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This programme contains scenes which some viewers may find upsetting. | 0:00:02 | 0:00:06 | |
On Christmas Day 2008, | 0:00:06 | 0:00:08 | |
81-year-old grandmother Maire Rankin was beaten to death in her home. | 0:00:08 | 0:00:14 | |
She had head injuries. She had broken ribs. | 0:00:14 | 0:00:17 | |
Her lung was punctured. | 0:00:17 | 0:00:19 | |
She had bruising all over her body. | 0:00:19 | 0:00:22 | |
And... she had been sexually assaulted. | 0:00:22 | 0:00:25 | |
She had been stripped naked and sexually assaulted. | 0:00:25 | 0:00:28 | |
45-year-old pharmacist Karen Walsh was charged with her murder. | 0:00:30 | 0:00:35 | |
I said to myself, "Sweet divine, was I the last person in there?" | 0:00:35 | 0:00:38 | |
Maire's family have followed every step of a protracted legal process. | 0:00:38 | 0:00:44 | |
We all vowed that there needed to be some member of the family there | 0:00:44 | 0:00:48 | |
for every time there was any mention of Mummy in court. | 0:00:48 | 0:00:52 | |
The person accused of the murder walks in and sits amongst you. | 0:00:52 | 0:00:58 | |
And she came out and she put her face that close to mine. | 0:00:58 | 0:01:03 | |
This is the inside story of the Rankin family, | 0:01:04 | 0:01:08 | |
as they battle their way through the legal system. | 0:01:08 | 0:01:11 | |
Mummy was an ordinary little old lady, who was quite remarkable as our mother. | 0:01:13 | 0:01:18 | |
And quite unremarkable in a lot of other ways. | 0:01:18 | 0:01:21 | |
And... it's to say she existed. | 0:01:21 | 0:01:25 | |
# Happy birthday to you | 0:01:32 | 0:01:36 | |
# Happy birthday to you | 0:01:36 | 0:01:40 | |
# Happy birthday dear Maire | 0:01:40 | 0:01:45 | |
# Happy birthday to you. # | 0:01:45 | 0:01:49 | |
I just want to thank everybody for coming. It's lovely to see you all. | 0:01:49 | 0:01:54 | |
To celebrate my birthday and indeed my life. | 0:01:54 | 0:01:58 | |
"Today dear Lord, I am 80." | 0:01:58 | 0:02:03 | |
"And there's much I haven't done." | 0:02:03 | 0:02:06 | |
"I hope, dear Lord, you let me live until I am 81." | 0:02:06 | 0:02:11 | |
"But if I haven't finished all I want to do, | 0:02:11 | 0:02:14 | |
"would you let me stay a while until I am 82?" | 0:02:14 | 0:02:18 | |
But Maire didn't get to stay until she was 82. | 0:02:21 | 0:02:25 | |
18 months after this video was filmed, she was dead. | 0:02:25 | 0:02:29 | |
In Newry, Maire and her sisters, Annie and Claire, | 0:02:32 | 0:02:36 | |
were the three Corrs, | 0:02:36 | 0:02:38 | |
inseparable all their lives. | 0:02:38 | 0:02:41 | |
I want to just acknowledge Claire, Annie and Arthur, | 0:02:41 | 0:02:45 | |
without whom I would not be able to live, quite honestly. | 0:02:45 | 0:02:51 | |
They're such support, such kindness. | 0:02:51 | 0:02:54 | |
And they have been with me since Gerry died. | 0:02:54 | 0:02:57 | |
They're just marvellous. Thank you again. | 0:02:57 | 0:03:02 | |
Maire was the eldest. I was next. | 0:03:02 | 0:03:05 | |
Annie was the youngest. Just the three of us. | 0:03:05 | 0:03:08 | |
I was the birthday present for her fourth birthday. | 0:03:08 | 0:03:12 | |
Mummy left Maire's fourth birthday party to go, and I was born the following day. | 0:03:12 | 0:03:17 | |
Her day is the day after mine. | 0:03:17 | 0:03:20 | |
I felt this is why we were so close. | 0:03:20 | 0:03:24 | |
-Were you born in the hospital? -Yes. We'll not go into that! | 0:03:24 | 0:03:29 | |
Maire and Gerry Rankin moved to the Dublin Road in Newry 40 years ago. | 0:03:31 | 0:03:36 | |
They had eight children, from Diarmuid, the youngest, to Emily, the oldest. | 0:03:36 | 0:03:43 | |
By the time this birthday portrait was taken, Gerry was gone | 0:03:43 | 0:03:47 | |
and Maire was at the heart of the family. | 0:03:47 | 0:03:50 | |
To her 11 grandchildren, she was the perfect granny. | 0:03:53 | 0:03:57 | |
And the two youngest boys were particular favourites. | 0:04:01 | 0:04:05 | |
There was always time to play. | 0:04:05 | 0:04:09 | |
Around the time Maire celebrated her 80th birthday, | 0:04:19 | 0:04:22 | |
a couple from Dublin bought the house next door. | 0:04:22 | 0:04:26 | |
They only stayed occasionally. She'd met them three or four times. | 0:04:26 | 0:04:30 | |
The first night Karen Walsh ever went into her, Maire rang me and said, | 0:04:30 | 0:04:35 | |
"Annie, my next-door neighbour came in with a bottle of whiskey. | 0:04:35 | 0:04:42 | |
"And she wanted me to have a drink, and I told her I didn't drink." | 0:04:42 | 0:04:47 | |
She said, "She had a couple of wee miniatures with her, | 0:04:47 | 0:04:51 | |
"and she said, 'Do you mind if I have one?'" | 0:04:51 | 0:04:53 | |
And she said, "I explained I didn't drink." | 0:04:53 | 0:04:55 | |
But she said, "She was awfully nosy. She wanted to know all about the neighbours." | 0:04:55 | 0:05:02 | |
And she says, "I just wasn't keen on her." | 0:05:02 | 0:05:06 | |
