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I'm David Hasselhoff and I know more about movies | 0:00:02 | 0:00:05 | |
than Simon Cowell knows about engagements. | 0:00:05 | 0:00:08 | |
I have done every kind of movie, horror, sci-fi, action, dance, | 0:00:08 | 0:00:12 | |
sports, and all with just one super versatile/handsome face. | 0:00:12 | 0:00:18 | |
Tonight I plan to break your heart in two | 0:00:18 | 0:00:21 | |
and then make you fall in love all over again, | 0:00:21 | 0:00:25 | |
as I take you by the hand and lead you to the promised land | 0:00:25 | 0:00:28 | |
of the Hoff's Best Romcom Film Ever. | 0:00:28 | 0:00:31 | |
Welcome to my "Hoffice", my very own movie-expert headquarters. | 0:00:49 | 0:00:54 | |
Now, I've done a bit of romantic comedy myself. | 0:00:54 | 0:00:57 | |
No doubt, you'll remember me | 0:00:57 | 0:00:59 | |
starring alongside Joan Collins in The Cartier Affair. | 0:00:59 | 0:01:02 | |
I know what you're thinking, and the answer is "yes, | 0:01:07 | 0:01:10 | |
"I really am that handsome". | 0:01:10 | 0:01:13 | |
Well, later on I'll be revealing exactly which of our soppy movies | 0:01:13 | 0:01:17 | |
is the Hoff's Best Romcom Ever. | 0:01:17 | 0:01:20 | |
But for now, grab your bags, cos I'm going to take you | 0:01:20 | 0:01:23 | |
on a romantic journey that will make you laugh, cry | 0:01:23 | 0:01:27 | |
and twitch all at the same time. | 0:01:27 | 0:01:29 | |
There's going to be some sassy girls. | 0:01:32 | 0:01:34 | |
Women want to be her. Men want to shag her. | 0:01:34 | 0:01:37 | |
There's going to be some hunky guys. | 0:01:40 | 0:01:42 | |
Do you find me attractive? | 0:01:42 | 0:01:43 | |
He drives me wild. | 0:01:43 | 0:01:45 | |
You just look into his eyes and you see your future. | 0:01:45 | 0:01:48 | |
There'll be tension and tantrums. | 0:01:48 | 0:01:50 | |
If you meet someone and you have a vitriolic hatred of them... | 0:01:51 | 0:01:55 | |
..ignore your instincts, they're probably the one. | 0:01:57 | 0:01:59 | |
And a whole lot of loving going on. | 0:01:59 | 0:02:01 | |
-Absolutely enormous pants! -(Jesus.) | 0:02:03 | 0:02:05 | |
For my job I have to kiss Hugh Grant. | 0:02:05 | 0:02:08 | |
APPLAUSE | 0:02:08 | 0:02:10 | |
'I never see anybody declaring their love in a train station.' | 0:02:10 | 0:02:14 | |
Just people asking for tickets! | 0:02:14 | 0:02:17 | |
So stand by for an unforgettable romcom romp. | 0:02:17 | 0:02:20 | |
As pretty much the hottest guy on TV for the last 30 years, | 0:02:22 | 0:02:26 | |
I've learned a thing or two about women. | 0:02:26 | 0:02:30 | |
Practical stuff like sending flowers is good. | 0:02:30 | 0:02:33 | |
Sending leather underwear is bad. | 0:02:33 | 0:02:36 | |
And the best female romcom leads know exactly what they want. | 0:02:36 | 0:02:40 | |
They're smart, sexy, accessible | 0:02:40 | 0:02:43 | |
and they're all looking for one thing. The real thing. | 0:02:43 | 0:02:47 | |
Get ready for an exclusive look at the Hoff's little black book | 0:02:47 | 0:02:52 | |
of romcom angels. | 0:02:52 | 0:02:54 | |
Oh! God, she was hot. | 0:02:54 | 0:02:57 | |
Oh... | 0:02:57 | 0:02:59 | |
Ah... | 0:02:59 | 0:03:02 | |
# All the single ladies All the single ladies | 0:03:02 | 0:03:04 | |
# All the single ladies All the single ladies | 0:03:04 | 0:03:07 | |
# All the single ladies Now put your hands up | 0:03:07 | 0:03:09 | |
# Up-up-up, up-up-up Up-up-up, up-up-up | 0:03:09 | 0:03:14 | |
# Cos if you liked it then you should have put a ring on it | 0:03:14 | 0:03:17 | |
# If you liked it then you should have put a ring on it | 0:03:17 | 0:03:19 | |
# Don't be mad once you see that he wants it | 0:03:19 | 0:03:21 | |
# Cos if you liked it then you should have put a ring on it | 0:03:21 | 0:03:24 | |
# Oh-oh-oh... # | 0:03:24 | 0:03:25 | |
The qualities in a good romcom leading lady, | 0:03:25 | 0:03:28 | |
first and foremost, are that she is lovable. | 0:03:28 | 0:03:31 | |
He's a ferret. | 0:03:31 | 0:03:33 | |
I got him in Sicily at a flea market years ago. He's old. | 0:03:33 | 0:03:36 | |
-He can't really see any more. -Ah. | 0:03:36 | 0:03:39 | |
Savvy, sassy... | 0:03:39 | 0:03:40 | |
Well, colour me happy, there's a sofa in here for two. | 0:03:40 | 0:03:44 | |
Women want to be her, men want to shag her. | 0:03:45 | 0:03:48 | |
SCREAMING | 0:03:48 | 0:03:49 | |
SCREAMING | 0:03:53 | 0:03:55 | |
And someone who's not much of a ho. She's got to be wifey material. | 0:03:55 | 0:04:00 | |
