56 | 0:21:58 | |
'All right, then, sweetheart. Thanks for ringing. | 0:21:58 | 0:22:00 | |
-'It's lovely to talk to you.' -Take care, Mum. -'Bye.' | 0:22:00 | 0:22:03 | |
Ah, Mum. | 0:22:05 | 0:22:07 | |
I miss her. I always thought I would. | 0:22:07 | 0:22:09 | |
I found a hat that fits. | 0:22:13 | 0:22:15 | |
Las Vegas is the entertainment capital of the world | 0:22:17 | 0:22:20 | |
and I'm here in search of freak show stars. | 0:22:20 | 0:22:23 | |
It's a Mecca for cabaret artists and has always embraced the bizarre. | 0:22:24 | 0:22:30 | |
With an entertainment industry worth billions of dollars, | 0:22:30 | 0:22:33 | |
there's money to be made here for modern day freak show performers. | 0:22:33 | 0:22:37 | |
If you're a performer, this is the place you come. | 0:22:38 | 0:22:41 | |
Las Vegas is very much the main stage. | 0:22:41 | 0:22:44 | |
This evening is going to be a weird one. It's Halloween. | 0:22:46 | 0:22:49 | |
We are going to a place called the Fright Dome. | 0:22:49 | 0:22:52 | |
It's going to be a very, kind of, Halloween, Fright Night kind of vibe. | 0:22:52 | 0:22:58 | |
And I hate Halloween. | 0:22:58 | 0:23:00 | |
It's showtime. Step right up. | 0:23:00 | 0:23:01 | |
Jake works for himself, hosting alternative cabaret nights | 0:23:04 | 0:23:07 | |
and running a dwarf wrestling company. | 0:23:07 | 0:23:11 | |
-Hey, Jake, how are you doing? -Hey, buddy, how are you doing? | 0:23:11 | 0:23:14 | |
Yeah, good, thank you. So, freak shows. Is it lucrative? | 0:23:14 | 0:23:17 | |
Is me being a little bit PC | 0:23:17 | 0:23:19 | |
and maybe a bit of a girl about the whole thing | 0:23:19 | 0:23:22 | |
missing out on a big, | 0:23:22 | 0:23:24 | |
to put it bluntly, cash cow? | 0:23:24 | 0:23:26 | |
Vegas is known as the glittery asshole of the States. | 0:23:26 | 0:23:29 | |
We make money here. | 0:23:29 | 0:23:31 | |
This is where we get all of our big bucks at. | 0:23:31 | 0:23:33 | |
What can you earn in Vegas as an oddity? | 0:23:33 | 0:23:36 | |
-I charge clubs anywhere from 3,500 to 10,000 a show. -Nice. | 0:23:36 | 0:23:40 | |
That gives me a bit of food for thought. | 0:23:40 | 0:23:42 | |
-So, could I work here? -Yes. | 0:23:42 | 0:23:44 | |
You would actually work perfectly fine in a freak show. | 0:23:44 | 0:23:47 | |
But you would have to be comfortable with it | 0:23:47 | 0:23:49 | |
because you're going to be in front of large crowds of people | 0:23:49 | 0:23:52 | |
staring at you like you were in school. | 0:23:52 | 0:23:54 | |
I don't like being stared at and there's always people going, | 0:23:54 | 0:23:57 | |
"What's wrong with that man's face?" So, do I need to get over it? | 0:23:57 | 0:23:59 | |
Yes. | 0:23:59 | 0:24:00 | |
You're going to... OK, no offence, | 0:24:00 | 0:24:02 | |
you're never going to change the way you look, right? | 0:24:02 | 0:24:04 | |
-No. -Unless you go in for some plastic surgery. | 0:24:04 | 0:24:06 | |
Is it true that natural-borns are freak show royalty? | 0:24:06 | 0:24:08 | |
100%. There are people that join the freak show | 0:24:08 | 0:24:11 | |
that will learn the sword swallowing or fire breathing, | 0:24:11 | 0:24:15 | |
but there's natural-borns that are freaks like you and I. | 0:24:15 | 0:24:19 | |
They consider us gold because we don't need to have an act. | 0:24:19 | 0:24:22 | |
We don't need to have a performance. | 0:24:22 | 0:24:24 | |
You are a rare oddity. | 0:24:24 | 0:24:26 | |
-There's only one other person like you... -And he's dead. -..and he's dead. | 0:24:26 | 0:24:29 | |
That means you're one-of-a-kind. | 0:24:29 | 0:24:31 | |
Accept it and want it. | 0:24:31 | 0:24:34 | |
If you can get over the anger of people staring at you | 0:24:34 | 0:24:38 | |
and just accept it as you being different to say, | 0:24:38 | 0:24:40 | |
"Hey, this is me. | 0:24:40 | 0:24:41 | |
"I look beautiful. Take my picture." | 0:24:41 | 0:24:44 | |
If you have too much political correctness about yourself, | 0:24:44 | 0:24:47 | |
you will not fit into the sideshow business. | 0:24:47 | 0:24:49 | |
I was very PC when I was kid. I hated the word "midget". | 0:24:49 | 0:24:52 | |
But once I started seeing what I could do, | 0:24:52 | 0:24:55 | |
how much money I could make | 0:24:55 | 0:24:57 | |
and if I just accepted the word | 0:24:57 | 0:25:00 | |
and marketed it, ching, ching, ching, ching, ching, on money, | 0:25:00 | 0:25:04 | |
that PC correctness was gone. | 0:25:04 | 0:25:06 | |
I decided to take Jake up on his word and see if I could make money | 0:25:09 | 0:25:12 | |
for the first time out of my freakiness on the Las Vegas streets. | 0:25:12 | 0:25:16 | |
With a face like this I deliberately don't normally go out on Halloween. | 0:25:20 | 0:25:24 | |
