Paradiso


Paradiso

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This programme contains some strong language.

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You know, I really feel sorry for the young people because they won't

:01:50.:02:00.

be able to dance, really. You know, no dancehalls for them to go to. All

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they can go to are hotels. Something like that. But there's no place

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where they can have a nice dance and learn to dance right. There's no

:02:11.:02:15.

music. That I would call music. I wouldn't

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call it music now. Just thumpings. Excuse us for saying that.

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One, two, three, four, five, six, seven, eight, nine, ten, 11, 12...

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It's been a hard journey. It's a hard journey for anyone living in

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the Fountain. People living in this estate now, in the Fountain Estate

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feel themselves under threat most of the time T how do you feel people to

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feel OK when you are surrounded by this - you know. This is where my

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people are from. My mother was born here, I was born around the corner.

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Nowadays the Fountain is the last enclave of Protestant unionist

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people here on this side of the river. Over this side is ceg began

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and the bogside area, where most of the Catholic nationalist people live

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and just where we are now is what we call around here an "interface." It

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is where the two sides collide sometimes - not too gently. Then the

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fence - it's not going to win any prizes for architecture, is it? !

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My father was born on this street. He was actually born in the house

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next to this one that I am sitting in front of. My mother was born

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right in the corner. We had 318 people on the Fountain in 160

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houses. At the start of the development and at the start of the

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troubles, in 1996, we had 17, 080. I remember the spirit - there was a

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community spirit. There was cohesion within the cul-de-sacs. So my link

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with the Fountain would have been spiritual and a link through my

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family. The history of history is important

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to Protestant and Catholic people. It is symbolic to Protestant people

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of survival and a harsh land, if you can put it like that. For Catholic

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people it is also a symbol of oppression and colonisation and

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oppression. So, for both communities this is an important place. We lived

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in Albert Place. That was a cul-de-sac. We lived in number 14.

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My grandmother lived in number 18 and my Aunty lived in number 19. It

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was a family affair. A very close net community. Right here there was

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the great pub. It was very small. It was a small pub. It had music

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upstairs it had music. I never knew that. The Paradiso has gone. It

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exists in the minds of people who remember the Fountain as a poor

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man's lost paradise. Now the population is getting older and

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older and older. Young people are moving away. There's been a steady

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drip for 30 years. It is sad. My sense is it's over. The victors

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write the history and the losers write the songs. So I want to talk

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to people and try and create songs out of that. So that this place will

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be remembered and these people will be remembered.

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# To see what I could see # Nothing seemed the same

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# Nothing... For me, music has always been a

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unifying pack r factor. There's -- unifying factor. There's no boundary

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in music. # Victoria

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# Henry # Albert

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# Boris # Clarence Place

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# Kennedy Place # Fountain Place, place, place...

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You left two out - Lower Fountain Street and Kempton Place. Thank you.

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A couple of things I am thinking about. I want to pick your brains

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about. I am thinking back to the '60s, my younger days - write songs

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about that era, about the Fountain so, somehow it will be remembered in

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songs. At that time, if my memory is right,

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there was no such thing as Protestants going one place and

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Catholics going the other. You had the money to go where you wanted and

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who ever you fan Sid. What would happen if we had a recreation of one

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of those nights? Do you think people would come to it? I think you would

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get away with it. Do you think people from both communities would

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come? I think we're moving into that era, where it is possible at the

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moment. People in the main say they are still under siege. There might

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be a risk element in it. You have to take risks sometimes. You think it

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is worth trying it? MUSIC

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# The kiss of fire... If I listen to good music, even classical music, I

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get goose pimples. The hairs in my arms stand up. There is no - I mean

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I have never had a goose bump when I listen to Top of the Pops now. We

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loved the dancing and the music was great. The dancing - one of them

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said, do you two get paid for starting off

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said, do you two get paid for the minute the music starts, away

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even get a chance to take you out. You know? When we got older we went

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to the bigger dances. This is the centre and was the

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centre life of the Fountain Community. Everybody came - it was

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not segregated the way things are now.

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If you liked the band, the hall, maybe you thought you would meet the

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girl of your dreams. You would go wherever you wanted. We would play

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the Beatles and the Rolling Stones. Also do some ballroom dancing.

