
Browse content similar to Paradiso. Check below for episodes and series from the same categories and more!
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This programme contains some strong language. | :00:00. | :01:49. | |
You know, I really feel sorry for the young people because they won't | :01:50. | :02:00. | |
be able to dance, really. You know, no dancehalls for them to go to. All | :02:01. | :02:05. | |
they can go to are hotels. Something like that. But there's no place | :02:06. | :02:10. | |
where they can have a nice dance and learn to dance right. There's no | :02:11. | :02:15. | |
music. That I would call music. I wouldn't | :02:16. | :02:22. | |
call it music now. Just thumpings. Excuse us for saying that. | :02:23. | :02:43. | |
One, two, three, four, five, six, seven, eight, nine, ten, 11, 12... | :02:44. | :02:57. | |
It's been a hard journey. It's a hard journey for anyone living in | :02:58. | :03:01. | |
the Fountain. People living in this estate now, in the Fountain Estate | :03:02. | :03:06. | |
feel themselves under threat most of the time T how do you feel people to | :03:07. | :03:11. | |
feel OK when you are surrounded by this - you know. This is where my | :03:12. | :03:18. | |
people are from. My mother was born here, I was born around the corner. | :03:19. | :03:25. | |
Nowadays the Fountain is the last enclave of Protestant unionist | :03:26. | :03:28. | |
people here on this side of the river. Over this side is ceg began | :03:29. | :03:36. | |
and the bogside area, where most of the Catholic nationalist people live | :03:37. | :03:41. | |
and just where we are now is what we call around here an "interface." It | :03:42. | :03:48. | |
is where the two sides collide sometimes - not too gently. Then the | :03:49. | :03:59. | |
fence - it's not going to win any prizes for architecture, is it? ! | :04:00. | :04:07. | |
My father was born on this street. He was actually born in the house | :04:08. | :04:12. | |
next to this one that I am sitting in front of. My mother was born | :04:13. | :04:17. | |
right in the corner. We had 318 people on the Fountain in 160 | :04:18. | :04:22. | |
houses. At the start of the development and at the start of the | :04:23. | :04:31. | |
troubles, in 1996, we had 17, 080. I remember the spirit - there was a | :04:32. | :04:36. | |
community spirit. There was cohesion within the cul-de-sacs. So my link | :04:37. | :04:40. | |
with the Fountain would have been spiritual and a link through my | :04:41. | :04:42. | |
family. The history of history is important | :04:43. | :04:58. | |
to Protestant and Catholic people. It is symbolic to Protestant people | :04:59. | :05:02. | |
of survival and a harsh land, if you can put it like that. For Catholic | :05:03. | :05:09. | |
people it is also a symbol of oppression and colonisation and | :05:10. | :05:13. | |
oppression. So, for both communities this is an important place. We lived | :05:14. | :05:18. | |
in Albert Place. That was a cul-de-sac. We lived in number 14. | :05:19. | :05:22. | |
My grandmother lived in number 18 and my Aunty lived in number 19. It | :05:23. | :05:29. | |
was a family affair. A very close net community. Right here there was | :05:30. | :05:36. | |
the great pub. It was very small. It was a small pub. It had music | :05:37. | :05:44. | |
upstairs it had music. I never knew that. The Paradiso has gone. It | :05:45. | :05:50. | |
exists in the minds of people who remember the Fountain as a poor | :05:51. | :05:54. | |
man's lost paradise. Now the population is getting older and | :05:55. | :05:58. | |
older and older. Young people are moving away. There's been a steady | :05:59. | :06:04. | |
drip for 30 years. It is sad. My sense is it's over. The victors | :06:05. | :06:12. | |
write the history and the losers write the songs. So I want to talk | :06:13. | :06:17. | |
to people and try and create songs out of that. So that this place will | :06:18. | :06:25. | |
be remembered and these people will be remembered. | :06:26. | :06:58. | |
# To see what I could see # Nothing seemed the same | :06:59. | :07:10. | |
# Nothing... For me, music has always been a | :07:11. | :07:16. | |
unifying pack r factor. There's -- unifying factor. There's no boundary | :07:17. | :07:22. | |