Oh, oh! | 0:04:00 | 0:04:01 | |
What the...!? | 0:04:01 | 0:04:02 | |
You have to believe that you could get her in the real world, as well. | 0:04:02 | 0:04:06 | |
-That helps. -Definitely. | 0:04:06 | 0:04:08 | |
Your dog was attacking me and I had to run and I ran into you. | 0:04:08 | 0:04:12 | |
What is it with you and this dog? | 0:04:12 | 0:04:13 | |
Sandra Bullock, definitely gettable. | 0:04:13 | 0:04:16 | |
DOG BARKS | 0:04:16 | 0:04:18 | |
-See? Exactly. -Oh... | 0:04:18 | 0:04:20 | |
-See that? -Barely made it out with my life there. | 0:04:20 | 0:04:23 | |
Did you see the size of the teeth? | 0:04:23 | 0:04:25 | |
DOOR SLAMS | 0:04:25 | 0:04:26 | |
Meg Ryan... | 0:04:26 | 0:04:27 | |
'Is she gettable?' | 0:04:27 | 0:04:29 | |
Yes, yes. Oh! Oh! | 0:04:29 | 0:04:31 | |
Oh! | 0:04:31 | 0:04:33 | |
We can get Meg Ryan. | 0:04:33 | 0:04:34 | |
-Cameron Diaz? -I think Cameron Diaz is still pretty hot. | 0:04:38 | 0:04:41 | |
'Yes, she's still very hot and I think she's gettable just because' | 0:04:41 | 0:04:44 | |
she's very funny. I think humour is the way... | 0:04:44 | 0:04:47 | |
What is that? | 0:04:47 | 0:04:48 | |
Hm? | 0:04:48 | 0:04:50 | |
She's not afraid to let spunk be in her hair, for the sake of a romcom. | 0:04:50 | 0:04:54 | |
SHE GIGGLES | 0:04:54 | 0:04:55 | |
Is that hair gel? | 0:04:55 | 0:04:56 | |
-Yeah. -Great, I could use... | 0:04:59 | 0:05:01 | |
No, no, you don't have to. | 0:05:01 | 0:05:04 | |
I just ran out. | 0:05:04 | 0:05:06 | |
I do think the female leads have to be relatable. | 0:05:06 | 0:05:08 | |
At least now I'm in my 30s, I can hold my drink. | 0:05:08 | 0:05:11 | |
LAUGHTER | 0:05:11 | 0:05:13 | |
One of my favourite romcom girls is Bridget Jones. | 0:05:13 | 0:05:16 | |
PHONE RINGS | 0:05:16 | 0:05:18 | |
Bridget Jones, | 0:05:19 | 0:05:20 | |
wanton sex goddess with a very bad man between her thighs. | 0:05:20 | 0:05:23 | |
Mum? Hi. | 0:05:25 | 0:05:27 | |
Because her life is just one big series of embarrassments. | 0:05:27 | 0:05:30 | |
'I'm trying hard to fight off a vision of Mum and Aunty Una | 0:05:30 | 0:05:33 | |
'in fishnet tights. It seems unnatural, | 0:05:33 | 0:05:36 | |
'wrong even, for 60-year-olds to dress up as prostitutes | 0:05:36 | 0:05:39 | |
'and priests on a Sunday afternoon.' | 0:05:39 | 0:05:41 | |
# Fly me to the moon... # | 0:05:44 | 0:05:46 | |
'Oh, Holy Jesus!' | 0:05:46 | 0:05:48 | |
The fact that men will fall for her despite all her clumsiness. | 0:05:48 | 0:05:52 | |
Oh... | 0:05:53 | 0:05:54 | |
The door was open. | 0:05:57 | 0:05:58 | |
It captures something | 0:05:58 | 0:06:01 | |
so unique about just what it's like to be a normal girl. | 0:06:01 | 0:06:04 | |
LIVELY MUSIC | 0:06:04 | 0:06:07 | |
I never buy Jennifer Lopez as the lead in a romcom. | 0:06:08 | 0:06:11 | |
No offence, sweetheart. What planet are you on? | 0:06:11 | 0:06:13 | |
You don't get it. | 0:06:13 | 0:06:15 | |
None of you get it, there was something different about him. | 0:06:15 | 0:06:17 | |
Yeah, it's called money. | 0:06:17 | 0:06:19 | |
I think, "Shut up, J.Lo, no-one's buying you as a maid, or whatever." | 0:06:19 | 0:06:23 | |
What don't you get? I'm the maid. | 0:06:23 | 0:06:25 | |
She's too much of a celebrity to be one of us, | 0:06:25 | 0:06:27 | |
to be like, "I'm just a girl looking for love." | 0:06:27 | 0:06:29 | |
You're like, "No, you're not, you're Jenny From The Block, | 0:06:29 | 0:06:32 | |
"but in an ironic way." | 0:06:32 | 0:06:35 | |
Now, you can't have a boy-meets-girl story without a boy. | 0:06:35 | 0:06:38 | |
I know these things. It just wouldn't work. | 0:06:38 | 0:06:42 | |
But what kind of guy does it take to win the heart of our gorgeous, | 0:06:42 | 0:06:44 | |
love-starved princess? | 0:06:44 | 0:06:46 | |
Well, we need a hunk with a dash of nerd, | 0:06:46 | 0:06:49 | |
or a touch of Average Joe. | 0:06:49 | 0:06:51 | |
Maybe even a sliver of loser. | 0:06:51 | 0:06:53 | |
I guess that's why I haven't done more romantic comedy. Hah! | 0:06:53 | 0:06:58 | |
Yes, our male romantic lead needs to be blind to his own dumb ways | 0:06:58 | 0:07:02 | |
until, that is, he starts to fall in love. | 0:07:02 | 0:07:06 | |
I give to you the guys with their eyes on the prize. | 0:07:06 | 0:07:09 | |
Ah... | 0:07:11 | 0:07:13 | |
I think a classic romcom male is a bit goofy. | 0:07:14 | 0:07:20 | |
LATIN MUSIC | 0:07:20 | 0:07:22 | |
