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This programme contains strong language. | 0:00:02 | 0:00:04 | |
So my music's started and this is the curtain. | 0:00:04 | 0:00:06 | |
My music's waiting to be played and everybody's buzzing. | 0:00:06 | 0:00:08 | |
I'm just standing like that, shite-ing myself, then this kicks in. | 0:00:08 | 0:00:11 | |
MUSIC: "Like A Prayer" by Madonna | 0:00:11 | 0:00:14 | |
Hopefully everybody's clapping. I'm like that. Send it. | 0:00:14 | 0:00:18 | |
Three, four, go. | 0:00:18 | 0:00:20 | |
This programme contains some scenes which some viewers may find upsetting. | 0:00:20 | 0:00:24 | |
Wee spin. And then when it kicks in like this, I go like that. | 0:00:24 | 0:00:28 | |
I go, "Ooooooooooohhhhhh! It's yersel!" | 0:00:28 | 0:00:33 | |
CHEERING # It's like a little prayer | 0:00:33 | 0:00:37 | |
# Down on my knees... # | 0:00:37 | 0:00:39 | |
Then I go up... | 0:00:39 | 0:00:42 | |
like that. | 0:00:42 | 0:00:43 | |
Bounce about the ring. | 0:00:43 | 0:00:44 | |
Go up to the referee, kid on that's the referee. | 0:00:44 | 0:00:47 | |
Up against the referee. | 0:00:47 | 0:00:48 | |
Grado! | 0:00:50 | 0:00:52 | |
This is the world of Insane Championship Wrestling. | 0:01:00 | 0:01:03 | |
-CROWD: -IC Dub, IC Dub! | 0:01:03 | 0:01:06 | |
A group of friends who fight together | 0:01:06 | 0:01:08 | |
and play together... | 0:01:08 | 0:01:10 | |
This is the story of their biggest year | 0:01:13 | 0:01:15 | |
as they strive to make a living... | 0:01:15 | 0:01:18 | |
I want you to wake up in the morning, look in the mirror | 0:01:18 | 0:01:20 | |
and say, "I make a full-time living off professional wrestling." Right? | 0:01:20 | 0:01:23 | |
..struggle with life at home... | 0:01:23 | 0:01:25 | |
I'm skint sometimes. Like really skint, like mega skint. | 0:01:25 | 0:01:29 | |
..and put on the biggest show of their lives. | 0:01:29 | 0:01:33 | |
It's a really, really big deal. | 0:01:33 | 0:01:36 | |
In four months' time they will put on a fight night | 0:01:36 | 0:01:38 | |
at one of Glasgow's biggest venues, | 0:01:38 | 0:01:41 | |
with double the capacity of their usual gigs. | 0:01:41 | 0:01:44 | |
1,100 tickets is not a laughing matter. | 0:01:44 | 0:01:49 | |
But can they sell it out... | 0:01:49 | 0:01:50 | |
..reach a new audience... | 0:01:52 | 0:01:54 | |
..and put their Insane Fight Club on the map? | 0:01:55 | 0:01:58 | |
-Right, I'll see you later. -Aye. -Right, see you later. | 0:02:07 | 0:02:10 | |
-Right. -You take care. -Aye, I will. -Enjoy yourself. | 0:02:10 | 0:02:14 | |
Just you get to your bed. | 0:02:14 | 0:02:16 | |
-Say, "Bye-bye". -Bye, Dad. | 0:02:31 | 0:02:32 | |
Bye. | 0:02:32 | 0:02:33 | |
-See you later on? -Say, "Good luck, Daddy." | 0:02:33 | 0:02:36 | |
Good luck, Dad. | 0:02:36 | 0:02:37 | |
-Try not get too stressed. -Right, cool - I'll try. | 0:02:37 | 0:02:40 | |
-Right, love you. -Love you, sweetie. | 0:02:40 | 0:02:43 | |
-Love you, honey. -Right, bye-bye. | 0:02:43 | 0:02:45 | |
When I drive to the shows, | 0:02:48 | 0:02:50 | |
I'm either shite-ing myself or I'm mega excited. | 0:02:50 | 0:02:52 | |
Right now I'm shite-ing myself and I'm mega excited. | 0:02:52 | 0:02:55 | |
But I'd probably say right now, | 0:02:55 | 0:02:57 | |
I'm closer to more shite-ing myself than I am excited, it's about 70-30. | 0:02:57 | 0:03:00 | |
Ah, you. Grab your running order. | 0:03:06 | 0:03:09 | |
Just going to go an' have a wee look at the crowd, | 0:03:09 | 0:03:11 | |
but I don't want them to really see me, | 0:03:11 | 0:03:13 | |
but it puts your mind at ease if you know | 0:03:13 | 0:03:15 | |
there's a big crowd already there and the doors havenae opened. | 0:03:15 | 0:03:18 | |
I can see through that gap there, in that pub, that... | 0:03:18 | 0:03:22 | |
Fuck's sake, man, the queue is huge. | 0:03:22 | 0:03:26 | |
-CROWD: -IC Dub! IC Dub! IC Dub! IC Dub! | 0:03:26 | 0:03:30 | |
It's the Sunday of fucking T In The Park. | 0:03:30 | 0:03:32 | |
T In The Park's happening right now and look at our crowd. | 0:03:32 | 0:03:35 | |
-CROWD: -IC Dub! IC Dub! | 0:03:35 | 0:03:37 | |
IC Dub! IC Dub! IC Dub! | 0:03:37 | 0:03:39 | |
That's what I'm saying - it'll no feel actually real | 0:03:39 | 0:03:41 | |
until Billy Kirkwood, the MC, the ring announcer, | 0:03:41 | 0:03:44 | |
once he goes out into that ring and then they all start chanting... | 0:03:44 | 0:03:47 | |
-CROWD: -IC Dub! IC Dub! IC Dub! IC Dub! | 0:03:47 | 0:03:51 | |
CHEERING | 0:03:51 | 0:03:54 | |
Insane Championship Wrestling is basically professional wrestling | 0:03:55 | 0:03:59 | |
that you'd see on the telly. | 0:03:59 | 0:04:00 | |
Only thing is, it's aimed at an over 18s crowd. | 0:04:02 | 0:04:04 | |
It's got a lot of blood, violence, bad language, stuff like that. | 0:04:07 | 0:04:11 | |
It's a drama, it's a comedy. | 0:04:13 | 0:04:15 | |
It's a soap opera, it's a performance art, it's a stunt show. | 0:04:15 | 0:04:20 | |
It's like going to the theatre. | 0:04:20 | 0:04:23 | |
Theatre for the new generation, where people get the shit kicked out them. | 0:04:23 | 0:04:26 | |
CHEERING | 0:04:30 | 0:04:33 | |
Can everybody be quiet, please? Cheers, guys. | 0:04:35 | 0:04:39 | |
Mark Dallas is the man in charge of Insane Championship Wrestling, | 0:04:39 | 0:04:43 | |
or ICW - the fighting phenomenon that's spilled out of nightclubs | 0:04:43 | 0:04:47 | |
and onto the streets of Glasgow. | 0:04:47 | 0:04:49 | |
It seemed like in the late '90s that everybody was alternative | 0:04:50 | 0:04:54 | |
and everybody wanted to shock people and be different | 0:04:54 | 0:04:57 | |
and then it seemed like society sort of changed | 0:04:57 | 0:05:00 | |
where you've got to fit into a genre. | 0:05:00 | 0:05:02 | |
Whereas what ICW is all about is standing out, | 0:05:03 | 0:05:07 | |
being different, not worrying about it. | 0:05:07 | 0:05:10 | |
I don't do any tricks, I just jump. | 0:05:10 | 0:05:13 | |
Don't be something that other people want you to be, be you. | 0:05:15 | 0:05:19 | |
From the feared... | 0:05:19 | 0:05:21 | |
to the loved. | 0:05:21 | 0:05:24 | |
The bizarre... | 0:05:24 | 0:05:26 | |
to the hard core. | 0:05:26 | 0:05:29 | |
Everyone has a home at IC Dub. | 0:05:29 | 0:05:31 | |
THEY CHEER | 0:05:31 | 0:05:34 | |
For owner Mark, the obsession with wrestling began at an early age. | 0:05:37 | 0:05:44 | |
When I was a kid I liked watching pro wrestling | 0:05:44 | 0:05:47 | |
because it seemed like it was real-life superheroes on my telly, | 0:05:47 | 0:05:51 | |
beating each other up. | 0:05:51 | 0:05:53 | |
So that drew me to it as a young child. | 0:05:53 | 0:05:56 | |
And in later years, | 0:05:59 | 0:06:01 | |
it was this childhood obsession that began to look like | 0:06:01 | 0:06:03 | |
it might provide a way out of tough times | 0:06:03 | 0:06:05 | |
for Mark and his partner, Helen. | 0:06:05 | 0:06:07 | |
When Helen got pregnant with Danny, we needed to get a house, | 0:06:07 | 0:06:11 | |
we were staying in her ma's house at the time. | 0:06:11 | 0:06:13 | |
So, the council put us in temporary accommodation, | 0:06:13 | 0:06:16 | |
which was here, in Red Road. | 0:06:16 | 0:06:17 | |
It was full of junkies and everybody just thrown in, | 0:06:17 | 0:06:22 | |
all the dregs of society and then me and my missus. | 0:06:22 | 0:06:25 | |
-Right, what do they do now? -They do a suplex. | 0:06:27 | 0:06:30 | |
I was just sitting there depressed, thinking about how I could provide | 0:06:30 | 0:06:33 | |
a better life for my wean, cos my wean wasnae getting brought up here, that just wasnae going to happen. | 0:06:33 | 0:06:37 | |
-Who's the strongest? -Aaah! | 0:06:37 | 0:06:40 | |
What I did was I thought, | 0:06:40 | 0:06:41 | |
"I'll book five shows, two months apart each time." | 0:06:41 | 0:06:44 | |
I don't know what happened, man, but we put on the first show | 0:06:44 | 0:06:47 | |
and it got about 80 people in, but they loved it. | 0:06:47 | 0:06:50 | |
And then the next show, it was sold out. | 0:06:52 | 0:06:54 | |
The next show, they'd to bring more chairs in. | 0:06:54 | 0:06:56 | |
The next show, we'd to turn people away. | 0:06:56 | 0:06:59 | |
ICW now has a regular spot at The Garage nightclub in Glasgow. | 0:07:01 | 0:07:06 | |
But with Mark barely breaking even every month, | 0:07:08 | 0:07:10 | |
and none of his wrestlers earning enough to make a full-time living, | 0:07:10 | 0:07:13 | |
he's about to take the biggest gamble of his career so far. | 0:07:13 | 0:07:17 | |
So this is the main hall, this is ABC1, this is where your guys are going to be. | 0:07:21 | 0:07:24 | |
Glasgow's ABC is a venue that holds twice the usual ICW crowd | 0:07:24 | 0:07:29 | |
and in just two months' time, Mark plans a sell-out. | 0:07:29 | 0:07:33 | |
Capacity's about...1,300? | 0:07:34 | 0:07:36 | |
Aye. 1,300 for a gig? | 0:07:36 | 0:07:39 | |
