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Hi. I'm David Hasselhoff | 0:00:00 | 0:00:01 | |
and I know everything there is to know about great movies. | 0:00:01 | 0:00:05 | |
I've been in horrors, rom-coms, | 0:00:05 | 0:00:07 | |
sports movies, dance movies, action movies. | 0:00:07 | 0:00:09 | |
You name it, I've done it. | 0:00:09 | 0:00:11 | |
And today, I'm going to take your brain to another dimension. | 0:00:11 | 0:00:15 | |
Welcome to The Hoffice. | 0:00:30 | 0:00:33 | |
Please sit down, but don't get too comfortable. | 0:00:33 | 0:00:36 | |
This desk has to be back in Hugh Hefner's mansion in two hours. | 0:00:36 | 0:00:39 | |
In this episode of The Hoff's Best Films Ever, | 0:00:39 | 0:00:43 | |
we're going to visit the only place I know | 0:00:43 | 0:00:45 | |
that's bigger than my profile in Germany. | 0:00:45 | 0:00:48 | |
Space! | 0:00:48 | 0:00:49 | |
As I reveal to you The Hoff's Best Sci-fi Film Ever. | 0:00:49 | 0:00:53 | |
Ten... Nine... Eight... | 0:00:53 | 0:00:55 | |
OK, OK, that's enough. Roll it! | 0:00:55 | 0:00:58 | |
As we travel through time, we'll meet creatures that are not of this world. | 0:00:59 | 0:01:04 | |
That little bugger! | 0:01:07 | 0:01:09 | |
Out with his tongue ball. Eugh! | 0:01:10 | 0:01:13 | |
We'll find out what kind of hero a good sci-fi film needs. | 0:01:13 | 0:01:17 | |
If you can kick alien ass, you're cool! | 0:01:18 | 0:01:20 | |
Get away from her, you bitch! | 0:01:20 | 0:01:23 | |
We'll hang out with everyone's favourite sci-fi invention, | 0:01:24 | 0:01:27 | |
the robot. | 0:01:27 | 0:01:28 | |
I am a robot. Look at me. Fight the power! | 0:01:29 | 0:01:32 | |
We'll see exactly what kind of weapons you need to survive | 0:01:34 | 0:01:38 | |
in a sci-fi world. | 0:01:38 | 0:01:39 | |
They dream up wonderful ways in which to kill people. | 0:01:41 | 0:01:44 | |
My favourite. | 0:01:46 | 0:01:48 | |
We'll answer the question, "What should I wear?" | 0:01:48 | 0:01:50 | |
We used to have three-quarter-length jackets. | 0:01:50 | 0:01:53 | |
Like cheap leather. Plastic leather - pleather! | 0:01:53 | 0:01:56 | |
I could see you in that outfit, man! | 0:01:56 | 0:01:59 | |
And we'll do it all in the best form of transport ever, a spaceship. | 0:01:59 | 0:02:04 | |
The best sci-fi spaceship is definitely Minn... Minn... Minnellium Falcon. | 0:02:04 | 0:02:07 | |
Millellium Falcon. | 0:02:09 | 0:02:11 | |
The thing from Star Wars! | 0:02:12 | 0:02:14 | |
Cool! But believe me, none of it means anything | 0:02:15 | 0:02:19 | |
if you don't create a world the audience can believe in. | 0:02:19 | 0:02:22 | |
I should know. I made Starcrash! | 0:02:22 | 0:02:25 | |
When do we reach the floating city? | 0:02:25 | 0:02:27 | |
-Less than two minutes. -I'll check the docking facilities. | 0:02:27 | 0:02:31 | |
Right. | 0:02:31 | 0:02:32 | |
'A movie set in a third dimension | 0:02:33 | 0:02:35 | |
'where the Emperor of the galaxy's son was called Simon!' | 0:02:35 | 0:02:39 | |
Don't ask! | 0:02:39 | 0:02:40 | |
Thankfully, many other directors have spent millions | 0:02:40 | 0:02:43 | |
building huge sets perfecting CGI and crafting landscapes | 0:02:43 | 0:02:46 | |
that have left kids - and let's face it, geeks - all over the world | 0:02:46 | 0:02:50 | |
wide-eyed with wonder! | 0:02:50 | 0:02:52 | |
'The best thing about sci-fi is the outer world.' | 0:02:59 | 0:03:02 | |
There's something different, mysterious. | 0:03:02 | 0:03:05 | |
Going places and discovering things you never thought you'd see | 0:03:05 | 0:03:08 | |
or experience ever. | 0:03:08 | 0:03:11 | |
My favourite sci-fi world from childhood has to be Star Wars. | 0:03:11 | 0:03:15 | |
Star Wars set the bar so high. | 0:03:16 | 0:03:19 | |
You've got everything you need. | 0:03:19 | 0:03:21 | |