Someone who makes you laugh. | 0:07:26 | 0:07:28 | |
No, put your left hand behind your head. | 0:07:28 | 0:07:31 | |
Yeah, just drop your left hip. | 0:07:32 | 0:07:34 | |
HE WOLF WHISTLES | 0:07:36 | 0:07:38 | |
-I'm kidding. Put your arms out straight. -OK. | 0:07:38 | 0:07:40 | |
Has that naughty twinkle in his eye. | 0:07:40 | 0:07:43 | |
Natasha is a top attorney and specialises in family law. | 0:07:43 | 0:07:46 | |
Bridget works in publishing and used to play naked in my paddling pool. | 0:07:46 | 0:07:50 | |
He's a bit of a loser. | 0:07:51 | 0:07:52 | |
Come on in, I'll just... | 0:07:52 | 0:07:54 | |
Erm... Right. All right. | 0:07:57 | 0:08:01 | |
Hugh Grant, for my money, | 0:08:01 | 0:08:03 | |
is one of the great romcom leading men. | 0:08:03 | 0:08:06 | |
ENGINE REVS | 0:08:06 | 0:08:07 | |
I'm not the type of girl who goes for kind of smouldering good looks | 0:08:09 | 0:08:12 | |
in a man. | 0:08:12 | 0:08:14 | |
But, then again, you know, if you look at Ryan Gosling in... | 0:08:14 | 0:08:19 | |
Oh... In any film, really, then I'm sold immediately. | 0:08:19 | 0:08:23 | |
-Do you find me attractive? -She does. | 0:08:23 | 0:08:26 | |
-I don't. -You do. She does. | 0:08:26 | 0:08:28 | |
-Yes, she does. -I don't. -You do. -You do. -I don't. | 0:08:28 | 0:08:31 | |
He drives me wild, actually. | 0:08:31 | 0:08:34 | |
It shouldn't work, his eyes are too close together. | 0:08:34 | 0:08:37 | |
His head is quite small and rectangular. | 0:08:37 | 0:08:40 | |
And yet, he is the sexiest man that EVER walked the earth. | 0:08:40 | 0:08:45 | |
He is to die for. | 0:08:45 | 0:08:46 | |
-OK, OK, we'll go again. -OK. -OK. | 0:08:46 | 0:08:49 | |
'He takes his top off' | 0:08:51 | 0:08:54 | |
and it's such a glorious sight. | 0:08:54 | 0:08:56 | |
Fuck! Seriously? | 0:08:58 | 0:09:00 | |
It's like your photo shot. | 0:09:00 | 0:09:02 | |
Frankly, you just look into his eyes and you see your future. | 0:09:04 | 0:09:07 | |
That's what I do, anyway. | 0:09:07 | 0:09:08 | |
What happened to your feet? | 0:09:08 | 0:09:11 | |
-What do you mean? These are my 407s. -Oh, they're 407s. Can I see them? | 0:09:11 | 0:09:14 | |
Yeah. These offer a lot of support. | 0:09:14 | 0:09:17 | |
-Right. -Oh, come on! | 0:09:17 | 0:09:19 | |
My favourite men within romcoms | 0:09:19 | 0:09:21 | |
are the odd ones out. | 0:09:21 | 0:09:22 | |
Come on! | 0:09:26 | 0:09:27 | |
Go for the geek. My mum said that to me before the Internet. | 0:09:27 | 0:09:31 | |
She was right, cos the geek rises up. | 0:09:31 | 0:09:34 | |
Fuck, fuck. I was supposed to get one for my sister. | 0:09:34 | 0:09:37 | |
-Here, take mine. -No, that's OK, I'll wait. | 0:09:37 | 0:09:40 | |
Please, I very rarely look cool. This is... | 0:09:40 | 0:09:42 | |
THEY LAUGH | 0:09:42 | 0:09:45 | |
It becomes completely feasible that someone like Katherine Heigl | 0:09:45 | 0:09:48 | |
would be in love with this smelly, hairy man. | 0:09:48 | 0:09:51 | |
He's just a ball of fuzz in that film. | 0:09:51 | 0:09:53 | |
A charmless fuzz, but he's so lovable within it. | 0:09:53 | 0:09:57 | |
It's awesome that you had sex with her. | 0:09:57 | 0:09:59 | |
If a goofy guy like you had sex with her, I feel like I did also. | 0:09:59 | 0:10:02 | |
I was so drunk I just wish I remembered it. | 0:10:02 | 0:10:04 | |
I go to bed thinking to myself, there is a God. | 0:10:04 | 0:10:07 | |
There is a man up there looking down on me | 0:10:07 | 0:10:08 | |
and he will find me a lovely lady one day. | 0:10:08 | 0:10:11 | |
Hi, I'm Andy. | 0:10:11 | 0:10:13 | |
You look comfortable. Can I get you another cocktail? | 0:10:13 | 0:10:17 | |
Every guy knows that chat-up lines are tricky to pull off. | 0:10:17 | 0:10:20 | |
Personally I find that, | 0:10:20 | 0:10:21 | |
"Hi, I'm the Knight Rider and the main guy in Baywatch"... | 0:10:21 | 0:10:24 | |
that works just fine. | 0:10:24 | 0:10:26 | |
HE LAUGHS | 0:10:26 | 0:10:27 | |
But now that we have our lovebirds, | 0:10:27 | 0:10:29 | |
we need something to bring them together. The question is, what? | 0:10:29 | 0:10:33 | |
In the best romcoms, the meet-up moments create a kind of movie magic | 0:10:33 | 0:10:36 | |
like no other. It's time for the Hoff to play Cupid. | 0:10:36 | 0:10:40 | |
BANG | 0:10:42 | 0:10:44 | |
Oh, sorry. | 0:10:44 | 0:10:45 | |
I don't think cheesy chat-up lines work in real life. | 0:10:49 | 0:10:53 | |
Actually, I know that for a fact. | 0:10:53 | 0:10:55 | |