in music. # Victoria | :07:23. | :07:26. | |
# Henry # Albert | :07:27. | :07:33. | |
# Boris # Clarence Place | :07:34. | :07:38. | |
# Kennedy Place # Fountain Place, place, place... | :07:39. | :07:50. | |
You left two out - Lower Fountain Street and Kempton Place. Thank you. | :07:51. | :07:56. | |
A couple of things I am thinking about. I want to pick your brains | :07:57. | :08:01. | |
about. I am thinking back to the '60s, my younger days - write songs | :08:02. | :08:09. | |
about that era, about the Fountain so, somehow it will be remembered in | :08:10. | :08:13. | |
songs. At that time, if my memory is right, | :08:14. | :08:18. | |
there was no such thing as Protestants going one place and | :08:19. | :08:22. | |
Catholics going the other. You had the money to go where you wanted and | :08:23. | :08:27. | |
who ever you fan Sid. What would happen if we had a recreation of one | :08:28. | :08:32. | |
of those nights? Do you think people would come to it? I think you would | :08:33. | :08:37. | |
get away with it. Do you think people from both communities would | :08:38. | :08:41. | |
come? I think we're moving into that era, where it is possible at the | :08:42. | :08:46. | |
moment. People in the main say they are still under siege. There might | :08:47. | :08:50. | |
be a risk element in it. You have to take risks sometimes. You think it | :08:51. | :08:52. | |
is worth trying it? MUSIC | :08:53. | :09:31. | |
# The kiss of fire... If I listen to good music, even classical music, I | :09:32. | :09:38. | |
get goose pimples. The hairs in my arms stand up. There is no - I mean | :09:39. | :09:46. | |
I have never had a goose bump when I listen to Top of the Pops now. We | :09:47. | :09:50. | |
loved the dancing and the music was great. The dancing - one of them | :09:51. | :09:54. | |
said, do you two get paid for starting off | :09:55. | :10:01. | |
said, do you two get paid for the minute the music starts, away | :10:02. | :10:01. | |
even get a chance to take you out. You know? When we got older we went | :10:02. | :10:17. | |
to the bigger dances. This is the centre and was the | :10:18. | :10:23. | |
centre life of the Fountain Community. Everybody came - it was | :10:24. | :10:30. | |
not segregated the way things are now. | :10:31. | :10:34. | |
If you liked the band, the hall, maybe you thought you would meet the | :10:35. | :10:39. | |
girl of your dreams. You would go wherever you wanted. We would play | :10:40. | :10:44. | |
the Beatles and the Rolling Stones. Also do some ballroom dancing. | :10:45. | :10:58. | |
We weren't looking at the faces, we were looking at the feet to see if | :10:59. | :11:05. | |
there was a good pair of feet there. I like him - I'll wait till he comes | :11:06. | :11:13. | |
around again! We would play foxtrots and a slow waltz. The band was way | :11:14. | :11:21. | |
up in the ceiling, nearly. Maybe a cha-cha-cha and a tango. | :11:22. | :11:38. | |
And I'd just loved it. And ever since I loved the tango music. | :11:39. | :11:46. | |
She's away! I like the rock 'n' roll, too. And | :11:47. | :12:02. | |
the jive. And I've seen her doing it! She is great! | :12:03. | :12:34. | |
In 1969, I came home and the barricades were up. I could have | :12:35. | :12:43. | |
cried. Ireland at the moment on Saturday and the army had just come | :12:44. | :12:48. | |
in that week and I went out on the Sunday. -- I remember. I took a walk | :12:49. | :12:54. | |
around and it was heartbreaking. There wasn't really much you could | :12:55. | :12:58. | |
do about it. It was bad at that time. | :12:59. | :13:16. | |
We had this dancing apprentice at the Memorial Hall. I've played in | :13:17. | :13:21. | |
the resident band way back in the 60s and it was one of the first gigs | :13:22. | :13:25. | |
I've ever did that I'd got money for. I am going to try to bring that | :13:26. | :13:34. | |
band together a game. I'm going to meet them tomorrow and ask them, do | :13:35. | :13:38. | |
they want to get back together as a band, which is going to be really | :13:39. | :13:44. | |
interesting. I don't know if people are still in the same place | :13:45. | :13:49. | |
musically or whatever. And there are different personalities in the band. | :13:50. | :13:54. | |
