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Hi, I'm David Hasselhoff and I've been in more movies | 0:00:02 | 0:00:04 | |
than R-Patz, Scarlett Johansson | 0:00:04 | 0:00:06 | |
and the Beverly Hills Chihuahuas put together. | 0:00:06 | 0:00:08 | |
I've done horror, sci-fi, action, rom-coms, dance and sports movies, | 0:00:08 | 0:00:11 | |
so I know what it takes to make a great picture. | 0:00:11 | 0:00:14 | |
-HE LAUGHS -My face. | 0:00:14 | 0:00:17 | |
But aside from that, many things go into creating a cinema classic. | 0:00:17 | 0:00:21 | |
So, tonight, we'll be clicking our fingers | 0:00:21 | 0:00:23 | |
and dancing all the way to the Hoff's Best Dance Film Ever. | 0:00:23 | 0:00:30 | |
Welcome to my hoff-ice. Can I get you a drink? | 0:00:46 | 0:00:49 | |
Oh, of course I can't, you're home. Skip that. | 0:00:49 | 0:00:52 | |
You know, somewhere along the crazy ride that is my awesome career, | 0:00:52 | 0:00:57 | |
I appeared in break-dance comedy kicking it old school. | 0:00:57 | 0:01:01 | |
It was a tough role, I played myself | 0:01:01 | 0:01:04 | |
playing myself as Knight Rider, who was played by... myself. | 0:01:04 | 0:01:09 | |
And although the only thing I had to move | 0:01:09 | 0:01:11 | |
was the upper part of my face, | 0:01:11 | 0:01:13 | |
I learned exactly what goes into a rocking dance movie. | 0:01:13 | 0:01:17 | |
So, let's get our groove on | 0:01:17 | 0:01:19 | |
as I show you all the moves in the Hoff's Best Dance Film Ever. | 0:01:19 | 0:01:24 | |
So, shimmy with me as we meet the dancers with all the right moves. | 0:01:27 | 0:01:32 | |
Your hips, your bum, the booty, it's all got to be right, | 0:01:32 | 0:01:35 | |
it's all got to be gyrating right. | 0:01:35 | 0:01:37 | |
There's a lot of thrusting going on. | 0:01:37 | 0:01:40 | |
Kevin Bacon getting so angry that he has to dance | 0:01:40 | 0:01:43 | |
is one of the most hilarious bits of cinema of all time. | 0:01:43 | 0:01:47 | |
Watch in awe as we see some of the best dance costumes ever... | 0:01:47 | 0:01:53 | |
The hair, the make-up, the permatans, feathers! | 0:01:53 | 0:01:57 | |
..and some of the worse. | 0:01:57 | 0:01:59 | |
He looks like a charity shop. | 0:01:59 | 0:02:01 | |
It's gross! The pants are up to there, silky shirt. | 0:02:01 | 0:02:05 | |
We'll check out some rival gangs | 0:02:05 | 0:02:07 | |
as they sort there are issues with a dance-hoff. | 0:02:07 | 0:02:09 | |
This crew don't get on with this crew | 0:02:09 | 0:02:11 | |
because they have different techniques. | 0:02:11 | 0:02:15 | |
And by the end, I guarantee | 0:02:15 | 0:02:17 | |
you're going to want to shake your thing. | 0:02:17 | 0:02:20 | |
Tick, tick, tick, tick, tick, tick! | 0:02:20 | 0:02:22 | |
If you're going to be in a dance movie, | 0:02:25 | 0:02:27 | |
you better not just like dancing, you've got to NEED to dance. | 0:02:27 | 0:02:31 | |
I used to feel the same way about running down the beach in Malibu. | 0:02:31 | 0:02:34 | |
I'm talking about the guys and the girls | 0:02:34 | 0:02:37 | |
who've just got to dance wherever the hell they are. | 0:02:37 | 0:02:41 | |
I just want to dance! | 0:02:46 | 0:02:48 | |
MUSIC: "You Should Be Dancing" by The Bee Gees | 0:02:48 | 0:02:51 | |
I love when a crowd of people just breaks into song and dance. | 0:03:06 | 0:03:09 | |
HIPHOP MUSIC | 0:03:09 | 0:03:11 | |