But in films, you know, the cheesier, more awkward it is, | 0:10:55 | 0:10:57 | |
you just...you're like, that's the bit where you'd | 0:10:57 | 0:11:00 | |
pick up the cushion and, like, nargh! | 0:11:00 | 0:11:02 | |
Apparently, an enormous number of people actually | 0:11:02 | 0:11:06 | |
bump into their future spouses at weddings. Which is interesting. | 0:11:06 | 0:11:10 | |
Yes, I met my husband at a wedding. | 0:11:10 | 0:11:13 | |
Ah... | 0:11:13 | 0:11:14 | |
Good Lord, I seem to have finished my drink. Do excuse me. | 0:11:21 | 0:11:24 | |
Ryan Gosling's character is the king of the chat-up lines. | 0:11:24 | 0:11:28 | |
You're really wearing that dress like you're doing it a favour. | 0:11:28 | 0:11:30 | |
-Oh, God. -That's a line. | 0:11:30 | 0:11:32 | |
Me sitting over there for the past two hours | 0:11:32 | 0:11:34 | |
not being able to take my eyes off of you is a fact. | 0:11:34 | 0:11:36 | |
There's lots of beautiful women in this bar. Your friend included. Hi. | 0:11:36 | 0:11:39 | |
I love you. | 0:11:39 | 0:11:40 | |
Then it gets a bit unbelievable, which is that he keeps saying, | 0:11:40 | 0:11:43 | |
"Do you want to get out of here?" | 0:11:43 | 0:11:45 | |
-Let's get out of here. -OK. | 0:11:45 | 0:11:46 | |
-Let's get out of here. -Absolutely! | 0:11:46 | 0:11:48 | |
-Let's get out of here. -OK. | 0:11:48 | 0:11:50 | |
No woman would do that in the UK. They'd go, "It's cold, I've got to get my coat. I've got to queue up." | 0:11:50 | 0:11:54 | |
Normally they're not even chat-up scenes. | 0:11:54 | 0:11:55 | |
Normally, in the romcoms they'll run into each other on the street. | 0:11:55 | 0:12:00 | |
Oh! Shit! | 0:12:00 | 0:12:02 | |
-Bugger! -God! -I'm so sorry. I'm so sorry. | 0:12:02 | 0:12:05 | |
Or start arguing over a cab. | 0:12:05 | 0:12:07 | |
Hallelujah! | 0:12:07 | 0:12:09 | |
Excuse me, this is my cab. | 0:12:09 | 0:12:11 | |
What, you own it? | 0:12:11 | 0:12:13 | |
No, but I'm about to rent it. | 0:12:13 | 0:12:14 | |
The initial meeting in romcom is not butterflies | 0:12:14 | 0:12:17 | |
and love at first sight. Never. | 0:12:17 | 0:12:20 | |
Oh, a man who doesn't believe in marriage. | 0:12:20 | 0:12:22 | |
I'm trying to point out the hypocrisy of the spectacle. | 0:12:22 | 0:12:24 | |
That's so noble of you. Do you also go around telling children | 0:12:24 | 0:12:27 | |
that Santa Claus doesn't exist? | 0:12:27 | 0:12:28 | |
Someone needs to blow that shit wide open. | 0:12:28 | 0:12:30 | |
What it basically tells the viewer is, if you meet someone | 0:12:30 | 0:12:33 | |
and you have a vitriolic hatred of them, for good reason... | 0:12:33 | 0:12:37 | |
..ignore your instincts, they're probably the one. | 0:12:39 | 0:12:41 | |
In a romantic comedy at least one person will be hiding | 0:12:41 | 0:12:44 | |
an inner tiger inside some frumpy clothes that have just got to go. | 0:12:44 | 0:12:49 | |
All change for the Hoff's hot movie makeovers. | 0:12:49 | 0:12:53 | |
-I've got an idea. Let's do a makeover. -Ohh! | 0:12:59 | 0:13:03 | |
No. No. | 0:13:03 | 0:13:05 | |
Come on, let us. | 0:13:05 | 0:13:07 | |
It's sort of the metamorphosis that we can go in | 0:13:07 | 0:13:09 | |
and become the butterfly that we all are. | 0:13:09 | 0:13:11 | |
# I'm going to be a supermodel... # | 0:13:11 | 0:13:14 | |
Every romcom has that moment where the woman goes wild, | 0:13:14 | 0:13:18 | |
spends all this money on make-up, looks fantastic, | 0:13:18 | 0:13:20 | |
looks 1 million and then everyone is like, | 0:13:20 | 0:13:22 | |
"Yes, she is really beautiful now." | 0:13:22 | 0:13:24 | |
# Like we did, like we did | 0:13:24 | 0:13:26 | |
# When we first met... # | 0:13:26 | 0:13:28 | |
It's the old thing, take the glasses off and the guy is like, | 0:13:28 | 0:13:31 | |
"Oh... Aren't you beautiful?" | 0:13:31 | 0:13:33 | |
# You wear those shoes and I will wear that dress | 0:13:33 | 0:13:36 | |
# Oh-oh, kiss me | 0:13:36 | 0:13:38 | |
# Beneath the milky twilight... # | 0:13:38 | 0:13:40 | |
Even if it doesn't fit into the narrative, put it in there. | 0:13:40 | 0:13:43 | |
Put a makeover in there. | 0:13:43 | 0:13:44 | |
Soon there'll be like a shopping section in romcoms | 0:13:44 | 0:13:46 | |
and a hair section. | 0:13:46 | 0:13:48 | |
That's what they like. | 0:13:48 | 0:13:49 | |
Is that sexist? | 0:13:49 | 0:13:51 | |
The best shopping montage, obviously Pretty Woman. | 0:13:51 | 0:13:54 | |