Yeah, for like, standing room only, no chairs. | 0:07:39 | 0:07:41 | |
So, with the ring and that, we're talking 1,100, something like that? | 0:07:41 | 0:07:46 | |
Yeah, 1,100, about, maybe 1,150, | 0:07:46 | 0:07:49 | |
but bear in mind you have got the balcony as well. | 0:07:49 | 0:07:51 | |
-Aye. Would yous be all right with somebody jumping off there? -Ahwooh! | 0:07:51 | 0:07:55 | |
This is the first time I've been in here when it's been empty. | 0:07:56 | 0:07:59 | |
It's quite daunting, cos you realise just how humungous this venue is | 0:08:01 | 0:08:05 | |
and, aye, we get big crowds at The Garage and stuff, | 0:08:05 | 0:08:07 | |
but the crowd we're going to need in here to sell out is double that, | 0:08:07 | 0:08:10 | |
know what I mean? And that's no joke, man. That's nae laughing matter. | 0:08:10 | 0:08:14 | |
Everything's riding on this. | 0:08:17 | 0:08:18 | |
The company's reputation, my rent and my wean's Christmas so... | 0:08:18 | 0:08:22 | |
I mean, 1,100 tickets is not a laughing matter. | 0:08:22 | 0:08:29 | |
I hope it's not this fuckin' empty on the night, mate, honestly. | 0:08:33 | 0:08:36 | |
My dream is to have it that if you work for ICW, | 0:08:39 | 0:08:42 | |
it's your full-time job. | 0:08:42 | 0:08:43 | |
You're a professional wrestler, | 0:08:43 | 0:08:45 | |
like the dictionary definition of a professional wrestler, | 0:08:45 | 0:08:48 | |
you are somebody who makes a full-time living | 0:08:48 | 0:08:50 | |
from professional wrestling. | 0:08:50 | 0:08:52 | |
And then we can all get old and we can all say we were wrestlers, you know what I mean? | 0:08:52 | 0:08:56 | |
"That's how we made a living, we were in the wrestling business." | 0:08:56 | 0:08:59 | |
One of the wrestlers Mark's relying on is fan favourite, Grado. | 0:09:00 | 0:09:05 | |
I'm the chubby wee underdog, a chubby wee chancer. | 0:09:05 | 0:09:08 | |
I'm about as fit as my gran, but I love wrestling. | 0:09:08 | 0:09:11 | |
Over the past two years, | 0:09:11 | 0:09:13 | |
Grado's videos have gathered momentum online. | 0:09:13 | 0:09:16 | |
Scott, listen - a lot of folk have been asking me, | 0:09:18 | 0:09:20 | |
"Why are you challenging James Scott?" No. Fuck! | 0:09:20 | 0:09:23 | |
These videos have transformed him from the ultimate fan | 0:09:23 | 0:09:26 | |
to one of the most popular wrestlers in ICW. | 0:09:26 | 0:09:30 | |
Right, sort yourself down there. You're all hanging the wrong way. | 0:09:30 | 0:09:33 | |
Right, nae... My double chin? | 0:09:34 | 0:09:37 | |
I need my glasses. | 0:09:37 | 0:09:38 | |
-No, higher. Please. -I cannae see you. | 0:09:38 | 0:09:41 | |
You can see me here, can you not? | 0:09:41 | 0:09:44 | |
Well, just. But then you see the lamp. | 0:09:44 | 0:09:48 | |
Grado is somebody who was perceived as a nobody in Scottish wrestling, | 0:09:48 | 0:09:53 | |
he'd had a handful of matches over ten years. | 0:09:53 | 0:09:56 | |
Mark Dallas loved my video on the internet, | 0:09:59 | 0:10:01 | |
thought it was funny and he thought, "Here I could use you for ICW." | 0:10:01 | 0:10:05 | |
So, then we sat and we came up with this whole story about | 0:10:05 | 0:10:08 | |
"Get Grado booked," and it wasnae meant to be this big thing. | 0:10:08 | 0:10:10 | |
And it all came to a conclusion | 0:10:10 | 0:10:12 | |
when I got the chance to jump the barrier in a live crowd. | 0:10:12 | 0:10:15 | |
It was the best feeling in the world. | 0:10:17 | 0:10:19 | |
The crowd were going nuts. | 0:10:19 | 0:10:21 | |
-CROWD: -Grado! Grado! | 0:10:21 | 0:10:24 | |
And Grado's popularity just exploded. | 0:10:24 | 0:10:28 | |
Why can I no dae this right? | 0:10:30 | 0:10:32 | |
Fuck's sake. | 0:10:32 | 0:10:33 | |
-Squeeze the thing. -I'm fuckin' squeezing it. | 0:10:33 | 0:10:36 | |
Give us a fuckin' look. | 0:10:36 | 0:10:38 | |
With Mark moving the company towards bigger and better things, | 0:10:38 | 0:10:41 | |
Grado's rethinking his image. | 0:10:41 | 0:10:43 | |
They fives, aye? JOCK LAUGHS | 0:10:43 | 0:10:48 | |
Because I'm fed up turning up at shows and being the only fat one | 0:10:48 | 0:10:51 | |
or the only one that cannae take their top off. | 0:10:51 | 0:10:54 | |
Well, I can take my top off, but it ends up that the next day | 0:10:54 | 0:10:57 | |
I end up looking at pictures and I go, "Ah, look at the nick of me, man." | 0:10:57 | 0:11:00 | |
Cos I feel as if I've got a pair of man boobs, | 0:11:00 | 0:11:02 | |
Well, I have got a pair of man boobs. | 0:11:02 | 0:11:04 | |
Everyone says, "It's your gimmick, | 0:11:04 | 0:11:06 | |
"it's funny that you're the fat guy and all that," | 0:11:06 | 0:11:08 | |
but I can still be fat and have a bit of definition about myself, know what a mean? | 0:11:08 | 0:11:12 | |
-That's what I'm going for, ain't it, Jock? -Aye, it is, aye. | 0:11:12 | 0:11:14 | |
-Think I can do it? -I'm sure you can. | 0:11:14 | 0:11:15 | |
Going to give us a hand? | 0:11:15 | 0:11:17 | |
Ah, you fucker. | 0:11:23 | 0:11:25 | |
Don't drop it. | 0:11:25 | 0:11:26 | |
That's it, squeeze 'em out. | 0:11:26 | 0:11:28 | |
That's it, that's it. Your mother'd be proud of you, son. | 0:11:31 | 0:11:34 | |
At the other end of the scale | 0:11:44 | 0:11:46 | |
is one of ICW's hard-core heavyweights, Jack Jester. | 0:11:46 | 0:11:51 | |
When I was at school I wanted to be a tattoo artist, | 0:11:54 | 0:11:58 | |
a wrestler, or a clown, and so far I've managed to do all three. | 0:11:58 | 0:12:04 | |
I do kind of think you should be yourself, | 0:12:09 | 0:12:11 | |
don't ever just go with the flow and, you know, | 0:12:11 | 0:12:15 | |
whatever everybody else is doing. | 0:12:15 | 0:12:18 | |
My parents saw I wanted to be a wrestler, | 0:12:23 | 0:12:26 | |
and they could've said, "Don't be so stupid." | 0:12:26 | 0:12:29 | |
When I started wrestling I'd just turned 16, | 0:12:29 | 0:12:32 | |
so they had the power to stop me, but they never have. | 0:12:32 | 0:12:35 | |
My mum comes to...most shows. | 0:12:39 | 0:12:42 | |
She came to her first ICW show on her birthday, actually. | 0:12:42 | 0:12:46 | |
About six minutes in, I regretted asking her to come. | 0:12:48 | 0:12:51 | |
That was when I was hanging over a balcony somewhere. | 0:12:51 | 0:12:54 | |
My dad has never, never seen me wrestling. Ever. | 0:12:56 | 0:13:01 | |
# One, two... Get down! # | 0:13:01 | 0:13:05 | |
MUSIC: "The Boss" by James Brown | 0:13:05 | 0:13:08 | |
-Well, who's taking the fall? -What do you want to do? | 0:13:08 | 0:13:10 | |
-Is it elimination, or is it...? -What we going to dae? | 0:13:10 | 0:13:13 | |
I think we should do elimination. | 0:13:13 | 0:13:14 | |
ICW's next show is at the Edinburgh Picture House. | 0:13:14 | 0:13:18 | |
It's an important stepping stone on the way to the biggest show | 0:13:18 | 0:13:21 | |
of their lives at Glasgow's ABC in seven weeks' time. | 0:13:21 | 0:13:26 | |
And as part of the master plan to draw a wider audience, | 0:13:26 | 0:13:30 | |
Mark's bringing over two huge American wrestling stars. | 0:13:30 | 0:13:33 | |
Comedy king, Colt Cabana, and ultimate hard man, Sabu, | 0:13:35 | 0:13:39 | |
will be pitted against Grado and Jack Jester. | 0:13:39 | 0:13:42 | |
Right, number one is Grado-Cabana. | 0:13:43 | 0:13:46 | |
To draw in new fans, | 0:13:46 | 0:13:48 | |
they need to see on the posters a recognisable face. | 0:13:48 | 0:13:51 | |
So, basically that's what the Americans were for. | 0:13:51 | 0:13:55 | |
To bring attention to new fans. | 0:13:55 | 0:13:57 | |
Cos I know once we get them in the door, I know we'll | 0:13:57 | 0:14:00 | |
put on a show that they'll want to come back and see again, you know. | 0:14:00 | 0:14:03 | |
It's just, the hard bit as a promoter is getting people in the door the first time. | 0:14:03 | 0:14:06 | |
For the plan to pay off, Mark and his writing partner, Renfrew, | 0:14:06 | 0:14:11 | |
need to ensure they write a good storyline. | 0:14:11 | 0:14:15 | |
We just base the shows on basic human emotions, | 0:14:15 | 0:14:17 | |
things that every single person in the world can relate to. | 0:14:17 | 0:14:20 | |
This guy hates this guy, this lassie left... | 0:14:20 | 0:14:22 | |
You know what I mean? | 0:14:22 | 0:14:24 | |
Hate, love, you know, anger, joy, all these different things. | 0:14:24 | 0:14:29 | |
The storylines are the stuff of soap opera, | 0:14:29 | 0:14:32 | |
but the pain is very definitely real. | 0:14:32 | 0:14:35 | |
Whenever somebody finds out you're involved in wrestling, | 0:14:36 | 0:14:39 | |
the first thing they always say is, "Oh, it's fake," or, "Is it fake?" | 0:14:39 | 0:14:42 | |
And you're like, "Well, define fake." You know what I mean? | 0:14:42 | 0:14:45 | |
My mate getting hit with a steel chair isnae fake, you know what I mean? | 0:14:45 | 0:14:48 | |
The boy's, like, getting really hurt - that's not fake. | 0:14:48 | 0:14:50 | |
Gis a paw. Come on, gis a paw. Come on! | 0:14:53 | 0:14:57 | |