People love getting in the streets, they love dancing, | 0:03:14 | 0:03:17 | |
they love the rhythms, they love expressing themselves. | 0:03:17 | 0:03:21 | |
MUSIC: "Fame" by Irene Cara | 0:03:21 | 0:03:23 | |
If college students were always coming out | 0:03:26 | 0:03:28 | |
and dancing on top of taxis, they should try and do that | 0:03:28 | 0:03:31 | |
in some parts of London on a Friday afternoon. | 0:03:31 | 0:03:34 | |
"Whoo! Just did double maths!" | 0:03:34 | 0:03:36 | |
"Get off me taxi!" | 0:03:39 | 0:03:41 | |
There are many times when I'm in Tesco or I'm in the underground | 0:03:44 | 0:03:47 | |
and I just want to break free and I just want to dance. | 0:03:47 | 0:03:50 | |
And I don't and I regret that. | 0:03:54 | 0:03:56 | |
HIPHOP MUSIC | 0:03:56 | 0:03:57 | |
Footloose, he's a bad guy who likes to dance! | 0:04:03 | 0:04:07 | |
I would love to have been in that writers' meeting | 0:04:07 | 0:04:10 | |
where they came up with that movie. | 0:04:10 | 0:04:12 | |
They're like, "A film where you're not allowed to dance!" | 0:04:12 | 0:04:15 | |
-Dancing is against the law. -What?! | 0:04:15 | 0:04:18 | |
Dancing can be destructive. | 0:04:18 | 0:04:20 | |
No! No! I'm just going to dance! | 0:04:20 | 0:04:23 | |
"I want to express myself!" | 0:04:23 | 0:04:25 | |
Oh, my God! He's dancing! | 0:04:26 | 0:04:30 | |
You're a madman! You're a madman! | 0:04:32 | 0:04:35 | |
My right to dance, when I want, where I want | 0:04:35 | 0:04:40 | |
and how I want is a right that you cannot take away. | 0:04:40 | 0:04:43 | |
It is mine. | 0:04:43 | 0:04:45 | |
MUSIC: "I Love to Boogie" by T-Rex | 0:04:45 | 0:04:46 | |
Billy Elliot is about this young boy who is torn between his family | 0:04:46 | 0:04:50 | |
and his passion for dance. | 0:04:50 | 0:04:52 | |
I've got this fire in my body. | 0:04:52 | 0:04:54 | |
Everything is stopping him from dancing. | 0:04:54 | 0:04:56 | |
He's from a northern family. | 0:04:56 | 0:04:57 | |
His dad is a bit like my dad, like a proper bloke. | 0:04:57 | 0:05:00 | |
-One. Two. -And if I started dancing, my dad would kill me. | 0:05:00 | 0:05:03 | |
Lads do football... or boxing or... wrestling. | 0:05:03 | 0:05:11 | |
Not frigging ballet! | 0:05:11 | 0:05:15 | |
But he dances anyway. He just has to dance. | 0:05:15 | 0:05:17 | |
Pretty good. But, then, who am I to judge? | 0:05:27 | 0:05:30 | |
Well, let's just say I'm the Hoff and this is my show. | 0:05:30 | 0:05:34 | |
But when movie dance heroes strut their stuff, | 0:05:34 | 0:05:37 | |
they often have someone they have to impress at all costs. | 0:05:37 | 0:05:41 | |
Break a leg, guys. It's time to show the Hoff what you got. | 0:05:41 | 0:05:45 | |
You can't just dance, no-one just lets you dance, | 0:05:49 | 0:05:52 | |
you've got to work hard to dance. You know, you've got to audition. | 0:05:52 | 0:05:55 | |
I love an audition scene in a dance movie. | 0:05:55 | 0:05:57 | |
There's such a strict formula throughout films, | 0:06:00 | 0:06:02 | |
they always are the same and yet we accept that | 0:06:02 | 0:06:05 | |
because we love to watch someone triumph. | 0:06:05 | 0:06:07 | |
You can't dance. Show me you can dance. | 0:06:09 | 0:06:13 | |
The classic judge reaction in a dance film | 0:06:13 | 0:06:16 | |
is to be cynical to any modern moves. | 0:06:16 | 0:06:20 | |
Look, I'm not going to stand for this. You, stop! | 0:06:22 | 0:06:26 | |