# Pretty woman, walking down the street | 0:13:54 | 0:13:58 | |
# Pretty woman, the kind I like to meet | 0:13:58 | 0:14:01 | |
# Pretty woman... # | 0:14:01 | 0:14:03 | |
If Richard Gere got his credit card out and said, | 0:14:03 | 0:14:05 | |
"Listen, you can spend an obscene amount of money," | 0:14:05 | 0:14:08 | |
I would absolutely squeal with joy. | 0:14:08 | 0:14:10 | |
How obscene an amount of money were you talking about, | 0:14:10 | 0:14:13 | |
just profane, or really offensive? | 0:14:13 | 0:14:16 | |
-Really offensive. -I like him so much. | 0:14:16 | 0:14:18 | |
Oh, what a love story. | 0:14:18 | 0:14:21 | |
A young prostitute gets picked up from the streets. | 0:14:21 | 0:14:24 | |
# ..you're not the truth | 0:14:24 | 0:14:26 | |
# No-one could look as good as you. # | 0:14:26 | 0:14:30 | |
She shows the women, "Hey, I may be a prostitute but now look at me, | 0:14:30 | 0:14:33 | |
"I've got nice clothes." | 0:14:33 | 0:14:34 | |
-I was in here yesterday. You wouldn't wait on me. -Oh... | 0:14:34 | 0:14:37 | |
-You work on commission, right? -Yes. | 0:14:37 | 0:14:41 | |
Big mistake. Big, huge. | 0:14:41 | 0:14:44 | |
I have to go shopping now. | 0:14:44 | 0:14:46 | |
A woman's makeover is exciting. | 0:14:46 | 0:14:49 | |
There's music and friends and, like, champagne and hair | 0:14:49 | 0:14:52 | |
and a man's makeover is just about, like, ripping hair from his body. | 0:14:52 | 0:14:56 | |
Aaaaaaggggghhh! Owwaaaooohhhh! | 0:14:56 | 0:14:59 | |
I hate you. I hate you. Stop smiling, you jerk. | 0:14:59 | 0:15:03 | |
You pussy. | 0:15:03 | 0:15:04 | |
It's quite nice to see a guy go through it for once. | 0:15:04 | 0:15:08 | |
It's really good to see the guy be the one that has to go | 0:15:08 | 0:15:10 | |
through the transformation and doesn't feel enough as he is. | 0:15:10 | 0:15:14 | |
Miki, you should burn in hell! | 0:15:14 | 0:15:16 | |
OK, all right, now, seriously, I think I'm done. | 0:15:16 | 0:15:19 | |
Ooh, I think we're done. I think that's good. Phew! | 0:15:19 | 0:15:24 | |
In every romcom, there's one moment we're waiting for. | 0:15:24 | 0:15:27 | |
It's the moment when David Hasselhoff rides up on a horse | 0:15:27 | 0:15:30 | |
and steals the girl. | 0:15:30 | 0:15:32 | |
I'm kidding. | 0:15:32 | 0:15:33 | |
I'm talking about the moment where a couple stare | 0:15:33 | 0:15:37 | |
into each other's eyes and kiss for the very first time. | 0:15:37 | 0:15:43 | |
Believe me, it harder than it looks, kissing a beautiful woman on camera. | 0:15:43 | 0:15:48 | |
That's why I always insist on doing at least 40 takes. | 0:15:48 | 0:15:53 | |
Pucker up, people. | 0:15:53 | 0:15:55 | |
Eight out of ten women believe that the first kiss will tell them | 0:15:59 | 0:16:02 | |
everything they need to know about a relationship. | 0:16:02 | 0:16:04 | |
The build-up to the perfect romcom kiss is very important | 0:16:04 | 0:16:08 | |
because we want to be right there with you. | 0:16:08 | 0:16:10 | |
The woman must go three quarters of the way | 0:16:13 | 0:16:18 | |
and then the man gets to go that final one quarter. | 0:16:18 | 0:16:21 | |
And then music has to happen. | 0:16:23 | 0:16:26 | |
MUSIC: "Take My Breath Away" by Berlin | 0:16:26 | 0:16:27 | |
# Watching every motion in my foolish lovers' game. # | 0:16:27 | 0:16:31 | |
-Where's that coming from? -Dan! | 0:16:31 | 0:16:33 | |
How in the fuck is Top Gun music playing? | 0:16:33 | 0:16:35 | |
There's a lot of face touching, isn't there, in romcoms, | 0:16:35 | 0:16:37 | |
when they first kiss? | 0:16:37 | 0:16:39 | |
It's a tough job but, yes, I had to kiss Hugh Grant. | 0:16:48 | 0:16:51 | |
And I was so excited about it. | 0:16:53 | 0:16:55 | |
I'm not going to lie. | 0:16:55 | 0:16:57 | |
I said to all my friends, "Guess what. | 0:16:57 | 0:16:59 | |
"For my job, I have to kiss Hugh Grant." | 0:16:59 | 0:17:02 | |
-What do we do now? -Smile. | 0:17:02 | 0:17:04 | |
A little bow. | 0:17:04 | 0:17:06 | |
CHEERING | 0:17:06 | 0:17:10 | |
And a wave. | 0:17:10 | 0:17:12 | |
Perhaps one of the best sort of anti-snogging-scene snogging scenes | 0:17:12 | 0:17:14 | |
is not a British movie, an American one - Annie Hall, | 0:17:14 | 0:17:18 | |
where Woody Allen decides | 0:17:18 | 0:17:19 | |
to formally get the awkwardness of the kiss out of the way. | 0:17:19 | 0:17:23 | |
-Hey, listen, listen. -What? -Give me a kiss. -Really? -Yeah, why not? | 0:17:23 | 0:17:27 | |