It will be interesting. Have you got any idea what is going on? Haven't a | :13:55. | :14:08. | |
clue! Hello! Hello, lads! What is happening? I hope that is paid for! | :14:09. | :14:20. | |
Going into the Memorial Hall, which is seen by a lot of people is not | :14:21. | :14:25. | |
really a safe place. And why would people chose -- choose to go to a | :14:26. | :14:35. | |
place that wasn't safe? So let's see what happens. My God! It is the same | :14:36. | :14:55. | |
curtains. No, they are not! It has changed! We used to rehearse in the | :14:56. | :15:08. | |
back. And what about the town hall? Whatever happened, he had fallen | :15:09. | :15:16. | |
out. He was down the stairs and they changed the notes, do you remember? | :15:17. | :15:26. | |
And he walks up... He threw the whole lot of them on the floor and | :15:27. | :15:34. | |
walked out of the hall. We got into the vans and we were driving up | :15:35. | :15:38. | |
through Ballykelly. What was he doing? He was walking... With the | :15:39. | :15:45. | |
saxophone in his hand and the suit. The notion is I am trying to put the | :15:46. | :15:50. | |
band together, reunion, of one of the bands that played in here. We | :15:51. | :15:55. | |
are going to do it, first of all. Will it work? Let's have a go at it | :15:56. | :16:06. | |
again. Reunion as such. And the Signetts up on that stage. We could | :16:07. | :16:13. | |
actually invite different musicians. Try to contact all the musicians we | :16:14. | :16:22. | |
knew in those days. What would the line-up he? Franz? Saxophone, | :16:23. | :16:34. | |
guitar. Bassist. We can't even remember who the band was, how are | :16:35. | :16:36. | |
we going to remember the music?! Well, so far, so good. If we can | :16:37. | :17:19. | |
keep up this good atmosphere, I am starting to believe we can pull off | :17:20. | :17:20. | |
the Signetts reunion. That was the song the Signetts used | :17:21. | :17:39. | |
to do years ago. We all sang songs but the only real singer in the band | :17:40. | :17:41. | |
was Trevor Keyes, I would say. # Let me talk to you, | :17:42. | :17:58. | |
# Please let me talk to you... One did contribute a lot with his | :17:59. | :18:07. | |
saxophone. -- Ronnie. Ronnie, here's a character, and talented. Some of | :18:08. | :18:14. | |
the things did and said, we more than likely never agreed with him | :18:15. | :18:16. | |
but he would always fight his corner. Jackie has a great | :18:17. | :18:23. | |
personality and he is one of the funniest men I have ever known. He | :18:24. | :18:33. | |
is some boy. He was very moody at times. We would joke and say he was | :18:34. | :18:40. | |
like a girl! That is the original Signetts. There they are. Jackie, | :18:41. | :18:49. | |
Trevor, and there was me with a harpoon committee guitar. And hair | :18:50. | :18:55. | |
as well! I wonder where that all went? | :18:56. | :19:06. | |
The Signetts, when they played in the main, they were loved. They were | :19:07. | :19:16. | |
loved. I've known Jackie Molloy since we | :19:17. | :19:20. | |
played together in the 60s and I lived around the corner from him. | :19:21. | :19:30. | |
Do you know when that fence when top? Icon say. See, when all the | :19:31. | :19:41. | |
houses here were demolished, I don't know... In 1969, when the people | :19:42. | :19:56. | |
lived here they put barricades up. They should be able to find it all | :19:57. | :20:04. | |
right. What do you think about meeting the boys again? Great! | :20:05. | :20:13. | |
It is strange to think of everybody going their own way, you know? And | :20:14. | :20:22. | |
all of a sudden, there will be five slaloms on one piece of music. Part | :20:23. | :20:32. | |
of the band we are putting together played in the 60s. You know Jackie | :20:33. | :20:34. | |
Molloy? Yeah. I'd just some are going down to | :20:35. | :20:47. | |
Danny Grant's pub down there and having a Guinness. A bit of ballroom | :20:48. | :21:00. | |
dancing, a Latin American set. That is all right. | :21:01. | :21:12. | |
We will have two tickets! Will you go? Surely. Wouldn't miss that. | :21:13. | :21:42. | |
I've been working away on my CD about the The Fountain. One of our | :21:43. | :21:54. | |