Stop right this minute! | 0:06:26 | 0:06:28 | |
We are auditioning jazz dancers only! Stop this nonsense! | 0:06:28 | 0:06:35 | |
And they always just, without any reason, | 0:06:35 | 0:06:37 | |
hate the person who's auditioning. They hate them! | 0:06:37 | 0:06:40 | |
DANCE MUSIC | 0:06:40 | 0:06:43 | |
MUSIC OFF | 0:06:45 | 0:06:46 | |
Thank you, Miss... West. | 0:06:46 | 0:06:49 | |
They're always wearing glasses and scarves. | 0:06:50 | 0:06:53 | |
And, of course, there's always the stumble. | 0:06:55 | 0:06:58 | |
There's got to be a stumble in the audition scene, | 0:07:01 | 0:07:03 | |
because if they do a perfect audition, where's the jeopardy. | 0:07:03 | 0:07:05 | |
In real life, if they fall over, darling, they're out. | 0:07:08 | 0:07:11 | |
-Hold it. Hold it. Cut the music. -I'm sorry, sir. I wasn't ready. | 0:07:11 | 0:07:15 | |
-But they get a second chance. -Are you ready now? | 0:07:15 | 0:07:20 | |
Can I start again? | 0:07:20 | 0:07:23 | |
And they start tapping their foot and they started getting into it. | 0:07:25 | 0:07:29 | |
And then they're won over by them. | 0:07:35 | 0:07:37 | |
They accept her on the spot, which never happens! | 0:07:47 | 0:07:49 | |
I can't say this on the record yet, but welcome to Juilliard. | 0:07:49 | 0:07:55 | |
The most incredible audition scene has got to be in Fame. | 0:07:55 | 0:08:00 | |
Leroy is doing the audition and he's like really being sexy and seductive. | 0:08:03 | 0:08:08 | |
In those very short shorts! | 0:08:08 | 0:08:11 | |
And the teachers are just melting. And he's just being, like, pure sex. | 0:08:12 | 0:08:17 | |
What do you call that?! | 0:08:21 | 0:08:22 | |
Everyone looks up and their eyes are practically watering with shock. | 0:08:22 | 0:08:27 | |
And then he's got his friend with him | 0:08:30 | 0:08:32 | |
and there's just something that tickles you about it | 0:08:32 | 0:08:34 | |
because she's so bad and he's so good. | 0:08:34 | 0:08:37 | |
And she's just horrific! Absolutely horrific! | 0:08:37 | 0:08:40 | |
And she pulls this face at the end like this spoilt little 11-year-old. | 0:08:40 | 0:08:44 | |
It's like, "Why am I so shit?!" | 0:08:44 | 0:08:46 | |
He's pretty good. That's a dance movie. | 0:08:48 | 0:08:52 | |
We all know dancing can be sexy, right? | 0:08:52 | 0:08:55 | |
Personally, I can't dance any other way. Yeah, right(!) | 0:08:55 | 0:08:59 | |
And the hot girls and guys in the best dance films | 0:08:59 | 0:09:02 | |
aren't too bad either. | 0:09:02 | 0:09:04 | |
Check out the Hoff's sexiest ever movie movers. | 0:09:04 | 0:09:09 | |
Hola, chica! | 0:09:09 | 0:09:11 | |
The rumba is a vertical expression of a horizontal wish. | 0:09:16 | 0:09:20 | |
You have to hold her like the skin on her thigh | 0:09:20 | 0:09:24 | |
is your reason for living. | 0:09:24 | 0:09:27 | |
Let her go like your heart's being ripped from your chest! | 0:09:27 | 0:09:31 | |
Pull her back... like you're going to have your way with her | 0:09:33 | 0:09:36 | |
right here on the dance floor. | 0:09:36 | 0:09:39 | |
And then finish... | 0:09:39 | 0:09:42 | |
like she's ruined you for life. | 0:09:42 | 0:09:45 | |
I think the best dance movies have a lot of sex in the air. | 0:09:49 | 0:09:53 | |
That first tender touch, very gentle, not even suggestive, | 0:09:58 | 0:10:03 | |