Maire would not have had experience of drink. | 0:05:06 | 0:05:11 | |
I would say whenever she came into her on a Saturday evening, she had drink on her. | 0:05:11 | 0:05:18 | |
Any time that she came in. | 0:05:18 | 0:05:20 | |
She would have been drinking in Dublin before they came down here that evening. | 0:05:20 | 0:05:25 | |
I would leave Maire down home on a Saturday evening. | 0:05:25 | 0:05:32 | |
And she would go up, she said, | 0:05:32 | 0:05:36 | |
She said, "Oh, their car's there." And she would say to me, | 0:05:36 | 0:05:40 | |
when I would go to open the door, | 0:05:40 | 0:05:42 | |
"Don't put on the light. I don't want her to know that I'm here." | 0:05:42 | 0:05:46 | |
That she not know I'm at home. | 0:05:46 | 0:05:47 | |
Her new neighbours had a little boy of their own. | 0:05:49 | 0:05:53 | |
She bought a little selection box for the couple next door, | 0:05:53 | 0:05:58 | |
because they had a little boy who was two at the time. | 0:05:58 | 0:06:02 | |
I remember saying to her, "Mummy, why did you buy a present? | 0:06:02 | 0:06:06 | |
"You hardly know the people next door." | 0:06:06 | 0:06:08 | |
She said, "But they might come over Christmas | 0:06:08 | 0:06:11 | |
"and I wouldn't have a child in the terrace come to this house | 0:06:11 | 0:06:14 | |
"over Christmas and not have a present for them." | 0:06:14 | 0:06:17 | |
That was just her nature. | 0:06:17 | 0:06:18 | |
She would have gone to either Brenda's or Mairead's for Christmas. | 0:06:26 | 0:06:30 | |
She hadn't been well for a few weeks before Christmas, | 0:06:30 | 0:06:32 | |
and she hadn't been sleeping too well. | 0:06:32 | 0:06:35 | |
Maire had asthma, which had been made worse because of a chest infection. | 0:06:35 | 0:06:39 | |
I rang her at least four times on Christmas Eve saying, | 0:06:39 | 0:06:42 | |
"Please Mummy, come and stay here." You know? | 0:06:42 | 0:06:45 | |
She says, "No, I'm coughing at night. I'll get one more night in my own bed." | 0:06:45 | 0:06:49 | |
She was adamant that she was staying in Newry. | 0:06:49 | 0:06:51 | |
Mummy had never ever been on her own on Christmas Eve. | 0:06:51 | 0:06:56 | |
And that's the irony. She shouldn't have been on her own. She shouldn't have been there. | 0:06:56 | 0:07:00 | |
I went out to midnight mass. | 0:07:03 | 0:07:06 | |
I came in and they were getting the kettle on, the whole family inside. | 0:07:06 | 0:07:11 | |
And I rang and says, "Well Maire, how are you?" She hadn't been well. | 0:07:11 | 0:07:14 | |
She says, "Ah, I'm not so bad, but I am not going to bed. I'm going to stay on the recliner." | 0:07:14 | 0:07:20 | |
"It's easier for me to get in and out of bed." | 0:07:20 | 0:07:24 | |
And I said, "Look Maire, I have the house full." | 0:07:24 | 0:07:27 | |
She says, "Away you go." | 0:07:27 | 0:07:28 | |
I said "No, I'll talk to you in the morning." | 0:07:28 | 0:07:31 | |
On Christmas Eve, she had several phone calls from her children. | 0:07:31 | 0:07:35 | |
In the last, at 10:40, she said she was packed | 0:07:35 | 0:07:39 | |
and ready to go to Brenda's for Christmas the next day. | 0:07:39 | 0:07:42 | |
She was saying to Aine, "I can't wait. I can't wait to see the children tomorrow", and all the rest. | 0:07:42 | 0:07:50 | |
Just in great form, bubbling. | 0:07:50 | 0:07:52 | |
She said, "I am going upstairs now to watch midnight mass." | 0:07:52 | 0:07:56 | |
She took her stairlift upstairs, got ready for bed, | 0:07:56 | 0:08:01 | |
and settled down in front of the TV. | 0:08:01 | 0:08:04 | |
At some point, close to midnight, the doorbell rang. | 0:08:04 | 0:08:07 | |
Maire buzzed down to let her neighbour, Karen Walsh, in. | 0:08:07 | 0:08:12 | |
It was late, but she had that present for her son. | 0:08:12 | 0:08:16 | |
I suppose it was half eight or nine when we got up. | 0:08:25 | 0:08:29 | |
Annie had phoned. | 0:08:29 | 0:08:30 | |
She said to me... That was after 10, was it? | 0:08:30 | 0:08:34 | |
No, I rang before that. I rang and said, "She must be in the shower." | 0:08:34 | 0:08:37 | |
I rang back. There was still no answer. | 0:08:40 | 0:08:43 | |
I said, "God bless us, I wonder if she is sleeping"... | 0:08:43 | 0:08:47 | |
That's another funny thing - "Is she sleeping on her good ear?" | 0:08:47 | 0:08:50 | |
Whatever possessed me, I said, "I'm going down to see..." | 0:08:52 | 0:08:57 | |
I said, "Why... Do you think there's anything wrong?" | 0:08:57 | 0:09:02 | |
And I went in. | 0:09:03 | 0:09:05 | |
Opened the door and into the hallway. | 0:09:05 | 0:09:09 | |
Next thing I shouted, "Maire? Maire?" | 0:09:09 | 0:09:11 | |
Went into the bedroom. | 0:09:11 | 0:09:14 | |
And the place was... | 0:09:14 | 0:09:15 | |
I said, "This is like a battlefield." | 0:09:15 | 0:09:18 | |
This to myself. I looked over across and I... | 0:09:18 | 0:09:22 | |
I went over a bit then and looked up. | 0:09:22 | 0:09:26 | |
Holy God. | 0:09:26 | 0:09:28 | |
-There I saw poor Maire lying out. -She was laid out. | 0:09:28 | 0:09:32 | |