I'm really anxious. | 0:25:24 | 0:25:25 | |
Hoo! Woo! | 0:25:27 | 0:25:28 | |
I am acutely aware that my face is, in a way, a commodity | 0:25:32 | 0:25:37 | |
and that it kind of sparks interest and curiosity | 0:25:37 | 0:25:40 | |
and, then, curiosity can create cash. | 0:25:40 | 0:25:43 | |
-What's your name? -Adam. -Adam. | 0:25:44 | 0:25:46 | |
-And you are? -DJ. -DJ. | 0:25:46 | 0:25:48 | |
-Pleasure to meet you, DJ. -Nice to meet you, man. | 0:25:48 | 0:25:50 | |
I'm thinking of coming to Vegas to join the sideshow scene. | 0:25:50 | 0:25:53 | |
-What you reckon? -Oh, man. -How do you think I'd do? | 0:25:53 | 0:25:55 | |
You belong in Vegas, buddy. | 0:25:55 | 0:25:57 | |
Yeah, man. For sure. | 0:25:57 | 0:25:59 | |
Well, I've just talked to you and I feel better already. | 0:26:01 | 0:26:03 | |
Awesome. | 0:26:03 | 0:26:04 | |
Want to do our picture? Want to do a picture? | 0:26:04 | 0:26:06 | |
I'd love to have a picture, man. | 0:26:06 | 0:26:08 | |
-See, Adam? See all the people? -Yeah. -It's awesome, man. | 0:26:11 | 0:26:14 | |
-Thanks very much, again, Adam. -Vegas, baby. Vegas. | 0:26:14 | 0:26:17 | |
Fucking awesome. | 0:26:18 | 0:26:20 | |
Thank you. | 0:26:25 | 0:26:27 | |
One dollar. | 0:26:28 | 0:26:30 | |
It seems that on the streets of Vegas, I'm an object of desire, | 0:26:32 | 0:26:36 | |
not derision. | 0:26:36 | 0:26:37 | |
Pale imitation. | 0:26:44 | 0:26:45 | |
-No plasty? -No, natural. | 0:26:48 | 0:26:50 | |
Natural born oddity, my dear. | 0:26:50 | 0:26:53 | |
He is natural. | 0:26:56 | 0:26:57 | |
Ah, seven... | 0:27:04 | 0:27:05 | |
..17, | 0:27:07 | 0:27:09 | |
18 in half an hour just for standing in the fucking street. | 0:27:09 | 0:27:13 | |
I have greatly underestimate my earning power | 0:27:13 | 0:27:16 | |
in freak shows and sideshows. | 0:27:16 | 0:27:18 | |
This is very dirty money. | 0:27:18 | 0:27:21 | |
I feel like I've made 18 but I've sold my soul. | 0:27:21 | 0:27:23 | |
As much as I've heard about empowerment, | 0:27:25 | 0:27:28 | |
reclaiming the term "freak", | 0:27:28 | 0:27:31 | |
I still think, to a degree, | 0:27:31 | 0:27:34 | |
that this is exploitation. | 0:27:34 | 0:27:36 | |
I've heard of a freak show performer who's been a headline act worldwide, | 0:27:48 | 0:27:53 | |
but despite the opportunity to earn big bucks, | 0:27:53 | 0:27:56 | |
has turned his back on the circus because of exploitation. | 0:27:56 | 0:27:59 | |
In the circus they call me Wolfman, | 0:28:02 | 0:28:06 | |
Monkey Boy and Werewolf. | 0:28:06 | 0:28:10 | |
Ladies and gentlemen, the Wolf Boy! | 0:28:10 | 0:28:12 | |
Chuy lives in a small town in Mexico. | 0:28:14 | 0:28:18 | |
He has a rare condition called hypertrichosis. | 0:28:18 | 0:28:20 | |
-Hola. -Adam. -Hola, mucho gusto. | 0:28:22 | 0:28:24 | |
"The one and only Wolf Boy." | 0:28:29 | 0:28:32 | |
You are freakshow royalty. | 0:28:32 | 0:28:35 | |
I think it's amazing, I think it's unique. | 0:28:35 | 0:28:37 | |
-TRANSLATION: -I was 11 when I first started at the fair. | 0:28:37 | 0:28:40 | |
We didn't earn anything. | 0:28:40 | 0:28:42 | |
They exploited us and we were just little children. | 0:28:44 | 0:28:48 | |
I felt imprisoned. | 0:28:48 | 0:28:49 | |
All these freakshows want the Wolf Boy in their shows. | 0:28:49 | 0:28:54 | |
Yes, I know, but it traumatised me. | 0:28:54 | 0:28:57 | |
In the circus, after every show, | 0:28:57 | 0:29:01 | |
and this happens in every country, | 0:29:01 | 0:29:03 | |
there is alcohol and women. | 0:29:03 | 0:29:06 | |
There are a lot of things for you to get lost in. | 0:29:07 | 0:29:10 | |
Personally, I think it was difficult for me. | 0:29:13 | 0:29:16 | |
I didn't want to accept myself as God made me. | 0:29:18 | 0:29:21 | |
OK, Chuy, bring it in, big guy. | 0:29:24 | 0:29:25 | |
OK, let's do this, I've only got little arms. | 0:29:25 | 0:29:28 | |
Awesome! Done. | 0:29:30 | 0:29:33 | |
'Despite being a headline act | 0:29:33 | 0:29:35 | |
'at travelling circuses all across the world, | 0:29:35 | 0:29:37 | |
'Chuy now shuns the attention he attracts, | 0:29:37 | 0:29:40 | |
'preferring instead to work 12-hour days on a local rubbish tip. | 0:29:40 | 0:29:43 | |
'He paints a very different picture than what I've heard so far' | 0:29:44 | 0:29:49 | |
and he talks about how he only did it for the money | 0:29:49 | 0:29:52 | |
and he felt exploited and mistreated | 0:29:52 | 0:29:54 | |
which is sort of... | 0:29:54 | 0:29:56 | |
..how what I thought I'd hear from a lot of people. | 0:29:57 | 0:30:00 | |
But then he's got posters of it all | 0:30:00 | 0:30:03 | |
and has all these mementos of it in his house, | 0:30:03 | 0:30:07 | |
which if he hated it that much, why is it up on his walls? | 0:30:07 | 0:30:12 | |