The bar scene in the first Star Wars, | 0:03:21 | 0:03:24 | |
it's just genius. It's funny. | 0:03:24 | 0:03:27 | |
You've got all the aliens playing their "toot-toot!" | 0:03:27 | 0:03:30 | |
Brilliant. | 0:03:30 | 0:03:32 | |
Avatar world, oh, my goodness. | 0:03:32 | 0:03:33 | |
I saw that in 3D. Best 3D movie ever. | 0:03:33 | 0:03:36 | |
I felt like that was a holiday for me! | 0:03:36 | 0:03:39 | |
When I was watching it in 3D, I was there. I was at Pandora. | 0:03:41 | 0:03:44 | |
When the film ended, I was sad | 0:03:44 | 0:03:46 | |
and angry. | 0:03:46 | 0:03:48 | |
And I wanted to go back to Pandora, and I wanted to be blue! | 0:03:48 | 0:03:51 | |
The Matrix is just my favourite sci-fi world, definitely. | 0:04:01 | 0:04:05 | |
Welcome to the desert of the real. | 0:04:10 | 0:04:15 | |
Films like Alien and Blade Runner. | 0:04:18 | 0:04:21 | |
The way that the future is manifested | 0:04:21 | 0:04:24 | |
is actually quite dark and grubby | 0:04:24 | 0:04:27 | |
and dingy, and quite industrial. | 0:04:27 | 0:04:29 | |
It's a very bleak view of the future. | 0:04:29 | 0:04:32 | |
The detail from top to bottom in this imagined world | 0:04:32 | 0:04:37 | |
is superb - just slightly off kilter. | 0:04:37 | 0:04:39 | |
I will watch Planet of the Apes movies before I'll breathe. | 0:04:39 | 0:04:45 | |
I think it's amazing. | 0:04:46 | 0:04:50 | |
When you first see the apes in the field, | 0:04:51 | 0:04:53 | |
and that music, "Raa! Raa!" | 0:04:53 | 0:04:56 | |
And then the apes show their faces! | 0:04:56 | 0:04:58 | |
That is pant-shittingly great! | 0:04:58 | 0:05:01 | |
Can I say "pants"? | 0:05:04 | 0:05:05 | |
Now it's time to meet the guys from outer space. | 0:05:05 | 0:05:08 | |
In sci-fi, aliens come in all shapes and sizes. | 0:05:08 | 0:05:12 | |
Fat and slug-like, green and slimy, bug-eyed, leathery, poisonous. | 0:05:12 | 0:05:18 | |
Kind of like my agents and managers. | 0:05:18 | 0:05:21 | |
But whatever they look like, the most important thing | 0:05:21 | 0:05:23 | |
is for them to be a little like me - | 0:05:23 | 0:05:26 | |
unforgettable! | 0:05:26 | 0:05:28 | |
Here's the stomach. | 0:05:38 | 0:05:39 | |
Paul and E.T. are up there for me. | 0:05:45 | 0:05:47 | |
-Are you an alien?! -To you I am, yes. | 0:05:47 | 0:05:50 | |
-Are you going to probe us? -Why does everyone assume that? What am I doing? | 0:05:50 | 0:05:53 | |
-Am I harvesting farts? How much can I learn from an arse? -Wh... What?! | 0:05:53 | 0:05:57 | |
He finds himself in this world where he's just trying to be one of the guys. | 0:05:57 | 0:06:02 | |
He likes a bit of Prodigy. He likes a smoke. | 0:06:02 | 0:06:06 | |
-'What does that mean?' -It means healing, Mr Spielberg. | 0:06:06 | 0:06:09 | |
-'Yeah, right! Healing.' -OK. | 0:06:09 | 0:06:11 | |
'Like if I touch her or something. Like his finger at the end, when he reaches out and touches?' | 0:06:11 | 0:06:16 | |
Maybe. You know, sometimes I find less is more. | 0:06:16 | 0:06:18 | |
'Hey - trust me.' | 0:06:18 | 0:06:20 | |
Films sort of stick to the template of what aliens look like. | 0:06:20 | 0:06:24 | |
The long hair, the weird eyes. | 0:06:24 | 0:06:26 | |
Spielberg came along. "No, I'll make my own alien." | 0:06:26 | 0:06:28 | |
I'll...be...right...here. | 0:06:30 | 0:06:36 | |
Looked like a loaf of bread on top of a fork, basically! | 0:06:37 | 0:06:40 | |
'E.T. would have been a very different movie' | 0:06:42 | 0:06:44 | |
if it was the alien from Alien had come down! | 0:06:44 | 0:06:46 | |
And instead, when he injured his finger | 0:06:46 | 0:06:48 | |
he'd bit it off and impregnated his mum with his offspring! | 0:06:48 | 0:06:51 | |
# Dee-diddly-dee... Kapow! # | 0:06:53 | 0:06:55 | |
That little thing, crab-looking spider-like, hand-looking | 0:06:57 | 0:07:02 | |
