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CHANTING: We want Ted! We want Ted! | 0:00:51 | 0:00:58 | |
This will enable us to provide strong and honest government for Britain in the '70s. | 0:00:58 | 0:01:06 | |
The early 1970s were a period of conflict and questioning for many. | 0:01:06 | 0:01:12 | |
But there was no organised voice for disabled people, | 0:01:13 | 0:01:18 | |
although individuals were beginning to challenge the system. | 0:01:18 | 0:01:22 | |
Richard Jameson found himself inside one of the huge, grim mental homes of that time. | 0:01:22 | 0:01:30 | |
I thought - in fact, I knew - I was an international star of stage, street and radio | 0:01:30 | 0:01:35 | |
and I went all over the West End with hidden cameras and microphones trained on me. | 0:01:35 | 0:01:42 | |
I landed up in a cafe, spouting away to the hidden microphone, | 0:01:42 | 0:01:47 | |
until the proprietor slung me out. | 0:01:47 | 0:01:50 | |
This is where I was transferred by police car | 0:01:50 | 0:01:54 | |
after a particularly exciting bout of hypermania. | 0:01:54 | 0:01:59 | |
Of course, the grimness of the place was lost on me - | 0:01:59 | 0:02:03 | |
I thought I was in the emperor's palace in Thailand. | 0:02:03 | 0:02:08 | |
I was convinced this wonderful thing was happening. I've never felt so happy. | 0:02:08 | 0:02:14 | |
The normal person just does not know what he's missing. | 0:02:14 | 0:02:19 | |
It was about a month later that the grimness of the place bore in on me. | 0:02:19 | 0:02:24 | |
Nobody bothered to enquire into my mind or say what was going wrong in there. | 0:02:24 | 0:02:30 | |
I was left in an armchair, a very comfortable armchair, to work it out for myself. | 0:02:30 | 0:02:37 | |
This is the undergrowth - very bleak. | 0:02:37 | 0:02:40 | |
The windows are even bleaker. | 0:02:40 | 0:02:43 | |
It looks like a convicts' camp, my pyjamas look like convicts' clothing, and we were treated like convicts. | 0:02:43 | 0:02:50 | |
If your bedclothes weren't done properly in the morning, they were thrown to the floor. | 0:02:50 | 0:02:57 | |
The nurses went round like sergeants and corporals, barking orders. | 0:02:57 | 0:03:03 | |
It wasn't quite the right atmosphere to get better, I don't think. | 0:03:03 | 0:03:08 | |
I was kept in pyjamas for the first month. They were afraid I'd run away. | 0:03:08 | 0:03:13 | |
Damned inconvenient it was, and I couldn't go down into the town because you can't hide your crotch. | 0:03:13 | 0:03:21 | |
It was bloody annoying! I said, "Can I have my clothes back?" | 0:03:21 | 0:03:26 | |
And because I burst into tears, this went into the report book and I was given my clothes back, | 0:03:26 | 0:03:33 | |
which was marvellous. | 0:03:33 | 0:03:35 | |
Pyjamas are inconvenient when you're trying to get down into society. | 0:03:35 | 0:03:40 | |
But there were happy moments. We did have our happy moments. | 0:03:40 | 0:03:44 | |
Like the two nurses who held me down on a bed and rifled my pockets and took all my property, | 0:03:44 | 0:03:52 | |
which was particularly annoying cos I'd just got it back from the charge nurse. They nearly killed me. | 0:03:52 | 0:03:58 | |
We had dances in the theatre, which was capable of putting on shows for us. | 0:03:58 | 0:04:05 | |
We had full-scale dances with a musical accompaniment, | 0:04:05 | 0:04:10 | |
which you might have thought was an absolute holiday camp, | 0:04:10 | 0:04:15 | |
but really the atmosphere of madness hung over it in a sort of pall | 0:04:15 | 0:04:19 | |
and was not at all pleasant, | 0:04:19 | 0:04:23 | |
so it was all rather gloomy even though it was trying to be cheerful. | 0:04:23 | 0:04:28 | |
The doctor who was in charge was rather like a little Hitler, | 0:04:28 | 0:04:33 | |
as far as I and a good many others were concerned. | 0:04:33 | 0:04:37 | |
For all that, we were very lucky to see him for about three minutes every fortnight. | 0:04:37 | 0:04:44 | |