but it just makes you think, what's going to happen next? | 0:10:03 | 0:10:07 | |
It's basically an amazing scene of foreplay. | 0:10:09 | 0:10:13 | |
It's just really important that your hips, your bum, the booty, | 0:10:16 | 0:10:21 | |
it's all got to be right, it's all got to be gyrating right. | 0:10:21 | 0:10:24 | |
Magic Mike isn't dancing so much as a lot of thrusting. | 0:10:28 | 0:10:32 | |
There's a lot of thrusting going on! | 0:10:32 | 0:10:34 | |
It's actually incredibly awkward at times the amount of thrusting. | 0:10:34 | 0:10:38 | |
You're cringing one minute and then you're going, "Ooh!" the next | 0:10:38 | 0:10:41 | |
and then you're cringing again, you know. | 0:10:41 | 0:10:43 | |
Magic Mike is the Hollywood version, the beefcake and slick version, | 0:10:44 | 0:10:48 | |
The Full Monty is kind of the Sheffield version, | 0:10:48 | 0:10:51 | |
a bit more down to earth. | 0:10:51 | 0:10:53 | |
CHEERING | 0:10:53 | 0:10:55 | |
MUSIC: "You Can Keep Your Hat On" by Tom Jones | 0:10:55 | 0:10:59 | |
My favourite scene in that | 0:11:00 | 0:11:01 | |
is definitely the bit where they all get their bums out. | 0:11:01 | 0:11:05 | |
-SHE LAUGHS -I'll be honest. | 0:11:05 | 0:11:07 | |
That's my cousin, Johnny Castle. He got me the job here. | 0:11:13 | 0:11:17 | |
For me, it's Patrick Swayze in Dirty Dancing. | 0:11:17 | 0:11:20 | |
I think he's so sexy in that film. | 0:11:20 | 0:11:23 | |
So raw and just so manly. | 0:11:23 | 0:11:26 | |
It made every woman I know just go... SHE SIGHS | 0:11:29 | 0:11:33 | |
Dance with me. | 0:11:33 | 0:11:35 | |
-What, here? -Here. | 0:11:37 | 0:11:40 | |
I rewound that scene in the bedroom | 0:11:40 | 0:11:43 | |
where they're doing the slo-mo dancing | 0:11:43 | 0:11:45 | |
and they basically have sex, I think I rewound that... | 0:11:45 | 0:11:49 | |
a hundred times. | 0:11:49 | 0:11:51 | |
I think there was our first experience of like... | 0:11:57 | 0:12:00 | |
horny feelings. SHE LAUGHS | 0:12:00 | 0:12:03 | |
Well, it was for me. | 0:12:03 | 0:12:05 | |
Hey! Are you as good in bed as you are on that dance floor? | 0:12:05 | 0:12:09 | |
-HE LAUGHS -Well, are you? | 0:12:09 | 0:12:12 | |
John Travolta's lascivious and licentious hip action, | 0:12:12 | 0:12:16 | |
it's the way he I suppose thrusts, you know, his crotch... | 0:12:16 | 0:12:23 | |
..that is...uh, is sexy. | 0:12:24 | 0:12:27 | |
All right! | 0:12:29 | 0:12:31 | |
And, of course, tight white trousers, you know, help, don't they? | 0:12:31 | 0:12:37 | |
MUSIC: "More Than a Woman" by Bee Gees | 0:12:37 | 0:12:40 | |
APPLAUSE | 0:12:40 | 0:12:42 | |
CHEERING | 0:12:42 | 0:12:45 | |
A truly great dance movie needs more than just bump and grind, | 0:12:45 | 0:12:48 | |
it needs costumes that could stop traffic. | 0:12:48 | 0:12:51 | |
I'm talking sequins, tight trousers, headbands, leather! | 0:12:51 | 0:12:54 | |
But enough about my wardrobe. | 0:12:54 | 0:12:57 | |
I mean the kind of outfits Lady Gaga would think twice about clubbing in. | 0:12:57 | 0:13:02 | |
I give you the Hoff's Spandex Index. | 0:13:02 | 0:13:06 | |
Fabulous dresses and make-up and costumes | 0:13:21 | 0:13:24 | |
is essential to a good dance film. | 0:13:24 | 0:13:26 | |
Style was almost as important as the actual dancing itself. | 0:13:32 | 0:13:36 | |
It sets the tone. | 0:13:36 | 0:13:38 | |
Saturday Night Fever, Tony's sort of making himself up. | 0:13:39 | 0:13:43 | |