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We weren't looking at the faces, we were looking at the feet to see if

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there was a good pair of feet there. I like him - I'll wait till he comes

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around again! We would play foxtrots and a slow waltz. The band was way

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up in the ceiling, nearly. Maybe a cha-cha-cha and a tango.

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And I'd just loved it. And ever since I loved the tango music.

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She's away! I like the rock 'n' roll, too. And

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the jive. And I've seen her doing it! She is great!

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In 1969, I came home and the barricades were up. I could have

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cried. Ireland at the moment on Saturday and the army had just come

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in that week and I went out on the Sunday. -- I remember. I took a walk

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around and it was heartbreaking. There wasn't really much you could

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do about it. It was bad at that time.

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We had this dancing apprentice at the Memorial Hall. I've played in

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the resident band way back in the 60s and it was one of the first gigs

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I've ever did that I'd got money for. I am going to try to bring that

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band together a game. I'm going to meet them tomorrow and ask them, do

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they want to get back together as a band, which is going to be really

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interesting. I don't know if people are still in the same place

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musically or whatever. And there are different personalities in the band.

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It will be interesting. Have you got any idea what is going on? Haven't a

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clue! Hello! Hello, lads! What is happening? I hope that is paid for!

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Going into the Memorial Hall, which is seen by a lot of people is not

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really a safe place. And why would people chose -- choose to go to a

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place that wasn't safe? So let's see what happens. My God! It is the same

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curtains. No, they are not! It has changed! We used to rehearse in the

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back. And what about the town hall? Whatever happened, he had fallen

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out. He was down the stairs and they changed the notes, do you remember?

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And he walks up... He threw the whole lot of them on the floor and

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walked out of the hall. We got into the vans and we were driving up

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through Ballykelly. What was he doing? He was walking... With the

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saxophone in his hand and the suit. The notion is I am trying to put the

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band together, reunion, of one of the bands that played in here. We

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are going to do it, first of all. Will it work? Let's have a go at it

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again. Reunion as such. And the Signetts up on that stage. We could

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actually invite different musicians. Try to contact all the musicians we

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knew in those days. What would the line-up he? Franz? Saxophone,

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guitar. Bassist. We can't even remember who the band was, how are

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we going to remember the music?! Well, so far, so good. If we can

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keep up this good atmosphere, I am starting to believe we can pull off

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the Signetts reunion. That was the song the Signetts used

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to do years ago. We all sang songs but the only real singer in the band

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was Trevor Keyes, I would say. # Let me talk to you,

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# Please let me talk to you... One did contribute a lot with his

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saxophone. -- Ronnie. Ronnie, here's a character, and talented. Some of

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the things did and said, we more than likely never agreed with him

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but he would always fight his corner. Jackie has a great

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personality and he is one of the funniest men I have ever known. He

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is some boy. He was very moody at times. We would joke and say he was

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like a girl! That is the original Signetts. There they are. Jackie,

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Trevor, and there was me with a harpoon committee guitar. And hair

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as well! I wonder where that all went?

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The Signetts, when they played in the main, they were loved. They were

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loved. I've known Jackie Molloy since we

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played together in the 60s and I lived around the corner from him.

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Do you know when that fence when top? Icon say. See, when all the

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houses here were demolished, I don't know... In 1969, when the people

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lived here they put barricades up. They should be able to find it all

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right. What do you think about meeting the boys again? Great!

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It is strange to think of everybody going their own way, you know? And

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all of a sudden, there will be five slaloms on one piece of music. Part

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of the band we are putting together played in the 60s. You know Jackie

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Molloy? Yeah. I'd just some are going down to

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Danny Grant's pub down there and having a Guinness. A bit of ballroom

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dancing, a Latin American set. That is all right.

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We will have two tickets! Will you go? Surely. Wouldn't miss that.

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I've been working away on my CD about the The Fountain. One of our

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members, I hear hears into Cuban music now. -- he is.

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That is a song that means lots of my loves all loves of my life. I have

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always loved Cuba and the politics of Cuba. That is what got me into

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Cuban music. The beauty of it, the romance of revolution, Sheikh of

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are. And the revolution. -- Che Guevara. I was born in a little

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place off Wapping Lane and The Fountain. I've met Roy when we were

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very, very young. And we played in bands together, various local bands,

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what they call Irish show bands, where they did a mix of everything.