He didn't really give a damn. | 0:04:44 | 0:04:47 | |
He said, "I'm afraid you've got to wait Richard. I'm terribly sorry..." | 0:04:47 | 0:04:53 | |
He didn't even say sorry. He said, "You're nowhere near back to form. | 0:04:53 | 0:04:58 | |
"Charge nurse, show him out." | 0:04:58 | 0:05:01 | |
It's a terrifying business trying to prove you're sane. I almost gave up. | 0:05:01 | 0:05:07 | |
I remember crying and all the rest of it, all over the place, | 0:05:07 | 0:05:11 | |
because I couldn't get out. | 0:05:11 | 0:05:14 | |
In the early 1970s, a report examined disabled people, institutions and power. | 0:05:14 | 0:05:21 | |
The report coined a term for the institutionalised disabled... | 0:05:21 | 0:05:26 | |
You would go to bed at six o'clock, not particularly tired. | 0:05:32 | 0:05:37 | |
I was able to read, you know, down the bed, with a torch. | 0:05:37 | 0:05:42 | |
There were lots of other people | 0:05:42 | 0:05:45 | |
that couldn't do that. | 0:05:45 | 0:05:47 | |
They were lying on their backs | 0:05:47 | 0:05:50 | |
gazing at the four walls, with nothing to do. | 0:05:50 | 0:05:54 | |
You'd go to sleep thinking, and feeling, | 0:05:54 | 0:05:59 | |
"Wouldn't it be wonderful not to feel like this ever again, | 0:05:59 | 0:06:05 | |
"and it would all be over?" | 0:06:05 | 0:06:08 | |
And the thought of dying did seem to have a...you know... | 0:06:08 | 0:06:13 | |
something quite sort of happy about it. | 0:06:13 | 0:06:18 | |
Cos it would be that you wouldn't be missing anything, | 0:06:18 | 0:06:23 | |
cos every day was...was the same. | 0:06:23 | 0:06:27 | |
'The new bus is going to mean a lot to girls like Sue Barker, a spastic. | 0:06:28 | 0:06:33 | |
'When she first came here, Sue was very unhappy, but her deep faith helped her accept her disability.' | 0:06:33 | 0:06:41 | |
The ways and means of living were taken out of the control of disabled people. | 0:06:41 | 0:06:48 | |
They were expected to be pleased with simple things. | 0:06:48 | 0:06:52 | |
In my search for somewhere to live, I went to Norfolk, to a home up a country lane, | 0:06:52 | 0:06:58 | |
and was greeted by this woman with a frilly hat - presumably a matron - | 0:06:58 | 0:07:04 | |
and she started to show me round, | 0:07:04 | 0:07:06 | |
and I went into this huge room where all the residents were sitting around the edges of the room, | 0:07:06 | 0:07:14 | |
like you see in day centres. | 0:07:14 | 0:07:16 | |
She swished these great velvet curtains back and said, | 0:07:16 | 0:07:21 | |
"When you come here, you can sit and watch Canada geese land on the lake. | 0:07:21 | 0:07:26 | |
I turned to her and said, "I won't be sitting here watching them come to this lake. | 0:07:26 | 0:07:32 | |
"I'll be going to Canada to watch them in their natural habitat." | 0:07:32 | 0:07:37 | |
I did a bit more looking around | 0:07:37 | 0:07:39 | |
and saw all these cane baskets and the usual things that disabled people are expected to do, | 0:07:39 | 0:07:46 | |
and just decided it was not for me. | 0:07:46 | 0:07:49 | |
# How many roads Must a man walk down | 0:07:49 | 0:07:54 | |
# Before they call him a man? # | 0:07:54 | 0:07:58 | |
One of the places I went to said to me that I couldn't have a room of my own. | 0:07:58 | 0:08:04 | |
I'd have to go in the big girls' room, a dormitory of about six. | 0:08:04 | 0:08:09 | |
You must have been waiting for someone to die before you had your own room. | 0:08:09 | 0:08:15 | |
But on the Friday we all had to sit round this big oak table and people were given their benefits, | 0:08:15 | 0:08:22 | |
and so everybody knew what everybody else had. | 0:08:22 | 0:08:26 | |
I thought, "No, no, not for me." | 0:08:26 | 0:08:28 | |
You didn't even have to think for yourself what you wanted to eat. | 0:08:28 | 0:08:34 | |
That was decided for you. | 0:08:34 | 0:08:37 | |
It didn't matter whether it was what you wanted. | 0:08:37 | 0:08:41 | |
That never came into the equation. | 0:08:41 | 0:08:44 | |