members, I hear hears into Cuban music now. -- he is. | :21:55. | :22:07. | |
That is a song that means lots of my loves all loves of my life. I have | :22:08. | :22:21. | |
always loved Cuba and the politics of Cuba. That is what got me into | :22:22. | :22:25. | |
Cuban music. The beauty of it, the romance of revolution, Sheikh of | :22:26. | :22:33. | |
are. And the revolution. -- Che Guevara. I was born in a little | :22:34. | :22:44. | |
place off Wapping Lane and The Fountain. I've met Roy when we were | :22:45. | :22:52. | |
very, very young. And we played in bands together, various local bands, | :22:53. | :22:56. | |
what they call Irish show bands, where they did a mix of everything. | :22:57. | :23:10. | |
It is a rock 'n' roll song, from the 11th night, people jiving on the | :23:11. | :23:15. | |
streets. Do you want that in there? Just do | :23:16. | :23:34. | |
it again. Just do it again, Roy. There might be a bar to-4 there. | :23:35. | :23:48. | |
Two, three, four. 1... Part of the project as well, I'm going to put | :23:49. | :23:58. | |
together the band are used to play with and the men, the Signetts, | :23:59. | :24:05. | |
basically. -- I used to. Would you come and play? I would be very proud | :24:06. | :24:09. | |
to do it as a project. Thank you very much. Good stuff. | :24:10. | :24:21. | |
As usual. What are we doing? Always early! Let's mosey up and have a | :24:22. | :24:29. | |
pint. I'm not in the mood for playing tonight. | :24:30. | :24:35. | |
Should we organise it the way we use to organise it? Take your partner | :24:36. | :24:44. | |
for a two step? Jumbo liar will be done rock 'n' roll. Harry Connick | :24:45. | :24:57. | |
Junior style. So we will rehearse these now. I tell you what we are | :24:58. | :25:00. | |
going to do. # I was all right for a while, | :25:01. | :25:17. | |
# I could smile for a while # When I saw you last night, | :25:18. | :25:23. | |
# You held my hand so tight, # When you stopped to say good night | :25:24. | :25:32. | |
it... Is that not an augmented chord? Even | :25:33. | :25:34. | |
demented! # But when I saw you last night... | :25:35. | :25:52. | |
That is the wrong chord, Frankie. Things were going great but it all. | :25:53. | :25:55. | |
To suddenly when Frankie felt unwell. -- it all stopped suddenly. | :25:56. | :26:11. | |
Oh, Jesus. See what happens. Is he all right? | :26:12. | :26:32. | |
Not going to make it to April. We'll be all right. We 'll get a cardboard | :26:33. | :26:46. | |
cut-out of him. Thank Thankfully Frank recovered. | :26:47. | :26:58. | |
You're swinging again. It's not going as well as I'd hoped. | :26:59. | :27:19. | |
Frankie's health has given us some concern. Ronny hasn't turned up. It | :27:20. | :27:27. | |
looks like we've lost a band member already. | :27:28. | :27:32. | |
Well, the practise yesterday wasn't too bad. Quite a few mistakes made, | :27:33. | :27:42. | |
but that is understandable. After not being together for nearly | :27:43. | :27:47. | |
40 years! But, a few more get togethers and we should get the | :27:48. | :27:51. | |
whole thing right. I'm only sorry that Ronnie wasn't there yesterday. | :27:52. | :27:55. | |
He wasn't very well or something wrong somewhere because usually | :27:56. | :27:59. | |
Ronnie would turn up because he likes to play music. For Ronnie not | :28:00. | :28:05. | |
to turn up there had to be something wrong because he would bring his | :28:06. | :28:10. | |
saxophone and to different bars and stuff and play music at the drop of | :28:11. | :28:14. | |
a hat. Maybe sometimes he feels he's not up to it because he's not | :28:15. | :28:18. | |
getting any younger, just like myself. For some reason he didn't | :28:19. | :28:22. | |
make it. He was missed because he could have added a lot to what we | :28:23. | :28:28. | |
were doing. But that's life! | :28:29. | :28:39. | |
I headed to the junction and I'm going to meet Maureen Heatherington | :28:40. | :28:49. | |
the director of the Junction. She does a lot of cross-community work. | :28:50. | :28:56. | |
I'm meeting Eammon, he works with an organisation called The community | :28:57. | :29:01. | |
Development Learning Initiative and he's from Creggan, which people now | :29:02. | :29:10. | |