He looks like a charity shop. | 0:13:45 | 0:13:47 | |
It's gross. The pants are up to there, silky shirt. | 0:13:47 | 0:13:50 | |
It's not a great look. | 0:13:52 | 0:13:54 | |
And a lot of people copied that, so it's his fault. | 0:13:54 | 0:13:56 | |
I absolutely love the costumes in Strictly Ballroom. | 0:14:05 | 0:14:09 | |
I mean, they're just insane. | 0:14:09 | 0:14:11 | |
I mean, the hair, the make-up, the permatans, | 0:14:11 | 0:14:15 | |
the skimpiness, the feathers! HE LAUGHS | 0:14:15 | 0:14:18 | |
They're just completely crazy! | 0:14:18 | 0:14:20 | |
For me, the costumes and the hair in dance | 0:14:22 | 0:14:25 | |
are the finishing touches of it. | 0:14:25 | 0:14:27 | |
You know, your body can do one thing and can tell the story, | 0:14:27 | 0:14:30 | |
but the costumes and the hair complete the story. | 0:14:30 | 0:14:34 | |
I think quite often in dance films | 0:14:36 | 0:14:39 | |
women are often seen as quite young girls to start off with. | 0:14:39 | 0:14:45 | |
And then they have to go through this transformation. | 0:14:51 | 0:14:54 | |
Can you dance without those? | 0:14:54 | 0:14:56 | |
It might help. | 0:15:01 | 0:15:02 | |
WHISTLING | 0:15:10 | 0:15:12 | |
Grease which by the way has the worst moral story ever, | 0:15:12 | 0:15:16 | |
which is, "Hey, if a guy doesn't fancy you, | 0:15:16 | 0:15:18 | |
"slut it up a bit and he probably will." | 0:15:18 | 0:15:20 | |
Sandy! | 0:15:22 | 0:15:24 | |
"Tell me about it, stud." | 0:15:24 | 0:15:26 | |
"Tell me about it, stud." | 0:15:26 | 0:15:28 | |
I remember when I saw it when it first came out, | 0:15:28 | 0:15:31 | |
I was going... (GASPS) | 0:15:31 | 0:15:33 | |
# Meditate in my direction | 0:15:33 | 0:15:37 | |
-# Feel your way... # -Waaargh! | 0:15:37 | 0:15:41 | |
What I wouldn't give for an arse like that | 0:15:41 | 0:15:43 | |
in those black satin trousers. Phenomenal. | 0:15:43 | 0:15:47 | |
-# You're the one that I want -You are the one I want | 0:15:47 | 0:15:49 | |
# Ooo, ooo, ooo, honey | 0:15:49 | 0:15:51 | |
-# The one that I want -You are the one I want | 0:15:51 | 0:15:53 | |
# Ooo, ooo, ooo | 0:15:53 | 0:15:55 | |
# The one that I need | 0:15:55 | 0:15:57 | |
# Oh, yes, indeed. # | 0:15:57 | 0:16:00 | |
Now, I'm a pretty emotional guy, | 0:16:00 | 0:16:03 | |
but of all the emotions, the one I like least is anger. | 0:16:03 | 0:16:06 | |
It's such a destructive emotion. | 0:16:06 | 0:16:09 | |
Some people go to a bar and pick a fight when they're angry, | 0:16:09 | 0:16:12 | |
others write abuse to '80's TV stars on Twitter, | 0:16:12 | 0:16:16 | |
but not the people in a great dance film. Oh, no. | 0:16:16 | 0:16:20 | |
Cos when they get mad, they get moving. | 0:16:20 | 0:16:24 | |
I've danced with abandon, I've danced with happiness and joy. | 0:16:30 | 0:16:33 | |
Fury, probably not. | 0:16:33 | 0:16:36 | |
# I feel like I want to smack somebody... # | 0:16:36 | 0:16:38 | |
There are a lot of emotions that you can portray through dance, | 0:16:40 | 0:16:43 | |
one of which, which is used a lot, is anger. | 0:16:43 | 0:16:46 | |
So much anger. So much youthy anger. | 0:16:49 | 0:16:51 | |
Just, like, "I'm so angry with what my dad said, man!" | 0:16:54 | 0:16:57 | |
And just be like... | 0:16:57 | 0:16:59 | |
There's always one that's... | 0:16:59 | 0:17:01 | |
That's a part of what makes us crew. | 0:17:01 | 0:17:03 | |