One treatment decided for Richard Jameson was ECT, | 0:08:44 | 0:08:49 | |
a controversial therapy challenged by many who experienced it. | 0:08:49 | 0:08:55 | |
Nearly all of us were ordered to have ECT, | 0:08:55 | 0:08:59 | |
and it was a little bit worrying because most of us thought our brains were going to be fried, | 0:08:59 | 0:09:06 | |
or killed or cured, and all that sort of drama. | 0:09:06 | 0:09:11 | |
We all queued in a room beside the ECT room and went in one at a time, | 0:09:11 | 0:09:16 | |
were given anaesthetic. I had mine, | 0:09:16 | 0:09:19 | |
and as he was putting the anaesthetic up my arm, he asked me to recite a little poem I'd written. | 0:09:19 | 0:09:27 | |
"Mildred, a dim-witted dove, fell all meltingly in love. | 0:09:27 | 0:09:32 | |
"She wrote a sonnet every day and even an unsuccessful television play. | 0:09:32 | 0:09:39 | |
"Love had cleft her heart in twain Like Rommel at El Alamein. | 0:09:39 | 0:09:43 | |
"Heartbeats fluttered in her bosom. She tried to calm them, couldn't lose them. | 0:09:43 | 0:09:50 | |
"Alas, her love cannot be true - she's fallen for a kangaroo." | 0:09:50 | 0:09:55 | |
And that's when I sparked out. | 0:09:55 | 0:09:59 | |
I didn't see how anything so Heath Robinson and haphazard | 0:09:59 | 0:10:04 | |
could be allowed to operate in the 20th century, in England. | 0:10:04 | 0:10:09 | |
The fears of patients before we went on was that our brains would be fried | 0:10:09 | 0:10:16 | |
or that we'd emerge with half a brain or lose our memory. | 0:10:16 | 0:10:20 | |
It's not a very pleasant thing to see. | 0:10:20 | 0:10:24 | |
It's rather like a sheep or cow being slaughtered. | 0:10:24 | 0:10:28 | |
You don't want to see that. You just want your sheep or cow on the plate. | 0:10:28 | 0:10:33 | |
So we don't really talk about the nasty appearance of ECT. | 0:10:33 | 0:10:39 | |
Richard's experience of institutions was typical of a lot of disabled people at that time. | 0:10:39 | 0:10:46 | |
Some now wanted out of the slow rot of segregated care. | 0:10:46 | 0:10:52 | |
I saw so many people dying | 0:10:52 | 0:10:55 | |
and being carried off in their brown box. | 0:10:55 | 0:11:00 | |
And I used to think to myself, "My God, that's going to be me one day!" | 0:11:00 | 0:11:07 | |
I decided I was not going to die, not yet. | 0:11:07 | 0:11:12 | |
I was not going to be carried off | 0:11:12 | 0:11:14 | |
in a brown box. | 0:11:14 | 0:11:17 | |
I was going to have a life, no matter what. | 0:11:17 | 0:11:22 | |
Nobody... Nobody was gonna stop me | 0:11:22 | 0:11:25 | |
and it didn't matter how long it took | 0:11:25 | 0:11:29 | |
and how long I had to wait for it to happen. | 0:11:29 | 0:11:33 | |
Something had to happen. | 0:11:33 | 0:11:35 | |
But for some, like Bill Surrey, who spent 70 years in an institution, | 0:12:13 | 0:12:19 | |
leaving was more of a shock. | 0:12:19 | 0:12:22 | |
They had all the hospitals closed up. | 0:12:22 | 0:12:26 | |
And I made a joke. I said to the staff, "Oh, gotta come out the nuthouse. | 0:12:26 | 0:12:32 | |
"Never mind. Couldn't do nothin' about it. We all have to come out." | 0:12:32 | 0:12:37 | |
Marie said, "Well, look Bill, all the staff gotta come out." They didn't wanna leave. | 0:12:37 | 0:12:43 | |
I couldn't do nothing. Had to come out. | 0:12:43 | 0:12:46 | |
I said to her, "I suppose I gotta come out the zoo." She said, "Don't talk silly, Bill. | 0:12:46 | 0:12:53 | |
"It's not a zoo." I said, "It must be a nuthouse." | 0:12:53 | 0:12:57 | |
Oh, I laughed to meself. Wind them up. | 0:12:57 | 0:13:02 | |
Eighteen years of institutional life had left Louise Medus ill-equipped for life outside. | 0:13:04 | 0:13:11 | |
Institutions were often indifferent as to how their former residents were to manage. | 0:13:11 | 0:13:18 | |
I didn't want to leave Chailey. I'd been there since 17 months old. | 0:13:18 | 0:13:23 | |
It's like being kicked out your home, knowing you could never return, leaving all your friends. | 0:13:23 | 0:13:29 | |