around here is mainly nationalist. I'm going to try and see how we're | :29:11. | :29:16. | |
going to progress. It's great me having an idea, but we need to make | :29:17. | :29:24. | |
it appeal to a lot more people. What is the project. I'm thinking of | :29:25. | :29:30. | |
maybe two things. One is a sense of you talking about a reunion that | :29:31. | :29:39. | |
might attract in people from the Catholic community, the nationalist | :29:40. | :29:45. | |
community who formally went. Two strands. Two strands. Basically one | :29:46. | :29:51. | |
strand is telling the story of the Fountain and writing songs out of | :29:52. | :29:56. | |
that and perform those songs. That would be more or less a sit-down | :29:57. | :30:02. | |
concert situation and then there's the dance side. A story about the | :30:03. | :30:08. | |
Fountain. It the only remaining Protestant community on the West | :30:09. | :30:12. | |
Bank. We have to be sensitive. If you lived the Fountain and you | :30:13. | :30:17. | |
suddenly had an inflex of people from Creggan, for example... How | :30:18. | :30:31. | |
east 's it going to feel to people there? We could change it and keep | :30:32. | :30:40. | |
it separate. Reunion one night - they don't have to happen - it could | :30:41. | :30:44. | |
happen somewhere else. Fountain Primary was built in 1995 | :30:45. | :31:03. | |
to replace three church schools in the area. When the schools were in | :31:04. | :31:07. | |
their heyday, there would have been 600 children in the area. Today, | :31:08. | :31:12. | |
sadly, there are 27 primary children school area living in the area. The | :31:13. | :31:17. | |
rest of the children that come to Fountain Primary School are those | :31:18. | :31:22. | |
with an allegiance to the area, who have families connected to the | :31:23. | :31:27. | |
churches or for those who want a small family type school I is | :31:28. | :31:30. | |
important that it should survive. It was a tremendous area. It was | :31:31. | :31:34. | |
vibrant, full of colour, full of characters. There was a lot of | :31:35. | :31:36. | |
music. # What was this place before I was | :31:37. | :31:50. | |
born # Tell me the story | :31:51. | :32:01. | |
The fountain, sing me a song # What was this place like before I | :32:02. | :32:04. | |
was born # We had shops and bars and places | :32:05. | :32:09. | |
to play We are invited to the launch of the | :32:10. | :32:17. | |
songs at the Fountain Primary School, Thursday, 5th, at 7pm. | :32:18. | :32:23. | |
# Tell me a story Sing of the Fountain | :32:24. | :32:30. | |
# Sing me a song # What was this place like before I | :32:31. | :32:35. | |
was born # What was this place like before I | :32:36. | :32:38. | |
was born # Tell me a story of the place I was | :32:39. | :32:43. | |
born # Song of the Fountain | :32:44. | :32:47. | |
# Sing me a song # What was this place like before I | :32:48. | :32:54. | |
was APPLAUSE | :32:55. | :33:13. | |
Thanks very much for coming. It is great to see so many people in one | :33:14. | :33:19. | |
place. Thanks to Isabel, all the staff and all the children. We're | :33:20. | :33:24. | |
going to play some rock'n'roll for you. | :33:25. | :33:40. | |
# Dancing down the street # Feeling the heat | :33:41. | :33:56. | |
# Up on Fountain Street # It's the 11th night | :33:57. | :34:02. | |
# Rock'n'roll Thank you very much! I'm still | :34:03. | :34:10. | |
buzzing. I was really nervous. I couldn't believe how nervous I was. | :34:11. | :34:16. | |
It's been an honour - the songs are the last word and they capture the | :34:17. | :34:20. | |
whole thing. You know, the old streets and the whole emotion of the | :34:21. | :34:26. | |
thing and for Roy too, it with us a labour of love. It is great! It is | :34:27. | :34:33. | |
monumental for me. Now that the CD is launched, I can | :34:34. | :34:37. | |
concentrate on planning the big dance night. The way things are | :34:38. | :34:41. | |
going, it is clear we're going to have to push the date back a bit. | :34:42. | :34:46. | |
This new idea of yours, getting together the group. The group. | :34:47. | :34:50. | |
Everybody is keen on the idea. If I can ask you now the next step - what | :34:51. | :34:55. | |