I said, "Maire?" Thinking she'd collapsed. | 0:09:32 | 0:09:37 | |
And she was lying out. | 0:09:37 | 0:09:40 | |
I went over and I knelt down beside her, slapped her face. | 0:09:40 | 0:09:44 | |
-"Hello, ambulance service." -"Ambulance service to 39 Dublin Road, Newry, please. Hurry." | 0:09:54 | 0:10:00 | |
"I think she might be dead. She's unconscious." | 0:10:00 | 0:10:03 | |
-"Who is it?" -"My mother." | 0:10:03 | 0:10:05 | |
"OK. The ambulance is being organised as I'm speaking to you. Are you with her now?" | 0:10:05 | 0:10:09 | |
"I'm going upstairs. My uncle has just arrived as well." | 0:10:09 | 0:10:12 | |
-"Are you going to where your mother is?" -"Yes, I haven't seen her yet." | 0:10:12 | 0:10:16 | |
-"My uncle found her." -"Right. How old is your mother?" | 0:10:16 | 0:10:19 | |
"Oh my God, everything's lying everywhere!" | 0:10:19 | 0:10:23 | |
Uncle Arthur was here, he knelt down beside her, he was hugging her, whatever. | 0:10:23 | 0:10:26 | |
I didn't even touch her. I just threw the keys on the bed, and then knelt down there. | 0:10:26 | 0:10:31 | |
Then I kept saying afterwards, "Why didn't I even touch her?" | 0:10:34 | 0:10:39 | |
But Brenda, you did the right thing. You said the prayer with her. | 0:10:41 | 0:10:45 | |
I know. Afterwards, Uncle Arthur was saying, | 0:10:45 | 0:10:48 | |
"Flip me, at least you said a prayer for your mother." | 0:10:48 | 0:10:51 | |
I said, "Yes, she'll be thrilled with me for doing that." | 0:10:51 | 0:10:54 | |
I says, "But I didn't touch her, you hugged her." Even though I knew she was dead. | 0:10:54 | 0:10:59 | |
Then I was sort of thinking, how long was she dead? Was she cold? | 0:10:59 | 0:11:04 | |
-"Take a deep breath for me." -"OK." -"That's it." | 0:11:06 | 0:11:10 | |
"Calm down a minute, OK? | 0:11:10 | 0:11:13 | |
-You're going to have to try to be strong for your uncle. OK?" -"OK." | 0:11:13 | 0:11:16 | |
"Can you tell me why you think she has passed away?" | 0:11:16 | 0:11:19 | |
-"Is she cold and stiff?" -"She's cold, she's black and blue!" | 0:11:19 | 0:11:22 | |
-"Send the police, please!" -"The police are being organised." | 0:11:22 | 0:11:25 | |
"OK." | 0:11:25 | 0:11:27 | |
"I'm sending someone to assist you." | 0:11:27 | 0:11:29 | |
-"Is there anything else I can do for you?" -"I want to ring my brother." | 0:11:29 | 0:11:32 | |
"We'll be with you as soon as we can, all right?" | 0:11:32 | 0:11:36 | |
When Brenda phoned me that morning, all she said was, | 0:11:36 | 0:11:40 | |
um... I think she said, "Mummy's gone." | 0:11:40 | 0:11:45 | |
Or, "It's Mummy." Or something like that. | 0:11:45 | 0:11:49 | |
And she was obviously crying. | 0:11:49 | 0:11:52 | |
Um... And I just shouted down the phone, "I'm leaving. I'll be there in a minute." | 0:11:52 | 0:11:57 | |
I was escorted very nicely, but I was taken by the shoulder, | 0:12:02 | 0:12:06 | |
and guided down the stairs. | 0:12:06 | 0:12:08 | |
At that stage I could see Diarmuid running up the steps. | 0:12:08 | 0:12:11 | |
He was saying, "You've got to let me in, it's my mother." I just shouted to him, | 0:12:11 | 0:12:15 | |
"Diarmuid, somebody has killed her." He screamed, "The bastards!" | 0:12:15 | 0:12:19 | |
At the top of his voice, "The bastards! The bastards!" | 0:12:19 | 0:12:22 | |
But when he screamed, it was haunting, absolutely haunting. | 0:12:24 | 0:12:29 | |
Everybody heard. There were neighbours from three or four doors down | 0:12:29 | 0:12:33 | |
who came onto the front steps. They hadn't seen the police at this stage. | 0:12:33 | 0:12:38 | |
But they heard a commotion, heard noise. | 0:12:38 | 0:12:40 | |
But the next-door neighbours weren't among them. | 0:12:40 | 0:12:44 | |
Karen Walsh, a pharmacist from Galway, | 0:12:44 | 0:12:47 | |
and her husband, Richard Durkin, a tax consultant, | 0:12:47 | 0:12:50 | |
spent so little time in the Newry house, the sisters had never met them. | 0:12:50 | 0:12:55 | |
I presumed there was no-one in that house because nobody came out. | 0:12:55 | 0:12:59 | |
Every other neighbour came out to the front. | 0:12:59 | 0:13:01 | |
If you look over there... | 0:13:01 | 0:13:04 | |
-Yeah. -Look how close... | 0:13:04 | 0:13:08 | |
-It's only the sense you get how close their bedroom window is. -Yeah. | 0:13:08 | 0:13:12 | |
It is a stone's throw. | 0:13:12 | 0:13:16 | |
And you know something, Brenda? When you said Diarmuid screamed... | 0:13:16 | 0:13:21 | |
The whole terrace heard him. The neighbours from up and down came out. | 0:13:21 | 0:13:25 | |
They were they were right... They couldn't have not heard Diarmuid | 0:13:25 | 0:13:28 | |
if whoever is down there, heard him, | 0:13:28 | 0:13:31 | |
because the bedroom, | 0:13:31 | 0:13:33 | |
their sitting room and their bedroom window, | 0:13:33 | 0:13:36 | |
are almost touchable from here. | 0:13:36 | 0:13:38 | |
They couldn't have not heard Diarmuid. | 0:13:40 | 0:13:42 | |
She had head injuries, broken ribs. Her lung was punctured. | 0:13:53 | 0:13:59 | |