They packed all my stuff in this little suitcase and I couldn't take my rabbit with me, | 0:13:29 | 0:13:36 | |
but when the crunch came, you were just dumped somewhere you didn't know. | 0:13:36 | 0:13:43 | |
You'd never had anything of your own. You had your clothes and your few personal possessions, | 0:13:43 | 0:13:50 | |
and maybe a book or two, a suitcase. | 0:13:50 | 0:13:53 | |
The whole of my life was in a suitcase. | 0:13:53 | 0:13:57 | |
And that was it. | 0:13:57 | 0:14:00 | |
Disabled people were leaving institutions to find no support. | 0:14:01 | 0:14:06 | |
Care in the community existed as an idea in the 1970s, | 0:14:06 | 0:14:11 | |
but there was no significant shift in resources to help disabled people live like everybody else. | 0:14:11 | 0:14:19 | |
In 1974, I moved into a purpose-built flat. I was one of the first people to move in. | 0:14:19 | 0:14:25 | |
And as other people joined me... | 0:14:25 | 0:14:28 | |
They were mainly people like myself, who had come out of an institution | 0:14:28 | 0:14:34 | |
and just found it incredibly hard because they often came from quite long distances away, | 0:14:34 | 0:14:41 | |
so they had no network of friends. | 0:14:41 | 0:14:44 | |
I remember one couple moving in | 0:14:44 | 0:14:47 | |
who just sat amongst their curtains and their light bulbs and crockery | 0:14:47 | 0:14:53 | |
and just nobody to come and support them to put their home together. | 0:14:53 | 0:15:00 | |
There was no sophisticated technology like there is now. | 0:15:01 | 0:15:05 | |
A local charity actually came around and said, | 0:15:05 | 0:15:09 | |
"If you want to be able to call for help, we'll make this HELP sign." | 0:15:09 | 0:15:15 | |
I remember having to use it in the middle of one night and it was very efficient. | 0:15:15 | 0:15:21 | |
Someone passing by at 4am saw it flashing and called the police. | 0:15:21 | 0:15:26 | |
There was a woman that moved in next to me, a young woman who was quite mobile when she first arrived, | 0:15:26 | 0:15:34 | |
but quite quickly she became a wheelchair-user | 0:15:34 | 0:15:39 | |
and she also developed a mental illness | 0:15:39 | 0:15:45 | |
which resulted in her not turning her lights on in her flat. | 0:15:45 | 0:15:50 | |
She used to bring all the toilet rolls and biscuits home from the local day centre, | 0:15:50 | 0:15:56 | |
but she wouldn't touch them. | 0:15:56 | 0:15:59 | |
She never ate the biscuits or used the toilet rolls. | 0:15:59 | 0:16:04 | |
In the end, she would sit outside her door, naked, and she would cry. | 0:16:04 | 0:16:10 | |
If you gave her something to eat, she'd eat it, as long as it didn't belong to her or was in her flat. | 0:16:10 | 0:16:17 | |
And when I used to ring the doctor, | 0:16:17 | 0:16:20 | |
he used to say, "Why don't you take a sleeping pill and forget it? | 0:16:20 | 0:16:25 | |
"It'll all resolve itself somehow." | 0:16:25 | 0:16:27 | |
But she died about ten weeks later. | 0:16:27 | 0:16:30 | |
It certainly felt to me as though it was people coming out of institutions, closing them down. | 0:16:30 | 0:16:37 | |
Not so much closing them down, but people trying to move on, realising they could, | 0:16:37 | 0:16:43 | |
and not having any community support. | 0:16:43 | 0:16:45 | |
I myself had very little. | 0:16:45 | 0:16:48 | |
# You know, together we will stand Every boy, girl, woman and man. # | 0:16:48 | 0:16:53 | |
The change in attitudes to the disabled was sluggish. | 0:16:53 | 0:16:58 | |
Many were met with petty distinctions and resentment. | 0:16:58 | 0:17:02 | |
It wasn't all bad for disabled people in the 1970s. | 0:18:14 | 0:18:18 | |
Mat Fraser recalls his youth with fondness. | 0:18:18 | 0:18:22 | |
I was at public school, fifth form, and chose my fag - Constant - and I had to slap him. | 0:18:22 | 0:18:28 | |
We all had to go up and slap our fag. | 0:18:28 | 0:18:30 | |
"Go on - slap your fag, Fraser." | 0:18:30 | 0:18:33 | |