We're just going to go home later, right? And there's going to be | 0:17:27 | 0:17:30 | |
all that tension. We never kissed before and I'll never know when | 0:17:30 | 0:17:33 | |
to make the right move or anything. So we'll kiss now, get it over with | 0:17:33 | 0:17:36 | |
-then we'll go eat. OK? -Oh. -We'll digest our food better. -OK. | 0:17:36 | 0:17:39 | |
Tried that. Kicked in the bollocks. | 0:17:40 | 0:17:43 | |
Well, that's first base taken care of. | 0:17:43 | 0:17:46 | |
But in a good romcom you need heat between the leads | 0:17:46 | 0:17:50 | |
and you know the Hoff likes it when things get steamy. | 0:17:50 | 0:17:54 | |
Stand by, we're about to get...naked. | 0:17:54 | 0:17:57 | |
Can you...undo my zipper? | 0:18:04 | 0:18:06 | |
It gets stuck. | 0:18:06 | 0:18:08 | |
Did you just spank me? | 0:18:18 | 0:18:19 | |
-ALARM BELL RINGS -I guess I should...I should go, huh? | 0:18:19 | 0:18:23 | |
Night. | 0:18:26 | 0:18:27 | |
A romcom sex scene has got to be fumbly. | 0:18:31 | 0:18:33 | |
This is a very silly little dress | 0:18:33 | 0:18:36 | |
and these are... | 0:18:36 | 0:18:41 | |
Fuck me. Absolutely enormous pants. | 0:18:41 | 0:18:43 | |
(Jesus. Fuck.) | 0:18:43 | 0:18:45 | |
Sex scenes that have humour in them, I find hilarious. | 0:18:45 | 0:18:49 | |
Don't be embarrassed. | 0:18:49 | 0:18:50 | |
-I'm wearing something quite similar myself. Here, I'll show you. -No. | 0:18:50 | 0:18:55 | |
We all laugh at it. | 0:18:55 | 0:18:56 | |
We've all been in similar situations where we've kind of gone, "This is..." | 0:18:56 | 0:19:00 | |
Sex is funny. It's hilarious at times, you know. | 0:19:00 | 0:19:02 | |
-Oh, my God. You're really... Oh. -Oh. | 0:19:02 | 0:19:04 | |
SHE LAUGHS | 0:19:04 | 0:19:05 | |
It can't be too gory or too kind of graphic. | 0:19:05 | 0:19:07 | |
You can't have any fluids or anything flying around. That'd be too much. | 0:19:07 | 0:19:11 | |
Oh! OH! | 0:19:11 | 0:19:13 | |
Phil! | 0:19:18 | 0:19:19 | |
They came in so fast I didn't know where to go. | 0:19:19 | 0:19:22 | |
The best sex scene in a romcom is definitely Bridesmaids, | 0:19:22 | 0:19:25 | |
at the beginning, at the top of the film. I bought that film for my mum. | 0:19:25 | 0:19:29 | |
It was difficult to sit through that. It made me feel a bit awkward. | 0:19:29 | 0:19:33 | |
-That feel good? -Yeah. No. I want to go fast. -You want to go fast? -Fast. | 0:19:33 | 0:19:37 | |
Oh, oh, oh, ah, ah, ah. | 0:19:37 | 0:19:40 | |
It's Kristen Wiig's faces and noises, I think. | 0:19:40 | 0:19:43 | |
I don't think we've ever seen that in a...in a sex scene before. | 0:19:43 | 0:19:47 | |
SHE PANTS | 0:19:47 | 0:19:49 | |
Ugh, that is not how sex scenes should be, and that's what brilliant. | 0:19:49 | 0:19:54 | |
So, straightaway, you know these two are not meant to be. | 0:19:54 | 0:19:58 | |
Even though he's very attractive. | 0:19:58 | 0:19:59 | |
Wow, this is so awkward. I really want you to leave | 0:19:59 | 0:20:02 | |
but I don't know how to say it without sounding like a dick. | 0:20:02 | 0:20:04 | |
Oh. | 0:20:04 | 0:20:05 | |
You're not watching a classic romcom if our lovers don't fall out | 0:20:08 | 0:20:12 | |
like a pair of chimps fighting over a banana. | 0:20:12 | 0:20:14 | |
Yeah, a good row is an essential stop on the path to happiness. | 0:20:14 | 0:20:19 | |
One minute, love is in the air. | 0:20:19 | 0:20:21 | |
The next minute, it could be shoes, | 0:20:21 | 0:20:23 | |
crockery or the kind of language that would make a builder blush. | 0:20:23 | 0:20:27 | |
Brace yourself. | 0:20:28 | 0:20:30 | |
You can't take anything seriously. | 0:20:35 | 0:20:37 | |
You know, you didn't even read the baby books. | 0:20:37 | 0:20:39 | |
I didn't read the baby books(!) What's going to happen(?) | 0:20:39 | 0:20:42 | |
How did anyone ever give birth without a baby book(?) | 0:20:42 | 0:20:44 | |
That's right, the ancient Egyptians fucking engraved | 0:20:44 | 0:20:47 | |
What To Expect When You're Expecting | 0:20:47 | 0:20:49 | |
on the pyramid walls - I forgot about that(!) | 0:20:49 | 0:20:52 | |
The argument in a romcom, that's the action, | 0:20:52 | 0:20:54 | |
that's the adventure, that's the fight scene. | 0:20:54 | 0:20:57 | |
What the hell is wrong with you? | 0:20:57 | 0:20:58 | |
Nothing a front-page story can't cure. | 0:20:58 | 0:21:01 | |
Oh, so that's what this is all about. | 0:21:01 | 0:21:02 | |