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It is a rock 'n' roll song, from the 11th night, people jiving on the

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streets. Do you want that in there? Just do

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it again. Just do it again, Roy. There might be a bar to-4 there.

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Two, three, four. 1... Part of the project as well, I'm going to put

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together the band are used to play with and the men, the Signetts,

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basically. -- I used to. Would you come and play? I would be very proud

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to do it as a project. Thank you very much. Good stuff.

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As usual. What are we doing? Always early! Let's mosey up and have a

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pint. I'm not in the mood for playing tonight.

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Should we organise it the way we use to organise it? Take your partner

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for a two step? Jumbo liar will be done rock 'n' roll. Harry Connick

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Junior style. So we will rehearse these now. I tell you what we are

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going to do. # I was all right for a while,

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# I could smile for a while # When I saw you last night,

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# You held my hand so tight, # When you stopped to say good night

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it... Is that not an augmented chord? Even

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demented! # But when I saw you last night...

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That is the wrong chord, Frankie. Things were going great but it all.

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To suddenly when Frankie felt unwell. -- it all stopped suddenly.

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Oh, Jesus. See what happens. Is he all right?

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Not going to make it to April. We'll be all right. We 'll get a cardboard

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cut-out of him. Thank Thankfully Frank recovered.

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You're swinging again. It's not going as well as I'd hoped.

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Frankie's health has given us some concern. Ronny hasn't turned up. It

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looks like we've lost a band member already.

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Well, the practise yesterday wasn't too bad. Quite a few mistakes made,

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but that is understandable. After not being together for nearly

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40 years! But, a few more get togethers and we should get the

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whole thing right. I'm only sorry that Ronnie wasn't there yesterday.

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He wasn't very well or something wrong somewhere because usually

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Ronnie would turn up because he likes to play music. For Ronnie not

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to turn up there had to be something wrong because he would bring his

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saxophone and to different bars and stuff and play music at the drop of

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a hat. Maybe sometimes he feels he's not up to it because he's not

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getting any younger, just like myself. For some reason he didn't

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make it. He was missed because he could have added a lot to what we

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were doing. But that's life!

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I headed to the junction and I'm going to meet Maureen Heatherington

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the director of the Junction. She does a lot of cross-community work.

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I'm meeting Eammon, he works with an organisation called The community

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Development Learning Initiative and he's from Creggan, which people now

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around here is mainly nationalist. I'm going to try and see how we're

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going to progress. It's great me having an idea, but we need to make

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it appeal to a lot more people. What is the project. I'm thinking of

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maybe two things. One is a sense of you talking about a reunion that

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might attract in people from the Catholic community, the nationalist

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community who formally went. Two strands. Two strands. Basically one

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strand is telling the story of the Fountain and writing songs out of

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that and perform those songs. That would be more or less a sit-down

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concert situation and then there's the dance side. A story about the

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Fountain. It the only remaining Protestant community on the West

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Bank. We have to be sensitive. If you lived the Fountain and you

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suddenly had an inflex of people from Creggan, for example... How

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east 's it going to feel to people there? We could change it and keep

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it separate. Reunion one night - they don't have to happen - it could

:30:41.:30:44.

happen somewhere else. Fountain Primary was built in 1995

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to replace three church schools in the area. When the schools were in

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their heyday, there would have been 600 children in the area. Today,

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sadly, there are 27 primary children school area living in the area. The

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rest of the children that come to Fountain Primary School are those

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with an allegiance to the area, who have families connected to the

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churches or for those who want a small family type school I is

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important that it should survive. It was a tremendous area. It was

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vibrant, full of colour, full of characters. There was a lot of

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music. # What was this place before I was

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born # Tell me the story

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The fountain, sing me a song # What was this place like before I

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was born # We had shops and bars and places

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to play We are invited to the launch of the

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songs at the Fountain Primary School, Thursday, 5th, at 7pm.