Paw. Paw. Paw. Paw. | 0:14:57 | 0:15:01 | |
With the biggest show of their lives at Glasgow's ABC | 0:15:01 | 0:15:03 | |
just over six weeks away, | 0:15:03 | 0:15:05 | |
the Edinburgh show brings everyone an opportunity to fine-tune. | 0:15:05 | 0:15:10 | |
For Grado, the fight against American star Colt Cabana | 0:15:13 | 0:15:17 | |
is the chance to fulfil a boyhood dream. | 0:15:17 | 0:15:20 | |
Colt Cabana is one of the biggest professional wrestlers in the world. | 0:15:20 | 0:15:23 | |
He's been in the WWE, he's wrestled all over the world, | 0:15:23 | 0:15:26 | |
he's one of the number one names | 0:15:26 | 0:15:28 | |
and he's one of my favourite wrestler's of all time. | 0:15:28 | 0:15:30 | |
I've loved him from when I was about 14 years old, | 0:15:30 | 0:15:33 | |
ever since I seen him ten years ago. | 0:15:33 | 0:15:35 | |
So when I found out I was actually going to get the chance to actually wrestle Colt Cabana, | 0:15:35 | 0:15:39 | |
I couldnae believe it, I was absolutely delighted. I was buzzing. | 0:15:39 | 0:15:42 | |
Colt, you'll be wrestling against internet sensation, Grado. | 0:15:47 | 0:15:51 | |
-So, what am I? -I mean, you're also an internet sensation. | 0:15:51 | 0:15:55 | |
No, you were like, "Hey, this guy's an internet sensation." | 0:15:55 | 0:15:57 | |
I meant to say international sensation. | 0:15:57 | 0:16:00 | |
I'm going to go over there and beat the living shit out of Grado. | 0:16:00 | 0:16:03 | |
I think that's him doing his Grado move there. | 0:16:03 | 0:16:06 | |
We actually thought it was a phase he was going through | 0:16:06 | 0:16:10 | |
and thinking that when he gets older, he would look back and have a laugh | 0:16:10 | 0:16:14 | |
at the way he used to love his wrestling, but obviously not. | 0:16:14 | 0:16:18 | |
He broke umpteen beds practising with his pals, cost us a fortune, | 0:16:18 | 0:16:22 | |
all the new beds we had to buy. Even broke mine. | 0:16:22 | 0:16:25 | |
Look at us here, right? You think I don't do much in the wrestling, don't do much in the ring? | 0:16:25 | 0:16:29 | |
Check this out. Watch. | 0:16:29 | 0:16:31 | |
Here I go up top. | 0:16:31 | 0:16:34 | |
Right? Moonsault, it's a back flip. | 0:16:34 | 0:16:36 | |
Watch this. Check it out. Moonsault. One, two, three... | 0:16:36 | 0:16:39 | |
The last show I went to see him in | 0:16:44 | 0:16:45 | |
he got hit over the head with a chair | 0:16:45 | 0:16:47 | |
and there was blood everywhere and I was absolutely raging. | 0:16:47 | 0:16:51 | |
That's us in Edinburgh. | 0:16:51 | 0:16:54 | |
As part of the build-up to the next show, | 0:16:54 | 0:16:56 | |
Grado's picking up Colt at Edinburgh Airport. | 0:16:56 | 0:16:59 | |
They're filming promotional footage that will end up online. | 0:17:00 | 0:17:05 | |
You ken what I'm here for? | 0:17:05 | 0:17:07 | |
Big man's just landed. | 0:17:07 | 0:17:09 | |
Going to take him back up the road, take him home. | 0:17:09 | 0:17:12 | |
Colt Cabana! Colt Cabana, it's yersel! Colt Cabana! | 0:17:12 | 0:17:17 | |
Colt Cabana, it's yersel! Colt Cabana. | 0:17:17 | 0:17:20 | |
-Oh, Jesus. -Cabana. It's yersel! | 0:17:25 | 0:17:29 | |
Colt Cabana, it's yersel! Colt Cabana. | 0:17:29 | 0:17:33 | |
How's it going my man? How's it going my man? Come on. | 0:17:33 | 0:17:38 | |
There he is, look. There's the big man. | 0:17:38 | 0:17:40 | |
Colt Cabana. Yay! | 0:17:40 | 0:17:43 | |
With the welcome party over, it's time for Grado and Colt to hit | 0:17:43 | 0:17:47 | |
Edinburgh city centre and spread the word about the big fight. | 0:17:47 | 0:17:51 | |
Yay! There he is. | 0:17:51 | 0:17:55 | |
What do you think? Are yous Grado fans? | 0:17:55 | 0:17:57 | |
Grado! Grado! Grado! Here, put your hand out. | 0:17:57 | 0:18:01 | |
Waaaaaay! | 0:18:01 | 0:18:04 | |
There you go, troops. There you go, my man, there you go, mate. | 0:18:04 | 0:18:07 | |
Hey, big 'un. You like wrestling? | 0:18:07 | 0:18:09 | |
You like wrestling? You like wrestling? | 0:18:09 | 0:18:11 | |
-You like wrestling! Bullshit. -Come and see bad wrestling. | 0:18:11 | 0:18:14 | |
You're living a lie, big man. You're living a lie. | 0:18:14 | 0:18:17 | |
Grado! Grado! Grado! Grado! Grado! | 0:18:17 | 0:18:22 | |
Here, pleased to meet yous. Pleased to meet you. | 0:18:22 | 0:18:24 | |
-What's your name? -It's Grado. | 0:18:24 | 0:18:26 | |
-Give her one. -That's a good one. -Give her one. -Mate. -Give her one. | 0:18:26 | 0:18:30 | |
-You have to stop saying... -Give her one. | 0:18:30 | 0:18:32 | |
-You cannae just keep telling everyone... -Give her one. | 0:18:32 | 0:18:34 | |
Stop telling everybody to give her one. Sounds as if you want to do something else to them. | 0:18:34 | 0:18:38 | |
-Yous want one? -Give her one of those. -Yous want one? -Give her it. | 0:18:38 | 0:18:41 | |
-You want one? You want one? -Give it to her. -You want one? | 0:18:41 | 0:18:44 | |
-You a wrestling fan? -No. -Come on, take a wee flyer, hen. | 0:18:44 | 0:18:48 | |
-Where ye fae anyway, Australia? -Yes. -Whereabouts in Australia, Perth? | 0:18:48 | 0:18:51 | |
-Give him a kiss on the cheek. -South Australia. | 0:18:51 | 0:18:53 | |
South Australia, gies a kiss. Go, go gies a kiss. | 0:18:53 | 0:18:56 | |
Go, gies a kiss. Gies a kiss. | 0:18:56 | 0:18:57 | |
-Gies a kiss. -Hey, Grado. | 0:18:57 | 0:19:00 | |
Aw. She's a cow anyway. | 0:19:02 | 0:19:04 | |
-What can I say? Team Cabana. -USA! USA! | 0:19:04 | 0:19:07 | |
For Mark, the last couple of days before a show are always tense. | 0:19:16 | 0:19:20 | |
As well as fine-tuning a roster of 40 wrestlers, | 0:19:20 | 0:19:24 | |
there are worries closer to home. | 0:19:24 | 0:19:26 | |
Money's always a issue before a show, cause it's all tied up and | 0:19:28 | 0:19:31 | |
then you don't get paid for an event until after the event's happened. | 0:19:31 | 0:19:34 | |
So, like, the same way people are skint | 0:19:34 | 0:19:37 | |
right before they get their wages, that's kind of the way I am now. | 0:19:37 | 0:19:40 | |
Like, I'm the most skint ever, like for the whole month, | 0:19:40 | 0:19:43 | |
so sometimes you might need to get a tap off your family | 0:19:43 | 0:19:45 | |
or some stuff like that. | 0:19:45 | 0:19:47 | |
Aye, it's a pain in the arse, but it has to be done, doesn't it? | 0:19:48 | 0:19:52 | |
I might be skint now a lot of the time, | 0:19:54 | 0:19:57 | |
but I'm never skint to the point where my family... | 0:19:57 | 0:19:59 | |
The fridge hasnae got food in it. | 0:19:59 | 0:20:01 | |
I'm never skint to the point the house isnae heated, | 0:20:01 | 0:20:03 | |
I'm never skint to the point that, you know what I mean, we cannae live. | 0:20:03 | 0:20:07 | |
But I'm skint sometimes. Like really skint. | 0:20:07 | 0:20:10 | |
Like mega skint, you know what I mean? | 0:20:10 | 0:20:13 | |
I'm investing my time and money in these people. | 0:20:13 | 0:20:18 | |
I know in the long run this'll pay off. | 0:20:18 | 0:20:20 | |
Right. Go on. Cool. | 0:20:20 | 0:20:23 | |
Jammin'. | 0:20:23 | 0:20:25 | |
It's not all gloomy. | 0:20:28 | 0:20:30 | |
And it's not only money that's playing on Mark's mind. | 0:20:30 | 0:20:33 | |
Danny's got autism, but he's got...is it Asperger's? | 0:20:35 | 0:20:38 | |
Or something like that it's called, I think. | 0:20:38 | 0:20:40 | |
They're still doing a bunch of tests and stuff like that, | 0:20:40 | 0:20:43 | |
but I'm pretty sure that's what it is. | 0:20:43 | 0:20:46 | |
I'm a bit weird, you know what I mean? | 0:20:46 | 0:20:47 | |
Some of the things I do might not be perceived as normal. | 0:20:47 | 0:20:50 | |
I don't know - like there's certain things I'm like, | 0:20:50 | 0:20:52 | |
"Well that's stuff I did as a kid," you know what I mean? | 0:20:52 | 0:20:55 | |
Maybe, maybe yous are over-exaggerating a wee bit. | 0:20:55 | 0:20:58 | |
-WHISTLE TOOTS -Come on. -My whistle! | 0:20:58 | 0:21:02 | |
For everyone involved, the Edinburgh show is an important stepping stone | 0:21:07 | 0:21:10 | |
on the way to the biggest show of their lives at Glasgow's ABC. | 0:21:10 | 0:21:15 | |
And with the match against his hero, Colt Cabana, just days away, | 0:21:15 | 0:21:19 | |
Grado's into his final preparations. | 0:21:19 | 0:21:22 | |
This is Sheryl's barbers. Remember, just give me my usual. | 0:21:25 | 0:21:29 | |
Who you fighting on Sunday? | 0:21:29 | 0:21:32 | |
I'm fighting a guy called Colt Cabana fae America. | 0:21:32 | 0:21:34 | |
-Ah. -How amazing's that? | 0:21:34 | 0:21:37 | |
See all the other wrestlers, | 0:21:39 | 0:21:40 | |
they've all got decent bodies and all that so, I need to make up for it | 0:21:40 | 0:21:44 | |
in other ways, with getting a cracking haircut and a tan. | 0:21:44 | 0:21:46 | |
Cheers for that. Catch yous later on. Bye. | 0:21:46 | 0:21:49 | |
Right, what do you think? | 0:22:01 | 0:22:03 | |
Is that better than the other ones? | 0:22:03 | 0:22:06 | |
Woo! | 0:22:06 | 0:22:07 | |