nastiness with the towel. | 0:07:02 | 0:07:05 | |
That is nasty. I don't like that. | 0:07:05 | 0:07:07 | |
I don't think they should ever put that in the film. They went too far. | 0:07:07 | 0:07:11 | |
It doesn't really have a name. | 0:07:12 | 0:07:14 | |
Aghh! | 0:07:14 | 0:07:15 | |
They've called it Alien, so they've taken the best name. What can you call any other alien? | 0:07:15 | 0:07:19 | |
This kind of really creepy, weirdly sexual beast, | 0:07:21 | 0:07:26 | |
dripping with slime with this kind of phallic head | 0:07:26 | 0:07:30 | |
that punches out of John Hurt's chest. | 0:07:30 | 0:07:32 | |
'That thing with the little teeth.' | 0:07:32 | 0:07:34 | |
It just shows you it's quality, not quantity. | 0:07:34 | 0:07:39 | |
That little bugger! | 0:07:41 | 0:07:43 | |
The brilliant scene where the egg in Alien, when John Hurt goes to look in the egg. | 0:07:45 | 0:07:52 | |
And you see just through the shell | 0:07:52 | 0:07:54 | |
something moving in there, which is this face-hugger! | 0:07:54 | 0:07:57 | |
I've heard it's Ridley Scott's hand in a pair of rubber gloves! | 0:07:57 | 0:08:01 | |
Just inside, wiggling them around! | 0:08:01 | 0:08:04 | |
The best alien in a sci-fi film is Jabba the Hutt. | 0:08:04 | 0:08:09 | |
With his tongue. Eugh! | 0:08:09 | 0:08:11 | |
It's grotesque. He's grotesque! | 0:08:11 | 0:08:14 | |
But really scary! | 0:08:14 | 0:08:16 | |
EVIL CHUCKLE | 0:08:16 | 0:08:18 | |
Great sci-fi films need great spaceships. | 0:08:22 | 0:08:25 | |
Whether you're an alien or an android, getting from A to B in space isn't easy, | 0:08:25 | 0:08:30 | |
especially when B is 200 billion light years away! | 0:08:30 | 0:08:33 | |
That's why you'd better make sure you've got yourself a serious set of boosters | 0:08:33 | 0:08:38 | |
because if you haven't got hyper-speed and target-locking lasers, | 0:08:38 | 0:08:43 | |
you are going nowhere, my friend! | 0:08:43 | 0:08:46 | |
Get ready for blast-off! | 0:08:46 | 0:08:49 | |
The best sci-fi spaceship is definitely Minn... Minn... Millellium Falcon. | 0:09:06 | 0:09:10 | |
I can never say that! Millellium Falcon. | 0:09:10 | 0:09:12 | |
That thing. The thing from Star Wars. | 0:09:12 | 0:09:14 | |
She's almost like a character in the film itself. | 0:09:16 | 0:09:19 | |
The kind of affection and love that Han Solo feels for this thing. | 0:09:20 | 0:09:24 | |
She may not look like much, but she's got it where it counts! | 0:09:24 | 0:09:27 | |
He treats it like his lover, | 0:09:27 | 0:09:30 | |
the way he talks if anyone touches it. | 0:09:30 | 0:09:32 | |
I've made a lot of special modifications myself. | 0:09:32 | 0:09:35 | |
Because I was so obsessed with him, I've never wanted to be a spaceship so much in my entire life! | 0:09:35 | 0:09:42 | |
I've always had a soft spot for the Starship Enterprise. | 0:09:45 | 0:09:48 | |
'Space - the final frontier. | 0:09:48 | 0:09:52 | |
'These are the voyages of the Starship Enterprise.' | 0:09:53 | 0:09:57 | |
Just because there are so many worlds within this one ship. | 0:09:57 | 0:10:00 | |
You can't even contemplate how enormous it must be. | 0:10:00 | 0:10:03 | |
What I like about the Enterprise is it seems all human life is here. | 0:10:07 | 0:10:12 | |
Well, all human and alien life is here. | 0:10:12 | 0:10:14 | |
It's almost like a heavenly, Eden-like place | 0:10:14 | 0:10:17 | |
where everybody from lots of different races and planets | 0:10:17 | 0:10:20 | |
can all hang out together, mingle together and work together. | 0:10:20 | 0:10:23 | |
Oh, my God! | 0:10:23 | 0:10:25 | |
'When I think about movie spaceships, | 0:10:25 | 0:10:27 | |
'I have to think about the Close Encounters mother ship.' | 0:10:27 | 0:10:30 | |
This amazing living city in the sky | 0:10:30 | 0:10:32 | |