She had bruising all over her body. Her face was bruised | 0:13:59 | 0:14:03 | |
and there was a mark, a circular mark, an indentation on her chin. | 0:14:03 | 0:14:07 | |
Looking at her hands, her nails were very badly bruised. | 0:14:07 | 0:14:12 | |
And I remember thinking, no. That's not right. | 0:14:12 | 0:14:17 | |
She had been sexually assaulted. She had been stripped naked and sexually assaulted. | 0:14:19 | 0:14:24 | |
Moira had died from what the pathologist would call | 0:14:26 | 0:14:28 | |
a multiplicity of forceful blows to the head, a sustained and frenzied beating. | 0:14:28 | 0:14:35 | |
The crucifix from her bedroom wall lay beside her on the floor, | 0:14:35 | 0:14:40 | |
her body covered with the throw from her bed. | 0:14:40 | 0:14:43 | |
For all her life, the crucifix had hung above her bed. | 0:14:43 | 0:14:48 | |
For Maire, it was a symbol of her faith. | 0:14:48 | 0:14:51 | |
In her killer's hands, it was a weapon, | 0:14:51 | 0:14:55 | |
pushed so hard into her face, the crown of thorns left their mark. | 0:14:55 | 0:15:01 | |
Well, I think what happened was | 0:15:04 | 0:15:05 | |
Mummy was sitting on that chair watching the television | 0:15:05 | 0:15:08 | |
-and, if she came in the door here, and Mummy challenged her... -Yeah. | 0:15:08 | 0:15:13 | |
..if Mummy saw that she had a bottle of vodka and was drunk, | 0:15:13 | 0:15:17 | |
so there was obviously some sort of disagreement or argument. | 0:15:17 | 0:15:21 | |
I think that the attack happened here, | 0:15:21 | 0:15:24 | |
because there was a huge clump of hair just about there on the ground. | 0:15:24 | 0:15:28 | |
My eyes were drawn to a huge clump of snow-white hair | 0:15:31 | 0:15:37 | |
on the green carpet and I was... absolutely horrified, because, to me, | 0:15:37 | 0:15:43 | |
that just screamed of a very violent death. | 0:15:43 | 0:15:46 | |
Her hair was pulled so violently, it ripped her scalp from her skull. | 0:15:46 | 0:15:51 | |
A layer of blood a centimetre thick congealed underneath her skin. | 0:15:53 | 0:15:58 | |
Her head and face were purple with bruising. | 0:15:59 | 0:16:03 | |
She'd 15 broken ribs and marks on her arms. | 0:16:03 | 0:16:07 | |
She was just laid out at the bottom of the bed on her back | 0:16:08 | 0:16:13 | |
with a dressing down rolled up under her neck. | 0:16:13 | 0:16:16 | |
I saw her feet sticking out and then, when the... | 0:16:16 | 0:16:20 | |
the bedspread was over, but it was over just about there, | 0:16:20 | 0:16:23 | |
and I could see her shoulders that she'd no nightie on. That alarmed me. | 0:16:23 | 0:16:27 | |
They took my mother's body out of the house | 0:16:29 | 0:16:32 | |
and that was an awful experience. | 0:16:32 | 0:16:35 | |
I think that's probably, um, | 0:16:35 | 0:16:39 | |
one of the very lasting images that I will have of the whole thing. | 0:16:39 | 0:16:46 | |
Um, it was still, er... Forensics still had a lot of work to do, | 0:16:46 | 0:16:51 | |
so they wouldn't allow a coffin into the house, um... | 0:16:51 | 0:16:56 | |
And they took her out in a body bag. | 0:16:56 | 0:16:59 | |
They opened the coffin in the middle of the Dublin Road | 0:16:59 | 0:17:03 | |
-and they put her in the coffin. -VOICE BREAKS | 0:17:03 | 0:17:05 | |
HE SIGHS | 0:17:05 | 0:17:07 | |
And that was just terrible. | 0:17:20 | 0:17:22 | |
..to, er, who could help us. | 0:17:30 | 0:17:33 | |
This is the next door neighbour, Karen Walsh, | 0:17:33 | 0:17:36 | |
36 hours after she murdered Maire. | 0:17:36 | 0:17:38 | |
At this stage, she's a witness, not a suspect. | 0:17:38 | 0:17:43 | |
I think there's basically, right, OK, she was not well that night, OK, | 0:17:43 | 0:17:50 | |
and, um, she shouldn't have been on her own in the house. | 0:17:50 | 0:17:55 | |
In Karen Walsh's version of events, she is a good neighbour | 0:17:55 | 0:17:58 | |
calling with a present late on Christmas Eve | 0:17:58 | 0:18:01 | |
and finding Maire struggling to breathe. | 0:18:01 | 0:18:04 | |
She was very, very wheezy, OK, exceptionally wheezy, OK? | 0:18:04 | 0:18:07 | |
Um, like, when I went in initially, right, OK, | 0:18:07 | 0:18:11 | |
she was catching her breath, OK, and had to keep on like slowing down, she was talking to me, OK? | 0:18:11 | 0:18:16 | |
But then, we talked so long, that she had to get up to go over to the nebuliser, OK, to get, um, | 0:18:16 | 0:18:22 | |
to get the Salbutamol from there, right, OK? Um... | 0:18:22 | 0:18:26 | |
She admits to lying on Maire's bed | 0:18:26 | 0:18:28 | |
-and drinking vodka from the bottle. -I regret that I didn't... | 0:18:28 | 0:18:31 | |
She was too polite, she said, to go and look for a glass. | 0:18:31 | 0:18:35 | |
When you heard what had happened... | 0:18:35 | 0:18:37 | |
She claimed she went to look for Maire's inhaler. | 0:18:37 | 0:18:39 | |
When she couldn't find it, she had a mince pie and left. | 0:18:39 | 0:18:43 | |
Er, I don't know, I think... | 0:18:43 | 0:18:46 | |