Albert and Allegra on the front of your crap-ass newspaper. | 0:21:02 | 0:21:05 | |
-SHE GASPS -You put them there! -No, you did. | 0:21:05 | 0:21:07 | |
He did. The minute he called you. | 0:21:07 | 0:21:09 | |
It puts some peril in the film, I think. That's what you need. | 0:21:14 | 0:21:17 | |
You fooled me to win a bet and you should feel ashamed. | 0:21:17 | 0:21:20 | |
You took me to a God-damn Celine Dion concert. | 0:21:20 | 0:21:22 | |
You made me miss the big game. | 0:21:22 | 0:21:24 | |
Oh, smart guy's a rhymer. | 0:21:24 | 0:21:26 | |
# Well, do we want everybody to know your lovemaking is lame? # | 0:21:26 | 0:21:30 | |
Oh, maybe cos you named my penis, yeah, you named my penis. | 0:21:30 | 0:21:33 | |
# You named my penis after a dame! # | 0:21:33 | 0:21:37 | |
If they just got together and were happy, that's rubbish. | 0:21:37 | 0:21:39 | |
There has to be... HE GASPS | 0:21:39 | 0:21:41 | |
"Will they? Won't they? Oh, my God!" | 0:21:41 | 0:21:43 | |
-# Because you're -You're so vain | 0:21:43 | 0:21:45 | |
-# So -You're so vain | 0:21:45 | 0:21:47 | |
# Vain! # | 0:21:47 | 0:21:48 | |
Never in a romcom was there an argument about a mortgage. | 0:21:48 | 0:21:51 | |
-What do you want from me? -I don't want anything from you. -Fine. Fine. | 0:21:51 | 0:21:55 | |
But let's just get one thing straight. | 0:21:55 | 0:21:57 | |
I did not go over there that night to make love to you. | 0:21:57 | 0:21:59 | |
That is not why I went there. | 0:21:59 | 0:22:00 | |
But you looked up at me with big, weepy eyes - | 0:22:00 | 0:22:02 | |
"Don't go home tonight. Hold me a little longer, Harry." | 0:22:02 | 0:22:05 | |
What was I supposed to do? | 0:22:05 | 0:22:06 | |
-What are you saying, you took pity on me? -No, I was... -Fuck you. | 0:22:06 | 0:22:11 | |
Oh, yeah, you can slap the guy all you want in romcoms. | 0:22:11 | 0:22:14 | |
Yeah, go...go silly. | 0:22:14 | 0:22:15 | |
Ah. | 0:22:15 | 0:22:16 | |
Please, just... | 0:22:16 | 0:22:18 | |
If you had people of reasonable intelligence | 0:22:20 | 0:22:22 | |
and emotional, sort of, maturity, there would be no romcoms. | 0:22:22 | 0:22:28 | |
Now, when I'm watching a romcom, sooner or later, | 0:22:28 | 0:22:30 | |
I want a gesture of love. | 0:22:30 | 0:22:33 | |
And not just any gesture - | 0:22:33 | 0:22:36 | |
I want it big, I want it public. | 0:22:36 | 0:22:38 | |
You want the girl of your dreams, | 0:22:38 | 0:22:40 | |
you'd better pull out all the stops. | 0:22:40 | 0:22:42 | |
And I'm not talking flowers from the petrol station | 0:22:42 | 0:22:45 | |
and a bag of doughnuts. Oh, no. | 0:22:45 | 0:22:47 | |
When our movie Lothario realises he's been a fool, | 0:22:47 | 0:22:50 | |
there's only one thing that can turn it around - the PDA. | 0:22:50 | 0:22:55 | |
Public display of affection. | 0:22:55 | 0:22:58 | |
It's a race against time to stop the woman he loves | 0:22:59 | 0:23:01 | |
turning her back on him for ever, but will he make it? | 0:23:01 | 0:23:04 | |
So, at the end of a romcom, there needs to be the final big gesture. | 0:23:08 | 0:23:12 | |
I have a little favour I need from you. | 0:23:12 | 0:23:14 | |
Margaret's on that plane. I got to talk to her. Can you stop it? | 0:23:14 | 0:23:16 | |
You should try and stop the person that you love going somewhere. | 0:23:16 | 0:23:20 | |
-Where is she? -She quit. -She's got an interview in Washington. | 0:23:20 | 0:23:22 | |
-When's she leaving? -Today. -When? -Like, now. | 0:23:22 | 0:23:27 | |
It should be vehicle-based. | 0:23:27 | 0:23:29 | |
Andy! | 0:23:29 | 0:23:30 | |
"Oh, my God, there's just enough time. I can make it. I can make it." | 0:23:35 | 0:23:38 | |
And then they run. | 0:23:38 | 0:23:39 | |
-Oh, wish me luck. -Good luck, crazy girl. | 0:23:39 | 0:23:43 | |
Bloody hell, this is fun. | 0:23:48 | 0:23:51 | |
Sorry. | 0:23:51 | 0:23:52 | |
It has to be in a big place, in front of as many people as possible. | 0:23:52 | 0:23:55 | |
You've got to put your heart on the line and make sure | 0:23:55 | 0:23:57 | |
you look as stupid as possible. | 0:23:57 | 0:23:59 | |
I just wondered whether...if... | 0:23:59 | 0:24:01 | |
Mr Thacker realised he'd been a daft prick... | 0:24:01 | 0:24:05 | |
MURMURING | 0:24:05 | 0:24:07 | |
..and got down on his knees and begged you to reconsider, | 0:24:07 | 0:24:11 | |
whether you would, in fact, then reconsider. | 0:24:11 | 0:24:16 | |
Cos that does seem, to me, one of the more ridiculous | 0:24:17 | 0:24:20 | |