It seems a little bit aggressive, | 0:17:03 | 0:17:05 | |
but it's a good way to take out your anger | 0:17:05 | 0:17:06 | |
when you go through stuff in your personal life. | 0:17:06 | 0:17:08 | |
You can sort of see anger management in the film Billy Elliot. | 0:17:08 | 0:17:12 | |
MUSIC: "Town Called Malice" by The Jam | 0:17:12 | 0:17:14 | |
It seems that when he's angry, he taps. | 0:17:20 | 0:17:22 | |
I'm not sure if those two things have always gone hand in hand. | 0:17:27 | 0:17:30 | |
I'm not sure if there are people on the tube in the morning | 0:17:30 | 0:17:33 | |
just tapping it out really angry. | 0:17:33 | 0:17:34 | |
When you're angry, you want to yell at something or hit someone, | 0:17:37 | 0:17:40 | |
you don't want to do the Charleston. | 0:17:40 | 0:17:42 | |
Get your anger out, Kevin! | 0:17:42 | 0:17:45 | |
Kevin Bacon getting so angry that he has to dance | 0:17:45 | 0:17:48 | |
is one of the most hilarious bits of cinema of all time. | 0:17:48 | 0:17:52 | |
Those jeans are too tight. That's what he was furious about. | 0:17:56 | 0:18:00 | |
It lives in the hearts and minds of many people, I'm sure, | 0:18:03 | 0:18:06 | |
you know, who think it's wonderful. | 0:18:06 | 0:18:09 | |
I don't, however. | 0:18:09 | 0:18:10 | |
OK, so those guys needed dance to feel alive, | 0:18:17 | 0:18:20 | |
but this next bunch are hoff the hook. | 0:18:20 | 0:18:23 | |
The best dance films have dudes who are so committed to the beat | 0:18:23 | 0:18:26 | |
that if there are no people about | 0:18:26 | 0:18:28 | |
they'll dance with whatever's to hand. | 0:18:28 | 0:18:30 | |
Sounds crazy, right? Well, not to me. | 0:18:30 | 0:18:34 | |
I used to talk to a car for Pete's sake. | 0:18:34 | 0:18:37 | |
Hey, KITT, run VT. | 0:18:37 | 0:18:39 | |
Their partner doesn't show up that particular day | 0:18:43 | 0:18:46 | |
and they go, "Hey, what have we got?" | 0:18:46 | 0:18:48 | |
"We just got stapler. OK." | 0:18:48 | 0:18:51 | |
MIMICS BEAT | 0:18:51 | 0:18:53 | |
Genius! | 0:18:53 | 0:18:55 | |
ELECTRONIC DANCE MUSIC | 0:18:55 | 0:18:57 | |
I've been in the kitchen mopping up my floor | 0:19:02 | 0:19:05 | |
and a really good tune's come on | 0:19:05 | 0:19:07 | |
and I've had a little dance with the broom. | 0:19:07 | 0:19:09 | |
You know, it's not my finest moment but it does happen. | 0:19:09 | 0:19:12 | |
There are no strings attached. | 0:19:15 | 0:19:16 | |
Some people say there are strings attached, there are none though. | 0:19:16 | 0:19:19 | |
All right, there's none, OK. Magic! | 0:19:19 | 0:19:23 | |
Now, the reason to bring in a prop to a dance movie or to a dance routine | 0:19:24 | 0:19:29 | |
is just to take it somewhere else. | 0:19:29 | 0:19:32 | |
Chairs... make girls sexy. | 0:19:43 | 0:19:45 | |
Probably because they generally end up spreading their legs on them | 0:19:48 | 0:19:52 | |
and over them. I suppose, you know, there is that. | 0:19:52 | 0:19:55 | |
Chairs are meant to be sexy to dance with. | 0:19:55 | 0:19:57 | |
You know why they're sexy? Because they've got four legs. | 0:19:57 | 0:20:00 | |
Yeah, legs are sexy. | 0:20:00 | 0:20:01 | |
Lisa Minnelli in Cabaret where she does Mein Lieber Herr. | 0:20:04 | 0:20:07 | |
# Bye-bye, mein lieber herr... # | 0:20:07 | 0:20:15 | |
And she's dancing on this chair so provocatively | 0:20:15 | 0:20:17 | |