And so I... I didn't have any shoes on, | 0:18:33 | 0:18:37 | |
so I slapped my fag with my foot, cos that's how I slap people. | 0:18:37 | 0:18:42 | |
He duly started to cry and I felt bad about it, but it looked hard. | 0:18:42 | 0:18:46 | |
That was one of those things that happened in the fifth form at public school in 197...whenever it was. | 0:18:46 | 0:18:54 | |
'I loved the '70s, style-wise. Everything was really tight fitted.' | 0:18:54 | 0:18:58 | |
I don't do baggy well. | 0:18:58 | 0:19:01 | |
In the '80s, my arms didn't reach out the end of most T-shirt sleeves. | 0:19:01 | 0:19:06 | |
In the old days, you had cap-sleeved T-shirts, tight-fitting bodies, crotch-hugging, bum-clinging stuff. | 0:19:06 | 0:19:13 | |
I find that more attractive on anyone. | 0:19:13 | 0:19:17 | |
Disabled people were increasingly a presence in society. | 0:19:17 | 0:19:22 | |
The isolation of disability was breaking down. | 0:19:22 | 0:19:26 | |
The next step - SELF-acceptance. | 0:19:26 | 0:19:29 | |
In those days, there wasn't the same contact or knowledge of the condition you were born with. | 0:19:29 | 0:19:36 | |
Then you'd feel quite secluded, which, unfortunately, I did, and became perhaps bitter. | 0:19:36 | 0:19:43 | |
I was feeling very insecure about who I was. | 0:19:43 | 0:19:47 | |
We went that night to the circus. As we walked up the ramp to the seats, | 0:19:47 | 0:19:52 | |
I froze on the spot. | 0:19:52 | 0:19:55 | |
I was petrified of what I saw - this person, small person, dressed in a clown outfit, | 0:19:55 | 0:20:02 | |
looking down at me. | 0:20:02 | 0:20:04 | |
It was like seeing a mirror image and I was horrified. | 0:20:04 | 0:20:09 | |
-Arthur broke the ice with... -"It's not often our sort meet, is it?" | 0:20:09 | 0:20:14 | |
I could tell she was reluctant to come up the ramp. | 0:20:14 | 0:20:18 | |
I'd not met with this attitude. I knew little people in show business and they didn't have inhibitions. | 0:20:18 | 0:20:26 | |
I couldn't wait till the end of the show. | 0:20:26 | 0:20:30 | |
I was performing as well as I could, but I had my mind on Penny. I wanted to talk to her. | 0:20:30 | 0:20:36 | |
We went round the corner and I was looking for this clown. | 0:20:36 | 0:20:41 | |
This wasn't a clown, but a man, all his make-up wiped off. Looked quite handsome, really. | 0:20:41 | 0:20:48 | |
We chatted about life, how I coped. | 0:20:48 | 0:20:51 | |
I went home feeling a bit better about myself because I'd met somebody like myself - | 0:20:51 | 0:20:57 | |
there was somebody out there. | 0:20:57 | 0:21:00 | |
In the '70s and '80s, many disabled people organised into self-help and lobby groups. | 0:21:00 | 0:21:08 | |
Gladys Brooks was one of the founder members of the Restrictive Growth Association. | 0:21:08 | 0:21:15 | |
RGA, as it is now, that's just the Restrictive Growth Association, | 0:21:15 | 0:21:21 | |
is very supportive. | 0:21:21 | 0:21:24 | |
There is nobody quite like somebody with the same problems as yourself - | 0:21:24 | 0:21:29 | |
to understand you, your problems, what you're going through, what mental torture, everything like that. | 0:21:29 | 0:21:37 | |
So, anyway, we went along, and there must have been perhaps 50 to 70 people. | 0:21:37 | 0:21:44 | |
I was amazed, cos I had met only two little people, really. | 0:21:44 | 0:21:50 | |
I'd seen one or two, seen the film with Snow White. | 0:21:50 | 0:21:54 | |
I knew they were about, but I'd never seen so many in one place at one time. | 0:21:54 | 0:22:00 | |
MUSIC: "48 Crash" by Suzi Quatro | 0:22:00 | 0:22:04 | |
There had been a number of ladies, especially, couldn't face the mirror image. | 0:22:04 | 0:22:10 | |
They went away in tears and we never saw them again. | 0:22:10 | 0:22:14 | |
-There we are... -..arriving at the church. | 0:22:16 | 0:22:20 | |
-I didn't see that bit, obviously. -No. | 0:22:20 | 0:22:24 | |
'Arthur was still with the circus, and I joined as a wardrobe mistress. | 0:22:24 | 0:22:30 | |