do you think? We will be over the moon, Roy. The idea is brilliant. | :34:56. | :35:00. | |
Any way we can help, we would be delighted now. What about you | :35:01. | :35:04. | |
considering an idea of your group, starting off the festival, launching | :35:05. | :35:09. | |
the festival on Saturday, 2nd with your reunion dance on the Saturday | :35:10. | :35:16. | |
night? Right, sounds good. Second of August. Second of August. Drink to | :35:17. | :35:27. | |
that. It's a deal. Thank you. Well, I'm getting great support from | :35:28. | :35:31. | |
the Fountain Community. Now for the past I'm a bit more worried about - | :35:32. | :35:36. | |
I have to somehow convince people from the Catholic community to get | :35:37. | :35:38. | |
involved. They meet a Tuesday up here at the | :35:39. | :35:52. | |
50-plus club. I tell you what, they are a real lively group. | :35:53. | :35:58. | |
Move the arms. # Blue moon... | :35:59. | :36:05. | |
Roy Arbuckle. One thing I am doing is thinking about having a dance in | :36:06. | :36:14. | |
the Memorial Hall. Would you go there for a wee dance? I would love | :36:15. | :36:18. | |
to. Yes. | :36:19. | :36:26. | |
Did you go? Me and Margaret went one night - we weren't allowed. It would | :36:27. | :36:32. | |
be great to see the balcony. We were all dying to go, because we were not | :36:33. | :36:37. | |
allowed to go. We never actually had the nerve. | :36:38. | :36:42. | |
Somebody here at the back said try and run before that. | :36:43. | :36:49. | |
I mean they have tea dances in the Guildhall. They could once a month. | :36:50. | :36:57. | |
Everybody goes there from all over, if from Foun tand the Waterside and | :36:58. | :37:02. | |
-- Fountain and the Waterside and all. | :37:03. | :37:08. | |
These have done great since Sunday. We'll be starting the tee dances | :37:09. | :37:15. | |
soon again. I really look forward to that. | :37:16. | :37:26. | |
No sign of Ronnie since? Frankie had been communicating with him. Frank | :37:27. | :37:30. | |
tried to get him yesterday and today. No luck. | :37:31. | :37:33. | |
He's vanished. I think they'll think about the next | :37:34. | :38:14. | |
dance at the Memorial Hall. How are these two ladies? This is | :38:15. | :38:21. | |
Kathleen. I'm a Kathleen too. | :38:22. | :38:30. | |
You are sisters. They were known as the dolly sisters. | :38:31. | :38:38. | |
He suggested he would open the city festival. When is that? A Saturday. | :38:39. | :38:45. | |
That means I can't go on my usual trip to the Bahamas! | :38:46. | :39:10. | |
Have oatcake! She loves a cake! | :39:11. | :39:27. | |
Played Mondays Thursdays and Fridays and did gigs in the miner's hall. | :39:28. | :39:35. | |
All I remember is playing... That's why you made all them mistakes you | :39:36. | :39:40. | |
wrote for the kol rain constitution. I didn't make the mistakes! You did. | :39:41. | :39:45. | |
The clear chronology was all wrong and I wrote the words - not you! | :39:46. | :39:51. | |
Remember you announced them. I didn't say that. I wrote the music. | :39:52. | :39:56. | |
He got that wrong. You see, that's your man taking notes down! It was | :39:57. | :40:03. | |
all wrong! OK, so I'm not a prolific writer. I didn't write it. He wrote | :40:04. | :40:09. | |
it down. Nevertheless, that's why... | :40:10. | :40:26. | |
MUSIC Thank you very much. Thank you. | :40:27. | :40:51. | |
As a matter of fact, you could go the extra couple of pound and put on | :40:52. | :40:57. | |
a professional compare. We'll have a local radio personality. Who? No. | :40:58. | :41:01. | |
He's about as funny as an open grave. I don't think it's right. | :41:02. | :41:06. | |
There's bound to be somebody. You could bloody well do it. Snoo I | :41:07. | :41:10. | |
don't want to do it. I'm doing enough. What about Walter Love? Born | :41:11. | :41:18. | |
and bred in the Fountain. We don't need an outside personality. Walter | :41:19. | :41:22. | |
Love was born in the Fountain. Let me ask you a question. What is | :41:23. | :41:40. | |
this all about? He knows as much about music as I do about fly | :41:41. | :41:52. | |
fishing! Forget the personalities! I hope you have enjoyed yourselves. | :41:53. | :42:01. | |