And I thought he'd have made a lot more money doing it | 0:30:14 | 0:30:17 | |
than he actually has. | 0:30:17 | 0:30:18 | |
Unlike Chuy, his cousin Alex still loves the circus life | 0:30:20 | 0:30:23 | |
and I have been invited along to watch a rehearsal. | 0:30:23 | 0:30:26 | |
TRANSLATION: | 0:30:31 | 0:30:33 | |
MUSIC: Thriller by Michael Jackson | 0:30:44 | 0:30:47 | |
# It's close to midnight | 0:30:59 | 0:31:02 | |
# And something evil's lurking in the dark | 0:31:02 | 0:31:05 | |
# Under the moonlight | 0:31:07 | 0:31:10 | |
# You see a sight that almost stops your heart | 0:31:10 | 0:31:13 | |
# You try to scream | 0:31:13 | 0:31:15 | |
# But terror takes the sound before you make it... # | 0:31:15 | 0:31:20 | |
THEY GREET EACH OTHER IN SPANISH | 0:31:20 | 0:31:24 | |
'There are only 59 cases of werewolf syndrome in the world. | 0:31:27 | 0:31:30 | |
'Chuy and Alex's family make up 30 of them.' | 0:31:30 | 0:31:33 | |
This is possibly the weirdest table I have ever sat at. | 0:31:34 | 0:31:39 | |
We've got two wolf boys and an elephant man in the same trailer. | 0:31:39 | 0:31:44 | |
-TRANSLATION: -Yes, it's a unique moment | 0:31:44 | 0:31:47 | |
unlikely ever to be repeated. | 0:31:47 | 0:31:49 | |
So, with a face like mine, | 0:31:49 | 0:31:54 | |
could I work at the circus? | 0:31:54 | 0:31:57 | |
-TRANSLATION: -Your face is magnificent for the circus. | 0:31:57 | 0:32:03 | |
We've never seen something like that in the circus. | 0:32:03 | 0:32:07 | |
If you are in a circus and they present you as The Elephant Man, | 0:32:08 | 0:32:12 | |
people will be filled with a morbid curiosity. | 0:32:12 | 0:32:16 | |
Your face will be great! | 0:32:16 | 0:32:19 | |
Yes, it's really unique | 0:32:22 | 0:32:24 | |
because we don't know if there will be another elephant man | 0:32:24 | 0:32:28 | |
for another 100 years. | 0:32:28 | 0:32:29 | |
For me, growing up, I always... | 0:32:30 | 0:32:33 | |
that was a name people used to call me as a term of derision. | 0:32:33 | 0:32:36 | |
And everyone I've spoken to so far | 0:32:36 | 0:32:40 | |
has said that whilst there are kind of elements of exploitation, | 0:32:40 | 0:32:43 | |
that's not exactly how it works now. | 0:32:43 | 0:32:46 | |
And it has all given me real food for thought. | 0:32:46 | 0:32:50 | |
And that I've spent 30 years | 0:32:51 | 0:32:53 | |
trying to distance myself from Joseph Merrick, | 0:32:53 | 0:32:57 | |
but I haven't realised how remarkably similar we are. | 0:32:57 | 0:33:00 | |
It absolutely brought a tear to my eye, kind of, | 0:33:07 | 0:33:10 | |
just that there might not be another elephant man for 150 years. | 0:33:10 | 0:33:15 | |
I don't know how to word this quite properly. | 0:33:21 | 0:33:23 | |
It sits kind of weird. | 0:33:33 | 0:33:35 | |
I feel like by acknowledging that I am similar to The Elephant Man, | 0:33:35 | 0:33:40 | |
Joseph Merrick, I am somehow accrediting all the negativity | 0:33:40 | 0:33:44 | |
and everything the bullies at school said. | 0:33:44 | 0:33:46 | |
Chuy and his cousin have had a massive impact on me. | 0:33:55 | 0:33:57 | |
I think that was the kind of straw that broke the camel's back. | 0:33:57 | 0:34:01 | |
INDISTINCT YELLING | 0:34:01 | 0:34:04 | |
I think Chuy and Alex definitely think I'm more unique than they are. | 0:34:06 | 0:34:10 | |
The point of coming here was to immerse myself in this whole world. | 0:34:13 | 0:34:17 | |
And slowly but surely, | 0:34:17 | 0:34:20 | |
my defences have been kind of chipped away at | 0:34:20 | 0:34:23 | |
and now I think I took a big step forward today. | 0:34:23 | 0:34:26 | |
It feels like a massive weight has been lifted off my shoulders. | 0:34:33 | 0:34:36 | |
I can now say things like freakshow and Elephant Man and Wolf Boy | 0:34:36 | 0:34:41 | |
and not feel like I'm... | 0:34:41 | 0:34:44 | |
not feel disgusted at myself! | 0:34:44 | 0:34:46 | |
Ladies and gentlemen, | 0:34:47 | 0:34:51 | |
we're proud to present under the big top tonight | 0:34:51 | 0:34:57 | |
human oddities! | 0:34:57 | 0:35:02 | |
I'm following in the footsteps of Joseph Merrick, | 0:35:05 | 0:35:08 | |
also known as The Elephant Man - | 0:35:08 | 0:35:11 | |
the most famous freak, oddity, freakshow performer who ever lived. | 0:35:12 | 0:35:17 | |
I think he was a good man, maybe even a great man... | 0:35:22 | 0:35:25 | |
..who just wanted to be understood. | 0:35:27 | 0:35:31 | |
I think that's what beats at the heart of everyone, | 0:35:31 | 0:35:34 | |
this desire for acceptance. | 0:35:34 | 0:35:37 | |
That desire to love and be loved. | 0:35:38 | 0:35:40 | |
Spending time with other natural born oddities | 0:35:49 | 0:35:52 | |
has given me a sense of belonging that I've never felt before. | 0:35:52 | 0:35:56 | |