'And they were going to have elephants come just for photographs. | 0:22:30 | 0:22:34 | |
'The two elephants were outside the church, and our white cars. | 0:22:34 | 0:22:40 | |
'We got on the elephants for photographs and then before you know it up they were and off they went. | 0:22:40 | 0:22:48 | |
'I said to Arthur, "Hang onto me!" I'd never rode an elephant before. | 0:22:48 | 0:22:53 | |
'It was like sitting on an upturned yard brush. | 0:22:53 | 0:22:57 | |
'I'm sure the people of Southsea thought it was a publicity stunt, but it was for real. | 0:22:57 | 0:23:04 | |
'We got back to Mary Chipperfield's Circus and had a reception in the circus ring | 0:23:04 | 0:23:10 | |
'and were blessed by the actors' chaplain, and had to do two shows on our wedding night. | 0:23:10 | 0:23:16 | |
'No time off. Circus life was circus life.' | 0:23:16 | 0:23:21 | |
Eileen Chipper's marriage to her partner Ken freed her from the institutions. | 0:23:26 | 0:23:33 | |
The marriage lasted 14 years. | 0:23:33 | 0:23:36 | |
The Falklands Victory Parade of the early 1980s notoriously hid its war disabled. | 0:25:44 | 0:25:51 | |
They didn't suit the image. | 0:25:51 | 0:25:55 | |
But times had changed. Elsewhere, disabled people did not accept the barriers - | 0:25:56 | 0:26:03 | |
people like Mike Rogers, amateur pilot, and himself disabled in World War II. | 0:26:03 | 0:26:09 | |
I got onto British Airways and said, "Any chance of flying Concorde?" | 0:26:09 | 0:26:14 | |
And he said, "No, I'm afraid not. We don't even train our own pilots live on Concorde. | 0:26:14 | 0:26:20 | |
"But what about a Jumbo 747?" So I said, "That'd be all right." | 0:26:20 | 0:26:26 | |
Wonderful! | 0:26:26 | 0:26:28 | |
So I flew this damned great thing - 600 tons of it, or something. | 0:26:28 | 0:26:32 | |
He landed it beautifully, then said, "You taxi it back to the hangars." | 0:26:32 | 0:26:38 | |
So I taxied it the whole length, going round Concorde and things, | 0:26:38 | 0:26:43 | |
and you're 40ft up in the cockpit, looking in second storey windows. | 0:26:43 | 0:26:48 | |
He said, "What did you last fly, Mike?" I said, "Tiger Moth in 1952." | 0:26:48 | 0:26:53 | |
The '80s and '90s saw many attempts to bring in civil rights, | 0:26:55 | 0:27:00 | |
resulting in a limited 1995 Disability Discrimination Act | 0:27:00 | 0:27:05 | |
which was heavily criticised by disabled activists. | 0:27:05 | 0:27:10 | |
There is no enforcement procedure, | 0:27:10 | 0:27:12 | |
so we'll have a bill that won't work, no-one will take any notice of. They will laugh! | 0:27:12 | 0:27:19 | |
These attempts to secure rights were a sign of one simple fact - | 0:27:19 | 0:27:24 | |
many disabled people now see access as the issue of their lives. | 0:27:24 | 0:27:29 | |
I was at school, and I was doing some work. | 0:27:29 | 0:27:33 | |
I moved my head to write something and I had an incredible pain | 0:27:33 | 0:27:38 | |
and there was a horrible crunching noise. | 0:27:38 | 0:27:43 | |
I thought, "I'd better go home now." | 0:27:43 | 0:27:46 | |
After that, I had to lie down all the time. Up till then I'd been sitting up. I could use my computer. | 0:27:46 | 0:27:53 | |
I could use my car by getting in it with my parents. | 0:27:53 | 0:27:58 | |
Lying down, it was different. I had to find new ways of doing things. | 0:27:58 | 0:28:03 | |
Access is fundamental, and it's the fight for access that dominates disability in the '90s. | 0:28:03 | 0:28:09 | |
..Westminster Bridge, underneath a bus. | 0:28:09 | 0:28:13 | |
-What've you done? -Chained myself to the bus. | 0:28:13 | 0:28:16 | |
No group illustrates this more than the Direct Action Network, | 0:28:16 | 0:28:21 | |
those disabled people prepared to break the law to gain access. | 0:28:21 | 0:28:27 | |
We're not interested in sympathy. All we want is to get on the bus. | 0:28:27 | 0:28:32 | |
'DAN, the Direct Action Network, takes our issues onto the streets.' | 0:28:32 | 0:28:38 | |