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# Tell me a story Sing of the Fountain

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# Sing me a song # What was this place like before I

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was born # What was this place like before I

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was born # Tell me a story of the place I was

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born # Song of the Fountain

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# Sing me a song # What was this place like before I

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was APPLAUSE

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Thanks very much for coming. It is great to see so many people in one

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place. Thanks to Isabel, all the staff and all the children. We're

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going to play some rock'n'roll for you.

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# Dancing down the street # Feeling the heat

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# Up on Fountain Street # It's the 11th night

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# Rock'n'roll Thank you very much! I'm still

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buzzing. I was really nervous. I couldn't believe how nervous I was.

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It's been an honour - the songs are the last word and they capture the

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whole thing. You know, the old streets and the whole emotion of the

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thing and for Roy too, it with us a labour of love. It is great! It is

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monumental for me. Now that the CD is launched, I can

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concentrate on planning the big dance night. The way things are

:34:38.:34:41.

going, it is clear we're going to have to push the date back a bit.

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This new idea of yours, getting together the group. The group.

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Everybody is keen on the idea. If I can ask you now the next step - what

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do you think? We will be over the moon, Roy. The idea is brilliant.

:34:56.:35:00.

Any way we can help, we would be delighted now. What about you

:35:01.:35:04.

considering an idea of your group, starting off the festival, launching

:35:05.:35:09.

the festival on Saturday, 2nd with your reunion dance on the Saturday

:35:10.:35:16.

night? Right, sounds good. Second of August. Second of August. Drink to

:35:17.:35:27.

that. It's a deal. Thank you. Well, I'm getting great support from

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the Fountain Community. Now for the past I'm a bit more worried about -

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I have to somehow convince people from the Catholic community to get

:35:37.:35:38.

involved. They meet a Tuesday up here at the

:35:39.:35:52.

50-plus club. I tell you what, they are a real lively group.

:35:53.:35:58.

Move the arms. # Blue moon...

:35:59.:36:05.

Roy Arbuckle. One thing I am doing is thinking about having a dance in

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the Memorial Hall. Would you go there for a wee dance? I would love

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to. Yes.

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Did you go? Me and Margaret went one night - we weren't allowed. It would

:36:27.:36:32.

be great to see the balcony. We were all dying to go, because we were not

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allowed to go. We never actually had the nerve.

:36:38.:36:42.

Somebody here at the back said try and run before that.

:36:43.:36:49.

I mean they have tea dances in the Guildhall. They could once a month.

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Everybody goes there from all over, if from Foun tand the Waterside and

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-- Fountain and the Waterside and all.

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These have done great since Sunday. We'll be starting the tee dances

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soon again. I really look forward to that.

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No sign of Ronnie since? Frankie had been communicating with him. Frank

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tried to get him yesterday and today. No luck.

:37:31.:37:33.

He's vanished. I think they'll think about the next

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dance at the Memorial Hall. How are these two ladies? This is

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Kathleen. I'm a Kathleen too.

:38:22.:38:30.

You are sisters. They were known as the dolly sisters.

:38:31.:38:38.

He suggested he would open the city festival. When is that? A Saturday.

:38:39.:38:45.

That means I can't go on my usual trip to the Bahamas!

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Have oatcake! She loves a cake!

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Played Mondays Thursdays and Fridays and did gigs in the miner's hall.

:39:28.:39:35.

All I remember is playing... That's why you made all them mistakes you

:39:36.:39:40.

wrote for the kol rain constitution. I didn't make the mistakes! You did.

:39:41.:39:45.

The clear chronology was all wrong and I wrote the words - not you!

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Remember you announced them. I didn't say that. I wrote the music.

:39:52.:39:56.

He got that wrong. You see, that's your man taking notes down! It was

:39:57.:40:03.

all wrong! OK, so I'm not a prolific writer. I didn't write it. He wrote

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it down. Nevertheless, that's why...

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MUSIC Thank you very much. Thank you.

:40:27.:40:51.

As a matter of fact, you could go the extra couple of pound and put on

:40:52.:40:57.

a professional compare. We'll have a local radio personality. Who? No.

:40:58.:41:01.

He's about as funny as an open grave. I don't think it's right.

:41:02.:41:06.

There's bound to be somebody. You could bloody well do it. Snoo I

:41:07.:41:10.

don't want to do it. I'm doing enough. What about Walter Love? Born

:41:11.:41:18.

and bred in the Fountain. We don't need an outside personality. Walter

:41:19.:41:22.