I am absolutely a freak, to all intents and purposes. | 0:35:59 | 0:36:04 | |
No matter what definition you use, I am a freak. | 0:36:04 | 0:36:08 | |
And now, I need to make a choice - | 0:36:08 | 0:36:10 | |
if I'm going to get all upset and PC about it | 0:36:10 | 0:36:13 | |
or embrace it and be a rockstar about the whole thing. | 0:36:13 | 0:36:17 | |
But embracing it doesn't necessarily mean taking to the stage. | 0:36:18 | 0:36:23 | |
The freakshow has now entered the 21st-century. | 0:36:23 | 0:36:27 | |
We are the Hamills. | 0:36:27 | 0:36:28 | |
I'm Michelle. | 0:36:28 | 0:36:30 | |
I'm Dan. | 0:36:30 | 0:36:31 | |
I'm Jack. | 0:36:31 | 0:36:32 | |
And these are our twin daughters, CeCe and Cate. | 0:36:32 | 0:36:35 | |
We are a family of five | 0:36:35 | 0:36:36 | |
and what makes us so special is that we're all small. | 0:36:36 | 0:36:40 | |
Dan and Michelle live in Maryland with their kids. | 0:36:40 | 0:36:43 | |
The whole family has achondroplasia, a form of dwarfism. | 0:36:43 | 0:36:48 | |
They have a hit TV series | 0:36:48 | 0:36:50 | |
and earn more filming every season | 0:36:50 | 0:36:52 | |
than they do the rest of the year from their normal jobs. | 0:36:52 | 0:36:56 | |
-Hi, Adam. -Hi, Dan, how are you doing, man? | 0:36:56 | 0:36:58 | |
-Good, how are you? -Really good, thank you. Pleased to meet you. | 0:36:58 | 0:37:01 | |
Sorry, I get nervous meeting kids cos it's a lot to take in. | 0:37:01 | 0:37:04 | |
Yeah, I get it. Jack, can you come and say hi? | 0:37:04 | 0:37:06 | |
How are you doing, Jack, are you good? | 0:37:06 | 0:37:08 | |
Give a high-five. | 0:37:08 | 0:37:10 | |
-Yes! -Good job! -Best high-five. | 0:37:10 | 0:37:12 | |
CeCe, CeCe, do you see Mr Adam over there? | 0:37:12 | 0:37:16 | |
-Yeah. -Yeah? | 0:37:16 | 0:37:17 | |
Do you want to know why his face looks different? | 0:37:17 | 0:37:20 | |
-No. -OK! -Fine, yes | 0:37:20 | 0:37:23 | |
-Jack, do you? -OK, yeah. -You do? OK. | 0:37:23 | 0:37:27 | |
-It's OK, just say yes. -So, much like you, I was born different. | 0:37:27 | 0:37:31 | |
I have a condition that just means my face looks different. | 0:37:31 | 0:37:34 | |
It doesn't mean I'm silly | 0:37:34 | 0:37:36 | |
or can't be cool and funny and awesome. | 0:37:36 | 0:37:40 | |
It just means I'm different, just like you three. | 0:37:40 | 0:37:43 | |
Do you think you guys would have gotten the TLC show | 0:37:43 | 0:37:46 | |
-had you not been little people? -I wouldn't think so. | 0:37:46 | 0:37:49 | |
-We wouldn't have got it just for our personalities. -Yeah. | 0:37:49 | 0:37:52 | |
-I think you're right. -How do you feel about words like freak and... | 0:37:52 | 0:37:56 | |
I know that Michelle hates the word midget. | 0:37:56 | 0:37:59 | |
We are not midgets. | 0:37:59 | 0:38:00 | |
-I definitely don't like the word. -What particularly do you not? | 0:38:00 | 0:38:03 | |
-That's a very derogatory term for little people. -I get that. | 0:38:03 | 0:38:06 | |
I get that. I never used to like the term freak. | 0:38:08 | 0:38:12 | |
And so why do people put us on TV? | 0:38:12 | 0:38:15 | |
-Is it a freak show? -I don't know, we try to be entertaining. | 0:38:15 | 0:38:18 | |
That's our number one thing. | 0:38:18 | 0:38:20 | |
And we try to teach through osmosis that little people, sort of, | 0:38:20 | 0:38:25 | |
are just another neighbour down the street. | 0:38:25 | 0:38:27 | |
And we have a show and a means to do that. | 0:38:27 | 0:38:31 | |
You know, there's always going to be | 0:38:31 | 0:38:33 | |
a million people you can't convince or can't change, | 0:38:33 | 0:38:35 | |
but sometimes if you have something different, you have to own it. | 0:38:35 | 0:38:38 | |
And...be the freakshow. | 0:38:38 | 0:38:41 | |
How do the other kids... How do they mix with the other children? | 0:38:50 | 0:38:53 | |
I think it's a nonissue in our own neighbourhood. | 0:38:53 | 0:38:56 | |
I think they're just so used to the kids. | 0:38:56 | 0:38:58 | |
It's very important that they're playing outside. | 0:38:58 | 0:39:00 | |
I love when they play outside. | 0:39:00 | 0:39:01 | |
I didn't play outside, I didn't have that many friends to play with. | 0:39:01 | 0:39:05 | |
But I guess outside wasn't my jam. Other kids weren't my...my jam. | 0:39:08 | 0:39:13 | |
You can take one home with you if you wish today! | 0:39:15 | 0:39:18 | |
You could either have CeCe or you could have Cate. | 0:39:18 | 0:39:20 | |
-Take this one! -I'm not CeCe! No! | 0:39:20 | 0:39:23 | |
Meeting the Hamills has made me realise | 0:39:33 | 0:39:35 | |
that I've actually been part of a freakshow all along. | 0:39:35 | 0:39:39 | |
I like them, they're really normal. | 0:39:40 | 0:39:43 | |