The public sees us out of the context of being socially dead, of being invisible. | 0:28:38 | 0:28:44 | |
We can't be ignored. It's made one of the biggest impacts in the last decades on thinking on disability. | 0:28:44 | 0:28:52 | |
It's true to say DAN doesn't represent all disabled people | 0:28:52 | 0:28:58 | |
and it's also true that DAN is not liked or approved of | 0:28:58 | 0:29:02 | |
by many traditional disability organisations, and politicians. | 0:29:02 | 0:29:08 | |
But it's one of the things that I think disabled people can be proud of. | 0:29:08 | 0:29:14 | |
Occasionally, you get to the point where it compromises your safety | 0:29:14 | 0:29:19 | |
and it can be...scary. | 0:29:19 | 0:29:23 | |
One occasion, we brought morning rush-hour traffic to a standstill. | 0:29:25 | 0:29:29 | |
One way to hold a bus is to post people at the back and front of it, | 0:29:29 | 0:29:34 | |
then the drivers turn the engines off and go away and wait it out. | 0:29:34 | 0:29:40 | |
There was one of us - a guy called Steven who uses crutches - | 0:29:40 | 0:29:45 | |
sitting on the front bumper of the bus, | 0:29:45 | 0:29:49 | |
and I think he was cuffed to it by the wipers. | 0:29:49 | 0:29:53 | |
After quite a long wait, the bus driver had been pacing around, getting angrier and angrier. | 0:29:53 | 0:30:00 | |
He eventually jumped on and started the engine. | 0:30:00 | 0:30:04 | |
He put the bus into gear and started moving up the hill with people still attached to the bus. | 0:30:04 | 0:30:12 | |
Some people don't want to handle it. | 0:30:12 | 0:30:15 | |
They don't want their lives to stop because a disabled person is saying, | 0:30:15 | 0:30:20 | |
"Why can you ride on a bus and I can't?" | 0:30:20 | 0:30:24 | |
I remember getting arrested on a demonstration in Leeds, | 0:31:01 | 0:31:06 | |
and they sent the meat wagon - I wasn't using a wheelchair - | 0:31:06 | 0:31:11 | |
and they said, "Get in the van." | 0:31:11 | 0:31:14 | |
I said, "I can't. The step's too high." So they sent a car and it was a two-door car. | 0:31:14 | 0:31:21 | |
I made the copper sit in the back. I said, "I've got to sit up front. It's the only seat I can get into." | 0:31:21 | 0:31:29 | |
The magistrate seemed to be very sympathetic. | 0:31:29 | 0:31:33 | |
I spoke on my behalf and I said, "I should know better at my age. | 0:31:33 | 0:31:38 | |
"I'm an old soldier and I'm here to support the group. | 0:31:38 | 0:31:43 | |
"And we believe in access and civil rights, | 0:31:43 | 0:31:49 | |
"and if I've got to break the law, I'd break it again." | 0:31:49 | 0:31:54 | |
When I go on a day of action, I see two things - | 0:31:54 | 0:31:58 | |
the system being quite shocked at disabled people demonstrating on their own behalf and taking power. | 0:31:58 | 0:32:06 | |
A demonstration makes the demonstrator feel like a thorn in society's side. | 0:32:06 | 0:32:13 | |
I go as it's something I believe in and I'm happy to stand up and be counted within, and it's powerful. | 0:32:13 | 0:32:20 | |
It's so easy to forget about disabled people. We've been so invisible throughout history. | 0:32:20 | 0:32:27 | |
All of a sudden, we're making our presence felt. We're being very high profile and confrontational. | 0:32:27 | 0:32:35 | |
We're saying we're not prepared to accept socially dead status any more. | 0:32:35 | 0:32:41 | |
Disabled people no longer accept exclusion. | 0:32:56 | 0:33:01 | |
And as the 20th century closes, | 0:33:01 | 0:33:04 | |
disability is increasingly defined as an issue of access, rights... | 0:33:04 | 0:33:09 | |
..and humour. | 0:33:11 | 0:33:13 | |
Strangely, to begin with I didn't feel disabled, | 0:33:13 | 0:33:16 | |
but people stare at me, some rudely. | 0:33:16 | 0:33:19 | |
A taxi driver - they're wonderful things - | 0:33:19 | 0:33:24 | |
a black-cab driver, I was in the back of his cab... | 0:33:24 | 0:33:29 | |