that it looks like she is very nearly | 0:20:17 | 0:20:19 | |
having an intimate relationship with the chair. | 0:20:19 | 0:20:22 | |
# ..affair but now it's over! # | 0:20:22 | 0:20:26 | |
Chairs are meant for sitting on, not dancing around. | 0:20:26 | 0:20:28 | |
Limber up cos it's time to take a look | 0:20:34 | 0:20:36 | |
at some of the greatest dance-offs ever. | 0:20:36 | 0:20:39 | |
I love a dance-hoff. | 0:20:39 | 0:20:41 | |
In a dance film, it's a great way to show off your finest moves. | 0:20:41 | 0:20:44 | |
And for these guys, | 0:20:44 | 0:20:45 | |
the competition is more fierce than an untrained lion. | 0:20:45 | 0:20:49 | |
Raarrr! | 0:20:49 | 0:20:51 | |
There's nothing I like more than a dance battle. | 0:20:56 | 0:20:58 | |
Especially in a film from the '80s. | 0:21:01 | 0:21:03 | |
The point of a dance-off is to have a winner. | 0:21:11 | 0:21:14 | |
This crew don't get on with this crew | 0:21:24 | 0:21:26 | |
because they have different techniques! | 0:21:26 | 0:21:28 | |
Gangs also decide to...fight but through dance. | 0:21:36 | 0:21:39 | |
Guys, shall we just get rid of these and, uh, have a boogie instead? | 0:21:42 | 0:21:46 | |
West Side Story, it's aggressive yet camp somehow. | 0:21:52 | 0:21:55 | |
Instead of fighting, they're dancing. | 0:22:00 | 0:22:02 | |
They're dancing | 0:22:02 | 0:22:04 | |
and they're having a little bit of a dance-off. | 0:22:04 | 0:22:07 | |
It's a bit like gang rivalry but with tap shoes on. | 0:22:09 | 0:22:11 | |
Jazz hands are like knives to a gang. | 0:22:14 | 0:22:17 | |
Jets! Jets! | 0:22:17 | 0:22:20 | |
The best dance films have moves you want to try out | 0:22:23 | 0:22:26 | |
again and again and again. | 0:22:26 | 0:22:28 | |
It's time to clear a space | 0:22:28 | 0:22:30 | |
and salute the moves that make the whole world groove. | 0:22:30 | 0:22:34 | |
MUSIC: "Gangnam Style" by PSY | 0:22:34 | 0:22:37 | |
Everyone thinks they can do the moves. | 0:22:40 | 0:22:43 | |
It's a bit of a shock when you realise that you can't. | 0:22:49 | 0:22:52 | |
All of the teen dance movies, | 0:22:56 | 0:22:58 | |
I just incorporate the moves into my own sort of genre. | 0:22:58 | 0:23:04 | |
And that's how I'm the dancer I am today. | 0:23:04 | 0:23:07 | |
Breakin' 1 and Breakin' 2 like these are the dance bibles. | 0:23:10 | 0:23:14 | |
They had all the popping... | 0:23:16 | 0:23:18 | |
All this stuff you take from the film, you know. | 0:23:20 | 0:23:24 | |
# Now I had the time of my life! # | 0:23:24 | 0:23:31 | |
I have never wanted to join in with a scene in a film | 0:23:31 | 0:23:35 | |
as much as when Johnny comes into the hall at the end of Dirty Dancing. | 0:23:35 | 0:23:41 | |
Baby's on the stage with that really innocent face of hers. | 0:23:41 | 0:23:46 | |
And he lifts her off the stage! | 0:23:46 | 0:23:49 | |
Weirdly, the lift is hard, I've tried it. | 0:23:55 | 0:23:59 | |
Every girl at some point or other | 0:23:59 | 0:24:00 | |
has been at a swimming pool with their best friend | 0:24:00 | 0:24:02 | |
and gone, "Shall we try and do the lift?" | 0:24:02 | 0:24:04 | |
"Shall we have a crack at it?" | 0:24:04 | 0:24:05 | |
And then after about two minutes gone, | 0:24:05 | 0:24:07 | |
"Yeah, we definitely can't do that." | 0:24:07 | 0:24:09 | |
Good! Keep your legs... No, no, no! | 0:24:09 | 0:24:11 | |