elements of a romcom and I think one of the most overplayed. | 0:24:20 | 0:24:23 | |
You said you wanted your life to be like a movie. | 0:24:23 | 0:24:25 | |
Sorry I had to use the real Grand Central instead of the fake one. | 0:24:25 | 0:24:29 | |
I never see anybody declaring their love in the middle of a train station. | 0:24:31 | 0:24:34 | |
It just doesn't happen. It doesn't happen. Don't believe it. | 0:24:34 | 0:24:37 | |
Just people asking for tickets, man. | 0:24:37 | 0:24:40 | |
But, you know, in real life, people'd just go, "Shut up." | 0:24:40 | 0:24:42 | |
You would just... They would ruin that moment. | 0:24:42 | 0:24:44 | |
CHEERING AND CAR HORN BEEPS | 0:24:46 | 0:24:49 | |
Friends of yours? | 0:24:51 | 0:24:52 | |
You don't want to deal with the reality of the situation of life, | 0:24:52 | 0:24:55 | |
you want to escape into these worlds of perfect love, | 0:24:55 | 0:24:58 | |
and that's what makes great romcoms, is that it's something that's just, | 0:24:58 | 0:25:02 | |
just barely realistic enough for you to imagine it happening to you. | 0:25:02 | 0:25:06 | |
Every girl wants this kind of big gesture | 0:25:13 | 0:25:16 | |
and a man to put everything on the line for her | 0:25:16 | 0:25:18 | |
but then as soon as you do they just think you're creepy. | 0:25:18 | 0:25:21 | |
So, there it is, Britain. That is how to win a girl's heart | 0:25:21 | 0:25:25 | |
without being the star of the most watched TV show of all time. | 0:25:25 | 0:25:29 | |
But which romantic comedy does the Hoff most like to watch | 0:25:29 | 0:25:32 | |
when he turns off his phone and kicks back? | 0:25:32 | 0:25:35 | |
Well, for me, it's got to be | 0:25:35 | 0:25:37 | |
the clumsy English rose whose pants are as big as her heart. | 0:25:37 | 0:25:40 | |
Yeah, the Hoff's best romcom film ever is the one and only... | 0:25:40 | 0:25:44 | |
..Bridget Jones's Diary. | 0:25:47 | 0:25:48 | |
Bridget Jones's diary is the ultimate. | 0:25:51 | 0:25:53 | |
Love Bridget. | 0:25:53 | 0:25:54 | |
-TUNELESSLY: -# I can't live | 0:25:54 | 0:25:57 | |
# If living is without you. # | 0:25:57 | 0:26:01 | |
-Why is it called Bridget Jones? -That's her name. -Right. | 0:26:01 | 0:26:05 | |
-My little Bridget. -Hi, Uncle Geoffrey. | 0:26:05 | 0:26:10 | |
It just has every ingredient for the perfect romcom. | 0:26:10 | 0:26:13 | |
She's 30-something, | 0:26:13 | 0:26:15 | |
she's single, she's, you know, | 0:26:15 | 0:26:17 | |
watching all her friends couple up around her. | 0:26:17 | 0:26:19 | |
You really ought to hurry up and get sprogged up, you know, old girl. | 0:26:19 | 0:26:23 | |
-Time's a-running out. Tick-tock. -Yes, yes. | 0:26:23 | 0:26:28 | |
Every girl has watched that and thought, "I've been her." | 0:26:28 | 0:26:31 | |
-ANSWERING MACHINE: -You have no messages. | 0:26:31 | 0:26:33 | |
I've woken up hungover | 0:26:33 | 0:26:35 | |
on New Year's Day and written in my diary, | 0:26:35 | 0:26:38 | |
"I'm not doing any of this again." | 0:26:38 | 0:26:40 | |
'And not continue to form romantic attachments to | 0:26:40 | 0:26:42 | |
'any of the following - alcoholics, workaholics, commitment-phobics, | 0:26:42 | 0:26:45 | |
'peeping Toms, megalomaniacs, emotional fuckwits or perverts.' | 0:26:45 | 0:26:49 | |
I think the honesty of it is the real appeal. | 0:26:49 | 0:26:51 | |
'Suddenly feel like screen goddess in manner of Grace Kelly.' | 0:26:52 | 0:26:56 | |
Because she is so loveable and smart and funny in that film, it is | 0:26:59 | 0:27:02 | |
actually perfectly feasible that | 0:27:02 | 0:27:04 | |
two men such as Hugh Grant and Colin Firth | 0:27:04 | 0:27:07 | |
would be in love with this wonderful, normal woman. | 0:27:07 | 0:27:10 | |
I like you very much. Just as you are. | 0:27:10 | 0:27:13 | |
It means that there is hope out there for the rest of us. | 0:27:15 | 0:27:18 | |
She gets the guy so... | 0:27:22 | 0:27:24 | |
Wait a minute. Nice boys don't kiss like that. | 0:27:24 | 0:27:28 | |
Oh, yes, they fucking do. | 0:27:28 | 0:27:30 | |
Well, it's getting late. I'd better call a cab. | 0:27:38 | 0:27:42 | |
Please don't ask me to stay. | 0:27:43 | 0:27:44 | |
I've...been hurt too many times before. | 0:27:44 | 0:27:47 | |
Till we meet again, let us not say, "Goodbye." | 0:27:49 | 0:27:53 | |
Let us say, "Au revoir." | 0:27:53 | 0:27:56 | |
This is the Hoff signing off. | 0:27:58 | 0:28:01 | |
Subtitles by Red Bee Media Ltd | 0:28:09 | 0:28:12 |