I just, I regret I didn't stay with her or did anything. | 0:18:46 | 0:18:49 | |
The police officer asks how she felt when she heard what had happened to Maire. | 0:18:51 | 0:18:55 | |
Absolute crap, cos I thought to myself, "Sweet divine! Was I the last person in there?" | 0:18:55 | 0:19:00 | |
But the police suspected she did go to number 39 with a bottle of vodka, | 0:19:00 | 0:19:04 | |
but only so she could drink in peace after a row with her husband. | 0:19:04 | 0:19:08 | |
They believe that, when Maire asked her to leave, | 0:19:08 | 0:19:11 | |
she battered her in a drunken rage. | 0:19:11 | 0:19:13 | |
Karen Walsh told police she went home to bed, | 0:19:15 | 0:19:17 | |
still in her clothes and boots. | 0:19:17 | 0:19:20 | |
"I went solid asleep," she said. | 0:19:20 | 0:19:22 | |
She ends her interview by saying, | 0:19:23 | 0:19:26 | |
"It's not exactly the ideal Christmas." | 0:19:26 | 0:19:29 | |
Good evening. | 0:19:34 | 0:19:35 | |
A neighbour of an 81-year-old woman, | 0:19:35 | 0:19:37 | |
who was found dead in her Newry home on Christmas Day, has appeared in court charged with her murder. | 0:19:37 | 0:19:42 | |
Forensic officers were, this afternoon, | 0:19:42 | 0:19:45 | |
still searching the Newry home of Maire Rankin. | 0:19:45 | 0:19:47 | |
Today, Karen Walsh, who's 42, and lives next door, | 0:19:47 | 0:19:50 | |
at 37 Dublin Road, was in court charged with her murder. | 0:19:50 | 0:19:54 | |
For the next 18 months, Maire's home was a crime scene | 0:20:03 | 0:20:08 | |
and it would lie entombed, | 0:20:08 | 0:20:10 | |
frozen in time, | 0:20:10 | 0:20:12 | |
just as it was when her killer called. | 0:20:12 | 0:20:15 | |
When there is a murder, the victim's family | 0:20:22 | 0:20:24 | |
are drawn into a long, punishing process. | 0:20:24 | 0:20:28 | |
There were bail hearings, committal hearings, | 0:20:28 | 0:20:31 | |
36 hearings in all, before it got to trial. | 0:20:31 | 0:20:34 | |
Not one in our family had ever sat in a courtroom and I remember saying to one of the court officials, | 0:20:34 | 0:20:39 | |
"What happens when the judge comes in? Do you stand up?" | 0:20:39 | 0:20:43 | |
And she said, "Yes!" | 0:20:43 | 0:20:45 | |
I was going, "Well, we don't know, cos we've only seen it on telly." | 0:20:45 | 0:20:49 | |
The family also had to face the fact that Karen Walsh was freed on bail | 0:20:49 | 0:20:53 | |
and, for most of the time, lived in a flat in the middle of Belfast. | 0:20:53 | 0:20:59 | |
Once she got bail into Belfast, | 0:21:00 | 0:21:02 | |
I would never have gone down | 0:21:02 | 0:21:03 | |
into the city centre | 0:21:03 | 0:21:04 | |
in case I'd have met her. | 0:21:04 | 0:21:05 | |
In those early hearings, while on bail, | 0:21:05 | 0:21:09 | |
she sat alongside the family in the public gallery. | 0:21:09 | 0:21:12 | |
You go into the Magistrates' Court, | 0:21:12 | 0:21:14 | |
you go into the High Court, whatever, | 0:21:14 | 0:21:18 | |
and the person accused of the murder | 0:21:18 | 0:21:21 | |
walks in and sits amongst you. | 0:21:21 | 0:21:23 | |
Walks in and sits beside you. | 0:21:23 | 0:21:25 | |
No segregation, nothing like that. This person in our midst. | 0:21:25 | 0:21:29 | |
At one point, one of the barristers said, | 0:21:32 | 0:21:37 | |
"Do these people need to be in court?" | 0:21:37 | 0:21:40 | |
Us! We were the only people in the public gallery, a very small court, | 0:21:40 | 0:21:44 | |
and, "They're upsetting my client." | 0:21:44 | 0:21:48 | |
And we were sitting there, | 0:21:48 | 0:21:50 | |
hearing for the first time Mummy's injuries, and we were heartbroken! | 0:21:50 | 0:21:55 | |
It was...awful! VOICE BREAKS | 0:21:55 | 0:21:58 | |
Looking at Karen Walsh | 0:22:04 | 0:22:07 | |
and sort of half believing | 0:22:07 | 0:22:11 | |
that yeah, it's possible that that woman could've actually done this. | 0:22:11 | 0:22:15 | |
There was something in the look in her eyes. | 0:22:15 | 0:22:19 | |
Karen Walsh seized an opportunity within the system | 0:22:20 | 0:22:24 | |
to drag out the proceedings. | 0:22:24 | 0:22:26 | |
Four times a trial date was set and four times postponed, | 0:22:26 | 0:22:30 | |
because she kept sacking her lawyers. | 0:22:30 | 0:22:33 | |
Hi! Lovely to see you. | 0:22:38 | 0:22:41 | |
SHE LAUGHS | 0:22:41 | 0:22:43 | |
There's an alarm in this house... | 0:22:43 | 0:22:45 | |
Two years and nine months after their mother was killed, | 0:22:45 | 0:22:49 | |
the trial is on for the fifth time | 0:22:49 | 0:22:51 | |
and the family are getting ready to go to the Crown Court in Belfast. | 0:22:51 | 0:22:55 | |
-More bags! -Look at you! -I know. -LAUGHTER | 0:22:55 | 0:22:59 | |
Four of them live in England and have all flown back. | 0:22:59 | 0:23:02 | |
Houses have been rented, lives put on hold. | 0:23:02 | 0:23:06 | |
-And seeing her is really going to put a strain on us. -Grab her by the throat. -No! | 0:23:06 | 0:23:11 | |