They are just choosing to live their lives on TV. | 0:39:43 | 0:39:46 | |
And I certainly wouldn't have done as well in TV | 0:39:46 | 0:39:50 | |
if it hadn't been for how I looked. | 0:39:50 | 0:39:53 | |
The internet has also opened up a whole new world of work | 0:40:04 | 0:40:08 | |
for people like me, | 0:40:08 | 0:40:09 | |
who once might have been sidelined into circus life. | 0:40:09 | 0:40:12 | |
Victorian freakshows often had adult-only tents | 0:40:15 | 0:40:18 | |
displaying a variety of human curiosities, | 0:40:18 | 0:40:20 | |
from the biologically weird | 0:40:20 | 0:40:22 | |
to the sexual oddities. | 0:40:22 | 0:40:24 | |
Nowadays, people with sexual fetishes will pay big bucks | 0:40:25 | 0:40:28 | |
to watch disabled people online. | 0:40:28 | 0:40:30 | |
Of all the things I thought I would be doing on this trip, | 0:40:33 | 0:40:37 | |
meeting a disabled porn star was not one of them! | 0:40:37 | 0:40:42 | |
Cindi-Lu lives in LA and makes a living | 0:40:45 | 0:40:47 | |
posting pictures and videos of herself on the internet. | 0:40:47 | 0:40:50 | |
I do videos, I do modelling, I do chats. | 0:40:52 | 0:40:55 | |
I'm a Gilf. You guys know what a Milf is, right? | 0:40:55 | 0:40:58 | |
-Yes, you are a Gilf. -Do you know what a Milf is? | 0:40:58 | 0:41:00 | |
Yes, "Mum I'd like to fuck." And then Gilf is "Grandmother..." | 0:41:00 | 0:41:04 | |
Oh, my God, you're the first person that's gotten it! | 0:41:04 | 0:41:06 | |
'I am a complete paraplegic. | 0:41:06 | 0:41:08 | |
'And I've been a paraplegic for 22 years. | 0:41:08 | 0:41:11 | |
'I can't walk, so I roll.' | 0:41:12 | 0:41:14 | |
I don't know why they like this pose so much, but they do. | 0:41:16 | 0:41:19 | |
It's cos it's legs akimbo, isn't it? | 0:41:19 | 0:41:22 | |
They like the legs open, or like flopped on the side. | 0:41:22 | 0:41:25 | |
OK, yay me! | 0:41:27 | 0:41:30 | |
-OK. -Awesome. | 0:41:30 | 0:41:32 | |
OK, come on. | 0:41:33 | 0:41:35 | |
'Cindi has regular clients who pay to have video calls with her.' | 0:41:35 | 0:41:38 | |
-RECORDING: -'One second.' -'You wouldn't want my broken body.' | 0:41:38 | 0:41:41 | |
'I do want your fucking broken body. | 0:41:41 | 0:41:43 | |
'God, I want to put those useless legs over my shoulders.' | 0:41:43 | 0:41:46 | |
'If I don't listen, you keep my chair. | 0:41:46 | 0:41:48 | |
'I've got to pleasure you to get it back.' | 0:41:48 | 0:41:51 | |
'You'll pleasure me to get it back, yeah.' | 0:41:51 | 0:41:53 | |
So what do you think? | 0:41:53 | 0:41:55 | |
-Um... -Say interesting again, watch! I'm close! | 0:41:55 | 0:41:59 | |
No, no, that's the last word I would use to describe that. | 0:41:59 | 0:42:02 | |
Well, that might have been interesting. | 0:42:02 | 0:42:04 | |
150 years ago, freak shows were based on people paying money | 0:42:04 | 0:42:07 | |
to come and see the kind of... | 0:42:07 | 0:42:09 | |
the different, the strange and the unique. | 0:42:09 | 0:42:13 | |
And I think whilst this isn't in a tent in Victorian London, | 0:42:13 | 0:42:17 | |
it certainly is people who have a very specific taste | 0:42:17 | 0:42:21 | |
or fetish for something that they want to see, | 0:42:21 | 0:42:24 | |
who are willing to part money for it. | 0:42:24 | 0:42:26 | |
So there are definite parallels there. | 0:42:26 | 0:42:29 | |
I'm seeing some ropes down there. | 0:42:29 | 0:42:32 | |
So we're either going to wrap Christmas presents | 0:42:32 | 0:42:36 | |
-or we're doing some bondage. -Oh, yeah, love it. | 0:42:36 | 0:42:39 | |
Oh, you're going to do some stuff with me, right? | 0:42:39 | 0:42:41 | |
Crippled people are kinky too. | 0:42:41 | 0:42:43 | |
I think Cindi is a consenting adult who is meeting a very niche demand. | 0:42:43 | 0:42:50 | |
He's a good roper. | 0:42:50 | 0:42:52 | |
A friend of mine suggested I get into porn | 0:42:54 | 0:42:57 | |
-and that there's a gap in the market. -Are you endowed? | 0:42:57 | 0:43:00 | |
-Just curious, I'm sorry. I had to. -Yeah, no, I... | 0:43:00 | 0:43:03 | |
It's two inches... | 0:43:03 | 0:43:04 | |
from the ground. | 0:43:04 | 0:43:06 | |
So, yeah, that's why they call me The Elephant Man. | 0:43:07 | 0:43:10 | |
Oh, you could do it. I mean, people are curious. | 0:43:10 | 0:43:13 | |
So are you going to do porn? Are you considering it? | 0:43:13 | 0:43:15 | |
-I don't know, my mum googles me. -Oh, my God! That would be scary. | 0:43:15 | 0:43:20 | |
I know, right? "Oh, what's Adam been up to?" | 0:43:20 | 0:43:23 | |
-That would be a hot scene. -"I don't know, cousin Jean, | 0:43:23 | 0:43:25 | |
"let's have a look. | 0:43:25 | 0:43:26 | |
"Oh, my word, what is he doing to that...?" | 0:43:26 | 0:43:29 | |
-Oh! -Yeah, yeah. | 0:43:29 | 0:43:30 | |