that swoops over Devil's Tower at the end. | 0:10:32 | 0:10:35 | |
It's a model. No CG, all model. | 0:10:35 | 0:10:39 | |
It's just absolutely amazing. | 0:10:39 | 0:10:40 | |
Oh, my God! | 0:10:40 | 0:10:43 | |
'It's meant to fill you with awe. It's got lots of lights,' | 0:10:46 | 0:10:49 | |
amazing five-note sequence that it responds to. | 0:10:49 | 0:10:53 | |
FIVE MUSICAL NOTES | 0:10:53 | 0:10:56 | |
Most sci-fi films are visually amazing, | 0:10:58 | 0:11:00 | |
but you can't just rock up on a blue planet with six moons | 0:11:00 | 0:11:03 | |
in a pair of jeans and a hoodie! | 0:11:03 | 0:11:05 | |
The good news is, even if you look like Jabba the Hutt, | 0:11:05 | 0:11:08 | |
you can get anywhere if you're dressed right. | 0:11:08 | 0:11:11 | |
Sci-fi movies have given us some of the most far-out fashions | 0:11:11 | 0:11:14 | |
in the history of the universe. | 0:11:14 | 0:11:16 | |
Strike a pose. It's time for The Hoff to introduce | 0:11:16 | 0:11:19 | |
sci-fi's next top model! | 0:11:19 | 0:11:22 | |
# You keep sayin' you've got somethin' for me... # | 0:11:30 | 0:11:34 | |
Sci-fi fashion is incredibly difficult to get right. | 0:11:34 | 0:11:37 | |
You usually end up running around in silver jumpsuits! | 0:11:37 | 0:11:40 | |
Do you like your quasi-futuristic clothes, Mr Powers? | 0:11:40 | 0:11:43 | |
I designed them myself. | 0:11:43 | 0:11:46 | |
Why silver? Is it some reflective property that makes it good? | 0:11:46 | 0:11:51 | |
In Blade Runner, they did a clever thing of having a mix of different fashions | 0:11:57 | 0:12:02 | |
and quite eclectic looks that everyone had. | 0:12:02 | 0:12:04 | |
It seems believable even now, | 0:12:04 | 0:12:06 | |
even though it was made in 1981, '82. | 0:12:06 | 0:12:08 | |
There seems to be a lot of leather going on in the future. | 0:12:08 | 0:12:11 | |
I think The Matrix is the most stylish sci-fi film. | 0:12:13 | 0:12:17 | |
We used to have three-quarter-length jackets. | 0:12:19 | 0:12:21 | |
I'm not joking. This is a true story. | 0:12:21 | 0:12:23 | |
They weren't leather, though. It was cheap leather. Plastic leather - pleather! | 0:12:23 | 0:12:28 | |
..that I would find The One. | 0:12:29 | 0:12:31 | |
-The Fifth Element... -..was weird. | 0:12:31 | 0:12:32 | |
The outfits in The Fifth Element were so weird! | 0:12:32 | 0:12:35 | |
-I mean, Chris Tucker! -I can see you in that outfit, man! | 0:12:35 | 0:12:38 | |
# All night long, all night... # | 0:12:38 | 0:12:41 | |
I think fashion in sci-fi, when they try too hard, can go wrong. | 0:12:44 | 0:12:47 | |
When they try to make everyone look really futuristic. | 0:12:47 | 0:12:50 | |
'When are we going to be able to have fat days in the future?' | 0:12:52 | 0:12:54 | |
When can you have a bloat from gluten? | 0:12:54 | 0:12:57 | |
Everything is like second skin! | 0:12:57 | 0:13:00 | |
I hate that about future films. | 0:13:00 | 0:13:02 | |
It panics me about what I'll do in the future! | 0:13:02 | 0:13:04 | |
What happens at Christmas when you gain a few pounds? | 0:13:04 | 0:13:07 | |
When you gain an extra ass? | 0:13:07 | 0:13:09 | |
You can't do that! Nothing is hidden in the future! | 0:13:09 | 0:13:11 | |
I think The Day the Earth Stood Still | 0:13:13 | 0:13:15 | |
was very much like an outfit that you could pee in. | 0:13:15 | 0:13:18 | |
I think that's why you have those space outfits. | 0:13:18 | 0:13:22 | |
You can just basically let loose. | 0:13:22 | 0:13:23 | |
You may not know it, but The Hoff knows all about science. | 0:13:29 | 0:13:32 | |
E, for example, = MC squared. | 0:13:32 | 0:13:35 | |
And I'll send you a signed photo if you can prove me wrong. | 0:13:35 | 0:13:38 | |
But, in the world of sci-fi, | 0:13:38 | 0:13:40 | |
things are different. | 0:13:40 | 0:13:42 | |
Cos in the movies, science is made up. | 0:13:42 | 0:13:46 | |