No, no, that is. That's good, that's...turn round the back. | 0:22:07 | 0:22:11 | |
What do you think? | 0:22:15 | 0:22:16 | |
It's the day of the Edinburgh show | 0:22:18 | 0:22:20 | |
and once the new outfit is safely packed away, | 0:22:20 | 0:22:23 | |
Grado is almost ready to join the bus-load of friends waiting outside. | 0:22:23 | 0:22:27 | |
Have I got any more clean pants than that? | 0:22:27 | 0:22:30 | |
Graeme. Why do you ask these things? | 0:22:30 | 0:22:32 | |
-Well, there's nae in my drawer. -No! There is! | 0:22:32 | 0:22:36 | |
Every day they're out on the line. | 0:22:37 | 0:22:40 | |
CHEERING | 0:22:46 | 0:22:49 | |
-It's yersel! -It's wersel. | 0:22:53 | 0:22:57 | |
It's a really, really big deal and I'm terrified, but in a good way. | 0:23:00 | 0:23:06 | |
It's good to be nervous. | 0:23:06 | 0:23:08 | |
When you're no nervous, you're no enjoying it. | 0:23:08 | 0:23:11 | |
Aaah. | 0:23:18 | 0:23:20 | |
Once I get in, maybe once I get a wee look at the venue | 0:23:20 | 0:23:23 | |
and I see the ring, then that's when I'll start getting feart. | 0:23:23 | 0:23:25 | |
-That's when the nerves'll start kicking in. -You got to do this guy. -Hopefully. -You gonna do this guy. | 0:23:25 | 0:23:30 | |
Make sure you do this guy. | 0:23:30 | 0:23:32 | |
Adam, where's the hard cam? | 0:23:32 | 0:23:35 | |
After the ring's finished, they're going to put the barriers up. | 0:23:39 | 0:23:42 | |
Cheers, mate. | 0:23:42 | 0:23:44 | |
ALL: Fuck him up, Grado! Fuck him up! | 0:23:46 | 0:23:49 | |
Fuck him up, Grado! Fuck him up! | 0:23:49 | 0:23:53 | |
Fuck him up, Grado! Fuck him up! | 0:23:53 | 0:23:55 | |
Guys, can I get everybody over here for the run through now, please? | 0:24:08 | 0:24:13 | |
The reason we're here is because of all of yous. | 0:24:13 | 0:24:15 | |
Yous are that fucking good. | 0:24:15 | 0:24:16 | |
I've been telling yous for years yous are that good. | 0:24:16 | 0:24:19 | |
Well, this is fucking proof of it, you know what a mean? | 0:24:19 | 0:24:22 | |
And this isnae like the top of the mountain or any shit like that. | 0:24:22 | 0:24:26 | |
This is us just starting, so I want us to look back in a couple of year | 0:24:26 | 0:24:28 | |
and think of this as a small venue. | 0:24:28 | 0:24:30 | |
Yous have earned this and here's Chris's run through. | 0:24:30 | 0:24:34 | |
THEY CHEER | 0:24:34 | 0:24:37 | |
I'm trying not to get paranoid the night. | 0:24:37 | 0:24:39 | |
This is the one night I don't want to be paranoid. | 0:24:39 | 0:24:41 | |
Please, don't be paranoid! Just go out there and lap up and enjoy it. | 0:24:41 | 0:24:44 | |
Don't want nothing to go wrong. | 0:24:44 | 0:24:47 | |
What does this look like on? | 0:24:47 | 0:24:49 | |
Does this look all right? No? | 0:24:49 | 0:24:52 | |
Down a bit, you think? I wanted it up a bit, I think. | 0:24:53 | 0:24:56 | |
-Aye. -Does my belly make it look stupid? | 0:24:59 | 0:25:02 | |
That'll give. That'll give, mate. | 0:25:02 | 0:25:03 | |
Look in the middle. See if we gimmick that? Hit it with a hammer. | 0:25:03 | 0:25:06 | |
Got to sort these tables. | 0:25:11 | 0:25:12 | |
After I sort these tables, that's everything pretty much ready to go. Then I can relax a wee bit. | 0:25:12 | 0:25:17 | |
With the stage set and the expectation built to fever pitch, | 0:25:19 | 0:25:23 | |
the very first fight is Grado versus Colt. | 0:25:23 | 0:25:28 | |
-CROWD: -It's yersel! It's yersel! It's yersel! | 0:25:28 | 0:25:32 | |
It's yersel! It's yersel! | 0:25:32 | 0:25:34 | |
-Grado, enjoy yourself out there. -No, I know, aye. | 0:25:34 | 0:25:38 | |
-You know what I'm saying? This is fun, this is fun. -Aye. | 0:25:38 | 0:25:41 | |
-I'm going to kick your ass. -I know, I know, I know. | 0:25:41 | 0:25:44 | |
Ladies and gentlemen, let's get this party started. | 0:25:45 | 0:25:48 | |
CHEERING | 0:25:48 | 0:25:50 | |
CHEERING | 0:25:54 | 0:25:57 | |
And it's Grado's big moment next. | 0:26:07 | 0:26:10 | |
# And it feels like...home | 0:26:10 | 0:26:15 | |
# When you call my name It's like a little prayer | 0:26:21 | 0:26:25 | |
# I'm down on my knees I want to take you there | 0:26:25 | 0:26:30 | |
# In the midnight hour I can feel your power | 0:26:30 | 0:26:34 | |
# Just like a prayer You know I'll take you there | 0:26:34 | 0:26:39 | |
# I hear your voice...# | 0:26:39 | 0:26:43 | |
-CROWD: -Grado! Grado! Grado! It's yersel! It's yersel! It's yersel! | 0:26:43 | 0:26:51 | |
It's yersel! It's yersel! It's yersel! It's yersel! | 0:26:51 | 0:26:55 | |
It was amazing. I got to just wrestle my hero. | 0:27:12 | 0:27:15 | |
So I get to say I've wrestled Colt Cabana, man, | 0:27:15 | 0:27:17 | |
and not a lot of guys can say they've wrestled their heroes, | 0:27:17 | 0:27:20 | |
and I've wrestled my hero the night. It was spot-on. I loved it. | 0:27:20 | 0:27:23 | |
For Mark, the success of the Edinburgh show brings relief, | 0:27:25 | 0:27:28 | |
but for him and his family, the whole idea of ICW | 0:27:28 | 0:27:31 | |
means more than ticket sales. | 0:27:31 | 0:27:34 | |
It's also helped him in recent weeks with his son, Danny. | 0:27:35 | 0:27:38 | |
With Dan the other week there, | 0:27:41 | 0:27:42 | |
when Danny woke up for nursery, right, | 0:27:42 | 0:27:45 | |
and I went, "It's time for nursery son," | 0:27:45 | 0:27:48 | |
and he went, "All right, cool." | 0:27:48 | 0:27:50 | |
"Right, we need to get ready." | 0:27:50 | 0:27:53 | |
And he went, "I don't want to go to nursery." | 0:27:53 | 0:27:57 | |
I went, "How?" | 0:27:57 | 0:27:59 | |
"I feel different." | 0:27:59 | 0:28:00 | |
He says, "I feel different." Right? | 0:28:02 | 0:28:06 | |
And I wanted to burst into tears and I walked into the other room | 0:28:06 | 0:28:11 | |
and I gret in the other room. | 0:28:11 | 0:28:14 | |
I've no problem with this being on camera, right. | 0:28:14 | 0:28:17 | |
A walked back into the room, put on an ICW video, | 0:28:17 | 0:28:22 | |
put it on the video player, put Danny on my knee. | 0:28:22 | 0:28:26 | |
Showed him the video. | 0:28:26 | 0:28:29 | |
There's a clip where I came out in the crowd and said something | 0:28:29 | 0:28:32 | |
and I went, "Who's in the wrestling ring?" | 0:28:32 | 0:28:34 | |
He went, "Daddy." | 0:28:34 | 0:28:36 | |
"All right, cool, son." | 0:28:36 | 0:28:38 | |
I went, "See your daddy? Your daddy's different." | 0:28:38 | 0:28:41 | |
"You don't want to be the same as everybody else, cos that's boring." | 0:28:42 | 0:28:47 | |
And he hugged me, and then he went to nursery. | 0:28:47 | 0:28:52 | |
And for a week before that, he put his hands over his eyes when he got to nursery. | 0:28:52 | 0:28:56 | |
See when I said that to him? He didnae do it again. | 0:28:56 | 0:29:00 | |
It meant the world to me. | 0:29:00 | 0:29:03 | |
It was like the best thing in the world, man. | 0:29:03 | 0:29:05 | |
With the Edinburgh fight night over, it's party time. | 0:29:11 | 0:29:14 | |
Despite like running the biggest show I've ever ran | 0:29:17 | 0:29:20 | |
I've probably walked away fae it | 0:29:20 | 0:29:22 | |
with the least amount of money I've ever had. | 0:29:22 | 0:29:25 | |
I would have had an all right amount of money, | 0:29:25 | 0:29:27 | |
but I spent about £1,000 on hotel rooms for a lot of the wrestlers. | 0:29:27 | 0:29:31 | |
I basically just wanted to party, I wanted to enjoy it | 0:29:31 | 0:29:35 | |
I wanted everybody to feel like they were stars. | 0:29:35 | 0:29:37 | |
You know what a mean? | 0:29:37 | 0:29:39 | |
So, I've never had the chance to do that before | 0:29:39 | 0:29:41 | |
so I just did that. You know what I mean? | 0:29:41 | 0:29:42 | |
The thing is, that money, I could've spent on this, that and the next thing | 0:29:42 | 0:29:46 | |
and it would've meant nothing to me. See that night? | 0:29:46 | 0:29:48 | |
I'll never forget that night, so is that money well spent? | 0:29:48 | 0:29:51 | |
I think so. | 0:29:51 | 0:29:53 | |
Having spent the profits from the Edinburgh show, | 0:29:54 | 0:29:57 | |
Mark's chance at the big time | 0:29:57 | 0:29:59 | |
and the opportunity to finally start making some serious | 0:29:59 | 0:30:02 | |
money for his wrestlers, rests solely on the ABC show | 0:30:02 | 0:30:05 | |
in Glasgow in just a few weeks' time. | 0:30:05 | 0:30:08 | |
So I'm sitting there, about 250 tickets sold at last count. | 0:30:09 | 0:30:12 | |
So that's what? 950 tae go? | 0:30:12 | 0:30:15 | |
In six weeks? | 0:30:15 | 0:30:18 | |
So it's going to take a portion of our cunning... | 0:30:18 | 0:30:22 | |
Maybe all of our cunning. | 0:30:22 | 0:30:24 | |
On top of the 950 tickets still to shift, Mark has received | 0:30:28 | 0:30:32 | |
the news that one of his biggest box office draws, Grado, will be | 0:30:32 | 0:30:36 | |
away on holiday on the big fight night. | 0:30:36 | 0:30:39 | |
I'm going to Vegas in October and I'm going to miss the biggest ICW | 0:30:41 | 0:30:43 | |