Love was born in the Fountain. Let me ask you a question. What is

:41:23.:41:40.

this all about? He knows as much about music as I do about fly

:41:41.:41:52.

fishing! Forget the personalities! I hope you have enjoyed yourselves.

:41:53.:42:01.

See you next month. Goodbye! This is the band that was formed.

:42:02.:42:05.

You bring someone in and stand up and go, I want to play this. Not on!

:42:06.:42:22.

Iter will you what, it is my gig. Well, the meeting went well.

:42:23.:42:27.

A few resentments, particularly on my part, but I've personally think

:42:28.:42:36.

that the show goes ahead as planned. We always love to bring new music on

:42:37.:42:40.

the programme and it is with great delight that we bring you two local

:42:41.:42:46.

musicians. Let me ask you, what has prompted this nostalgia, this

:42:47.:42:55.

journey back? Our age! The process of organising a dance

:42:56.:43:00.

night and night we hope everybody will come to, especially one that

:43:01.:43:11.

everybody used to come to. That is true. People could go out dancing

:43:12.:43:19.

every night of the week. We didn't have the sort of divisions we have

:43:20.:43:25.

now. Maybe we can get people coming in again.

:43:26.:43:37.

The survival of The Fountain, way back in 1972, I and about several

:43:38.:43:49.

others decided we would stay and try to make it as comfortable as we

:43:50.:43:54.

could. We knew it would be an uphill struggle. As the time has gone on,

:43:55.:44:02.

that hope is beginning to fade. I don't know what the future for The

:44:03.:44:09.

Fountain will hold. I am now over 70. And I'm becoming weary. Sadly,

:44:10.:44:15.

time is running out. He has been living for a while with the

:44:16.:44:20.

knowledge that he is suffering from a terminal illness. His heart must

:44:21.:44:25.

have been heavy even when he was giving me encouragement that the on

:44:26.:44:32.

slide could work. By more than determined -- more determined than

:44:33.:44:35.

ever to live up to his faith in what we are trying to do. -- I am more

:44:36.:44:42.

determined. I think what will happen is that

:44:43.:44:46.

people will be willing us onto the good and we will be good, even if we

:44:47.:44:50.

are bad! If you understand what I mean!

:44:51.:44:58.

One of the band had played there in those glory days. Members of

:44:59.:45:03.

Signetts will bring their current collaborators. The Jazz Quartet. And

:45:04.:45:12.

Roy Arbuckle. And the whole band get together. That is fine.

:45:13.:45:23.

Are you ready for the men? Are you up for them? Music will be there by

:45:24.:45:29.

the reformed band back. Do you remember the Signetts?

:45:30.:45:38.

It is a year since we first met to talk about this. It seems like only

:45:39.:45:51.

yesterday! Sit at the back! You know what I'm mean! I am only singing two

:45:52.:45:55.

songs. You're not nervous about playing? I

:45:56.:46:07.

was never as nervous in my life, trust me. All of the drum fittings

:46:08.:46:21.

are stuck in the left! Good! So the rehearsal might be drum less! It is

:46:22.:46:28.

broke! THEY PLAY COUNTRY SONG.

:46:29.:46:59.

I just heard today there are 40, 50 tickets sold. Not an easy sell. If

:47:00.:47:04.

they turn up it will be great. We always knew that. Possibly it might

:47:05.:47:10.

not work. Fingers crossed. It will be all right on the night.

:47:11.:47:47.

I've put these clothes out. What do you think? I'm wearing that. But I

:47:48.:47:55.

don't know whether to wear that all that. -- or that.

:47:56.:48:40.

# Happy people, my, my, my! My hands are shaking and I am as a cat on a

:48:41.:48:55.

hot roof, but I can't believe it. -- as nervous as a cat.

:48:56.:49:09.

Filling up nicely now. Good, good. That is something we look forward

:49:10.:49:22.

to, bringing extra chairs in. The crowd is coming in now and I'm

:49:23.:49:27.

reliever looking forward to it. There are people I haven't seen for

:49:28.:49:31.

years here. But I'm not going to cry! They are all here. There is a

:49:32.:49:40.

girl used to go with! Excuse me! It takes me back more than 50 years.