Yes, I've tried to do the lift in a swimming pool. | 0:24:11 | 0:24:15 | |
Not always succeeded. | 0:24:15 | 0:24:17 | |
Bend your knees. And... go! | 0:24:17 | 0:24:20 | |
My ex, we tried that, | 0:24:20 | 0:24:22 | |
and I was just basically left | 0:24:22 | 0:24:24 | |
holding a pair of size 16 Asda George knickers | 0:24:24 | 0:24:26 | |
because she just came straight out the other side. | 0:24:26 | 0:24:28 | |
Every time something is played that is vaguely '70s... instantly. | 0:24:33 | 0:24:37 | |
MUSIC: "Night Fever" by The Bee Gees | 0:24:37 | 0:24:39 | |
Don't quote lines from Saturday Night Fever, | 0:24:43 | 0:24:46 | |
you quote the dance moves because they are so famous. | 0:24:46 | 0:24:49 | |
The hustle. I just had to learn that. | 0:24:52 | 0:24:55 | |
A little bit like line dancing but a lot cooler. | 0:24:55 | 0:24:59 | |
And, actually, forged the way for me to begin dancing myself. | 0:25:02 | 0:25:08 | |
OK, I guess it's time to cool down and reveal the best dance film ever. | 0:25:12 | 0:25:18 | |
It's the queen of all girly movies that guys secretly love too. | 0:25:18 | 0:25:23 | |
It's got two people who had no choice, they just had to dance. | 0:25:23 | 0:25:27 | |
It's got one of the steamiest dance scenes ever on celluloid | 0:25:27 | 0:25:31 | |
and the takeaway dance move that has kept A&E departments | 0:25:31 | 0:25:35 | |
busy for two decades. | 0:25:35 | 0:25:38 | |
Yep, you guessed it, the Hoff's best dance film ever is... | 0:25:38 | 0:25:41 | |
..Dirty Dancing. | 0:25:44 | 0:25:46 | |
# Now I had the time of my life | 0:25:46 | 0:25:52 | |
# I know I never felt like this before. # | 0:25:52 | 0:25:56 | |
Dirty Dancing, Dirty Dancing. There is no other contender. | 0:25:56 | 0:25:59 | |
It's got every element that you could want. | 0:25:59 | 0:26:02 | |
It's got the girl learning how to dance, | 0:26:02 | 0:26:05 | |
it's got the big routines, | 0:26:05 | 0:26:06 | |
it's got dancing, it's got love, it's got passion. | 0:26:06 | 0:26:09 | |
Just the perfect dance film for me. | 0:26:09 | 0:26:12 | |
The normal girl becomes like the queen of the film, if you like. | 0:26:14 | 0:26:19 | |
And Baby in that film really finds herself as a woman through dance | 0:26:19 | 0:26:24 | |
and through this man that she meets. | 0:26:24 | 0:26:27 | |
# This could be love | 0:26:27 | 0:26:29 | |
# Because I had the time of my life | 0:26:29 | 0:26:35 | |
# I know I never felt this way before. # | 0:26:35 | 0:26:39 | |
It's one of those that you want to watch again. | 0:26:39 | 0:26:42 | |
Like, I can't help but say when I was younger maybe, you know, | 0:26:42 | 0:26:46 | |
at least two or three times a day, maybe. | 0:26:46 | 0:26:49 | |
Half of the time you're singing along. | 0:26:53 | 0:26:56 | |
If not, you're dancing along, doing the moves, you know what I mean. | 0:26:56 | 0:26:59 | |
And that's why Dirty Dancing is number one, you see, | 0:27:05 | 0:27:08 | |
cos you can watch it over and over. | 0:27:08 | 0:27:10 | |
Well, it's time to hit the lights, | 0:27:15 | 0:27:17 | |
grab your coat and try and find a taxi. | 0:27:17 | 0:27:19 | |
I would ask you for a slow dance but you'd only fall in love with me. | 0:27:19 | 0:27:23 | |
So, I guess, it's time for me to say good night. | 0:27:23 | 0:27:27 | |
This is the Hoff clocking off. | 0:27:27 | 0:27:28 | |
Subtitles by Red Bee Media Ltd | 0:27:31 | 0:27:34 |