show of the year, which is a pure blooper, | 0:30:43 | 0:30:46 | |
but at the end of the day where does it stop? | 0:30:46 | 0:30:49 | |
Do you cancel holidays for wrestling? | 0:30:49 | 0:30:51 | |
Do you cancel holidays for the biggest show of the year? | 0:30:51 | 0:30:54 | |
I told my bird, "I'm thinking aboot coming back | 0:30:54 | 0:30:57 | |
"a day early from Vegas tae make the ICW show." | 0:30:57 | 0:30:59 | |
She went off her nut. | 0:30:59 | 0:31:01 | |
She was like, "No way are you coming home a day | 0:31:01 | 0:31:03 | |
"early for a wrestling show." | 0:31:03 | 0:31:04 | |
ICW's not about one person. | 0:31:09 | 0:31:11 | |
ICW's not about you coming to see one performer, | 0:31:11 | 0:31:13 | |
ICW's about you coming to see a package. | 0:31:13 | 0:31:15 | |
Grado's part of that package. Would I rather he was here | 0:31:15 | 0:31:18 | |
if a had the choice? Of course I would rather he was here. | 0:31:18 | 0:31:20 | |
He's an important part of that package, definitely. | 0:31:20 | 0:31:23 | |
For Grado, the tinkering with his image continues. | 0:31:25 | 0:31:28 | |
He's bleached his hair blonde and he's not convinced. | 0:31:28 | 0:31:32 | |
What colour have I to get? | 0:31:32 | 0:31:35 | |
Medium brown. | 0:31:35 | 0:31:37 | |
Right, medium brown. | 0:31:37 | 0:31:38 | |
Top. | 0:31:38 | 0:31:40 | |
I'm going to see if I can get this hair sorted. | 0:31:40 | 0:31:44 | |
So I'm going to see if I can get some hair dye fae Morrisons, | 0:31:44 | 0:31:48 | |
but I don't know the exact colour I'm meant to be getting | 0:31:48 | 0:31:51 | |
cos I'm not exactly a connoisseur of hair, am I? | 0:31:51 | 0:31:53 | |
Ken what I'll dae? I'll phone 118. | 0:31:55 | 0:31:57 | |
'How can I help you?' | 0:31:59 | 0:32:00 | |
Currently my hair is bleach blonde and I'm going on holiday next week | 0:32:00 | 0:32:04 | |
an' I'm needing it tae be brown. | 0:32:04 | 0:32:07 | |
I'm looking for somebody that can tell me which colour, | 0:32:07 | 0:32:11 | |
which hair dye tae buy | 0:32:11 | 0:32:13 | |
so that I can dye my hair back tae my normal colour which was brown. | 0:32:13 | 0:32:16 | |
But it wisnae too brown, it wisnae hazelnut, it wisnae copper, | 0:32:16 | 0:32:19 | |
it wisnae chocolate. It was just boring dull old brown. What do...? | 0:32:19 | 0:32:22 | |
How do you get colour brown fae the shops? | 0:32:22 | 0:32:25 | |
'I'm sorry, you're looking for a local hair salon in your area?' | 0:32:26 | 0:32:30 | |
Well, they'll all be shut the now, have you no got anybody that can | 0:32:30 | 0:32:33 | |
put me on to advice? Have you got anybody...? What about him | 0:32:33 | 0:32:36 | |
that brought oot the straighteners, Nicky Clarke? | 0:32:36 | 0:32:39 | |
'Nicky Clarke?' | 0:32:39 | 0:32:40 | |
Aye, put him in. | 0:32:40 | 0:32:42 | |
PHONE RINGS | 0:32:42 | 0:32:44 | |
'Good afternoon this is Nicky Clarke, Mayfair, you're through to Donna. May I help you?' | 0:32:47 | 0:32:51 | |
Donna, it's yourself. I need to know the exact colour of hair dye I would need | 0:32:51 | 0:32:55 | |
to buy from the shops so that I can go back to ma normal hair colour. | 0:32:55 | 0:32:58 | |
'To make it natural I would suggest coming into the salon | 0:32:58 | 0:33:02 | |
'and having a colour put on by one of our technicians.' | 0:33:02 | 0:33:05 | |
How much would that cost, if there was any appointments there, to get my hair dyed there? | 0:33:05 | 0:33:09 | |
'From £100 pounds. Maybe a bit more, maybe a bit less.' | 0:33:09 | 0:33:13 | |
Aye, that's fine with me. | 0:33:13 | 0:33:14 | |
-'No problem.' -Thanks very much, bye. | 0:33:14 | 0:33:17 | |
-'Bye.' -Bye. | 0:33:17 | 0:33:19 | |
Grado has a wrestling match coming up in London in a few days' time | 0:33:21 | 0:33:24 | |
and with the appointment booked, he's decided to kill two birds with one stone. | 0:33:24 | 0:33:29 | |
But Mark has other worries on his mind. | 0:33:31 | 0:33:34 | |
He still has 800 tickets to sell for the big fight night, | 0:33:34 | 0:33:38 | |
write Grado out of the show, and plan a vital publicity stunt. | 0:33:38 | 0:33:41 | |
And he's rallying the troops. | 0:33:43 | 0:33:45 | |
PHONE RINGS | 0:33:45 | 0:33:47 | |
-'Hallo.' -Grado, I know you're not going to be on the show, | 0:33:47 | 0:33:51 | |
but we've got to get an angle where we write you out, so until then | 0:33:51 | 0:33:54 | |
are you up for doing some stuff, | 0:33:54 | 0:33:56 | |
maybe go away one night, a bunch of the boys | 0:33:56 | 0:33:59 | |
and we'll think up a bunch of publicity stunts to do round Glasgow? | 0:33:59 | 0:34:02 | |
Are you up for that? | 0:34:02 | 0:34:03 | |
'100%, man. I want ran doon or something like that.' | 0:34:03 | 0:34:06 | |
You want ran doon? Mate, let's dae that. | 0:34:06 | 0:34:08 | |
Let's see if there's a way we can actually, no actually get you ran doon, | 0:34:08 | 0:34:11 | |
but make it look like you've been ran doon. I'm well up for that shit, man. | 0:34:11 | 0:34:15 | |
Grado! Wolfy! Let's go. | 0:34:15 | 0:34:17 | |
Mark's taking some of the wrestlers to a caravan park in Ayrshire | 0:34:17 | 0:34:22 | |
where they'll spend the night figuring out ways to create a buzz | 0:34:22 | 0:34:25 | |
around the upcoming big fight night and sell those last 800 tickets. | 0:34:25 | 0:34:30 | |
# Come on over to my place | 0:34:31 | 0:34:34 | |
# Hey, there, we're having a party | 0:34:34 | 0:34:38 | |
# We'll be swinging Dancing and singing | 0:34:38 | 0:34:42 | |
# Won't you come on over tonight? # | 0:34:42 | 0:34:46 | |
I nearly collapsed there. My shins nearly combusted. Oh! | 0:34:47 | 0:34:50 | |
Legitimately, got... You want me to be serious with you. | 0:34:50 | 0:34:54 | |
I've got 800 tickets to sell, right. See if a sell these | 0:34:54 | 0:34:56 | |
tickets I can pay for my weans' Christmas. If a don't, I cannae. | 0:34:56 | 0:34:59 | |
Be serious for five minutes and no cut out with fucking stupid jokes. | 0:34:59 | 0:35:01 | |
You are fucking really smart guys and you're going to come to some of the best ideas going. | 0:35:01 | 0:35:05 | |
It's going to take us five fucking minutes tae dae | 0:35:05 | 0:35:07 | |
an then we can get honking drunk. | 0:35:07 | 0:35:09 | |
-Yous up for it lads, man? -Aye. Let's fucking do it, man. | 0:35:09 | 0:35:12 | |
We've got one midget. Chris. If he was chasing a pure group of us | 0:35:12 | 0:35:16 | |
and he ran into a flash mob in George Square. | 0:35:16 | 0:35:18 | |
Through the toon we're fucking proper, | 0:35:18 | 0:35:20 | |
pure fear, running away fae Chris whose yelling. | 0:35:20 | 0:35:22 | |
Like, "I'll fucking get ye in George square!" | 0:35:22 | 0:35:24 | |
We get tae George Square an' there's a fuckin' flash mob waiting. | 0:35:24 | 0:35:27 | |
I filled out an application form online for Take Me Out. | 0:35:27 | 0:35:30 | |
Right? | 0:35:30 | 0:35:31 | |
Why don't we all sign up for mad fucking reality shows? | 0:35:31 | 0:35:34 | |
Haud on, haud on, I got Andy Dowds tae make me a graphic, right? | 0:35:34 | 0:35:37 | |
"Davey Blaze, Take Me Out, Big Davey'll feed ye his gravy." | 0:35:37 | 0:35:40 | |
I swear to God... | 0:35:40 | 0:35:42 | |
Mate, why have you no' sent me that? I'll put it on the ICW fucking page, man! | 0:35:42 | 0:35:45 | |
I'm waiting on an audition coming back. | 0:35:45 | 0:35:47 | |
Davey, mate, that's a beast mate. Dae that. | 0:35:47 | 0:35:49 | |
-Fuckin dae that, bruv. -I will dae it. -That's a beast, man. | 0:35:49 | 0:35:52 | |
It's a one-liner that could take him, John Smeaton! | 0:35:52 | 0:35:54 | |
The flash mob's do-able, your Take Me Out idea's do-able. | 0:35:54 | 0:35:58 | |
-You getting run doon's do-able. -Yer big stuff is... | 0:35:58 | 0:36:01 | |
It's no real, you're no actually gonnae get run doon. | 0:36:01 | 0:36:04 | |
CROAKY VOICE: Oh, my God, man. | 0:36:18 | 0:36:20 | |
Holy fuck. | 0:36:23 | 0:36:25 | |
Oh, for fuck's sake. The fuck? | 0:36:25 | 0:36:28 | |
I'm burst, man. | 0:36:31 | 0:36:32 | |
Ask Grado whit he was up tae last night, man. | 0:36:35 | 0:36:38 | |
Cos he's pure going to regret being such a dick. | 0:36:38 | 0:36:41 | |
Here, apparently you've got a bit of social media | 0:36:41 | 0:36:45 | |
fae me fae last night. | 0:36:45 | 0:36:47 | |
-Come here and see this. -Oh, naw! | 0:36:47 | 0:36:49 | |
You're an embarrassment to yersel'. | 0:36:49 | 0:36:51 | |
Oh, naw, man. | 0:36:51 | 0:36:52 | |
I said tae ye, "Don't dae it," | 0:36:52 | 0:36:54 | |
and you said, "Naw, it's cool..." | 0:36:54 | 0:36:56 | |
We had Grado phoning certain WWE superstars | 0:36:56 | 0:36:59 | |
saying he was going to knock fuck oot them. | 0:36:59 | 0:37:01 | |
He was coming all the way fae the Shire to kill them and all that. | 0:37:01 | 0:37:05 | |
LAUGHING: Oh, no man! | 0:37:05 | 0:37:07 | |
That was the first one. | 0:37:07 | 0:37:09 | |
Oh, whit?! You fucking shut up! | 0:37:09 | 0:37:12 | |