And if you think making up science that sounds realistic is easy, | 0:13:46 | 0:13:49 | |
then you never disengaged the flexar monitor on a Phaseoid TC-20. | 0:13:49 | 0:13:54 | |
Avatar has a lot of sci-fi babble. | 0:13:59 | 0:14:01 | |
What we think we know is that there is some kind of electro-chemical communication | 0:14:01 | 0:14:06 | |
between the roots of the trees, | 0:14:06 | 0:14:08 | |
like the synapses between neurons. | 0:14:08 | 0:14:10 | |
And each tree has ten to the fourth connections to the trees around it. | 0:14:10 | 0:14:15 | |
And there are ten to the 12th trees on Pandora. | 0:14:15 | 0:14:18 | |
There is a tendency that you can kind of explain, | 0:14:18 | 0:14:23 | |
try and explain anything away, | 0:14:23 | 0:14:26 | |
with just kind of made-up science. | 0:14:26 | 0:14:29 | |
It's a network. It's a global network | 0:14:29 | 0:14:32 | |
and the Na'vi can access it. | 0:14:32 | 0:14:34 | |
They can upload and download data, | 0:14:34 | 0:14:36 | |
memories, at sites like the one you just destroyed. | 0:14:36 | 0:14:40 | |
Yes! | 0:14:40 | 0:14:42 | |
What the hell have you people been smoking out there? | 0:14:42 | 0:14:46 | |
-Anything to do with Star Trek... -Right. -..has a ridiculous amount of babble in it. | 0:14:47 | 0:14:51 | |
How in the hell did they do that? Where did the Romulans get that kind of weaponry? | 0:14:51 | 0:14:55 | |
The engineering necessary to artificially create a black hole | 0:14:55 | 0:14:59 | |
may suggest an answer. | 0:14:59 | 0:15:01 | |
Such technology could theoretically be manipulated to create a tunnel through space/time. | 0:15:01 | 0:15:05 | |
Dammit, man, I'm a doctor, not a physicist! | 0:15:05 | 0:15:07 | |
They don't have the science worked out, but someone pops up in a white suit. | 0:15:07 | 0:15:10 | |
The grey flesh encasing it is organic material. | 0:15:10 | 0:15:13 | |
Some kind of bio-engineered space suit. | 0:15:13 | 0:15:15 | |
If it's a woman, it's someone who is probably model pretty. | 0:15:15 | 0:15:18 | |
They'll just blind you with science. | 0:15:18 | 0:15:19 | |
Which makes sense, given the placenta is a life-support system. | 0:15:19 | 0:15:22 | |
Basically, in order to survive in our environment, | 0:15:22 | 0:15:25 | |
the being had to be born here. | 0:15:25 | 0:15:27 | |
They'll throw loads of fancy words at you, but it still doesn't make a lick of sense! | 0:15:27 | 0:15:31 | |
To make an alteration in the evolvement of an organic life system is fatal. | 0:15:31 | 0:15:36 | |
A coding sequence cannot be revised once it's been established. | 0:15:36 | 0:15:40 | |
If they could explain them, they would have made them by now. | 0:15:40 | 0:15:43 | |
So why try and explain it? You can't. If you could, someone would have made it. | 0:15:43 | 0:15:49 | |
That is the paradox of science fiction! | 0:15:49 | 0:15:52 | |
When we're talking of science fiction films, | 0:15:52 | 0:15:54 | |
we have to talk about robots. | 0:15:54 | 0:15:56 | |
They started off as a bit of harmless fun. | 0:15:56 | 0:15:59 | |
Hell, I even used one in my car. | 0:15:59 | 0:16:01 | |
Now they've started asking us | 0:16:01 | 0:16:04 | |
why we have an unexpected item in the bagging area | 0:16:04 | 0:16:07 | |
when we're trying to buy milk! | 0:16:07 | 0:16:09 | |
If that isn't going too far, then I am not the number one TV star in history. | 0:16:09 | 0:16:13 | |
But don't say the movie robots didn't warn us. | 0:16:13 | 0:16:17 | |
Those crazy little tin men have been causing trouble | 0:16:17 | 0:16:19 | |
since cameras started rolling! | 0:16:19 | 0:16:21 | |
-AS A ROBOT: -Engage the Hoff-bot! | 0:16:21 | 0:16:23 | |
So you've got androids, cyborgs and robots. | 0:16:37 | 0:16:42 | |
Like different breeds of dogs. | 0:16:42 | 0:16:43 | |