-I think we'll get very angry. -We will. | 0:23:11 | 0:23:14 | |
-I could get angry! -We can't be doing that! -Grab her by the pony tail! | 0:23:14 | 0:23:18 | |
I know, I won't, I'm just saying that. | 0:23:18 | 0:23:20 | |
-Can I just ask a really, like a really serious question? -Go on. | 0:23:20 | 0:23:25 | |
What do you think Karen Walsh'll wear tomorrow? | 0:23:25 | 0:23:27 | |
-She might surprise us and wear something different. -She might. | 0:23:27 | 0:23:31 | |
-I don't think so. -She'll wear the same coat? | 0:23:31 | 0:23:34 | |
-As part of the image. -The cream coat and the blonde hair. -That's the court uniform. | 0:23:34 | 0:23:39 | |
Yeah, we're a bit nervous and a bit anxious | 0:23:55 | 0:23:59 | |
and don't really know what to expect. But it's starting. | 0:23:59 | 0:24:02 | |
Day one started with the prosecution. | 0:24:02 | 0:24:06 | |
Police photographs were shown to the jury and witnesses. | 0:24:10 | 0:24:15 | |
Images of Maire show extensive bruising on her head | 0:24:15 | 0:24:19 | |
and the mark of the crown of thorns on her chin. | 0:24:19 | 0:24:22 | |
As the jury were looking through the photographs, | 0:24:22 | 0:24:25 | |
you could just see clearly | 0:24:25 | 0:24:27 | |
Mummy's bruised face | 0:24:27 | 0:24:29 | |
and, um, you know, | 0:24:29 | 0:24:30 | |
the bruises all the way down and ring on her chin, it was just horrific! | 0:24:30 | 0:24:35 | |
And I tried to look away, but when I looked back, it was still there | 0:24:35 | 0:24:39 | |
and it was imprinted on my mind and I couldn't think about anything else. | 0:24:39 | 0:24:45 | |
Barrister, Liam McCollum, | 0:24:45 | 0:24:48 | |
began by outlining the evidence against Karen Walsh. | 0:24:48 | 0:24:52 | |
There was no forced entry to number 39 | 0:24:52 | 0:24:55 | |
and she was the last to visit her. | 0:24:55 | 0:24:57 | |
Her DNA was found on the crucifix and on Maire's body. | 0:24:57 | 0:25:02 | |
That was the crucifix that was used to beat Mummy on the face, | 0:25:02 | 0:25:08 | |
on the arms, on her head, so... | 0:25:08 | 0:25:11 | |
if Karen Walsh's DNA is on the crucifix, and Mummy's DNA, | 0:25:11 | 0:25:17 | |
that clearly connects the defendant to the murder weapon | 0:25:17 | 0:25:21 | |
and the murder weapon to the victim and I think it's a very... | 0:25:21 | 0:25:24 | |
It's like a Cluedo answer. | 0:25:24 | 0:25:27 | |
You have the murderer, you have the weapon, | 0:25:27 | 0:25:30 | |
you've the location, you've the victim. | 0:25:30 | 0:25:32 | |
And a crucial piece of evidence was that, | 0:25:32 | 0:25:36 | |
at 7:31 on Christmas morning, someone used Maire's home phone | 0:25:36 | 0:25:41 | |
to ring Karen Walsh's husband, Richard Durkin, seven times. | 0:25:41 | 0:25:46 | |
Four of the family have been called to give evidence. | 0:25:50 | 0:25:53 | |
At last, this is a chance for them to have their say. | 0:25:53 | 0:25:56 | |
Today was like putting down a marker and saying..."This is who we are," | 0:25:58 | 0:26:05 | |
because up to now, everything has been about Karen Walsh. | 0:26:05 | 0:26:09 | |
The jury built up a picture of Mummy | 0:26:09 | 0:26:12 | |
and we began to talk about Mummy | 0:26:12 | 0:26:14 | |
and we began to get her back again and that was a wonderful feeling. | 0:26:14 | 0:26:19 | |
When I got up there, I thought, "No, I can do this, | 0:26:23 | 0:26:26 | |
I need to do this for Mummy, and I looked at the jury and the judge | 0:26:26 | 0:26:29 | |
and they smiled at you and you felt that you had their attention | 0:26:29 | 0:26:33 | |
and that it didn't matter what the... what the defence barrister said. | 0:26:33 | 0:26:39 | |
A few of our party had said to me when I'd given evidence, | 0:26:41 | 0:26:45 | |
they said, "Arthur, when you spoke about it, | 0:26:45 | 0:26:48 | |
"there were two of three people in the jury who broke down." | 0:26:48 | 0:26:55 | |
And they said they buried their head and they were quite upset, you know. | 0:26:55 | 0:27:00 | |
And I looked across at the jury and that settled me. | 0:27:01 | 0:27:04 | |
It's amazing, they are looking so intently at the witnesses, | 0:27:04 | 0:27:10 | |
they looked so focused, they looked as if they cared, | 0:27:10 | 0:27:14 | |
they wanted to hear what I had to say and it was... | 0:27:14 | 0:27:18 | |
It was very emotional. SHE CRIES | 0:27:19 | 0:27:22 | |
But it was...it was comforting too. | 0:27:22 | 0:27:24 | |
Because I wanted to be listened to, | 0:27:26 | 0:27:29 | |
I've waited too long to tell this story, | 0:27:29 | 0:27:32 | |
and I needed them to listen to me and I needed to convey what happened | 0:27:32 | 0:27:39 | |
and how awful it was, but I wanted to do it in a composed way. | 0:27:39 | 0:27:44 | |
-TV: 'Today the trial began...' -You know, it could... | 0:27:47 | 0:27:50 | |
'..the killing of Maire Rankin and her family heard distressing evidence | 0:27:50 | 0:27:53 | |
'of how she may have in sexually assaulted after her death.' | 0:27:53 | 0:27:57 | |