We went, "Here, leave a message," and he just went aff on one. | 0:37:12 | 0:37:16 | |
With their unique style of brainstorming behind them, | 0:37:22 | 0:37:25 | |
it's time for ICW's first publicity stunt. | 0:37:25 | 0:37:28 | |
You know, Davey mate, this is either the greatest | 0:37:30 | 0:37:33 | |
or the most fucking ridiculous idea you've ever had. | 0:37:33 | 0:37:36 | |
Davey, quick, quick, quick! Fucking quick, Davey! | 0:37:39 | 0:37:42 | |
Mark and Davey Boy are on a mission to address one of Glasgow's | 0:37:46 | 0:37:50 | |
most iconic statues in an ICW branded T-shirt and cone. | 0:37:50 | 0:37:55 | |
Raise them up, mate. Clip it, right go for it. | 0:37:57 | 0:37:59 | |
I've got my foot on the bottom. | 0:38:01 | 0:38:03 | |
Just you start fucking rattling that T-shirt on, mate, right? | 0:38:07 | 0:38:11 | |
-This is scary, man. -That's you mate, that's you. | 0:38:11 | 0:38:14 | |
-It's no going, Dallas. -Whit? | 0:38:16 | 0:38:18 | |
-It's no stapling on. -It's no stapling? Fucking... | 0:38:18 | 0:38:21 | |
Council do it now because people are going up | 0:38:23 | 0:38:26 | |
and falling aff an' hurting themselves, | 0:38:26 | 0:38:28 | |
so now they tell us tae put up a cone. | 0:38:28 | 0:38:30 | |
Mate, I'm proper shitting myself, man. | 0:38:30 | 0:38:32 | |
Make sure the ICW's at the front, bruv. | 0:38:37 | 0:38:39 | |
Put your leg on there and bring your leg over. | 0:38:39 | 0:38:41 | |
You're fucking fine, I'm hauding the bottom so it's sturdy, right? | 0:38:41 | 0:38:45 | |
You're good tae go, Davey, | 0:38:45 | 0:38:46 | |
just a wee bit round, that's you. Right, on ye go. | 0:38:46 | 0:38:49 | |
You're fucking laughing. | 0:38:49 | 0:38:50 | |
Think I've just done a shite. THEY LAUGH | 0:38:52 | 0:38:55 | |
Right, let's get oot of here before we get rumbled. | 0:38:55 | 0:38:58 | |
That's the stuff that gets attention, you know what I mean? | 0:38:58 | 0:39:01 | |
Aye. | 0:39:01 | 0:39:03 | |
With a job well done, the photo is up online, | 0:39:03 | 0:39:06 | |
and it's now up to the power of social networking | 0:39:06 | 0:39:09 | |
to spread the word. | 0:39:09 | 0:39:10 | |
It's got 85 now. | 0:39:11 | 0:39:13 | |
No, 93, it just clicked up to, and eight comments. | 0:39:13 | 0:39:16 | |
-You kidding me on? -No, mate. I'm no, this is for real. | 0:39:16 | 0:39:19 | |
"They've been wanting to catch people | 0:39:19 | 0:39:21 | |
"doing this red-handed for years, lol. | 0:39:21 | 0:39:22 | |
"You might get some unexpected press coming your way, | 0:39:22 | 0:39:25 | |
"but, hey, any publicity's good publicity." | 0:39:25 | 0:39:28 | |
What would the polis say if they showed up? | 0:39:29 | 0:39:31 | |
What do ye think? What could they dae us for? | 0:39:31 | 0:39:33 | |
We didnae deface a statue. | 0:39:33 | 0:39:35 | |
Grado is on his way to his wrestling match in London. | 0:39:39 | 0:39:43 | |
I've got a pizza crunch supper in here waiting for me, man. | 0:39:43 | 0:39:46 | |
To the wrestling good times! | 0:39:46 | 0:39:48 | |
But his main concern is his image, and whether celebrity hair stylist | 0:39:50 | 0:39:55 | |
Nicky Clarke will be able to return him to his natural self. | 0:39:55 | 0:39:59 | |
Hi there, I've got an appointment at nine o'clock. | 0:40:00 | 0:40:02 | |
So do you have to keep really fit then, when you're doing...? | 0:40:02 | 0:40:05 | |
Yip, yip, you better believe it. | 0:40:05 | 0:40:09 | |
I'm at the gym seven times a week. | 0:40:09 | 0:40:11 | |
-Are you? -Mm-hmm. | 0:40:11 | 0:40:13 | |
Here, you ever been to a barber's | 0:40:13 | 0:40:15 | |
where when you're getting your haircut you can get | 0:40:15 | 0:40:17 | |
grilled chicken marinated in lemon, chilli, ginger, | 0:40:17 | 0:40:20 | |
coriander served wi' grilled mushrooms, green beans, | 0:40:20 | 0:40:23 | |
cherry tomatoes, cucumber, beetroot, spring onions and roasted pine nuts? | 0:40:23 | 0:40:27 | |
I'll need to go back tae Sheryl and gie her these ideas | 0:40:27 | 0:40:29 | |
that ye can get a scoff while you're getting your hair done. | 0:40:29 | 0:40:32 | |
Don't get me wrong, ye can go in and get a roll n' slice | 0:40:32 | 0:40:34 | |
next door fae Sheryl and bring it in and sit when you're eating, | 0:40:34 | 0:40:37 | |
but that's no the same, innit, no? | 0:40:37 | 0:40:38 | |
So, where do you normally get it cut? | 0:40:42 | 0:40:44 | |
Sheryl's in Stevenston. You ever heard of her? | 0:40:44 | 0:40:46 | |
-Sheryl's? -Aye, Stevenston. | 0:40:46 | 0:40:48 | |
-No. -Nah. | 0:40:48 | 0:40:49 | |
Never heard of Sheryl's. | 0:40:49 | 0:40:51 | |
Next tae the Fisher Fine Foods in New Street in Stevenston. | 0:40:51 | 0:40:55 | |
-OK. -Mmm. | 0:40:55 | 0:40:56 | |
That's amazing. That's class, innit? | 0:40:58 | 0:41:02 | |
How ye doing, big guy? Pleased tae meet you. | 0:41:02 | 0:41:05 | |
-I'm Grado, how ye doin'? -I'm very well, how are you? | 0:41:05 | 0:41:07 | |
Aye, brand-new. | 0:41:07 | 0:41:08 | |
I'm a professional wrestler fae the Shire, fae Stevenston. | 0:41:08 | 0:41:11 | |
I've got ma leotard on for ye, there ye go. | 0:41:11 | 0:41:13 | |
I know, I ken, I don't usually... | 0:41:13 | 0:41:15 | |
I don't usually wear it when I'm oot in London, | 0:41:15 | 0:41:17 | |
oot on the toon, but I have today. | 0:41:17 | 0:41:19 | |
Right can I get ye tae say my catchphrase? | 0:41:19 | 0:41:22 | |
Just say, "Grado, it's yersel'." | 0:41:22 | 0:41:24 | |
-Grado... -Say that again. -It's your...? | 0:41:25 | 0:41:27 | |
Ever walked doon the toon before | 0:41:27 | 0:41:29 | |
and you've went, "Oh, Margaret! It's yersel'!" | 0:41:29 | 0:41:32 | |
-No, I've never heard of that one. -Three, two, one. | 0:41:32 | 0:41:35 | |
Awright, Grado, it's yersel'! | 0:41:35 | 0:41:38 | |
Nicky Clarke, it's yersel! | 0:41:38 | 0:41:39 | |
ENGLISH ACCENT: Grado, it's yourself. | 0:41:39 | 0:41:42 | |
-LAUGHING Get in there. -Lovely to meet you. | 0:41:42 | 0:41:45 | |
See you later, Nicky, thanks very much. | 0:41:45 | 0:41:47 | |
Bye. | 0:41:47 | 0:41:48 | |
-See yous later, troops. -Take care. | 0:41:48 | 0:41:50 | |
With his hair dyed, Grado is ready for his holiday in Vegas. | 0:41:50 | 0:41:53 | |
Going for a munch. Let's go, man, I'm absolutely starving, | 0:41:53 | 0:41:56 | |
cos a wisnae for paying £13 for a couple of bits of... | 0:41:56 | 0:41:59 | |
thingmy...in there. | 0:42:01 | 0:42:02 | |
In Glasgow, Mark and Helen have an appointment | 0:42:07 | 0:42:10 | |
at Danny's nursery to assess his latest progress. | 0:42:10 | 0:42:13 | |
You want James to do it? OK. | 0:42:14 | 0:42:16 | |
Right, haud on. | 0:42:16 | 0:42:18 | |
'When I discovered my son had autism I didnae deal with it. | 0:42:18 | 0:42:21 | |
'I refused to accept that he had autism.' | 0:42:21 | 0:42:24 | |
'I was like, "Naw, naw, Danny's cool, Danny's fine." ' | 0:42:25 | 0:42:28 | |
You want to know what we're doing today? | 0:42:28 | 0:42:30 | |
OK, first we're going to...? | 0:42:30 | 0:42:32 | |
-Nursery. -Nursery! | 0:42:32 | 0:42:33 | |
'I just shut myself off from it all, and bottled it all up inside. | 0:42:33 | 0:42:37 | |
'And I started drinking more. | 0:42:37 | 0:42:39 | |
'Didnae talk tae anybody about it, | 0:42:39 | 0:42:41 | |
'and that was the worst thing you could dae.' | 0:42:41 | 0:42:43 | |
Is he going to be able to, like, live on is own? | 0:42:43 | 0:42:45 | |
Is he going to be able to cook? Is he going to have a girlfriend? | 0:42:45 | 0:42:48 | |
Is he going to have this and that? That's what upset me. | 0:42:48 | 0:42:52 | |
Eventually, I realised it wisnae going to severely affect his life. | 0:42:52 | 0:42:58 | |
He is an incredibly smart boy. | 0:43:00 | 0:43:03 | |
Really smart, and it's almost like a superpower in a way. | 0:43:03 | 0:43:05 | |
He's got a photographic memory, I've been told. | 0:43:05 | 0:43:09 | |
And that's no going to hurt you in life, you know what I mean? | 0:43:09 | 0:43:11 | |
The results of Danny's assessment will decide | 0:43:14 | 0:43:16 | |
what type of school he will attend next year. | 0:43:16 | 0:43:19 | |
We just got told there that Danny can go, | 0:43:22 | 0:43:24 | |
is probably going to go to a mainstream school. | 0:43:24 | 0:43:26 | |
Not even a mainstream school with a unit, | 0:43:26 | 0:43:28 | |
which is still, like, special needs. | 0:43:28 | 0:43:30 | |
He'll have additional support, | 0:43:30 | 0:43:31 | |
but he'll have the support that he needs. | 0:43:31 | 0:43:33 | |
Aye, but nae different than any other wean. | 0:43:33 | 0:43:36 | |
Brilliant. I'm over the moon an' all. | 0:43:36 | 0:43:38 | |
I cannae wait to go hame and phone my ma. | 0:43:38 | 0:43:40 | |
With the biggest show of their lives now just five days away, | 0:43:45 | 0:43:48 | |
the pressure is on, | 0:43:48 | 0:43:50 | |
and Jack Jester's getting a new outfit for the occasion. | 0:43:50 | 0:43:54 | |
A light grey one and a dark grey one, | 0:43:54 | 0:43:56 | |