I think we like robots for two reasons. | 0:16:50 | 0:16:52 | |
One because we want servants! | 0:16:52 | 0:16:55 | |
We want servants that are pliable and will do whatever we ask them to do | 0:16:55 | 0:16:58 | |
and robots in movies tend to do that. | 0:16:58 | 0:16:59 | |
-COOL ROBOT VOICE: -Shall I finish cutting your hair later? | 0:16:59 | 0:17:02 | |
No, let's finish this. | 0:17:02 | 0:17:04 | |
C-3PO and R2-D2 are a cute little buddy couple, aren't they? | 0:17:06 | 0:17:10 | |
Surrender is a perfectly acceptable alternative in extreme circumstances. | 0:17:10 | 0:17:13 | |
The Empire may be... CUTS OUT | 0:17:13 | 0:17:15 | |
-C-3PO was ghastly. -In Short Circuit, there's Johnny 5. Everyone remembers that. | 0:17:15 | 0:17:22 | |
Malfunction. Need input. | 0:17:22 | 0:17:25 | |
-Input?! -He just sort of waddled around, whining the whole time. | 0:17:25 | 0:17:30 | |
You just wanted to see him destroyed. | 0:17:30 | 0:17:33 | |
No! No disassemble! No disassemble Number 5! | 0:17:33 | 0:17:36 | |
If you watch Wall-E, he does have a similar body shape to Johnny 5, | 0:17:36 | 0:17:42 | |
but Wall-E would kick Johnny 5's ass | 0:17:42 | 0:17:44 | |
up and down the street happily. | 0:17:44 | 0:17:47 | |
I love robotic reminders of ourselves, as well, | 0:17:47 | 0:17:49 | |
so I love Robocop. | 0:17:49 | 0:17:51 | |
He's a husk of a man. He's been shot to ribbons by the bad guys. | 0:17:55 | 0:17:59 | |
So they put his body, I think half of his body, into a metal torso | 0:18:00 | 0:18:04 | |
that keeps him alive, just about. | 0:18:04 | 0:18:06 | |
WOMAN CRIES | 0:18:06 | 0:18:08 | |
-Let the woman go. You are under arrest. -Shit! | 0:18:08 | 0:18:11 | |
He has a computer memory and a human memory, and they fight for supremacy in his mind. | 0:18:11 | 0:18:16 | |
He's an incredibly cool character. | 0:18:20 | 0:18:21 | |
MAN SCREAMS IN AGONY | 0:18:25 | 0:18:27 | |
Your move, creep! | 0:18:29 | 0:18:31 | |
I like the humanoid robot's end. | 0:18:31 | 0:18:33 | |
The straight up, "I am a robot. Look at me. Fight the power!" | 0:18:33 | 0:18:38 | |
Ash! | 0:18:38 | 0:18:39 | |
Robots in films, as long as they have white blood, | 0:18:41 | 0:18:46 | |
which is gross and horrible, | 0:18:46 | 0:18:47 | |
I think that qualifies for a robot. You don't need to act like a robot. | 0:18:47 | 0:18:50 | |
-Mr Lawrence? -Yes. | 0:18:50 | 0:18:52 | |
Michael Fassbender's robot, David, in Prometheus, is probably the best. | 0:18:52 | 0:18:58 | |
I was designed like this because you people are more comfortable interacting with your own kind. | 0:18:58 | 0:19:04 | |
He's trying so hard to be accepted, | 0:19:04 | 0:19:07 | |
even though he will never be accepted because he's a robot. | 0:19:07 | 0:19:10 | |
If I didn't wear the suit, it would defeat the purpose. | 0:19:10 | 0:19:14 | |
-Making you guys pretty close, huh? -Not too close, I hope. | 0:19:14 | 0:19:18 | |
Of course, the thing we really care about in a sci-fi movie | 0:19:20 | 0:19:23 | |
is the hero or heroine. | 0:19:23 | 0:19:25 | |
I mean, girls kill stuff, too. | 0:19:25 | 0:19:28 | |
But a sci-fi hero is a very specific kind of beast. | 0:19:28 | 0:19:31 | |
They have to be able to pilot any kind of spacecraft | 0:19:31 | 0:19:35 | |
without looking in the instruction manual! | 0:19:35 | 0:19:37 | |
And look hot doing kung fu in pleather! | 0:19:37 | 0:19:40 | |
So, who's my perfect sci-fi hero? | 0:19:40 | 0:19:43 | |
Guess who's going to be a bit of a rogue in there, with your sci-fi hero? | 0:19:47 | 0:19:52 | |
-You need gas? -Been here long? | 0:19:54 | 0:19:57 | |
'They need to be special, somehow.' | 0:19:57 | 0:19:58 | |
They need to be able to do something that other people in the film can't do. | 0:19:58 | 0:20:03 | |
Bruce Willis is the best action hero ever, | 0:20:07 | 0:20:11 | |