People are going to look anyways, | 0:43:30 | 0:43:32 | |
might as well give them something to look at. | 0:43:32 | 0:43:34 | |
Yeah, my inner showman is slowly winning the day. | 0:43:34 | 0:43:38 | |
Wait, my tits are getting squashed. | 0:43:38 | 0:43:40 | |
OK, there we go. OK, give me a look. | 0:43:40 | 0:43:43 | |
-INDISTINCT SPEECH -I know, it's OK. | 0:43:43 | 0:43:45 | |
MUSIC: Super Freak by Rick James | 0:43:47 | 0:43:49 | |
So give Adam some rope to hold in his hand, like he did it to me. | 0:43:49 | 0:43:53 | |
OK, so, to be a true... | 0:43:53 | 0:43:54 | |
You have to like show a fist wrapped around and, | 0:43:54 | 0:43:58 | |
like, give it the look. | 0:43:58 | 0:43:59 | |
-Ooh! -Show a fist. -Yeah, yeah, tension. | 0:43:59 | 0:44:03 | |
Tension like this. | 0:44:03 | 0:44:04 | |
-That's it! -Now, you come here. | 0:44:04 | 0:44:06 | |
This could well be the modern version of a freak show. | 0:44:09 | 0:44:13 | |
And I think, kind of, at first my PC head kicked in | 0:44:13 | 0:44:17 | |
and said, "You're setting us back ten years!" | 0:44:17 | 0:44:19 | |
But the more I hung out with Cindi and talked to her | 0:44:19 | 0:44:23 | |
and helped tie her up and stuff, the more I got over that. | 0:44:23 | 0:44:27 | |
He's thinking, "I could get some freaky stuff going on." | 0:44:27 | 0:44:30 | |
THEY LAUGH | 0:44:30 | 0:44:32 | |
Say the word, my dear, say the word. | 0:44:34 | 0:44:37 | |
-I lost my bondage virginity in Los Angeles. -Ooh, kinky! | 0:44:37 | 0:44:41 | |
We've gone from kind of exploitation to sexploitation in one fell swoop. | 0:44:56 | 0:45:01 | |
I did quite enjoy it, just because of the experience. | 0:45:03 | 0:45:07 | |
I think, kind of, there's that little bit in everyone's brain | 0:45:07 | 0:45:12 | |
that goes, "I wouldn't mind trying that just once." | 0:45:12 | 0:45:15 | |
And when am I ever going to get | 0:45:15 | 0:45:19 | |
to have a bondage session with a paraplegic again? | 0:45:19 | 0:45:23 | |
I'm probably not. | 0:45:23 | 0:45:24 | |
My trip across the States is almost over | 0:45:27 | 0:45:29 | |
and it's given me a lot of food for thought. | 0:45:29 | 0:45:32 | |
I think I came to America to learn about freak shows, | 0:45:34 | 0:45:37 | |
kind of shake my head a little bit and then go home. | 0:45:37 | 0:45:41 | |
But then... | 0:45:43 | 0:45:44 | |
in a weird way, I found my own liberty. | 0:45:44 | 0:45:46 | |
I've learned a lot more about myself doing this than I thought I would. | 0:45:46 | 0:45:51 | |
Now I've got to put it all into practice. | 0:45:53 | 0:45:56 | |
If I'm going to flaunt my freak on stage, | 0:46:05 | 0:46:07 | |
I'm going to need some expert advice. | 0:46:07 | 0:46:10 | |
Mat Fraser is a Brit who now lives in New York. | 0:46:10 | 0:46:13 | |
He's one of the world's highest earning freakshow performers. | 0:46:13 | 0:46:17 | |
I used to love fairgrounds. | 0:46:18 | 0:46:20 | |
I used to want to work on the fairground. | 0:46:20 | 0:46:22 | |
Mat made a name for himself | 0:46:24 | 0:46:25 | |
as Seal Boy in the TV show American Horror Story. | 0:46:25 | 0:46:28 | |
But he's also renowned for his daring freakshow cabaret act. | 0:46:28 | 0:46:32 | |
If anybody feels delicate around the issue of disability | 0:46:32 | 0:46:36 | |
and crippledness and mutations and things like that, | 0:46:36 | 0:46:39 | |
you're probably at the wrong show, ladies and gentlemen! | 0:46:39 | 0:46:42 | |
-Mat Fraser, how are you doing, sir? -Very good, thank you. -Are you well? | 0:46:45 | 0:46:48 | |
Yes, I'm very good. Very good indeed. | 0:46:48 | 0:46:51 | |
Out of all the kind of freaks we've spoken to, you're the one who's... | 0:46:51 | 0:46:54 | |
who's made it, who's cashed in in a big way. | 0:46:54 | 0:46:58 | |
Have you ever met someone like me before? | 0:46:59 | 0:47:01 | |
No, I've not met anyone | 0:47:01 | 0:47:03 | |
with the elephant man-esque facial features such as yourself. | 0:47:03 | 0:47:08 | |
Just cos I'm a crip, doesn't mean I didn't think, | 0:47:08 | 0:47:11 | |
"OK, you're going to be meeting the guy, | 0:47:11 | 0:47:13 | |
"he's going to have a kind of elephant manny face." | 0:47:13 | 0:47:15 | |
And then I saw you and I'm like, "Oh, I could kiss that." | 0:47:15 | 0:47:20 | |
Is it the same impairment as Joseph Merrick had? | 0:47:20 | 0:47:22 | |
-Potentially yes. -OK. | 0:47:22 | 0:47:24 | |
He either had what I have - neurofibromatosis type 1 - | 0:47:24 | 0:47:29 | |
Proteus syndrome | 0:47:29 | 0:47:31 | |
or both. | 0:47:31 | 0:47:32 | |
Oh, look at that. | 0:47:34 | 0:47:35 | |
Quite the rake, with his top button done up. | 0:47:37 | 0:47:39 | |
-Gosh, I wish I'd known him. Don't you? -Oh, yeah. | 0:47:39 | 0:47:41 | |