and a black and then a light and then a leather. | 0:43:56 | 0:43:59 | |
'I don't order my wrestling gear online,' | 0:43:59 | 0:44:01 | |
because I cannae talk to the person | 0:44:01 | 0:44:03 | |
and I cannae stand and put it on and say, "Naw." | 0:44:03 | 0:44:06 | |
Yeah, cos we've got plenty up here. | 0:44:06 | 0:44:09 | |
That's why I've got Iona. | 0:44:09 | 0:44:11 | |
Yeah, that looks good. Yeah. | 0:44:11 | 0:44:14 | |
'I like things to be done a certain way.' | 0:44:14 | 0:44:16 | |
Like, if I'm going to a show I pack my bag the same order, | 0:44:16 | 0:44:18 | |
the same routine because then I know that I've got everything. | 0:44:18 | 0:44:21 | |
'Like, I've got drawers for everything, | 0:44:21 | 0:44:23 | |
'I know where everything is,' | 0:44:23 | 0:44:25 | |
and it's just when it's hectic chaos I cannae relax, | 0:44:25 | 0:44:27 | |
I don't know how people can function. | 0:44:27 | 0:44:30 | |
See, like that. That's pointless because I can barely see that. | 0:44:30 | 0:44:34 | |
I just, it makes me feel better when I'm really, | 0:44:34 | 0:44:37 | |
when I'm 100% happy with something. | 0:44:37 | 0:44:38 | |
What's teal? Teal's like a... | 0:44:38 | 0:44:40 | |
No, but teal is bad in wrestling. | 0:44:40 | 0:44:43 | |
My, dad's the same, to be honest. My dad's pretty... | 0:44:43 | 0:44:45 | |
You know, when it comes to his dress sense | 0:44:45 | 0:44:47 | |
and his colour matching and stuff, my dad at one point | 0:44:47 | 0:44:50 | |
used to have a pair of glasses for every colour of clothes | 0:44:50 | 0:44:52 | |
he would ever wear so he could match his glasses to he's shoes and stuff. | 0:44:52 | 0:44:55 | |
I think I've picked it up from him. | 0:44:55 | 0:44:57 | |
I started wrestling when I was 15. I've been non-stop since then. | 0:44:58 | 0:45:01 | |
Thousands of matches all over the country. | 0:45:01 | 0:45:04 | |
But the one person that's never seen me is my dad. | 0:45:04 | 0:45:08 | |
He's got his own reasons, | 0:45:08 | 0:45:10 | |
but come the ABC, the championship match, | 0:45:10 | 0:45:12 | |
this is the first time he's ever going to see me, | 0:45:12 | 0:45:15 | |
the first time he's going to see his son wrestling in front of him. | 0:45:15 | 0:45:19 | |
Ever. He's never seen a DVD, | 0:45:19 | 0:45:20 | |
he's never seen a videotape or any of the stuff I've recorded. | 0:45:20 | 0:45:23 | |
So it's going to be a big deal for me and a really big night for him. | 0:45:23 | 0:45:28 | |
But this is not the only change awaiting Jester. | 0:45:28 | 0:45:32 | |
On Sunday night's show, Mark's decided to crown him | 0:45:32 | 0:45:35 | |
his new ICW champion. | 0:45:35 | 0:45:37 | |
When I'm picking somebody to be the next ICW champion, | 0:45:38 | 0:45:42 | |
everything else is done off the cuff, you know, but that, | 0:45:42 | 0:45:47 | |
I take a lot of time. | 0:45:47 | 0:45:49 | |
And I usually know who the next champion is going to be | 0:45:49 | 0:45:51 | |
a year before they become the champion. | 0:45:51 | 0:45:55 | |
It's a very special thing in wrestling | 0:45:55 | 0:45:58 | |
when it's a belt that actually means something, | 0:45:58 | 0:46:00 | |
because the person who's the champ, you know, they hold that with pride. | 0:46:00 | 0:46:05 | |
They go out and bust their arse on every show for you. | 0:46:05 | 0:46:07 | |
They're meant to be the champion, you know what I mean? | 0:46:07 | 0:46:11 | |
Jester will be a great champion. | 0:46:11 | 0:46:13 | |
It's a poignant moment when that belt goes from one to the other. | 0:46:13 | 0:46:16 | |
The biggest show of Mark's career is now just one day away, | 0:46:18 | 0:46:21 | |
and he's still 450 tickets shy of a sell-out. | 0:46:21 | 0:46:25 | |
In a final publicity push, he's organised a flash mob pillow fight | 0:46:26 | 0:46:31 | |
in George Square. | 0:46:31 | 0:46:33 | |
-I'm nervous. -You're nervous? -Aye. | 0:46:33 | 0:46:36 | |
-I'm not. -That I'm going to get the jail and I won't even go to my show. | 0:46:36 | 0:46:39 | |
What we're doing is not even bad, | 0:46:39 | 0:46:41 | |
it's just that the world is pure shite now. | 0:46:41 | 0:46:43 | |
Like you're not allowed to have fun. | 0:46:43 | 0:46:45 | |
There's a rule for everything, you know what I mean? | 0:46:45 | 0:46:47 | |
Like, this is a pillow fight in the town. | 0:46:47 | 0:46:50 | |
I shouldn't even be thinking about getting the jail. | 0:46:50 | 0:46:52 | |
And everybody else is after your health and safety | 0:46:52 | 0:46:54 | |
and whether you've done a risk assessment. I'm like, "Shut the fuck up, man." | 0:46:54 | 0:46:58 | |
-Bye! -Bye-bye, buddy. Give me a kiss? | 0:46:58 | 0:47:01 | |
You want to shut the door? | 0:47:02 | 0:47:03 | |
-Yeah. -OK, you going to slam it shut? | 0:47:03 | 0:47:06 | |
Mark's filming the pillow fight. | 0:47:13 | 0:47:15 | |
Once it's online, he's hoping it will be enough of a spectacle | 0:47:15 | 0:47:18 | |
to get people talking about ICW, and more importantly, | 0:47:18 | 0:47:22 | |
buy the last remaining tickets for the big fight night. | 0:47:22 | 0:47:26 | |
I'm more nervous about this than I am about the show tomorrow, | 0:47:26 | 0:47:29 | |
because if I get the jail for this, then no matter what we say, | 0:47:29 | 0:47:33 | |
I won't get out till Monday, so I'll miss the show. | 0:47:33 | 0:47:36 | |
There's the polis. Wait five minutes, wait five minutes. | 0:47:45 | 0:47:47 | |
I think a lot of people are afraid of things they don't understand. | 0:48:17 | 0:48:20 | |
I think in life, a lot of people think | 0:48:20 | 0:48:22 | |
you're meant to get a nine to five and get a house and a mortgage | 0:48:22 | 0:48:25 | |
and this and that, and you're not meant to go and do things you want to do. | 0:48:25 | 0:48:28 | |
The thing is, you can do the things you want to do, | 0:48:28 | 0:48:30 | |
it's just that a lot of people | 0:48:30 | 0:48:31 | |
haven't got the courage to go and pursue those career paths. | 0:48:31 | 0:48:33 | |
What's the John Lennon quote? | 0:48:34 | 0:48:36 | |
When he was young, the teacher asked him, | 0:48:36 | 0:48:38 | |
"What do you want to be when you're older?" He said "Happy." | 0:48:38 | 0:48:40 | |
And he went, "You don't understand the question." | 0:48:40 | 0:48:42 | |
And he was like, "No, you don't understand life." | 0:48:42 | 0:48:45 | |
-I think I should bail. -Aye? | 0:48:45 | 0:48:46 | |
I think we're going to get a clean-up bill for this, | 0:48:46 | 0:48:48 | |
I bet you we do. | 0:48:48 | 0:48:49 | |
It's show day, | 0:48:58 | 0:49:01 | |
and the biggest fight night in ICW history has finally arrived. | 0:49:01 | 0:49:05 | |
Love you, buddy. OK, Daddy will see you later. | 0:49:08 | 0:49:11 | |
-Daddy will see you tomorrow, OK? Have fun with Granny, OK? -Good luck. | 0:49:11 | 0:49:16 | |
You'll do brilliant, right? | 0:49:16 | 0:49:18 | |
I know, sweetie. Right, see you later. Bye-bye. | 0:49:18 | 0:49:21 | |
They've not just put "The ICW", they've put "Insane Champion". | 0:49:26 | 0:49:29 | |
I didn't think they'd have enough letters. | 0:49:29 | 0:49:31 | |
They've not got an A. "Fer and loathing"! | 0:49:31 | 0:49:35 | |
But "Insane Championship Wrestling", that's mental. | 0:49:35 | 0:49:38 | |
That's pure trippy, man. | 0:49:38 | 0:49:40 | |
That's quite insane, seeing our name up on that sign. | 0:49:40 | 0:49:44 | |
I remember about a year ago, | 0:49:44 | 0:49:47 | |
me and you were going along that road, steaming, and we says, | 0:49:47 | 0:49:50 | |
"How cool would it be to have ICW's name up there?" | 0:49:50 | 0:49:52 | |
About a year to the day, honestly. | 0:49:52 | 0:49:54 | |
If you were to sit and tell me three or four years ago | 0:49:55 | 0:49:58 | |
that we were going to do the things we've done | 0:49:58 | 0:50:00 | |
in the past three or four months, I wouldn't believe you for a second. | 0:50:00 | 0:50:03 | |
Tonight, in the biggest match of his career, | 0:50:06 | 0:50:09 | |
Jack Jester will become the new ICW champion. | 0:50:09 | 0:50:13 | |
And watching from the crowd for the very first time will be his dad. | 0:50:13 | 0:50:17 | |
I don't think there's a better, | 0:50:18 | 0:50:20 | |
a better show of everything to kind of go, like, | 0:50:20 | 0:50:25 | |
to bring you along to one show | 0:50:25 | 0:50:27 | |
to experience the full spectrum of the nights. Like, tonight, | 0:50:27 | 0:50:31 | |
regardless of how much your brain is telling you "He's hurt, he's hurt", | 0:50:31 | 0:50:36 | |
just remember that I'm all right, cos I'm in control. | 0:50:36 | 0:50:39 | |
I know where I'm going with it, | 0:50:39 | 0:50:41 | |
so don't get the urge to jump the barrier! | 0:50:41 | 0:50:44 | |
That was my thoughts years ago. I was like, | 0:50:44 | 0:50:47 | |
"How can I possibly watch my boy | 0:50:47 | 0:50:49 | |
"getting thrown about the ring with somebody twice his size?" | 0:50:49 | 0:50:52 | |
'My dad couldn't be prouder. He's always supported me. | 0:50:52 | 0:50:57 | |