but can do sci-fi incredibly well. | 0:20:11 | 0:20:13 | |
Because it's exactly the same except instead of shooting people, he's shooting aliens! | 0:20:13 | 0:20:19 | |
One of my favourite sci-fi movie heroes is Arnold Schwarzenegger in Terminator 2: Judgment Day. | 0:20:21 | 0:20:28 | |
My mission is to protect you. | 0:20:28 | 0:20:30 | |
Yeah? Who sent you? | 0:20:30 | 0:20:33 | |
You did. | 0:20:33 | 0:20:35 | |
We don't necessarily like our heroes to be too sort of invincible. | 0:20:35 | 0:20:39 | |
The fact is that he's got to protect this essentially helpless child. | 0:20:41 | 0:20:46 | |
So that's where the vulnerability comes from. | 0:20:46 | 0:20:48 | |
So we don't need it in the hero. The hero can be completely bad ass! | 0:20:48 | 0:20:51 | |
One of my favourite sci-fi heroes is Neo from The Matrix. | 0:20:56 | 0:21:00 | |
Neo from The Matrix is the science fiction version of Superman. | 0:21:06 | 0:21:10 | |
He can fly, he's strong. | 0:21:10 | 0:21:12 | |
Someone who can defeat anything and anyone with the power of his mind! | 0:21:13 | 0:21:19 | |
If you look at Star Wars, you've got two heroes, really. | 0:21:21 | 0:21:23 | |
You've got Luke and Han, and they're completely different people. | 0:21:23 | 0:21:26 | |
-I'm not going anywhere! -They're going to execute her! | 0:21:26 | 0:21:30 | |
You said you didn't want to wait and be captured. Now you want to stay? | 0:21:30 | 0:21:32 | |
Marching into the detention area is not what I had in mind! | 0:21:32 | 0:21:35 | |
-But they're going to kill her! -Better her than me! | 0:21:35 | 0:21:38 | |
You always thought Han was the brave one, but in the end, Luke came good. | 0:21:38 | 0:21:43 | |
A lot of times, like Luke Skywalker, they're the reluctant heroes. | 0:21:47 | 0:21:51 | |
They don't want to do it, | 0:21:51 | 0:21:53 | |
but they wind up saving the Earth. | 0:21:53 | 0:21:55 | |
What a bonus! I bet he gets laid! | 0:21:55 | 0:21:58 | |
'Remember, The Force will be with you, always.' | 0:21:58 | 0:22:02 | |
When Star Wars came out, I was seven, | 0:22:02 | 0:22:04 | |
and I just wanted to be Luke Skywalker. | 0:22:04 | 0:22:06 | |
What's he talking about? | 0:22:06 | 0:22:08 | |
Then you move on from that, | 0:22:08 | 0:22:09 | |
and I would say your icon would settle on Deckard from Blade Runner! | 0:22:09 | 0:22:14 | |
I'm Deckard, Blade Runner. | 0:22:14 | 0:22:15 | |
260-354. I'm a monitor. | 0:22:15 | 0:22:18 | |
My favourite sci-fi hero is definitely Sigourney Weaver | 0:22:18 | 0:22:21 | |
in the Alien films, because she turns into a bad ass throughout the film. | 0:22:21 | 0:22:26 | |
Sigourney Weaver kicks ass, and she kicks alien ass, as well. | 0:22:29 | 0:22:33 | |
If you can kick alien ass, you're cool! | 0:22:33 | 0:22:35 | |
Get away from her, you bitch! | 0:22:35 | 0:22:38 | |
In a sci-fi world, where you've got to stretch... The suspension of disbelief is huge! | 0:22:39 | 0:22:43 | |
You've got to have a lot of patience for sci-fi in that respect. | 0:22:43 | 0:22:47 | |
The characters have to be real. | 0:22:47 | 0:22:49 | |
The problem for me is, a lot of the heroes in sci-fi films, | 0:22:52 | 0:22:57 | |
I end up preferring the monster! | 0:22:57 | 0:22:59 | |
Let's get something straight. On Earth, weapons make you look like a psycho. | 0:23:04 | 0:23:08 | |
But in a space film, if you're not packing some high-tech laser phaser, | 0:23:08 | 0:23:12 | |
you're going to end up living in something's stomach. | 0:23:12 | 0:23:15 | |
And I don't do living in something's stomach. | 0:23:15 | 0:23:19 | |
For a start, it would ruin my tan! | 0:23:19 | 0:23:21 | |
So, grab your blasters. | 0:23:21 | 0:23:24 | |
It's time to load up The Hoff's most awesome space weapons! | 0:23:24 | 0:23:27 | |