"Where are you going, then?" So I said, "Kensal Rise" or where it was. | 0:33:29 | 0:33:34 | |
And he looked back and he said, "Where's your mince pie?" | 0:33:34 | 0:33:39 | |
I said, "Sorry?" "Mince pie - your old eye!" | 0:33:39 | 0:33:44 | |
I said, "Actually, it's not there. There's no eye, no mince pie." | 0:33:44 | 0:33:49 | |
He went, "Oh, cor blimey, what happened?!" | 0:33:49 | 0:33:52 | |
I said, "It's surgery." "Surgery? What's the matter?" | 0:33:52 | 0:33:57 | |
I said, "It's cancer." | 0:33:57 | 0:34:00 | |
I've got on my web page these two counters. | 0:34:03 | 0:34:07 | |
The one is how many days since I've had sex and the other's how many days I think I've got left to live. | 0:34:07 | 0:34:15 | |
They're both just for fun, but the one about death upsets people a lot. | 0:34:15 | 0:34:20 | |
They don't like thinking I might die of what I've got one day. It makes them uncomfortable. | 0:34:20 | 0:34:26 | |
I got married in 1987. | 0:34:26 | 0:34:29 | |
I hadn't worn my legs from when I was 19, and I decided I wanted to walk down the aisle. | 0:34:29 | 0:34:36 | |
I went to Roehampton to have some new legs made. | 0:34:36 | 0:34:40 | |
And the fitter said to me, "What height do you want?" Cos you can choose what height you want to be. | 0:34:40 | 0:34:47 | |
And I said, "I'll stay the same height." | 0:34:47 | 0:34:52 | |
And my husband said, "No, she wants to be a bit smaller. | 0:34:52 | 0:34:56 | |
"I want her to be a ½ inch smaller than me so she won't tower over me." | 0:34:56 | 0:35:01 | |
So I was reduced from five foot six to five foot four and a half. | 0:35:01 | 0:35:07 | |
I had a girlfriend when I was 21. She visited for a week. | 0:35:11 | 0:35:16 | |
The first night, we slept together | 0:35:16 | 0:35:19 | |
and the following day I said to Mum we were having a relationship and how wonderful it was going to be. | 0:35:19 | 0:35:27 | |
Later, Mum took me aside and said, "You realise you can't have sex?" | 0:35:27 | 0:35:33 | |
Unfortunately, because I was angry about that, | 0:35:33 | 0:35:38 | |
I said, "Well, I just HAVE." Which isn't something you should really tell your parents. | 0:35:38 | 0:35:45 | |
I think that upset her and probably wasn't my greatest plan. | 0:35:45 | 0:35:49 | |
Kids have looked at me, which I don't mind - kids are OK - cos kids are just fascinated. | 0:35:51 | 0:35:57 | |
I usually say, "I'm a pirate" and they're OK. | 0:35:57 | 0:36:01 | |
I think my agent was talking about I'd be very good at playing villains or science fiction or something, | 0:36:01 | 0:36:09 | |
somebody with scars and an eye patch. | 0:36:09 | 0:36:13 | |
We're going to a photographer I know to have me photographed as I am. | 0:36:13 | 0:36:19 | |
I like wearing make-up going out. | 0:36:19 | 0:36:21 | |
It can be a bit difficult because I'd wear it all the time, | 0:36:21 | 0:36:27 | |
but if I'm going shopping, I think my carers feel a bit strange | 0:36:27 | 0:36:32 | |
about pushing me around Tesco's wearing eyeliner. | 0:36:32 | 0:36:36 | |
So, usually, I just do it to go out at night. | 0:36:36 | 0:36:40 | |
They're very good about it. They haven't thought me too weird. They find it quite amusing. | 0:36:40 | 0:36:46 | |
With Disability Pride, as with a lot of things, | 0:36:56 | 0:37:00 | |
it's not "Hey, wow! Look at my arms, aren't they fantastic? Nay, better than yours!" | 0:37:00 | 0:37:05 | |
I'm just saying they're equal, but different. | 0:37:05 | 0:37:10 | |
To me, they're just as important as yours are to you. | 0:37:10 | 0:37:13 | |
Don't look at them as inferior, different, negative, bad or something you don't want to look at. | 0:37:13 | 0:37:19 | |
Cos here I am and you've got to deal with me, and that includes my arms. | 0:37:19 | 0:37:23 | |
And I'm proud that I'm saying to you you've got to deal with my arms too. | 0:37:23 | 0:37:28 | |
That's Disability Pride. I'm not ashamed of my difference. | 0:37:28 | 0:37:33 | |
Subtitles by Red Bee Media Ltd | 0:37:46 | 0:37:49 |