-Listen to me! -Not now! -No, otherwise... | 0:47:41 | 0:47:45 | |
I'm the closest you're going to get, I'll be honest. | 0:47:45 | 0:47:47 | |
No, no, you're good enough for me. | 0:47:47 | 0:47:49 | |
What do you think of the word freak? | 0:47:52 | 0:47:54 | |
For me, freak is now a positive word. | 0:47:54 | 0:47:58 | |
You know what we've got? | 0:47:58 | 0:48:00 | |
Natural born freaks. It's deformed! | 0:48:00 | 0:48:04 | |
And that's the stuff of horror films and nightmares and scaredy stuff. | 0:48:04 | 0:48:08 | |
It has become, for me, something I am proud of being. | 0:48:08 | 0:48:11 | |
And now when people shout, "Yo, freakshow," | 0:48:11 | 0:48:14 | |
I turn around and go, "Thank you very much. Yes, I am." | 0:48:14 | 0:48:17 | |
So do I need to get out of the freak closet? | 0:48:17 | 0:48:20 | |
I would suggest to you that you acknowledge | 0:48:20 | 0:48:22 | |
that you're probably the modern-day Elephant Man. | 0:48:22 | 0:48:25 | |
For most people in a sideshow that's what you're going to be, right? | 0:48:25 | 0:48:28 | |
And I would talk about him. | 0:48:28 | 0:48:30 | |
It will give you power but it will also give them their pound of flesh. | 0:48:30 | 0:48:33 | |
-Yeah. -Put a few gags in, | 0:48:33 | 0:48:34 | |
-people have got to know that you can laugh at yourself. -Yeah. | 0:48:34 | 0:48:37 | |
I say that clearly because I've got no thumbs, | 0:48:37 | 0:48:41 | |
I have no opposable digit. | 0:48:41 | 0:48:42 | |
Now, this means that I have to do some things with two hands | 0:48:42 | 0:48:45 | |
that most other men can find they can adequately perform | 0:48:45 | 0:48:48 | |
with just the one hand... | 0:48:48 | 0:48:50 | |
Obviously everyone's thinking about wanking, | 0:48:50 | 0:48:52 | |
and then I go... Wait, applause, | 0:48:52 | 0:48:54 | |
"I'm talking about holding a screwdriver | 0:48:54 | 0:48:56 | |
"or picking up a pint of beer. | 0:48:56 | 0:48:57 | |
"But you're all obviously thinking something else. | 0:48:57 | 0:48:59 | |
"You should know that I've got a very supple back | 0:48:59 | 0:49:01 | |
"and I'm clever with my feet." That gets a big laugh. | 0:49:01 | 0:49:04 | |
Then I go, "But I wank with my hands!" | 0:49:04 | 0:49:05 | |
-And I get a second laugh off it. -Nice. | 0:49:05 | 0:49:08 | |
If I was to give you one note, you have to deal with your face. | 0:49:08 | 0:49:12 | |
It has to be the baseline for your act. | 0:49:12 | 0:49:14 | |
That is the bottom line. | 0:49:14 | 0:49:15 | |
Yeah, and I suppose there's no better way | 0:49:15 | 0:49:18 | |
of facing your demons than facing your demons. | 0:49:18 | 0:49:21 | |
-I've just thought of something. -Mm-hm. | 0:49:21 | 0:49:23 | |
In your act that you're going to do, are you going to use a hood? | 0:49:23 | 0:49:27 | |
I don't know. I... | 0:49:27 | 0:49:29 | |
I would totally make you... FORCE YOU! | 0:49:29 | 0:49:32 | |
Have a hood. | 0:49:32 | 0:49:34 | |
I mean, the world is literally your oyster. | 0:49:34 | 0:49:38 | |
-GIRL CALLS OVER -Oh, you did? | 0:49:38 | 0:49:40 | |
-Hey, how are you doing? -It's nice to meet you! | 0:49:43 | 0:49:46 | |
Bring it in, bring it in. I'll stand up for you. | 0:49:46 | 0:49:48 | |
-Got it. -Thank you so much! -You're very welcome. -Thank you! | 0:49:50 | 0:49:53 | |
-Take care, now. -You too! -Bye! | 0:49:53 | 0:49:56 | |
If you like someone, you are remotely attracted to them, | 0:49:56 | 0:49:58 | |
and they get on stage, | 0:49:58 | 0:49:59 | |
you fancy them exactly a minimum of ten times more | 0:49:59 | 0:50:02 | |
than you did before they got on the stage. | 0:50:02 | 0:50:05 | |
And if you're a single man, believe me, you'll get action. | 0:50:05 | 0:50:08 | |
I AM currently a single man. | 0:50:08 | 0:50:11 | |
I would say hit the stage as soon as possible. | 0:50:11 | 0:50:13 | |
Let's do this! | 0:50:13 | 0:50:15 | |
Back home in London, I am off to meet artistic director Garry Robsin, | 0:50:21 | 0:50:24 | |
who specialises in training physically disabled performers | 0:50:24 | 0:50:28 | |
and will help me rehearse my act. | 0:50:28 | 0:50:31 | |
Really good to meet you, sir. | 0:50:31 | 0:50:32 | |
And yourself. | 0:50:32 | 0:50:33 | |
'I can't control why people will come. | 0:50:35 | 0:50:38 | |
'I can control what they'll leave thinking.' | 0:50:38 | 0:50:41 | |
I'll keep flexing the neck. | 0:50:41 | 0:50:43 | |
'They'll come thinking I'm an idiot who can't speak, or...' | 0:50:43 | 0:50:46 | |
THEY DO VOCAL WARM-UPS | 0:50:46 | 0:50:49 | |
'..and they're just there to come and laugh at The Elephant Man.' | 0:50:49 | 0:50:53 | |
THEY LAUGH | 0:50:53 | 0:50:55 | |
'And I'm going to help them see past that.' | 0:50:55 | 0:50:58 | |
Good, keep at it. Go on. | 0:51:00 | 0:51:01 | |