Sci-fi is a wonderful breeding ground for directors with wonderful imaginations | 0:23:34 | 0:23:37 | |
who want to dream up wonderful ways in which to kill people. | 0:23:37 | 0:23:40 | |
Favourite weapon in a sci-fi has got to be the Death Star in Star Wars. | 0:23:44 | 0:23:48 | |
-It's a planet that blows up other planets! You don't get much bigger than that! -It's a big deal. | 0:23:49 | 0:23:54 | |
Then we have the coolest movie weapon of all time, no debate. | 0:23:57 | 0:24:00 | |
It's the lightsaber. | 0:24:00 | 0:24:02 | |
As a kid, you and your mates, fighting with broom handles going, | 0:24:02 | 0:24:07 | |
"Vrrr!" | 0:24:07 | 0:24:08 | |
I think the best weapon in a sci-fi film is not Robocop himself... | 0:24:14 | 0:24:19 | |
ED-209. | 0:24:19 | 0:24:21 | |
..but the two-legged machine | 0:24:21 | 0:24:24 | |
that they've developed as an aid to law enforcement. | 0:24:24 | 0:24:27 | |
Please put down your weapon! You have 20 seconds to comply. | 0:24:27 | 0:24:32 | |
I think you'd better do what he says! | 0:24:32 | 0:24:35 | |
It's such a funny scene. It's macabre, but it's really funny. | 0:24:38 | 0:24:41 | |
My favourite weapon in a sci-fi film is in The Fifth Element. | 0:24:58 | 0:25:02 | |
Voila! The ZF-1. | 0:25:02 | 0:25:04 | |
It's an all-purpose thing. | 0:25:04 | 0:25:07 | |
It's light. Handle's adjustable for easy carrying. | 0:25:07 | 0:25:09 | |
Good for righters and lefters. Breaks down into four parts. | 0:25:09 | 0:25:11 | |
Undetectable by x-ray. Ideal for quick, discreet interventions. | 0:25:11 | 0:25:14 | |
They have a net thrower, a freeze thrower. | 0:25:14 | 0:25:19 | |
A flame thrower. | 0:25:22 | 0:25:23 | |
My favourite! | 0:25:26 | 0:25:28 | |
OK. We've travelled the universe, and now we're back on Earth, | 0:25:28 | 0:25:32 | |
which is ruled by me, Lord David of Hasselhoff. | 0:25:32 | 0:25:34 | |
But which space movie sends me into the stratosphere? | 0:25:34 | 0:25:38 | |
Well, The Hoff's Best Sci-Fi Film Ever | 0:25:38 | 0:25:41 | |
has the perfect combo of spaceship, | 0:25:41 | 0:25:44 | |
weapons and the best alien in movie history. | 0:25:44 | 0:25:48 | |
It's even led by my all-time favourite life form, | 0:25:48 | 0:25:52 | |
a woman! | 0:25:52 | 0:25:53 | |
That's right. I give to you the one and only... | 0:25:53 | 0:25:58 | |
..Alien! | 0:26:00 | 0:26:01 | |
Of course ever all-time is Alien! Of course it is! | 0:26:07 | 0:26:09 | |
It's got everything, that film. Everything. | 0:26:11 | 0:26:14 | |
They managed to set it in space, but still make it one of the most claustrophobic films. | 0:26:14 | 0:26:19 | |
They're trapped in their ship. | 0:26:19 | 0:26:21 | |
I do think Alien was incredibly influential. | 0:26:24 | 0:26:27 | |
Particularly in the actual alien, with all its weird teeth. | 0:26:29 | 0:26:32 | |
And the weird dripping things that are happening. | 0:26:34 | 0:26:37 | |
Sigourney Weaver is my ultimate female hero. | 0:26:44 | 0:26:48 | |
When everything is falling around her... | 0:26:50 | 0:26:53 | |
..she puts her hair up, she sorts it out. | 0:26:59 | 0:27:02 | |
I'm altering the vector now. | 0:27:02 | 0:27:05 | |
She saves the day! | 0:27:07 | 0:27:08 | |
The greatest piece of sci-fi film-making ever. | 0:27:12 | 0:27:16 | |
I hope you enjoyed the show. I know I did. | 0:27:24 | 0:27:27 | |
We've learned that sci-fi movies challenge us to dream of distant horizons. | 0:27:27 | 0:27:31 | |
They also show us that maybe there is a corner of the universe | 0:27:31 | 0:27:35 | |
where nobody is too ugly to get into a cool bar. | 0:27:35 | 0:27:39 | |
OK, we're done. | 0:27:39 | 0:27:41 | |
So, until we meet again, | 0:27:41 | 0:27:43 | |
this is The Hoff blasting off! | 0:27:43 | 0:27:47 | |
Good night! | 0:27:47 | 0:27:48 | |
Subtitles by Red Bee Media Ltd | 0:28:13 | 0:28:16 |