See you next month. Goodbye! This is the band that was formed. | :42:02. | :42:05. | |
You bring someone in and stand up and go, I want to play this. Not on! | :42:06. | :42:22. | |
Iter will you what, it is my gig. Well, the meeting went well. | :42:23. | :42:27. | |
A few resentments, particularly on my part, but I've personally think | :42:28. | :42:36. | |
that the show goes ahead as planned. We always love to bring new music on | :42:37. | :42:40. | |
the programme and it is with great delight that we bring you two local | :42:41. | :42:46. | |
musicians. Let me ask you, what has prompted this nostalgia, this | :42:47. | :42:55. | |
journey back? Our age! The process of organising a dance | :42:56. | :43:00. | |
night and night we hope everybody will come to, especially one that | :43:01. | :43:11. | |
everybody used to come to. That is true. People could go out dancing | :43:12. | :43:19. | |
every night of the week. We didn't have the sort of divisions we have | :43:20. | :43:25. | |
now. Maybe we can get people coming in again. | :43:26. | :43:37. | |
The survival of The Fountain, way back in 1972, I and about several | :43:38. | :43:49. | |
others decided we would stay and try to make it as comfortable as we | :43:50. | :43:54. | |
could. We knew it would be an uphill struggle. As the time has gone on, | :43:55. | :44:02. | |
that hope is beginning to fade. I don't know what the future for The | :44:03. | :44:09. | |
Fountain will hold. I am now over 70. And I'm becoming weary. Sadly, | :44:10. | :44:15. | |
time is running out. He has been living for a while with the | :44:16. | :44:20. | |
knowledge that he is suffering from a terminal illness. His heart must | :44:21. | :44:25. | |
have been heavy even when he was giving me encouragement that the on | :44:26. | :44:32. | |
slide could work. By more than determined -- more determined than | :44:33. | :44:35. | |
ever to live up to his faith in what we are trying to do. -- I am more | :44:36. | :44:42. | |
determined. I think what will happen is that | :44:43. | :44:46. | |
people will be willing us onto the good and we will be good, even if we | :44:47. | :44:50. | |
are bad! If you understand what I mean! | :44:51. | :44:58. | |
One of the band had played there in those glory days. Members of | :44:59. | :45:03. | |
Signetts will bring their current collaborators. The Jazz Quartet. And | :45:04. | :45:12. | |
Roy Arbuckle. And the whole band get together. That is fine. | :45:13. | :45:23. | |
Are you ready for the men? Are you up for them? Music will be there by | :45:24. | :45:29. | |
the reformed band back. Do you remember the Signetts? | :45:30. | :45:38. | |
It is a year since we first met to talk about this. It seems like only | :45:39. | :45:51. | |
yesterday! Sit at the back! You know what I'm mean! I am only singing two | :45:52. | :45:55. | |
songs. You're not nervous about playing? I | :45:56. | :46:07. | |
was never as nervous in my life, trust me. All of the drum fittings | :46:08. | :46:21. | |
are stuck in the left! Good! So the rehearsal might be drum less! It is | :46:22. | :46:28. | |
broke! THEY PLAY COUNTRY SONG. | :46:29. | :46:59. | |
I just heard today there are 40, 50 tickets sold. Not an easy sell. If | :47:00. | :47:04. | |
they turn up it will be great. We always knew that. Possibly it might | :47:05. | :47:10. | |
not work. Fingers crossed. It will be all right on the night. | :47:11. | :47:47. | |
I've put these clothes out. What do you think? I'm wearing that. But I | :47:48. | :47:55. | |
don't know whether to wear that all that. -- or that. | :47:56. | :48:40. | |
# Happy people, my, my, my! My hands are shaking and I am as a cat on a | :48:41. | :48:55. | |
hot roof, but I can't believe it. -- as nervous as a cat. | :48:56. | :49:09. | |
Filling up nicely now. Good, good. That is something we look forward | :49:10. | :49:22. | |
to, bringing extra chairs in. The crowd is coming in now and I'm | :49:23. | :49:27. | |
reliever looking forward to it. There are people I haven't seen for | :49:28. | :49:31. | |
years here. But I'm not going to cry! They are all here. There is a | :49:32. | :49:40. | |
girl used to go with! Excuse me! It takes me back more than 50 years. | :49:41. | :49:48. | |