There may be something good has come of it. | 0:51:01 | 0:51:05 | |
We're dancing! | 0:51:05 | 0:51:06 | |
THEY LAUGH | 0:51:06 | 0:51:08 | |
So, have you written something? | 0:51:14 | 0:51:16 | |
Yeah, the idea... | 0:51:16 | 0:51:17 | |
The concept is kind of the true story of The Elephant Man. | 0:51:17 | 0:51:20 | |
But also telling the story of the journey I've been on as well. | 0:51:20 | 0:51:25 | |
Freak shows were all about transformation. | 0:51:25 | 0:51:27 | |
It's kind of Adam Pearson | 0:51:27 | 0:51:29 | |
but it's Adam Pearson as The Elephant Man. | 0:51:29 | 0:51:32 | |
Yeah. | 0:51:32 | 0:51:33 | |
I know who the elephant man is, I spent years avoiding him, | 0:51:33 | 0:51:36 | |
I don't know what I was afraid of. | 0:51:36 | 0:51:38 | |
He is, to all intents and purposes, the king of the freak shows. | 0:51:38 | 0:51:43 | |
But he is dead and I am not. | 0:51:43 | 0:51:45 | |
CABARET MUSIC | 0:51:50 | 0:51:52 | |
This is now the point of no return. | 0:52:02 | 0:52:05 | |
Tonight should be good. | 0:52:08 | 0:52:10 | |
On the one hand, I am looking forward to it | 0:52:10 | 0:52:12 | |
and in another way I'm nervous as anything. | 0:52:12 | 0:52:15 | |
If you'd have told me this would've been the end of the journey | 0:52:19 | 0:52:22 | |
when I was standing opposite The Elephant Man skeleton | 0:52:22 | 0:52:25 | |
at the Royal in London... | 0:52:25 | 0:52:27 | |
I didn't think it would end this way. | 0:52:27 | 0:52:30 | |
I thought I'd go on a journey and be like, "Yeah, freakshows are bad. | 0:52:33 | 0:52:36 | |
"I told you all so!" | 0:52:36 | 0:52:37 | |
And, you know, roll credits, that's the end of it. | 0:52:37 | 0:52:40 | |
Maybe get Missy Elliott playing in the background. | 0:52:40 | 0:52:42 | |
Whereas this is a complete 180. | 0:52:42 | 0:52:44 | |
I'm definitely going to go through with this. | 0:52:44 | 0:52:48 | |
Ladies and gentlemen, the terrible Elephant Man! | 0:52:55 | 0:53:01 | |
LAUGHTER | 0:53:04 | 0:53:07 | |
JAUNTY MUSIC PLAYS | 0:53:07 | 0:53:10 | |
LAUGHTER | 0:53:19 | 0:53:21 | |
CHEERING | 0:53:32 | 0:53:34 | |
CHEERING | 0:53:47 | 0:53:50 | |
HE SIGHS OK. Let's address the... | 0:53:52 | 0:53:56 | |
elephant in the room for a second! | 0:53:56 | 0:53:59 | |
The kids in the playground used to make me | 0:53:59 | 0:54:01 | |
do impressions of The Elephant Man every day. | 0:54:01 | 0:54:04 | |
And then just come up to me and say, | 0:54:04 | 0:54:06 | |
"Not as good as John Hurt." | 0:54:06 | 0:54:08 | |
LAUGHTER | 0:54:08 | 0:54:10 | |
As you heard, I've been around America | 0:54:10 | 0:54:12 | |
meeting various freakshow performers. | 0:54:12 | 0:54:14 | |
I met a wolf boy in Mexico | 0:54:14 | 0:54:16 | |
who said I was the first elephant man for 150 years | 0:54:16 | 0:54:19 | |
and I should be proud. | 0:54:19 | 0:54:21 | |
I met a lobster boy in Texas | 0:54:21 | 0:54:23 | |
who said I needed to break out of the freak closet. | 0:54:23 | 0:54:26 | |
And I met a seal boy in New York | 0:54:26 | 0:54:27 | |
that said if I got on stage and performed, | 0:54:27 | 0:54:30 | |
I would definitely get sex. | 0:54:30 | 0:54:33 | |
LAUGHTER | 0:54:33 | 0:54:34 | |
So... here I am! | 0:54:34 | 0:54:38 | |
LAUGHTER AND CHEERING | 0:54:38 | 0:54:41 | |
Ladies! | 0:54:46 | 0:54:48 | |
Gentlemen? | 0:54:49 | 0:54:51 | |
LAUGHTER | 0:54:51 | 0:54:53 | |
Anyone! | 0:54:53 | 0:54:54 | |
Anyone...at all. | 0:54:58 | 0:55:00 | |
So, it's been an amazing journey. | 0:55:02 | 0:55:05 | |
I'd like to say thank you to my mum for having me | 0:55:05 | 0:55:08 | |
perfectly imperfect - 50% man, 50% elephant, | 0:55:08 | 0:55:12 | |
100% awesome. | 0:55:12 | 0:55:15 | |
And in conclusion, I am not an animal... | 0:55:15 | 0:55:19 | |
I am The Elephant Man! Thank you! | 0:55:19 | 0:55:23 | |
MUSIC: Nellie The Elephant | 0:55:23 | 0:55:26 | |
CHEERING AND APPLAUSE | 0:55:26 | 0:55:29 | |
Performing does something unique to you. | 0:55:35 | 0:55:38 | |
In that one moment, I got what everyone meant | 0:55:38 | 0:55:40 | |
when they said it was empowering. | 0:55:40 | 0:55:42 | |
Now I am going to go | 0:55:42 | 0:55:44 | |
and I am going to get my promised sex! | 0:55:44 | 0:55:47 | |
MUSIC: Shake It Off by Taylor Swift | 0:55:50 | 0:55:53 | |
'Instead of running from it, I need to own it.' | 0:55:55 | 0:55:57 | |
If you offered me the chance to change my face, | 0:55:59 | 0:56:01 | |
I would not. | 0:56:01 | 0:56:03 | |
I would not take you up on it. | 0:56:03 | 0:56:05 | |
It's very much my... kind of my calling card. | 0:56:05 | 0:56:07 | |
I guess I've made it work for me. | 0:56:07 | 0:56:09 | |
'Whether I like it or not, I am a freak.' | 0:56:11 | 0:56:14 | |
MUSIC: Le Freak (Freak Out) by Chic | 0:56:17 | 0:56:22 |