-Emily, did you see that? -Yeah, it was good reporting by the BBC. | 0:27:57 | 0:28:01 | |
-The photographs were nice. -Yeah. -The photographs were better of her. | 0:28:01 | 0:28:04 | |
-Yeah, they were. It was a range of photographs instead of that one. -That's it. | 0:28:04 | 0:28:09 | |
It paints more of an automatic grandmother and ordinary mother. | 0:28:09 | 0:28:14 | |
For the first five days of the trial the prosecution barrister makes the case against Karen Walsh, | 0:28:23 | 0:28:29 | |
but the next few days will be more testing for the family. | 0:28:29 | 0:28:34 | |
It's the turn of the defence team to cast doubt and test the evidence. | 0:28:34 | 0:28:39 | |
It's frustrating and they're worried about how it's going. | 0:28:41 | 0:28:44 | |
You're just sitting there and you're just thinking, well, | 0:28:44 | 0:28:47 | |
"Is this all going to collapse? Is this all going to fall apart?" | 0:28:47 | 0:28:50 | |
You know, "Have they not got what they need?" And it just... | 0:28:50 | 0:28:54 | |
it didn't seem to be going right, did it? | 0:28:54 | 0:28:58 | |
They're angry about a lengthy discussion | 0:28:58 | 0:29:01 | |
over the box used by the forensic lab to store the crucifix. | 0:29:01 | 0:29:05 | |
The crucifix was fixed inside the box and they asked silly questions like, | 0:29:05 | 0:29:11 | |
"Why was the crucifix not in a bag?" | 0:29:11 | 0:29:14 | |
Well, it was obvious, even I know that, | 0:29:14 | 0:29:16 | |
if you have fingerprint evidence on an object | 0:29:16 | 0:29:19 | |
and you put it into a bag, that'll smudge it. | 0:29:19 | 0:29:22 | |
You know, it... It really seemed to be a bit of a hotchpotch yesterday. | 0:29:22 | 0:29:27 | |
Karen Walsh took to the witness stand. She denied the murder. | 0:29:29 | 0:29:34 | |
She also denied carrying out the sexual assault after the attack, | 0:29:35 | 0:29:39 | |
to make it look as though it had been done by a man. | 0:29:39 | 0:29:42 | |
That's been underplayed in the court, the sexual assault. | 0:29:42 | 0:29:45 | |
Imagine that women stripping her. | 0:29:45 | 0:29:49 | |
I find that harrowing, because, to me, | 0:29:49 | 0:29:53 | |
that was a final defilement of Mummy's body. | 0:29:53 | 0:29:57 | |
It's too dark to even understand, | 0:29:57 | 0:29:59 | |
and I don't want to be inside Karen Walsh's head | 0:29:59 | 0:30:02 | |
to understand what sort of person does that. | 0:30:02 | 0:30:05 | |
For the family, the worst day came | 0:30:10 | 0:30:13 | |
when Karen Walsh's defence team called two expert witnesses. | 0:30:13 | 0:30:17 | |
One of them, Dr Declan Gilsenan, | 0:30:17 | 0:30:20 | |
a retired state pathologist from the Republic, | 0:30:20 | 0:30:23 | |
carried out a second post-mortem on behalf of the defence. | 0:30:23 | 0:30:27 | |
He speculated that instead of being sexually assaulted, | 0:30:27 | 0:30:31 | |
Maire may have climbed on to the bed to get the crucifix off the wall, | 0:30:31 | 0:30:35 | |
fallen against the mirror and suffered a straddle injury. | 0:30:35 | 0:30:39 | |
"Are you serious?" the prosecution asked. | 0:30:41 | 0:30:43 | |
Around 30 times in her evidence, | 0:30:46 | 0:30:49 | |
Karen Walsh repeated, "I couldn't have been any nicer to the woman." | 0:30:49 | 0:30:53 | |
She was well-rehearsed, she decided what she wanted to say, | 0:30:54 | 0:30:58 | |
she was not deviating from that, and that is one devious woman. | 0:30:58 | 0:31:03 | |
I was appalled today. It physically made me sick at one point. | 0:31:03 | 0:31:06 | |
Even more galling for the family was when Karen Walsh tried to portray herself | 0:31:09 | 0:31:14 | |
as a friend concerned about Maire's daughter, who had cancer. | 0:31:14 | 0:31:18 | |
When she started to talk abut me personally, I got very upset. | 0:31:18 | 0:31:22 | |
And I just found that... | 0:31:22 | 0:31:24 | |
..upsetting. | 0:31:26 | 0:31:28 | |
I didn't like how she used the information about my illness | 0:31:34 | 0:31:40 | |
to make her look like she was a really close friend of Mummy's, | 0:31:40 | 0:31:44 | |
I find that very, very upsetting. | 0:31:44 | 0:31:47 | |
And that surprised me, I didn't expect all that to come out today. | 0:31:51 | 0:31:54 | |
It's not that I'm hiding it or don't want people to know, | 0:31:54 | 0:31:58 | |
it's just...I didn't expect it, | 0:31:58 | 0:32:01 | |
and when she came out with it in court today, | 0:32:01 | 0:32:04 | |
I just found it very, very upsetting. | 0:32:04 | 0:32:07 | |
The trial is coming to an end, | 0:32:15 | 0:32:17 | |
and the family are composing a victim impact statement. | 0:32:17 | 0:32:21 | |
I don't think we can put in all that emotional stuff. | 0:32:21 | 0:32:24 | |
This is their opportunity to tell the court how their lives | 0:32:24 | 0:32:28 | |
have been devastated by the murder. | 0:32:28 | 0:32:31 | |
The defence will be given a copy of it, that's an interesting one. | 0:32:31 | 0:32:35 | |
I have an issue with that, | 0:32:35 | 0:32:37 | |