'He's never forced me to be a certain type of person. | 0:50:57 | 0:51:01 | |
'I could have been a bit embarrassing for him, | 0:51:01 | 0:51:03 | |
'looking the way I look and dressing the way I dress.' | 0:51:03 | 0:51:06 | |
He could be like, "I'll just meet you in town". | 0:51:06 | 0:51:09 | |
But he never has. He embraces it. He still calls me the wean. | 0:51:09 | 0:51:12 | |
When the time comes for me to have kids, I've got good role models. | 0:51:12 | 0:51:17 | |
I'm looking forward to it. I'm glad it's this one I've come to. | 0:51:17 | 0:51:20 | |
Aye, it's perfect timing. It really is. | 0:51:20 | 0:51:22 | |
After months of planning | 0:51:26 | 0:51:28 | |
and a last few frantic days of ticket sales, | 0:51:28 | 0:51:32 | |
the biggest show in ICW history is finally here. | 0:51:32 | 0:51:35 | |
But is it sold out? | 0:51:35 | 0:51:37 | |
The reason we're here is because of you. It's fuck all to do with me, | 0:51:38 | 0:51:41 | |
it's because of you breaking your back for this company. | 0:51:41 | 0:51:44 | |
Everything, you've done. You think this is good? | 0:51:44 | 0:51:46 | |
Well, this is good, but it doesn't make your wages any higher. | 0:51:46 | 0:51:49 | |
I want your wages to all be higher. I want you to wake up in the morning, | 0:51:49 | 0:51:52 | |
look in the mirror and say, "I make a full-time living | 0:51:52 | 0:51:54 | |
"off professional fucking wrestling", right? | 0:51:54 | 0:51:56 | |
Thank you very much for everything you've done for this company. | 0:51:56 | 0:51:59 | |
Let's keep doing it, and I swear to God, | 0:51:59 | 0:52:01 | |
the next people to get paid is fucking every single one of yous, | 0:52:01 | 0:52:04 | |
you deserve it, all right, guys? Have a fucking fantastic show. | 0:52:04 | 0:52:07 | |
Ladies and gentlemen, we are coming live! | 0:52:09 | 0:52:12 | |
-CROWD: -IC Dub! IC Dub! IC Dub! IC Dub! | 0:52:12 | 0:52:16 | |
Looks like a good crowd. | 0:52:16 | 0:52:18 | |
Is it good enough that I'm not fucking... | 0:52:18 | 0:52:22 | |
busking a week from now? | 0:52:22 | 0:52:24 | |
I don't know yet. I'll need to go and check. But it looks good. | 0:52:24 | 0:52:28 | |
I don't know, it looks all right. | 0:52:28 | 0:52:31 | |
..Right here in Glasgow! | 0:52:31 | 0:52:35 | |
CROWD CHEER | 0:52:35 | 0:52:37 | |
I just want to say, we had 1,000 people in Edinburgh. | 0:52:47 | 0:52:49 | |
Was that our biggest crowd ever? | 0:52:49 | 0:52:52 | |
Of course it isn't, | 0:52:54 | 0:52:56 | |
because we've got over 1,000 people in Glasgow tonight! | 0:52:56 | 0:52:59 | |
Switch, over I go, I pull you, out we go. | 0:53:03 | 0:53:07 | |
Get to the stage, hair pull, set the table up... | 0:53:07 | 0:53:11 | |
With the show sold out, the pressure is now on Jester | 0:53:12 | 0:53:15 | |
to pull off the performance of a lifetime for the fans, and his dad. | 0:53:15 | 0:53:20 | |
It's your night, mate, right? You deserve this. | 0:53:21 | 0:53:24 | |
-This is your night, mate. You're the fucking star, right? -Cheers. | 0:53:24 | 0:53:28 | |
-I love you to death, mate. -No pressure. -Right. -Thank you. | 0:53:28 | 0:53:33 | |
Jester! | 0:53:33 | 0:53:37 | |
HEAVY METAL MUSIC PLAYS | 0:53:37 | 0:53:39 | |
Look at his eyes. | 0:53:50 | 0:53:51 | |
Has he got contacts in? | 0:53:51 | 0:53:53 | |
-He's got new ones. -Dark ones. | 0:53:53 | 0:53:55 | |
I am going to watch none of this match, | 0:53:57 | 0:54:00 | |
cos I'm terrified that one of my mates gets hurt. | 0:54:00 | 0:54:04 | |
Because, um, they both pull it back for this company | 0:54:06 | 0:54:10 | |
just in general and normal life. | 0:54:10 | 0:54:12 | |
So I think what they're going to do in the title switch terrifies me. | 0:54:12 | 0:54:17 | |
Big leg drop there. | 0:54:17 | 0:54:20 | |
You've nae clue what these human beings do to each other. | 0:54:20 | 0:54:23 | |
Like, what they do for your entertainment. | 0:54:23 | 0:54:25 | |
People don't understand what we do for these people. | 0:54:25 | 0:54:28 | |
If they did understand, maybe they would understand | 0:54:28 | 0:54:31 | |
why I want these people to make fucking money. | 0:54:31 | 0:54:34 | |
It's my worst nightmare, innit? | 0:54:36 | 0:54:38 | |
The storylines are already written, | 0:54:41 | 0:54:43 | |
and both Jester and his opponents know who will win tonight. | 0:54:43 | 0:54:47 | |
But the blood is real, | 0:54:47 | 0:54:49 | |
and Jester is putting himself through a lot of pain | 0:54:49 | 0:54:51 | |
to give the fans a show they will never forget. | 0:54:51 | 0:54:54 | |
'I knew going in that my dad was going to have difficulty with it, | 0:54:56 | 0:54:59 | |
'because he's never seen me wrestling before.' | 0:54:59 | 0:55:02 | |
'And I knew this was going to get serious.' | 0:55:03 | 0:55:05 | |
Can't believe it. | 0:55:05 | 0:55:08 | |
I said, "Keep saying it to yourself." | 0:55:08 | 0:55:10 | |
If at any point during this show you think "He's in big danger", | 0:55:10 | 0:55:14 | |
just remember, I'm not. Turns out I kind of was. | 0:55:14 | 0:55:18 | |
Most of the time when things get serious in a match, | 0:55:20 | 0:55:23 | |
like if you hurt yourself or, you know, you're bleeding too much, | 0:55:23 | 0:55:28 | |
your opponent will tell you when it's enough. | 0:55:28 | 0:55:31 | |
You know, and there are times where, like, | 0:55:32 | 0:55:34 | |
I've been bleeding so much that I can't see and you're wiping it, | 0:55:34 | 0:55:38 | |
it's in your eyes. You're slipping on it | 0:55:38 | 0:55:40 | |
because it's gone from your head to the floor | 0:55:40 | 0:55:43 | |
so quick that you're actually slipping on your own blood. | 0:55:43 | 0:55:46 | |
It freaks me out. Look at the two of them, man. | 0:56:01 | 0:56:04 | |
Look what they're doing, look. | 0:56:04 | 0:56:07 | |
Jester cannae see, he's bleeding. | 0:56:07 | 0:56:11 | |
You know what I mean? I don't like that shit. | 0:56:11 | 0:56:12 | |
CROWD GASP | 0:56:12 | 0:56:14 | |
Look, he's fucking's scarred, know what I mean? | 0:56:16 | 0:56:18 | |
They cannae walk for days after this. | 0:56:18 | 0:56:22 | |
CROWD: IC Dub! IC Dub! IC Dub! IC Dub! | 0:56:22 | 0:56:27 | |
IC Dub! | 0:56:27 | 0:56:29 | |
One, two, three! | 0:56:29 | 0:56:31 | |
'It was good pressure. It was almost like I knew what I had to do. | 0:56:36 | 0:56:40 | |
'But before the match started, seeing all of them there, | 0:56:40 | 0:56:43 | |
'it just made you calm.' | 0:56:43 | 0:56:44 | |
You just think, | 0:56:44 | 0:56:45 | |
"They're all here, let's do this, let's show them what it's all about", | 0:56:45 | 0:56:49 | |
and I did. | 0:56:49 | 0:56:51 | |
..The new ICW heavyweight champion, | 0:56:51 | 0:56:56 | |
Jack Jester! | 0:56:56 | 0:57:01 | |
'Everything was in that room at that same time, | 0:57:16 | 0:57:18 | |
'and that's when I thought I'd got here. | 0:57:18 | 0:57:21 | |
'Like, and I remember standing in a wrestling ring' | 0:57:21 | 0:57:24 | |
in front of four folk and I thought, | 0:57:24 | 0:57:26 | |
"I left school to do this. Why have I done this?" | 0:57:26 | 0:57:29 | |
And then that night, I thought, "There's my answer." | 0:57:29 | 0:57:32 | |
You all right? | 0:57:32 | 0:57:34 | |
I'm fine. | 0:57:34 | 0:57:36 | |
It's a real feeling, you know, to see your son getting hurt like that. | 0:57:36 | 0:57:41 | |
But he coped with it well, didn't he? It's just a job to him, innit? | 0:57:41 | 0:57:45 | |
'It's just lit a fire under me even more. | 0:57:49 | 0:57:54 | |
'It's made me think, like, maybe this will work. | 0:57:54 | 0:57:57 | |
'Maybe we can, you know, be full-time pros | 0:57:57 | 0:58:00 | |
'and maybe we can make a full-time living off this business. | 0:58:00 | 0:58:04 | |
'The only way we're going to be able to do that is if we branch out.' | 0:58:04 | 0:58:08 | |
New cities, bigger shows, bigger, badder, better. You know what I mean? | 0:58:08 | 0:58:13 | |
Go faster stripes, 3-D and all that. | 0:58:13 | 0:58:15 | |
And see how far we can go with it, you know what I mean? | 0:58:16 | 0:58:20 | |
One of my favourite quotes of all time is | 0:58:20 | 0:58:22 | |
"Shoot for the moon, and if you miss, you're still amongst the stars." | 0:58:22 | 0:58:25 | |
So basically, that is what we're going to try and do. | 0:58:25 | 0:58:27 | |
We're going to shoot for the moon, and if we miss, well, fuck it. | 0:58:27 | 0:58:31 | |
That's right. I've fucking ended up in Las Vegas, Nevada. | 0:58:35 | 0:58:38 | |
All right, big man? How you doing? How you doing, mate? | 0:58:38 | 0:58:42 | |
You fucking numpty! | 0:58:42 | 0:58:44 | |
# I was blind, now I can see | 0:58:45 | 0:58:50 | |
# You made a believer out of me | 0:58:50 | 0:58:55 | |
# I was blind, now I can see | 0:58:55 | 0:59:01 | |
# You made a believer out of me | 0:59:01 | 0:59:05 | |
# I'm movin' on up now | 0:59:05 | 0:59:08 | |
# Getting out of the darkness... # | 0:59:10 | 0:59:13 |