:49:41.:49:48.

Would you welcome on, please, a great old friend of mine and a

:49:49.:49:53.

friend of his. Make them feel at home, they are back!

:49:54.:50:24.

So, if you feel like dancing, the floor has been freshly dusted!

:50:25.:50:37.

# Summertime, # And the living is easy,

:50:38.:50:46.

# Your daddy is rich, # And your mum is good-looking,

:50:47.:50:54.

# So, harsh, little baby, don't you cry.

:50:55.:51:03.

There's a lot of people coming in with tears in their eyes. It is a

:51:04.:51:07.

long time since they were in the hall.

:51:08.:51:20.

Absolutely fantastic and the floor is jumping! I've never seen as many

:51:21.:51:56.

happy faces. Even The Young Ones are enjoying it! And eye must be the

:51:57.:52:04.

oldest one here! -- I. I've met a few people I New Year 's back. It is

:52:05.:52:09.

nice to see them all again. This is a fabulous night. Really fabulous. I

:52:10.:52:16.

used to come here to dance many, many years ago. I thought it would

:52:17.:52:22.

be an ordinary dance but when I came in, it was absolutely packed. What a

:52:23.:52:32.

relief! I was worried about nothing! The women are here, people have come

:52:33.:52:36.

from all parts of the city, even Belfast and Galway and God knows

:52:37.:52:40.

where else! It is a truly integrated event.

:52:41.:52:48.

We were dancing and we met and we married a year later and we have

:52:49.:52:56.

been 45 years married coming up. And I am wearing the same dress as when

:52:57.:53:03.

I met him. Still fits me! After the Troubles we have come through and

:53:04.:53:08.

you see people coming back together again, it is amazing. The bitterness

:53:09.:53:13.

has gone. So we are back to where we were in the 60s. First of all, well

:53:14.:53:21.

done to the maiden city festival. It is wonderful to see it resurrected.

:53:22.:53:26.

And have to ask this question before I introduced the wonderful group.

:53:27.:53:34.

Hands up the men who were refused a dance by women in this place? Hands

:53:35.:53:40.

up, lads! And hands up the women who were glad to refuse them! Ha-ha! Did

:53:41.:53:49.

anybody fall in love here? But to get ready nostalgic now, for those

:53:50.:53:54.

of you who are pretending you are still in love, a big round of

:53:55.:53:56.

applause to the Signetts. # Water ice say,

:53:57.:55:13.

# Tell me what I say, # Tell me what I say.

:55:14.:55:21.

# I couldn't dance with another, # When I saw her standing there.

:55:22.:56:03.

# Yes, since I saw her standing there.

:56:04.:56:14.

Thank you very much, ladies and gentlemen!

:56:15.:56:29.

Absolute magic. You know, after 40 years, sitting here at my age,

:56:30.:56:36.

people dancing and clapping and whatever. What more could you ask

:56:37.:56:41.

for? And what a lovely night. He is a full night. That is what it is all

:56:42.:56:45.

about and I hope it can be done again in another 100 years! One two,

:56:46.:56:56.

three, four. I thought they would be throwing things at us but it worked

:56:57.:57:03.

out OK! I put my heart and soul into that tonight and I am delighted to

:57:04.:57:05.

be playing again with Frankie, Jackie and Roy. 230, 231, 32, 33...

:57:06.:57:18.

Both sides of the great divide dancing and appreciating the music.

:57:19.:57:21.

And they had a ball, and I don't know about anybody else, but I had a

:57:22.:57:26.

ball. I'd just hope they don't do this every week! OK!

:57:27.:57:32.

This is the end of the security fence. It's about 240 paces long.

:57:33.:57:54.

Sometimes it seems it might be 240 paces high. Sometimes I think it

:57:55.:58:00.

might only take one small step and we would all be gone.

:58:01.:58:12.

Alexander was saying he wanted to make a film about The Fountain and

:58:13.:58:19.

the people in The Fountain. And the times. Time has gone on very

:58:20.:58:23.

quickly! Patrick Kielty

:58:24.:59:06.

is back on home turf...

:59:07.:59:09.

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