Would you welcome on, please, a great old friend of mine and a | :49:49. | :49:53. | |
friend of his. Make them feel at home, they are back! | :49:54. | :50:24. | |
So, if you feel like dancing, the floor has been freshly dusted! | :50:25. | :50:37. | |
# Summertime, # And the living is easy, | :50:38. | :50:46. | |
# Your daddy is rich, # And your mum is good-looking, | :50:47. | :50:54. | |
# So, harsh, little baby, don't you cry. | :50:55. | :51:03. | |
There's a lot of people coming in with tears in their eyes. It is a | :51:04. | :51:07. | |
long time since they were in the hall. | :51:08. | :51:20. | |
Absolutely fantastic and the floor is jumping! I've never seen as many | :51:21. | :51:56. | |
happy faces. Even The Young Ones are enjoying it! And eye must be the | :51:57. | :52:04. | |
oldest one here! -- I. I've met a few people I New Year 's back. It is | :52:05. | :52:09. | |
nice to see them all again. This is a fabulous night. Really fabulous. I | :52:10. | :52:16. | |
used to come here to dance many, many years ago. I thought it would | :52:17. | :52:22. | |
be an ordinary dance but when I came in, it was absolutely packed. What a | :52:23. | :52:32. | |
relief! I was worried about nothing! The women are here, people have come | :52:33. | :52:36. | |
from all parts of the city, even Belfast and Galway and God knows | :52:37. | :52:40. | |
where else! It is a truly integrated event. | :52:41. | :52:48. | |
We were dancing and we met and we married a year later and we have | :52:49. | :52:56. | |
been 45 years married coming up. And I am wearing the same dress as when | :52:57. | :53:03. | |
I met him. Still fits me! After the Troubles we have come through and | :53:04. | :53:08. | |
you see people coming back together again, it is amazing. The bitterness | :53:09. | :53:13. | |
has gone. So we are back to where we were in the 60s. First of all, well | :53:14. | :53:21. | |
done to the maiden city festival. It is wonderful to see it resurrected. | :53:22. | :53:26. | |
And have to ask this question before I introduced the wonderful group. | :53:27. | :53:34. | |
Hands up the men who were refused a dance by women in this place? Hands | :53:35. | :53:40. | |
up, lads! And hands up the women who were glad to refuse them! Ha-ha! Did | :53:41. | :53:49. | |
anybody fall in love here? But to get ready nostalgic now, for those | :53:50. | :53:54. | |
of you who are pretending you are still in love, a big round of | :53:55. | :53:56. | |
applause to the Signetts. # Water ice say, | :53:57. | :55:13. | |
# Tell me what I say, # Tell me what I say. | :55:14. | :55:21. | |
# I couldn't dance with another, # When I saw her standing there. | :55:22. | :56:03. | |
# Yes, since I saw her standing there. | :56:04. | :56:14. | |
Thank you very much, ladies and gentlemen! | :56:15. | :56:29. | |
Absolute magic. You know, after 40 years, sitting here at my age, | :56:30. | :56:36. | |
people dancing and clapping and whatever. What more could you ask | :56:37. | :56:41. | |
for? And what a lovely night. He is a full night. That is what it is all | :56:42. | :56:45. | |
about and I hope it can be done again in another 100 years! One two, | :56:46. | :56:56. | |
three, four. I thought they would be throwing things at us but it worked | :56:57. | :57:03. | |
out OK! I put my heart and soul into that tonight and I am delighted to | :57:04. | :57:05. | |
be playing again with Frankie, Jackie and Roy. 230, 231, 32, 33... | :57:06. | :57:18. | |
Both sides of the great divide dancing and appreciating the music. | :57:19. | :57:21. | |
And they had a ball, and I don't know about anybody else, but I had a | :57:22. | :57:26. | |
ball. I'd just hope they don't do this every week! OK! | :57:27. | :57:32. | |
This is the end of the security fence. It's about 240 paces long. | :57:33. | :57:54. | |
Sometimes it seems it might be 240 paces high. Sometimes I think it | :57:55. | :58:00. | |
might only take one small step and we would all be gone. | :58:01. | :58:12. | |
Alexander was saying he wanted to make a film about The Fountain and | :58:13. | :58:19. | |
the people in The Fountain. And the times. Time has gone on very | :58:20. | :58:23. | |
quickly! Patrick Kielty | :58:24. | :59:06. | |
is back on home turf... | :59:07. | :59:09. |