I do not want Karen Walsh getting a copy of my victim impact statement. | 0:32:37 | 0:32:41 | |
-I don't care. -I don't want it. -I actually don't care. -I do care. | 0:32:41 | 0:32:44 | |
He didn't say that, he said defence team. | 0:32:44 | 0:32:47 | |
But I want to know that she does not get to read | 0:32:47 | 0:32:49 | |
my victim impact statement. | 0:32:49 | 0:32:51 | |
..Newry pensioner who was murdered at Christmas three years ago | 0:32:51 | 0:32:55 | |
is expected to go out tomorrow to consider its verdict. | 0:32:55 | 0:32:57 | |
I think it has gone very well, | 0:32:57 | 0:33:00 | |
and it was such a relief to hear on the TV today... | 0:33:00 | 0:33:03 | |
"The Karen Walsh trial is ended." | 0:33:05 | 0:33:09 | |
Talk about a sense of relief. | 0:33:09 | 0:33:11 | |
For Karen Walsh, her days in court are coming to an end. | 0:33:23 | 0:33:26 | |
I have absolute faith in the jury | 0:33:30 | 0:33:33 | |
and in the common sense of 12 ordinary, decent people. | 0:33:33 | 0:33:37 | |
It took them less than two hours to reach a verdict. | 0:33:41 | 0:33:45 | |
When the jury came in, I could not look over at the jury. | 0:33:45 | 0:33:49 | |
I just focused on the back of her head, on her ponytail. | 0:33:49 | 0:33:52 | |
I'd spent two weeks looking at the ponytail. | 0:33:52 | 0:33:54 | |
I was shaking. | 0:33:56 | 0:33:59 | |
When they stood up | 0:34:00 | 0:34:01 | |
and they asked the foreman if they'd reached a verdict, | 0:34:01 | 0:34:04 | |
when he said, | 0:34:04 | 0:34:06 | |
"Guilty of murder," | 0:34:06 | 0:34:09 | |
he said it with real authority, | 0:34:09 | 0:34:11 | |
and my heart nearly stopped | 0:34:11 | 0:34:13 | |
and I thought, "Is this real? Is this real?" | 0:34:13 | 0:34:16 | |
It was just such a powerful thing. | 0:34:16 | 0:34:18 | |
When the judge said, "Take her down," | 0:34:23 | 0:34:26 | |
I just thought, "She's out of our lives now." | 0:34:26 | 0:34:31 | |
Karen Walsh was today convicted | 0:34:38 | 0:34:40 | |
of the brutal murder of Maire Rankin, our mother. | 0:34:40 | 0:34:43 | |
Mummy was a kind and caring person, | 0:34:45 | 0:34:49 | |
who spent her life helping people. She would never have hurt anybody. | 0:34:49 | 0:34:54 | |
She had a right to feel secure in her own home. | 0:34:54 | 0:34:58 | |
However she wants to protest her innocence beyond that, | 0:35:03 | 0:35:06 | |
she can do it. I don't want to listen. | 0:35:06 | 0:35:08 | |
I don't want to listen any more, | 0:35:08 | 0:35:10 | |
certainly not to Karen Walsh. | 0:35:10 | 0:35:13 | |
When Andrew was sobbing beside me as well, I was sobbing. | 0:35:13 | 0:35:16 | |
I was sobbing and Andrew was sobbing. | 0:35:16 | 0:35:18 | |
I think justice has been done. | 0:35:18 | 0:35:20 | |
And you can gauge that from the amount of time the jury was out, | 0:35:20 | 0:35:25 | |
one hour and 52 minutes. | 0:35:25 | 0:35:27 | |
So there's absolutely no doubt about it. | 0:35:27 | 0:35:31 | |
Any of the detectives I spoke to all along, they said, | 0:35:31 | 0:35:34 | |
"We had no doubt all along, we knew we'd get the verdict you wanted." | 0:35:34 | 0:35:39 | |
And we got it, thanks be to God. | 0:35:39 | 0:35:41 | |
For the past two days, I have actually begun | 0:36:11 | 0:36:15 | |
to think about Mummy again, I've tried to think about Mummy. | 0:36:15 | 0:36:19 | |
So I am sure that in time we'll be able to get Mummy | 0:36:19 | 0:36:23 | |
back into our lives. | 0:36:23 | 0:36:26 | |
It saves classes in the gym. It's just as good a workout. | 0:36:26 | 0:36:30 | |
I know Mummy would be saying, "Look, I'm safe. I'm safe. | 0:36:34 | 0:36:38 | |
"Stop panicking about me. It's over. | 0:36:38 | 0:36:41 | |
"It was awful, it was brutal, it was not the way I wanted to die, | 0:36:41 | 0:36:45 | |
"but it's over." | 0:36:45 | 0:36:47 | |
Our lives are changed for good. | 0:36:52 | 0:36:54 | |
Which they are. They're completely changed since Maire died. | 0:36:54 | 0:37:00 | |
It's not the same at all. | 0:37:00 | 0:37:02 | |
I want to get past this process and not think of the horror, | 0:37:10 | 0:37:16 | |
cos there comes a time when someone dies | 0:37:16 | 0:37:18 | |
that you go through a process | 0:37:18 | 0:37:20 | |
and then you start to think of the good things | 0:37:20 | 0:37:23 | |
and you sift out the bad things. | 0:37:23 | 0:37:25 | |
So I'd like to be in that position. | 0:37:31 | 0:37:34 | |
I'd like to be past it all. | 0:37:34 | 0:37:36 | |
She just sat and read her book | 0:37:38 | 0:37:40 | |
and was quite contented to sit on the beach | 0:37:40 | 0:37:43 | |
for hours while we played around, the children. | 0:37:43 | 0:37:46 | |
We need to move on from this and pick up our lives | 0:37:50 | 0:37:55 | |
and restore Mummy's memory to what Mummy actually, truly was. | 0:37:55 | 0:38:01 | |
Full of fun and very vibrant, very lively. Just a nice person. | 0:38:02 | 0:38:09 | |
Subtitles by Red Bee Media Ltd | 0:38:48 | 0:38:51 | |
E-mail [email protected] | 0:38:51 | 0:38:54 |